rammed earth walls and steel platforms complete artist's house/studio in ghana

Rammed earth, an ancient construction method, is experiencing a modern resurgence, showcasing its potential in contemporary architecture. This technique involves compacting local raw materials such as dirt, clay, chalk, lime, and gravel between formwork panels to create durable bricks. Structures like the Great Wall of China and the Alhambra in Spain, built over a millennium ago, attest to the longevity of rammed earth construction. The use of local materials and specific formwork imparts a unique aesthetic to each project, making it both attractive and cost-effective, in addition to being sustainable. The inherent thermal mass of thick rammed earth walls helps maintain comfortable indoor temperatures, even in hot, arid climates, eliminating the need for additional interior or exterior finishes. In Accra, Ghana, the architectural firm Tzou Lubroth has applied this age-old method to create House Gallery Boafo, a striking modern residence and studio for artist Amoako Boafo. This live/work complex integrates natural ventilation, dedicated gallery spaces, a swimming pool, and various outdoor areas, all while offering views of the sea. The rammed earth construction imbues the two-story structure with layered pastel red, pink, and beige tones, giving it the appearance of a sculptural artwork itself. Louvered wooden shades complement the natural materials, facilitating ample airflow and natural light. Arched doorways and strategically placed desert plants visually anchor the building to its local environment, while a prominent shimmering silver staircase provides a dramatic connection between the private and public zones of the residence. The project was initiated by Amoako Boafo with the dual aim of establishing his studio in his homeland after a period abroad and injecting new energy into Accra’s art scene. A significant motivation was the perceived lack of contemporary art venues and opportunities for cross-cultural exchange between local and international artists. The design addresses these needs by developing a hybrid typology that combines a home, a painter’s studio, a gallery, and facilities for three artists-in-residence. The house is composed of two distinct volumes that interact through subtle geometric shifts. One volume houses the artist’s personal living space and studio, while the other accommodates residences for visiting artists, dining areas, and a public gallery. A central circular staircase in the courtyard connects the pool area to the public gallery, emphasizing the fusion of public and private functions. This hybridization required the dwelling to transcend the typical definition of a residence, becoming a multifaceted environment. The combination of rammed earth walls with galvanized steel platforms and railings creates a sculpted environment that is both structurally rigid, deeply connected to the earth, and spatially liberated. The article also references other innovative rammed earth projects, demonstrating the versatility and aesthetic appeal of this construction method. These include a contemporary desert home by DUST Architects featuring a rooftop deck for panoramic views, a modern rammed earth house in New Mexico with an unexpected roofline, and a renovation in China by hyperSity Architects that transformed a traditional "yaodong" cave house with a new rammed earth insert. These examples further highlight the evolving applications and renewed interest in rammed earth architecture worldwide. #RammedEarth #SustainableArchitecture #ModernDesign #Ghana #LiveWorkSpace #ArtGallery #TzouLubroth #AmoakoBoafo #NaturalMaterials

Rammed earth construction, a technique with historical roots evident in structures like parts of the Great Wall of China, is experiencing a resurgence as a sustainable, economical, and environmentally friendly building method. This rudimentary system involves compressing layers of earth, typically 15 cm high, into wooden formwork using manual or pneumatic tools to achieve the required density, resulting in robust and durable structures. This ancient building method, which had been largely replaced by modern construction techniques, is now being reconsidered for its inherent benefits. Joelle Eyeson, an entrepreneur in Ghana, is a proponent of this method, believing it can address the housing deficit in her region. The process of rammed earth construction involves sourcing local soil, often a mix of sand, silt, clay, and gravel, which is then carefully mixed with a small amount of water and, occasionally, a stabilizer like cement or lime. The moist earth mixture is then placed into temporary formwork, which defines the shape and thickness of the wall. Each layer is meticulously compacted, traditionally by hand using a rammer, or more recently with pneumatic compactors, until it reaches a high density. This compaction process removes air pockets, increasing the material's strength and durability. The formwork is then removed, revealing the distinctive layered aesthetic of rammed earth walls. The natural colors and textures of the local soil become a prominent feature of the finished structure, creating a unique and earthy appearance. The inherent thermal mass of rammed earth provides excellent insulation properties, helping to regulate indoor temperatures naturally, which is particularly beneficial in diverse climates like Ghana's. This reduces the need for artificial heating or cooling, leading to lower energy consumption and operational costs for buildings. Beyond its environmental and economic advantages, rammed earth construction offers significant aesthetic appeal. The varied colors and strata created by the layering and compaction process give each wall a unique, organic beauty that reflects the local geology. This natural aesthetic integrates well with the surrounding landscape and can contribute to a sense of place and cultural identity. The material's breathability helps to create healthy indoor environments by regulating humidity and improving air quality. Furthermore, the simplicity of the technique means that, with proper training, it can be implemented using locally available resources and labor, fostering local economies and empowering communities to build their own homes. The long lifespan of rammed earth structures, coupled with their minimal maintenance requirements, further enhances their sustainability profile. The renewed interest in rammed earth in Ghana, championed by individuals like Joelle Eyeson, highlights a global trend towards rediscovering and innovating with traditional, eco-conscious building practices to address contemporary challenges such as affordable housing and environmental sustainability. #RammedEarth #SustainableConstruction #GhanaArchitecture #EarthenBuilding #HousingSolutions #EcoFriendlyMaterials #TraditionalTechniques #JoelleEyeson #MaterialInnovation

This article highlights essential items for enhancing a home arts and crafts studio, emphasizing the importance of creating an inviting and inspiring space for creative endeavors. Whether the space is a small corner or a dedicated room, the goal is to improve both functionality and style. Different crafts and art forms have varying requirements, but common needs include easy access to materials, adequate storage, and suitable work surfaces. Potential locations for a home art studio, such as small sheds, attics, or underutilized dining rooms, are also mentioned. Several key items are recommended to immediately improve a creative workspace. Proper lighting is crucial, and while industrial task lighting is common, stylish options with similar functionality are available. Effective storage solutions are paramount for organization. For illustrators and painters, compartmentalized shelves help keep canvases tidy and prevent damage. Slender drawers are suggested for safely storing and easily accessing pens, markers, and brushes, with the added benefit of being stackable for increased storage capacity. Rolling storage carts offer discreet storage and mobility, allowing supplies to be moved as needed within the workspace. Metal lockers, offering a blend of functionality and distinct style in various colors, serve as an alternative to traditional industrial cabinets. Technological tools also play a role in a modern craft studio. A vinyl cutter, such as the Cricut Air, is highlighted for its versatility in creating stickers, stencils, and iron-on patches, often available with starter kits. Pegboard storage systems, a long-standing favorite for garages, are presented as a great addition for organizing small items and hanging tools like scissors and rulers. Comfortable and adaptable seating, such as adjustable stools, is essential for long hours of creative work. Functional tape dispensers, especially those designed to hold various types of tape, combine practicality with aesthetic appeal. For those needing flexible workspaces, a foldable supply cart is ideal for art spaces that need to be tucked away when not in use. A trash can that is both functionally sized and aesthetically pleasing is important for managing waste in a space prone to creative messes. A rolling cart with features like side space for paper rolls and ample drawers offers versatile storage for various art supplies. Flexible work surfaces are critical, with corner desks providing space for both digital and analog work, including raised drafting sections. Chalkboards are recommended for sketching, brainstorming, or reminders, adding an old-school, creative touch. Rotating organizers are presented as an industrial-chic solution for storing small materials like buttons or stamps. Drawered cabinets, reminiscent of antique apothecary furniture, are suggested for housing small supplies. An antique flat file is identified as a high-end, functional, and visually striking item for storing large paper and materials without creasing. A wall-mounted kraft paper roll is highlighted for its utility in note-taking, package wrapping, and sketching. Wire storage baskets offer a durable and easily cleanable alternative to traditional baskets, allowing visibility of contents. For artists who work with analog mediums, a large flatbed scanner is an essential tool for digitizing artwork accurately. Finally, a standing desk or table provides ergonomic flexibility, allowing artists to work comfortably in seated, standing, or intermediate positions, with options for custom accessories. #HomeStudio #CraftRoom #ArtStudio #HomeOrganization #CreativeSpace #WorkspaceDesign #ArtSuppliesStorage #StudioEssentials #HomeImprovement

The project "Heirlooms in Concrete," designed by Greyscale Design Studio, addresses the evolving residential landscape of Bangalore, India. This residence, completed in 2024 and spanning 5000 square feet, blends traditional and modern architectural elements to accommodate changing family dynamics and spatial constraints. The design aims to foster continuity while embracing contemporary living. The project is situated in Bengaluru, India, and was photographed by Anand Jaju. The architectural team was led by Girish Mysore, Magesh Manohar, and Ninu Ahluwalia, with Rutvik Rustampur as the lead team member. Structural engineering was provided by Civitech Design, and civil engineering by Pro Constructions. The project's narrative was penned by Megala Gurumurthi. The integration of modern design with traditional values is a central theme, reflecting the balance required in rapidly urbanizing areas. The exterior of the residence, as seen in the dusk photograph, showcases a modern facade with subtle design features. The interior photography highlights the use of wood and natural light, creating a warm and inviting atmosphere. Key spaces, such as the kitchen, living room, and dining area, are designed to be functional yet aesthetically pleasing. The double-height dining area, for instance, emphasizes openness and connectivity within the home. The design incorporates courtyards, enhancing natural ventilation and light, and providing green spaces within the urban dwelling. The residence features elements like a pantry leading to a terrace, indicating a focus on indoor-outdoor living and functional extensions of living spaces. The staircase designs, some incorporating green oxide finishes, serve as prominent architectural features, connecting different levels of the house. Bay windows in the kids' bedroom overlook courtyards, further reinforcing the connection to nature and thoughtful space planning. The use of wood throughout the interiors, including in furniture and structural elements, contributes to a cohesive design language. Various floor plans (ground, first, second, third, and fourth) are provided, illustrating the spatial organization across multiple levels. These plans suggest a layered approach to living, where distinct zones are created for different family activities while maintaining an overall sense of unity. Elevations and sections offer insights into the building's structural integrity and aesthetic proportions, revealing a commitment to both form and function. The design also emphasizes accessibility and flow, with clear pathways and interconnected spaces. Materials used prominently in the construction include wood and concrete. These choices contribute to the home's aesthetic character and durability, aligning with both traditional and modern construction practices. The combination of these materials allows for a rich textural palette while ensuring structural soundness. The project aims to create a home that is not only visually appealing but also adaptable to the evolving needs of its inhabitants, embodying a sense of heritage through its enduring materials and thoughtful design. #ResidentialArchitecture #GreyscaleDesignStudio #Bengaluru #India #ModernDesign #TraditionalElements #ConcreteArchitecture #WoodInteriors #UrbanHousing

Successfully hanging an art collection requires meticulous planning and careful consideration, encompassing everything from selecting appropriate fixtures and frames to creating a cohesive visual narrative among grouped artworks. Experts in art installation, interior design, and gallery direction offer comprehensive advice on optimizing the display of art in domestic settings. The initial step involves a thorough assessment of the chosen space, considering the artwork's size, potential physical obstacles, and the overall visual flow of the room. Guy Morey, operations director at Momart, an art installation service, emphasizes the importance of measuring both the walls and the narrowest points of entry into the building to avoid issues with oversized pieces or artworks that might be too imposing for a home environment. Planning the arrangement beforehand is crucial; collectors can collaborate with installers to experiment with different placements by leaning artworks against walls to determine the most aesthetically pleasing configuration. Some installers leverage 3D modeling software for precise planning. General guidelines exist for hanging height, with a consistent center-line often recommended across all artworks in a room. This center-line is typically set at eye-level or 120 centimeters from the ceiling to the artwork's center, though it may vary depending on the piece's size. Smaller works can be grouped around a shared center-line, while larger pieces might require individual placement. Lighting is another critical factor, influencing both the aesthetic appeal and preservation of an artwork. Interior designer Verity Woolf, director of Woolf Interiors, advises considering natural light exposure to prevent damage and suggests incorporating artificial lighting solutions, such as concealed ceiling lights that can be adjusted to suit different artwork sizes. Frame selection also plays a significant role in an artwork's presentation and narrative. Woolf highlights framing as an art form in itself, noting that an unsuitable frame can diminish a piece's impact, while a well-chosen one can enhance its meaning. Technical details, such as fixings, are equally important. John Paul Black, managing director of Art Works Exhibition Services, recommends implementing a versatile hanging system, such as aluminum rails hidden in cornices with wires, to facilitate easy rearrangement and temporary storage of artworks, especially to protect them from sunlight at certain times of the year. Unlike gallery settings, private homes present unique challenges with limited space and numerous obstacles like furniture, radiators, and fireplaces. These elements can affect the optimal placement and center-line of an artwork. Ben Cotton, director of Hang-Up Gallery, stresses the importance of harmonizing artworks with existing furniture. He advises against rigidly adhering to gallery-style hanging heights in a home, encouraging collectors to adapt to their space to maintain balance. Furthermore, creating a visual connection between artworks within a collection is essential for a cohesive display. This can be achieved through shared color palettes, themes, genres, or even by featuring the same artist, ultimately forming a compelling narrative for the viewer. #ArtCollection #ArtInstallation #InteriorDesign #HomeDecor #ArtDisplay #FramingArt #LightingArt #ArtPlacement #ArtHangingSystems

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

This article outlines a detailed guide on creating a gallery art wall, offering a trendy and flexible method to transform any room. It emphasizes that gallery walls allow individuals to inject personality, add color, and establish a specific mood by filling empty spaces with their favorite artwork, making a statement focal point. The beauty of an art wall lies in its versatility and adaptability, allowing for modifications and additions over time as personal collections grow and tastes evolve. The guide begins by advising on how to choose the right space for a gallery wall. It suggests measuring the available area and considering eye-level placement from the floor. It encourages using the entire space, from floor to ceiling, for a comprehensive effect, providing examples such as running prints up a stairwell, extending from skirting boards to ceiling coving. Other suggestions include creating a bold statement above a sofa, bed frame, or desk area, theming food prints above a kitchen dining table, or replacing a mirror with prints above a mantelpiece. Next, the article discusses collecting pieces for the gallery. It states that there are no strict rules, whether one prefers a classic collection of framed family photos or an eclectic assortment of artwork. It suggests mounting family photos in black and white frames, arranging travel snaps in multi-photo collage frames, or displaying colorful illustrations and prints in ornate frames. The guide encourages mixing different media, such as illustrations, vinyl sleeves, magazine covers, canvases, mirrors, maps, 3D signs, and old plates, to create an eclectic display. It also recommends theming or complementing pieces to a specific color scheme or room, for instance, floral pieces for a garden room or pastel prints to match wall paint. Furthermore, it suggests being bold by contrasting colors, designs, and prints, particularly against dark or white walls, for a versatile display. Before making any permanent changes, the article recommends laying out the arrangement on the floor to plan the gallery effectively. For those using picture hooks, brown paper templates are suggested as a handy way to transfer the design to the wall for precise placement. If a staggered layout is preferred, the largest or favorite piece should be positioned first as a focal point, with other pieces arranged around it. The process involves drawing around each frame with a pencil to create templates, taking a photo of the layout, and then cutting out each template. For picture hooks, making a small fixing mark in each outline to indicate the pin's placement is also advised. Finally, the guide provides instructions on correctly hanging the pieces. It mentions various methods for affixing pictures securely, including adhesive strips, traditional picture hooks, or wall plugs and screws for heavier items. When using brown paper templates and picture hooks, the templates should be taped onto the wall, starting with the focal piece aligned with eye level. After taping the remaining templates and adjusting their placement, a pin can be hammered into each fixing mark, the paper removed, and the artwork hung. For grid layouts, which are ideal for collections of photos or series of pieces in matching frames, a gap of 2-5 inches between frames is generally recommended, scaled according to the space. If using adhesive strips, the focal piece should be placed first, followed by the remaining pieces until the design is complete. #GalleryWall #HomeDecor #InteriorDesign #ArtDisplay #WallArt #CreativeSpaces #HomeImprovement #DIYHomeDecor

The Khaki House, designed by EZ Studio and completed in 2022 in Qahdarijan, Iran, represents an architectural approach that prioritizes subtraction and the strategic use of voids to create a harmonious living space. The project, covering an area of 100 square meters, emphasizes the idea that sometimes 'doing nothing brings about things that the biggest one cannot handle,' and 'not-building can create an atmosphere that any construction would not improve its feeling.' This philosophy guided the design team, led by Pedram Ezadi Boroujeni, to focus on the interplay between built and unbuilt spaces, defining interior and exterior through careful consideration of pathways, light, and shadow. The design of the Khaki House creates a micro-universe where the inhabitant's presence fluctuates between indoor and outdoor environments. The project's aesthetic is characterized by its integration of natural light and ventilation, alongside the use of materials like brick, concrete, and rammed earth walls. The photographs by Ali Gorjian showcase the exterior facade with its thoughtful arrangement of windows, as well as various interior spaces including living areas, a bathroom with a shower and bathtub, and a bedroom. The use of brick as a primary material contributes to the house's distinctive texture and warmth. Key architectural elements highlighted in the project include exposed beams, which contribute to the structural and visual integrity of the interior, and strategically placed windows that frame views and allow natural light to penetrate deeply into the living spaces. The design team, comprising Paria Ezadi, Razieh Shams, and Alireza Saanei, focused on creating intimate corners and diverse spatial experiences within the compact footprint of the house. The project also involved specialized manufacturers such as Farrokhan Brick Factory, KELAR, Khorshid Shab-Karimi, and Tiling Roohani for various components. Additional consultants and collaborators included Goodarzi for green space consulting and Studio ADD for graphic consulting, underscoring a multi-disciplinary approach to the project's development. The house's location in Qahdarijan, Iran, influences certain design choices, potentially reflecting local architectural traditions or responses to the regional climate. The execution and supervision were also managed by Pedram Ezadi, ensuring a cohesive vision from design to completion. The inclusion of rammed earth walls, constructed by EZ Studio itself, further emphasizes the project's commitment to natural and sustainable building practices, contributing to both its thermal performance and its unique aesthetic. Overall, the Khaki House by EZ Studio is presented as an example of residential architecture that values minimalist intervention and the profound impact of voids and negative space. It aims to offer a living experience where the distinction between inside and outside is fluid, promoting a sense of connection with the environment and fostering a contemplative atmosphere through its thoughtful design and material choices. #ResidentialArchitecture #Houses #Iran #EZStudio #BrickArchitecture #RammedEarth #NaturalLight #ArchitecturalDesign #Qahdarijan

CASE-REAL has designed a two-story residence in a quiet residential area of Tokyo, Japan, maximizing the use of its plot. The 'house in higashi-gotanda' features an exterior almost entirely clad in galvanized steel, which lends the wooden-framed structure a robust and solid appearance. This galvanized steel facade interacts dynamically with its surroundings, reflecting the neighborhood during the day and transforming its look at night. The architects aimed to create a building that would showcase the evolving textures and aging of its materials over time, emphasizing a sense of gradual change and character development. The client's primary requirements for this project included ensuring a high degree of security and privacy, accommodating two car parking spaces, and incorporating an internal courtyard. To meet these needs, the layout of the house was carefully planned. The ground floor is dedicated to private spaces, housing the main bedroom and a guest room. A staircase serves as the primary circulation element, connecting the ground floor to the upper level. The upper floor is designed as the main communal living area. It features an open-plan space that integrates the kitchen and dining areas. A significant design element on this level is a secluded outdoor terrace. This terrace is equipped with louvers, which are strategically placed to ensure privacy for the residents while simultaneously allowing ample natural light and air circulation to penetrate the space, creating a comfortable and private outdoor environment. Addressing a specific client request for central air conditioning ducts throughout the house, the architects opted against installing additional lighting fixtures on the ceiling. Instead, they ingeniously incorporated indirect lighting along the angled ceiling of the main living space. This design choice not only minimizes visual clutter but also contributes to controlling the ambiance and atmosphere of the shared areas. This approach, as explained by CASE-REAL, allows for low ceilings that paradoxically create a sense of openness and serenity, maintaining a stable air environment across all seasons. Furthermore, V-shaped metal plates used for lighting extend across the entire second floor, adding depth and visual interest to the space. The upper story also includes a small office, providing a dedicated workspace, and an additional bedroom, rounding out the functional requirements of the family home. The project spanned from July 2018 to July 2020. The house has a building area of 96.37 square meters and a total floor area of 192.74 square meters, with both the first and second floors each measuring 96.37 square meters. The site area is 148.7 square meters. Koichi Futatsumata and Yuki Ohnita of CASE-REAL were responsible for the design, with design cooperation and construction handled by Yoshida Building Firm. The lighting plan was developed by Tatsuki Nakamura of Branch Lighting Design, and Daisuke Shima provided the photography for the project. #ResidentialArchitecture #Tokyo #GalvanizedSteel #CASE-REAL #ArchitecturalDesign #JapaneseArchitecture #ModernHome #UrbanHousing #PrivacyFocusedDesign

This article offers comprehensive guidance on effectively hanging art, drawing insights from award-winning designers, a museum director, and Christie’s specialists and art handlers. It emphasizes the importance of considering the context in which art will be displayed, noting that factors such as whether the space is domestic, business, or institutional, along with architectural elements like windows, doors, ceiling height, and floor quality, all influence how an artwork is perceived and interacts with its environment. The article advises against hanging art in locations that could lead to damage. Specifically, it cautions against placing artworks above fireplaces or radiators, as heat can melt or damage canvases over time. Similarly, direct sunlight is highlighted as a risk for fragile or unprotected works, with a strong recommendation to avoid hanging drawings or watercolors near windows. To mitigate these risks, smart framing techniques are suggested, including the use of special glazes that block UV light to prevent fading and seals that create artificial environments to protect against humidity and temperature fluctuations. The article references a guide to framing for further expert advice. Establishing the correct height for hanging art is another key aspect. It notes that modern and contemporary works are typically hung at 1.55 meters to the middle of the picture, a standard adopted by museums and Christie’s. Old Masters are often hung slightly higher. However, domestic settings may require adjustments based on furniture and ceiling height, and some artists, like Le Corbusier, provided specific hanging instructions. The importance of using double fixings rather than a single central one is stressed to prevent works from tilting forward or moving easily. The article also delves into the aesthetic considerations of art display. It introduces the concept of “negative space” as a crucial element when arranging multiple artworks, defining it as the space between works that guides the spectator's eye. Designers encourage variety in art arrangements, advocating for the mixing of periods and genres to create dynamic visual dialogues. Examples include pairing 17th-century portraits with contemporary paintings or combining a large painting with smaller groups of photographs. Finding visual or thematic links between artworks is suggested as a method for grouping, even if they span centuries apart, as demonstrated by juxtaposing a Leda and the Swan painting with modern bird sculptures, or a David LaChapelle work with a Dutch Old Master to explore shared themes. Conversely, playing on contrasts is also presented as an effective strategy to allow individual works to stand out as singular forces. Finally, the article provides practical advice for installation, emphasizing the need for technical precision over subjective judgment. It recommends using a tape measure and spirit level to ensure artworks are hung straight, especially for symmetrical arrangements. Structural considerations are also paramount: understanding wall composition is crucial, particularly for heavy pieces, and it's important to be cautious of water pipes and electrical wiring, especially in older homes where their placement might be less predictable. Despite these technicalities, the overarching message is that personal preference should ultimately guide the arrangement, stating that there is no absolute right or wrong way to organize a collection. Experts’ personal approaches reveal diverse methods, from protecting prints in bedrooms to integrating small works into bookshelves, underscoring that a good artwork will look appealing regardless of its placement. #ArtHanging #HomeDecor #InteriorDesign #ArtCollection #FramingArt #ArtDisplay #MuseumStandards #ArtPreservation #ContemporaryArt

Cloud House, a new residence in Bondi designed by Akin Atelier, serves as a serene sanctuary for a couple who divide their time between Singapore and Sydney. The design prioritizes careful consideration of apertures and subtle textures to foster a sense of expansive space and lightness within the home. The clients sought a house that would offer relaxation, facilitate enjoyment of the outdoors and sunlight, and eventually serve as a family home. A key design challenge was the clients' desire for the living space at the rear, which was the south-facing end of the site. Kelvin Ho, founding director of Akin Atelier, emphasized the meticulous attention given to junctions and openings, which he described as an opportunity to test their understanding of light and space. The design effectively uses various apertures and angles to fracture light into the building's core, ensuring ample sunlight despite the south-facing living area. A central courtyard, a double-height glazed wall, a raked ceiling, and strategically placed skylights are integral to illuminating the interior. These elements, combined with materials chosen for their interaction with light, create a calming and comfortable environment. The house's architectural composition features simple white geometric forms encircling a central courtyard. This courtyard not only ushers northern light into the living area but also functions as the main entry point, accessed via an external, bamboo-lined walkway. Glazing frames the courtyard, with an outdoor shower discreetly positioned among plants adjacent to the fence. The living, kitchen, and dining area, located behind the courtyard, appears simple but is a highly refined arrangement of materials and forms. A striking 6.1-meter glazed wall bathes the living space in sunlight, highlighting the textures and shadows of the adjoining white brick wall. A raked ceiling and gentle curves subtly guide movement and light deeper into the kitchen and dining areas. Functional elements are seamlessly integrated, such as a concrete step transitioning into a fireplace plinth, and shelving and cupboards evolving into kitchen cabinetry and a benchtop, all beneath a still-generous three-meter ceiling that defines a more intimate atmosphere. Minimalist glass doors connect the living space to a narrow side garden and a rear deck, stacking externally to maximize the indoor-outdoor connection. Project architect Georgia McGowan conducted extensive research to select glazing systems that balanced light maximization, indoor-outdoor flow, and cost-effectiveness. Slim-profile windows were chosen for critical openings, while standard profiles were used for side elevations. A flush floor finish and a fine-edged steel track further enhance the sense of uninterrupted space, with a slender circular column providing discreet structural support. This attention to detail extends throughout the house. Glass doors in the adaptable front room (serving as a guest bedroom, study, or family room) also retract into a wall. A distinctive round window in the bathroom pivots horizontally, contrasting with the facade's rectilinear lines. A skylight spanning the length of the staircase offers views of the sky, and slim-profile windows upstairs open to the courtyard. The second floor accommodates two bedrooms and a bathroom at the front, with the main bedroom and ensuite at the back. A passageway creates a natural division, allowing for the creation of private zones. The clients' bedroom, bathroom, and walk-in robe are arranged for spatial fluidity, with timber wardrobes divided by a vanity and a skylight illuminating the shower. Timber screens and neighboring bamboo create a secluded, sanctuary-like ambiance in the main bedroom, which also benefits from plants cascading from the roof. Operable rosewood timber screens, designed to weather and grey over time, contribute natural color and texture to the exterior while providing privacy. Elevated skylights create dynamic light and shadow effects. Ultimately, Cloud House exemplifies a design where seemingly disappearing windows, doors, and screens create a continuous and effortless sense of space, embodying Kelvin Ho's philosophy that "You don’t notice when you walk into a space, but you feel it." #ResidentialArchitecture #AkinAtelier #BondiBeach #NaturalLightDesign #IndoorOutdoorLiving #ModernHomeDesign #ArchitecturalApertures #Materiality #ContemporaryAustralianArchitecture

Displaying art in a home, whether it's a house or a condo, is an artistic endeavor that requires careful consideration of various factors to create impact and harmony within the space. While there are no strict rules in design, according to Ben Leavitt of PlaidFox Studio, there are optimal approaches to showcasing artwork. The size of the living space significantly influences art placement, with larger homes offering more opportunities than smaller condos. Despite size constraints, art is considered essential for bringing life to any space. Happy Home Design, for example, specializes in optimizing art display in small spaces like modern condos, which often have abundant windows, limiting wall space. In such environments, art pieces become more impactful as they face less competition from other artworks. The density of windows in new condo builds necessitates a strategic approach to identifying feature walls and determining appropriate artwork sizes. Artwork chosen for display should allow for "breathing room," meaning individual pieces should have enough surrounding space to be appreciated. For collectors with numerous pieces, the challenge lies in curating these items to provide each piece with adequate space and to thoughtfully juxtapose them to foster a dialogue between artworks. When assisting clients in selecting art, designers consider the homeowners' interests, desired mood for the room, and color schemes. The physical dimensions and scale of the artwork must be proportionate to the furniture and the overall balance of the room. Creating visually engaging vignettes as one moves through a space is also important; blank walls that disrupt the room's balance are opportunities for artwork. In prominent areas like a foyer, a larger artwork can create a significant visual impact compared to a smaller piece on a grand wall. Different rooms call for different artistic considerations. Leavitt suggests that the choice of art for a bedroom versus a living room depends on the desired atmosphere. Calming artwork would suit a serene room, for instance. Practical aspects, such as reflections, are also important; rooms with ample natural light may benefit from art without glass or with non-glare, matte-finish glass to prevent distracting reflections. Family artwork is often preferred in more personal areas, such as bedrooms or hallways leading to private spaces, rather than in public living rooms. Thematic art, like a beach scene, might be appropriate for a bathroom, especially if it relates to family photos or interests. Another approach to displaying art is creating a gallery wall, space permitting. For those who haven't accumulated art over a long period, the goal is to create a curated look that suggests a long-standing collection. This involves selecting diverse pieces that represent stylistic contrasts, ranging from minimalist to vibrant and colorful. A well-designed gallery wall incorporates a variety of frames, including wood, gilded, vintage, and contemporary, as well as pictures on stretched canvas. The inclusion of three-dimensional pieces, such as artifacts from travels, is also recommended to add depth and interest. A common strategy is to start with a primary piece in the center and expand outwards, leaving small sections to be filled with personal items. This method allows for the collection to evolve and grow with the homeowner over time. #HomeArt #InteriorDesign #ArtCuration #GalleryWall #HomeDecorating #SmallSpaceDesign #ArtworkPlacement

This article explores how three Westchester homeowners master the art of chic collecting, blending formidable treasures and flawless taste to create truly livable homes rather than museum-like spaces. Each homeowner or couple showcases a unique approach to integrating extensive and diverse art collections into their personal residences. Karen Schlansky's Chappaqua home, which also functions as a gallery for her business, Rose Court Asian Antiques, exemplifies how Asian art can be seamlessly integrated into various decors. Her 1987-built "country barn" style home, characterized by wide-planked pine floors and exposed-beam ceilings, eclectic furnishings, and diverse collections. Schlansky's collection includes Tang Dynasty pottery sculptures, a third-century pottery lokapala, and Ming Dynasty musicians, which she skillfully mixes with contemporary furniture and art from other cultures like African masks and Southwestern paper collages. Her journey into antique dealing began with a passion for Chinese history and culture during her travels, leading her to establish Rose Court Asian Antiques in 1997. Initially, her gallery was in the lower level of her home, but she later moved it to the first floor to better demonstrate how the pieces would look in a living space. While most of her pieces are for sale, a cherished Qing Dynasty lacquered leather box, representing her family's leather business, remains a permanent fixture, symbolizing her past, present, and future. Dr. Lewis Shapiro and Linda Swanson, after downsizing from a rustic Briarcliff Manor home to a two-bedroom condominium in Trump Tower at City Center, faced the challenge of displaying their extensive global art collection. Their collection, which began in 1985 after Swanson acquired African art from Sotheby's, includes 20th-century wooden masks from Western Africa, thousand-year-old Casas Grandes pottery from Mexico, and antique Chinese snuff bottles. They enlisted Scarsdale interior designer Linda Blair of Blair Interiors Group, Ltd., who, as a collector herself, understood their desire to integrate art into their living space rather than merely displaying it. Blair designed the apartment with a neutral color palette of cream, beige, and caramel to highlight the art and used traditional yet comfortable furniture. Custom cabinetry in the living room showcases a range of their prized pieces, such as a painted gold Ashanti staff finial, a Kuba cub, and a Dan chimpanzee mask. A concrete pillar was transformed into a display for intricately carved Yoruba twins, and an illuminated niche in the entry foyer highlights ancient Roman artifacts, flanked by 16th-century French church columns. The entrance also features framed illuminated miniatures from Les Très Riches Heures du Duc de Berry, holding both artistic and sentimental value for Swanson. Blair's goal was to unify and organize their diverse collection, creating a livable space that avoided feeling like a museum. Marc and Denyse Ginzberg, homeowners in Rye, have transitioned from collecting African art to focusing on Ethiopian crosses. Their sleek, modern home, designed by Charles Forberg in 1993, offers spectacular water views and features custom-made shelves, antique armoires, and chests to display their collections. Initially, their collection included world-class African art such as ceremonial combs, hairpins, hats, sword handles, spoons, clubs, and whistles. After collecting for over 35 years and amassing an impressive collection of authentic African masks and sculptures, the Ginzbergs decided to sell their figurative works due to rising prices. They then shifted their focus to non-figural, abstract objects of use, known as "forms," which were featured in Marc's book, African Forms. After auctioning off a significant portion of this collection at Sotheby's Paris, breaking records for non-figurative African art, the Ginzbergs have now turned their attention to intricately designed Ethiopian crosses from the 12th to 19th centuries, composed of bronze, iron, wood, and silver. This new passion reflects their continuous engagement with collecting and their ability to identify emerging areas of interest in the art world, often ahead of museums and other collectors. #ArtCollection #HomeDesign #InteriorDesign #AsianAntiques #AfricanArt #EthiopianCrosses #ArtCollecting #DecorativeArts #HomeDecor

The book "Work From Shed" by Hoxton Mini Press showcases a diverse collection of garden studios, garages, and sheds from various international locations, offering insights into their architectural possibilities as home workspaces. The book's creation was influenced by the increased adoption of working from home due to the coronavirus pandemic, leading to a new fluidity in work environments. Martin Usborne, creative director at Hoxton Mini Press, highlights the personal nature of working from home, which fosters greater expression in the design of workspaces, encouraging surprising, playful, and beautiful structures that are also varied and adaptable. This compilation features ten distinct home studios, each demonstrating unique design approaches and functionalities. One featured design is the Remisen-Pavilion in Germany by Wirth Architekten, a brick garden office that serves multiple purposes, including a parking space and dining room. Its design incorporates large oak wood doors and perforated brickwork for natural ventilation and lighting. In Scotland, WT Architecture designed a Writer's Studio for two writers, featuring a low brick base combined with an exposed timber and steel structure. This studio is intended to be visually simple, reminiscent of a dilapidated greenhouse that previously occupied the site. The LA Pottery Studio in the USA, a collaboration between ceramist Raina Lee and architect Mark Watanabe, is a stilted shed nestled among trees and accessed by a wooden bridge. This structure functions as both a studio and a display space for Lee's ceramics, utilizing salvaged shipping crates for shelving and incorporating natural elements like tree branches. Carmody Groarke's Two Pavilions in England include an artist studio built within the brick walls of an 18th-century ruined farmhouse, extended with weathered-steel panels that define large windows and create a sheltered outdoor area. FT Architects designed the Light Shed in Japan, an open-plan photography studio with a timber framework supporting corrugated plastic walls. The roof's unique shape maximizes open space and minimizes structural interference for photography. Studio Ben Allen's A Room in the Garden in England draws inspiration from an artichoke, featuring green shingles and constructed from a flat-pack kit of CNC-cut timber elements, allowing for easy dismantling and relocation. The Enchanted Shed in Austria by Franz&Sue; is a converted 1930s outhouse near Vienna, now serving as a light-filled writing studio on its upper level, complete with a glazed gable end and upholstered seating, capable of functioning as a guestroom or playspace. In England, TDO designed the Forest Pond House, a studio suspended over a body of water in a family garden. Its curved plywood shell and glazed end wall aim to immerse occupants in nature, promoting relaxation and focus. A31 Architecture's Art Warehouse in Greece, enclosed by a curved concrete shell, is an art studio designed for an artist to accommodate large sculptures, featuring a spacious open-plan interior and a mezzanine storage level accessible via floating steps. Lastly, Tini by Delavegacanolasso in Spain is a prototype of a prefabricated wooden office, designed for online ordering and truck delivery, constructed from galvanized steel, oriented strand boards (OSB), and local pine wood, and was craned into its garden site to prevent disruption. #GardenStudios #HomeWorkspaces #ArchitecturalDesign #SustainableArchitecture #PrefabricatedBuildings #ArtStudio #WriterStudio #PhotographyStudio #CompactLiving

This article offers a virtual tour of 14 spectacular homes belonging to renowned artists and architects around the world. These residences, usually open to the public but now virtually accessible, provide a glimpse into the personal spaces and creative environments that shaped these influential figures. The article highlights unique architectural styles, interior designs, and personal touches that reflect each artist's personality and work. The tour begins with Frederic Church's Olana in New York's Hudson Valley, a 19th-century landscape painter's home that blends Victorian and Middle Eastern motifs. Oscar Niemeyer's Casas das Canoas in Rio de Janeiro showcases his signature curves and reinforced concrete, with organically positioned boulders integrated into the design. Frank Lloyd Wright’s Taliesin in rural Wisconsin is described as his architectural autobiography, an 800-acre estate that is now a UNESCO World Heritage site. Philip Johnson’s Glass House in New Canaan, Connecticut, features wraparound windows designed to integrate with the surrounding landscape, a meticulously sculpted environment inspired by a 17th-century painting. Duncan Grant and Vanessa Bell’s Charleston House in Sussex, United Kingdom, embodies bohemian charm with hand-painted cupboard doors, patchwork chintz curtains, and stenciled paisley walls, complemented by a vibrant garden. Frida Kahlo’s Casa Azul in Mexico City, the site of her birth, death, and many years of her life, is a cobalt-washed residence with chartreuse floors and bright white walls, showcasing local folk art, handmade ceramics, and pre-Columbian sculptures. Auguste Rodin’s La Villa des Brillants in Meudon, France, served as his workshop, business place, and home, filled with dazzling white sculptures. Jackson Pollock and Lee Krasner’s East Hampton home has remained untouched since Krasner’s death, featuring paint-splashed floors in the studio and an eclectic interior with a broken anchor and Krasner’s seashell collection. Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico, radiates natural light and includes surprises like a rattlesnake skeleton, along with an extensive potager garden. Clementine Hunter’s modest cabin at Melrose Plantation in Louisiana showcases her prolific artistry, with thousands of paintings depicting daily life. Frederic Church's Olana, a Persian-inspired fortress, is rich with hues of mustard, cherry, and clay, lavishly draped in Turkish rugs and ornate frames. Jim Thompson’s teak Thai-style home in Bangkok, though not an artist's own work, houses an extraordinary collection of traditional Thai art. Sam Maloof’s 1952 California ranch-style home, relocated to Pomona, features treehouse vibes with redwood walls, a hand-carved spiral staircase, and whimsical stained-glass windows. Irma Stern’s The Firs in Cape Town, South Africa, is a colorful collage of portraits and tribal artifacts, painted in mint green, sunny yellow, and and vivid corals. Finally, Claude Monet’s home in Giverny, France, is famous for its poetic interior with a stream of copper pots in the kitchen and lemony yellow dining room, alongside his collection of Japanese art. #ArtistHomes #ArchitecturalDesign #InteriorDesign #CulturalTourism #VirtualTours #ArtHistory #HistoricHomes #TravelInspiration #GlobalArt

Giles Nartey, a British-Ghanian architect and designer, integrates his academic pursuits with his design practice, focusing on translating African rituals into contemporary design objects. His work, showcased as part of Wallpaper*'s Future Icons series, aims to celebrate Black identity and traditions, moving between art, film, and architecture. Nartey was born in South London but spent his early life in Accra, Ghana, where the informal architecture and everyday practices of places like Labadi profoundly influenced his design philosophy. He cites observations like handwashing rituals before meals and the use of the Asanka (a traditional grinding bowl) as continuous inspirations for his London-based practice. Nartey's academic background includes studies at Politecnico di Milano and the Bartlett School of Architecture. He currently lectures at University College London and co-runs a diploma unit at the Architectural Association. This combination of teaching, research, and practice allows him to push boundaries in his work, using academia as a testing ground for his design concepts. His doctoral research into African ontologies directly informs pieces like 'Interplay,' a communal bench first exhibited at POoR’s Powershift exhibition at the London Design Festival in 2023. 'Interplay' is a striking piece of furniture that rethinks seating as a shared surface, featuring engraved and overlapped narratives. It draws inspiration from traditional West African Senufo carved bed-benches, which are typically made from a single piece of timber. The bench also incorporates the Ghanaian game 'Oware,' encouraging performative interaction. Nartey explains that historically, African objects have often been miscategorized as inanimate artifacts, despite many being integral to spiritual or domestic rituals and practices, both in their creation and use. He believes his work helps correct this misperception by highlighting the embedded meaning and function within these objects. One of Nartey's significant career moments was exhibiting 'Interplay' at the Victoria and Albert Museum for the Friday Late: Radical Imaginaries. This was particularly meaningful for him as the V&A held personal significance, having been a place his mother took him and his sisters during their childhood. The exhibition allowed him to present a piece deeply connected to his heritage and shared family memories within a prestigious institution. Following 'Interplay,' Nartey created 'Serwaa,' a sleek six-legged aluminum stool. This piece is a contemporary interpretation of the West African Lobi chair, a sculptural object that resonates with spirituality in regions spanning present-day Burkina Faso, Cote D'Ivoire, and Ghana. Nartey's future endeavors include architectural interventions in Accra, where he plans to reimagine food kiosks, market spaces, and street-level produce selling methods. His overarching goal is to present African design not as a historical relic but as a dynamic, contemporary language deeply rooted in the practices that fostered its creation. By grounding his designs in traditional West African culture and utilizing academia as a foundation, Giles Nartey is contributing to a broader understanding and appreciation of African design within the global design canon. #GilesNartey #AfricanDesign #ContemporaryDesign #CulturalHeritage #DesignResearch #ArchitecturalInterventions #FutureIcons #GhanaianCulture #VictoriaAndAlbertMuseum