Bunkeren House / James Stockwell Architect

The Bunker House, located in Ciudad Ho Chi Minh (Saigón), Vietnam, is a residential project completed in 2019 by Nha Dan Architects, with a total area of 877 m². The design approach for this house builds upon the architects' previous work, where a system of concrete beams and columns was utilized to create open floor plans, enhance connectivity between spaces, and integrate the outdoors. In the Bunker House, this concrete system is extended beyond its structural function to also serve as spatial partitions and dictate the overall aesthetic of the project. Photographed by Hiroyuki Oki, the Bunker House showcases a distinctive use of concrete, which forms the core of its design philosophy. The concrete elements are not merely supportive but actively shape the living environment, defining rooms and influencing the visual character of the interior and exterior. This integrated use of a primary building material suggests a cohesive and deliberate design strategy where structure, spatial organization, and aesthetics are inextricably linked. The architectural team was led by Nguyen Dinh Gioi, with Tran Minh Phuoc and Luong Hien Phuong as key members of the design team. Engineering aspects were handled by Do Thanh Tuan for structural design and Trinh Van Tam for MEP (Mechanical, Electrical, Plumbing) engineering. Construction management was overseen by Nguyen Khac Dong. Specialized consultants also contributed to the project, with Cara providing lighting consultancy and Tropical Garden Company Limited handling the landscape design. These collaborations indicate a comprehensive design and construction process involving various expert disciplines. Key manufacturers and suppliers involved in the project include AutoDesk, Sika, Cara, Daikin, Ixina, Kohler, Molution, Nha Le Company, Sika Hardener, Trimble, and Vietceramics. The selection of these materials and systems suggests a focus on durability, functionality, and specific aesthetic qualities, particularly with the prominent use of concrete and other modern building components. The integration of various systems like lighting, HVAC (Heating, Ventilation, and Air Conditioning), and specialized finishes points to a detailed consideration of the house's operational aspects and inhabitant comfort. The Bunker House falls under the categories of 'Houses' and 'House Interiors,' highlighting its residential nature and the emphasis on the internal living spaces. The project is situated in Ciudad Ho Chi Minh, a major urban center, which might influence considerations related to site context, privacy, and integration with the surrounding environment, although the provided text does not elaborate on these aspects. The project’s completion in 2019 positions it as a contemporary example of residential architecture in Vietnam, reflecting current trends in material use and spatial concepts within the region. The project's title, "Bunker House," may imply a sense of solidity, protection, or a distinct, robust architectural form, consistent with the extensive use of concrete as both structure and aesthetic element. #BunkerHouse #NhaDanArchitects #ResidentialArchitecture #ConcreteDesign #HoChiMinhCity #VietnamArchitecture #HouseInteriors #ModernDesign #StructuralAesthetics

The 'B House,' designed by Kit Design Architect, is a three-story residential building located on the outskirts of Bangkok, Thailand. The house occupies a 320 square meter land plot and is intended for a married couple and their children. The architectural design integrates principles of Feng Shui while maintaining a modernist aesthetic. The house’s exterior is characterized by simple box-like geometries, which are softened by the incorporation of sliding timber screens on the second-floor balcony. These timber screens serve a dual purpose: they provide effective sun shading and enhance privacy for the residents, adapting to the tropical climate of Bangkok. The interior layout and overall design concept are rooted in Feng Shui principles, guiding the arrangement of spaces to promote harmony and positive energy flow. Despite this traditional influence, the house presents a contemporary architectural statement, blending modern forms with functional elements. The total area of the house is 650 square meters, completed in 2019. Kit Design Architect was responsible for the architecture, landscape design, and consulting services for the project. The selection of materials and manufacturers for the B House reflects a commitment to quality and contemporary design. Key manufacturers involved include AGC for glass products, AutoCAD and Trimble Navigation for design and modeling, Dulux for paints, Medici Wood for timber elements, Thaisoung, and Tile-it for various building components. Beersingnoi captured the architectural photographs, documenting both the exterior and interior spaces, including staircases, handrails, facades, windows, dining areas, kitchens, and other detailed views. The design team at Kit Design Architect, led by clients Ekkapol Chatmongkolchai and Mr. Ekkapol Chatmongkolchai, collaborated with Penang Isara for engineering aspects. The project's location in Bangkok, known for its warm climate and vibrant urban context, influenced design decisions related to passive cooling and privacy. The sliding timber screens are a prime example of how the design responds to environmental conditions, allowing for control over natural light and ventilation while offering aesthetic appeal. Various illustrations, including exterior and interior photographs, floor plans (ground, second, and third floors), sections (A, B, C, D), and elevations (1, 2, 3, 4), provide a comprehensive overview of the B House. These visuals highlight the interplay of geometric forms, material textures, and the thoughtful integration of natural light throughout the residence. The house exemplifies a modern approach to residential architecture in Thailand, where cultural traditions and contemporary design converge to create functional and aesthetically pleasing living spaces. The emphasis on both privacy and environmental responsiveness through design elements like the timber screens underscores a holistic architectural approach. #ResidentialArchitecture #Modernism #BangkokArchitecture #Thailand #FengShuiDesign #TimberScreens #SustainableDesign #ContemporaryHousing #KitDesignArchitect

In 2008, architect Frank Neely's clients decided against renovating their 1940s-era Buckhead home, which they had occupied for over 15 years. However, three years later, the same couple approached him with a new request: to design a completely new, grand English Tudor house. This project aligned perfectly with Neely's expertise in historic design. Neely aimed for the new construction to blend seamlessly into the neighborhood, appearing as if it were a 1920s original rather than a contemporary creation. English Tudor architecture was prevalent during the initial development of many Atlanta neighborhoods, including Morningside, Druid Hills, and parts of Buckhead. To maintain authenticity, Neely incorporated handcrafted materials, techniques, and structural elements typical of the period. The three-year construction period, which coincided with an economic recession, allowed Neely access to a pool of skilled craftspeople. Every piece of molding in the house was custom-made using a unique knife, ensuring a consistent theme with varied profiles for each room. Neely produced a significant volume of hand drawings, dedicating ten pages solely to the limestone fireplaces and trims. The home features numerous bespoke details, such as rounded corners where foyer walls meet and at the ceiling, a gracefully bowed-out handrail on a stairwell landing, recessed cabinetry, and dozens of leaded-glass arched windows. Neely emphasized that customizing these elements did not inflate the budget since all windows were custom anyway. Instead of painting, Neely utilized ancient fuming and ebonizing methods for the paneling, molding, and cabinetry. Ebonizing dark oak involved soaking steel wool in vinegar to create iron oxide, which, when applied, reacted with the wood's natural tannins to turn it black. Fuming, a process discovered in Old English barns where oak was exposed to ammonia from horses, gave the wood a smoky brown color by exposing it to ammonia or its fumes. Neely also integrated ancient building techniques, making certain trims and supports appear functional even if they were primarily decorative in the modern context. For example, in the study, a heavy oak ceiling beam was strategically placed across the front bay window to create the illusion of supporting the massive two-story gable above. Neely highlights the contrast with modern "Sheetrock mansions," where exterior and interior designs often lack continuity. The exterior features include stucco sections made of pebbledash in the rear, where concrete is covered with stucco and then filled with hand-placed pebbles. The homeowners initially doubted the quality of the samples, but the artisan's work, which even involved the husband in applying some pebbles, won them over. The walls and steps are constructed from granite sourced from two different Georgia quarries. Even the bricks were handmade and carefully chosen for their color. This custom approach inadvertently made the house highly eco-friendly, as cabinetry was handcrafted from locally sourced maple and wood, and the structure utilized natural materials like handmade brick, slate, limestone, and granite. Interior design, executed by Brian Watford, introduces contemporary elements, such as a mosaic tile backsplash with mirrored accents in the butler's pantry and a zebra-patterned stair runner. Despite these modern touches, the homeowners sought to retain sentimental pieces in each room, like a dark cherry hutch in the family room that complements the oak coffered ceiling. Neely's overarching goal for the house was to evoke a sense of history, making it feel as though multiple generations had resided there, imbuing it with stories of the past. This article was originally published in the Spring 2015 issue of Atlanta Magazine’s HOME. #FrankNeely #Buckhead #EnglishTudor #HistoricDesign #CustomHome #ArchitecturalDesign #InteriorDesign #HandcraftedMaterials #EcoFriendlyDesign

This article details the comprehensive renovation of a vintage four-story wood-frame row house in Sunset Park, Brooklyn, undertaken by architect Jane Kim for a couple relocating from Manhattan. The project involved an extensive overhaul, including a new kitchen, new baths, a restored facade, the installation of solar panels, and a transition to an all-electric system. The homeowners, despite being retirees, embarked on this ambitious project with the intention of being active members of their new community and using the parlor floor for meetings and entertaining. The renovation maintained some of the home's original character, with salvageable elements such as doors, moldings, stair rails, and newel posts being preserved. However, the architect described the overall scope as "very nearly a gut renovation." New reclaimed oak floors were installed throughout the house, except for the top floor, which was designed as a flexible-use space complete with a home office, kitchenette, and a skylit bath. A significant portion of the renovation focused on the exterior. The rotted wood siding was replaced, and elaborate Victorian woodwork was meticulously restored. This restoration process involved consulting old photographs and examining nearby houses to guide the replication of details. Although the house is not situated in a landmarks district, the homeowners expressed a desire to honor the home's historical aesthetic. Hector Gonzalez of Park Slope Painting was responsible for the detailed exterior restoration, which included stripping asphalt shingles, replacing damaged wood, and applying a multi-color paint scheme featuring Benjamin Moore Philipsburg Blue for the main body and Benjamin Moore Evening Dove and Abyss for the trim. The exterior previously reflected its appearance in a circa 1940 tax photo. Inside, the entry hall features cleaned-up original woodwork and new hardware. The existing stair rail, balusters, and newel posts were retained, but the stair treads were replaced with new oak. A new bath on the parlor level, located at the rear of the front hall, showcases marble tile combined with vertical Blue Fog ceramic tile from Heath and includes a stall shower for guests. The garden-level kitchen is described as "almost a chef's kitchen," equipped with walnut cabinetry, Caesarstone countertops, and an oversized stainless steel island with two sinks and a trash chute. The kitchen floor is clad in porcelain tile designed to mimic slate. An inviting brick-walled nook with a window seat overlooking the backyard provides a cozy spot for morning coffee. A previously closed-off archway between the kitchen and dining room was uncovered during demolition and meticulously restored to its original size and detail. The second floor is dedicated to the primary suite, which includes a bedroom at the rear and a bay-windowed library at the front, featuring a walk-in closet/dressing room. The primary bath is characterized by a vintage-style sink on chrome legs, Art Deco sconces, a marble-topped window ledge, and a walk-in shower. The open top floor, intended for multi-purpose use and frequently serving as a home office, includes a small kitchenette. Stairs from this level lead to the roof, offering harbor views. The skylit bath on the top floor features jade porcelain tile and a freestanding tub, which was one of the first items purchased for the renovation, primarily for visiting grandchildren. The rear exterior wall was finished with Hardie Plank fiber cement half-round shingles, creating a fish-scale effect similar to parts of the front facade. #WoodFrameHouse #HomeRenovation #SunsetPark #BrooklynDesign #JaneKimArchitect #SustainableHome #VictorianRestoration #InteriorDesign #FacadeRestoration

The Guemes Island Bunkhouse, designed by SHED Architecture & Design, is a two-story structure intended to provide additional sleeping accommodations for a client's family cabin. The bunkhouse is situated on Guemes Island, offering views of the Bellingham Channel, and was completed in 2023 with a total area of 590 square feet. This project aims to create a space for rest, quiet work, and family memories, with the intention that it will be passed down through generations. The bunkhouse is strategically located less than ten feet uphill from the property's existing 100-year-old log cabin. The original cabin has a unique history, having been built on Lopez Island, then dismantled and transported to Guemes Island in the 1940s. Unlike many neighboring properties that are built at the water's edge, both the original cabin and the new bunkhouse are positioned just inside the treeline. This placement offers a sense of privacy and seclusion while still providing westward views. SHED Architecture & Design's approach prioritized minimizing disturbance to the natural forested site. The bunkhouse's design frames specific views from its second floor, integrating it thoughtfully into the landscape. The project was led by Prentis Hale and Georgine Botha, with Dain Susman as the photographer. Kaplan Homes served as the main contractor, Jennie Gruss as the interior designer, and Todd Perbix as the structural engineer. The design reflects a careful consideration of its natural surroundings and the client's long-term vision for the property. The modest size of the bunkhouse, at 590 sq ft, suggests an efficient use of space while maximizing comfort and functionality for its intended purpose as an auxiliary living area. The combination of its thoughtful siting, historical context with the main cabin, and specific design intentions positions the Guemes Island Bunkhouse as a discreet yet significant addition to the family property. #ResidentialArchitecture #HouseDesign #GuemesIsland #SHEDArchitecture #Bunkhouse #CabinLife #ForestedSite

In 2014, Phil and Adriana purchased a 1970s brick-veneer house in Carlingford, Sydney, primarily as an investment property with the intention of eventually knocking it down and rebuilding a new house and a second, smaller dwelling on the corner block. Their initial criteria were purely rational, focusing on the potential for future development and rising Sydney property prices. However, their plans changed after buying a three-bedroom apartment closer to the city and welcoming their first son in 2017. The apartment became too small when they discovered they were expecting their second child, and Phil needed a dedicated study to work from home. This prompted them to reconsider the Carlingford property, which offered more space and proximity to good schools. After exploring a knockdown and rebuild, they opted for a renovation due to the challenging sloping block and cost-effectiveness. The original house was dark, dated, and compartmentalized, featuring a pine kitchen, dingy bathrooms, a built-in bar, and a spiral staircase leading to a 'soulless' multipurpose room. Their goal was to transform this into a functional, comfortable family home for at least ten years, accommodating their two young sons. They re-engaged interior designers Janice Yim and Theresa Chan from Studio Quarters, who had previously provided initial ideas. The renovation focused on extensive structural changes to address the house's inherent issues. A significant modification involved removing a poky entry area that blocked northern light from reaching the kitchen and dining spaces. This alteration opened up the living areas, allowing natural light to flood the interior and dramatically changing the home's ambiance. Other key structural changes included reconfiguring the kitchen to create an open-plan kitchen/living/dining space, removing the old spiral staircase, relocating the laundry downstairs, and enlarging the boys' bedrooms. A new staircase was installed next to the dining area, and a study was created in a former living space. Studio Quarters also designed a clever partition and storage unit between the semi-open study and the kitchen, providing both privacy and connectivity while offering ample storage. The aesthetic vision for the renovated home was a contemporary Scandinavian look with clean lines and a sense of warmth. The designers incorporated blue accents, such as the Murobond Island Blue on the kitchen island and Sailcloth grey on the entertainment unit, along with Piketto Grey mosaic tiles for the splashback, to add interest to what was once a nondescript property. The family also emphasized the need for robust materials that could withstand the rigors of an active household. Phil, who had prior experience project-managing construction, decided to manage the renovation himself as an owner-builder. However, the project encountered a significant setback early on when extensive termite damage was discovered, affecting multiple beams and rafters. This unexpected issue added an estimated $80,000 to $90,000 to the budget, forcing Phil and Adriana to deliberate whether to continue or abandon the renovation for a complete rebuild. After consulting with structural engineers who confirmed the house could be salvaged with rectification work, they decided to proceed, given the money already invested and the time constraints of starting anew. The demanding rectification work, which involved stripping down walls and installing new structures, was completed just before the Covid-19 pandemic in March 2020. Despite the challenges, the now structurally sound home feels spacious and airy, successfully transformed into a stylish and functional family residence that harmonizes with the neighborhood's character. Phil reflected on the importance of setting a realistic budget and accounting for unexpected issues, calling the experience a valuable learning lesson. #HomeRenovation #BrickVeneerHouse #CarlingfordSydney #StudioQuarters #ScandinavianDesign #HomeOffice #InteriorDesign #StructuralRenovation #FamilyHome

The article highlights the enduring appeal and versatility of brick as a building material, challenging its perception as merely utilitarian. Despite being one of the world's oldest building materials, dating back to 7000 BC, brick is showcased through 15 diverse Australian homes as a timeless design element capable of inspiring and exciting. The discussion emphasizes brick's strength, versatility, and durability, which have contributed to its historical and contemporary popularity. Key advantages of using brick in Australian homes are outlined, including its low maintenance requirements, as it does not fade, rot, or rust, eliminating the need for frequent upkeep. Brick houses are noted for their energy efficiency, providing natural insulation that keeps interiors cool in summer and warm in winter. Furthermore, brick, being made from eco-friendly clay and shale, is presented as a sustainable choice. Its exceptional durability is underscored by the fact that many old brick homes continue to stand strong over a century after their construction. The article also touches upon some disadvantages, such as the potentially high cost due to demand and a limited color palette. The mortar used with bricks may also require repointing over time. However, these drawbacks are considered to be outweighed by the numerous benefits and aesthetic possibilities brick offers, particularly when incorporated into thoughtful designs. The main body of the article presents a curated selection of 15 beautiful Australian brick homes, each demonstrating a unique architectural style and approach to using brick. These examples range from a 1970s time capsule designed by Melbourne architect Nicholas Day, featuring original slate floors and exposed brick walls, to a Perth home by Gavin Hestelow and Tony Ricciardello that uses a mix of smooth and textured bricks in a geometric pattern. Another highlight is an 1890s manse on NSW's South Coast, celebrated for its classic heritage brick facade. An Edwardian-era stunner in Melbourne, conceived by BayleyWard, retains original exposed brick walls in its contemporary extension, maintaining a sense of history. Mid-century modern homes are also featured, with one situated in a high bushfire zone, where slender, off-white bricks were chosen for their non-combustible and low-maintenance properties. Modern farmhouses, such as one designed by Jillian Dinkel, show how traditional red bricks can be elegantly paired with parquetry flooring. A renovated period home in Melbourne, designed by Albert Mo of Architects EAT, incorporates dusty-purple brick flooring in its new wing, drawing inspiration from the original red-brick structure. The article showcases a renovated workers' cottage in Adelaide, where Benjamin Edwards of Ply Architecture utilized low-maintenance dry-pressed bricks to create a striking solid-to-void relationship with color and texture. An Italianate villa designed by Telly Theodore celebrates brick as a defining element of its extension, featuring handcrafted Danish Petersen Tegl bricks. Chyka Keebaugh's manor-style home exemplifies old-world charm with its ivy-clad brick facade. A reimagined Queenslander features a cantilevered living area with new brickwork referencing an original chimney. A post-war home in Maitland by Kennedy Nolan uses a simple palette of white painted brick and saw-cut travertine for consistency between old and new sections. A brutalist terrace extension by Inglis Architects utilizes handmade Danish bricks for a starkly modern exterior. A 'hit-and-miss' home by Clare Cousins Architects contrasts recycled red bricks with 'Chillingham White' bricks, while an industrial-inspired home in Mount Lawley blends seamlessly into its heritage suburb with reclaimed red bricks from demolished local buildings. These examples collectively illustrate brick's adaptability to various architectural styles, from Hamptons to industrial and contemporary, establishing its status as a versatile and iconic building material. #BrickHouses #BuildingMaterials #AustralianHomes #HomeDesign #ArchitecturalStyles #Renovation #HeritageHomes #ModernArchitecture #SustainableBuilding #InteriorDesign

Areal Architecten, a Belgian studio, has designed and implemented 'Town house EM,' a contemporary brick and concrete townhouse situated within a residential streetscape in Mechelen, a city located near Antwerp. The project aims to seamlessly integrate the modern structure into its traditional surroundings while maintaining a distinct architectural identity. The exterior features a brick facade that is subtly sliced and faceted, enabling the otherwise minimalist volume to relate to and harmonize with the existing neighboring buildings. This design approach seeks a balance between blending in and standing out within the urban fabric. Upon entering the house, visitors are greeted by a porte-cochère rather than a direct front door onto the street, offering a unique transition space. Internally, the three floors of the townhouse are visually connected by a significant void that extends from the ground floor upwards, crowned by a skylight. This architectural feature serves to flood the stairwell and lower levels with natural light, creating a bright and airy atmosphere throughout the dwelling. This central void acts as an internal 'canyon,' effectively separating the open-plan living areas from the more private bedrooms. Thomas Cols of Areal Architecten describes the residence as a single-family row house that, despite its urban setting, offers remarkable views and expansive voids. He emphasizes the thoughtful combination of raw and refined materials used throughout the project, contributing to its distinctive character. The interior material palette is intentionally restrained, contributing to a modern and sophisticated aesthetic. It features ribbed concrete soffits, exposed brick walls, and a combination of timber and concrete flooring. Large internal single-pane windows further enhance the sense of openness and connectivity between spaces. The staircase is a notable design element, crafted from white-painted steel with blade-like treads, adding a sculptural quality to the interior. Functional spaces are thoughtfully distributed across the floors. The living quarters and kitchen are equipped with fitted timber-fronted storage units, providing both practicality and a consistent aesthetic. The open-plan first floor hosts a living room that extends onto a terrace, blurring the boundaries between indoor and outdoor spaces. The kitchen is located on the ground floor, facilitating easy access and functionality. A difference in level on the ground floor manages the transition between the street and the rear of the house, which leads to a longitudinal garden. This design detail creates a smooth progression from the public street environment to the private outdoor space. The architects highlight that the traditional spaces of a house are synthesized into a single organic space, characterized by raw finishes such as the concrete grid on the ceiling and the prominent interior brick wall. Through precise openings and the living room terrace, the integration of inside and outside environments is a key design principle, fostering a continuous and expansive living experience within this urban dwelling. #Townhouse #ArealArchitecten #MechelenArchitecture #BrickFacade #ConcreteConstruction #ModernResidential #InternalVoid #SkylightDesign #OpenPlanLiving

Liddicoat & Goldhill, a London-based architectural firm, designed the Tailored House, a brick and concrete townhouse located in Kensington. The house was built on a site damaged by bombing during the Second World War, completing an existing terrace of Victorian townhouses. The project faced numerous design challenges and restrictions, including a tight budget, the risk of flooding, party wall negotiations, an irregularly shaped plot, and the crucial need to preserve the rights to light for adjacent properties. These constraints significantly shaped the final design of the dwelling. The Tailored House integrates seamlessly with its Victorian neighbors, maintaining the building line, while also incorporating contemporary elements. A key feature of the design is a fully glazed rear section, which plays a pivotal role in allowing ample daylight to penetrate both the new house and the adjacent properties. This innovative glazing solution is paired with a steeply angled roof, specifically designed to maximize natural light access for the homes behind the new structure. The rear section is also strategically cranked outwards, a response to the irregular shape of the plot, ensuring optimal space utilization. The building's exterior features a blend of traditional and modern materials. The street-facing elevation echoes the style of the adjoining terrace through its layered arrangement. Pale brick, chosen for its historical connection to London's brick construction, is used prominently. Contemporary details such as smooth concrete surfaces define the entrance bay and first-floor windows, with the same material extending to window reveals and an angular relief pattern on a cornice, adding modern touches to the facade. The rear elevation, characterized by a sheer brickwork wall, transitions into a screen of metal fins. These fins cleverly conceal glazing, providing both privacy and filtered light to the occupants and their neighbors. Internally, the design emphasizes continuity and natural light. Bronze-framed windows are set into the angled upper part of the end elevation, while glazed doors from the living room open onto a small courtyard. This courtyard incorporates a glass floor, allowing light to filter down to the kitchen and dining area located on the level below. A skylight in the steeply sloped roof illuminates a stairwell situated along the party wall. Additional glazed roof panels further enhance natural light, reaching a small bathroom at the front of the house and a staircase descending to the basement. Material continuity is maintained inside the house with brick walls, mirroring the exterior. These textured surfaces are complemented by wooden flooring and joinery featuring a strong grain, which introduces warmth to the light-filled spaces. The name "The Tailored House" reflects the complexity and bespoke nature of the design, which, despite its intricate fabrication, presents a recognizable, elegant, and simple overall appearance. However, upon closer inspection, the individuality and material richness of the house become apparent, akin to a finely tailored suit. Liddicoat & Goldhill, based in Dalston, east London, have a portfolio that includes other notable projects such as an oak-screened staircase extension to a south London home and a garden cabin with an angular roof. #LondonArchitecture #TownhouseDesign #BrickConstruction #ContemporaryArchitecture #GlazedFacades #ResidentialDesign #UrbanHousing #Kensington #ArchitecturalInnovation

This article highlights the design and creation of a multi-purpose three-season sunroom in Bucks County by landscape architect David Fierabend, principal of Groundswell Design Group. Fierabend, known for his work on Spruce Street Harbor Park and Independence Beer Garden, applied his expertise to the renovation of his New Hope property. The primary goal for the sunroom addition was to achieve a "treehouse effect," providing an expanded space for entertaining, working from home, and fostering a strong connection to the natural landscape. The existing topography of Fierabend's home, which is elevated above its surroundings, naturally contributed to the desired treehouse aesthetic, making the living areas appear nestled within the trees. To further enhance this connection to nature, Fierabend incorporated several design elements, including large glass-panel walls that offer expansive views of the outdoors, vaulted ceilings that create an open and airy feel, and rustic accents that complement the natural environment. The new sunroom was seamlessly integrated with the home’s existing living room, facilitating convenient entertaining and a cohesive flow between spaces. Fierabend consciously selected a color palette and material scheme that would align with the exterior's natural tones. He specifically chose green colors and natural wood, ensuring the sunroom felt like an organic extension of the landscape. For interior furnishings and decor, he sourced green velvet from France and utilized warm leathers on restored and repurposed furniture pieces. He collaborated with Provenance in Kensington for specialized wood treatments on the walls and lighting fixtures, adding to the room’s unique character. To maintain a vibrant indoor environment, Fierabend included plants that could thrive year-round within the space. His passion for vintage and flea-market finds is evident in the room's eclectic decor. Fierabend enlisted the help of Christine Edmonds, owner of Newtown’s Trove, to assist in sourcing vintage items. He also personally discovered unique treasures at the Golden Nugget in Lambertville and the famous Porte de Clignancourt antiques market in Paris. This blend of new and old elements contributes to the sunroom’s distinctive charm and personal touch. The sunroom has proven to be a versatile and cherished space. During the initial stages of the COVID-19 pandemic, it served as a tranquil and productive environment for remote work. As social activities resumed, the room transformed into an ideal setting for dinner parties, allowing for seamless indoor-outdoor gatherings. On quiet Sunday mornings, Fierabend enjoys the serene atmosphere with a cup of coffee and the newspaper, accompanied by his four rescue dogs, all while experiencing a front-row view of the changing seasons. The project, originally published as “Room to Grow” in the December 2021 issue of Philadelphia magazine, exemplifies a successful blend of architectural design, landscape integration, and personal style. #BucksCounty #LandscapeArchitecture #SunroomDesign #HomeRenovation #GroundswellDesignGroup #InteriorDesign #VintageDecor #NaturalLiving

Mork-Ulnes Architects has developed the Crest guesthouse and rental unit in Marin County, California, by building an Accessory Dwelling Unit (ADU) on the exact foundation of an old garage. The design responds to the challenging steep hillside site and strict fire danger regulations prevalent in the wooded context. A key architectural feature is the sharply angled roofline, which mirrors the site's slope and incorporates a high clerestory window that introduces light above the cabinetry wall. A distinctive 'playful flip' in the roof allows for a punched window from the loft, offering views of the surrounding trees. The design prioritizes fire resistance, utilizing cement board for exterior cladding and roofing, and metal for windows and doors, eliminating roof projections to meet safety standards. To compensate for the steep terrain, a front deck has been integrated to provide additional usable exterior space, leveraging California's mild climate. The project emphasizes highly efficient spatial planning within its compact 38 square-meter footprint. The architects aimed to maximize functionality for every surface, describing the approach as having 'Swiss-army knife functionality.' This includes a rolling kitchen island that can be moved indoors or outdoors as needed, and a murphy bed that folds into the wall during the day and deploys for sleeping at night. A loft space, accessible via a ladder that tucks into the wall, features a window looking out to the trees and down into the living area, enhancing the sense of openness. The bathroom is ingeniously split into two smaller compartments: one for the toilet and sink, and another for a forest-green tiled shower room with a glass door opening onto the tree-covered hillside, blurring the lines between indoor and outdoor bathing experiences. The design successfully maintains a sense of spaciousness despite the small area, achieved through strategic light manipulation. Light is allowed to travel freely through the building, naturally illuminating the interior throughout the day. High clerestory windows face the hillside, while large expansive sliding doors on the deck side invite ample light and extend the living area to the outdoors, connecting occupants with the view. The Crest Guesthouse is currently serving as a vacation cabin for the owners during the renovation of their main house, showcasing its versatility and functional design. The project was completed in Spring 2023 by Mork-Ulnes Architects, with Casper Mork-Ulnes, Phi Van Phan, Robert Scott, Lexie Mork-Ulnes, and Kaoru Lovett comprising the design team. Structural engineering was provided by David Strandberg, civil engineering by Adobe Associates, Inc., and general contracting by Damner Construction and Axelson Builders. Bruce Damonte was the photographer for the project. #MorkUlnesArchitects #GuesthouseDesign #CaliforniaArchitecture #SmallSpaceLiving #SustainableDesign #HillsideArchitecture #AccessoryDwellingUnit #CompactLiving #FireResistantBuilding

The Dallas Architecture Forum hosted an “Inside The Box” Modern Living 365 cocktail reception at the Russell Buchanan-designed Mockingbird house. This particular residence garnered controversy among Highland Park residents due to its angular structure, which stands in stark contrast to the area's traditional brick and stone manors. The event provided an opportunity to delve into the design and creation of this unique property. The architect, Russell Buchanan, provided insights into the home's construction, which he humorously noted was compared to a 'refrigerator box.' The house is characterized by its use of steel beams and pre-fabricated, two-inch foam-insulated aluminum panels, forming a long, rectangular shape. The exterior's angular and minimalist aesthetic deliberately highlights these materials. All components, including the Metl-Span jacket sourced from Lewisville, Texas, were custom-designed, cut, and manufactured specifically for this project. The uniform appearance of the panels on both sides contributes to the home's industrial feel, a theme consistently echoed in its interior finishes and furnishings, which lean towards a more streamlined, commercial aesthetic rather than a conventional residential one. Buchanan detailed that the construction process for the house spanned 11 months. A notable aspect of its construction sequence was that the aluminum cladding was among the final steps, with Buchanan remarking that 'When they’re in, it’s finished.' This approach differs significantly from traditional construction methods where exterior walls are typically completed before interior work commences. The interior boasts an impressive array of natural stone, including golden onyx in the entry vestibule, Syrah granite and Aston White quartz for the kitchen counters, Brazilian Arabescato marble in the master bath, Xango Red quartz on the staircase, and Breccia Imperial leathered granite on a Buchanan-designed dining table, showcasing a bold and diverse material palette. Despite its unconventional construction, the interior provides a unique living experience. It evokes the sensation of a sophisticated shipping container, softened by elements like gorgeous Douglas fir rafters, rich stone surfaces, and a full-length glass wall on the first floor. Buchanan explained that the paneling and glass walls necessitated a thoughtful floorplan to ensure proper access to power and plumbing, as these elements could not be run internally. The downstairs floor-to-ceiling windows are equipped with an exterior camouflage curtain, offering privacy from eastern neighbors who have a direct view into the first floor. This feature enhances the sense of privacy despite the transparent design. Furthermore, the walls also function as sound dampeners, a practical benefit given the home's location on a busy two-lane thoroughfare. The architect emphasized that the design was driven by the homeowners' desires and the constraints of the site, resulting in numerous innovations and making it a truly unconventional structure. #DallasArchitectureForum #ModernLiving #RussellBuchanan #BoxHouse #MockingbirdHouse #ArchitecturalDesign #IndustrialAesthetics #LuxuryHomes #HighlandPark

In the vibrant Greenpoint section of Brooklyn, a creative couple, Jill Magid, a conceptual artist, and Jonny Bauer, an advertising executive, embarked on a significant remodel of their row house. This property, originally a workman’s cottage, underwent a head-to-toe transformation completed in mid-2013, blending its historical essence with modern design sensibilities. The exterior of the home immediately signals its updated character through subtle yet impactful design choices. For instance, the house numbers, a sleek neon '175' rendered in a sans serif font, serve as a modern beacon on a street otherwise characterized by more traditional architecture. This miniature, functional art piece, created by Magid herself, hints at the artistic and thoughtful approach taken throughout the renovation. The project focused on preserving the historic 'bones' of the structure while introducing contemporary interior updates to suit the couple's lifestyle and aesthetic preferences. This careful balance ensures that the home respects its past as a workman's cottage but simultaneously functions as a modern family residence. The renovation involved a comprehensive overhaul, from structural adjustments to the selection of finishes and fixtures, all designed to enhance both the functionality and visual appeal of the space. The integration of modern elements, such as the distinctive neon house numbers and potentially other interior design features, contrasts with the traditional brick siding, creating a unique visual identity for the property. The article highlights how the couple approached the renovation, suggesting a collaborative effort that infused their individual creative and professional backgrounds into the home's design. The choice of materials, color palettes, and spatial arrangements would have been meticulously considered to achieve a harmonious blend of old and new. This thoughtful renovation process aims to create a living space that is not only aesthetically pleasing but also highly functional for a contemporary family. The remodel transforms the historic dwelling into a personalized sanctuary that reflects the artistic inclinations of its owners while maintaining a connection to its architectural heritage. Ultimately, the project in Greenpoint serves as an example of how historic properties can be revitalized through careful and creative renovation. By updating the interior while honoring the original structure, Magid and Bauer have created a home that stands out with its unique blend of artistic expression and historical charm. The narrative implicitly suggests that the renovation involved strategic decisions to modernize living spaces, improve natural light, and optimize the layout, all contributing to a more comfortable and visually engaging environment. The home becomes a testament to how art and design can elevate everyday living within an urban historical context. #BrooklynHome #HomeRenovation #HistoricPreservation #ModernInteriorDesign #Greenpoint #ArtisticHome #RowHouseRenovation #CreativeCouple #UrbanDesign

The "Patio House" project, designed by herchell arquitectos, is located in San Sebastián del Oeste Centro, Mexico, and was completed in 2022. The house occupies an area of 715 square meters and was photographed by Lorena Darquea Schettini, with Miguel Hernandez Michel as the lead architect. The project's core philosophy centers on challenging conventional living standards and offering an experiential escape from urban daily life. The architectural design of the Patio House prioritizes integration with nature, featuring central patios and exterior corridors supported by steel columns. This design aims to create a harmonious coexistence between the built environment and the natural surroundings, inviting residents to engage with an unknown and refuge-like experience. The emphasis on nature is evident in the inclusion of gardens and courtyards, which are integral to the living spaces. The house incorporates a variety of materials, primarily wood and brick, which contribute to its aesthetic and structural integrity. The design features large windows and open facades that allow ample natural light and views of the exterior. Interior spaces showcase exposed beams and columns, highlighting the structural elements as part of the design narrative. The floor plan, including both ground and upper levels, indicates a thoughtful arrangement of rooms around the central patio concept, promoting an open and fluid living environment. The house also includes elements such as stairs with handrails and various living areas, suggesting a multi-functional and comfortable residential space. The project's design aims to evoke a sense of detachment from the typical urban experience, providing a serene and immersive environment. The use of specific materials like wood and brick, combined with the strategic placement of patios, reinforces this intention by blurring the lines between indoor and outdoor spaces. The house is categorized under residential architecture and houses, reflecting its primary function while also highlighting its unique design approach. Overall, the Patio House by herchell arquitectos represents a contemporary approach to residential design in Mexico, focusing on challenging traditional living paradigms and creating a deep connection between the inhabitants and the natural world. The project's architectural elements, material choices, and spatial organization all contribute to its overarching goal of providing a distinctive and enriching living experience. #ResidentialArchitecture #PatioHouse #MexicanArchitecture #HerchellArquitectos #SanSebastianDelOeste #WoodAndBrick #NaturalIntegration #ArchitecturalDesign

Perched upon a rocky hill overlooking a small farm in the Berkshires, a new residence designed by Kinneymorrow Architecture serves as the home for Emily and Jeremy, their two children, two dogs, several cats, chickens, and horses. The architectural design of this Massachusetts country home draws inspiration from vernacular houses, barns, and covered bridges characteristic of rural New England, while incorporating a modern aesthetic with its Cor-Ten steel cladding. The house is strategically positioned to offer panoramic views of the changing seasons in the surrounding countryside. A defining feature of the home is its west façade, where apertures in the Cor-Ten skin align with the interior programming. These openings frame specific views from the living, dining, and kitchen areas, and extend to include screened porches on either end of the structure. This design choice maximizes natural light and integrates the interior spaces with the exterior landscape, creating a sense of connection to nature throughout the day. The layout of the house is thoughtfully organized, with the bedrooms situated along the east side to capture the morning sun, contributing to a naturally lit and pleasant start to the day for the occupants. Above the main living floor, lofts are incorporated to provide flexible guest spaces, offering additional accommodation without compromising the home's primary living areas. The foundation of the house includes a cast concrete base, which houses a mudroom, an art studio, a mechanical room, and covered parking facilities. This lower level provides practical and functional spaces that support the family's diverse needs and activities, from creative pursuits to everyday utility. A notable aspect of the home's construction is the owner's personal involvement in sourcing materials. Jeremy, one of the owners, harvested most of the wood finishes used in the house from the forest located around the property. This commitment to using local and natural materials not only imbues the home with a unique character and connection to its site but also reflects a sustainable approach to building. The combination of modern Cor-Ten steel and rustic, locally sourced wood creates a harmonious balance between contemporary design and traditional country living. The design by Kinneymorrow Architecture successfully blends functional requirements with aesthetic appeal, creating a home that is both resilient and deeply integrated with its natural environment. The deliberate placement of window nooks throughout the residence allows every room to benefit from expansive views, ensuring that the beauty of the Berkshires landscape is an ever-present element of the family's daily life. This architectural approach emphasizes an indoor-outdoor living experience, providing comfort and visual engagement with the rural setting. #CountryHome #MassachusettsArchitecture #KinneymorrowArchitecture #CorTenSteel #ModernFarmhouse #WindowNooks #SustainableDesign #Berkshires #ArchitecturalDesign #LocalWood

Jonathan Tuckey Design undertook the renovation of a Grade II-listed mews house in West London, transforming it into a two-storey residence for a private client and his dog. The primary objective of the renovation was to increase natural light within the property, a common challenge in mews houses, while navigating strict planning regulations for listed buildings. To address the planning authorities' reluctance regarding a fully open-plan layout, the architects implemented a creative solution: see-through stud walls. These skeletal partitions precisely trace the footprint of the original interior walls, effectively defining spaces without impeding the flow of light. This approach allowed for a sense of openness while technically adhering to the structural history of the building. Architect Nic Howett highlighted that this design choice allowed light to penetrate deep into the plan, significantly brightening the living areas. Further enhancing the natural light, five new skylights were strategically integrated into the roof. A prominent skylight positioned above the staircase allows light to cascade down to the ground floor, illuminating both levels of the home. Material choices within the house contribute to its character. Walls feature a combination of exposed brickwork and warm timber panelling. The kitchen is outfitted with sleek stainless steel, offering a contemporary contrast. A dedicated reading corner provides a cozy retreat within the open living space. The house boasts two entrances. The downstairs entrance opens into a red-painted workshop and garage, a functional space for the client's motorbike collection. A large glazed partition separates this area from the rest of the house, allowing the motorbikes to be viewed as a display. The master bedroom is also located on the ground floor, accompanied by storage spaces lining the corridor and a discreetly placed bathroom and wet room. A birch plywood staircase serves as the central connection between the two floors, adding a natural element to the interior. On the first floor, the timber stud framework outlines the former wall positions, creating a layered and visually interconnected kitchen and living area. The original roof structure remains visible above this framework, emphasizing the historical context of the building. Timber cowls around the new skylights further refine the light entry points. The study area features Douglas Fir panelling, and the overall design showcases skilled craftsmanship in elevating a modest palette of materials to create a distinctive modern home. The project successfully blends historical preservation with contemporary living requirements, focusing on light, clever spatial definition, and a curated material selection. #HomeRenovation #LondonArchitecture #MewsHouse #JonathanTuckeyDesign #NaturalLight #ListedBuilding #InteriorDesign #SkeletalPartitions