Custom carpet designs informed by Western Australia’s landscape created for Duxton Hotel

The Textile Company, a Sydney-based enterprise, has established itself as a significant force in Australia's interior design industry, supplying high-quality fabrics and wallcoverings to leading designers such as David Hicks, Greg Natale, Thomas Hamel, Alexandra Kidd, Kate Nixon, and Adelaide Bragg. Owner Peter Fitzgibbon, who started his career in a fabric warehouse in Auckland four decades ago, built the company on a deep passion for textiles. His early experiences included measuring and cutting fabric, moving into sales, and eventually buying, which led to crucial supplier relationships with international brands like Phillip Jeffries, Misia, and Fabricut. The company's showroom is organized with fabrics meticulously filed by color base, alongside a diverse library of grasscloth, wall coverings, and wall murals, reflecting a serious expertise in product. The inclusion of Peter's daughter, Jessica, marked a new phase for the business. Jessica's operational skills allowed Peter to dedicate more time to sourcing excellence and attending European trade shows, while she managed the day-to-day operations. Their collaboration leverages their distinct strengths, fostering growth and innovation within the company. Jessica emphasizes the importance of storytelling behind the brands they represent. She aims to understand and share the narrative of each fabric and wallcovering, bringing the product to life beyond its physical sample. An example she highlights is Jean Monro, a historic English fabric company renowned for weaving and hand-blocking fabrics for the British Royal Family. With King Charles's endorsement, Jean Monro is set to release 40 exclusive royal designs, showcasing a dedication to preserving traditional craft. Jessica actively hosts industry events to connect designers with craftspeople, facilitating a deeper understanding of these fabric houses. The Textile Company also champions traditional techniques, as seen in the 'Manila Hemp' grasscloth wallcovering collection from Phillip Jeffries. This collection features fibers grown and hand-loomed by artisans in the Philippines and finished by skilled craftspeople in Japan. These textural wallcoverings, available in various colors, are increasingly used in high-end residential and luxury hotel projects, offering an alternative to paint with their rich texture. Sustainability is a core focus for The Textile Company, recognizing the textile industry's environmental impact. Jessica highlights the importance of responsible selling, differentiating their products from fast fashion. She notes that reupholstering furniture is a considered act of sustainability. Peter makes conscious sourcing choices, opting for natural, pure linens and recycled polyesters whenever possible, reflecting the company's commitment to environmentally sound practices. The company's limited number of carefully selected suppliers ensures deep product knowledge and strong partnerships, allowing them to foster growth for both their business and their suppliers. Peter envisions the company as a legacy, emphasizing that while the textile business may not yield billionaires, it offers a fulfilling life of working with beautiful products and wonderful people. The Textile Company's approach reflects a blend of tradition, passion, collaboration, and a forward-thinking commitment to craft and sustainability in the world of interior textiles. #TextileCompany #InteriorDesign #Fabric #Wallcoverings #FamilyBusiness #Craftsmanship #Sustainability #LuxuryInteriors #AustralianDesign

The latest collection from Arte, named L’invite, draws inspiration from French Haute Couture and fashion, offering a sophisticated range of wallcoverings. This collection, showcased at HIX, features six distinct designs that blend geometric patterns, Greek scenes, and elegant plain textures. L’invite adopts a neoclassical style, presenting a modern color palette that includes soft pastels, deep blues, vibrant greens, and various earthy tones. These designs ingeniously imitate natural textiles and textures, such as rattan, delicate lace, intricately woven paper, and traditional French Toile de Jouy. Crafted for both aesthetic appeal and practicality, the L’invite collection is designed to be washable, lightfast, and highly durable. These non-woven wallcoverings are suitable for both residential and commercial applications, particularly in areas with high foot traffic. A notable characteristic of the collection is its ability to create a trompe l’oeil effect, where each design appears layered and texturally rich. This gives the illusion of tactile elements like lace, natural fibers, rattan, and woven jacquard patterns, all contributing to a dynamic interplay of color and subtle light and shadow. Among the featured designs is ‘Le Sommet,’ a playful zigzag pattern that aims to evoke a sense of height and elegance through geometric motifs inspired by various global cultures. Its color options range from muted natural shades to bold blues and deep reds. ‘Le Papier Tissé’ is another design, capturing the intricate patterns found in woven paper. It highlights the fine structure of paper strips and natural fibers, with linear details providing subtle color nuances and delicate textural interest. This design is available in a soft palette of natural hues including lavender, pistachio, honey, and eggshell. ‘Le Rotin’ offers a convincing imitation of natural rattan with a tone-on-tone pattern, blending a contemporary hand-woven aesthetic with a hint of nostalgia. The design incorporates imperfect variegation of fibers, creating a nuanced play of light and dark shadows, which is further enhanced by the colored background. ‘Le Mythe’ transports viewers to the rich historical landscapes of ancient Greece, featuring stately temples and mythical narratives. This monochrome design reinterprets French Toile de Jouy, replicating its detailed, romantic fabric print on wallpaper. ‘Le Prestige’ embodies luxury with its layered patterned design, drawing inspiration from lace and jacquard woven textiles. Despite its delicate appearance, this design is durable and hardwearing, achieving a balance between elegance and resilience. It incorporates small, geometric shapes combined with relief inks. Finally, ‘L’Extase’ features intricate, closed geometric shapes in a mobile pattern, reminiscent of fine lace, instantly conveying a sense of luxury. Arte is recognized as a recommended supplier and frequently contributes to supplier news in the industry. #Wallcoverings #HotelDesign #InteriorDesign #LuxuryDecor #HauteCoutureInspiration #TextileInnovation #HIXEvent #ArteInternational

Textile designer Tigger Hall has curated her home in the NSW Southern Highlands as a reflection of her diverse life experiences, travels, and artistic sensibilities. The dwelling, originally a 1970s bungalow, underwent a transformative renovation to become a vibrant, layered space filled with collected treasures and custom designs. Hall's approach to home design emphasizes storytelling through objects and a harmonious blend of past and present. She integrates items gathered from around the world, such as zinc finials from Paris that now adorn her roofline, creating a sense of surprise and personal connection throughout the house. Her philosophy centers on imbuing her home with memories and connections to people and places, ensuring each piece contributes to the overall narrative. The renovation journey began in 2020 when Hall discovered the bungalow. Despite its initial modest state, the house resonated with her, particularly its spacious living area featuring a five-meter pitched ceiling with exposed beams, which reminded her of grand homes from her childhood in England and France. This architectural feature, along with the deep verandahs, evoked a sense of familiarity and provided an ideal setting for her love of entertaining with music and poetry. While the house possessed inherent charm, it required significant modifications to align with Hall's vision. She addressed practical issues such as the lack of direct garden access from the living area and the confined feeling of some rooms, all while maintaining the existing T-shaped floor plan. Key structural and aesthetic changes included repainting the living room's exposed beams white and installing salvaged round windows from Argentina to enhance natural light and draw the eye upward. An ornate limestone mantel was added, and the living room was extended with two balconies, complete with French doors and railings also sourced from Argentina, despite their initial state of disrepair. In the kitchen, Hall centered her design around a new Aga, valuing its traditional cooking method. Adjacent to the kitchen, a former laundry area was transformed into a library/snug, expanding onto the verandah. This cozy space features French doors from Paris, custom wallpaper designed by Hall, and 1880s parquetry flooring recycled from a Buenos Aires bank, chosen for its historical character and patina. Throughout the home, Hall's dedication to natural materials and sustainability is evident. She champions the reuse of salvaged materials, demonstrating how such items can be beautifully integrated into a contemporary living space. Her builders, Brendan Sheather and Michael Rudge, were instrumental in executing her vision, skillfully blending new and recycled elements. A notable addition is a lightwell with an oval detail in the ceiling of the hallway leading to the bedrooms, designed to introduce more natural light. The garage was converted into a studio with a coffered ceiling and panelling, serving as the workspace for her Nine Muses Textiles range, which draws inspiration from her global travels and mentors like Nina Campbell and Kit Kemp. This studio also serves as an in-situ showroom for her distinctive fabrics, which are interwoven throughout the interiors. Hall's textiles, characterized by a harmonious mix of colors and patterns, are a central element of her decor, proving that varied patterns can blend seamlessly if within a similar hue. Her favored colors, sea-glass blue and vibrant red, are prominent. The interiors are rich in texture, featuring curated furniture from previous homes, auction finds, travel souvenirs, heirlooms, and new pieces, all contributing to a tactile experience and a sense of history. Artworks, including those by her great-grandfather Lindsay Bernard Hall, adorn the walls, further personalizing the space. Despite the global influences, the home maintains a strong connection to its Southern Highlands location, evidenced by elements like the zinc finials standing out against the local gum trees. Hall also plans to host workshops on the property, sharing her passion for textiles and design with others. #TextileDesign #HomeRenovation #SouthernHighlands #InteriorDecorating #EclecticStyle #SalvagedMaterials #CustomWallpaper #ArtCollection #AustralianHomes

The Elvetham, a luxury hotel situated in Hampshire, UK, boasts a rich history spanning centuries, with its origins tracing back to the 11th century. The estate has been a silent witness to significant historical events, including Eadric the Wild’s defiance against William the Conqueror and King Henry VIII’s romantic involvement with Jane Seymour. The hotel’s extensive grounds, ancient oak trees, and parklands collectively narrate the historical tapestry of England. While the medieval structure has undergone transformations over time, its inherent heritage is meticulously preserved within the hotel's stunning interiors, which harmoniously blend modern luxury with a profound respect for its past. Comprising 43 guestrooms in the main house and an additional 48 rooms in the adjacent court building, totaling 91 rooms, The Elvetham successfully integrates the allure of its historic setting with contemporary design elements and hospitality standards. The recent renovation of The Elvetham was spearheaded by Sindri Matharu, Design Director at Jastar Capital, following the acquisition of the property by her family. Recognizing the need to align the interior aesthetics with the grandeur of the exterior, Matharu initiated a comprehensive update. She noted the inherent challenges in balancing historical elements with modern requirements in such properties, observing that the existing rooms, characterized by high ceilings and wood details, lacked warmth. The integration of carpets was deemed essential to introduce this warmth, though the discovery of original tiling beneath old carpets in public areas led to a strategic shift towards utilizing runners and rugs to accentuate these rediscovered features. For the 2,000 square meters of carpet commissioned from Ege Carpets, Matharu drew inspiration directly from The Elvetham's historical architecture. She specifically used the octagonal ceilings as a foundational motif for the custom Colortec carpet designs. The color palette for these carpets was carefully matched to the original tiling unearthed during the renovation, ensuring a cohesive and historically sensitive integration. In prominent areas such as the Top Hall and Bar, Matharu referenced the textile designs of William Morris, whose artistic contributions are considered fundamental to early British design. In the guest bedrooms, a subtle herringbone pattern from Ege Carpets’ Graphic collection was selected. This choice was intended to evoke the classic aesthetic of an English gentleman’s residence, while simultaneously complementing the intricate designs of the headboards. Matharu commended the collaborative process with Ege Carpets, highlighting their understanding, patience, and flexibility in accommodating changes to the initial specifications. Guests have expressed particular appreciation for the ground floor runners and rugs, which effectively showcase the original tiles that were uncovered. Matharu herself considers the rug in the Top Hall to be her favorite design element, as it imparts a sense of opulence and enhances the ceiling details and surrounding tiling. Reflecting on the design philosophy, Matharu underscored the importance of respecting the building’s historical context. She emphasized that while design is inherently subjective, the primary objective should be to complement the past rather than detract from it. Ege Carpets, a specialist in high-quality textile flooring for luxury hotels globally, offers Graphic and Colortec collections that merge sophisticated aesthetics with comfort, creating spaces of timeless elegance. The Colortec collection provides extensive design flexibility, allowing hotels to embed their brand identity and unique elements into custom carpet designs. The use of pre-dyed yarn in their products ensures precise color matching and seamless integration of multiple shades, offering creative freedom without compromise. Ege Carpets also prioritizes sustainability, with both Graphic and Colortec carpets holding Cradle to Cradle and Indoor Air Comfort Gold certifications. Their commitment to waste reduction and cost efficiency is evident in their ability to tailor carpets to specific room sizes, thereby minimizing waste, reducing installation time, and lowering overall costs. The company's pre-cut service further simplifies installation and site handling. With options for textile or felt backings, Ege Carpets provides comfort, superior acoustics, and optimal support for luxury hotel interiors. The availability of realistic carpet samples and large-scale paper prints assists hoteliers in visualizing the final outcome and assessing material quality prior to installation. #HotelDesign #EgeCarpets #TheElvetham #HeritageDesign #InteriorRenovation #CustomCarpets #LuxuryHospitality #SindriMatharu #HistoricProperties

The EVE Hotel in Sydney, situated at the convergence of Redfern and Surry Hills, serves as a contemporary tribute to its surroundings, integrating the area's urban character, Victorian architecture, Aboriginal heritage, and a lively culture of food, art, and design. The hotel is a collaborative effort, conceived by SJB under Adam Haddow's direction, with landscape architect Daniel Baffsky and interior architect George Livissianis. It represents the culmination of the Wunderlich Lane precinct's revitalization, bridging Sydney’s industrial history with its current creative vibrancy. The 102-room boutique hotel embodies Australian culture, nature, materiality, and craftsmanship. Guests are welcomed into the lobby through an enclosure of glazed terracotta tiles, leading to a space characterized by rendered walls, white glazed breeze blocks, and natural stone. The design aims to evoke the feeling of staying in the home of a stylish friend. Designer furniture is carefully chosen, with two aqua-hued, large ceramic reception desks serving as central focal points. A white rendered arched walkway, featuring leathered handrails and sculptural lighting by Henry Wilson, connects the lobby to the guest rooms, adding a refined architectural detail. The guest rooms are decorated with color palettes inspired by the local landscape, incorporating soft eucalyptus greens and rich red clays. Artworks by Louise Olsen and Tarryn Gill further enhance the local identity of the spaces. The hotel's design includes a tranquil central courtyard. The rooftop garden and a 20-meter pool, lined with Sukabumi tiles and surrounded by native plants, offer panoramic city views. The pool area is enhanced with retro-style umbrellas and spacious orange cabanas. The adjacent Lottie Mexican restaurant mirrors this aesthetic in its interiors. Interior architect George Livissianis explains that the aim was to create a space that feels external, surrounded by planting. Sandblasted travertines, Palladiana flooring, and an exposed concrete structure were used to create a textured, outdoor sensation within an urban setting. Bar Julius, located at the hotel's entrance, functions as both a social hub and a design statement. Its European-inspired interiors are vibrant and kaleidoscopic, combining classic materials with playful modern elements, reflecting the eclectic energy of the neighborhood. The lobby bar features a dramatic vaulted ceiling adorned with artwork by Louise Olsen, a prominent artist and gallery owner from Surry Hills. This artistic integration serves as an introduction to The EVE Hotel's design philosophy and foreshadows the experiences awaiting guests. The EVE Hotel, through the combined efforts of SJB, Daniel Baffsky, and George Livissianis, successfully weaves history and landscape into an immersive guest experience, celebrating Australian culture and offering diverse spaces for relaxation, dining, and socialization. #HotelDesign #InteriorArchitecture #SydneyHotels #BoutiqueHotel #AustralianCulture #UrbanDesign #HospitalityDesign #SJBArchitects #LandscapeArchitecture

The renowned interior designer Kit Kemp MBE has collaborated with Wilton Carpets to launch a new collection of woven, wool-rich carpets designed for hospitality, travel, and home environments. Kit Kemp, known for her unique approach to interior design and her role as Design Director of Firmdale Hotels PLC, brings her celebrated aesthetic, which has earned multiple prestigious awards including ‘Condé Nast Best Hotel in the World for Design’, to this partnership. Wilton Carpets, with nearly 400 years of weaving heritage, designs and manufactures its carpets in Britain, blending traditional craftsmanship with advanced robotic machinery. The collaboration successfully translates Kemp’s creative vision into a tangible collection. Wilton Carpets' highly experienced design team, led by Damien Roscoe, Head of Creative, worked closely with Kemp to realize her ideas, pushing the boundaries of carpet craft. Kemp highlights that modern manufacturing technology, combined with Wilton Carpets' design expertise, has enabled the creation of subtle effects and color gradations that mimic the finish of hand-blocked fabrics, imbuing the carpets with a contemporary and joyful feel. The made-to-order collection features nine distinctive and versatile designs, drawing inspiration from folklore, architecture, and botanical motifs. These designs are adaptable for both traditional and modern interiors. The carpets are manufactured using traditional Axminster or Wilton weaves, and some incorporate the added texture of a Brussels weave, ensuring superior design and quality. Made from a British wool-rich blend, the carpets offer durability and wear resistance, available as wall-to-wall installations or bespoke area rugs tailored for project demands. Key designs within the collection include 'Batik,' which references hand-blocked fabrics and is available in striking red and blue colorways. 'Detail' presents a strong architectural look in six colorways, including red on blue and yellow on black. 'By Way' features a classic herringbone pattern with bright color combinations, offered in four high-contrast options. 'Domino' is inspired by traditional Turkish carpets, showcasing a large diamond repeat in four colorways, such as dynamic shades of blue and terracotta. 'Flower and Berry' is a versatile botanical pattern suitable for various settings, available in five colorways including red on off-white and off-white on pea green. Further designs include 'Leaf Cut,' a nature-inspired pattern depicting falling leaves, available in blue with orange leaves and red with green. 'Open Plan' offers a large, tribal-influenced repeat suitable for grand spaces, in four color combinations, mostly with an off-white base. 'Tweed Fleck' is a modern classic tweed design with vibrant flecks, available in seven high-impact colorways like red, teal, and blue. Lastly, 'Squiggle' is a simple yet impactful linear geometric design, available in inverse colors and five other off-white combinations, ideal for tailoring halls and stairways. This collection exemplifies Kit Kemp’s signature richness of pattern and understanding of color, making craft-inspired carpets accessible for a wide audience. #KitKemp #WiltonCarpets #CarpetCollection #InteriorDesign #HospitalityDesign #HomeDecor #BritishManufacturing #TextileDesign #WoolCarpets

The article explores a prevailing trend in design-centric hotels: the use of custom and often handmade coverlets as a key design element, moving beyond the traditional emphasis on high thread count sheets. This approach highlights a commitment to unique aesthetics, local craftsmanship, and a deeper connection to the surrounding culture and history. Instead of relying solely on luxurious sheet materials, hotels are now investing in bespoke bedding that tells a story, often crafted by local artists and artisans. Five specific hotels are showcased for their distinctive coverlet designs. The Siren Hotel in Detroit, housed in a building with a musical heritage, commissioned two former Cranbrook Academy of Art students to create a pink-and-cream jacquard-woven coverlet featuring a mythological siren. This design not only nods to the building's origins but also emphasizes the hotel's Art Deco influences and its connection to the art community. At the Captain Whidbey Inn on Washington’s Whidbey Island, textile artist Hannah Ruth Levi weaves unique blankets on a floor loom. These blankets incorporate wool and cotton, reflecting the natural colors of the Pacific Northwest, including the deep blue of Puget Sound, pine green, storm-cloud gray, and occasional yellow. Each blanket is distinctive, with variations in color sequencing and stripe width, taking about a week to create, thus providing guests with a tangible piece of local art. The Ace Hotel in Downtown Los Angeles features a custom blanket designed in collaboration with L.A.-based Commune and produced by Pendleton Woolen Mills. These Mondrian-esque blankets, with blocks of jade, cobalt, and fiery orange, add warmth and color to the hotel's industrial-chic rooms, which are characterized by concrete floors and unpainted walls. This collaboration brings together renowned design firms and heritage manufacturers to create a unique guest experience. Canada’s Fogo Island Inn, located in remote Newfoundland, celebrates the island's centuries-old quilting tradition. The inn's quilts feature vibrant patchwork designs, often incorporating clean-lined heritage patterns like stripes, log cabins, and herringbone, made by local quilters. The color palette is bright and lively, and the quilts serve as works of art in the modern guest rooms. A unique detail is that each quilt changes seasonally and includes the name of the local quilter sewn directly into the fabric, reinforcing the connection to the community and its craft. Finally, the Durham Hotel in North Carolina, a former bank, showcases mid-century modern design with interiors by Commune. The hotel’s denim coverlets, created by local jeanswear brand Raleigh Denim Workshop, are a modern interpretation of traditional patchwork quilts. These coverlets use various denim washes to form bold, geometric patterns that complement the hotel’s color-blocked carpets and artwork, blending local craftsmanship with a contemporary aesthetic. Across these examples, the common thread is the dedication to creating bespoke, locally inspired, and artfully crafted coverlets that enhance the guest experience and reflect the unique identity of each hotel. This trend signifies a shift towards celebrating traditional techniques, supporting local artisans, and integrating meaningful design elements into hospitality spaces. #DesignHotels #CustomBedding #TextileArt #LocalCraftsmanship #HotelDesign #InteriorDecor #BeddingTrends #ArtisanProducts

This article highlights the growing trend of patterned carpets, showcasing how they can introduce color, warmth, and personality into country homes. It explores various styles, from linear stripes to urban country plaids, gentle spots, heritage designs, and bold florals, offering insights from industry experts on how to integrate these patterns effectively into different living spaces. Linear striped carpets are becoming increasingly popular, particularly in living rooms, dining rooms, and playrooms. Mike Richardson, Managing Director of Kersaint Cobb, notes that these carpets act as a focal point in rooms with plain walls and neutral furnishings. He emphasizes that deep, rich colors not only create a warm and cozy atmosphere but also offer a practical solution for high-traffic areas, effectively concealing dirt. The 'urban country' trend sees a resurgence of classic patterns and prints. Lynne Pound, Product Manager at Brintons, describes their City Plaid collection as a celebration of this trend, drawing inspiration from vintage and reclaimed textiles. These collections feature subtle color palettes designed to create a warm and homely feel, making them ideal for country living rooms and dining rooms, especially when entertaining guests. For a softer aesthetic, 'sweet spot' carpets featuring gentle pastels and ice cream shades are well-suited for country homes. Natalie Littlehales, Consumer Marketing Manager at Brintons, points out that their Padstow collection's putty colors offer a fresh, modern appeal. The Candy Spot design, crafted from an 80% wool and 20% nylon blend, is highlighted for its softness and strength, making it perfect for high-traffic zones like hallways. 'Heritage piece' carpets, such as those designed by Margo Selby for Alternative Flooring, draw inspiration from the weaving process itself. Selby explains that her designs reflect the organized nature of hand-woven deflected double weave cloths, scaled up to add instant warmth and make a prominent feature of the floor. Finally, the 'floral fancy' trend reintroduces florals, moving away from ditsy prints towards bold, statement patterns. Clare Jenkinson, Designer at Ulster Carpets, suggests that retro-inspired boho designs like those in their collection offer a playful way to connect the garden with the interior. The fresh colorways are presented as an antidote to grey days, and the patterns are designed to coordinate with other designs in the collection or with plain Wilton carpets for a cohesive interior scheme. #PatternedCarpet #HomeDecor #InteriorDesign #FlooringTrends #CountryHome #StripedCarpet #FloralCarpet #WoolCarpet

The Carpet Design Awards 2017, an international competition celebrating the best in handmade carpets and rugs, recently announced its winners. A distinguished panel of judges, led by multi-award-winning carpet designer Stephanie Odegard, evaluated 386 entries from 21 countries to select the top designs across eight distinct categories. The judging criteria encompassed various aspects, including design and concept, materials used, structural integrity and quality, execution, texture, sustainability, and brand presence. In the 'Best Flatweave Design' category, 'Scandinavian Flatweave 2' by Rug & Kilim was recognized for its original design demonstrating the flatweave technique. Jaipur Rugs' 'Unstring by Kavi' claimed the 'Best Modern Collection' award, celebrated for its contemporary design collections unified by a common theme. For 'Best Modern Design Deluxe,' Wool and Silk Rugs' 'Summit' stood out due to its original contemporary design and optimal use of materials. Similarly, Sterling Rugs' 'Super Moon' secured the 'Best Modern Design Superior' award, also lauded for its innovative contemporary design and material utilization. The 'Best Studio Artist Design' honor went to Simone Post for 'Vlisco Recycled,' acknowledging its original small-scale production from an artist or designer. Ayka Design's 'Vase Green' was awarded 'Best Traditional Design' for its successful interpretation of a traditional rug design. Hossein Rezvani's 'Shiraz sabz' received the 'Best Transitional Design' award, recognizing a new rug that blends traditional designs with a contemporary style. The 'Best Transitional Collection' was awarded to Edelgrund for its 'Alasht Collection,' showcasing traditional and transitional collections with a shared theme. Beyond the expert judging panel, the DOMOTEX show also included a 'People's Favourite Vote,' allowing visitors to cast their ballots for their preferred carpet among the 24 finalists. The 'Rapture 4 – The Kundan Pure Silk Collection' by Zollanvari emerged as the people's choice, indicating its widespread appeal among attendees. These awards highlight the innovation, craftsmanship, and artistic expression present in the global carpet and rug industry, celebrating both established and emerging designers. #CarpetDesignAwards #HandmadeRugs #InteriorDesign #Flooring #ModernDesign #TraditionalDesign #TextileArt #HomeDecor #DesignExcellence

The "Zigzag House," designed by Dan Gayfer Design, is a residential project located in Thornbury, Australia, completed in 2023. The architectural design of the 178 square meter house emphasizes natural light and incorporates custom-designed elements. The project description highlights a deliberate approach to create unique and highly detailed components throughout the home, resulting in a functional and adaptable living space. The design utilizes a distinctive material palette, contributing to the engaging experience as one navigates the single-fronted family residence. The project features an array of bespoke design elements, ranging from custom joinery to specific material selections, all integrated to enhance both aesthetics and practicality. The exterior photography reveals a brick facade and a garden, while interior shots showcase various spaces such as the kitchen, dining room, and bathrooms. Materials used in the construction include Artedomus, Brodware, Fibonacci Stone, and products from Joel Elliot Furniture, Made Measure, Nook Collection, Phoenix Tapware, and Volker Haug. The lead architects for the project were Dan Gayfer and Lewis Marash, with Blueprint Constructions serving as the builder and Kitchen Domain handling the cabinetry work. Key design features visible in the illustrations include large windows that allow ample natural light, a recurring theme of brickwork that extends from the exterior to select interior spaces, and a consistent use of wooden and stone finishes. The kitchen area displays a modern aesthetic with functional countertops and integrated shelving, while the dining room presents a well-lit space with a distinct table and chairs. Bathrooms are characterized by clean lines, quality fixtures such as bathtubs and sinks, and thoughtful shelving solutions. The overall design suggests a focus on craftsmanship and a harmonious blend of natural materials with modern architectural forms. The strategic placement of windows and the consideration of light in the design are central to the home's character, creating bright and inviting interiors. The choice of materials not only adds to the aesthetic appeal but also contributes to the tactile and visual texture of the spaces. The project aims to provide a residence that is not only visually appealing but also highly livable and responsive to the needs of a modern family, achieved through careful planning and execution of bespoke details. The inclusion of a garden space further integrates the home with its surroundings, offering a connection to nature. The 'Zigzag House' represents a contemporary approach to residential architecture, where the interplay of light, bespoke design, and a curated material palette culminates in a unique and functional family home. The architects' commitment to detailed craftsmanship and the use of quality manufacturers underscore the project's emphasis on creating a distinctive and enduring living environment in Thornbury, Australia. The final outcome is a testament to the collaborative effort between the design team, builder, and various suppliers. #ResidentialArchitecture #HouseDesign #AustralianArchitecture #BespokeDesign #NaturalLight #MaterialPalette #InteriorDesign #ExteriorFacade #CustomCraftsmanship

Tom Dixon is set to unveil a new textile collection, named Super Texture, at the Maison&Objet; furniture fair. This collection is an exploration of various textile techniques, including weaving, knitting, knotting, and digital printing, applied across a range of cushions and throws. The Super Texture collection introduces three new product families and includes updates to two of Dixon's existing lines. Among the new offerings are the Abstract cushions, which are thick, woolly cushions distinguished by bold blocks of saturated color. These cushions are crafted by artisans in Varanasi, Northern India, utilizing a hand-tufting technique traditionally employed for rug making, resulting in durable, shaggy textures. Dixon drew inspiration from urban perspective sketches and 1970s "hippy" wall hangings for these deep-pile cushions. Another new addition for 2018 is the Paint cushions, which feature painterly prints of abstracted urban landscapes. These landscapes were created by British artist Josephine Ortega, commissioned by Dixon to produce a series of architectural watercolors based on British urban scenes. The designs are rendered onto a textured canvas made from off-white linen blended with lightweight viscose, with pink and indigo pigments digitally printed onto the fabric. The Paint cushions are then sewn, stuffed, and finished in Britain. The third new family in the collection is Geo, comprising cushions and throws that showcase geology-inspired illustrations. These patterns, reminiscent of rock formations and layered sediment, are embroidered in black thread onto white cushions and a double-sided throw. In addition to these new product families, the Super Texture collection brings updates to the existing Soft and Boucle ranges. The Soft cushions and pouches are now available in new Wine and Khaki colorways. The Boucle cushions and throws are updated with Khaki and Electric Blue options, with the studio noting the electric blue's intensity and the military-inspired khaki's versatility as both a neutral and a highlight. The manufacturing processes for these textiles highlight traditional craftsmanship and global sourcing. The Boucle cushions are hand-spun using hand-woven yarn in the mountainous region of Rajasthan, India, with wool sourced from New Zealand. The Soft cushions and pouches are crafted from Dutch woven fabric, utilizing South-African Angora goat hair. This collection, debuting at Maison&Objet;, is part of a broader launch of new designs at the fair. Other notable introductions include spherical glass pendant lamps by Sebastian Herkner for German brand Pulpo and a martial arts-inspired table and chair set by AC/AL Studio for Petite Friture. The Super Texture collection reinforces Tom Dixon's commitment to exploring diverse materials and manufacturing techniques to create distinctive homeware items. #TomDixon #TextileDesign #MaisonObjet #Cushions #Throws #HomewareDesign #IndianCraftsmanship #BritishDesign #ProductLaunch

Textile manufacturing holds a significant place in Britain's history and continues to thrive today, thanks to a diverse array of homegrown fabric and textile designers. These designers are instrumental in preserving the crafts, skills, traditions, and quality that define the British textiles industry. For individuals looking to update their homes, whether through reupholstering furniture, refreshing window treatments, or revitalizing sofa cushions, engaging with these British designers offers an opportunity to support local craftsmanship and businesses, aligning with contemporary trends in sustainability and upcycling. Leading British textile designers draw inspiration from various sources, ranging from historical movements like the British Arts & Crafts to global cultures and natural environments. Ellen Merchant, for instance, blends William Morris's aesthetic with her unique perspective, creating hand-drawn botanical forms using traditional craft skills. Chelsea Gem, founded in Chelsea, produces abstract fabrics and wallpapers inspired by local life, all hand-drawn, cut, and printed using natural, sustainable, and locally sourced materials. Chelsea Textiles, established by Monica Perlhagen, specializes in recreating antique embroidery and incorporating authentic materials for traditional interiors, with collections that also feature Scandinavian influences and collaborations with renowned designers and hotels. Christopher Farr Cloth is recognized for its commitment to high-quality materials and traditional craftsmanship, offering playful and colorful designs influenced by diverse cultures and 20th-century artists. Clovelly Cloth draws from Victorian botanicals and the Arts and Crafts era, producing hand screen-printed designs in gentle mineral colorways that also extend to wallpapers. Cole & Son, founded in 1873, is celebrated for its bold and imaginative wallpapers and fabrics, characterized by vibrant patterns, colors, and global influences. Colefax & Fowler, a leading name in British textile manufacturing since the 1930s, balances traditional English roots with evolving designs, offering a wide range of fabrics and wallpapers beloved by interior designers. Designers Guild, founded by Tricia Guild in the 1970s, is a favorite for its versatile and stylish designs, such as the Minakari collection, which reinterprets florals with glamorous jacquards and printed velvets. Fermoie, launched by Farrow & Ball founders, uses natural dyes for its collections, emphasizing sustainability with natural raw materials and eco-friendly packaging. George Smith, a renowned furniture maker, also offers responsibly sourced, sustainable, and British-made upholstery fabrics with classic, understated designs. GP & J Baker, a Royal Warrant holder since 1882, boasts an extensive archive of designs from leading arts and crafts designers, skillfully adapted for modern tastes. House of Hackney, created by Frieda Gormley and Javvy M Royle, is known for its quirky, colorful, and distinctive patterns, often collaborating with other creatives. Jessica Osborne's fabrics are inspired by wild and natural environments, featuring vibrant, repetitive patterns printed on 100 percent linen. Madeaux produces charming fabrics and wallcoverings inspired by vintage tapestries and British wildlife. Nina Campbell's textiles are easily identifiable by their playful, feminine patterns and timeless appeal, ranging from traditional florals to bold contemporary designs. Osborne & Little, a brand since the 1960s, is celebrated for its imaginative approach, quality, and creative innovation, offering a mix of contemporary and classic designs. Parker & Jules, founded by Nancy Parker and Juliet O’Carroll, creates fabrics inspired by traditional British homes and diverse global influences, using pattern and maximalism to re-energize interiors. Penny Morrison's distinctive, characterful patterns are a staple in stylish homes, with collaborations that expand her extensive portfolio of bright colorways. Rapture & Wright specializes in hand-printed designs, utilizing traditional craft methods and operating a sustainable printworks. Rose Uniacke offers an organic and recycled fabric range, inspired by William Morris and 1920s patterns, with a focus on environmental principles. Sanderson, established in 1860, is known for its elegant hand-drawn designs, bold floral patterns, and highly pigmented colors, drawing inspiration from the English countryside and global influences. Soane Britain offers a range of furniture, upholstery, lighting, and distinctive fabrics and wallpapers, often inspired by antique textiles and made in British mills using traditional methods like block and screen printing, with custom service options available. #BritishTextileDesigners #InteriorDesign #FabricDesign #HomeDecor #SustainableTextiles #Craftsmanship #Upholstery #Wallcoverings

Daniel Boddam, an Australian architect and designer, leads his eponymous studio in Sydney, focusing on creating spaces and furniture that inspire human engagement and connection with nature, while celebrating artisanal craftsmanship. His design philosophy is rooted in simplicity and the belief that design can foster a sense of calm and well-being. Boddam integrates a modern perspective with materials, colors, and textures inspired by the Australian landscape, aiming to articulate a unique Australian voice with global appeal. His latest furniture collection draws inspiration from the raw Australian environment. The 'Wave' sofa and chair, for instance, feature undulating forms reminiscent of ocean waves, emphasizing organic shapes and lyrical simplicity. The 'Portsea' side tables highlight elemental forms and quality craftsmanship, using materials like Calacatta marble and Travertine to add tactile dimension to circular and triangulated designs. These pieces, along with his 'Coast,' 'Geo,' and 'Monument' collections, are designed for enduring elegance, combining luxurious materials, revered artisanship, and timeless design. The material palette includes organic elements such as timber, travertine, stone, and marble, paired with neutral tones like sand, grey, and white, all reflecting natural inspirations. Boddam's design process begins with hand sketches, which are then translated into 3D models and integrated into architectural projects to visualize their spatial relationships. Boddam discussed two recent interior projects. For Carthona House, he aimed to create a breathable, light-filled, and well-crafted addition to an existing Federation-style home. His approach involved 'complement by contrast,' balancing the traditional qualities of the original facade with a striking blackened silhouette for the extension, and integrating indoor/outdoor living while maintaining privacy. Lindfield House, in contrast, offers a calm and refined atmosphere tailored to the clients' personalities, driven by considered simplicity and mid-century influences, achieved through layered materials and textures to create a luxurious and minimal interior. His early life was immersed in design, with both parents being architects. One of his first design memories involves playing inside Charles Rennie Mackintosh's Willow Chair, which left a lasting impression of craftsmanship. His curiosity about design persisted from childhood, eventually leading him to study architecture at the University of Sydney. Boddam finds inspiration in the simplicity and elegance of designers like Christian Liaigre, Vincent Van Duysen, and Joseph Dirand, admiring their craftsmanship and timelessness. Boddam splits his time between his primary residence in Byron Bay and an apartment in Bondi, Sydney. His Byron Bay home, built in the late 1990s, backs onto a natural reserve and was designed as a barefoot sanctuary to reconnect with nature, reflecting the spirit of the local landscape and an elevated expression of coastal living. For inspiration, he often turns to nature, taking walks along the coastline to clear his mind. He maintains a daily ritual of sketching concepts in the mornings, treating each design as a research project to build a narrative around a concept. Upcoming projects for 2021 include a recently completed Sydney harborside project—a contemporary interpretation of a Californian bungalow featuring an art collection—and the continued development of new furniture pieces using quality Australian materials. His dream projects involve collaborating with like-minded clients in inspiring locations, with a focus on quality craftsmanship and artisanal celebration, such as designing a stand-alone home in North America or a one-off eco-friendly villa. #DanielBoddam #AustralianDesign #InteriorDesign #FurnitureDesign #CoastalLiving #ArchitecturalProjects #MaterialPalette #ArtisanalCraftsmanship

Sun Ranch is a 55-acre coastal estate located in the Byron Bay hinterland, designed by Balanced Earth Architects to offer guests privacy, on-site experiences, and luxury hotel living. The project, completed in 2023, spans an area of 1000 square meters. The architectural team for Sun Ranch included Michael Leung and Leo Dewitte, with Carlotta Phelan serving as the interior designer. Engineering was provided by Lucena Engineering and Dougal May, while Laughlan Rabbidge and LAND were responsible for the landscape design. The construction was handled by Balanced Earth Building, with Ture Schmitd and Luke Wrencher overseeing the process. The design of Sun Ranch emphasizes a departure from conventional hospitality experiences, focusing on creating a unique and exceptional environment for guests. The choice of materials and construction methods reflects a commitment to integrating the structures within their natural surroundings while providing high-quality accommodations. Wood is a prominent material used throughout the project, contributing to its aesthetic and potentially its sustainability credentials. Key manufacturers involved in the project include Archdomus, Eco Outdoor, and Microcement, indicating a blend of high-end and natural materials. The estate features a variety of spaces, including bedrooms, dining areas, kitchens, bathrooms, and living rooms, all meticulously designed to enhance the guest experience. The interior photography highlights elements such as exposed beams, strategic lighting, and large windows that connect the indoor spaces with the scenic outdoors. Exterior photography showcases the integration of the architecture with its natural landscape, featuring gardens, decks, patios, and courtyards, suggesting an emphasis on outdoor living and interaction with the coastal hinterland environment. The project falls under the categories of Hospitality Architecture and Cabins & Lodges, signifying its purpose as a destination for leisure and accommodation. The location in Byron Bay, Australia, further emphasizes its appeal as a serene retreat. The architectural approach appears to balance modern design with a respect for the natural setting, aiming to provide a distinct and memorable stay for its visitors. The overall design intent is to create a sense of total privacy and luxury, allowing guests to immerse themselves in the unique offerings of Sun Ranch. #HospitalityArchitecture #CabinsLodges #ByronBay #Australia #WoodConstruction #CoastalEstate #LuxuryAccommodation #BalancedEarthArchitects #InteriorDesign

Proper Hotels has unveiled its latest establishment, the Santa Monica Proper Hotel, scheduled to open on June 17. This new location marks a significant aesthetic evolution from its San Francisco counterpart, while still embodying Kelly Wearstler’s distinctive design philosophy, characterized by bold spaces, unique forms, and intricate pattern integration. Situated in Santa Monica’s downtown, the hotel revitalizes a 1928 Spanish colonial revival building, originally designed by Arthur E. Harvey, through the addition of sleek, contemporary construction, resulting in 271 luxurious rooms. The interior design emphasizes abundant natural light, organic color palettes, and soft textures, evoking a serene, beach-side atmosphere. Guest rooms are designed to be both calming and lively, featuring playful geometric elements. For example, one suite includes an oversized, upholstered arch serving as a headboard, alongside whimsical seating options like striped, checkered, and fuzzy chairs, complemented by subtle floral wallpaper. The hotel’s bathrooms are notable for their extensive use of stone, including peach-toned flooring and walls, and a dual-sink vanity with a blend of brushed silver and gold accents. The flooring transitions from roseate tones to brick-toned tiles and obsidian-framed windows, creating a cohesive and sophisticated aesthetic. Beyond accommodation, the Santa Monica Proper Hotel offers a comprehensive range of amenities. It features three distinct restaurants and bars, including Onda, a pioneering collaboration between chefs Jessica Koslow of Sqirl and Gabriela Camara of Contramar. For wellness, the hotel provides a 24-hour, 2,500-square-foot fitness center, complete with a yoga terrace. A rooftop pool offers expansive views of both the ocean and the city. Additionally, the hotel hosts Surya, a spa led by Ayurvedic guru Martha Soffer, which offers personalized programs focused on physical, mental, and spiritual well-being through therapeutic massages, steam and oil treatments, cooking classes, yoga, and meditation. Guests can also borrow surfboards for beach access, highlighting the hotel's integration with its coastal surroundings. #HotelDesign #InteriorDesign #KellyWearstler #SantaMonica #LuxuryTravel #Hospitality #EarthTones #PatternPlay #ArchitecturalRenovation