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Western Minnesota Hunting Lodge is Rustic Like Redlin
The owner of a discreet, yet classic hunting lodge in western Minnesota, an avid waterfowler, tasked Mark Larson of Rehkamp Larson Architects with creating a sanctuary that embodies his passion for hunting, which he describes as "more of a lifestyle than a hobby," while also serving as a retreat for family and friends. The owner's inspiration stemmed from the rustic hunting cabins depicted in Terry Redlin's paintings, aspiring for a similar aesthetic in his own lodge. This vision involved a design that is both rustic and elegant, a place where nothing is too precious and everything is functional.
Externally, the lodge is designed to appear simple and quiet, resembling a utilitarian-style barn. It features galvanized steel siding and a gambrel roof, intentionally conveying a practical and agricultural aesthetic. Larson notes that when the building is unoccupied, it seamlessly blends in as a barn. However, the interior contrasts with this utilitarian exterior, incorporating traditional timbers throughout. Mike Nicklaus of Big Wood Timber Frames supplied reclaimed wood elements for the beams, flooring, ceiling, and trim, including a notable large barn door with hound hardware.
Interior designer Brooke Voss of Brooke Voss Design collaborated on the interior, establishing a cool, masculine lodge ambiance. This was achieved by layering materials and patterns such as leather, plaid, and houndstooth, which are characterized as rustic and time-honored. The design palette extended to the kitchen, where cabinetry is painted in deep earthy hues, eschewing white, and a center island, also crafted by Big Wood, resembles a piece of found furniture. Burnished-metal lighting is installed above the island. Additional decor includes antler fixtures by Fish Fisher from Bozeman, Montana, various taxidermy pieces, and artwork collected by the owner over the years. A gas fireplace with a limestone surround and chimney further contributes to the lodge's interior warmth and character.
The layout of the lodge is functional, with a small entrance near the garage leading to a game-cleaning area and mudroom on the first level. The second level hosts the main living, dining, and kitchen areas, offering extensive views of fields and hay bales. This floor also includes two bedrooms and a bathroom. A guest bathroom stands out with its metal wainscoting and tartan wallcovering, while a loft area incorporates a small office space and bunk beds, maximizing the use of space.
Architect Mark Larson, along with associates John Kirk and Corey Pederson, and Robbie Hyland of HBRE, describe the project as an intriguing blend of agricultural and cabin aesthetics, a novel combination for their firm. The design process navigated the "healthy tension" between utility and comfort to find a balance where the lodge could serve both as a dedicated hunting cabin and a comfortable family retreat. This required careful coordination of three-dimensional form and space planning. The owner's frequent visits, particularly during hunting season and throughout the year, underscore the lodge's role as a personal sanctuary that reflects his lifelong passion and appreciation for the rustic elegance depicted in Redlin's art.
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