HGTV-featured Atlanta interior designer turns fashion model’s home into work of art

The Designer Show House, a biennial event sponsored by the Village Improvement Association in Rehoboth Beach, Delaware, showcases diverse interior and exterior design inspirations across its 6,000 square feet of space and nearly an acre of outdoor areas. This event serves as a platform for regional designers to present their expertise and offers visitors a wealth of ideas for their own homes. One featured space is a sunken living room, designed by Kate FitzGerald-Wilks of Timeless Design in Landenberg, Pennsylvania. This room embodies a West Indies aesthetic, characterized by bold lines, soft sandy hues, and rich textures. Key elements include vintage stick bamboo chairs painted black, adorned with Kuba cloth and Ralph Lauren zebra-stripe pillows on a slipcovered camel-backed sofa. A mid-century hutch is repurposed as a cocktail bar, complemented by sculptural metal and glass console tables flanking the fireplace. Wood mirrors with faux tortoise shell lean against textured wallpaper, while modern sculptures and art blend with antique books and global treasures. FitzGerald-Wilks also designed the dining room, aiming for a dramatic effect with a backdrop of 200 wine bottles and a striking Dolcetti chandelier crafted from shells and crystals, evoking sea glass. An 8-foot-long reclaimed wine rack sits atop a buffet. The room's color palette consists of soft creams and tans, punctuated by emerald green accents in the chandelier and wine bottles. Windows are framed with woven ikat print panels. An airy sunroom, conceived by Alfred Wolf Home (a new venture from Design Center of Rehoboth or DCOR), was designed to create a light-filled, contemporary transition between the house and garden. This involved removing existing French doors and window grills, painting the room in various shades of white and French gray-green, and incorporating textural elements of white canvas, iron, and marble. The family room, also by DCOR, maintained the warmth of its original paneling and fireplace stone, setting the foundation for a soft khaki and cream palette. The room is furnished with herringbone, tweed, and leather fabrics, offset by tortoise shell wood finishes and local tidal scene artwork. Mary Stewart of M. Stewart Interiors in Bear designed the upstairs hobby room, named "Just Us," intended as a shared family space for various pastimes like painting, photography, reading, chess, and Lego building. The room features updated cherished family heirlooms and is painted simply white to highlight paintings by Nadia Zychal. Nile Johnson of Kennett Square, Pennsylvania, designed the second-floor paneled library, drawing inspiration from Rehoboth's laid-back yet cosmopolitan atmosphere. This space offers an updated interpretation of a classic library, decorated in layers of sandy tans. Cyndi and Ron Oronzio and Cathie Sheetz of Dreamweaver Interiors of Rehoboth Beach decorated a bedroom and bath, inspired by vibrantly patterned fabrics. They utilized Robert Allen fabrics as wallpaper for an accent wall, building the room's design around this print. The team selected fabrics for their depth, crisp patterns, contrasting textures, and detailed embroidery, incorporating a bright coral pink accent color and rhinestone embellishments for a feminine touch. Brenda Carder of blcINTERIORS of Rehoboth Beach designed a small guest bedroom, combining natural cotton and linen fabrics with metal and reclaimed wood. Crown moldings add formality. To compensate for limited sunlight, the room was kept light and bright, with a deep navy blue accent wall and touches of bright yellow for warmth. The second floor features art by Libby Zando of Zando Designs and Art Affects in Milton, alongside works by award-winning regional artists. Boardwalk Builders of Rehoboth transformed a hallway into a gallery space by adding wainscot paneling, creating an updated cottage aesthetic that visually broadened the hallway. Mark A. Polo of The Urban Dweller in Boonton, New Jersey, designed the master suite, aiming for comfort with soft textural colors ranging from taupe to blue. The furniture is upholstered to enhance the room's softness, featuring taupe draperies of embroidered sheer linen and silk edged in leather and freshwater pearls. Blonde floors are softened by a long-fiber rug. Outdoors, Erin Walls and Justin Bartels of Bella Terra Landscaping in Lincoln repurposed existing flagstone patios and walkways, adding new stones to create a Celtic-inspired design. The layout divides the space into a grand area for social gatherings and secluded nooks for quiet retreats. Creative Concepts Furniture of Lewes and Ocean View furnished the patios as outdoor rooms with bright coastal colors, including a sectional, loveseat, dining area for six, and lounge chairs, inviting visitors to envision themselves in the setting. #DesignerShowHouse #InteriorDesign #HomeDecor #RehobothBeach #DelawareDesign #LuxuryInteriors #OutdoorLiving #DesignInspiration

The article explores how seven celebrities chose to decorate their own homes without the assistance of professional interior designers, presenting the outcomes as both inspiring and accessible. It emphasizes that while many public figures opt for high-end design services, these individuals personally undertook their home decor projects, reflecting a more relatable approach to styling their living spaces. Drew Barrymore, known for her furniture designs and countertop appliances, decorated her New York City home. Her residence is characterized by bright colors, cozy nooks, and soft textures, which are said to reflect her personality. The decor is described as normal and not excessively luxurious, making it an approachable example of celebrity home design. Similarly, Brooklyn Decker, an actress and design enthusiast, took charge of her family's home in Charlotte, North Carolina. Her approach incorporated a mid-century aesthetic, utilizing vintage leather chairs, unfinished wood tables, and calming color schemes, indicative of her deep interest in design. Lenny Kravitz, a rockstar, has his own design firm, Kravitz Design, established in 2003, and has collaborated with brands like CB2. While his firm operates from Manhattan, his primary residence in Paris, a 1920s mansion named "Hôtel de Roxie" after his mother, is a personal project. Although Kravitz maintains privacy about his interiors, occasional social media posts offer glimpses of his design expertise. Notably, a project by his firm, the modern Stanley House, was featured in HBO Max's "Hacks." Blake Lively also opted for a hands-on approach to her home decor, akin to her choice not to use a personal stylist for red carpet events. Her New York City home, which she shares with Ryan Reynolds, is largely kept private, but a visible feature is a Sage Vaughn painting in her foyer. Lively herself has humorously acknowledged her "hidden talent" for interior design. Goldie Hawn and Kurt Russell collaborated with a designer for their New York City apartment, which draws inspiration from Indian and Anglo-Indian styles, reflecting Hawn's preferences. However, their main Los Angeles home is entirely Hawn's creation, with snippets of her design work visible on her Instagram account. Diane Keaton, celebrated for her extensive real estate portfolio, personally decorated her 8,000-square-foot L.A. farmhouse, a process she documented in her book, "The House That Pinterest Built." Her design philosophy, much like her fashion sense, favors comfort and a predominantly black and white palette. Kate Bosworth, another celebrity who foregoes professional designers, decorated her current home with Justin Long, as well as her previous mid-century L.A. residence. Her current home is noted for its soft, neutral colors and the incorporation of natural materials like wood and linen. The featured celebrities demonstrate that personal style and a hands-on approach can lead to unique and comfortable living spaces, diverging from the common assumption that all stars rely on professional decorators. Their homes offer diverse design inspirations, from Drew Barrymore's vibrant and relatable style to Diane Keaton's comfortable, black-and-white aesthetic, and Kate Bosworth's neutral, organic themes. #CelebrityHomes #InteriorDesign #HomeDecor #DIYDesign #PersonalStyle #FamousHomes #DesignInspiration

The "Showhouse Resource Guide" provides a comprehensive list of designers, brands, and specific items used in the "Design Hollywood at the Century" showcase, highlighting the creative vision and detailed sourcing behind each curated space. The guide categorizes the contributions by residence and specific rooms, offering insights into the diverse styles and design philosophies employed by the participating designers. For Residence 20A, Joan Behnke’s master bedroom and closets featured pieces from Scott Daniel for Environment (table lamps), Stark Carpet (area rug), Micucci (cashmere throws, pillow covers), and Holly Hunt (Christian Astuguevieille cabinet, Sandra Jordan drapery fabric). Other notable contributions included custom casegoods by G&E Custom, plaster work by Arte Bella, and various accessories from Charles Jacobsen and Vis-a-Vis. The master closets were styled by Clos-ette, with clothing from Brooks Brothers and Shopbop. Tim Clarke’s dining room showcased furniture and a rug from Grace Home Furnishings, sconces from Circa Lighting, and wallpaper by Caba/Barkskin. His own designs for dining chairs and decorative accessories were also featured. Waldo Fernandez’s Great Room incorporated a bronze sled-based ottoman by Calvin Klein Home, a floor lamp from Circa Lighting, and several Jean Royere-inspired pieces by Waldo’s Designs, such as the Ours Polaire sofa, chairs, sconces, and a console. Other unique items included a vintage Moroccan rug from Mansour and French Georges Jouve vases from JF Chen. Jane Hallworth’s Bedroom 2 included bathroom sconces and table lamps from Circa Lighting, wall and drapery fabric from Beacon Hill, and a walnut music console from BDDW. Blackman Cruz provided a bronze record side table and a molar stool, while Lee Stanton contributed vitrines and artwork. The room also featured a rug from Jamal’s Antique Rug Collection and paintings by Jaime Orozco. Kathryn M. Ireland’s kitchen and family room highlighted a sectional sofa from Grace Home, a console from Environment, and her own designs for sheer curtain drapery, pillows, and a coffee table. Photographs from Peter Fetterman Gallery and a rug from Woven Accents completed the space. Robert A.M. Stern Architects designed the elevator vestibule with Farrow & Ball ceiling paint, an overhead light from Maison Gerard, and sconces by Pascal Boyer. Dragonette supplied a decorative screen, and a bench from Bernd Goeckler was upholstered with Edelman Leather. Adam Bram Straus’s powder room and hallway utilized Stark Carpet for wall upholstery fabric and Farrow & Ball paint. His own designs for the vanity and bookcases were fabricated by Showcase Cabinets, with art from Los Angeles Modern Auctions and John Wolf Fine Art. Between Residences 20A and 20B, Cliff Fong’s passage featured Farrow & Ball paint, furniture, lighting, and art from Galerie Half and JF Chen, and rugs from Woven Accents and J Illoulian. In Residence 20B, Natasha Baradaran’s powder room and hallway displayed a spider rug by Neisha Crosland from The Rug Company, an axel console by Jean De Merry, and a custom mirror from Downtown. Her own facett bench was upholstered with Dedar fabric from Kneedler-Fauchere. The powder room included a Ramo mirror by Jean De Merry and a Doria crystal chandelier from Downtown. Oliver M. Furth’s elevator vestibule featured Farrow & Ball paint, an antique malayer carpet from Stark Carpet, and unique items such as 19th-century North Korean Bandaji chests from Susanne Hollis and “Argente” stools by Paul Evans from Galerie XX. JF Chen provided Dutch Bubble-Glass sconces and a convex horn mirror. Trip Haenisch’s master bedroom and closets included a rug from The Rug Company, bathroom sconces from Circa Lighting, and Fromental Wallcoverings wallpaper. Custom Cal king beds and throw pillows were sourced from Thomas Lavin/Mark Alexander and Hollywood at Home/Peter Dunham, respectively. Marmol Radziner & Associates’ Bedroom 3 showcased Beacon Hill throw pillow fabric, Calvin Klein Home bedding, and a goat fur rug from The Rug Company. Custom walnut beds and leather-wrapped nightstands were created by Marmol Radziner Cabinet Shop. Nickey • Kehoe’s Bedroom 2 featured Stark Carpet wallpaper, a tapestry art piece from The Rug Company, and chairs from Nickey · Kehoe. Walnut supplied niche book wallpaper, and artwork was sourced from Sears Peyton Gallery. David Phoenix’s Great Room incorporated Beacon Hill fabric for drapes and furniture, Jean De Merry cocktail tables and sconces, and an area rug from Natural Carpet Company. Warner Bros. constructed the sectional sofa and club chairs, while fine art and sculpture were provided by Travis Hansson. This detailed guide serves as a valuable resource for understanding the design elements and collaborations that brought the showcase to life. #InteriorDesign #Showhouse #DesignHollywood #HomeDecor #LuxuryDesign #InteriorStyling #Furniture #Textiles #Lighting

Robert Stilin, a renowned interior designer, discusses his career trajectory, design philosophy, and personal inspirations. Stilin's journey into design was unexpected, beginning with the opening of a lifestyle store in Palm Beach in 1989. This store, initially a 'prototype,' allowed clients to discover his aesthetic, eventually leading him to interior design projects. He has since become celebrated for creating spaces that are contemporary, sleek, and livable, earning accolades such as AD100 and the ELLE Decor A-List. His monograph, "Robert Stilin Interiors," was published in 2019. Stilin emphasizes the importance of discovery and paying attention in his work. He recounts a pivotal moment twenty years ago when art collector Beth Rudin DeWoody encouraged him to explore design beyond his usual preferences, reinforcing the lesson of not judging a book by its cover, especially in collecting and vintage shopping. This experience broadened his perspective and taught him the value of finding unexpected treasures. Regarding his evolving style, Stilin notes a cyclical shift. Early in his career, while drawn to contemporary modern design, he also appreciated classic and traditional styles. As his life progressed, his focus shifted more towards modern aesthetics. However, in the last five to seven years, he has found himself increasingly attracted to classicism, returning to his initial inclinations. He highlights his enduring admiration for artists like Picasso, Matisse, and Giacometti, despite their overexposure and high value. Stilin acknowledges the impact of fashion on his design tastes, describing himself as a "shopper of everything." He finds inspiration in fashion stores, vintage furniture shops, and art galleries, believing that all visual experiences inform one's aesthetic. He particularly values multi-brand clothing stores that showcase a strong curatorial point of view, likening this to an interior designer's process of finding their own voice within a space. Fashion photography also serves as a significant source of inspiration, contributing to his extensive photography collection. For art collecting, Stilin advises being actively engaged in the world by visiting museums, galleries, art fairs, and design shows. While online viewing is convenient, he stresses the importance of seeing art in person to fully appreciate it. He also discusses the role of patience in his design approach, noting that while clients often seek instant gratification, the reality of creating bespoke items, like a sofa, can take months. He advocates for a balanced perspective, prioritizing health and well-being over material possessions, especially after the pandemic. Stilin believes that a space for an aesthetic person or a collector is never truly finished; it is always evolving. He encourages clients to continue building on their interiors over time, adapting them as their tastes change. He does not believe in buying art simply to fill walls, preferring to wait until the perfect piece is found, even if it takes a significant amount of time. Ultimately, he views home as a sanctuary, a place for recharging and feeling safe and comfortable, an essential aspect of self-care in a demanding world. #InteriorDesign #RobertStilin #DesignPhilosophy #ArtCollecting #HomeDecor #AestheticEvolution #Lifestyle #CreativeProcess