Expand Your Art Collection with These Gallery-Worthy Vessels

Vases are versatile home decor items that function as both ornamental pieces and practical containers for flowers. An interior expert shares her personal approach to selecting vases, highlighting that many of her own collection look appealing with or without floral arrangements. The expert emphasizes that vases make excellent gifts due to their dual functionality and aesthetic appeal. The article compiles a selection of 11 favored vases sourced from both high street retailers and independent designers, all priced under £50. Each chosen vase is described with its unique characteristics and potential styling options. The first recommendation is the Pols Potten Glass Jug, priced at £39. This jug, a popular housewarming gift, features a distinctive hole handle that gives it a sculptural appearance, making it suitable for flowers or as a carafe. Next is the Dunelm Elements Sculpt Two Tone Orange Glass Vase, available for £35. This piece is part of Dunelm’s mid-century modern-inspired Elements collection, notable for its colored glass design that can be styled in multiple orientations, with the blush pink and amber combination being particularly highlighted for its ability to complement tall tulips. Following this, the SGW Lab Cylinder Vase, priced at £30, is introduced. This vase, stocked at Made.com, is celebrated for its craftsmanship, featuring handmade porcelain and vibrant, poppy colors that work well individually or grouped. The Stolen Form London Brick vase, costing £36, is another piece featured from Made.com. These cult vases are inspired by vintage bricks from various British cities and come in a range of colors, making them suitable gifts. The Oliver Bonas Nomi Bud Blue Glass Vase, an affordable option at £12, showcases the current trend for speckled glass and is suggested for styling with dried flowers in muted hues. The Recycled Glassware Co Recycled Blown Glass Vase, priced at £37.50, is presented as an eco-conscious choice. Made from 100% recycled glass with a low carbon footprint, this vase is praised for its irregular shape and is available in six colors, including a captivating sea blue. The Heinen Delfts Blauw KLEI Cylinder Tulip Vase Pink, available at Liberty London for £14, offers a modern take on the traditional Dutch tulip vase with its clean lines and matte blush pink finish. The Not On The High Street Vase Dolomite White, at £49, is noted for its bold lines and pleasing shape, suitable for a neutral aesthetic but also capable of being enhanced with bright red or pink blooms. The H&M; Large stoneware vase, priced at £20, is highlighted for its distinctive silhouette and textured finish, making it a striking centerpiece. The article also mentions H&M; Home’s asymmetric designs in natural tones as alternatives. The Anthropologie Lotus Pod Vase, costing £26, is described as a beautiful stoneware piece inspired by a blooming lotus flower, functional as both a standalone object and styled with flowers, and available in two sizes. Finally, the Rose & Grey Rust & Caramel Terracotta Vase With Handles, currently 20% off at £172, is recommended for its unusual shape and scalloped pattern in rich, earthy colors, representing a well-made and distinctive item. #VaseDesign #HomeDecor #InteriorStyling #HomewareTrends #AffordableDecor #GlassVases #CeramicVases #GiftIdeas #DecoratingTips

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

Pani Jurek's BARVA VASES collection redefines the traditional vase by transforming it into a three-dimensional artistic expression. This collection, rooted in the Polish word "barwa" meaning color, celebrates color not merely as a physical property but as a conduit for subjective emotions, much like a painter's brushstrokes. The vases are characterized by their vibrant color spots, wavy lines, and tactile textures that mimic the direct application of paint. The BARVA VASES distinguish themselves through their innovative design, featuring four distinct flat geometric shapes that allow for endless arrangement possibilities. This modularity empowers users to engage in a creative process, crafting abstract compositions that can evolve based on personal preference or the surrounding environment. The design deliberately merges the structured world of geometric forms with the organic, fluid beauty of botanical elements, creating a harmonious interplay between manufactured design and nature. The collection emphasizes the visual impact of color, offering a limited series that serves as a captivating focal point in any setting. Each vase is conceived as a piece of art in its own right, capable of enhancing a space even without floral arrangements. When grouped, they form dynamic and eye-catching abstract installations, inviting viewers to explore the interplay of shapes and colors. The versatility extends to their display options, as the vases come equipped with designated hangers, enabling them to be mounted on walls. This feature allows for the creation of unique decorative reliefs, transforming a two-dimensional surface into a three-dimensional art display. Magda Jurek, the designer behind Pani Jurek, showcases a philosophy that blurs the lines between functional design and fine art. The BARVA VASES exemplify this approach by being both practical containers for flowers and standalone sculptural pieces. The entire collection reflects a modern aesthetic that values experimentation, personal expression, and the integration of art into daily living spaces. The photographic documentation, primarily by Ernest Winczyk and Macie J Miloch, captures the essence of these vases, highlighting their vibrant colors, intricate textures, and the diverse ways they can be styled and displayed to create visually stimulating environments. #PaniJurek #BARVAVases #GeometricDesign #VibrantColors #HomeDecor #CeramicArt #InteriorDesign #AbstractForms #ModularDesign

This article provides ten key tips from David Pollack, an Old Master Specialist at Sotheby's New York, on effectively hanging artworks to enhance a living space. The primary advice emphasizes that personal preference dictates the 'correct' way to hang art, as individuals should arrange pieces in a manner that brings them joy. However, Pollack also offers professional insights to optimize the visual impact of artworks within a home. The article differentiates hanging strategies based on the artwork's scale and detail. Intricately detailed and minutely painted pictures, such as smaller works or sketches, are best placed where they can be viewed up close, like on a side wall, desk, or bookshelf. Conversely, large, painterly pieces require more expansive settings, such as above a sofa, mantelpiece, or on a larger wall, to allow their full visual impact to be appreciated. Regarding placement within a home, Pollack suggests hanging cherished artworks in high-traffic areas, including sitting rooms, dens, and bedrooms. These locations ensure both residents and guests have frequent opportunities to view and enjoy the pieces. The article also addresses distinctions in displaying contemporary art versus Old Masters. Contemporary works, often larger, are typically hung as individual statement pieces with ample surrounding space, while Old Masters were traditionally displayed 'Salon Style,' covering entire walls. While this traditional method can be visually rich, Pollack cautions that it is best suited for spaces with high ceilings and large walls, and he expresses a fondness for the intentionally asymmetrical 'gallery hang' of smaller works. Conservation is highlighted as a crucial aspect of responsible art display. The article advises particular care for pieces on wood panels, which are susceptible to warping due to humidity fluctuations, recommending consistent climate control. Proper framing is also presented as a means to create a protective microclimate for delicate works. The integration of different styles and periods is strongly encouraged, with Pollack advocating for blending old and new art as the most effective way to collect and decorate. He notes that such an approach allows for unique connections between seemingly unrelated works, creating interesting and personalized home environments. Regarding framing, Pollack, as an Old Master specialist, offers guidance on traditional frames. He suggests that certain 'old fashioned' frames, like simple, jet-black 17th-century Dutch frames, can appear surprisingly modern and complement various paintings. Traditional gilt frames can also work in contemporary homes, though elaborately carved 18th-century French frames are described as grand statement pieces requiring deliberate placement. The article also touches upon the role of interior designers, acknowledging their value for larger projects while asserting that personal taste should ultimately drive display decisions. Finally, the importance of conservation is reiterated, particularly concerning light exposure, which can damage works on paper or other non-oil-based mediums, though oil paintings are generally more resilient to direct sunlight. The overarching golden rule presented is that 'quality looks good next to quality,' implying that a well-chosen object can hold its own in any domestic setting. #ArtworkDisplay #HomeDecor #InteriorDesign #ArtCollection #OldMasters #ContemporaryArt #ArtConservation #FramingArt #SothebysTips

Successfully hanging an art collection requires meticulous planning and careful consideration, encompassing everything from selecting appropriate fixtures and frames to creating a cohesive visual narrative among grouped artworks. Experts in art installation, interior design, and gallery direction offer comprehensive advice on optimizing the display of art in domestic settings. The initial step involves a thorough assessment of the chosen space, considering the artwork's size, potential physical obstacles, and the overall visual flow of the room. Guy Morey, operations director at Momart, an art installation service, emphasizes the importance of measuring both the walls and the narrowest points of entry into the building to avoid issues with oversized pieces or artworks that might be too imposing for a home environment. Planning the arrangement beforehand is crucial; collectors can collaborate with installers to experiment with different placements by leaning artworks against walls to determine the most aesthetically pleasing configuration. Some installers leverage 3D modeling software for precise planning. General guidelines exist for hanging height, with a consistent center-line often recommended across all artworks in a room. This center-line is typically set at eye-level or 120 centimeters from the ceiling to the artwork's center, though it may vary depending on the piece's size. Smaller works can be grouped around a shared center-line, while larger pieces might require individual placement. Lighting is another critical factor, influencing both the aesthetic appeal and preservation of an artwork. Interior designer Verity Woolf, director of Woolf Interiors, advises considering natural light exposure to prevent damage and suggests incorporating artificial lighting solutions, such as concealed ceiling lights that can be adjusted to suit different artwork sizes. Frame selection also plays a significant role in an artwork's presentation and narrative. Woolf highlights framing as an art form in itself, noting that an unsuitable frame can diminish a piece's impact, while a well-chosen one can enhance its meaning. Technical details, such as fixings, are equally important. John Paul Black, managing director of Art Works Exhibition Services, recommends implementing a versatile hanging system, such as aluminum rails hidden in cornices with wires, to facilitate easy rearrangement and temporary storage of artworks, especially to protect them from sunlight at certain times of the year. Unlike gallery settings, private homes present unique challenges with limited space and numerous obstacles like furniture, radiators, and fireplaces. These elements can affect the optimal placement and center-line of an artwork. Ben Cotton, director of Hang-Up Gallery, stresses the importance of harmonizing artworks with existing furniture. He advises against rigidly adhering to gallery-style hanging heights in a home, encouraging collectors to adapt to their space to maintain balance. Furthermore, creating a visual connection between artworks within a collection is essential for a cohesive display. This can be achieved through shared color palettes, themes, genres, or even by featuring the same artist, ultimately forming a compelling narrative for the viewer. #ArtCollection #ArtInstallation #InteriorDesign #HomeDecor #ArtDisplay #FramingArt #LightingArt #ArtPlacement #ArtHangingSystems

This blog post, authored by Chelsea Neman Nassib, founder of the online art gallery Tappan, provides practical advice for individuals looking to create an aesthetically pleasing and 'Instagram-able' gallery wall within their homes. The article positions the creation of a gallery wall as a fun and accessible project, particularly beneficial for nascent art collectors. The first step outlined is to clear the designated space. Readers are advised to remove any existing art, leaving the wall open and empty. This allows for a fresh perspective on the room's strongest furniture and decor elements. Concurrently, individuals should review their current art collection to understand what pieces are already available and what might be acquired to complement them. The second crucial step involves selecting an anchor piece. This piece serves as the central element from which the rest of the gallery wall's design radiates. Typically, the anchor piece is the largest artwork in a collection and should be something the owner deeply appreciates, as it will likely become a focal point of the room. For those without a single large statement piece, the article suggests grouping several artworks of similar proportions together to achieve a comparable visual impact and draw attention to a specific area. Establishing a baseline on the wall is the third tip provided. This involves carefully considering the placement relative to existing furniture and lighting in the room. It is emphasized that the baseline should be observed from various angles before any hanging begins, ensuring optimal placement and overall balance. The fourth step addresses the actual hanging process. The article strongly recommends using a level to ensure that all pieces are hung straight and perfectly aligned. The author stresses that while these details of proportion and spacing might seem minor, they are critical for achieving a polished and professional final appearance. Following these steps, individuals can sit back and enjoy their newly curated gallery wall. #GalleryWall #HomeDecor #ArtCollecting #InteriorDesign #HomeStyling #DIYHomeDecor #ArtDisplay #TappanCollective

The article explores the significance of affordable art in enhancing home aesthetics and personalizing living spaces, offering guidance on where to source various types of art to create a 'Museum of Me.' It emphasizes that accessible art is crucial for brilliant finishing touches, serving as a lynchpin for gallery wall ideas and transforming a house into a home filled with beauty and individual style. The integration of art is presented as a means to showcase personal taste and complete a home with beloved pieces, contributing to a sense of pride and positivity. The article highlights the feel-good factor of supporting grassroots creatives, ensuring that individuals can painlessly integrate diverse artworks. Various categories of affordable art are introduced, starting with graphic art, exemplified by artist Margo McDaid, known as Margo in Margate. Her work features simple yet striking acrylic portraits of women, inspired by real individuals in Margate, characterized by maritime stripes, sharp bobs, and sophisticated expressions. Her personal project of painting daily for 20 years underscores a dedication to accessible art. For those seeking statement pieces with an uplifting message, the article recommends People I've Loved, a printmaking workshop. Their straightforward imagery and micro-messages, such as 'We are not meant to be happy all of the time,' aim to provide daily reminders of human connection, embracing the complex yet beautiful aspects of life, and fostering a hopeful and calming aesthetic. Abstract art is discussed as an enigmatic style that, when incorporated into a gallery wall, can spark reactions with bold shapes and forms without overshadowing figurative pieces. Christopher Smith's work, available on Etsy, is highlighted for bringing this often-exclusively priced genre into the affordable bracket. Smith's art, influenced by everyday objects and nature, crystallizes into geometric and color compositions. For affordable cartography, Archie’s Press is featured, offering letterpress city prints that serve as 'love-letters' to cities, capturing essential gestures and neighborhoods. These prints, inspired by printed ephemera and typographic signage, create a tactile relief that complements modern aesthetics. Collage art by Vivienne Strauss is presented as a unique way to add interest and texture to a gallery wall, incorporating historical ephemera, nostalgia, and botanicals. Her work, characterized by charming names and a mix of mediums including oils, watercolors, and photography, offers both original collages and limited-edition prints. For pop culture art, the article suggests Pet Portraits by Marion and Tiny Riot, allowing individuals to feature their pets in a humorous, artistic way or showcase iconic figures through hand-pulled silkscreen prints. Personalized portraiture by Lucie Sheridan offers a distinctive, original ink portrait style, with a 'no smiling' policy, capturing unique personalities. For beginners in art collection, Drool Art is recommended as an online platform that helps users discover their style while supporting young and emerging creatives. The platform ensures artists receive maximum value from their sales, validating their craft. The article concludes with expert advice on creating an effective gallery wall from interiors guru Coral Atkinson. Her tips include mixing different art styles while maintaining color themes, incorporating neon lights, mirrors, and typography prints, using thin oak frames from specific retailers, and planning the layout with newspaper cutouts to visualize the arrangement before committing. The goal is to achieve an easy-on-the-eye and cohesive display, positioning impactful pieces at eye level. #AffordableArt #HomeDecor #GalleryWall #InteriorDesign #ArtSourcing #ContemporaryArt #PersonalizedArt #ArtCollection

This article highlights the growing trend of using statement vases as a simple yet impactful way to enhance home interiors. Drawing a parallel between a distinctive vase and a bold red lipstick, it positions these decorative items as accessible "feel-good purchases" that can significantly alter a room's aesthetic without requiring extensive redecoration. The piece emphasizes the versatility of these vases, noting that they function not only as containers for flowers but also as standalone sculptural pieces, adding depth and visual interest to any space. The article showcases a curated selection of 30 unique vases, catering to a diverse range of design preferences and budgets. Each featured vase is presented with its name, brand, and price, providing readers with practical information for potential purchases. The selection includes items from well-known brands such as Dinosaur Designs, Pillow Talk, Diesel Living With Seletti, Kmart, Memor Studio, Adairs Home Republic, Jones & Co, Rosenthal, Temple & Webster, Maison Balzac, Reflections Copenhagen, LSA International, Oz Design Furniture, Urban Outfitters, Ghidini 1961, The Outlier, Cotton On, Country Road, AYTM, Paola & Joy, and Living By Design, demonstrating a broad spectrum of styles from minimalist and modern to eclectic and artistic. Examples of vases highlighted range from the abstract and organic forms like the Dinosaur Designs Small Horn Vase and the Adairs Home Republic Amphora Thin Ear Vase, to the whimsical and anthropomorphic designs such as the Diesel Living With Seletti Starman Vase and the Oz Design Picasso Face Vase. Geometric and structural pieces like the Kmart Circle Cut Out Vase and the Temple & Webster Bratislava Metropole Vase are also featured, alongside luxurious crystal options like the Reflections Copenhagen South Beach Crystal Vase and more understated glass designs like the LSA International Pearl Vase. The inclusion of affordable options from retailers like Kmart and Target alongside higher-end designer pieces ensures that readers with varying financial considerations can find suitable options. The article suggests that incorporating these "groovy" vases can introduce a vibrant and personalized touch to home decor, transforming ordinary spaces into visually engaging environments. It underscores the idea that these pieces are more than just functional objects; they are expressions of personal style and miniature works of art that can stand alone or complement floral arrangements. The diverse collection aims to inspire readers to experiment with different shapes, materials, and colors to find the perfect statement vase that aligns with their individual interior design vision. #HomeDecor #InteriorDesign #VaseCollection #HomeStyling #DecorativeObjects #StatementPieces #Homewares #DesignTrends #FloralVases

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

This article offers comprehensive guidance on effectively hanging art, drawing insights from award-winning designers, a museum director, and Christie’s specialists and art handlers. It emphasizes the importance of considering the context in which art will be displayed, noting that factors such as whether the space is domestic, business, or institutional, along with architectural elements like windows, doors, ceiling height, and floor quality, all influence how an artwork is perceived and interacts with its environment. The article advises against hanging art in locations that could lead to damage. Specifically, it cautions against placing artworks above fireplaces or radiators, as heat can melt or damage canvases over time. Similarly, direct sunlight is highlighted as a risk for fragile or unprotected works, with a strong recommendation to avoid hanging drawings or watercolors near windows. To mitigate these risks, smart framing techniques are suggested, including the use of special glazes that block UV light to prevent fading and seals that create artificial environments to protect against humidity and temperature fluctuations. The article references a guide to framing for further expert advice. Establishing the correct height for hanging art is another key aspect. It notes that modern and contemporary works are typically hung at 1.55 meters to the middle of the picture, a standard adopted by museums and Christie’s. Old Masters are often hung slightly higher. However, domestic settings may require adjustments based on furniture and ceiling height, and some artists, like Le Corbusier, provided specific hanging instructions. The importance of using double fixings rather than a single central one is stressed to prevent works from tilting forward or moving easily. The article also delves into the aesthetic considerations of art display. It introduces the concept of “negative space” as a crucial element when arranging multiple artworks, defining it as the space between works that guides the spectator's eye. Designers encourage variety in art arrangements, advocating for the mixing of periods and genres to create dynamic visual dialogues. Examples include pairing 17th-century portraits with contemporary paintings or combining a large painting with smaller groups of photographs. Finding visual or thematic links between artworks is suggested as a method for grouping, even if they span centuries apart, as demonstrated by juxtaposing a Leda and the Swan painting with modern bird sculptures, or a David LaChapelle work with a Dutch Old Master to explore shared themes. Conversely, playing on contrasts is also presented as an effective strategy to allow individual works to stand out as singular forces. Finally, the article provides practical advice for installation, emphasizing the need for technical precision over subjective judgment. It recommends using a tape measure and spirit level to ensure artworks are hung straight, especially for symmetrical arrangements. Structural considerations are also paramount: understanding wall composition is crucial, particularly for heavy pieces, and it's important to be cautious of water pipes and electrical wiring, especially in older homes where their placement might be less predictable. Despite these technicalities, the overarching message is that personal preference should ultimately guide the arrangement, stating that there is no absolute right or wrong way to organize a collection. Experts’ personal approaches reveal diverse methods, from protecting prints in bedrooms to integrating small works into bookshelves, underscoring that a good artwork will look appealing regardless of its placement. #ArtHanging #HomeDecor #InteriorDesign #ArtCollection #FramingArt #ArtDisplay #MuseumStandards #ArtPreservation #ContemporaryArt

This article explores the growing trend of designer ceramics as significant style statements within contemporary homes, moving beyond their traditional role as mere containers for flowers. It highlights how a carefully selected vase serves as both a functional display for blooms, whether fresh, faux, or dried, and a decorative piece in its own right. The piece identifies prominent figures and brands that have influenced this shift. Anissa Kermiche is cited as a key influencer, whose viral designs, characterized by a witty and stylish interpretation of the female form, have gained significant traction on social media and attracted an A-list following, including celebrities like Gigi Hadid and Gwyneth Paltrow. The article also acknowledges the continued relevance of historic design houses such as the Italian brands Seletti and Fornasetti. Seletti's pop-art inspired pieces have achieved widespread popularity on Instagram due to their distinctive offerings, while Fornasetti's collection of whimsical pottery has garnered a new generation of admirers. Henry Holland, formerly a fashion designer, is also noted for his successful pivot to ceramics, creating a mood-boosting line of boldly striped vases and matching candlesticks following the closure of his fashion label in 2020. The article then curates a selection of vases catering to diverse tastes and aesthetics, ranging from irreverent, conversation-starting pieces suitable for a gallery setting to more minimalist vessels that emphasize natural materials. Glass designs in various hues are also featured. Among the specific recommendations is Anissa Kermiche's 'Love Handles' Ceramic Vase, praised for its versatility and signature design, ideal for styling with various botanicals or as a standalone piece. Henry Holland Studio's Green And White 'Profumo' Vase is highlighted for its distinctive silhouettes and ripple-like designs in a sophisticated color palette, reflecting the designer's ability to blend fashion and interior aesthetics. Jonathan Adler's 'Scala' Vase is presented as a classic investment piece, embodying the designer's eclectic style with gilded accents and a '60s glamour influence through its concentric, geometric patterns. The Ginori 1735 Ming Porcelain Vase is showcased for its luxurious Italian craftsmanship, featuring Ming-inspired blue florals on a leaf-green base, making it a beautiful piece that complements spring flowers. Astier de Villatte's Flower Pick Artichoke Vase is recommended for displaying single blooms in an artistic and whimsical manner, drawing inspiration from traditional tulipieres and employing artisanal ceramic production techniques dating back to the Middle Ages. La DoubleJ's 'Ciccio' Mini Striped Murano Glass Vase is noted as a vibrant, hand-blown Murano glass piece, perfect for small buds and evoking the colors of Italy. Fornasetti's Face-Print Vase, featuring the iconic face of opera singer Lina Cavalieri, is described as an eccentric and spotlight-stealing piece. Seletti’s 'Love In Bloom' vase, a literal interpretation of a heart-shaped vase with openings resembling arteries for single stems, is presented as a unique and decorative item. Finally, Georg Jensen's 'Bloom Botanica' Vase, a polished stainless-steel piece inspired by sculptural floral works, and Liang & Eimil's 'Pokal' Vase, a vibrant, reeded glass design inspired by Venetian glasswork, are included for their distinctive appeal. #VaseDesign #HomeDecor #DesignerHomeware #CeramicArt #InteriorStyle #LuxuryVases #HomeAccessories #ContemporaryDesign #DecorativeVases

Acquiring the appropriate artwork for a home can present a significant challenge for individuals aiming to achieve aesthetic harmony within their living spaces. The process involves numerous considerations, such as selecting a piece that complements the room without overwhelming it or becoming lost in the background, and ensuring it physically fits the designated area. Interior designers regularly address these complexities, recognizing art's integral role beyond mere ornamentation. They emphasize that correctly chosen and placed art can profoundly influence a living space's mood, identity, and overall harmony, while also enabling clients to express their personal tastes. Brigette Romanek of Romanek Design Studio, a prominent Los Angeles-based designer, advises a deliberate and intuitive approach to art acquisition. She suggests that a single, deeply loved piece of art can contribute more soul to a room than multiple pieces selected simply to fill space. Romanek also highlights the critical importance of framing, describing it as an "unsung hero" that can dramatically alter a piece's aesthetic impact. Furthermore, she encourages utilizing often-overlooked small spaces like kitchens or powder rooms to introduce personality and unexpected elements, sometimes employing bold contrasts such as sculptural pieces in minimalist settings. Michael Bargo, an independent designer from New York City, advocates for extensive exposure to art as a foundational step. He recommends viewing a wide variety of artworks to develop a personal aesthetic, asserting that "empty walls are better than bad art" and that building a significant art collection requires patience. Bargo cautions against buying art solely based on trends or recognizability, stressing that purchases should be driven by genuine affection for the piece. He suggests beginning the collection process with the rooms that are most frequently used and cherished. Justina Blakeney, founder of Jungalow, known for her bohemian and maximalist style, emphasizes practical considerations for art care. She advises careful placement, especially for valuable pieces, to protect them from environmental factors like direct sunlight that could cause wear and tear. Blakeney also highlights the importance of scale, noting that an artwork's size relative to its space is crucial. She recommends balancing smaller pieces on large walls with other decorative elements, such as wall lighting, to achieve visual cohesion. Proper placement, she adds, helps align the artwork with the desired ambiance of the home. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, encourages broadening one's artistic horizons beyond familiar galleries. He suggests exploring auctions and noting artists encountered in museums to discover diverse works. For high-traffic areas like TV rooms or playrooms, Charlap Hyman recommends durable options such as large-scale photographs behind glass, which also reflect light, acknowledging that these pieces may endure minor impacts. Nicole Hollis, founder of NICOLEHOLLIS Inc., advises allocating a larger portion of the art budget to "high-impact" rooms such as living rooms, dining areas, and entryways, as these spaces are frequently observed and can house pieces that may appreciate in value. She often uses artwork as a starting point for developing color schemes and selecting furniture. Hollis also stresses the importance of considering long-term value, recommending consultation with art advisors or gallerists and diversifying collections with more accessible pieces from emerging artists or prints to support a broader range of artists and balance financial investment. Lucy Williams, a British independent designer and consultant, advises visualizing how an artwork will appear within a specific room, rather than relying solely on its presentation in a gallery setting. She frequently uses design applications like Canva or InDesign to mock up artworks in situ. Williams also promotes experimentation, suggesting that mixing art styles—such as pairing contemporary photography with antique decor or incorporating soft, whimsical pieces into modernist spaces—can create a more dynamic home environment. She notes that even a small, well-placed piece can have a significant impact. Shawn Henderson, founder of Shawn Henderson Interior Design, acknowledges the intimidating nature of the art world and encourages thorough research and preparation for significant art purchases, including understanding the artist’s practice and potential investment value. To foster confidence, he advises clients to explore local galleries and online platforms like Artsy to gain exposure to various artworks and develop their preferences. #InteriorDesign #ArtBuying #HomeDecor #ArtCollection #DesignTips #HomeArt #InteriorStyling #ArtPlacement #HomeAesthetics

Garrett Kemp, owner of The Market at Circa 1857 in Mid City, utilizes a gallery wall in his Spanish Town home's entryway to display a diverse collection of art and mementos. Kemp's passion for art is evident, stemming from a lifelong involvement in creating and collecting pieces. The gallery wall originated from a need to manage his growing collection, as he was running out of space to display individual artworks. Rather than dispersing items throughout his home, he consolidated them into a single, cohesive display. Kemp dedicated several days to meticulously planning the arrangement of approximately 15 items on his gallery wall. He describes his collection as an "eclectic hodgepodge," representing his varied interests, personal style, and travel experiences. Initially, he frequently adjusted the layout, swapping pieces in and out until he achieved the desired aesthetic. While gallery walls are commonly found in living rooms and entryways, Kemp notes their versatility, even observing them in unconventional spaces like restaurant bathrooms. The dynamic nature of his gallery wall means Kemp regularly updates it by incorporating new acquisitions or simply rearranging existing items for a fresh look. He advocates for a slightly "busy" wall over bare walls, which he finds sterile and uncomfortable. For Kemp, his gallery wall serves as a visual narrative, with each item evoking memories of past experiences, such as specific trips or personal artistic endeavors. This personalized display also provides a rich source of conversation when guests visit, allowing him to share the stories behind his cherished possessions. Kemp offers practical advice for creating a gallery wall. He suggests starting in a corner rather than the center, approaching the process like assembling a puzzle. Identifying a signature piece to serve as a focal point is crucial, with other items arranged around it. He emphasizes maintaining tight spacing, recommending no more than 5 inches between items to maximize wall coverage. Embracing asymmetry is encouraged, especially when dealing with items of varying shapes and sizes, allowing for a more playful and personal arrangement. Ultimately, Kemp advises individuals to curate their gallery walls with pieces that bring them joy and comfort, transforming the space into a unique reflection of their personality and life experiences. The article is part of the 225 Extra: 2018 Spaces & Places issue. #GalleryWall #HomeDecor #ArtCollection #InteriorDesign #PersonalStyle #WallDecor #EclecticDesign #MemoryDisplay

The presence of flowers in a home is scientifically proven to enhance well-being and elevate spirits through their aesthetic appeal and fragrance. Beyond the flowers themselves, the vessels used to display them play a crucial role in home decoration. A well-chosen decorative vase or stylish jug can transform a space, adding a touch of elegance to various areas like a home bar, shelves, coffee tables, or bedside tables. These vessels are considered essential decorative elements, akin to 'jewellery for the home,' providing that indefinable quality that enhances a room's atmosphere. Philippa Craddock, a renowned florist, emphasizes that a large collection of vases is not necessary; rather, a few thoughtfully selected pieces can make flower arranging enjoyable and straightforward. These pieces facilitate both elaborate floral arrangements and simple, elegant displays for entertaining guests. Craddock identifies five primary types of vessels, each suited for different floral arrangements and purposes. Apothecary glass vases are ideal for wild, whimsical bouquets with longer stems and branches, making them perfect for console and central display tables. These vases accommodate natural, unstructured arrangements, allowing the beauty of individual stems to shine. Bud vases, on the other hand, are designed for quick, elegant table designs featuring single stems or small mixed bunches. Their petite size makes them suitable for small side tables or for scattering along a dining table, often paired with candles to create an intimate ambiance. Urns and confit jars are recommended for large-headed flowers such as double tulips, peonies, garden roses, and hydrangeas. The narrower neck of these vessels provides crucial support for heavier stems, enabling the creation of bold and impactful floral designs with ease. Compote bowls are best for meticulously crafted arrangements of mixed flowers. The footed design of a compote bowl elevates the arrangement, while its wider opening allows for beautifully flowing and artistic shapes, making it a focal point in any setting. Additionally, the article notes that jugs can serve as versatile alternatives to vases, offering an excellent shape for neatly holding stems and creating relaxed, 'just-picked' looks. For sourcing these decorative vessels, Philippa Craddock suggests exploring antique fairs, seeking out pieces directly from independent makers like Michael Ruh, Cara Guthrie, Luke Eastop, Eliza May, and Rebecca Williams, and visiting reputable homeware stores. Specific retailers recommended include Nkuku, Wearth London, Neptune, Layered Lounge, and The Conran Shop. It is important to consider that some artistic vases are designed solely for decorative purposes and may not be suitable for holding water or withstanding heavy use; therefore, verifying their functionality is advised. The article concludes with a curated selection of vases and jugs, highlighting handblown, handcrafted, and hand-painted options that can stand alone as decorative objects, even without flowers, and provides links to where these items can be purchased. #VaseGuide #HomeDecoration #FloralArrangement #InteriorDesign #DecorativeVessels #PhilippaCraddock #HomeAccessories #ShoppingGuide

Gallery walls have become a popular home decor trend over the past decade, allowing individuals to display their unique personality and style through a collection of framed art. Designers confirm that gallery walls remain a timeless and versatile design choice. The key to a successful gallery wall lies in thoughtful curation, moving beyond simply filling a wall to tell a personal story. Experts suggest an eclectic mix of art from various genres and mediums, emphasizing that authenticity and meaning are crucial. While there's no strict formula, the overarching principle is to select art that resonates personally. Creating an impactful gallery wall involves considering several elements, starting with the room itself. The color scheme of the room should guide the selection of art colors to ensure harmony with existing decor. Composition offers broad flexibility, from walls dedicated solely to family photos to those showcasing a blend of prints, paintings, and three-dimensional objects. Many designers advocate for mixing mediums or adhering to a specific color palette or theme. However, opinions vary on including personal photographs alongside fine art; some designers suggest separating them to maintain an artistic focus. When it comes to frames, both a cohesive look with identical frames and an eclectic mix of different frames can work, depending on the desired aesthetic and the variety of the art itself. If the art collection is diverse in color and medium, coordinating frames can provide a unifying element. Spacing is another subjective aspect of gallery wall design. A more casual arrangement might use three to four inches between pieces, while a more structured, intentional look often involves two inches. Designers suggest starting with a two-inch spacing and adjusting as needed, noting that closer spacing (down to 1.5 inches) can be suitable for smaller areas. While the selection of art is significant, the actual hanging process can be the most challenging part. Many professionals recommend hiring an art hanger for precision and to avoid wall damage. For those undertaking a DIY approach, several tips are offered: first, arrange the art on the floor to visualize the layout and spacing, taking a photo for reference. Second, use paper or cardboard templates, taping them to the wall to experiment with different arrangements without making permanent holes. Third, begin by hanging the largest or most significant pieces, then build out the rest of the collection around them. Alternatively, one can start with a central piece and expand outward in all directions. Ultimately, gallery walls offer a powerful means of infusing personality and creativity into a living space. Their enduring appeal stems from their ability to tell a story, spark curiosity, and captivate viewers. By embracing varied elements and experimenting with arrangements, individuals can create a gallery wall that brings beauty, interest, and a sense of wonder to their home, reflecting their unique taste and journey. #GalleryWalls #HomeDecor #InteriorDesign #ArtCollection #DecoratingIdeas #WallArt #DesignTips #PersonalStyle #EclecticDecor