Project manager plays with shape, colour in Henderson Crescent HDB flat

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Alicia Hylton-Daniel is an interior designer and general contractor who has carved a unique path in a field where she often stands alone as a Black woman. Her journey began unexpectedly after a house fire in 2002 prompted her to reassess her career goals. She subsequently enrolled at Meredith College, graduating in 2008 with a degree in interior design. For the first decade of her career, Alicia focused on commercial interior design, gaining valuable experience that would later influence her distinct approach to residential projects. Her transition into general contracting was inspired by her husband, Roger. This step allowed her to manage her designs more comprehensively and to establish her worth within the industry. Shortly after becoming a licensed general contractor, she launched her own design/build company, Hylton Daniel Properties, also known as Hylton Daniel Design + Construction, which has now been in operation for over five years. Alicia's initial goal was to design and construct modern houses for sale, a pursuit that offered her significant creative freedom, free from client constraints. She named her first project 'Modernist 1,' anticipating a series of similar ventures. To date, she has designed and built six modern homes, which she considers her artistic expressions. While Hylton Daniel Properties accepts client work, it primarily focuses on mid to large-sized renovations and additions, with a preference for renovating older homes, particularly those from the Mid-Century Modern and 1970s architectural eras. Alicia intentionally avoids designing and building ground-up houses for clients due to the complexities of client input combined with subcontractor management, choosing to prioritize her creative autonomy. She distinguishes her work from typical 'flips,' which she views as quick and thoughtless, emphasizing a meticulous design and construction process. Her projects involve extensive site study to ensure optimal house placement, visual integration, and consideration of height and scale in spatial layout and exterior design. Her commercial design background also enables her to incorporate non-standard and experimental finishes into her residential projects, offering a unique edge. Hylton Daniel is a small team of five, including Alicia and Roger, handling a maximum of four client projects annually. This controlled workload ensures detailed design, quality construction, and exceptional project management. Alicia emphasizes that she charges for her time and talent, clarifying that her services do not align with the often-unrealistic expectations set by HGTV. She also requires homeowners to vacate the premises for extensive renovations, particularly those involving critical areas like kitchens and bathrooms, to maintain project efficiency and safety. Alicia takes pride in her problem-solving abilities through spatial layout, and her enjoyment of lighting and finishes. She dedicates herself to understanding clients' emotional and cultural backgrounds to achieve successful designs. Alicia recently shared a story of resilience, recounting an incident where she discovered she was being targeted by a neighbor during the construction of her 'Modernist 4' home. She publicly addressed the bigotry, refusing to be silenced or conform to societal expectations of 'professionalism' that she felt had historically disadvantaged Black women. Her outspoken stance garnered widespread support from both Black and white women, validating her decision to advocate for herself. She highlighted the importance of unlearning the societal lesson of 'not talking money,' particularly as a Black woman who, like many, has experienced underpayment. She now unapologetically discusses her rates, refusing to compromise her self-worth. In addition to her design and build work, Hylton Daniel has expanded into a short-stay portfolio, offering a renovated 1940s post-war house and two of her modern homes, 'Modernist 5' and 'Modernist 6,' for short-term rentals, allowing guests to experience her unique designs. #InteriorDesign #GeneralContractor #ModernArchitecture #DesignBuild #ResidentialRenovation #Entrepreneurship #BlackWomanInBusiness #SpatialLayout #Resilience

The article details a design project undertaken by Emma Beryl Kemper of Emma Beryl, a New York City design studio, to transform a two-bedroom Greenpoint duplex. The condo, originally created from a storefront in a vintage row house approximately a decade prior, was characterized by a cold, "cookie-cutter" aesthetic and lacked personalized touches for the young family residing there. The primary objective of the renovation was to infuse warmth and character into the space, making it feel more like a home, and to significantly enhance its functionality. One of the initial challenges involved the original kitchen, which featured only a single wall of cabinetry and an island. Beryl reconfigured this area, adding a wine bar with a glass cabinet to create a smoother transition between the functional kitchen space and the open living room, integrating it more effectively with the adjacent dining area. Beyond the kitchen, the project focused on maximizing storage throughout the duplex. This included reconfiguring the upstairs bathroom and adding a shower to the downstairs powder room, thereby converting it into a full bath. Custom built-ins were designed for an awkward downstairs room, which served the dual purpose of concealing plumbing pipes and creating a cozy nursery for the family. To achieve the desired warmth and character, the design incorporated vintage pieces, hand-painted tiles, and a selection of specific furnishings and materials. Manhattan-based Jan Renovations carried out all the new construction work, including custom millwork. In the open living room, a vintage rug from ABC Carpet, a grasscloth-covered media unit, and a new sofa from Restoration Hardware were combined with the clients' existing coffee table and chairs. The floor-to-ceiling storefront windows, which made the living room feel exposed, were addressed by adding a built-in window seat with integrated storage, creating a barrier and softening the space with curtains. A custom-built narrow bookcase in the corner was installed to hide wires. The dining area features a built-in banquette that conceals a steel rail for the downstairs staircase, also providing additional storage. Rejuvenation chairs accompany a wooden farmhouse-style table, complemented by a West Elm chandelier. A wooden desk from Restoration Hardware is positioned alongside the dining area. The kitchen was enlarged while maintaining its general location, featuring a contrast of white upper cabinets and open shelves with dark navy lower cabinetry. Carrara marble countertops and handmade tiles on the backsplash were significant upgrades. The master bedroom, being small, was designed to maximize openness, with custom floating nightstands and walls painted in a moody dark hue. Lutron shades were installed for privacy on the frosted storefront windows. The door to the upstairs bathroom was relocated to the front entry, necessitating a complete change in the room's footprint. The bathroom's color scheme aligns with the kitchen and master bedroom, incorporating patterned floor tiles from Tabarka Studio and custom-made wall tiles to match the blue in the flooring. A Restoration Hardware vanity and Cedar & Moss sconce completed the new bathroom. On the lower level, a custom-built angled closet provides linen and coat storage. The downstairs nursery features a bi-level window seat, a long wall of storage, and a floor-to-ceiling closet, all custom-built from lacquered wood to conceal mechanicals while allowing access. Distinctive wallpaper from Hygge & West and Dwell Studio baby furnishings enhance the space. A shower was added to the downstairs bathroom by utilizing space beneath the staircase, with a sink from Restoration Hardware and floor tile from Wayfair. The article also mentions the availability of before-and-after photos to illustrate the transformation. #InteriorDesign #Greenpoint #CondoRenovation #EmmaBeryl #CustomMillwork #BrooklynDesign #HomeTransformation

This article highlights the collaboration between interior designer Kristina Petit and AP Dodson Home Builders, specifically focusing on the personal residence of the firm's owners, Brandon and Ronyell Dodson. Having previously worked with Petit as a design consultant for their custom homes, the Dodsons enlisted her expertise to enhance key areas of their own home: the open kitchen, keeping room, and dining areas. The home, designed by Donald “De” Hunt of D. Hunt Studios, had been built for a few years but lacked a finished feel and optimal functionality for their family of six. Petit's approach involved addressing furniture choices and placement to improve the practicality and infuse the spaces with the family's personality. The initial focus was on the dining area and keeping room. The dining area, which already featured a custom table, was updated by replacing a backless bench with a high-back, upholstered, and tufted bench, alongside cane-back chairs and upholstered end chairs. This selection aimed to create an elegant contrast with the table's rustic appearance. A recurring theme throughout the design process was Ronyell's preference for the color blue, which Petit strategically incorporated to connect the rooms without overwhelming the aesthetic. She balanced rustic elements like chandeliers, beams, and brick with sophisticated details to achieve a refined yet comfortable look. In the keeping room, Petit prioritized durability and functionality for an active family with young children. All upholstery was selected in performance fabrics, and a leather ottoman was chosen for easy cleaning. Warmth was introduced through antique wood furnishings and rich leather accents, with subtle pops of color in upholstery and rugs preventing an overly bold scheme. Following the success of these initial rooms, Petit was engaged to redesign the living room, which had been underutilized due to a large, L-shaped sectional sofa that obstructed traffic flow. Petit replaced the oversized sectional with two matching slipcovered sofas in a soft blue, complemented by a pair of chairs and two upholstered ottomans near the fireplace. This arrangement significantly opened up the room, providing ample, comfortable seating and improving the flow of the space. A custom coffee table with a durable quartz top was chosen for its practicality in a family environment. The final area Petit tackled was the primary bedroom suite, where she continued her focus on functionality and aesthetics. Durable marble-topped nightstands and adjustable wall sconces were incorporated to maximize surface area and provide practical lighting. A striking focal point was created by painting a single wall behind the bed in a deep gray-green shade, Sherwin Williams’ “Homburg Gray,” which highlighted the trim work and subtly referenced the lake views outside. Petit expressed a particular fondness for the primary bedroom suite, praising its beautiful and calming atmosphere, which avoids being monotonous and draws attention to the natural surroundings. Overall, Petit's design philosophy for the Dodson home centered on combining rustic charm with refined sophistication, ensuring practicality for a family with young children, and incorporating subtle personal touches like the consistent use of blue. Her room-by-room approach allowed for a thoughtful transformation of the residence into a more functional, personalized, and aesthetically pleasing home. #InteriorDesign #HomeRenovation #ResidentialDesign #KristinaPetit #DodsonHome #CustomHome #DesignConsulting #FamilyHome #PerformanceFabrics

Charleston, South Carolina-based interior designer Angie Hranowsky, known for her vibrant use of color, showcases her distinctive approach in her own design studio. For Hranowsky, color serves as a primary source of inspiration and creativity, a philosophy evident across her diverse projects, from residential spaces to commercial installations. Her design signature is marked by the incorporation of saturated brights, applied through various elements such as paint, upholstery, large-scale art, and especially wall treatments. An example of her bold style is her Charleston home, which features a magenta living room sofa paired with Roman shades in a similar vibrant pink. Another instance is her installation at the design emporium Fritz Porter, where pale peony walls are accented with angular turquoise sconces and emerald green silk drapery. When designing her own studio, which functions as a showcase, a brainstorming hub for her team, and a client meeting space, Hranowsky deliberately opted for a bold aesthetic. She chose turquoise as the dominant color for her office, situated in a 1920s brick building in downtown Charleston. Hranowsky views turquoise as a color that reflects earth, sky, and water, providing constant inspiration. To achieve the desired depth and texture, she enlisted decorative painter Suzanne Allen, who applied layers of pigmented plaster to the walls. This labor-intensive process resulted in a multifaceted, earthy variance in texture and tone, transforming the turquoise from a simple color into an artistic element. Hranowsky made a conscious decision to not paint the entire height of the walls, leaving the upper sections and ceiling white. This choice was strategic, as it created an airy feel and provided a necessary contrast to the rich turquoise below. In decorating a room already featuring such a strong foundational color, Hranowsky employed a formula of adding more color. She strategically introduced fuchsia and golden yellow, hues she considers to have equal value in terms of their dense saturation and jewel-like richness. These colors serve as perfect accents to the turquoise. Her selection of a groovy desk chair and an angular accent chair in complementary colors exemplifies her skill in creating contrasting yet harmonious elements. Additional touches of golden warmth are incorporated through brass light fixtures, yellow-flecked abstract artwork, and fresh Forsythia branches. To maintain visual order, Hranowsky organizes her extensive collection of design resources, including swatches, samples, and strike-offs, by hue. These are neatly stored in assigned drawers within a custom quartzite-topped island, readily accessible when developing new schemes. The only concessions Hranowsky made to a more neutral palette were for the countertop and floors. This choice was deliberate and effective, allowing textiles placed on the island or spread on the floor to stand out without distraction. Although she is her own most adventurous client, the studio is fundamentally designed as a workspace to foster her creativity, ultimately benefiting the homeowners with whom she collaborates. #AngieHranowsky #InteriorDesign #ColorTheory #DesignStudio #CharlestonDesign #WallTreatments #TurquoiseDecor #HomeDecor #ColorfulInteriors

Lori Olsen McElvain and Jay Eiler, former colleagues with a history of working together at two design firms, have reunited to establish a shared office space, transforming a former Webster dance studio into a functional and collaborative environment. This joint venture provides a mutually beneficial arrangement, especially for McElvain, who notes the challenges of maintaining a workspace alone while balancing a part-time and working mother's schedule. Eiler emphasizes that their established relationship, built on trust and respect, allows them to effectively brainstorm and share ideas, metaphorically leaving 'breadcrumbs on each other’s desk.' The designers' new office is strategically located within a developing 'mini-design district,' situated between two other interior design and architecture firms and in close proximity to a PPG Paints store, a factor Eiler highlights as making their shared space a logical choice. The office setup itself demonstrates practical design solutions for a dynamic workspace. To manage the inherent challenge of a large, open space that can quickly become cluttered, they utilize an ample supply of bins from IKEA to maintain organization and tidiness. Key features of their collaborative workspace include homemade presentation boards constructed from galvanized metal sheets set on plywood magnet boards. These boards are instrumental in helping clients visualize proposed designs, such as a unique whisk chandelier concept presented to St. Louis Kolache, one of McElvain's clients. The designers also incorporate versatile furniture, exemplified by a metal restaurant-style table that has served multiple functions, including a desk, kitchen island, and work table. Two tall desks are also present, allowing the designers to work standing up, which promotes productivity and physical well-being. This variety of surfaces is crucial for spreading out materials when working on multiple projects simultaneously. Lighting throughout the office is provided by metal Bryce table lamps, also known as hotel lamps, which are equipped with USB ports. This selection is particularly fitting given Eiler's extensive work in boutique hotel design, both nationally and locally, including the upcoming Hotel Saint Louis. These lamps serve the practical purpose of allowing the designers to charge their electronic devices throughout the day, aligning with McElvain's vision for a flexible workspace. The transformation of the dance studio into a dynamic and organized shared office underscores the designers' ability to combine their individual expertise and resources into a synergistic and efficient working model. This article was originally published in *Design STL*'s May/June 2018 issue, showcasing innovative approaches to interior design and collaborative professional spaces. #InteriorDesign #SharedWorkspace #OfficeDesign #CollaborativeEnvironment #DesignSolutions #WebsterGroves #LoriOlsenMcElvain #JayEiler #DesignSTL

The H-House, located in a dense neighborhood in Surat, India, addresses the challenge of creating private living spaces that maintain a strong connection to nature. The design, conceptualized by Co.lab Design Studio, reverses the traditional bungalow-in-a-garden model by integrating gardens directly within the house's structure. This approach ensures that residents experience a continuous connection with green spaces, despite the urban setting. The project was completed in 2019 and spans an area of 19,375 square feet. The architectural strategy for the H-House focuses on intertwining the built environment with natural elements. The design incorporates various green spaces, such as courtyards, terraces, and internal gardens, which are seamlessly integrated into the floor plan. This allows natural light and ventilation to penetrate deep into the interior, enhancing the living experience. The choice of materials and the overall aesthetic contribute to a sense of openness and tranquility, contrasting with the busy surroundings. The house features a sophisticated interplay of concrete, glass, and wood. Large glass panels and strategically placed windows blur the boundaries between indoor and outdoor areas, offering expansive views of the internal gardens and maximizing daylight penetration. Concrete elements are utilized for their structural integrity and aesthetic appeal, providing a contemporary and robust framework. Wooden accents add warmth and natural texture to the interiors, creating a balanced and inviting atmosphere. The interior layout is designed to facilitate a fluid progression through spaces, with each area offering unique visual and functional connections to the integrated green zones. Living areas, bedrooms, and common spaces are arranged around these natural pockets, ensuring privacy while fostering a sense of expansive living. The design emphasizes functionality and comfort, providing a luxurious and spacious home tailored to the owner's desire for a natural retreat within the city. Co.lab Design Studio acted as both the architects and landscape designers for the H-House, ensuring a cohesive vision for the project. Key consultants included Essact, Mandala Design Studio, and Malwawala Engineering Services Private Limited for consulting, and Sai Consultants for engineering. The photographs by Sebastian Zachariah capture the essence of the design, showcasing the integration of nature, the use of diverse materials, and the overall ambiance of the H-House. #ResidentialArchitecture #HouseDesign #CoLabDesignStudio #Surat #India #IntegratedGardens #ModernArchitecture #ConcreteGlassWood #UrbanLiving #ArchitecturalPhotography

The project "Heirlooms in Concrete," designed by Greyscale Design Studio, addresses the evolving residential landscape of Bangalore, India. This residence, completed in 2024 and spanning 5000 square feet, blends traditional and modern architectural elements to accommodate changing family dynamics and spatial constraints. The design aims to foster continuity while embracing contemporary living. The project is situated in Bengaluru, India, and was photographed by Anand Jaju. The architectural team was led by Girish Mysore, Magesh Manohar, and Ninu Ahluwalia, with Rutvik Rustampur as the lead team member. Structural engineering was provided by Civitech Design, and civil engineering by Pro Constructions. The project's narrative was penned by Megala Gurumurthi. The integration of modern design with traditional values is a central theme, reflecting the balance required in rapidly urbanizing areas. The exterior of the residence, as seen in the dusk photograph, showcases a modern facade with subtle design features. The interior photography highlights the use of wood and natural light, creating a warm and inviting atmosphere. Key spaces, such as the kitchen, living room, and dining area, are designed to be functional yet aesthetically pleasing. The double-height dining area, for instance, emphasizes openness and connectivity within the home. The design incorporates courtyards, enhancing natural ventilation and light, and providing green spaces within the urban dwelling. The residence features elements like a pantry leading to a terrace, indicating a focus on indoor-outdoor living and functional extensions of living spaces. The staircase designs, some incorporating green oxide finishes, serve as prominent architectural features, connecting different levels of the house. Bay windows in the kids' bedroom overlook courtyards, further reinforcing the connection to nature and thoughtful space planning. The use of wood throughout the interiors, including in furniture and structural elements, contributes to a cohesive design language. Various floor plans (ground, first, second, third, and fourth) are provided, illustrating the spatial organization across multiple levels. These plans suggest a layered approach to living, where distinct zones are created for different family activities while maintaining an overall sense of unity. Elevations and sections offer insights into the building's structural integrity and aesthetic proportions, revealing a commitment to both form and function. The design also emphasizes accessibility and flow, with clear pathways and interconnected spaces. Materials used prominently in the construction include wood and concrete. These choices contribute to the home's aesthetic character and durability, aligning with both traditional and modern construction practices. The combination of these materials allows for a rich textural palette while ensuring structural soundness. The project aims to create a home that is not only visually appealing but also adaptable to the evolving needs of its inhabitants, embodying a sense of heritage through its enduring materials and thoughtful design. #ResidentialArchitecture #GreyscaleDesignStudio #Bengaluru #India #ModernDesign #TraditionalElements #ConcreteArchitecture #WoodInteriors #UrbanHousing

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

The new Gearbox studio in Montreal, Canada, designed by Patriarche, showcases an innovative approach to office design within challenging architectural parameters. The primary challenge was the building's distinctively long and rectangular floor plan. Patriarche, an agency that practices "augmented architecture" by integrating technical, sociological, and scientific knowledge into its design process, tackled this by employing high color contrasts across walls, ceilings, and furnishings. This strategy serves a dual purpose: it injects energy into the various spaces and aids in wayfinding throughout the office, making it easier for employees and visitors to navigate the expansive layout. The collaboration between Gearbox and Patriarche was a continuation of a successful previous project that had received an award from the Grand Prix du Design, ensuring a high standard of both functionality and aesthetic appeal for the new workplace. The office provides a diverse range of workspaces designed to support different modes of work, accommodating the varied needs of a video game development team. It includes 208 open-space workstations for collaborative or individual tasks, 11 enclosed offices for more private work, 12 dedicated meeting rooms for team discussions and presentations, and 11 lounge areas for relaxation and informal interactions. This variety offers team members the flexibility to choose an environment best suited to their current tasks, promoting productivity and comfort throughout the day. The intentional division of space through color blocking not only creates visually stimulating zones but also subtly guides occupants, ensuring that despite the large and linear floor plan, different functions are clearly delineated and accessible. Beyond functionality, the design draws inspiration from Montreal's Old Port neighborhood, known for its urban and industrial character. Patriarche integrated elements of street art and 90s pop culture into the office environment, moving away from conventional neutral office aesthetics. This creative direction is evident in unexpected details such as stools shaped like tree trunks, a transparent yellow curtain repurposed from a welding workshop, and colored glass doors. These unconventional design choices deliberately reject the notion that office spaces must be bland or understated to foster creativity. Instead, they aim to create an inspiring and dynamic atmosphere that reflects the vibrant and innovative nature of the video game industry, encouraging a more playful and imaginative work environment. The comprehensive design ensures that the Montreal studio is not just a place to work, but a stimulating hub that supports collaboration, focused effort, and creative thinking. #CommercialDesign #OfficeDesign #ColorBlocking #Patriarche #GearboxMontreal #InteriorDesign #WorkplaceInnovation #MontrealArchitecture

This article highlights the transformation of a classic Georgian-style home in Cherry Creek into a vibrant and elegant space for a young family. The homeowners, Alexis and McAndrew Rudisill, desired a departure from their previous monochromatic New York City residence, seeking a home that was both magical and whimsical while maintaining sophistication. They enlisted Andrea Schumacher, principal of Andrea Schumacher Interiors in Denver, along with senior designer Nikki Cohn, to achieve this vision. The design process began with the family room, where Schumacher proposed using F. Schumacher & Co.'s vibrant Chiang Mai Dragon fabric for the chairs, setting a bold color story for the entire home. This initial design choice became a foundational element, guiding subsequent color selections throughout the residence. The custom swivel chairs in the family room are designed for versatility, allowing occupants to face either the navy sofa or the television. The room's neutral elements, such as the custom gray tufted ottoman, are given a playful touch with a Kelly green contrast welt, demonstrating attention to detail and a commitment to integrating color throughout the space. The subtle peacock blue from the Chiang Mai Dragon print in the family room inspired the dining room's design. Schumacher extended this color, allowing it to play a more prominent role in the dining area. The dining room walls are upholstered in padded blue Brunschwig & Fils embroidered fabric, an application that Alexis Rudisill noted as both classic and fresh, reminiscent of old Park Avenue apartments but with a contemporary, almost beachy feel. The room is anchored by a custom walnut table and features chairs upholstered in lush velvet, complemented by a modern Modo chandelier from Design Within Reach. A painting by Carol Corell, titled “On the Way,” was chosen by the owners to further personalize the space. The kitchen area features fiberglass Dowel Counter Stools from Modernica at the island, chosen for their aesthetic appeal and ease of cleaning. Industrial clear glass pendants add a modern touch to the otherwise traditional kitchen. Adjacent to the kitchen, the breakfast nook is painted in a bold emerald green, specifically Cat's Eye Green by Benjamin Moore. This choice serves as a deliberate "surprise" at the back of the house, fulfilling Alexis's desire for a home with an edgier aesthetic. Upstairs, the master bedroom offers a serene contrast to the more vibrant communal areas. The design for this space was inspired by Alexis's mother's bedroom, incorporating Osborne & Little wallpaper as a foundational element. The master suite features a soft palette of silver and watery aqua, with glamorous touches like nickel nail heads on the custom tufted headboard and antiqued-mirror nightstands. This quieter scheme maintains elegance while complementing the bolder design statements found elsewhere in the home. Andrea Schumacher emphasizes her personal philosophy that "the more, the better" when it comes to color, contrasting with the calmness of neutral designs. She shares practical tips for incorporating color, such as using green due to its versatility as a neutral color, and paying attention to details like extending patterns onto air vents for a seamless look. The article concludes by highlighting the importance of paint sheen, noting that high gloss offers glamour, while lower sheens provide a more traditional appearance. #HomeDesign #InteriorDesign #ColorPalette #CherryCreekHome #AndreaSchumacherInteriors #LuxuryInteriors #FamilyFriendlyDesign #DenverRealEstate

Molly Torres Portnof, an interior designer based in Brooklyn and founder of DATE Interiors, embarked on a comprehensive decorating project for her 900-square-foot rental apartment in Prospect Heights, which she shares with her husband. Despite the apartment being a rental, Portnof approached the design with a high degree of personalization, viewing it as a liberating creative endeavor. The apartment, a one-bedroom floor-through in a vintage row house, had recently undergone renovations, featuring well-maintained wood floors, tall windows, a decorative fireplace, and updated kitchen and bathroom facilities. This meant Portnof's focus was primarily on furnishing and decorating rather than structural changes. The initial step in Portnof's design process involved painting the entire space, including walls, ceiling, crown, and baseboard moldings, in Benjamin Moore’s Super White. This choice aimed to create a cohesive backdrop, minimizing the visual impact of any existing imperfections. Following the painting, she introduced a variety of design elements: swapping out existing light fixtures for new ones, adding ceiling medallions to enhance architectural detail, and incorporating removable wallpaper for a temporary yet impactful design statement. She also installed pipe-and-wood shelving, along with battery-operated or plug-in sconces, and carefully selected furniture, rugs, and artwork to complete the interior. Every item in the apartment was chosen with careful consideration, avoiding generic or extraneous pieces. A recurring theme in the decor is music paraphernalia, reflecting the couple's shared passion. This includes displaying vinyl records, guitars, and other musical instruments. The living area features layered Moroccan rugs and a velvet sofa in a specific shade of blue, which were among the first items Portnof acquired for the apartment, indicating their foundational role in the design scheme. Personal photographs and travel mementos further personalize the space, ensuring it uniquely represents the couple's identity and experiences. Portnof emphasizes the importance of meaningful items, stating that anything displayed on the walls should hold personal significance. Portnof's journey into interior design began a decade prior, sparked by her desire to optimize the 500-square-foot Manhattan studio she shared with her husband, Harry Portnof, who is involved in the music industry. This experience led her to pursue formal education in interior design at the Fashion Institute of Technology after working in fashion digital marketing and gaining experience at design firms like Studio Sofield and One King’s Lane. DATE Interiors, her full-service design firm, reflects her personal design philosophy, with the name stemming from her Instagram handle, @designingatinyempire. Key pieces of furniture and decor include a blue velvet sofa from Interior Define, a vintage Persian rug sourced from House of Seance via Etsy, and leather safari chairs from Third Life Designs, also an Etsy find. The coffee table is from Anthropologie, and a rattan bar cart is from Serena and Lily. A customized metal pipe and wood shelving unit from Soil & Oak was specifically designed to house electronic equipment and vinyl records, complemented by a pink half-wall to soften the aesthetic. Dining chairs by Pierre Jenneret from France & Son are paired with a Saarinen-style pedestal table. Addressing the lack of an entry foyer, Portnof commissioned a round mirror with a single shelf from an Etsy vendor, JB + DG, to create a functional and welcoming entry point. In the bedroom, vintage Moroccan and Turkish rugs add warmth, while a wide woven leather bench from From the Source sits at the foot of the bed. A round mirror from Anthropologie and a bubble chandelier from West Elm balance the room's angles. The use of a lightweight fiberglass ceiling medallion is highlighted as an effective and easy trick for rental properties. Overall, Portnof's approach demonstrates how thoughtful design and strategic selection of decor can transform a rental space into a deeply personal and visually engaging home, even without permanent structural alterations. Her design philosophy prioritizes individuality, comfort, and the integration of personal history and passions into the living environment. #InteriorDesign #RentalDecor #ProspectHeights #MollyTorresPortnof #DATEInteriors #BrooklynDesign #PersonalizedHome #VintageDecor #MusicInspiredHome

This article details the process of two "Next Wave" interior designers, Hilary Matt and Lilse McKenna, as they select materials for two distinct family room projects. The designers virtually shop through the Kravet and Lee Jofa/Brunschwig & Fils showrooms, demonstrating how they choose upholstery fabric, wallpapers, trim, and carpets to create specific aesthetics and functionalities for their clients' homes. Hilary Matt's project focuses on designing a family room for a young family, prioritizing durability and stain resistance. She opts for Kravet's performance chenille for a Jazz Sectional and durable gray woven-backed Bilbao armchairs. The chair legs are chosen in blond wood, offering a customizable element. To unify the space, Matt selects a neutral textured rug. For the walls, she introduces a soothing backdrop with Baturi wallpaper, featuring a slate blue watercolor pattern suitable for various family activities. The Adams Cocktail Table, a custom sculptural piece, provides ample surface area for drinks and enhances the room's aesthetic. Lilse McKenna's project centers on incorporating a treasured family-heirloom red paisley fabric into her living room design. She pairs this existing fabric with a printed Arley cotton-linen textile for a Brunschwig & Fils Jacob sofa, an English roll-arm, tight-back design. This choice emphasizes a European feel with a traditional botanical pattern in complementary blue and gray shades. For the table skirt, McKenna seeks a subtly bold finish and samples various contrasting colors of Brunschwig & Fils bullion fringe. Her selection for the rug is a cream Moroccan-style Tarsus with a graphic mossy green print, chosen for its playful texture that contrasts with the more traditional English and French fabrics. McKenna completes her design with a French-inspired Rayure Fleurette medallion and floral stripe by Brunschwig & Fils for side chairs, further enhancing the pattern-mixing theme around the fireplace. The article provides a glimpse into the designers' thought processes and material selections, allowing readers to understand and potentially replicate the looks in their own homes. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #Kravet #LeeJofa #BrunschwigFils #NextWaveDesigners #FamilyRoomDesign

Designer Clive Lonstein, based in Manhattan, showcases his philosophy of creating balance through contrasts in the transformation of a bedroom with a sitting area in a New York City suburb. Lonstein's approach blends antiques with contemporary elements, Old World craftsmanship with modern colors, and fosters intimacy within expansive spaces. His design for this project heavily features Italian-made luxury fabrics, rugs, and wall coverings from Coraggio, along with a custom area rug from Thibaut and throws from Rosemary Hallgarten. A key aspect of Lonstein's design is the strategic use of texture over overt patterns. He highlights that texture is a hallmark of his work, and Coraggio's sumptuous, to-the-trade offerings were ideal for fulfilling the client's desire for an intimate room that avoided feeling dark or cluttered. The Coraggio Elevato Wallcovering, a basket-weave raffia, was chosen for its ability to add detail and warmth while maintaining a sophisticated, minimalist palette. Lonstein notes the dual scales at play: the macro scale of large squares composed of much finer strands, creating a rich yet uncluttered aesthetic. The natural variations in the 100-percent-raffia fibers contribute to a variegated color and dimensional texture, particularly around corners and the bed's bump-outs. Despite the room's cathedral ceiling and inherent openness, the wallcovering imparts a sense of coziness and intimacy, transforming the overall feel of the bedroom. Another principle applied by Lonstein is clothing traditional shapes in modern colorways, aiming for a rich appearance without excessive complexity. He appreciates the material integrity of Coraggio's offerings, even in simple, solid colors, which lend a contemporary feel. For a classic armchair in the sitting area, he selected a shimmering cognac-colored Royal Silk Mohair Fabric from Coraggio, enhancing it with accessories in similar shades but different fabrics, such as a Solaro fabric pillow in Cognac and a Pebble Strie throw in Camo from Rosemary Hallgarten. For an adjacent loveseat, Lonstein opted for green, a favored shade for its freshness and versatility, using Coraggio’s linen-cotton blend Solaro fabric in Olive. Throw pillows in Astratto and Burano fabrics, along with other accessories like a jade lamp base and bed bolster, maintain a monochromatic, tone-on-tone scheme within this zone. Lonstein emphasizes the paramount importance of quality in textiles, noting that Coraggio's materials are crafted by master weavers in Italy, ensuring luxurious finishes and drape. Lonstein also focused on marrying timeless style with practical, modern elements. The bedroom features an eclectic mix of antiques and new acquisitions, including vintage wood doors hung on roller tracks that serve as a visual anchor and subtly connect to the loveseat's fabric and outdoor greenery through their remnants of green paint. While mostly vintage tables dot the space, they are accessorized with contemporary ceramics. A practical addition is the neutral-colored, highly textural Sonoma AREAS Rug from Thibaut. Made from synthetic PET, this rug is both soft underfoot and durable, as well as easy to clean. This versatility is crucial to Lonstein’s design process and influences his material choices. He asserts that high-quality, high-design lines like Coraggio’s provide significant design agility. Lonstein believes that environments profoundly impact human well-being, and transforming a home to reflect its inhabitants creates immense harmony. Coraggio products are available to the trade, with information on their offerings and services accessible online. #InteriorDesign #LuxuryFabrics #BedroomDesign #CliveLonstein #DesignContrasts #Coraggio #Thibaut #RosemaryHallgarten #TextureInDesign

Ellen Van Dusen, the designer behind the fashion and homeware line Dusen Dusen, operates from a 600-square-foot studio in Williamsburg, Brooklyn. She moved into this space approximately five years ago, seeking a more interactive and creatively stimulating environment than working from home. Previously, working from home led to feeling isolated and dealing with practical issues like fabric scraps and pins. The studio serves as a dedicated space for her creative endeavors, addressing the challenges she faced in her previous home-based work setup. Van Dusen’s studio is a vibrant display of repetitious shapes, lines, arches, and squiggles, characterized by a bold use of primary colors combined with unexpected hues. The space showcases numerous examples of her brightly colored graphic prints across various products. These include silky dresses, linen jumpsuits, color-blocked jackets, dog beds, patterned throw pillows, graphic bath and beach towels, fruit-printed bed linens, and cozy blankets. Poster boards featuring her most popular prints are also displayed throughout the studio, highlighting the consistent aesthetic of her brand. Despite the abundance of items, the studio maintains an organized chaos. There is a clear sense of order within the colorful environment. For instance, scissors are neatly hung, and books, though seemingly disarranged, are easily located by Van Dusen. She references a book on the principles of geometry, noting its exploration of mathematical patterns, including tessellations—repeating shapes that fit together seamlessly. She observes that some of these geometric principles resemble prints she has independently created, highlighting an intuitive connection to mathematical design. Van Dusen's approach to design is inherently analytical, stemming from her academic background. She has no formal fashion or design training. Instead, at Tufts University, she created her own major, "Psychology of Design," which explored art history through the lens of neuroscience. Her studies focused on how the brain perceives color, culminating in a senior thesis on the use of color by artists Mark Rothko, Morris Louis, and Ellsworth Kelly. Her lifelong fascination with color drives her inquiry into its visual appeal, its role in human perception, and the success of color-centric art. Her interest in art and design began in childhood, influenced by frequent visits to museums in Washington, D.C., and craft projects with her architect parents. This upbringing fostered a diverse range of interests that shaped her aesthetic, which she describes as drawing from many different worlds. As a teenager, Van Dusen began designing her own clothing, using a sewing machine to reconstruct thrift store garments. She often favored bright, unexpected color combinations and graphic patterns, creating her own printed textiles by laboriously sewing patterns onto fabric, as she initially did not know other methods. After moving to New York, Van Dusen received an opportunity to stock her designs in an East Village boutique, prompting her to rapidly learn professional skills like grading, pattern-making, and finishing. She launched Dusen Dusen in 2010, hand-sewing her initial collection from a makeshift workspace in her bedroom. In 2015, she expanded her brand into home decor, including pillows, blankets, bed linens, towels, and pet beds, adapting her clothing prints to different scales for these items. She notes that designing for home decor allows for individual object design, unlike clothing, where fabric patterns are cut from a larger piece. Van Dusen's design process incorporates technology, with her brothers helping her code patterns to generate variations. This method aids in brainstorming and developing new print ideas. However, she emphasizes the importance of unplugging and working with analog methods. Her studio is intentionally divided into a digital workspace and an "analog side" where computers are not allowed, enabling focused drawing and idea generation without digital distractions. Looking ahead, Van Dusen is renovating her home, which is influencing her thinking about larger-scale design. She is also collaborating with a furniture designer and developing upholstery fabric, considering its potential use in both home furnishings and unconventional clothing items. #DusenDusen #EllenVanDusen #BrooklynStudio #ColorPsychology #PatternDesign #HomeDecor #FashionDesign #TextileDesign #CreativeProcess

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners