Inside a fairytale Federation home where a renovation changed everything

This article details the renovation of a 1950s ranch-style home in Mountain Brook, Alabama, undertaken by Katie Bee and Seton Marshall with the help of local architect Anna Evans. The family, expecting their second child, sought additional space and a more inviting environment that connected to the outdoors. The renovation aimed for a "leaner, taller, and cleaner" aesthetic while honoring the original ranch design. The exterior updates played a crucial role in transforming the home's functionality and appearance. A new paint job, an expanded entry, a wide front terrace, and tall, light-filled doors at the rear of the house significantly brightened the space and improved the natural flow between indoor and outdoor areas. The new front design, featuring 19-foot-wide stairs that extend to the edge of the house, balances the facade by filling the void beneath a wide window and creating the impression of a traditional front porch without altering the straight roofline. This expansive front area has become a neighborhood gathering spot, facilitating social interactions and providing a space for watching children play. The entrance was made more welcoming with the replacement of a narrow single door with new pecky cypress French doors, which are centered and more visible. The front terrace, measuring 10 by 12 feet, was designed to function as an outdoor living space, accommodating a love seat, two chairs, and a coffee table. This addition was deemed essential for a community that values outdoor socializing. To address the issue of mismatched exterior materials—brick on the front, shingles on the side, and siding on the back—the entire exterior was painted Timid White by Benjamin Moore. This uniform color scheme modernized the house and cohesively unified the different surfaces. Thoughtful landscaping, including neatly manicured boxwoods, was implemented to complement the home's refined appearance, filling gaps under windows and defining the backyard patio. Improvements were also made to the window treatments. The architect addressed the common issue of improperly sized shutters by removing them from two windows and replacing them with an operable, properly sized pair on the far-left window to visually enlarge it. Inside, the typically cramped feel of ranch homes with 8-foot ceilings and limited natural light was overcome by installing three new sets of 7-foot-tall French doors. These doors significantly brighten the interior rooms surrounding the patio and enhance the ease of movement between indoor and outdoor spaces, ultimately fulfilling the family's desire for a more spacious, brighter, and connected home. #HomeRenovation #RanchHouse #ExteriorDesign #ArchitecturalRenovation #OutdoorLiving #HomeMakeover #PaintColors #LandscapeDesign #BeforeAndAfter

Chris and Jenn Goode purchased their 1960s home in Alexandria's Villamay neighborhood primarily for its Potomac River views, despite its traditional style, dated finishes, limited lighting, and insufficient space for their three growing children, aged 9, 11, and 14. Their vision for the renovation was to transform the house into a spacious, rustic-chic sanctuary that offered enough individual space for every family member. Case Architects & Remodelers, led by director of project development April Case Underwood, was enlisted for the remodel. Underwood, having previously worked with the Goodes on their kitchen, understood their preference for a more transitional style. The original home was deemed outdated and lacked cohesion, especially for entertaining guests or accommodating three children preparing for school with only one shared bathroom. The renovation aimed to address these issues by expanding the living areas and updating the aesthetics to better suit the family's needs and style. A significant part of the renovation involved adding a two-story extension to the front of the house. This addition created a new primary bedroom suite for Chris and Jenn, which included dedicated his-and-her closets and a five-piece bathroom. The Goodes' daughter subsequently moved into the original primary suite. To accommodate their two sons, a one-story addition was built at the back of the home, featuring a new bedroom equipped with a Jack-and-Jill-style bathroom and walk-in closets. Additionally, a home gym with a rubberized floor was installed in the third garage bay at the base of the front addition. Indoor renovations were further complemented by the inclusion of a pocket office with a sliding glass door and a butler's pantry, which was outfitted with wall cabinets, open shelves, and wine fridges, enhancing both functionality and storage within the home. Although the kitchen's layout, counters, and backsplash from a previous renovation remained unchanged, the area received a refresh with new gold accents and a new faucet. A unique and personalized addition to the kitchen was a custom dog station for the family's goldendoodle, Dewey. This innovative feature, inspired by Jenn's mother, replaced a seldom-used cookbook bookcase. The dog station was designed for practicality and aesthetics, featuring a tiled area with built-in bowls, and a cabinet nearby for storing Dewey's food, treats, and medication. Its proximity to the kitchen sink allowed for the installation of a pot filler, simplifying the process of refilling water bowls. The exterior of the house underwent a dramatic transformation to align with the interior's rustic-chic design and the surrounding landscape. The original brick exterior was painted blue, and new shutters and wooden brackets were installed. Stone accents were added around the new garage bay to introduce texture. The renovation also incorporated a new front porch and a gable, contributing to a true Craftsman-style aesthetic. The Goodes praised the effective communication with Case Underwood, noting weekly meetings over several months that allowed for detailed planning and adjustments, ultimately bringing their vision to life. The cohesive design throughout the entire house made it feel like a brand-new home, satisfying the family's desire for a perfect, spacious living environment, and even attracting attention from passersby who stop to admire the renovation. #HomeRemodel #FairfaxCounty #CaseArchitectsRemodelers #RusticChic #HomeExpansion #InteriorDesign #ExteriorRenovation #FamilyHome

Jay Deputy embarked on a journey to update his late parents' home in Seaford, Delaware, transforming it into a personal retreat while preserving its inherent character. The single-story, red brick Colonial-style house, built in 1968, held significant sentimental value, having been purchased by his parents, John and Lillian, in 1970. Deputy, who describes himself as a lifelong collector of homes and furnishings, ranging from a 13,000-square-foot mansion in St. Paul, Minnesota, to a New York City loft and a centuries-old farmhouse in North Wilmington, viewed the Seaford property as an ideal downstate getaway. He appreciated its "human-scaled" rooms, conducive to intimate gatherings of six to eight people. Upon inheriting the house after his mother's passing in 2009, Deputy's initial focus was on structural stability. This involved addressing termite damage, installing a new heating and air conditioning system, and restoring the front porch columns. He then furnished the porch with rockers and casual seating, allowing for enjoyment of the hydrangeas. Simultaneously, he simplified the yard and garden to better suit a second home, acknowledging it as an ongoing project despite removing several trees. Inside, Deputy concentrated his decorative efforts on the entertaining areas: the formal living room, library, dining room, and sunroom, along with the master and guest bedrooms. Notably, he left the kitchen largely untouched, preserving its original Corian countertops, plank cabinets, and wrought-iron hinges, deeming it "still a very serviceable kitchen." The library, which served as a family room during his childhood, underwent a significant transformation. Deputy removed dark paneling, painting the walls and fireplace a soft celadon green, a color inspired by a floral needlepoint rug inherited from his grandmother. He sourced matching Baker settees, reupholstering them in a claret-and-ivory toile fabric by Brunschwig & Fils, featuring pheasants, hunting dogs, and woodland flora. Accents of black, including a painted tole tray, silk chandelier shades, and a cocktail table, complement the room's color scheme. A 19th-century Empire-inspired mahogany bookcase displays antique volumes and Chinese porcelains, subtly reflecting the room's palette, flanked by 18th-century Chippendale chairs. Deputy's decorating style, while more formal, shares a common appreciation for Chippendale furniture with his mother, who preferred a country aesthetic. He describes the mahogany sideboard in the dining room as an artful reproduction, adorned with vintage Waterford crystal and heirloom decanters holding a collection of rare Scotches. The full restoration of his St. Paul mansion, which took a decade, provided him with valuable hands-on experience in plastering and carpentry. For the Seaford project, he hired out much of the work but personally handled tasks he enjoyed, such as painting, often accompanied by Bach on his iPod. The formal dining room features a bold blue-and-white Brunschwig & Fils wallpaper depicting birds and vines. Chippendale-style dining chairs by Maison Jansen and mid-century reproductions of a dining table and breakfront by Henredon, inherited from his aunt, complete the space. An antique Chinese rug from his grandmother and 18th-century gilt-wood sconces with their original mirrors add historical depth. In the sunroom, Deputy refreshed his mother's whitewashed wicker furniture with black paint and claret-and-cream toile cushions. Unmatched Asian-influenced chandeliers were unified with a glossy crimson enamel, and lemon trees and leafy plants contribute to a tropical atmosphere. The formal living room showcases his grandmother’s camelback sofa, upholstered in its original shimmering gold silk, complemented by cream walls, coral wing chairs, and an Oriental carpet. The room also features a 1740 partner's desk, a mahogany desk with flame finials crafted in Delaware, and 18th-century commodes serving as end tables. A magnificent, thinly cut stone screen from China behind the sofa underscores his passion for collecting. Deputy emphasizes the sentiment behind these items, stating, "Things we find, things that have age, things we collect have a certain weightedness," and cherishes the stories embedded within them. #HomeRenovation #InheritedHome #InteriorDesign #SeafordDelaware #FamilyHeirlooms #ChippendaleStyle #HistoricHomes #HomeDecor #PersonalizedSpace

The article details the redesign of an 18th-century farmhouse in Lumberton, transforming it to accommodate modern living while honoring its historical roots. The project was undertaken by Michelle Gage of Philadelphia-based Michelle Gage Interiors, who notes the home's significant age, dating back to the Revolutionary era. This particular residence presented a unique challenge due to its extensive history and the accumulated alterations made by previous inhabitants over centuries. The homeowner's openness to Gage's suggestions was a crucial factor in the redesign's success, allowing for a creative yet respectful approach. Gage identified an inherent 'English vibe' in the home and aimed to align the interior design with both this aesthetic and the client's 'quirky and eccentric' personality. The English influence is evident throughout the house, starting from the entry where antique boot racks hold wellies. The primary bedroom showcases a vibrant display of color and pattern, featuring layered florals on the walls, headboard, and bedding. The chosen wallpaper designs evoke a British country house style, characterized by rich patterns that contribute depth and character to the space. The redesign also incorporated unique elements like a moody, jungle-themed wall covering in the breakfast nook. This wallpaper, featuring hidden animal motifs, thoughtfully frames the home's original built-in cabinetry, adding an element of surprise and whimsy. In contrast, the laundry room adopts a more serene ambiance with a subdued sage-green and white botanical wall covering, designed to create a fresh and crisp atmosphere reminiscent of newly laundered linens. The project successfully merged historical integrity with contemporary comfort and personal style, creating a home that respects its past while providing a vibrant and unique living environment for its current owner. The collaboration between the designer and homeowner resulted in a space that is both historically conscious and reflective of modern eclectic tastes, demonstrating how an antique structure can be adapted for current lifestyles without sacrificing its inherent charm. #LumbertonFarmhouse #HistoricalHome #HomeRedesign #EclecticDecor #InteriorDesign #MichelleGageInteriors #EnglishVibe #RevolutionaryEraHome

The Designer Show House, a biennial event sponsored by the Village Improvement Association in Rehoboth Beach, Delaware, showcases diverse interior and exterior design inspirations across its 6,000 square feet of space and nearly an acre of outdoor areas. This event serves as a platform for regional designers to present their expertise and offers visitors a wealth of ideas for their own homes. One featured space is a sunken living room, designed by Kate FitzGerald-Wilks of Timeless Design in Landenberg, Pennsylvania. This room embodies a West Indies aesthetic, characterized by bold lines, soft sandy hues, and rich textures. Key elements include vintage stick bamboo chairs painted black, adorned with Kuba cloth and Ralph Lauren zebra-stripe pillows on a slipcovered camel-backed sofa. A mid-century hutch is repurposed as a cocktail bar, complemented by sculptural metal and glass console tables flanking the fireplace. Wood mirrors with faux tortoise shell lean against textured wallpaper, while modern sculptures and art blend with antique books and global treasures. FitzGerald-Wilks also designed the dining room, aiming for a dramatic effect with a backdrop of 200 wine bottles and a striking Dolcetti chandelier crafted from shells and crystals, evoking sea glass. An 8-foot-long reclaimed wine rack sits atop a buffet. The room's color palette consists of soft creams and tans, punctuated by emerald green accents in the chandelier and wine bottles. Windows are framed with woven ikat print panels. An airy sunroom, conceived by Alfred Wolf Home (a new venture from Design Center of Rehoboth or DCOR), was designed to create a light-filled, contemporary transition between the house and garden. This involved removing existing French doors and window grills, painting the room in various shades of white and French gray-green, and incorporating textural elements of white canvas, iron, and marble. The family room, also by DCOR, maintained the warmth of its original paneling and fireplace stone, setting the foundation for a soft khaki and cream palette. The room is furnished with herringbone, tweed, and leather fabrics, offset by tortoise shell wood finishes and local tidal scene artwork. Mary Stewart of M. Stewart Interiors in Bear designed the upstairs hobby room, named "Just Us," intended as a shared family space for various pastimes like painting, photography, reading, chess, and Lego building. The room features updated cherished family heirlooms and is painted simply white to highlight paintings by Nadia Zychal. Nile Johnson of Kennett Square, Pennsylvania, designed the second-floor paneled library, drawing inspiration from Rehoboth's laid-back yet cosmopolitan atmosphere. This space offers an updated interpretation of a classic library, decorated in layers of sandy tans. Cyndi and Ron Oronzio and Cathie Sheetz of Dreamweaver Interiors of Rehoboth Beach decorated a bedroom and bath, inspired by vibrantly patterned fabrics. They utilized Robert Allen fabrics as wallpaper for an accent wall, building the room's design around this print. The team selected fabrics for their depth, crisp patterns, contrasting textures, and detailed embroidery, incorporating a bright coral pink accent color and rhinestone embellishments for a feminine touch. Brenda Carder of blcINTERIORS of Rehoboth Beach designed a small guest bedroom, combining natural cotton and linen fabrics with metal and reclaimed wood. Crown moldings add formality. To compensate for limited sunlight, the room was kept light and bright, with a deep navy blue accent wall and touches of bright yellow for warmth. The second floor features art by Libby Zando of Zando Designs and Art Affects in Milton, alongside works by award-winning regional artists. Boardwalk Builders of Rehoboth transformed a hallway into a gallery space by adding wainscot paneling, creating an updated cottage aesthetic that visually broadened the hallway. Mark A. Polo of The Urban Dweller in Boonton, New Jersey, designed the master suite, aiming for comfort with soft textural colors ranging from taupe to blue. The furniture is upholstered to enhance the room's softness, featuring taupe draperies of embroidered sheer linen and silk edged in leather and freshwater pearls. Blonde floors are softened by a long-fiber rug. Outdoors, Erin Walls and Justin Bartels of Bella Terra Landscaping in Lincoln repurposed existing flagstone patios and walkways, adding new stones to create a Celtic-inspired design. The layout divides the space into a grand area for social gatherings and secluded nooks for quiet retreats. Creative Concepts Furniture of Lewes and Ocean View furnished the patios as outdoor rooms with bright coastal colors, including a sectional, loveseat, dining area for six, and lounge chairs, inviting visitors to envision themselves in the setting. #DesignerShowHouse #InteriorDesign #HomeDecor #RehobothBeach #DelawareDesign #LuxuryInteriors #OutdoorLiving #DesignInspiration