In Vancouver, architect Arno Matis blends Asian and West Coast design

Dane Taylor Design has completed Butterfly House, an accessible coastal residence in Austinmer, New South Wales, Australia. The home was specifically designed to accommodate its owner, who lives with multiple sclerosis, ensuring all spaces are adaptable and easily navigable. The design draws heavily from the Japanese philosophy of wabi-sabi, which reveres the beauty found in imperfection and the natural changes that occur over time, alongside influences from traditional Japanese design and mid-century modernism. The primary objective was to create a permanent coastal retreat that offers solace and supports the owner's recovery, contrasting with her prior experience of living with chronic illness in Sydney City. The Butterfly House is composed of two rectangular volumes, each featuring a distinct sloping roof that gives the dwelling its name. These volumes are interconnected by a central hallway and a covered terrace that extends around the periphery of the house, creating seamless indoor-outdoor transitions. The architectural language incorporates an exposed structural frame and a varied patchwork of wooden cladding on the exterior facades. This includes slatted screens, sections crafted from thicker cuts of Australian wood, and elements treated with Shou Sugi Ban, a traditional Japanese method of charring wood to enhance its durability and aesthetic appeal. The integration of structural elements and natural materials is a direct nod to mid-century modernism. The client's appreciation for Japanese culture and Taylor's own admiration for the simplicity and minimalism inherent in contemporary Japanese design further shaped these aesthetic choices. Entry to Butterfly House is via a brick-paved path, sheltered by a red overhang. A bespoke door, crafted from recycled hardwood, marks the entrance between the two main blocks, leading into the main hallway. This hallway, illuminated by large skylights, serves as the central artery of the home, providing access to all primary rooms. On the ground floor, there are two bedrooms, a garage, and a bathroom, all designed with accessibility in mind. A timber staircase within the hallway leads to an upper-level guest suite. The ground floor layout was meticulously planned to ensure maximum accessibility, privacy, and to foster the client's well-being. The main living areas, including an open-plan kitchen, living, and dining space, are strategically positioned to face the solar path and the northern gardens at the rear of the property, maximizing natural light and views. This open-plan area is characterized by a prominent rammed-earth chimney breast and Australian hardwood flooring, contributing to the warm and natural material palette. Large windows and sliding doors, framed with recycled timber, further enhance the connection to the surrounding garden and allow for easy access to the outdoors. Wide wooden decks, protected by timber overhangs, encircle the house, accessible from additional sliding doors in the bedrooms and other ground-floor spaces. These exterior decks were deliberately designed to provide wheelchair accessibility and covered outdoor areas with gentle slopes, directly addressing the client's specific accessibility requirements. This thoughtful approach to design, incorporating gentle grades and spacious circulation areas, contributes to a delightful and functional architectural outcome. The project stands as an example of how aesthetic principles like wabi-sabi can be harmoniously blended with practical accessibility needs to create a supportive and beautiful living environment. #WabiSabiDesign #AccessibleArchitecture #CoastalHome #DaneTaylorDesign #AustralianArchitecture #JapaneseAesthetics #MidCenturyModernism #SustainableMaterials #ResidentialDesign

The 'Window Window Window House' by Panov — Scott, located in Pearl Beach, New South Wales, Australia, is an architectural project that subtly integrates new additions into an existing structure while prioritizing the resident's spatial and sensory experience. Completed in 2023, the design focuses on creating a quiet, atmospheric presence that harmonizes with its coastal environment. The initial encounter with the house is marked by a subtle spatial pressure, achieved through elements like a lowered ceiling, a downward step, and a line of shadow, which collectively create a shift in perception and draw attention inward. This architectural approach, rather than being stylistic, orchestrates a sequence of rooms that seem to slow time. The new section of the house is modest in scale, embedded beneath the original structure and following its footprint. From the exterior, its presence is nearly invisible, characterized by minimal adjustments to light and entry points. Internally, the atmosphere is profoundly shaped by the way windows are utilized as instruments, projecting outward to frame the coastal canopy and tuning the interior to the dynamic patterns of the surrounding landscape. A key design feature is a window that extends into the living space, forming a ledge at the garden's edge. This detail, while minimalist, offers a rich interaction with the environment, providing a space for pause, contemplation, or shared moments. It allows occupants to intimately connect with the textures of nearby foliage or listen for sounds from the ridge, while the expansive view gently bridges the distance between the beach, the trees, and the dwelling. The architects deliberately contrast spaces, moving from contraction to openness, and modulating experiences through thresholds and ceiling angles, echoing the architectural staging found in structures like the Laurentian Library, where compression and release are used to shape the visitor's journey. The project's brief was seemingly simple, requiring three new rooms and a relocated staircase. However, Panov — Scott's execution transcends mere functionality, focusing on how these additions subtly register within the landscape and how lightly the structure interacts with the ground. The house maintains a close relationship with the beach without overtly asserting its presence. The new elements are almost imperceptible from a distance, nestled into the slope beneath the original timber frame, representing an exercise in architectural discretion and minimal gesture. The design emphasizes careful proportion and a quiet alignment with the natural setting, prioritizing atmospheric qualities over formal expression. Strength is derived from the bodily sensations within the space, the interplay of light across surfaces, and the way wind is captured at the edges of window frames. Even the functional new staircase is designed for pause, with light guiding the eye to the upper landing, where material choices soften the transition. White walls above timber, devoid of ornament, allow the windows to become the primary expressive elements. Throughout the 'Window Window Window House,' the meticulous framing of views and the precise calibration of dimensions imbue the space with a calm yet resonant charge, creating an immersive and contemplative living experience. #ArchitecturalDesign #CoastalLiving #AustralianArchitecture #ResidentialArchitecture #WindowDesign #SpatialExperience #MinimalistArchitecture #PanovScott

Amanda Gunawan and Joel Wong, co-founders of OWIU Design, have transformed a 1973 Ray Kappe-designed modernist home in the hills of La Cañada Flintridge, California, into a serene dwelling influenced by Japanese aesthetics. The couple, originally from Singapore, were drawn to the unique combination of the modernist house and its two-acre forested lot, which contrasts with the traditional suburban homes in the area. They embarked on a yearlong, full-gut renovation while meticulously preserving key elements like the redwood ceilings and wall panels, which exude the home's original character. A significant architectural modification involved replacing exterior walls with a 14-foot-tall glass box enclosure that offers expansive views of a newly installed swimming pool, enhancing the connection between indoor and outdoor spaces. The interior design adopted a fluid approach, focusing on creating strategic viewpoints of nature rather than adhering to a rigid floor plan. Furniture selections are low and minimal to maintain unobstructed sightlines to the surrounding gardens and landscape. An example of this is the living room, which features Eames lounge and accent chairs and a Barcelona Day Bed, all chosen for their midcentury design and ability to complement the natural views. Japanese design philosophy deeply influenced the renovation, reflecting Gunawan and Wong's extensive travels to Japan. They admire the Japanese commitment to excellence and sought to integrate a restrained aesthetic, drawing inspiration from traditional Japanese ryokans (inns) to evoke a sense of groundedness and tranquility within their home. This influence is evident in the use of tatami mats; a sleek black tatami, custom-made by a traditional tatami artisan, covers the primary bedroom's bed platform, providing a modern interpretation while respecting its traditional purpose. The outdoor areas also showcase a strong Japanese sensibility. The gardens feature a meticulously designed small stream with flowing water and a koi pond, developed with the consultation of a Kyoto-based landscape designer. The couple covers the koi pond at night to protect the fish from local wildlife. The renovation included a new facade accented by a sakura tree, which blooms with cherry blossoms every spring, further enhancing the Japanese garden theme. Water elements are strategically placed throughout the property, from the main entrance's Japanese-inspired water fountain to the stream and fish pond, all contributing to a continuous visual flow of water from the house to the distant Pacific Ocean, as advised by Japanese gardeners. The original sunroom was converted into a glass-enclosed space, further enhancing the indoor-outdoor connection. Custom white oak built-ins, an island, and cabinetry, constructed by Inflexion Builds, define the kitchen space. Art pieces, such as a parchment painting in the living room by a Korean artisan and an ink on canvas painting by Japanese artist Tomoka Naka, add personal and cultural touches. The primary bathroom features a large marble soaking tub, reminiscent of a Japanese ofuro, while the guest bathroom is enveloped in kiln-dried Douglas fir. Even the previously oddly-shaped pool was rebuilt to be more functional and aesthetically integrated with the surrounding landscape, providing a peaceful retreat with access to a nearby forest. #ModernistArchitecture #JapaneseDesign #HomeRenovation #InteriorDesign #LandscapeDesign #RayKappe #OWIUDesign #CaliforniaHomes #Tatami

The "K-Town" project by Steven Fong Architect addresses the economic challenges faced by small businesses within diasporic communities, particularly those operating in narrow storefronts of approximately 4.5 meters (15 feet). These businesses, often found in low-rise main street areas adjacent to residential neighborhoods, typically occupy single or two-story buildings. The project aims to provide a sustainable architectural model that can be replicated across various diaspora communities in cities like Toronto, where numerous such enclaves exist. The core concept involves transforming these modest commercial spaces by adding residential units above. This strategy allows the property owners to generate additional income from rental housing, thereby reducing the financial burden on their businesses. The architectural design integrates commercial activities at the ground level with residential living above, promoting a mixed-use typology that fosters both economic stability and community vibrancy. The design considers the unique characteristics of each site while adhering to a broader framework that supports small-scale commercial enterprises. This approach aims to preserve the cultural and economic fabric of these communities by offering a viable alternative to purely commercial ventures, which are often more susceptible to economic fluctuations. The project emphasizes efficient use of space and resources. By layering residential functions over commercial ones, it maximizes the utility of limited urban plots, a common constraint in dense urban environments. The design process likely involved careful consideration of building codes, zoning regulations, and the specific needs of both business owners and residents. Materials and construction methods would have been selected to ensure durability, cost-effectiveness, and aesthetic compatibility with the existing urban context. The integration of light, ventilation, and access for both commercial and residential components would have been crucial design considerations. Furthermore, the "K-Town" model offers a solution for urban revitalization. Many low-rise main streets in Toronto and similar cities face challenges such as aging infrastructure, changing consumer habits, and rising property costs. By introducing new residential components, these areas can attract more residents, increasing foot traffic for local businesses and contributing to a more active and secure streetscape. This dual functionality helps to create more resilient urban environments that can adapt to evolving economic and social pressures. The architects likely engaged with community stakeholders to ensure that the proposed interventions were culturally sensitive and met the needs of the target population. The successful implementation of this architectural solution could serve as a precedent for similar urban areas globally, offering a practical framework for supporting small businesses and fostering sustainable community development. The project aims to empower small business owners by providing them with diversified income streams, allowing them to thrive in increasingly competitive urban markets. This model not only secures the future of individual businesses but also contributes to the overall economic and social well-being of the broader diaspora communities, helping them to maintain their distinct identities and continue contributing to the cultural richness of their cities. #MixedUseArchitecture #CommercialArchitecture #ResidentialArchitecture #UrbanDevelopment #DiasporaCommunities #Toronto #Canada #SmallBusinessSupport #ArchitecturalSolution

The Pillon residence in West Vancouver, a 11,600-square-foot property, embodies a serene, light-filled, and spa-like refuge, designed to evoke the indoor-outdoor living experience of Maui. The home's design integrates wellness and nature, reflecting the owners' love for travel and their involvement with organizations like the non-profit Camp Kerry Society, which offers retreats for families coping with grief. The property was a collaborative effort between the homeowners, architect Gordon Hlynsky, and builder Brander Homes, aiming to create a boutique hotel ambiance. Upon arrival, a Pacific red cedar tree stands prominently, with its leafy canopy inspiring the laser-cut steel gates designed by landscape architect Paul Sangha. Indiana limestone, used in the porte-cochère, is a recurring element throughout the home, complemented by honey-colored afrormosia (African teak) flooring. Interior designer Jennifer Heffel of HB Design focused on achieving natural softness and strong focal points while maintaining a clutter-free environment. Light, both natural and artificial, plays a crucial role in shaping the home's atmosphere. Clerestory windows in the upper-level kitchen and living room allow natural light to stream in, offering views of the Pacific red cedar and the night sky, creating a "treehouse" like sensation. The kitchen is characterized by an open-concept design with a monolithic island clad in honed granite, and all appliances, except for the Wolf cooktop, are discreetly hidden behind walnut and back-painted glass cabinetry. A unique feature is the induction hood, streamlined and concealed within the upper cabinets. A single live-edge walnut slab, sourced by Heffel from Instagram, forms the abutting kitchen table. The living room features warm, earthy tones on Holly Hunt furniture, with a custom silk rug depicting abstract patterns of tree bark and rings, designed to complement the outdoor views rather than compete with them. In the dining room, a sculptural lighting fixture composed of five glass and brass suspended "blades" serves as a dramatic focal point without obstructing views of the garden. These elements echo the brass-edged gas fireplace surround, limestone walls, and rift-cut walnut cabinetry, emphasizing interesting textures. The master bedroom and ensuite are designed for calm and relaxation, with a rich forest green silk wallpaper and a handcrafted, bevelled, gem-cut mirror. Terry Pillon's dressing room includes a stone-topped island, specifically designed for packing luggage, illuminated by a pendant light from British designer Lee Broom. The home also features a recreation level accessible via a floating staircase, which glows with soft-glow LED lights at night. This level, housing children's bedrooms and an office, is soundproofed with acoustic panels in the walls and ceiling. The property's spa, a highlight of the recreation level, includes a gym, infrared sauna, shower, and massage area, overlooking a 40-foot lap pool. Paul Sangha's geometric landscaping complements the home's linear architecture with symmetrical magnolia tree plantings, a bocce court, a guest house, outdoor sculptures, and various water features, creating a cohesive and luxurious residential retreat. #WestVancouverHome #ContemporaryDesign #ZenLifestyle #BoutiqueHotelFeel #IndoorOutdoorLiving #LuxuryResidence #ArchitecturalDesign #InteriorDesign #LandscapeArchitecture

This article details the latest project by Open Studio, an emerging Australian architectural practice, focusing on an artist's studio located in Flemington, a suburb of Melbourne. Established in 2005, Open Studio specializes in designing combined and separate live and work environments. The firm is recognized for its innovative and clear approach to architecture, which was crucial for the success of this particular commission. The project originated from two relatives owning adjacent properties in Flemington who decided to remove the dividing fence between their backyards. This action freed up an unusually wide and largely unused garden area, creating the necessary space for the new artist studio. The unconventional placement of the studio, situated between two existing properties, posed a significant challenge for the architects due to Melbourne's strict planning regulations. To navigate these regulatory hurdles, Open Studio devised a solution that involved designing the building as two distinct structures, which were then combined into a single volume. Heribert Alucha, a partner at Open Studio, explained that this approach aimed to reinforce the concept of shared backyard space. The specific positioning of the new building and its angular design elements were intentionally aligned with the actual title boundaries of the properties. The careful placement of the studio within the site resulted in the creation of three distinct landscaped areas: a playground, a vegetable patch, and a seating area. The studio's unique, distorted box-shape, characterized by its angular resections and curves, plays a functional role in defining these separate outdoor zones, contributing to a harmonious integration with the surrounding landscape. The interior of the Artist Studio is meticulously designed, featuring a brightly lit painting studio, a substantial storage and workshop area, a garden shed, and a garage. The internal spaces are characterized by their clean and neutral aesthetic. Although the indoor and outdoor areas maintain their distinct identities, they are aesthetically unified through the generous openings incorporated into the painting studio space, fostering a sense of continuity and connection. Flexibility and clarity are core principles of Open Studio's design philosophy, and these are evident in the Artist Studio project. The Melbourne-based architects have successfully delivered a compact yet beautifully conceived studio on a site that might initially seem challenging. This project exemplifies how thoughtful design can overcome site-specific constraints to create functional, aesthetically pleasing, and well-integrated architectural solutions. #ArtistStudio #ArchitectureDesign #MelbourneArchitecture #OpenStudio #ArchitecturalInnovation #UrbanPlanning #ResidentialArchitecture #AustralianDesign

Adam Kane Architects undertook the renovation and extension of a dilapidated cottage in Barwon Heads, Victoria, Australia, transforming it into a contemporary, minimalist residence for a young couple. The project, known as 'Barwon Heads House,' sought to revitalize the heritage cottage while embracing the relaxed, coastal lifestyle prevalent in the area. A key design element on the exterior is the striking deep black paint applied to the entire existing cottage facade and roof, which creates a strong contrast with the natural textures of the surrounding landscape. Inside the home, the main living space is defined by a double-height, American oak-lined raked ceiling, which introduces a sense of openness and airiness. This feature is complemented by burnished concrete floors and hand-scratched solid plaster walls, which contribute to a muted color palette and textural richness. Pops of black are integrated throughout the interior, echoing the exterior's dramatic finish. The design carefully maintains heritage features, such as the original restored lining board ceilings and period skirting and architraves, seamlessly blending them with contemporary architectural elements. The choice of natural materials and a subtle color scheme aims to create a lightweight and relaxing atmosphere. A glazed link connects the original cottage to the new extension, offering views of the garden from both sides and ensuring a smooth transition between the old and new sections of the house. Access to the extension involves an enclosed corridor, clad with black mottled joinery panels on the walls and ceilings, which ingeniously conceals doorways leading to the rumpus room, laundry, and storage areas. Above this darkened corridor, a master bedroom mezzanine is positioned. This deliberate design creates a sense of compression in the corridor, followed by a dramatic release upon entering the main living area, characterized by its soaring ceiling. The architects consciously utilized the interplay of compression and release to craft a unique and unexpected spatial experience as one moves through the home. The timber lining and cladding are instrumental in blurring the boundaries between indoor and outdoor spaces, delineating various zones, and enhancing the perception of generosity within the rooms, all contributing to the relaxed ambiance of the residence. The material palette includes silver travertine slabs and burnished concrete floors, which harmonize with the desaturated timber ceilings and joinery. Hand-scratched solid plaster walls, finished in a soft, warm 'bone' color, further enhance the tactile qualities of the interior. Linen sheer curtains introduce a soft balance, adding comfort and an inviting feel to the living spaces. In the main room, a large island bench, clad in travertine, serves as a central feature. This versatile element transitions smoothly from a kitchen bench to a dining table through a subtle change in floor level within the kitchen area. The back-bench joinery extends into the living area, effectively connecting the two zones. The mezzanine bedroom, overlooking the living space below, is wrapped in the same black cladding used in the corridor, maintaining design consistency. The project successfully integrates the relaxed coastal lifestyle of Barwon Heads by thoughtfully reinterpreting the original structure with modern interventions. #Architecture #HomeRenovation #MinimalistDesign #CoastalLiving #AustralianArchitecture #HeritageRestoration #InteriorDesign #AdamKaneArchitects

This article highlights the Singapore apartment, The Rasidence, a spacious, Zen-like interior designed by Alex Liu of Right Angle Studio. The 1,570 sq ft duplex apartment, located in the Bishan neighbourhood, showcases a harmonious blend of Scandinavian and Japanese design principles, creating a calm and cocooning urban sanctuary. Liu's approach defies the common pitfalls faced by designers creating their own homes, demonstrating a disciplined serenity throughout the project. The exterior of the apartment block is nondescript, offering no hint of the refined interiors within. The three-bedroom, three-bathroom apartment features an artful mix of design elements, including Fritz Hansen 'Grand Prix' dining chairs, a 'Cuba' chair by Carl Hansen & Son, and an oversized marble and limestone fruit bowl by John Pawson for When Objects Work. These pieces are strategically placed to enhance the apartment's serene atmosphere. Further enhancing the Zen aesthetic, low-slung futon beds and deeply set couch benches are framed by translucent sliding shoji doors and windows crafted from solid ash. These open to views of green treetops, integrating nature into the living space. A standout feature is an air-well that extends through the second floor, complemented by a faux skylight and a Japanese maple, creating a light-washed, tropical Japanese fantasy. The material palette further supports the apartment's concept, utilizing oak laminate for all joinery work, porcelain tiled floors, sintered stone for the kitchen countertop, and travertine and stucco for walls and display niches. These materials contribute to the overall tactile and visual tranquility of the space. The project was not without its challenges, particularly the wall area behind the dining room, which required nine reworkings. Liu explained that initial drafts restricted spatial flow, leading to the reorientation of the staircase. This adjustment allowed for the integration of a display pantry with the physical wall, optimizing movement within the apartment. The staircase reorientation also posed a new problem: its original landing directly in the dining room. Through multiple on-site experiments and simulations, the team concealed the last two steps within a raised bench, enhancing traffic flow in the confined space. This meticulous problem-solving approach is characteristic of Right Angle Studio, founded by Alex Liu and his brother Jay in 2012. The studio’s diverse portfolio includes residential homes, a bakery cafe, a jewellery atelier, and a public reading room, each project reflecting the same bespoke and quietly satisfying design philosophy evident in The Rasidence apartment. #SingaporeApartment #ZenDesign #RightAngleStudio #InteriorDesign #ResidentialArchitecture #ScandinavianJapanese #DuplexApartment #AlexLiu #UrbanHaven

The article explores the contemporary coastal style prevalent in the Pacific Northwest, drawing insights from Paige Gray, lead designer and partner at B.C.-based Parker & Harlow Interior Design. This design philosophy is deeply influenced by the region's distinct way of life, characterized by factors such as frequent outdoor activities, unpredictable weather conditions leading to power outages, and the logistical challenges of furnishing remote island homes with limited resources. These environmental and lifestyle considerations directly shape material selections, technological integrations, and storage solutions, necessitating designs that are not only aesthetically pleasing but also highly functional and resilient. Gray emphasizes that Pacific Northwest coastal style is fundamentally built on a foundation of contrasts. This includes combining smooth, serene natural stones with rustic, textured wool fabrics, or pairing a robust wooden table with a light, ethereal chandelier. These juxtapositions are central to Parker & Harlow’s design process, anchoring their aesthetic in the unique character of the Pacific Northwest. An illustrative example of this approach is a recent renovation project on a waterfront home on Cortes Island within the Discovery Islands archipelago. For this project, Gray and her team focused on the dining room, a space frequently used for social gatherings. The design intentionally features grand columns, beams, and expansive glass windows that frame the surrounding bay, creating a minimal yet captivating environment. The goal was to direct attention outward to the spectacular coastal vistas, allowing the natural beauty of steely greys, dark blues, and deep greens to become an integral part of the interior experience. In this Cortes Island dining room, the design ensures that cozy dining chairs and a solid black oak table are kept low in the sightline. This strategic placement maximizes the unobstructed views from the large windows, allowing the dramatic winter storms to be perceived as dynamic works of art. The philosophy behind this space is to foster a direct connection between the occupants and the ocean, asserting that the natural surroundings are the primary element of beauty and requiring nothing more to enhance the experience. To replicate this distinctive style in one's own home, Gray advises starting with organization and then seeking inspiration directly from the outdoors. The process involves paring back unnecessary elements to create spaces that promote breathing room and relaxation, aligning with the serene and uncluttered aesthetic of the Pacific Northwest. Gray suggests moving beyond conventional 'beachy' aesthetics and instead immersing oneself in the rugged natural environment. A walk through a rainy, rugged trail reveals a rich palette of colors and textures that can inform interior choices. For instance, the smooth sheen of rain on granite can inspire the finish of refined stone counters, while the deep, earthy hues of moss can influence tonal textures and weaves in textiles. This approach emphasizes deriving design elements directly from the natural landscape, promoting an authentic connection between the interior living space and its rugged, coastal environment. The article concludes by offering six practical ways to achieve a breezy, coastal calm look, providing tangible ideas for homeowners to incorporate this unique style into their own living spaces. #PacificNorthwestStyle #CoastalDesign #InteriorDesign #HomeDecor #ParkerAndHarlow #CortesIsland #ArchitecturalInfluence #NatureInspiredDesign

Pink Moon Saloon, located in Adelaide, Australia, is a notable new bar designed by Matiya Marović of Sans Arc studio. The project was conceived within a narrow, disused laneway measuring only 3.6m wide, presenting a significant design challenge. Marović's innovative solution involved creating three interconnected spaces, each utilizing a different type of Australian timber. This design approach is inspired by Tadao Ando's Azuma House in Osaka, particularly its concept of a central courtyard that allows natural light to permeate the covered front and rear sections of the structure. This layered design enhances the sensory experience for visitors as they move through distinct areas, promoting a sense of discovery and transition. The bar's name, 'Pink Moon Saloon,' is a tribute to Nick Drake's album 'Pink Moon,' reflecting a pastoral influence that is evident in the bar's aesthetic. The design incorporates natural materials and a 'hermetical, mountain cabin' style, creating an ambiance that would likely have appealed to the singer-songwriter. The interior is divided into three primary zones. The front section, dubbed the 'drinkers' hut,' offers a curated selection of Australian beverages, including wines from the nation's premier regions and craft beers from boutique breweries. Featured items include a spelt ale from Tasmanian brewers Two Metre Tall and a Pinot Gris from local vintners The Other Wine Co. Moving further into the establishment, visitors encounter a courtyard area. This space features Calypso stools, designed by Melbourne's Beeline Design and hand-painted by Marović, providing a welcoming spot for guests. Here, patrons can enjoy the bar's signature cocktail, the Pink Moon Clover Club, a concoction made with gin, raspberry, lemon, and egg white. The rearmost section of the bar houses a romantic log-cabin diner, offering a more intimate and quiet setting. This area is dedicated to a dining experience focused on slow-cooked meaty dishes, complemented by a selection of Barossa Valley red wines. The overall design emphasizes a multi-sensory experience within its compact footprint. Marović’s design skillfully navigates the constraints of the narrow site to create a diverse and engaging environment. The use of varied Australian timbers and the integration of a central light-filled courtyard contribute to the bar's unique character. Pink Moon Saloon is presented as a destination that not only serves food and drink but also provides a distinctive architectural and atmospheric experience, satisfying various senses through its carefully crafted spaces and offerings. The bar's design and concept underscore a thoughtful integration of architectural inspiration, local materials, and a curated menu, making it a noteworthy addition to Adelaide's hospitality scene. #AdelaideRestaurant #BarDesign #Architecture #InteriorDesign #AustralianTimber #MatiyaMarović #SansArcStudio #HospitalityDesign

Cloud House, a new residence in Bondi designed by Akin Atelier, serves as a serene sanctuary for a couple who divide their time between Singapore and Sydney. The design prioritizes careful consideration of apertures and subtle textures to foster a sense of expansive space and lightness within the home. The clients sought a house that would offer relaxation, facilitate enjoyment of the outdoors and sunlight, and eventually serve as a family home. A key design challenge was the clients' desire for the living space at the rear, which was the south-facing end of the site. Kelvin Ho, founding director of Akin Atelier, emphasized the meticulous attention given to junctions and openings, which he described as an opportunity to test their understanding of light and space. The design effectively uses various apertures and angles to fracture light into the building's core, ensuring ample sunlight despite the south-facing living area. A central courtyard, a double-height glazed wall, a raked ceiling, and strategically placed skylights are integral to illuminating the interior. These elements, combined with materials chosen for their interaction with light, create a calming and comfortable environment. The house's architectural composition features simple white geometric forms encircling a central courtyard. This courtyard not only ushers northern light into the living area but also functions as the main entry point, accessed via an external, bamboo-lined walkway. Glazing frames the courtyard, with an outdoor shower discreetly positioned among plants adjacent to the fence. The living, kitchen, and dining area, located behind the courtyard, appears simple but is a highly refined arrangement of materials and forms. A striking 6.1-meter glazed wall bathes the living space in sunlight, highlighting the textures and shadows of the adjoining white brick wall. A raked ceiling and gentle curves subtly guide movement and light deeper into the kitchen and dining areas. Functional elements are seamlessly integrated, such as a concrete step transitioning into a fireplace plinth, and shelving and cupboards evolving into kitchen cabinetry and a benchtop, all beneath a still-generous three-meter ceiling that defines a more intimate atmosphere. Minimalist glass doors connect the living space to a narrow side garden and a rear deck, stacking externally to maximize the indoor-outdoor connection. Project architect Georgia McGowan conducted extensive research to select glazing systems that balanced light maximization, indoor-outdoor flow, and cost-effectiveness. Slim-profile windows were chosen for critical openings, while standard profiles were used for side elevations. A flush floor finish and a fine-edged steel track further enhance the sense of uninterrupted space, with a slender circular column providing discreet structural support. This attention to detail extends throughout the house. Glass doors in the adaptable front room (serving as a guest bedroom, study, or family room) also retract into a wall. A distinctive round window in the bathroom pivots horizontally, contrasting with the facade's rectilinear lines. A skylight spanning the length of the staircase offers views of the sky, and slim-profile windows upstairs open to the courtyard. The second floor accommodates two bedrooms and a bathroom at the front, with the main bedroom and ensuite at the back. A passageway creates a natural division, allowing for the creation of private zones. The clients' bedroom, bathroom, and walk-in robe are arranged for spatial fluidity, with timber wardrobes divided by a vanity and a skylight illuminating the shower. Timber screens and neighboring bamboo create a secluded, sanctuary-like ambiance in the main bedroom, which also benefits from plants cascading from the roof. Operable rosewood timber screens, designed to weather and grey over time, contribute natural color and texture to the exterior while providing privacy. Elevated skylights create dynamic light and shadow effects. Ultimately, Cloud House exemplifies a design where seemingly disappearing windows, doors, and screens create a continuous and effortless sense of space, embodying Kelvin Ho's philosophy that "You don’t notice when you walk into a space, but you feel it." #ResidentialArchitecture #AkinAtelier #BondiBeach #NaturalLightDesign #IndoorOutdoorLiving #ModernHomeDesign #ArchitecturalApertures #Materiality #ContemporaryAustralianArchitecture

The Mori House, originally designed in 1963 by Saul Zaik, a prominent figure in Pacific Northwest architecture, has been revitalized by SHED Architecture & Design. Located in a forested area of Portland, Oregon, the redesign aims to blend mid-century modern aesthetics with Japanese-inspired minimalism to suit a young family's design preferences and functional needs. The property features a main house, a detached garage and studio, and a teahouse pavilion, all connected by elevated decks and surrounded by tall trees, fostering a strong connection to nature. SHED Architecture & Design's renovation honors Zaik's original vision, which emphasized clear geometries and natural materials. The primary goal of the remodel was to enhance the flow of light and space, blurring the lines between the indoor and outdoor environments. A significant alteration involved replacing the original spiral staircase and loft with an open, vaulted ceiling. This change reveals the nail-laminated wood roof structure and introduces a new central skylight, which bathes the living areas in natural light and accentuates the architectural rhythm of the home. The main floor is designed with an open-plan layout, where the living, dining, and kitchen areas seamlessly connect along the southern side. Expansive glazing offers unobstructed views of the surrounding forest. A strategically relocated fireplace in the living room provides a focal point and, on clear days, offers views extending to Mount Saint Helens. The kitchen is a testament to refined craftsmanship, featuring custom fir accents and horizontal windows that frame views of mature rhododendrons, integrating the natural landscape into the interior design. The primary suite, situated on the northern side of the house, is designed as a luxurious and tranquil retreat. It includes a walk-in closet and a bathroom equipped with a Japanese soaking tub, combining comfort with elegant simplicity. Fir slats above the entry doors to the suite softly diffuse light, maintaining a visual link to the central skylight. The lower level of the house has also been transformed into a versatile space, accommodating three flexible rooms that can function as bedrooms, offices, or fitness areas, alongside a shared bathroom and a dedicated wine cellar. A cozy lounge area on this level, with its floor-to-ceiling windows, reinforces the home's deep connection to its natural, wooded surroundings. #Architecture #HouseDesign #InteriorDesign #JapaneseAesthetics #JapaneseMinimalism #MidCenturyModern #PortlandArchitecture #ResidentialDesign #SHEDArchitectureAndDesign

Flock Hill Homestead, a new guest home project located in New Zealand's South Island, was designed by Christchurch architecture studio Warren and Mahoney (W+M). The design of the homestead was primarily driven by the unique and mystical natural landscape surrounding it, which includes tall, misty mountains, green, tree-filled slopes, and limestone rock formations overlooking Lake Pearson. This location was notably used as a film set for 'The Chronicles of Narnia,' highlighting its dramatic and inspiring qualities. The architectural approach for Flock Hill Homestead combines modernist principles with local farmhouse aesthetics. The goal was to create a structure that feels inherently part of the natural scenery. This is achieved through the use of heavy, sturdy masonry and a gently pitched roof, features that anchor the building to its site and integrate it deeply into the local geography. The design aims to provide guests with a sense of safety and retreat from the elements, while simultaneously ensuring full immersion in the dramatic natural environment. Jonathan Coote, principal and project lead at W+M, emphasized the intentional referencing of the area's agricultural heritage through the simple pitched roof form. This design choice pays homage to the utilitarian yet beautiful farm structures prevalent in the local landscape, contributing to a sense of lightness and external connection, as well as internal texture and warmth. The roof design also enhances the perceived weight of the limestone elements used in the construction. A significant design feature is a dramatic veranda that extends outwards, offering expansive views of the surroundings. Inside, the homestead features a contemporary yet cosy interior achieved through the use of tinted concrete, limestone flooring, and timber. This material palette and design strategy strike a balance between comfort and the spirit of exploration, aligning with the vision of the property managers, Andrew and Sandra Cullen, who aim to inspire adventure and allow guests to embrace the vastness of the station. The overall design ethos is one of harmony with nature, creating a dwelling that not only respects but actively engages with its spectacular setting. The homestead is not just a place to stay, but an experience designed to connect inhabitants with the profound beauty and raw power of the New Zealand landscape. #NewZealandArchitecture #HomesteadDesign #WarrenAndMahoney #ModernistArchitecture #SustainableDesign #ArchitecturalIntegration #GuestAccommodation #LandscapeInspiredDesign

Worrell Yeung, a Brooklyn-based architecture practice, designed the Springs Artist Studio, an 800-square-foot, two-story addition to an existing home in East Hampton, New York. This project was developed for a painter/creative director and a florist who possess an extensive collection of art and objects. The upper floor of the new structure is dedicated to a painting studio, while the ground level serves as a flexible exhibition space, a single-car garage, and includes a powder room. The project faced significant design challenges due to the neighborhood's strict zoning regulations and the site's environmental sensitivities. To minimize its impact on the natural landscape, Worrell Yeung meticulously positioned the addition within the smallest possible footprint, ensuring that no existing trees were removed during construction. The studio's deliberate integration into the wooded environment means it gradually reveals itself to visitors, appearing subtly through the dense tree canopies and being only slightly visible from the road. A fully glazed connector links the new addition to the existing home, allowing for uninterrupted views of the lush, surrounding woodland. This connector also provides a transitional space between the home and the work environment. The foyer features plywood cladding and a matching plywood staircase that leads to the upstairs painting studio. A refurbished vintage David Weeks chandelier is installed above the staircase, adding a touch of sophisticated design. The upper-level painting studio is distinguished by a 360-degree panorama of four-foot-tall ribbon windows. These windows offer views of the dense tree canopies, and to the west, Hog Creek and osprey nests. The design maximizes natural light while framing unique views from every direction with unobstructed glass corners. To achieve this continuous ribbon window effect, Worrell Yeung collaborated with Silman Structural Engineers to incorporate small steel columns that match the window mullions and feature steel rod cross-bracing for lateral support, creating a visually floating roof structure. Birch plywood boards cover the studio floor and extend four feet up the walls, meeting the base of the windows. This plywood finish is both efficient and utilitarian, contributing natural warmth to the space. A plywood-clad peninsula of cabinet space, located near the staircase landing, provides storage for the artist's materials and includes a sink for diluting paints. The walls and vaulted ceiling above the ribbon window are painted white, reflecting natural light throughout the space and creating an optimal environment for painting and art exhibition. Four minimal uplights provide diffuse illumination, complementing the abundant natural light. The ground floor's flexible space serves as both an exhibition area and a garage, capable of housing the homeowner's 1966 Chevy Impala Supersport Convertible. Plywood-lined walls in this area allow for the installation of artwork, transforming it into a temporary gallery. The powder room is also clad in plywood, but it is stained with a semi-sheer Yves Klein blue, which allows the natural wood grain to remain visible. From a distance, the studio presents itself as an abstract volume with minimal horizontal windows. However, upon closer inspection, the textured wood and varied plank sizes break down the building's scale, adding richness and detail. Worrell Yeung's design choice to vary the facade emphasizes the firm's interest in creating objects and materials that can be read at different scales, and in developing architecture with minimal environmental impact. The Springs artist studio appears to effortlessly float above the ground, and when illuminated at night, it transforms into a glowing lantern within the trees. #ArtStudioDesign #ArchitecturalAddition #WorrellYeung #SustainableDesign #PlywoodInteriors #NaturalLight #EastHamptonArchitecture #EnvironmentalIntegration #ModernDesign

The "House Valley" project, a residential dwelling located in Taichung, Taiwan, was completed in 2024 through a collaborative effort between Soar Design Studio and Ray Architects. The design concept focuses on deconstructing traditional architectural forms to foster a deeper integration with nature. Instead of a singular, elongated structure characteristic of traditional street houses, the building is composed of five distinct, staggered volumes. These volumes are strategically separated by gaps, which serve to introduce natural light and ventilation into the interior spaces. The architectural approach emphasizes the interplay of horizontal and vertical planes, which are manipulated to create floors at various levels. This multi-level arrangement is designed to enhance the penetration of natural elements, such as wind and sunlight, throughout the home. The overall aesthetic and functional design draws inspiration from the imagery of valleys, combining this natural motif with the principles of a traditional Taiwanese courtyard. This blend aims to create a living environment that is not only visually harmonious with its surroundings but also adaptable to local climatic conditions. Key specifications of the project include a total area of 338 square meters. The lead architect for the project was Ray Chang, with Lin Yi-Syuan handling architectural details and Lin Shang Hsien responsible for interior details. Photography of the completed project was provided by Hey! Cheese. The construction utilized concrete as a primary material, contributing to the building's structural integrity and aesthetic. Furniture and fixtures for the interior were sourced from notable manufacturers such as Carl Hansen and Son, MUJI, and Republic of Fritz Hansen. The design's deliberate segmentation into multiple volumes, along with the incorporation of gaps, facilitates cross-ventilation and allows for diverse views of the surrounding landscape. The varied floor levels contribute to a dynamic internal spatial experience, preventing monotony and offering different perspectives within the house. The integration of a courtyard, a common feature in traditional Taiwanese architecture, further enhances the connection between indoor and outdoor living, providing a private outdoor space that also aids in climate control. This project reflects a contemporary interpretation of residential architecture in Taiwan, prioritizing environmental responsiveness and a nuanced interaction with the natural world. The use of robust materials like concrete ensures durability, while the selection of high-quality furniture suggests a focus on comfort and sophisticated interior design. The combination of modern design principles with traditional regional influences results in a distinctive and environmentally sensitive dwelling. #ResidentialArchitecture #Houses #Taiwan #Taichung #SoarDesignStudio #RayArchitects #ArchitecturalDesign #NaturalIntegration #ModernDesign

The article focuses on the work of Singaporean architect Edmund Ng, particularly his modernist approach to design and a recent project in the Sunset Way neighborhood. Ng views architecture as an art form that transforms client needs into artistic expressions, aiming to improve wellness through environmental design. His style is characterized by modernism, respect for material purity, and tropical adaptation, often utilizing off-form concrete and natural light to suit the local climate. Ng's clientele often return to him for subsequent projects, including their children, highlighting a strong client relationship and trust in his design philosophy. The article details a specific project: a new home for a retired couple on a 6,900-square-foot plot in Sunset Way, adjacent to the Ki Residences condominium. This location holds significant sentimental value for the couple, who previously resided in the now-redeveloped Brookvale Park within the same neighborhood. Ng’s design responded to the land's topography, which slopes towards the back, leading him to create a three-storey residence with a basement and swimming pool at the rear. From the street, the house maintains an unassuming facade of off-form concrete and black walls, but transforms upon entry. Upon entering, the house, named "The Green Sanctuary," reveals its porous design through full-height windows that frame views of lush greenery. Despite the unconventional placement of the living room and pool at the back, facing the condominium, mature and newly planted trees along the perimeter ensure privacy. The design prioritizes connecting residents with nature, offering vantage points for vegetation from various areas, including the dining room on the first floor and the master bedroom on the second. The master bathroom is uniquely cantilevered directly above the pool, enhancing the connection to the outdoor elements. The attic level provides panoramic views of the surrounding area, including trees, landed homes, and distant buildings. Ng incorporated tree patterns into specially commissioned metal screens on the second floor, shielding the guest bedroom while creating a visual effect of a forest silhouette when illuminated at night. This attention to detail reflects the architect's commitment to integrating natural elements and artistic expression into the home's fabric. The residence was specifically designed to accommodate the couple's extensive collections of art and classic cars, accumulated over three decades. Ng recognized these collections as integral to the couple's life journey and memories, shaping the home to serve as a personal art museum. The interior features simple materials and a black-and-white palette, allowing the diverse art pieces, ranging from sculptures by Daisy Boman and Li Chen to paintings by Lee Jung Woong, to become focal points. The husband's collection of car memorabilia and seven classic cars is housed in a dedicated double-volume den. The home is also designed for future adaptability, with an open-layout attic that can be converted into an apartment. This attic includes wall panels that slide to reveal a large mirror for the wife’s dancing, and opens to a terrace and a “secret garden in the sky.” Ng emphasizes that architecture should be soulful and responsive to client needs, asserting that a home is more than just a shelter but a reflection of the occupants’ lives and aspirations. He credits his wife for enabling his creative freedom, allowing him to "dream" in his architectural pursuits. #ArchitecturalDesign #ModernistArchitecture #ResidentialDesign #LuxuryHomes #ArtCollection #ClassicCars #SingaporeRealEstate #SustainableDesign