Please Allow Interior Designer Dabito's Bold and Beautiful Designs to Inspire Your Own Space

Susanna Salk's eighth book, "Decorate Fearlessly: Using Whimsy, Confidence and a Dash of Surprise to Create Deeply Personal Spaces," serves as a comprehensive guide for individuals seeking to inject personality and boldness into their interior design choices. The book, released by Rizzoli, compiles the work of 83 prominent designers, showcasing a diverse array of styles from modern and traditional to casual country and city chic. Salk's philosophy revolves around the idea that decorating should be a fearless and enjoyable process, encouraging readers to draw inspiration from various sources and adapt design concepts to their own spaces. The book is structured by room type, covering living rooms, dining areas, bedrooms, bathrooms, kitchens, and entryways. This organization allows readers to focus on specific areas of their homes and discover relevant design solutions. Salk, who considers herself more of a stylist than a professional designer, has a background working for notable publications like Elle Décor and House & Garden. She emphasizes the importance of training one's eye to recognize and appreciate different design elements, akin to a "triathlete's muscle." In her research for "Decorate Fearlessly," Salk extensively utilized platforms like Pinterest to collect inspiring images. She highlights the work of designers such as Alex Papachristidis, whose vibrant and layered Manhattan apartment interiors are featured. Papachristidis's design, including a library with dark walls and an all-over chevron pattern rug, exemplifies Salk's message of confidence in layering textures and patterns. Salk personally adopted Papachristidis's dark wall concept in her own bathroom, demonstrating the practical application of her "copying is acceptable" philosophy. The book also showcases the sleek and uncluttered aesthetic of New York-based architect Annabelle Selldorf, particularly her work in fashion designer Jill Stuart’s penthouse. Selldorf’s design, featuring custom tables, classic Thonet bentwood chairs, and vintage light fixtures by Carlo Scarpa, illustrates how a mix of modern and formal elements can create a sophisticated yet warm environment. Salk points out that the interplay of spirals in a Sue Williams painting and the chair backs, along with the unexpected light fixtures, demonstrate a fearless approach to combining elements that don't traditionally match. Marian McEvoy, former editor-in-chief of Elle Décor and House Beautiful, provides another perspective on fearless decorating. Known for her DIY approach and use of a glue gun, McEvoy's Hudson Valley cottage is filled with her handiwork, including custom upholstery trim, curtains, and lampshades. Her living room, featuring a Ralph Lauren Home sofa enhanced with black and red trim and mirrors reflecting a bold color scheme, underscores the idea that decorating should bring happiness and delight. She advocates for personalization and the creative use of color, demonstrating that fearlessness can be achieved through hands-on involvement and a confident use of color. The work of New York decorators Miles Redd and Jonathan Adler is also featured, highlighting their chic and bold use of color. Salk specifically praises Adler's fearless use of color, exemplified by a child's bedroom design that features a single magenta wall contrasted with white walls. This approach offers a manageable solution for parents who want to incorporate bold colors without committing to an entire room. Ultimately, Salk's book aims to empower readers to overcome paralysis in redecorating by encouraging incremental changes, such as painting a wall or adding a patterned pillow, rather than feeling pressured to undertake a complete overhaul. She believes that small, confident steps can lead to deeply personal and rewarding spaces. #InteriorDesign #HomeDecor #DecorateFearlessly #SusannaSalk #DesignInspiration #BoldInteriors #AlexPapachristidis #AnnabelleSelldorf #MarianMcEvoy

This article explores the transformation of a 871 sq ft four-room Housing Board flat in Henderson Crescent, Singapore, owned by 37-year-old project manager Edwin Tan. Having never had a personal room growing up, Mr. Tan envisioned his first home as a space meticulously designed to align with his lifestyle and personal aesthetics. The project was executed by home-grown firm Morphosis Studio, with lead designer Chris Lee and junior designer Chong Churan, who embraced Mr. Tan's ambitious design concepts, drawing inspiration from various influences, notably the architectural works of Tadao Ando. The design ethos centered on creating natural transitions between spaces and incorporating elements that evoke specific moods. The entrance foyer, for instance, features hexagonal stone tiles that merge into the adjacent area, requiring precise cutting and alignment with vinyl flooring to create a seamless, jigsaw-like effect. The mood of the foyer is further defined by its stony grey hues. Instead of a traditional built-in shoe cabinet, Mr. Tan opted for a shipping-container cabinet and bench in his favorite color, green, which serves as a striking divider between the foyer and the dining area, preventing the home from being confined to a single color palette. The living area is anchored by a full-height concrete wall, a direct nod to Ando's minimalist concrete aesthetic, which also provides a versatile backdrop for diverse colors and materials. A convertible sofa allows for flexible entertaining. Green accents continue with a Lafayette television console placed next to a sage-green parapet wall beneath the windows. A distinctive acrylic, transparent coffee table, described as "ghost furniture," adds a modern touch. Its special coating reflects sunlight into a spectrum of colors, and its circular form contrasts with the rectilinear shapes of the sofa and console. This coffee table rests upon an irregularly shaped rug with concentric grooves that appear to extend from the walls, further enhancing the dynamic visual composition. The dining area continues the hexagonal tile and vinyl flooring combination. Mr. Tan explains his choice of hexagons, seeing them as "angled circles" and connecting them to the molecular structure of dopamine, symbolizing a "feel-good" element within his home. In the bedroom, a walk-in wardrobe was integrated through strategic reconfiguration, and a low platform bed contributes to a casual and relaxed atmosphere. Strategic lighting within the bedroom is employed to create a calming effect, promoting a serene environment. The kitchen presents a more adventurous color scheme, combining cinnamon red counters and blue cabinets, starkly juxtaposed against cement screed walls and terrazzo flooring. The bathroom reiterates the hexagonal motif on its walls and floor, creating a wave-like imagery that flows across the space, echoing design elements found elsewhere in the flat. The renovation, which took approximately three months and cost about $65,000, was completed in December 2024. Mr. Tan emphasizes that each design element in his home carries a personal story, making the house feel like an extension of himself, filled with his rhythm, routine, and narratives. #HomeDesign #InteriorDecor #HDBFlat #TadaoAndoInfluence #SingaporeHome #MorphosisStudio #ColorAndShape #PersonalizedSpace #RenovationProject

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This article features an interview with Tobi Tobin, a Los Angeles-based interior designer known for her work gracing the pages of prominent magazines such as *Architectural Digest* and *House Beautiful*. Tobin owns an eponymous store on Sunset Boulevard, which reflects her signature aesthetic characterized by a blend of black, white, and wood tones. The store offers a diverse range of items, including furniture from her collection, candles, chocolates, vintage jewelry, and dresses. The interview delves into various aspects of Tobin's daily life, personal philosophies, and professional insights. She begins by describing her morning routine, which typically involves being woken by her 110-pound Swiss Mountain Dog, Theo, at 6 AM. Her mornings include feeding Theo, preparing fresh orange juice, and making a fruit smoothie, followed by returning to bed to check emails and read. Her nighttime routine involves showering, gathering magazines, her computer, and a sketchbook, often working for several hours in bed before sleep. Tobin shares her thoughts on various topics, including her perception of a "well-dressed man" as someone confident and her advice for women to always move forward, leaving the past behind. For men, she suggests seizing opportunities to meet special people by confidently introducing themselves with a phrase like, "Hello, aren't you fabulous!" She recounts the *Los Angeles Times* dubbing her the "Rock n' Roll Martha Stewart," a label she acknowledges while clarifying that she is simply Tobi Tobin. If she weren't pursuing her current career, Tobin believes she would "go crazy." She envisions her legacy as building a significant architectural church in a town currently lacking one. A core philosophy she emphasizes is never abandoning a great idea but continuously pushing it forward. When asked about Botox, she expresses a preference for natural beauty, stating that women are amazing, beautiful, and sexy at every age, and believes Botox can actually age a person by altering their "soul." She describes her mother as "fabulous" and finds it impossible to select a single soundtrack for her life. Looking to the future, Tobin plans for the global expansion of her brand, with upcoming ventures into fragrance, candles, body care, and chocolate. She defines happiness as her faith and asserts that there is always a time and place for cocktails. Tobin also expresses concern about the prevalence of negative and exploitative news, advocating for a greater focus on solutions and the people, places, and organizations making a positive difference. In her concluding remarks, Tobin reflects on a life filled with amazing friends and family, extensive travel, love for her pets, abundant laughter, occasional tears, and an unwavering refusal to accept "no" for an answer. She cherishes the great loves of her life, holding them perpetually in her heart. The article is accompanied by photos, including a portrait by Michelle Peerali, all provided with permission from Tobi Tobin. #InteriorDesign #TobiTobin #HomeDecor #DesignerInterview #LosAngelesDesigner #LuxuryLiving #ArchitecturalDigest #HouseBeautiful

The article explores how to prevent interior design from becoming "boring" by incorporating character and personality into spaces, moving beyond transient trends. Monica Santayana, co-founder of MONIOMI Design, emphasizes that predictability is detrimental to interesting design, advocating for spaces that evoke feelings of joy, nostalgia, or curiosity. Designers are encouraged to stay true to their personal preferences rather than strictly following current trends. One key strategy discussed is to "disrupt harmony just enough." This involves introducing unexpected elements, such as mixing patterns, placing bold items in subtle rooms, or exaggerating proportions to maintain visual engagement. Santayana explains that each room should be treated as a unique chapter in a larger story, ensuring movement, surprise, and discovery throughout a home. Ronald Alvarez, also from MONIOMI Design, stresses that a space should never feel generic but instead possess personality and purpose, asserting that designs feel dull when everything matches perfectly. Another crucial tip is to contrast textures and tones. Camilla Masi, an interior designer at Otto Tiles & Design, suggests using a calm, neutral palette as a base and then adding unexpected pops of color, unique patterns, or richly glazed tiles. This approach prevents a space from appearing flat or predictable. Alvarez reinforces this idea, highlighting the creation of tension through contrasts such as hard and soft, organic and graphic, or vintage and new elements. He notes that even in monochromatic schemes, depth can be achieved through intentional variations in light, material, and form. Incorporating bold art pieces is identified as a direct method to inject soul and individuality into a room. Art can set the overall tone and is often considered by designers as the most essential item to retain in a space. Manuela Hamilford, founder of Hamilford Design, explains that art elicits emotion and conversation, reflecting the inhabitants' identity. A home that authentically mirrors its occupants’ lives will inherently avoid being boring. The article also advocates for playfulness in design. Overlooked transition areas, such as doorways, can be transformed into design statements. Raili Clasen of Raili CA Design suggests painting archways in vibrant colors, tiling them, or using contrasting wallpapers to create impact and a sense of fun. These playful interventions frame the room and establish memorable "moments." Finally, the most significant advice is to embrace experimentation and avoid "playing it safe." Genevieve Bennett, Head of Design at Liberty Interiors, encourages designers to be bold and brave, freeing themselves from concerns about external opinions. She recommends experimenting with unexpected color and pattern pairings, like juxtaposing graphic stripes with traditional florals or adding vibrant colors to minimalist spaces. Bold prints, she suggests, can introduce a sense of fun, starting with a lead textile and building the design from there. This approach of "pattern sprinkling" fosters both interest and balance, ensuring that a space designed with passion and creativity will resonate with others.

The article details designer Dane Austin's approach to transforming a potentially cold, cavernous open-concept living space in the 2024 Whole Home into an inviting communal area. Austin, who expressed a general disinterest in the open-concept trend, focused on creating warmth and distinct zones within the large room, which features 22-foot ceilings and expansive windows. His design process began by drawing inspiration from the natural surroundings of Asheville, particularly the sunset hues and the blue tones of the mountains, which influenced his material and color palette choices. A key element in the living room's design is a Farrow & Ball cherry blossom wallcovering, which reproduces a Renaissance-era chateau design. To further define the space and add architectural interest, Austin collaborated with the build team to install a floor-to-ceiling chimney breast made from Dekton’s ultra-compact surface material, providing depth and dimension. A surrealist sculptural landscape by local artist Colton Dion serves as a focal point, adding a unique artistic touch to the room. Austin’s design philosophy emphasizes a curated, timeless aesthetic, combining old and new, masculine and feminine elements, and a mix of custom-made and flea market finds. This approach is evident in the diverse selection of furnishings, which include various velvets, leathers, and linens. He intentionally included abundant seating options, advocating that a living room should accommodate as many guests as there are dining room chairs, especially for a holiday home. To avoid a monolithic wallcovering effect in such a tall space, Austin cleverly incorporated a shelf at rafter height, painted in Farrow & Ball’s Selvedge color, which is used to display baskets and pottery, breaking up the vertical expanse and adding visual interest. Thoughtful details are also highlighted in the area around the fireplace, where bench seating and shallow cabinetry feature custom brass inserts from Architectural Grille, echoing the wallpaper motif. Above this built-in, a Samsung Frame TV seamlessly integrates technology by displaying evolving artwork and converting to a movie night mode with the push of a button. For the expansive floor, a custom Fibreworks rug was chosen to anchor the living area. Lighting plays a crucial role in distinguishing the living and dining zones, with a multitiered Clementine chandelier by Visual Comfort & Co. hanging above the lounge, and a plastered Mollino pendant, also by Visual Comfort & Co., positioned lower over the dining table adjacent to the kitchen. In the informal dining area, designed for simple entertaining, Lee Industries settees and chairs are paired with a Wayfair Professional table. The Adelaïde wallpaper from Farrow & Ball and a Fibreworks rug continue the aesthetic from the living room. Additional lighting, including a pendant, sconces, and a picture light from Visual Comfort & Co., and custom art from Colton Dion Gallery, complete the dining space. Austin further delineates the open-plan by introducing a “room-within-a-room” concept, using drapery made from Sanderson fabric. This fabric, featuring a crewel stitchwork in blush and blue, adds softness and allows the kitchen to be cordoned off for privacy, especially after events, offering a practical yet elegant solution to open-concept living. The article concludes with a comprehensive list of vendors and products used in both the living and dining areas, reflecting the meticulous planning and curated selection involved in the design. #HomeDesign #InteriorDesign #OpenConceptLiving #LivingRoomDecor #DiningRoomDesign #DaneAustinDesign #Wallcovering #CustomFurnishings #LightingDesign

This article explores the interior design choices for bedrooms made by 11 prominent fashion designers, showcasing that their eye for style extends beyond clothing into their personal living spaces. The article highlights unique elements and design philosophies adopted by these creative individuals, offering inspiration for home decorators. Christian Louboutin's desert home in Aswân, Egypt, features a bed adorned with an intricately embroidered suzani from Uzbekistan, reflecting a blend of cultural influences and luxurious comfort. Alessandro Dell'Acqua, the Italian designer behind Rochas, opts for a minimalist aesthetic in the master bedroom of his Milan apartment, emphasizing clean lines and understated elegance. Wes Gordon describes his Manhattan Tribeca home as airy, light-filled, and clutter-free, aligning with a modern and serene living environment. Bibhu Mohapatra's New York City apartment incorporates vintage, handmade Indian fabric on his bed, adding a touch of heritage and unique texture to his space. Monique Lhuillier's Bel Air, California, residence boasts a mixed-media artwork by Udo Nöger above the bed in her master bedroom, illustrating an appreciation for contemporary art within a personal sanctuary. Cynthia Rowley thoughtfully designed a serene and cozy room for her daughters, Kit and Gigi, within their 1845 Greek Revival townhouse in Manhattan's West Village, demonstrating a blend of historical architecture with child-friendly comfort. Diane Von Furstenberg's bedroom, featured in ELLE DECOR in 1997, showcases a Greek Key border that draws the eye upward, highlighting classical design elements that create an elegant and spacious feel. Trina Turk's Los Angeles bedroom makes a vibrant statement with cheerful shades of orange, creating an inviting and energetic atmosphere. Designer Jill Stuart's master suite exemplifies elegance through a sophisticated mix of white tones, providing a tranquil and refined retreat. Gilles Mendel's New York City home boldly incorporates red walls and animal prints in the bedroom, showcasing a fashion-forward and daring approach to interior design. Finally, the design duo Mark Badgley and James Mischka infused their Kentucky escape's master suite with classic, equestrian-inspired style, marrying traditional aesthetics with their signature sophisticated touch. Each designer's bedroom offers a glimpse into their personal taste and how they translate their creative vision into interior decor, demonstrating that fashion and interior design are often intrinsically linked through an overarching sense of style and personal expression. #FashionDesigners #BedroomDecor #InteriorDesign #HomeDecor #LuxuryHomes #CelebrityHomes #DecoratingTips #PersonalStyle #DesignInspiration

The "Jolie Laide" trend, translating to "pretty-ugly," is gaining significant traction in interior design, offering an antidote to overly curated and impersonal home aesthetics. This approach encourages the incorporation of unconventional, quirky, or even initially jarring pieces that evoke a strong emotional response, ultimately injecting personality and promoting authentic self-expression within a living space. It moves away from the pursuit of aesthetic perfection and embraces elements that might initially raise eyebrows but ultimately contribute to a more distinctive and meaningful environment. According to designers like David Lucido, the inclusion of "ugly" pieces sparks conversation and brings energy to a space, preventing it from feeling too serious or sterile. Design expert Virginia Chamlee emphasizes that "ugly" in this context is a term of affection, signifying items that are unconventionally beautiful and, when paired with more traditional elements, create a balanced and intriguing dynamic. She offers a litmus test: if a piece makes one question or ponder, it likely fits the 'jolie laide' philosophy, drawing parallels to historical art movements like Jackson Pollock’s abstract work or even popular yet polarizing items like Crocs. Interior designers, including Joyce Huston of Decorilla, have observed a growing client demand for unique and personalized elements in their homes, a departure from previously popular "magazine-ready" aesthetics. Designers find excitement in helping clients embrace this unconventional approach, viewing it as a means to create original and authentic spaces that move beyond predictable design solutions. This trend serves as a refreshing counterpoint to the prevalence of algorithm-driven design, which often promotes homogenous, "greige" aesthetics, as noted by Chamlee. Darlene Molnar highlights that algorithmic influences make it challenging to deviate from popular looks, underscoring the importance of 'jolie laide' in encouraging designers and clients to challenge conventional choices. The trend manifests in various forms, from unique art pieces to bold pattern combinations, all contributing to a space's distinctiveness. Molnar suggests that the most successful designs are those that may not appeal to everyone, emphasizing the subjective nature of beauty in this context. Shannon Askinasi of Ash & Pine Interiors sees the 'jolie laide' philosophy emerging naturally through clients' desires to incorporate sentimental or avant-garde items. She considers these "ugly-pretty" pieces as strong starting points that inspire and challenge the design process. Molnar views 'jolie laide' as a deeply rooted design philosophy rather than a fleeting trend, focusing on creating spaces that narrate personal stories through cherished, unconventional objects. This perspective is echoed by Ghislaine Viñas, who believes the trend fosters confidence in one's own taste and encourages a non-judgmental appreciation for diverse forms of beauty. To adopt the 'jolie laide' aesthetic, Askinasi recommends starting small with decor or accessories, encouraging individuals to revisit sentimental family pieces or seek out unique finds at antique markets. Christie Ward suggests exploring obscure websites and estate sales for statement pieces. The core idea is to select items that create a "good WTF moment," adding interest and personal meaning to a space. Even bold wallpapers that initially seem jarring can become beloved elements, demonstrating that true personalization often lies in embracing the unexpected.

This article advocates for the revival of several "outdated" home design trends to bring more personality, color, and functionality into modern living spaces. The author, drawing on a self-proclaimed expertise in home decoration through simulation games and a passion for design, expresses a desire to move beyond the current minimalist and often sterile aesthetic prevalent in contemporary homes. The discussion covers eleven distinct design elements, offering insights into their historical appeal, potential for modernization, and the benefits they could bring to residential architecture and interior design. First, the article champions conversation pits and sunken living rooms, highlighting their ability to create intimate gathering spaces and versatile floor plans. It dismisses the notion that these features are limited to a 1970s aesthetic, suggesting they can be adapted for various rooms and contemporary styles. Next, the piece argues for a return to closed floor plans, contrasting them with the open-concept layouts that have become standard. The author recalls a time when distinct rooms like living rooms, family rooms, dining rooms, and kitchens served specific purposes, fostering different types of social interaction and functional organization. This traditional separation is presented as a way to add depth and intentionality to a home's layout. A strong emphasis is placed on reintroducing color into home design, moving away from the dominance of millennial gray, white, and beige. The article suggests that bold, bright, and saturated colors, incorporated through paint, furniture, appliances, or accessories, can significantly enhance the mood and individuality of a space. Following this, the author defends wallpaper and accent walls, which have fallen out of favor, as excellent tools for adding unique patterns, textures, and artistic elements without the permanence of paint. The argument is made that these design choices allow for personal expression and can transform a room's vibe, even in rental properties. The concept of foyers is also explored, presented as a traditional and grand entryway that offers a sense of arrival and a layer of privacy by separating the main entrance from the core living areas. While acknowledging the modern preference for mudrooms, the article suggests that both formal foyers and practical mudrooms can coexist. Tuscan kitchens, reminiscent of early 2000s design, are proposed for a modernized comeback. The author suggests that by reinterpreting their core elements—richness, warmth, and a connection to culinary tradition—without succumbing to tackiness, they can inspire unique and inviting kitchen spaces. The idea of incorporating arches, which are described as timeless yet sometimes divisive, is supported as a means to introduce natural curvature, luxury, and elegance. Arches are highlighted for their versatility, not just as architectural features but also in mirrors, windows, and cabinetry. The article further advocates for vintage and repurposed furniture, citing environmental benefits and the unique character they bring. This trend is seen as a rejection of "fast furniture" culture, allowing homeowners to curate spaces with storied pieces that are both sustainable and distinctive. Glass bricks, often associated with 1980s office aesthetics, are presented as a versatile material that can add a cool, vintage touch while offering privacy and allowing natural light into a space, especially in bathrooms. Finally, textured ceilings are put forward as a way to add visual interest and cover imperfections, moving beyond the stigma of popcorn ceilings towards more eclectic and modern applications of texture. The piece concludes by championing marble beyond its current use in kitchen counters and bathrooms, proposing its broader application in floors, tables, and walls to make a grand, luxurious statement throughout the home. Ultimately, the article underscores the importance of subjective design choices, encouraging individuals to personalize their homes to truly reflect their tastes and make their space a personal sanctuary. #HomeDesign #InteriorDecor #DesignTrends #ArchitecturalRevival #VintageFurniture #ColorInDesign #PersonalizedSpaces

The article explores the concept of transforming a mere house into a personal home, drawing insights from 12 creative individuals across various fields, including fashion, art, architecture, and culinary arts. Each expert shares a unique perspective on what constitutes the essence of a home, highlighting both tangible objects and intangible relationships. Doris de Pont, director of the New Zealand Fashion Museum, emphasizes the role of a large, enduring kauri library table as the central gathering point for her family, symbolizing connection and shared experiences. Her custom-designed red lacquer wardrobe, which reflects the garden, showcases how personal storage solutions can become artistic and functional elements within a living space. Artist Jade Townsend, from Ngāti Kahungunu, frames home through the lens of Te Ao Māori, emphasizing relationships with all living and non-living things. Her art, created within her domestic space, reflects this belief, making her home a dynamic and evolving expression of her cultural and personal identity. She views home as a place for growth, distinct from the self-discovery experienced while away. Dan Ahwa, fashion director for Canvas, recounts his journey of making his home feel less "juvenile" post-marriage. A vintage, scallop-shaped pink velvet zebra-striped couch became the pivotal piece, defying conventional taste to anchor their eclectic style. Surrounded by plants, books, and a 1930s leadlight drinks cabinet, his home reflects a surprising yet cohesive personal aesthetic. Interior designer Nicola Manning highlights the importance of a luxurious and comfortable bed for creating a sense of security and refuge. She stresses that personal touches, such as inherited antiques, travel souvenirs, art, and photographs, are crucial for imbuing a house with individual character and transforming it into a true home. Ceramic artist Phil Brooks, influenced by his mother's love for bargains, describes his home as an evolving collection of unique finds from charity shops and antique markets. A large beaded panel from Kuala Lumpur, treasured by his mother and now displayed in his daughter's room, exemplifies how objects with rich histories contribute to the narrative and essence of his family home. Architect Christina van Bohemen views home as both a refuge and a gathering place. Her dining table, a simple, narrow Sam Haughton design, acts as an anchor for various activities and fosters intimacy. She also values the strategic placement of furniture to maximize views, enhancing the sense of openness and connection to the outside world. Chef Dariush Lolaiy, co-owner of Cazador, finds his home's heart in a custom-made, bright mustard-colored couch, a symbol of leisure after long workdays. Paintings inherited from his wife's great-uncle further cement their connection to family history, making their apartment feel more like a home. Divya Purushotham, an associate at Warren and Mahoney, describes her 130-year-old railway worker's cottage as a space of ongoing renovation and reflection. A name plaque, "Temuka," above her front door, and antique brass pots from her grandparents in India, serve as irreplaceable links to her heritage, contributing to a deep sense of belonging. Chef Jason Kim's definition of home centers on personal routine and family. His early morning ritual of Korean canned coffee and Iron Maiden, quickly followed by making cheese toasties for his children, illustrates how small, consistent moments of connection and comfort define his domestic life. Interior designer Amanda Neill, a Sagittarius, is drawn to fire and its ambient qualities. Her custom-made Alchemy Firepits, adorned with an evocative quote, represent a deep need for connection and provide a gathering point for loved ones, symbolizing warmth for both body and soul. Glass artist Devon Ormsby curates her home with artworks and art objects, such as Ruth Castle woven baskets and a Walk in the Park wooden bowl. Her personal collection, constantly evolving with her own glass creations and pieces from peers, transforms her living space into a "curated museum" reflecting her interests and life story. Emma Ogilvie, general manager of Bar Celeste, values a functional kitchen with an island bench that allows for social cooking and hosting. Having a well-stocked fridge, despite their busy schedules, is essential for creating a homely atmosphere, counteracting the feeling of always being away. #HomeDesign #InteriorDesign #PersonalStyle #CreativeExperts #DomesticSpaces #FamilyLife #ArtInHome #CulturalHeritage #ComfortAndConnection

This article delves into current interior design trends that interior designers find problematic, offering alternatives for creating timeless and personalized spaces. It addresses the pervasive influence of social media on design choices, highlighting how fleeting trends can lead to aesthetically unoriginal and poorly executed home decor. One significant issue discussed is "dupe culture," where consumers opt for knock-off replicas of iconic furniture pieces. Designers argue that while these dupes might be cheaper, they lack the quality, durability, and intrinsic value of original designs. The piece emphasizes that genuine appreciation for craftsmanship warrants investing in authentic pieces or thoughtfully sourcing vintage items, which retain or even increase in value over time, unlike their mass-produced counterparts. The article also critiques the "copy and paste" aesthetic prevalent on platforms like Pinterest and TikTok. This trend involves replicating popular design elements, such as bouclé chairs, fluted details, and beige color schemes, leading to homogenous and impersonal interiors. Designers advocate for a more individualized approach, urging homeowners to consider how they want to feel in their space rather than merely what they want it to look like. The recommendation is to incorporate items with personal significance, vintage finds, and meaningful colors to create a unique and authentic home environment that reflects one's personality. Another point of contention is the use of "experimental curtain rods," specifically non-custom options like shower rods. While these might seem like cost-effective solutions, designers argue they often appear temporary, cheap, and can even damage windows. The article suggests investing in custom drapery rods, which are tailored to window dimensions, support fabric weight effectively, and add an element of elegance and refinement to a room. Over-the-top LED lighting is identified as another trend to avoid. The excessive and often poorly integrated use of LED strips, particularly in non-essential areas like arched feature walls, is deemed unsightly. Instead, designers propose subtler lighting solutions, such as wall sconces, to create tasteful ambient light. The emphasis is on choosing sconces that complement a room's architectural features or make a stylish statement, steering clear of vintage-inspired LED options that can look inauthentic and cast unflattering light. The article further advises against buying all decor from a single source, which can result in overly matched and predictable interiors. While visual cohesion is desirable, an excessively uniform look can make a room feel flat and uninteresting. Designers encourage layering different colors, textures, patterns, and materials to add depth and create a more natural, dynamic environment. This approach is particularly relevant in areas like kitchens, where mixing metallics for hardware and finishes can introduce vitality. Finally, the piece addresses the pitfalls of peel-and-stick products, such as wallpaper, tiles, and countertops. While often marketed as renter-friendly and temporary fixes, these products frequently fail to withstand high humidity, temperature fluctuations, or long-term wear, often leaving behind stubborn residue. A more practical and less invasive alternative for personalizing rented spaces is suggested: focusing on easily changeable elements like cabinet hardware, lighting fixtures, and small decorative items that can be removed without significant hassle or damage. #InteriorDesignTrends #SocialMediaInfluence #HomeDecor #DesignTips #PersonalizedInteriors #SustainableDesign #LightingDesign #FurnitureSelection #DIYDecor

Mingfei Liu's journey into spatial design began in middle school, where she systematically pursued fine arts with the aspiration of becoming an artist. This foundation led her to specialize in Environmental Art during college, drawing her towards spatial design, a field she decided to delve into more deeply. She views art as the fundamental backbone of interior design, inspiring the conceptual drawings and imagery developed during the research and development phases of her projects. Liu emphasizes that interior designers frequently draw inspiration from diverse art forms when working with architectural structures or interior spaces. While acknowledging the distinctions between art and design, she also highlights their significant overlap, often integrating artistic elements like visual focus, informed by a comprehensive understanding of the space, into her creations. The artistic atmosphere surrounding her from a young age profoundly influenced her, fostering a lifelong ambition to contribute to the art industry. She is currently working towards establishing her own business to realize this dream. Her professional path, spanning over a decade, has been characterized by challenges and immense personal growth. After studying professional painting in junior high school and majoring in interior design in college, Liu established her own design studio. This journey was demanding, requiring unwavering commitment to her initial goals to build a reputable standing in the field. A positive attitude served as a crucial motivator during difficult periods, sustained by her enduring passion for her craft. Overcoming obstacles necessitated not only a resilient mindset but also tenacity. She takes pride in the fact that her primary focus is not commercial gain but the profound joy derived from artistic creation. When contemplating an ideal itinerary for a visiting friend, Liu gravitates towards natural scenic spots, appreciating the unexpected discoveries that mirror the creative process in design. She finds parallels between the sudden unveiling of beautiful landscapes, nostalgic scenes, and natural environments during a journey and the emergence of sparks of inspiration during the initial brainstorming stages of a design project. These unexpected inspirations often become the highlights of the final design, facilitated by divergent thinking and free association, much like unforeseen discoveries while traveling. Liu credits her participation in various design competitions and international exhibitions with significantly shaping her perspective on art and design. Engaging with designers from diverse industries and cultural backgrounds, and observing their exceptional work, has taught her that there isn't a universal standard for good design. She holds Leonardo Da Vinci in high admiration, inspired by his prolific contributions across art, science, and military disciplines. Drawing from Da Vinci’s scientific perspectives, she has developed a deeper understanding of how to integrate mathematics and aesthetics into her work. For Liu, spatial design inherently bestows beauty upon people through its functionality and symbolic meaning. #SpatialDesign #EnvironmentalArt #InteriorDesign #CreativePath #ArtisticCreation #DesignJourney #NaturalInspiration #LeonardoDaVinci #AestheticsAndFunction

The article outlines nine major interior design trends predicted to dominate in 2025, emphasizing a shift towards dramatic and immersive qualities in home decor. It begins by highlighting the increasing embrace of color in kitchens, moving away from neutral palettes to personalized spaces with bold hues, fanciful drawer pulls, and customized appliance covers. Designers like Peter Som suggest incorporating art as backsplashes and mixing heirlooms with modern elements to create unique, timeless kitchens. Sculptural lighting is another key trend, replacing purely functional illumination with statement fixtures like sconces, chandeliers, and sculptural floor lamps, and utilizing layered lighting to enhance mood and dimension. Pattern drenching, the use of all-over matching prints and patterns, is identified as an emerging trend observed in various home tours. Designers note that paint alone is no longer sufficient, with patterns adding traditional whimsy and impact to rooms. Dramatic drapery is making a strong comeback for window treatments, featuring detailed craftsmanship, trim, and fringe to elevate them into focal points that add luxury and personalization. Art Deco-era antiques, specifically styles from the 1920s and 1930s, are gaining popularity, showing an upward trend in designer surveys. This includes warm, rich tones, wall paneling, deep colored walls, geometric patterns in rugs and art, and opulent metal accessories like chrome fixtures and lacquered furniture, as noted by interior designer Brieanna Cunningham. Moody hues such as brown, maroon, navy, and olive green are becoming prevalent, signaling a departure from all-white interiors. These colors are favored for their ability to evoke coziness and safety, with designers like Carly Shafiroff emphasizing warm browns for their sophistication and chic feel, especially when layered with tonal colors. Cottagecore gardens are also experiencing a surge in popularity, driven by search data showing a 150 percent increase. This trend follows the rise of chaos gardens and rewilding, focusing on landscapes overflowing with roses, shrubs, and wildflowers to create a slightly disheveled yet cozy and vibrant aesthetic reminiscent of English television shows. Finally, bathrooms are transforming into immersive, spa-like sanctuaries. This involves integrating sensory features such as tactile textures, aromatherapy, and adjustable lighting to promote relaxation. Natural materials like stone, textured tiles, and wooden accents are increasingly used to amplify a calming atmosphere. Smaller bathrooms, including powder rooms and guest baths, are also becoming standout spaces with bold, eye-catching elements, turning them into immersive environments with significant visual impact, as highlighted by Amber Guyton. #InteriorDesignTrends #KitchenDecor #SculpturalLighting #PatternDrenching #DramaticDrapery #ArtDecoAntiques #MoodyHues #CottagecoreGardens #ImmersiveBathrooms

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article highlights ten interior design books selected for their ability to inspire and educate on various aspects of home aesthetics, catering to both design enthusiasts and those looking to enhance their living spaces. The author, while not a professional interior designer, expresses a deep appreciation for beautiful environments, drawing from an internship at Steelcase focused on environmental psychology and a lifelong fascination with architectural masters like Luis Barragán, Frank Lloyd Wright, and Zaha Hadid. The curated list aims to offer diverse perspectives on interior design, from historical grandeur to contemporary trends, and to serve as both an inspirational resource and a sophisticated addition to any coffee table. Among the recommendations is "Versailles: From Louis XIV to Jeff Koons," which chronicles the opulence of the French palace and its connections to modern art, demonstrating the enduring appeal of lavish design. "Designing Hollywood Homes" provides an exclusive look into the private residences of film icons, showcasing their luxurious and often theatrical decorating styles, encouraging readers to adopt a cinematic approach to their own interiors. "Be My Guest: At Home with the Tastemakers" offers glimpses into the authentic and personally curated homes of influential creatives, emphasizing the fusion of individual history with effortless style. Alberto Pinto’s "World Interiors" is presented as a definitive guide for those who appreciate bold, culturally rich designs, spanning various global locations from Paris to Riyadh. The list also includes "Soul of the Home: Designing with Antiques," which champions the integration of vintage pieces to add character and a sense of history to contemporary spaces, appealing to those who value patina and provenance. Athena Calderone’s "Live Beautiful" is described as a modern classic, offering both inspiration and practical advice on infusing spaces with soul and storytelling, drawing from her popular social media presence. For nature lovers, "Wild Interiors: Beautiful Plants in Beautiful Spaces" explores biophilic design, illustrating how plants can transform any interior, from urban apartments to rustic homes. "Bohemian Modern by Emily Henson" is recommended for its vibrant blend of bohemian aesthetics with modern sensibilities, encouraging the use of color, texture, and personality in decor. "The Kinfolk Home" represents the concept of quiet luxury, featuring international homes characterized by minimalism and intentional living, providing a tranquil counterpoint to more elaborate design narratives. Finally, "Remix: Decorating with Culture, Objects and Soul by Jeanine Hays & Bryan Mason" is celebrated for its focus on Afro-modernism and diasporic heritage, showcasing how design can be a powerful medium for cultural storytelling. The article concludes by emphasizing that interior design transcends mere aesthetics; it is about crafting narratives and emotions within a space. The selected books are intended to spark creative inspiration or subtly communicate an appreciation for refined living. #InteriorDesign #HomeDecor #DesignBooks #AestheticObsessive #LuxuryInteriors #ArchitecturalInspiration #BohoModern #BiophilicDesign #CulturalDesign

This article explores how various celebrities have integrated bold colors into their home decor, moving away from conventional neutral palettes. Amanda Holden, for instance, has embraced a deep navy shade in her living room, complemented by a luxurious emerald velvet sofa and statement artwork. Her home also features a black wallpaper with a quirky gold pineapple print, showcasing her penchant for distinctive design elements. Rochelle and Marvin Humes have created a mini nightclub in their Essex home, utilizing dark grey tones and a neon sign that reads "A night in Paris." EastEnders actress Lacey Turner demonstrates a strong affinity for vibrant hues and patterns, as seen in her dining room with tropical wallpaper, a hot pink velvet sofa, and cobalt blue dining chairs. Megan McKenna, while opting for a monochrome kitchen, has chosen dark navy tones for her living room, extending to her sofa, carpet, and curtains. Tom and Giovanna Fletcher have incorporated bright colors throughout their family home, with a particularly striking "creative snug/library" area featuring green patterned Farrow and Ball wallpaper and a mustard velvet sofa. Fearne Cotton, another advocate for bright interiors, has utilized a bold shade of millennial pink in her home office. BBC Radio 1 DJ Nick Grimshaw's living room, showcased on Celebrity Gogglebox, features dark walls with luxurious gold accents and bold prints, offering a dramatic aesthetic. Ant McPartlin and Anne-Marie Corbett have decorated their living room in a pale blue shade, paired with a blue velvet sofa and yellow cushions. Lastly, Zoe Sugg’s guest bedroom exhibits a vibrant color clash with teal and mustard, enhanced by polka dot bedding and pale pink cushions. These examples collectively illustrate how public figures are increasingly embracing daring color choices and eclectic designs to personalize their living spaces, providing inspiration for readers considering a dramatic home makeover. #CelebrityHomes #BoldInteriors #HomeDecor #DesignInspiration #ColorPalette #InteriorDesign #LuxuryHomes #ModernLiving #HomeMakeover

Dana Arbib, the designer behind the brand A Peace Treaty, has established a New York headquarters that serves as a physical embodiment of her globally-inspired aesthetic. After completing a two-year residency in the CFDA Incubator, which provided office space in Midtown Manhattan, Arbib sought a more distinctive environment for her brand. Her search led her to a pre-war building on cobblestoned Lispenard Street in Tribeca. The studio space was chosen for its blend of modern and rustic elements, a departure from the corporate office settings Arbib wished to avoid, thus preserving her creative freedom. A significant draw of the Tribeca studio was its existing floor-to-ceiling shelving and a functional rolling library ladder. These features proved ideal for displaying the myriad of objects Arbib collects during her extensive travels. Her journeys take her to diverse locations, from Pakistan to Peru and Turkey, where she sources textiles, learns traditional production techniques, and acquires unique baubles. The displayed artifacts include handwoven bags and accessories procured from an artisan market in Cuba, a custom-designed leather trunk from India, and a train case from London, now repurposed for transporting jewelry. The studio's decor also incorporates family heirlooms, such as a collection of masks from South Africa and Namibia dating back to the late 1970s, a piece of art by Israeli artist Michael Argov, and an Egyptian tomb statue. The design of the studio was not merely an accumulation of these global finds but was directly influenced by A Peace Treaty’s Resort 2017 collection. This collection drew inspiration from the rich legacy of woven African art, featuring crocheted caftans, scarves, and intricately embroidered textiles. This thematic connection is evident throughout the workspace, with numerous pieces from Africa, including baskets and handmade crafts, integrated into the decor. Most of the baskets in the studio are from Rwanda, with the exception of a leather-handled bolga basket crafted in Ghana. Arbib emphasizes that these elements celebrate traditional handmade techniques, a core value reflected in both the brand's collections and its workspace. The studio, therefore, functions not only as a functional workspace but also as a curated showcase of global artistry and Arbib's personal narrative of travel and cultural appreciation, offering an alternative to mass-produced decor. #HomeDesign #InteriorDesign #GlobalInspiration #TribecaStudio #DanaArbib #APeaceTreaty #TextileArt #CulturalDecor