The Rock Star of Toronto's Design Scene Is "a Bit of a Mystery"

The year 2025 marks a shift in interior design trends, moving from the subtle elegance of ‘quiet luxury’ to a bolder aesthetic characterized by sculptural stone. This emerging trend emphasizes furniture that appears to be carved from natural stone, blending organic forms with architectural solidity. Examples include travertine dining tables that evoke cliffside formations and plinth coffee tables featuring jagged edges and monolithic shapes. This design philosophy prioritizes permanence and durability, offering a counter-trend to the rapid cycles of fast fashion and design. Eternity Modern, a Vancouver-based brand, is highlighted as a key player in this movement. The company, initially recognized for its precise reproductions of mid-century modern furniture, now applies the same meticulous craftsmanship to its stone collection. Each piece is crafted from Italian-sourced marble or travertine, utilizing varieties such as Calacatta Viola, Arabescato, and Kunis Breccia, which are currently highly sought after by designers. The brand's direct-to-consumer model makes these high-quality Italian stone pieces accessible, with prices ranging from $1,000 to $5,000, significantly lower than those offered by high-end manufacturers. Additionally, most designs are customizable in terms of finish and sizing. The article showcases five specific pieces from Eternity Modern that exemplify the sculptural stone trend. The Kaia Plinth Coffee Table, available in various marbles including the popular Calacatta Viola, is described as an art piece due to its striking veining and robust form, offered in two sizes and finished with a protective honed polish. The Milan Side Table, made from solid Galaxy Blue marble, combines playful design with architectural stability, featuring a round top and curved block legs, and is available in custom sizes and stones. Its substantial weight and compact size make it versatile for different spaces. The Dario Dining Table, crafted from travertine, presents a modern minimalist interpretation of the material, avoiding the rustic aesthetic often associated with it. Available in White Travertine and a semi-gloss Red Travertine, it features a conical pedestal base and a clean circular top, suitable for smaller dining areas. The Elyse Freeform Coffee Table with Pedestal Base is presented as a modernist sculpture, with an undulating 55-inch silhouette and a cylindrical base. It is available in Moon Light marble or White Travertine, both with soft-honed seals, and features a hollowed base for easier placement and subtle asymmetry for organic contrast. Finally, the Cosmos Dining Table with Block Pedestal Base makes a dramatic statement with its sleek, grounded design. Crafted from Rosso Luana marble with distinct black, green, and white veining, and finished with a smooth honed seal, it is offered in 6-foot or 8-foot lengths. The table features a 1.4-inch-thick top resting on a solid block pedestal, equipped with protective fabric to prevent floor damage, emphasizing its substantial and enduring presence. #SculpturalStone #InteriorDesignTrends #EternityModern #HomeDecor #LuxuryFurniture #NaturalStone #TravertineTables #MarbleFurniture #ModernDesign

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners

The perception of gallery walls as a dated decor trend has been challenged by designer Sara Simon's approach in a Greenwich Village townhouse. Previously dismissed for being cluttered or belonging to an older design era, Simon's work demonstrates that with thoughtful execution, gallery walls can achieve a timeless aesthetic. Simon's design, featured in a $23 million New York City townhouse, utilizes a gallery wall composed entirely of black-and-white photography, primarily depicting musicians and cultural icons. This choice of a consistent monochrome palette is crucial in unifying the diverse images, making the wall appear cohesive despite its varied content. The images, such as The Beatles meeting Muhammad Ali or Frank Sinatra mid-shave, possess a vintage quality without being anchored to a specific decade, allowing them to blend seamlessly. Scale is another critical element in Simon's design. Recognizing the height of the walls in the parlor room, she incorporated a mix of large and smaller frames to fill the entire space, avoiding a rigid, grid-like appearance. This approach creates an animated feel that harmonizes with the room's vintage furniture and the home's historical character. Simon intentionally avoided perfectly aligned frames, opting for a more organic and dynamic arrangement to enhance this effect. To further unify the eclectic collection, Simon chose consistent wood frames throughout the gallery wall. While she emphasizes that matching frames are not a strict rule, this choice contributed to the overall harmony of this particular installation. She believes that the true success of a gallery wall lies in its ability to reflect the personality and interests of the homeowner, describing it as an expression of the individual's life and perspective. Simon highlights that her design principles are not rigid doctrines but rather adaptable strategies. She acknowledges that in her own home, she employs a gallery wall that mixes photographs, paintings, and various colors. This flexibility underscores the idea that customization and personal relevance are key to making a gallery wall timeless and meaningful. The setting of Greenwich Village, known for its artistic and eccentric residents, further supports the notion that a personalized, art-filled environment feels perfectly at home. In addition to the main gallery wall concept, the article provides several product suggestions for readers looking to create their own gallery walls. These include a pre-curated set of varied frames for an eclectic look, a bold colored print to make a statement, a consistent geometric frame for a cohesive feel, and a vintage-inspired photographic print. The article also touches upon incorporating tiny art and utilizing matted frames to give casual snapshots a sense of authority. It concludes by suggesting the inclusion of vintage tapestries as an emerging trend in art and decor, potentially integrating them into a gallery wall for added texture and interest. #GalleryWalls #InteriorDesign #HomeDecor #DesignTrends #ArtCollection #BlackAndWhitePhotography #PersonalStyle #TimelessDesign

This article presents a Studio Snapshot conversation with Brent Linden and Chris Brown, the founding partners of Linden, Brown Architecture, a Portland, Oregon-based firm. Established in 2018, the studio, recently rebranded as Observation Studio in July 2024, comprises five individuals. The founders met while working on museum projects at Allied Works in Portland and decided to combine their creative energies and desire for collaborative practice, aiming to pursue larger and more ambitious residential and hospitality projects than their individual small firms could handle. They shared a common appreciation for dynamic spaces, rich materiality, and meticulous detailing. The firm operates with a highly collaborative structure, ensuring that both founding partners are actively involved in every project. Three studio associates work closely with Linden and Brown, developing and clarifying core concepts through various methods such as design studies, drawings, and models. The intentionally small size of the firm allows each team member to contribute significantly from the initial concept phase through construction, fostering valuable skill development and comprehensive project experience. The partners expressed a flexible approach to growth, indicating that while they are open to scaling up, any expansion would be intentional. Their primary focus remains on maintaining the high quality of collaborative dialogue among themselves, their colleagues, and clients. They acknowledge the challenges of running a practice in an unpredictable construction climate, particularly balancing design vision with client budgets and project timelines. Despite these challenges, they are supported by trusting clients and a dedicated team. When hiring, Linden, Brown Architecture seeks individuals with curiosity, passion, and an interest in making, materiality, and dynamic spaces. The firm's design philosophy is deeply inspired by the Pacific Northwest's pioneering spirit, robust material culture, environmental reverence, and entrepreneurial ethos. They emphasize collaboration and iterative design, working with real materials from concept to execution to infuse their projects with a physical presence. The practice prioritizes sustainable material use, local sourcing, and experimentation with unconventional construction systems, viewing their role as facilitating a passionate conversation that engages clients, contractors, and craftspeople. The unique architectural context of the Pacific Northwest is highlighted by the founders, who note its rugged frontier, healthy pioneer spirit, and high tolerance for risk-taking, leading to a diverse range of project typologies. The region's commitment to craft results in buildings that are finely made and appeal to both aesthetic sensibilities and the communities they serve. This is coupled with a reverence for environmental conservation and inspiring natural landscapes. The partners also shared their admiration for several local creative practices, including Studio Noyes (apparel design), Grovemade (product design), Spartan Shop (design gallery), and Sequitur Wine (winery), all of whom exemplify high standards in their respective fields. A memorable project mentioned is the Gradient House and Studio in Portland, completed in mid-2020. This project notably integrated a professional design studio into a residential setting, addressing questions of live/work separation even before the global pandemic. The project's success is attributed to its rich material articulation, dynamic spaces, abundant daylighting, and integral relationship to the site and landscape, reflecting the firm's core design principles. The firm describes its practice as observational, conversational, and intentional, and its work as crafted, immersive, and material. #LindenBrownArchitecture #ObservationStudio #PortlandArchitecture #PacificNorthwestDesign #ArchitecturalCraft #StudioSnapshots #SustainableDesign #ResidentialArchitecture #HospitalityDesign

The new Gearbox studio in Montreal, Canada, designed by Patriarche, showcases an innovative approach to office design within challenging architectural parameters. The primary challenge was the building's distinctively long and rectangular floor plan. Patriarche, an agency that practices "augmented architecture" by integrating technical, sociological, and scientific knowledge into its design process, tackled this by employing high color contrasts across walls, ceilings, and furnishings. This strategy serves a dual purpose: it injects energy into the various spaces and aids in wayfinding throughout the office, making it easier for employees and visitors to navigate the expansive layout. The collaboration between Gearbox and Patriarche was a continuation of a successful previous project that had received an award from the Grand Prix du Design, ensuring a high standard of both functionality and aesthetic appeal for the new workplace. The office provides a diverse range of workspaces designed to support different modes of work, accommodating the varied needs of a video game development team. It includes 208 open-space workstations for collaborative or individual tasks, 11 enclosed offices for more private work, 12 dedicated meeting rooms for team discussions and presentations, and 11 lounge areas for relaxation and informal interactions. This variety offers team members the flexibility to choose an environment best suited to their current tasks, promoting productivity and comfort throughout the day. The intentional division of space through color blocking not only creates visually stimulating zones but also subtly guides occupants, ensuring that despite the large and linear floor plan, different functions are clearly delineated and accessible. Beyond functionality, the design draws inspiration from Montreal's Old Port neighborhood, known for its urban and industrial character. Patriarche integrated elements of street art and 90s pop culture into the office environment, moving away from conventional neutral office aesthetics. This creative direction is evident in unexpected details such as stools shaped like tree trunks, a transparent yellow curtain repurposed from a welding workshop, and colored glass doors. These unconventional design choices deliberately reject the notion that office spaces must be bland or understated to foster creativity. Instead, they aim to create an inspiring and dynamic atmosphere that reflects the vibrant and innovative nature of the video game industry, encouraging a more playful and imaginative work environment. The comprehensive design ensures that the Montreal studio is not just a place to work, but a stimulating hub that supports collaboration, focused effort, and creative thinking. #CommercialDesign #OfficeDesign #ColorBlocking #Patriarche #GearboxMontreal #InteriorDesign #WorkplaceInnovation #MontrealArchitecture

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

The Interior Design Show (IDS) Toronto returns to the Metro Toronto Convention Centre (North Building), offering a comprehensive experience for enthusiasts of interiors, home decor, architecture, technology, and art. The event, held in January 2026, features immersive environments, insights from celebrity designers, presentations by local and international brands, and innovative installations. It commences with an Opening Night party, transforming the show floor into a stylish lounge with live performances and DJ sets, marking the official start of Toronto Design Week. One of the main attractions is the "How We Work" feature, which explores the future of productivity through narrative-driven, cinematic environments. Collaborative design teams, including Ste. Marie x Moooi and 3H + Syllable Design, present installations that investigate the impact of workspaces on creativity, focus, and wellbeing. A notable exhibit within this section is the "Pomodoro" installation by BDP Quadrangle, which provides a physical interpretation of productivity cycles using light and texture. The Central Bar at IDS, named "Field of Interaction," serves as an interactive art installation created by Yury Goncharov and Alina Tacmelova. This space combines cocktail service with artistic engagement, featuring floating threads symbolizing human connection and a large "social rock" bar that allows guests to experience art from within. The show also highlights "Colour Drenching," a major trend emphasizing bold, saturated hues. Benjamin Moore showcases its 2026 Colour of the Year, Silhouette AF-655, a charcoal-plum shade, demonstrating how confident, monochromatic aesthetics can be integrated into home environments through brands like Hollis + Morris. The event features a distinguished lineup of speakers, including Canadian design figures such as Tommy Smythe, Brian Gluckstein, and Colette van den Thillart. International design icons, including Yves Béhar of Uber's founding team, Eames Demetrios, and architect Tatiana Bilbao, also contribute to the program. A keynote address titled “Rethinking AI’s Impact on the Business of Design” explores how artificial intelligence is transforming the design industry. IKEA Canada returns to IDS with a 600 sq ft immersive kitchen experience. This exhibit demonstrates practical and affordable world-class design solutions, showcasing a main kitchen, a hidden prep kitchen, a dining area, and a walk-in pantry. Another highlight is ILLUMINATE, a new feature curated by ThinkL Lighting Studio. This immersive "tunnel of light" combines art, technology, and design, presenting innovative lighting solutions from brands such as Anony and Delta Light. IDS also introduces the Furniture Forecast, a debut gallery-style showcase curated by Azure Magazine. This feature highlights the year's most exciting design innovations, including the Canadian premiere of works from international brands like Moooi, HAY, and SEM Milano. It provides an exclusive look at groundbreaking products such as Yves Béhar’s modular Peaks Sofa and Nicholas Baker’s Haybale Lounge Chair, emphasizing sustainable materials and contemporary silhouettes. Additionally, Atriani presents its evolving artistic direction, featuring rich, moody hues like terracotta and burgundy with deeply textured fabrics. Their booth showcases the debut of the Ottagono Coffee Table set and the Tuscano Chair, alongside updated versions of their core collection, like the Cielo Arm Chair, coinciding with the opening of their second Toronto showroom. #IDSToronto #InteriorDesignShow #DesignTrends #HomeDecor #Architecture #InteractiveArt #DesignInnovation #TorontoEvents #DesignWeek

The article discusses the resurgence of closed-concept home layouts, a shift from the popular open-concept designs. Interior designers are embracing this return, noting that open-concept spaces have lost some of their appeal with clients. The move towards closed-concept layouts is driven by a desire for more designated spaces with specific purposes, allowing for greater personalization, coziness, and practicality within the home. This trend is also observed in other areas of home design, such as the comeback of traditional kitchens. Several design professionals weigh in on this architectural shift. Allison Handler of Allison Handler Design points out that clients now prefer more distinct spaces over large, open rooms. Dan Mazzarini of Mazzarini & Co. and ARCHIVE highlights the need for separate areas to compartmentalize different household functions. Danielle Chiprut of Danielle Rose Design Co. notes a demand for closed-concept or hybrid spaces that offer flexibility. Krystal Reinhard of Old Soul Design Studio adds that while open concepts remain popular, homeowners are increasingly recognizing the advantages of having more defined rooms. One of the primary reasons homeowners are opting for closed-concept layouts is the increased design versatility. Smaller, separate rooms allow for more diverse and bolder design choices, such as floral wallpaper in a dining room, green cabinetry in the kitchen, or a dark, moody living room. Kevin Kaminski of Kaminski + Pew suggests that smaller spaces offer more opportunities for unique design moves, which can make each room feel distinct and personal. Gideon Mendelson of Mendelson Group also emphasizes that more wall space in closed layouts accommodates built-ins, art displays, and other design elements that might not be suitable for open-plan areas. Another significant benefit is the creation of cozy and private individual rooms. Closed-concept layouts clearly define zones for specific activities, like cooking in the kitchen, relaxing in the living room, or playing in a dedicated playroom. This is particularly appealing to families with children, who often seek private spaces where doors can be closed. Hillary Cohen of HCO Interiors notes that for those working from home, the ability to close an office door helps maintain a clear separation between work and personal life. Furthermore, closed layouts significantly reduce noise transmission between rooms, addressing a common complaint about the loud and echoey nature of open-concept spaces, as pointed out by Mark Schubert of Phillip Harrison Interiors. Improved organization is another practical advantage of closed-concept homes. In open layouts, all belongings are constantly visible, making it challenging to maintain a tidy appearance, especially when guests are expected. Peter Spalding of Daniel House Club explains that walls in a closed layout allow for certain rooms to be closed off, making it easier to manage clutter and present a clean home. Despite the growing interest in closed concepts, designers confirm that open-concept spaces are not entirely fading out. The current trend suggests a preference for flexible layouts that blend elements of both, incorporating open areas with strategically placed closed rooms, such as media rooms, playrooms, and home offices. Handler describes this as a semi-open concept, where rooms are distinct but connected by open doorways rather than solid doors, offering a balance between openness and privacy. #HomeDesign #InteriorDesign #ClosedConcept #OpenConcept #ArchitecturalTrends #HomeDecor #SpacePlanning

In 2019, Simple Longboards, a skateboard brand from Vienna, embarked on a global expansion, selecting Taipei as the location for its inaugural concept store. The design brief for the Platypus Cafe, located in Taipei, was centered around creating an interior that reflects the brand's commitment to nature, sustainability, and its Austrian heritage. The design strategy aimed to infuse the space with natural elements and textures, while also incorporating the brand's core values. The cafe is characterized by its use of raw and untreated materials, establishing a rustic yet modern aesthetic. Exposed concrete walls and floors provide a neutral backdrop, highlighting the warmth of wooden furniture and accents. Large windows facilitate natural light, creating an open and airy atmosphere that connects the interior with the urban environment outside. The layout is designed to be flexible, accommodating various seating arrangements and social interactions, from individual work to group gatherings. Key design features include custom-made wooden display shelves for skateboards and merchandise, which double as artistic installations. These shelves are integrated into the architecture, ensuring that the products are presented as an integral part of the cafe's ambiance. A prominent feature is the cafe's central counter, crafted from recycled wood and concrete, serving as both a functional service area and a focal point for social engagement. The lighting scheme utilizes a combination of ambient and task lighting, with pendant lights and track lighting strategically placed to illuminate key areas and create a cozy evening atmosphere. The material palette extends beyond wood and concrete to include steel elements, such as industrial-style light fixtures and structural accents, adding a contemporary edge to the natural theme. Glass partitions and windows are used to maximize transparency and light flow, while also offering views of the streetscape. The spatial design emphasizes a sense of flow and openness, with minimal barriers between different zones, promoting a welcoming and inclusive environment. Color choices are predominantly earthy and neutral, with shades of grey, brown, and green, complemented by occasional splashes of color from branding elements and natural flora. Indoor plants are strategically placed throughout the cafe, enhancing the connection to nature and improving air quality. The furniture selection includes a mix of communal tables and smaller, intimate seating arrangements, catering to diverse customer needs. The overall design creates a cohesive and immersive brand experience that is both aesthetically pleasing and functional, reflecting Simple Longboards' ethos of quality, nature, and community in an urban setting. The 100 square meter space was completed in 2020 by Radius Interior Design Studio. #CafeDesign #RetailInterior #SkateboardCulture #SustainableDesign #NaturalMaterials #TaipeiArchitecture #CommercialInteriorDesign #ModernRustic #RadiusInteriorDesignStudio

Edmonton's industrial design scene, characterized by affordable studios, hands-on training, and an entrepreneurial mindset, possesses the talent for a flourishing industry, yet questions remain about sufficient local demand. The University of Alberta's Industrial Design program plays a crucial role in this landscape, emphasizing both conceptual thinking and practical manufacturing skills. This unique approach equips graduates with the ability not only to envision innovative designs but also to understand the tangible processes of production, a competency increasingly rare in other programs that tend to prioritize theory over practical application. Prominent examples like Onetwosix Design, founded by U of A alumni Nick Kazakoff and Brendan Gallagher, illustrate the potential for success within this environment. Their journey began in a residential garage, driven by a shared passion for product design and prototyping. Their early successes, including the popular Selkirk table, led to the formal establishment of Onetwosix Design, which has since grown into a significant enterprise with a dedicated studio, manufacturing space, and 24 full-time employees. Their Loop Phone Booth, initially designed for a local client's open-concept office, has garnered international clients, including major corporations like Disney, Google, and Pokémon, demonstrating the global reach of Edmonton-born innovation. Edmonton's robust manufacturing culture further supports the design community. Designers such as Geof Lilge, founder of Pure Design, On Our Table, and Division Twelve; Jordan Tomnuk of Tomnuk Design; Zoë Mowat, known for her eponymous brand of furniture and home goods; the modern furniture company Izm; and the collective Loyal Loot, have all leveraged the city's resources and culture to achieve notable recognition. These designers often embrace a "shop-first" approach, prioritizing rapid prototyping over extended conceptualization to quickly bring products to market and adapt designs based on practical feedback. However, despite these successes, the design community in Edmonton faces ongoing challenges, primarily concerning the local market's size. While the city offers advantages like affordable industrial space—a significant contrast to more expensive hubs like Toronto or Vancouver—the demand for contemporary furniture locally remains relatively small. This forces many designers, including Lilge and Shane Pawluk of Izm, to target eastern Canadian and international markets, which, while successful, introduces logistical and financial complexities. Pawluk notes that while Albertans spend on outward-facing luxury goods, the market for high-end interior design remains limited, leading many successful Edmonton designers to find their primary customer base outside the province. This dynamic contributes to a boom-and-bust cycle within the local design scene, where promising new ventures may struggle to sustain themselves due to insufficient local demand. The lack of a consistently robust local market also impacts mentorship opportunities and knowledge sharing for emerging designers. Kalie Johnston, director of product design at Poppy Barley, highlights the absence of senior fashion designers in Edmonton from whom she can learn and be mentored, a consequence of talent often seeking opportunities in larger urban centers. However, there's a perceived shift underway. The rising cost of living in traditional design hubs like Toronto, Vancouver, and Montreal is making Edmonton's affordability increasingly attractive to design talent. This has led to an increase in job applications from outside the province, suggesting a potential for new growth and a more diverse talent pool. Organizations like MADE (Media Architecture Design Edmonton), founded by Shafraaz Kaba, have been instrumental in fostering a resilient design culture for over two decades. With Nick Kazakoff as chair, MADE continues to advocate for and elevate Edmonton's design conversation, aiming to build a sustainable, impactful, and identity-true design scene that positions Edmonton as a design-forward city. The enthusiasm of current U of A industrial design students, such as Hafsah Mohummed and Elisse Canaynay, for the program's practical focus and purposeful design principles, combined with a growing awareness of diversity and multicultural perspectives among students like Faith Adra, indicates a vibrant future for Edmonton's design landscape, provided the city can continue to attract and retain its talented designers. #IndustrialDesign #EdmontonDesign #ProductDesign #DesignCommunity #Manufacturing #Entrepreneurship #UrbanDevelopment #CreativeEconomy #FurnitureDesign

The ice rink at Rockefeller Center, a landmark in New York City for nearly a century, underwent a significant renovation of its subterranean public areas. Previously, the best views of the skaters were reserved for patrons of two upscale restaurants on the lower level, a situation Tishman Speyer, the owner of the rink and surrounding buildings, aimed to change. In 2019, Tishman Speyer initiated an invitational competition to re-envision the 50,000-square-foot public concourse. INC Architecture & Design, led by founding partners Adam Rolston and Drew Stuart, won the competition with a proposal focused on democratizing the rink experience and enhancing the concourse's circulation and design, drawing inspiration from the site's Art Deco history. The project was part of a broader rebranding effort for Rockefeller Center, intended to appeal to office workers, tourists, and locals, transforming the lower-level concourse into a vibrant civic space and a key hub for the busy 47th–50th Streets–Rockefeller Center subway station. Rolston and Stuart, both with personal connections to Rockefeller Center, recognized the need to revitalize the once 'dreary, mazelike' corridors characterized by beige limestone walls and low ceilings that lacked natural light. Their winning approach stemmed from a deep dive into the center's aesthetic history, original 1930s interiors, and details, expressing a profound attachment to the location. EB Kelly, Tishman senior managing director, noted that INC's work successfully enhances the perception of Rockefeller Center as an extraordinary place in New York. The firm's master plan introduced a windowed corridor around the rink, multiple pathways to the subway, and space for five restaurants. The design drew inspiration from the site's little-known history as the Elgin Botanic Garden, the city's first, which featured a looping, U-shaped plan. This historical reference informed INC’s flowing layout, characterized by curved walls and perimeter lighting guiding visitors through the concourse, thereby improving circulation that previously funneled through the middle. The design team also observed a fascinating contrast in Rockefeller Center’s existing architecture: while the exteriors were linear and vertical, many interiors were curved, sensuous, and feminine. This led to an architectural approach focused on 'flow,' heavily influenced by the radial light coves and proscenium arches of Radio City Music Hall, which mimic a sunrise. INC incorporated a half-mile of GFRG coves underground, unfurling like a ribbon to provide wayfinding and brighten corridors. Custom bronze pendant fixtures, reminiscent of the site’s original tiered fixtures by Edward F. Caldwell & Co., were also installed. The renovation also involved exposing the ceiling, raising heights from under 10 feet to up to 16 feet in some areas, revealing crisscrossing beams and five glass-block skylights. These skylights, installed among planters in Rockefeller Plaza with fountains above, allow dappled sunlight to filter through water to the floor below, creating a unique lighting effect. This rugged infrastructure contrasts with the polished interior finishes. Materially, the concourse’s design took cues from the glamorous Art Deco lobby of 30 Rockefeller Plaza. Charcoal terrazzo flooring with inlaid bronze patterns, a nod to the 1930s origins of Rock Center, was combined with tambour paneling of bronze or precast stone. Bronze storefronts frame four of the restaurants, while the fifth, 5 Acres, designed by INC and positioned in the center, features only a bronze rail to demarcate its space. This wall-less anchor restaurant was central to the proposal, embodying the concourse’s new open and hospitality-driven identity. A particular challenge for 5 Acres, a 100-seat farm-to-table eatery under 30 Rock with a private dining room, was concealing eight giant concrete columns. INC’s solution was to wrap each column in frosted ribbed glass, internally lit to reveal the structure's shadow, creating 'ghost columns' that contribute to the renovation's theatrical quality. The interior was furnished with mid-century pieces such as Cesca armchairs and a vintage Florence Knoll credenza, evoking the period when the offices above were first established. The renovation aims for diners to feel connected to the pulse of New York, even without direct views of the skaters. #RockefellerCenter #INCArchitectureAndDesign #RenovationProject #ArtDeco #PublicSpaceDesign #UrbanRenewal #InteriorDesign #CommercialArchitecture

The Shed, located in New York, United States, is a non-profit cultural organization dedicated to commissioning, developing, and presenting original works of art across various disciplines for diverse audiences. Completed in 2019, the building, known as the Bloomberg Building, was designed by Diller Scofidio + Renfro in collaboration with Rockwell Group. The facility spans an area of 18,500 square meters and is notable for its physical adaptability, engineered to accommodate a wide range of artistic endeavors. The Bloomberg Building features an eight-level base structure. This base includes two dedicated levels for gallery space, providing ample room for art exhibitions. Additionally, it houses the versatile Griffin Theater, designed to host performances and events. The upper levels of the base are home to The Tisch Skylights, which encompass a rehearsal space, a creative lab for local artists, and a skylit event space, offering flexible areas for artistic development and public engagement. A key architectural feature of The Shed is its telescoping outer shell. This shell can be deployed from over the base building and glides along rails onto an adjoining plaza, creating an expansive outdoor performance area known as The McCourt. This innovative design allows the building to physically transform, effectively expanding its footprint and capacity to host large-scale performances, installations, and events, responding dynamically to the needs of different artistic presentations. The project involved a comprehensive team of consultants and specialists to bring its complex design to fruition. Diller Scofidio + Renfro served as the lead architects, with Rockwell Group collaborating on the architectural design. Key consultants included Thornton Tomasetti for structural design, facade engineering, and kinetic engineering services, highlighting the intricate movable structure. Jaros Baum & Bolles handled MEP and fire protection, while Vidaris provided energy modeling consultation. Lighting design was managed by Tillotson Design Associates, and acoustic consultation by Akustiks. Construction management was overseen by Sciame Construction. Vertical transport consultants Van Deusen & Associates contributed to the building's internal logistics. Specialized consultants for the kinetic systems included Hardesty & Hanover, and Fisher Dachs Associates served as theater consultants, ensuring the functionality of the performance spaces. Cimolai was the structural steel fabricator, and Vector Foiltec fabricated the ETFE (Ethylene TetrafluoroFluoroethylene) material used in the outer shell. Additional expertise was provided by Code Consultants Inc. for building codes, Ducibella Venter & Santore for security, Entek Engineering for facade maintenance, James R. Gainfort for waterproofing, and Construction Specifications Inc. for specifications. Graphic design and wayfinding were handled by Other Means. The project's photography was primarily captured by Timothy Schenck, documenting the building's exterior and interior spaces. #CulturalArchitecture #ExhibitionCenter #NewYork #DillerScofidioRenfro #RockwellGroup #KineticArchitecture #PublicArtSpace #ArchitecturalInnovation #BuildingTransformation

The interior design world is currently embracing a unique and whimsical trend: hidden doorways. This design element, once associated with haunted houses, is being recontextualized as a sophisticated feature that offers both aesthetic appeal and practical benefits. Unlike traditional design approaches that emphasize bold statements through dopamine decor, color-drenched spaces, or intricate patterns, hidden doorways introduce an element of surprise and privacy, allowing homeowners to create a sense of intrigue and functionality within their living spaces. Clara Jung, principal of Banner Day Interiors, highlights the fantastical aspect of hidden doorways, emphasizing the universal appeal of whimsy and surprise in design. She notes that this trend allows designers to channel fun and unexpected joy into a home. Jenn Feldman, a Los Angeles designer, echoes this sentiment, referring to hidden doors as a 'wink in the room.' Beyond their playful nature, Feldman underscores the practical advantages, particularly in terms of privacy and maintaining visual flow in a home. In an era where personalization is a key design trend, these secret passages enable homeowners to achieve an efficient living environment without compromising on beauty. They are especially useful for concealing utilitarian spaces or storage areas that might otherwise detract from a room's overall aesthetic. Feldman implemented this trend in her own dining room to address a lack of symmetry and a significant need for closed storage. To preserve the room's formal and regal ambiance, she opted for a custom jib door, which is flush-mounted into the wall to create a seamless, barely-there appearance. While custom jib doors offer a tailored look, readily available bookcase doors can be purchased from retailers like Wayfair and Home Depot, providing accessible options for those looking to integrate this trend into their homes. Jung also utilized a hidden library door in a client's living room, transforming a previously unused open space into a functional and magical listening room tailored to the clients' audiophile interests. This secret room was designed with psychedelic wallpaper, captivating art, and a dedicated seating area, creating a 'jewel-box moment' within the property. Regardless of the specific use, the element of surprise is paramount to the success of a hidden doorway. Jung advises strategic placement in discreet areas that align with both function and design. For instance, a hidden bookcase in a hallway or a cabinet door leading to a secondary butler's pantry are ideal locations, as placing a hidden door where a conventional door would typically be expected diminishes its novelty. Additionally, practical considerations such as measurements and the door's inswing are crucial. Since most hidden doors swing inward, it is important to ensure that the functionality of the hidden room is not compromised. While professional installation is recommended due to the complexity of integrating jib doors, homeowners can actively collaborate with designers on wall treatments, paneling, cabinetry, or wallpaper to effectively camouflage the area. Coordinating millwork and hardware from the outset is also vital to achieve a seamless result, as retrofitting often falls short of the desired integration. Ultimately, the destination behind the hidden door is left to the homeowner's imagination, adding to the allure and personalized charm of this design trend. #DesignTrend #InteriorDesign #HiddenDoorways #HomeDecor #ArchitecturalDesign #ResidentialDesign #SpaceOptimization

The author explores the concept of "Design with a capital D," a term coined by T magazine editor Pilar Viladas, which refers to high-end, statement-making interiors. While admiring such designs, the author questions the necessity of always making a bold statement in a room, noting that rooms can become "rudderless" if too safe. The author's personal approach is to seek an "anchor" rather than a "statement" in design. The author discusses the pitfalls of the "statement wall," suggesting it can lead to a sense of completion prematurely. An experience is recounted where a client had invested heavily in De Gournay wallpaper for a dining room, leaving the rest of the apartment undone. The author's solution was to elevate the surrounding decor to match the grandeur of the wallpaper, emphasizing that complete overhaul isn't always necessary to transform a space. The author also touches on situations where decor becomes too tasteful, requiring a "punch" to disrupt the complacency. A personal anecdote illustrates this: while designing her own sitting room with elegant, understated elements, she introduced a zebra linen fabric to add an unexpected jolt. The author reflects on the influence of style icons like Lee Radziwill, whose tiger silk velvet sofa served as an inspiration, but also cautions against "statement seating" becoming a design cliché. The author advocates for introducing bold elements later in the decorating process, after a sense of balance has been established, to prevent them from dominating the entire space. Balance is highlighted as crucial, comparing it to cooking, and a trick for achieving harmony between rooms with strong patterns involves using a complementary color from the wallpaper in the adjacent room. The author admits to a lack of restraint in her own decorating preferences, contrasting it with the admired minimalist approach of interior designer Joanna Plant, who expertly curates a few perfect items. This personal struggle stems from a desire to possess many beloved items. Ultimately, the author emphasizes that rooms are not meant to be static but should evolve, bringing life to otherwise inoffensive interiors. The author dismisses the worry of rooms becoming boring, stating that their primary purpose is to serve as a backdrop for living, not to constantly entertain. The underlying message is to have fun with decorating, allowing for playful elements without overthinking cleverness, as seen in the September 2025 issue of Elle Decor. #InteriorDesign #Maximalism #DecoratingTips #HomeDecor #DesignPhilosophy #RitaKonig #StatementDecor #RoomBalance

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

The article explores "cluttercore," a design trend that embraces intentional clutter as a form of personal expression, distinguishing it from unintentional mess. Designers and homeowners are increasingly adopting this new take on maximalism, as evidenced by a Pinterest report indicating significant year-over-year increases in searches for “eclectic maximalism” and “vintage maximalism.” Interior designers Darren Henault and Thea Bloch-Neal emphasize that a layered, complex, and densely textured room can be peaceful and inviting when filled with meaningful items. However, they caution that achieving this aesthetic requires confidence and a keen eye to avoid veering into hoarder territory, with Henault stating, “If it looks like clutter, it’s all wrong.” To help implement cluttercore intentionally, designers offer several pieces of advice. Francesca Grace suggests starting with small, discrete areas like a fireplace mantle. She recommends using a leaning mirror as a centerpiece, layering vintage picture frames, and adding items like candlesticks, vases, and tchotchkes. Christine Carney further advises that after adding what seems sufficient, one more layer often enhances the look, emphasizing the curation of beloved items displayed simply and effortlessly. Catherine Olasky highlights the importance of layering as a continuum, noting that a room without layers can feel rigid, while too many layers can create a claustrophobic environment. The ideal balance involves incorporating varied lighting, fabrics with diverse prints, stacks of books, and a thoughtfully curated collection of objects. The space should remain functional, allowing for daily activities like reading or puzzles. Emily June Spanos advocates for balancing form, size, and texture to achieve successful curation. She suggests varying the scale of patterns and textures to prevent visual overwhelm, explaining that a mix of slick and chunky elements creates visual interest. Spanos notes that visual contrast, especially blending antiques with newer pieces, makes a space dynamic and inviting. To curate collections effectively, Tate Casper recommends grouping similar objects, such as Murano boxes or single-colored pottery, to create cohesive vignettes. He advises experimenting with different arrangements to achieve depth and authenticity. Avery Cox adds that while collecting is encouraged, not every piece needs to be displayed, ensuring the collection reflects personal expression rather than a retail display. Bloch-Neal advises against crowding every surface, emphasizing the importance of balance. She suggests offsetting packed lower shelves with more open upper ones or balancing shelves filled with books and small objects with a bold vase or art piece. Jessica Davis points out that even small personal touches, such as vintage family photos in mirror frames, can contribute to an intentional look. Personalization is key, encouraging individuals to surround themselves with objects that evoke memories of travels, hobbies, or significant life events. Courtnay Tartt Elias suggests displaying matchbooks from favorite restaurants in a bowl or creating a gallery wall with postcards, artwork, and framed ticket stubs from memorable events. These personal touches contribute to a home that feels authentic and lived-in. Alexis Warren suggests embracing bold colors and quirky vignettes to create conversation starters. She describes a nook that incorporates sculptural fly art, an eclectic table setup with a cerulean bust, a mushroom lamp, and retro-style wallpaper, demonstrating how personal objects and vibrant colors can enhance the cluttercore aesthetic. Finally, Bethany Adams highlights books as a crucial element for a lived-in look. She suggests arranging books in artful stacks and piles around the room, under furniture, or on mantles to add sophistication and warmth. Complementing books with favorite trinkets and small artworks can further create an antique-dealer ambiance, enriching the intentional cluttercore design. This approach transforms a house into a home by filling it with cherished items and personal narratives, creating a space that is both visually engaging and deeply comforting. #Cluttercore #HomeDesign #InteriorDecorating #Maximalism #PersonalStyle #Layering #DesignTrends #HomeDecor #CuratedCollections

The 1990s, a decade often associated with unique cultural phenomena like Koosh balls and dial-up Internet, also left a distinct mark on home decor. While some trends from this era, such as sponge-painting and overly poufy curtain valances, have justifiably faded from memory, a surprising number of 1990s home design elements are experiencing a resurgence. This return is often characterized by a modern reinterpretation, blending nostalgia with contemporary aesthetics. One prominent comeback is floral wallpaper. While the 2000s saw a widespread rejection of wallpaper, contemporary designers are embracing updated floral patterns, using them sparingly as accent walls in powder rooms or bedrooms. Bold, vibrant designs are particularly popular, as demonstrated by Candice Kaye Design's peony pattern featured by Cynthia Rowley. However, the article explicitly warns against the return of wallpaper borders. Blond wood floors are also making a return, moving away from the dark, Tuscan-brown trends of the 2000s. Interior designers like Jennifer Grey note the practicality of lighter floors, which show less dust, and align with the current movement towards fresh, bright interior hues. The key is to distinguish between the orange-toned oak prevalent in the 90s and the contemporary blond wood look, which offers a cleaner, more updated feel. Japanese influence, a hallmark of 90s minimalism, is another trend resurfacing. This includes clean lines, natural wood elements, and shoji-style screens. Modern interpretations emphasize an uncluttered aesthetic and a connection to nature, offering a subtle nod to the Far East without fully committing to a Zen theme. The classic combination of beige and white, reminiscent of 90s minimalism and Calvin Klein advertisements, is regaining popularity. Beige is challenging gray as the dominant neutral, with designers like Phoebe Schuh celebrating its return for its elegant and pretty appearance when reworked into modern designs. This style often involves layering different tones of beige and white to create a serene and sophisticated interior. Wall-to-wall carpeting, despite the recent preference for hardwoods and wood-plank tiles, is also making a quiet comeback. The article suggests that high-quality, neutral-colored carpets can still be chic, especially when integrated into a monochromatic room design with strategic pops of color, offering comfort and style. White kitchens, a staple of the 90s, continue to be highly sought after. This trend encompasses not only bright white cabinetry but also white appliances, indicating a sustained preference for a clean, bright, and timeless kitchen aesthetic. While stainless steel remains popular, the article ponders whether its dominance might wane in the future. Hunter green, a saturated hue, is experiencing a revival, but not in the form of old-fashioned carpets. Instead, it's being used in refined applications such as kitchen cabinets, accent pillows, painted furniture, and even exterior siding, as seen in celebrity homes. This modern use of hunter green provides a regal and sophisticated touch to interiors. Pastels, particularly shades like rose quartz and serenity (Pantone's colors of the year), are being reincorporated into home decor. Unlike the 90s trend of painting entire rooms in pastel shades, contemporary use is more subtle, featuring pastels as accent colors in throw pillows or lamps. This approach offers a fresh change from more conventional color palettes without overwhelming the space. Blue-and-white accessories, a popular 90s combination, are re-emerging as a classic and beautiful pairing. From ginger jars to chevron-patterned chairs and even kitchen floor tiles, this color scheme offers a timeless appeal. Oversized, American-made blue-and-white accent pieces are particularly noted for their ability to create a significant design impact. Skirted tables, a common sight in 90s bedrooms, are also making a return as a sophisticated design choice. Modern iterations move away from dated motifs like cabbage roses, favoring solid colors or bold contemporary prints. The emphasis is on quality tailoring to ensure an elegant, rather than sloppy, appearance. Finally, brass hardware and fixtures are experiencing a significant comeback. Modern brass differs from its 90s counterpart by being less shiny and featuring more contemporary shapes. This trend is easily incorporated through small touches like drawer pulls, faucets, light pendants, and decorative items with gold legs, adding a touch of elegance. Country accents, specifically modern farmhouse style, are also making a comeback, largely influenced by figures like Joanna Gaines. This updated country look is clean, simple, and often paired with minimalist backdrops and modern architectural elements, moving away from the '90s kitsch toward a more refined aesthetic. #90sDesignTrends #HomeDecor #InteriorDesign #FloralWallpaper #BlondWoodFloors #JapaneseInfluence #BeigeAndWhite #WallToWallCarpet #WhiteKitchens #HunterGreen #PastelAccents #BlueAndWhite #SkirtedTables #BrassHardware #FarmhouseStyle