Madam Architectuur updates Belgian bungalow with red-timber cladding

Shreyas Patil Architects embarked on a transformative project, converting a dilapidated century-old colonial dwelling on Havelock Road, Belgaum, into their eponymous architecture studio. The building, previously abandoned after multiple remodels, captivated founder and principal architect Shreyas Patil with its inherent character despite its disrepair. Patil envisioned the property's potential to house an offbeat office, blending vintage charm with modern architectural intervention. The exterior of the studio, primarily visible from the west, is designed to interact with the natural elements. Thin corten steel mezzanines, suspended by twisted metal cables, protect a series of west-facing windows from the elements while allowing western winds to permeate. These structures also serve as a shield against the southwest monsoons, safeguarding the original teak windows. The main entrance, relocated to the north face, features a bold blue metal door with a small pivoting window. This design subtly blurs the boundary between the street and a dense garden courtyard, which houses a temple tree, bamboo, raphis palms, lilies, bougainvilleas, and monsteras, fostering a seamless transition into the workspace. Internally, Patil reconfigured the layout by removing and repositioning existing fenestrations and internal walls to create a free-flowing, boundless interior. The original west-facing entrance was re-angled to the north, integrating it with the formerly overgrown backyard, which now functions as an informal outdoor waiting and discussion area. The material palette is thoughtfully curated, with each room featuring a distinct pigmented oxide finish on the hand-polished flooring, showcasing varied shades of greys, greens, and solid blacks. These diverse floor treatments are harmonized by a continuous teak skirting that contrasts with the white walls and rafters, maintaining a cohesive aesthetic throughout. An al fresco discussion area is a prominent feature, comprising a cast-in-situ concrete bench extending along the compound wall, mirrored by a wooden bench. The flooring here combines wood and leather-finish kadappa stone, evoking a bygone era. Pergolas running north to south cast dramatic, dynamic shadows on the white stucco-finished compound wall, offering an ever-changing visual element. This outdoor space is designed for informal discussions and tea breaks, with kadappa stone fins providing privacy and regulating light and ventilation. The studio emphasizes modularity in both its spaces and furniture, allowing for flexible configurations. The rooms are designed with fluidity, capable of functioning independently or as interconnected zones. The entrance features a five-piece, cement-finish lounger, where each modular cube can serve as either a seat or a table. These plywood units are light, movable, and can be arranged in numerous permutations, forming a sculptural and monolithic appearance when linked. Adjacent to the entrance is the main working area, characterized by teak-toned workstations arranged informally to promote circulation, light, and ventilation. A dark, smoky blue wall and old teak windows contribute to an offbeat, quirky atmosphere. This area seamlessly extends into Patil's personal cabin, separated by a fixed glass partition. Patil repurposed a window niche to create library shelves, and his desk is a simple wooden cantilevered structure supported by a truss on the blue wall. The conference room serves as a dedicated space for brainstorming and client meetings. A whimsical painted glass door separates it from the pantry, doubling as a marker board. The room's centerpiece is a table with a white duco top and a stacked frame of thick circular rods, adding a structural edge. The pantry, located behind the conference room, connects back to the courtyard and also functions as a lunchroom and model-making area, highlighting the studio's multifunctional design approach. #ArchitectsStudio #BelgaumArchitecture #BungalowTransformation #HeritageRenovation #ModernOfficeDesign #ModularFurniture #SustainableDesign #InteriorDesign #ArchitecturalRenovation

Objekt Architecten, a Belgian studio, has renovated Lamat House, a traditional home located in rural Wichelen, transforming its interior while preserving its classic red-brick exterior. The renovation addressed previous moisture damage that had led to the concealment of the home’s distinctive stepped gable ends. The studio's primary objective was to open up the living spaces to the picturesque surrounding countryside, an amenity previously underutilized due to the house's original configuration. This design philosophy centered on maximizing views within the existing structural and budgetary constraints, ensuring that the changes were primarily internal. The most significant architectural intervention involved the living area at the rear of the house. Objekt Architecten removed the existing ceiling, creating a double-height space that now accommodates a large dining area and a blue-tiled kitchen. The distinct functions of these two areas are not only delineated by contrasting material finishes but also visually separated by a substantial tropical planter, which is also clad in pale blue tiles, echoing the kitchen's aesthetic. This strategic removal of the ceiling also allowed for the installation of a large, double-height window, dramatically enhancing natural light penetration and offering expansive views of the garden and beyond. Above the reconfigured living space, a new mezzanine lounge has been introduced. This mezzanine is supported by slender columns of red steel and rests on an exposed concrete 'disc,' providing a contemporary visual element. From this elevated vantage point, residents can overlook the main living area and enjoy direct views of the garden through the double-height window. The original wooden roof structure of Lamat House was reinforced with steel supports that match the red steelwork used for the mezzanine columns. A red balustrade on the mezzanine and red-colored window frames further integrate this color palette throughout the renovated interior, creating a cohesive and dynamic aesthetic. According to architect Steven de Bolle, the choice of materials was guided by considerations of color, practicality, quality, and budget. The intent was to achieve a "surprising interior" without compromising the usability of the spaces. The design successfully marries modern industrial elements, such as exposed concrete and red steel, with the traditional character of the home, creating a distinctive contrast. The more private sections of the house, including the bedroom, bathroom, and study areas, are located in the more compartmentalized front section, maintaining a functional separation from the open-plan living spaces. Objekt Architecten, founded in Aalst in 2014 by Niels Van der Straeten, Dries Van Nieuwenbergh, and Mahir Yavas, has contributed to a growing trend of architectural renovations in Belgium that balance historical preservation with contemporary living requirements. This project is part of a broader context of Belgian architectural firms undertaking similar sensitive updates, such as Madam Architectuur’s renovation of a 1990s bungalow with large windows and red-painted timber cladding, Studio Okami’s low-lying dwelling with patterned brick walls, and Mamout’s minimalist extension to a Brussels townhouse. The photography for the project was provided by Ypsilon Business Photography. #BelgianHouses #ResidentialArchitecture #HouseRenovation #InteriorDesign #Concrete #Steel #Mezzanine #Wichelen

The article details the renovation of a 1970s split-level row house in Hackney, London, undertaken by Archmongers, the architectural firm led by Johan Hybschmann and his wife, Anita Freeman. The project's primary goals were to modernize the home for contemporary living, enhance its energy efficiency, and introduce more natural light into the interior spaces. The renovation adheres to Archmongers' commitment to using honest, exposed materials and traditional wood joinery, incorporating a palette of brick, galvanized steel, cast concrete, and timber. Before the renovation, the house had remained largely untouched since the 1970s, retaining its original structural elements like masonry, timber framework, and exposed concrete. However, its layout was inefficient, marked by a ground-floor garage that created an awkward entrance and a constricted kitchen/dining area. The original design also featured excessive storage and limited daylight connection to the street, with most rooms facing the rear garden. Archmongers addressed these issues by extending the ground floor and converting the garage into more functional living spaces. A new in-situ cast concrete extension at the rear significantly expanded the kitchen and dining areas on the lower level. This extension's insulated slab not only provides thermal insulation but also forms a new garden terrace, which doubles as a structural foundation to help distribute the load of both the existing and new facades. The flat roof of this extension was designed to accommodate a green roof at the first-floor level, contributing to the home's sustainability and biodiversity. The renovation focused on opening up the three-floor structure to create a more spatially vertical feel. Plasterboard walls were removed to reveal the underlying structural logic of the house, making its various elements more legible. The underside of the stairs was exposed to enhance spatial clarity, and strategically placed internal windows were incorporated to introduce sight lines and flood the interior with natural light. The rear elevation was further opened up with sliding doors at ground level and a large new window on the first floor, offering views of the new green roof from the living room. The design draws inspiration from Northern European modernism, with specific references to architectural works in Hybschmann’s native Denmark, including Wohlert’s Louisiana Museum of Modern Art, Finn Juhl’s house in Ordrup, and Arne Jacobsen’s Søholm houses, as well as Alvar Aalto’s homes in Finland. The interior design features a harmonious blend of gray brick, white-washed walls, and natural timber finishes. These are complemented by bold accents of red in the exposed steel beams, columns, and handrails, and by the terra-cotta tiles used on the lower floor. Repeated rectilinear motifs are consistently applied throughout the material arrangement, contributing to a unified aesthetic. In terms of exterior enhancements, the rear garden and the wildflower green roof were planted with indigenous species. A new, small pond was added to encourage local wildlife. The planting scheme, designed by Anita Freeman, specifically aims to boost biodiversity within the property’s limited footprint. The renovation successfully transformed a dated 1970s house into a modern, energy-efficient home that maximizes natural light and space while maintaining a strong connection to its natural surroundings and modernist architectural principles. #LondonRenovation #SeventiesRowHouse #ArchitecturalRenovation #EnergyEfficiency #ModernistDesign #GreenRoof #ExposedMaterials #NaturalLight #SustainableDesign

The Pitcombe’s Old School House Renovation, a project by Bindloss Dawes, involves the transformation of a Grade-II listed property located in a picturesque Somerset valley, United Kingdom. The renovation focuses on blending the building's historical character with contemporary architectural elements. The project is a collaboration with Joa Studholme, a color curator for Farrow & Ball, and her husband, Andrew Studholme, reflecting Bindloss Dawes' expertise in rigorous detailing and material compositions that balance urban and rural aesthetics. Built in 2023, the renovated house has an area of 120 square meters. Key contributors to the project include Francesca Iovene for photography, Momentum for structural engineering, and Gregory Renovations for contracting. Manufacturers involved in the project include Andrew Cooke, English Woodland Timber, Farrow and Ball, and Oakwrights Joinery. The design team from Bindloss Dawes included George Dawes and Fawn Ma. The architectural approach highlights the preservation of the existing structure while introducing modern extensions. A notable feature of the renovation is the new timber extension, which complements the original building without overshadowing its historical significance. This extension is a testament to the architects' ability to integrate new design seamlessly into an older context, creating a harmonious living space that respects its heritage. The interior design, also managed by Bindloss Dawes, reflects a careful consideration of color and texture, influenced by Joa Studholme's expertise. The project aims to create a comfortable and functional home that meets the modern needs of its occupants while maintaining a strong connection to its past. The use of high-quality materials and craftsmanship is evident throughout the property, ensuring durability and aesthetic appeal. The project showcases a balance between old and new, demonstrating how historic buildings can be adapted for contemporary living through thoughtful renovation. The successful integration of the timber extension and the meticulous attention to detail in both the interior and exterior elements contribute to the overall success of the Pitcombe’s Old School House Renovation, positioning it as a significant example of architectural preservation and modern design. #ResidentialArchitecture #HouseRenovation #HistoricPreservation #ContemporaryDesign #TimberExtension #GradeIIListedBuilding #UnitedKingdomArchitecture #BindlossDawes

The Herfst House Renovation project by tweestroom architecten, completed in 2024 in Belgium, focuses on a design philosophy that prioritizes preservation and minimal intervention. The architects emphasize creating order by making conscious choices from a multitude of possibilities, starting with identifying elements that can be retained before considering major changes. Significant interventions are only implemented when they offer value across multiple aspects of the project. This approach is rooted in principles of balance, simplicity, and efficiency, aiming to intervene only when necessary. This strategy has the dual benefit of reducing the use of new materials and creating financial flexibility, which in turn allows for greater architectural creativity. The project encompasses a total area of 61 square meters. The design and execution were overseen by Katrien Delespaul, with Kristin Smets and Annelies Belemans responsible for the design phase, and Frédéric Gijsen managing the execution. Structural engineering was provided by Jo Deflander. Key manufacturers involved in the renovation include Sto and Koffie en Staal. Baeten-Van Es handled the external joinery, Peter De Hertog managed the insulation, Olivander supplied the kitchen components, and Deweco was responsible for the MORTEX applications. The project is situated in Belgium and is categorized under residential architecture and renovation. The philosophy of conscious design choices is central to tweestroom architecten's work. They aim to avoid unnecessary alterations, thereby honoring the existing structure while enhancing its functionality and aesthetic appeal. This method not only contributes to sustainability by minimizing waste and new resource consumption but also ensures that budgetary resources are directed towards meaningful and impactful architectural solutions. The focus on preserving existing elements aligns with a broader trend in architecture towards adaptive reuse and environmentally responsible design practices. Ultimately, the Herfst House Renovation project exemplifies a thoughtful and restrained approach to architectural renovation. It demonstrates how a design process focused on essential interventions, material efficiency, and financial prudence can lead to a balanced outcome that respects the original structure while incorporating contemporary needs and design sensibilities. The collaboration among various specialists, from structural engineers to material suppliers, highlights the integrated effort required to realize such a project effectively and according to these guiding principles. #ResidentialArchitecture #HouseRenovation #BelgiumArchitecture #SustainableDesign #ArchitecturalPreservation #MinimalIntervention #MaterialEfficiency #ContemporaryRenovation

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

FELT Architecture & Design has completed the Library Pavilion, a unique wedge-shaped extension added to a traditional Flemish home in Eke, Belgium. This pavilion serves as a dedicated library and home office for a retired art book publisher, seamlessly integrating into its suburban environment while presenting a distinctive architectural form. The design deliberately contrasts with the existing typical brick residence through its galvanized steel cladding and rhythmic geometric facade, which also reflects the surrounding natural landscape. The Library Pavilion is conceived as a separate architectural entity. Its exterior, clad in galvanized steel, draws inspiration from local agricultural barn doors and mirrors the greenery and sky, effectively blending the structure with its surroundings. The architects employed an oblique positioning for the new facade, allowing the volume to subtly recede from the street view and maintain the detached house typology. Internally, this oblique wall facilitates expansive views of the back garden and nearby meadows through large, full-width windows, maximizing natural light penetration and scenic integration. Functionally, the pavilion houses a comprehensive library, with load-bearing wooden bookshelves that support the roof of the entire timber construction. This innovative use of bookshelves contributes to both the aesthetic and structural integrity of the space. Adjacently, the design incorporates a home office, catering to the client's professional and personal needs. Beyond its primary functions, the Library Pavilion actively engages with its environment. It fosters a strong connection to nature by opening towards a back garden, which includes a wildflower garden and a beehive, and extends towards neighboring meadows. This thoughtful integration enhances the living experience by bringing the outdoors in. Access to the new extension from the existing house is achieved through a transformed corner window, now serving as a passageway, further supported by the addition of a new skylight that bathes the interior in natural light. This project represents a harmonious blend of modern architectural design with traditional residential context, creating a functional, aesthetically pleasing, and environmentally connected space. FELT Architecture & Design's approach demonstrates how contemporary extensions can enhance existing structures while respecting and interacting with their natural and built environments. #FlemishArchitecture #LibraryDesign #HomeOffice #MetalCladding #WoodenConstruction #ArchitecturalExtension #BelgianArchitecture #SuburbanDesign #FELTArchitectureDesign

This article highlights the transformation of a 17th-century building in Copenhagen, originally part of a royal naval base, into a contemporary townhouse. The renovation, undertaken by architect Danielle Siggerud and her husband Mathias, focused on preserving the building's historical integrity while introducing modern elements. Key to this approach was the retention of original features such as exposed timber beams and arched windows and doors, which serve as visual reminders of the structure's industrial past. The design philosophy emphasized the interplay of history and natural light. Internal walls were removed to enhance daylight penetration, and all four floors were interconnected, creating a sense of openness. Danielle notes the captivating effect of shadows and the contrast between light and darkness, which contribute to a warm and intimate atmosphere throughout the house. The interior palette is characterized by neutral tones and earthy textures, including plastered stone-colored walls and blonde timber floorboards, which are softly illuminated, giving the spaces an ethereal quality. Functionally, the open-plan kitchen and dining area features large arched windows that offer views of the canal and garden. A sleek kitchen island made of honed Carrara marble anchors the space. The decor reflects Danielle's refined yet understated style, prioritizing timeless furniture, structures, and materials that are not driven by fleeting trends. She works intuitively, favoring natural materials that will age gracefully. The home incorporates a blend of vintage and auction-acquired furniture, which injects personality and historical depth into each room. This is complemented by a sophisticated collection of art, ceramics, and sculptures. The master bedroom exemplifies this design approach, with a material bedhead, tactile bed linen, and a restrained color scheme that create a calm and soothing environment. A black and brass Serge Mouille wall lamp adds a touch of drama, while the use of stools as versatile bedside tables is suggested as a practical and flexible decor tip. This thoughtful integration of old and new elements results in a home that is both modern and deeply connected to its historical roots. #IndustrialDesign #HomeRenovation #ExposedTimberBeams #CopenhagenArchitecture #HistoricPreservation #ContemporaryTownhouse #NeutralPalette #VintageFurniture #InteriorDesign

Starling Architecture and Emily Lindberg Design collaborated to renovate a Brooklyn townhouse for a young family, transforming it into a 3,700-square-foot, four-bedroom single-family home. The project aimed to address the original house's sparse, chopped-up layout and lack of design features, which primarily consisted of white gypsum. The core design challenge was to elevate the space, introduce warmth, and create a cohesive design language throughout the property. The solution centered around an elegant, light European oak palette, supplied by Madera, a company specializing in seamless wood design solutions. This material choice became the catalyst for the entire renovation, influencing the design across all four floors and the basement. The initial brief involved combining a two-family townhouse into a larger single-family residence, incorporating a mudroom, work-from-home spaces, and an expanded dining room. The renovation process began with the decision to replace the parlor flooring with light oak, which ultimately extended to all areas. A cantilevered oak stair and linear wood screen were integrated to run through the entire home, serving as a unifying element that creates balance and harmony. This central feature also guided the development of a rhythmic “wood and slat” design language, evident in the custom millwork, wall paneling, and ceiling treatments throughout the house. The first floor now features an entry foyer and living room, with a timber volume housing a mudroom, powder room, and home office. The second floor includes a foyer, sitting room, an oak-clad dining room, and a kitchen. The third floor is dedicated to the primary suite and a guest room, while the fourth floor contains two children’s bedrooms and bathrooms. Even the windowless basement was dramatically transformed into a welcoming playroom, extending the wooden stair and screen element downwards. Madera's expertise allowed for precise customization of wood components, with each panel CNC-fabricated and finished in Belgium to exact specifications, ensuring consistent veneer widths. This level of control resulted in subtle yet stunning outcomes, as noted by architect Ian Starling. Madera’s ability to produce wide, long, seamless timber materials contributed to the minimalist yet rich interiors. The use of timber extends beyond flooring and stairs to millwork, architectural cladding, the batten screen, and custom furniture like the bespoke dining bench with integrated storage and floating nightstands. The design intentionally varies the application of wood in each space to create distinct effects, maintaining a cohesive aesthetic while offering unique tactile experiences. The project also reconfigured the layout, moving the kitchen from a dark central location to the south facade to maximize natural light and improve access to the dining area. This enhanced natural light highlights the rich material palette, which includes the tonal depth of oak, walnut, and ash, complemented by combed plaster and slate. The office, for instance, is almost entirely clad in cork, demonstrating a diverse use of natural materials. The interior design incorporates warm yellows and brass accents to complement the golden oak hues, while shades of blue provide dynamic contrast. The overall aim was to infuse the home with character, warmth, and personality using a neutral oak palette as the foundation, resulting in a spacious and inviting environment for the family and their guests. #BrooklynTownhouse #HomeRenovation #EuropeanOak #WoodDesign #CustomMillwork #StarlingArchitecture #EmilyLindbergDesign #MaderaSurfaces #InteriorArchitecture

Interior designer Sara Hillery, after a successful career start in Houston, returned to Richmond in 2014 with her young family, seeking a home that could integrate her growing business and personal life. Her priority was a home that could serve as both an office space for Sara Hillery Interior Design and a display for her design philosophy to clients, in addition to being a functional family residence. They settled on a Dutch Colonial home, which initially featured a series of boxy rooms. Hillery envisioned its potential for transformation into a versatile space that would accommodate both work and leisure. The initial renovation focused on creating an open-concept living space. Walls on the main floor were removed to enhance the sense of size and flow between rooms. The entire house was painted white, a technique Hillery often employs to establish a unified flow and provide a neutral backdrop for the family’s diverse collection of art, mirrors, and framed pieces. This open layout also significantly improved the home’s suitability for entertaining, a key consideration for the family. The Hillerys frequently host guests, including annual crawfish boils, celebrating Julian Hillery’s New Orleans heritage. The kitchen, considered the heart of the home, received significant attention during the renovation. It was designed with an island and bar stools to encourage gathering, snacking, and conversation. A light-filled breakfast nook offers a bright space for morning meals and casual chats. The family room is another central gathering point, featuring a cooking fireplace inspired by a Williamsburg tavern. This unique element influenced the room’s simple color palette of warm browns, tans, and gold accents, complemented by two plush sofas for relaxation and socializing. Hillery’s design philosophy, “If you truly love a piece, you’ll find a place for it,” is evident throughout the home. This is particularly showcased in the dining room, where French antique mirrored windows, acquired from a Texas antiques fair, became a focal point after custom column niches were built to accommodate them. The second floor was also meticulously designed. The master bedroom was conceived as a calm, neutral sanctuary, accented with yellow and gold to add warmth and personality. For her three young children, Hillery aimed to create bedrooms that reflected their evolving personalities while maintaining the home’s classic style. The nursery features a neutral color scheme suitable for either gender, incorporating a rustic changing table, a gold mirror, and soft colors to create a chic, rather than overly childish, aesthetic. Her blue-loving son’s room boasts natural light, rich wood paneling, and a durable wood floor, with a trunk for storage and his guitar readily accessible. Her eldest daughter’s room is adorned with pink, purple, and blue, and she actively participated in its decoration. Antiques are thoughtfully integrated throughout the home, mixed with new and upcycled items. Hillery notes that antiques, with their inherent imperfections, add character and subtly expose her children to beauty and history. Practical, kid-friendly elements include durable seagrass rugs and playful framed art. The lower level of the home houses a playroom and the Sara Hillery Interior Design office, allowing Hillery to balance her demanding career with family life and to demonstrate her design concepts to clients within a real residential setting. #HomeDecor #InteriorDesign #HouseTours #FamilyHome #Renovation #OpenConcept #DutchColonial #SaraHillery

The holiday retreat named 'Ferskûle', a Frisian word meaning 'hidden', was designed by the Denkkamer design group and is situated on Schiermonnikoog, a Dutch Wadden island. This new structure replaces an existing residential unit and is discreetly nestled within lush greenery. The design adheres to strict island regulations, limiting the gross building envelope to a maximum of 110 square meters, which informed the compact yet defined building structure. The architectural composition features two solid volumes encased in yellow brickwork. These volumes are dramatically punctured by angular steel frames and large glass windows, allowing for expansive views of the surrounding landscape. The building is topped with a gently sloping roof, designed to seamlessly integrate the structure with its natural environment. The most prominent exterior feature is the large corner windows, which not only pierce through the solid mass but also provide occupants with direct visual contact with the outdoors. Denkkamer, the Dutch architectural practice behind the project, employed a consistent soft color palette throughout the design, evident in both the exterior facades and the interior spaces. While the exterior emphasizes stone-like, solid materials, the interior incorporates warm natural tones and gray finishes. Extensive use of wood is featured in the wall cladding and ceilings, contributing to a cozy and inviting atmosphere. The interior layout is thoughtfully arranged to maximize both views and functionality. A horizontal cut in the facade creates a recessed alcove that accommodates seating volumes and a workspace, offering panoramic vistas. The design also includes a bay window and a sunken sitting room, complete with a wood fireplace, enhancing the sense of comfort and connection to nature. Common areas are centrally located, with functions revolving around a central cooking counter within the living-dining zone. Private spaces, such as the bedrooms, benefit from ample natural light and views through large skylights. An underground foundation supports the light timber frame of the structure, providing stability and also creating several sunken seating pits in the basement of the holiday home. This architectural approach not only respects the island's building regulations but also enhances the living experience by blending the modern design with its natural surroundings, offering a secluded yet visually connected retreat. #DenkkamerDesign #HolidayRetreat #DutchArchitecture #SchiermonnikoogIsland #YellowBrickwork #CornerWindows #SustainableDesign #ResidentialArchitecture #InteriorDesign

Architecture studio Naturehumaine undertook a comprehensive renovation and extension of the Des Érables residence in Montreal's Rosement La-Petite-Patrie neighborhood, merging two distinct units into a cohesive single-family home. The core of the project revolved around creating a new, central dog-leg staircase that seamlessly connects the original structure with the new rear extension. This intervention not only improved circulation but also introduced a distinctive aesthetic and functional element to the home. The design ethos for the new staircase focused on a modern material palette that contrasts with the existing traditional architectural details of the house. Plywood, known for its warm and contemporary appeal, was selected to clad the staircase, providing a clean and minimal look. This choice of material highlights the transition between the older and newer sections of the house, creating a visual and tactile distinction while maintaining a sense of continuity. Complementing the plywood, white metal handrails were incorporated, echoing the clean lines and bright tones found in the newly designed kitchen and dining areas. This material combination ensures a cohesive interior design where modern elements are thoughtfully integrated with the home's original character. A particularly innovative feature of the staircase design is the integration of a children's play nook on the ground floor. This dedicated space demonstrates a thoughtful consideration for the family's needs, providing a practical and engaging area for children within the central hub of the home. This element adds a playful dimension to the functional staircase, making it a focal point for both movement and family interaction. The rear extension dramatically alters the ground floor layout, introducing a double-height kitchen and dining room. This expansive space is bathed in natural light, thanks to the installation of large, floor-to-ceiling windows that offer views and access to the back garden. The architects chose a dark-brick feature wall for this double-height area, which not only grounds the light-filled space but also harmonizes with the external facade of the extension, creating a consistent architectural language. Suspended black geometric pendant lights further enhance the contemporary aesthetic of the kitchen and dining area, adding a touch of sophistication and defining specific zones within the open-plan layout. Beyond the ground floor, the renovation extended to the upper levels, where a master bedroom, a dedicated yoga area, and a private balcony were added to the first floor. These new additions benefit from the natural light flooding in through the extensive new windows, fostering a sense of openness and connection to the outdoors. The outdoor space was also reimagined to include a comfortable dining area and steps leading down to a pool, enhancing the home's capacity for leisure and entertainment. On the uppermost level, the master suite is strategically positioned at the back of the house, offering privacy and direct access to a balcony overlooking the garden. A pocket door provides the option to close off the master suite from the main stairwell, ensuring a secluded retreat for the homeowners. Two additional bedrooms are situated at the front of the house, facing the street, alongside a newly created small office space. This allows both homeowners the flexibility to work from home comfortably, addressing modern living requirements. Naturehumaine, founded in 2004 by Stéphane Rasselet and Marc-André Plasse, has a notable portfolio of residential renovations in Montreal. Their previous projects showcase a consistent approach to blending modern design with existing structures, often incorporating unique elements such as a staircase enveloped by black rods in a duplex renovation, a plant-covered wall to enliven a mid-century home, and minimalist interiors for a prairie-style suburban property. This latest project continues their tradition of creating functional, aesthetically pleasing, and family-oriented living spaces. #ResidentialArchitecture #HomeRenovation #HouseExtension #InteriorDesign #PlywoodDesign #MontrealArchitecture #Naturehumaine #ModernLiving #StaircaseDesign

This article details the extensive renovation of a modernist lake house in Miramar, Belgium, undertaken by interior architect Peter Ivens. Originally built decades ago by the grandparents of the current owners, the 5,400-square-foot residence had become a "time capsule" with dated elements like shiny black granite floor tiles and dark brown architectural mirrors. Ivens was tasked with providing a fresh take, opting to strip the house down to its core structure. Externally, Ivens replaced the original blue-aluminum windows with new ones framed in padauk, a rot-resistant tropical hardwood. These were left unfinished to weather into a driftwood grey. New blackened steel stacking glass doors were installed, allowing the house to open up to nature in fair weather. The existing rhythm of transparent glazing and solid brick walls on the exterior was maintained. Inside, the ground floor was transformed into a loft-like, flowing space through extensive demolition. Ivens removed the original plaster drop ceilings, which had been installed to reduce air-conditioning costs, revealing handsome structural concrete beams and the overhead slab. This raised the ceiling height to 10 feet. The electrical wiring for new recessed lighting was creatively run on top of the concrete and embedded invisibly within a new topping slab, addressing the challenge of concealing wires after ceiling removal. The floors were finished with smooth microcement in an earthy greenish-grey, providing continuity throughout the space. The formerly closed-off kitchen was opened up and now features a freestanding circular pedestal island, a design choice inspired by 1970s Italian aesthetics. Walls were stripped of their old plaster and resurfaced with a new "cement grey" stucco. The original wood staircase leading to the five upstairs bedrooms was replaced with a sculptural concrete structure. For the interiors, Ivens collaborated with his long-time associate, interiors stylist Bea Mombaers, who curated new furnishings and a selection of twentieth-century vintage accessories. Upstairs, the floors in the bedrooms were raised to accommodate the wiring for recessed fixtures that illuminate the ground floor. This comprehensive renovation successfully modernized the 1970s lake house, transforming its dated appearance into a contemporary, light-filled, and nature-connected home while preserving its modernist spirit. #ModernistLakeHouse #BelgianDesign #PeterIvens #ArchitecturalRenovation #InteriorArchitecture #SustainableMaterials #ConcreteDesign #MidCenturyModern #HomeRenovation

Architects Annelies Rygole and Peter Tompkins designed Woodridge, a five-bedroom residence in Newbury, England, as their family home. The house replaced a 1960s bungalow on a private road, situated within the grounds of an original Arts and Crafts property. The design aims to integrate with the area's heritage while establishing a distinctly modern presence. The most striking feature of Woodridge is its facade and walled garden, which are entirely clad in handmade Michelmarsh bricks laid in a traditional Flemish bond pattern. This pattern incorporates grey-brown headers alongside the reddish-hued stretchers, creating a distinctive texture and appearance. This choice of material and laying technique references the neighboring Arts and Crafts buildings, ensuring the new house harmonizes with its surroundings. The architects noted that brick was chosen for its versatility and its ability to offer a range and depth of tone without overwhelming the building. Recent projects by other architects, such as Duggan Morris's housing blocks in London and Joris Verhoeven's house in Holland, have also utilized handmade bricks to infuse character into their designs. This approach highlights a trend towards materials that offer both traditional aesthetics and contemporary relevance. For Woodridge, the coarse texture of the brickwork and its overall materiality strongly connect to the area's architectural legacy. Simultaneously, the precise application of the brick and the house's simplified volumetric form clearly mark it as a modern intervention. The design process for Woodridge was influenced by both the site's physical constraints and the family's practical needs, particularly the requirement for five bedrooms. The resulting structure features a mix of bright, open interior spaces and more private zones, optimizing it for family living. The interior layout includes five bedrooms, three bathrooms, a sitting room with a wood-burning stove, an open-plan kitchen and dining area, a utility space, a larder, and a home office. Variously sized windows punctuate the brick elevations, visually articulating the different types of rooms within the house. This interplay between solid brick and transparent glass creates an irregular yet rhythmic facade. These windows are strategically placed to maximize natural light, especially given the presence of mature trees around the property. At the rear, large sliding doors on the ground floor open directly onto a garden and an outdoor dining area, blurring the lines between indoor and outdoor living. A walled garden at the front of the house provides a sheltered outdoor space that benefits from the evening sun. This area functions as an additional living space for the family, complete with herbs for the kitchen and a fire pit for cooler evenings. The architects viewed designing their own home as a valuable learning experience, providing insight into the client's perspective and the adaptability required throughout the project. They emphasized the importance of a good client in achieving a successful building, and their aim was to create a home that was inspiring and special, yet unpretentious, allowing them to live authentically within it. #ArtsAndCraftsArchitecture #HandmadeBricks #NewburyEngland #ResidentialArchitecture #FamilyHome #ContemporaryDesign #FlemishBond #ArchitectOwnedHome #ArchitecturalHeritage

Architectural designer Julia van Beuningen has transformed a late 19th-century thatched barn in Gelderland, the Netherlands, into a four-bedroom rental residence named Barn at the Ahof. The centerpiece of this conversion is a plywood spiral staircase, manufactured by EeStairs, which provides a striking contrast with the barn's rustic structure. Van Beuningen, who inherited the Landgoed Appel farming estate, aims to develop the site into a series of low-energy rental homes through a combination of refurbishments and new builds, emphasizing sustainable tourism in rural Dutch communities. The barn, having undergone a renovation approximately a decade prior, required less extensive work compared to other properties on the estate. While local studio Flip Wentink Architecten managed the planning stages, Van Beuningen took charge of the detailed design, including the custom spiral staircase and built-in joinery. The staircase centrally divides the open-plan ground floor, separating a dining area from a lounge that features a wood-burning stove. A minimal steel kitchen island complements this space, and an accessible bedroom and bathroom suite are also situated on this level. The newly introduced, smaller first floor accommodates two additional bedrooms and bathrooms. Van Beuningen prioritized the use of simple, natural materials throughout the renovation. In addition to the plywood staircase and bespoke joinery, the barn's interior features walls finished with flax and lime plaster. This material choice aligns with her objective to respect the building's inherent industrial character while integrating modern elements. Careful consideration was given to glazing details to enhance the design, incorporating large glass doors that can be hidden behind stable-style shutters, tall and slender skylights, and a subtle strip of glazing along the first floor's edge. From the exterior, the Barn at the Ahof maintains its traditional appearance with a thatched roof and red brick walls. This project is the second completed building on the Landgoed Appel estate, following the refurbishment of the former bakehouse. Future plans for the estate include the overhaul of the farmhouse, renovation of the sheep shed, and construction of a new barn. Environmental sustainability is a core principle guiding the entire project, with all buildings designed to integrate solar panels and ground-source heat pumps. Additionally, sections of the estate have been rewilded, and ancient wetlands reinstated. Van Beuningen hopes this initiative will demonstrate viable alternative revenue streams for farmers, particularly in light of government restrictions on the farming industry aimed at reducing greenhouse gas emissions. #BarnConversion #PlywoodStaircase #DutchArchitecture #ResidentialDesign #SustainableRenovation #InteriorDesign #AdaptiveReuse #RuralLiving #ArchitecturalDesign

Daniel Beauchemin, an interior designer who previously assisted Jamie Drake in decorating New York mayor Michael Bloomberg's apartment, and Marc de Laat, a graphic designer and photographer, decided to leave Manhattan's fast-paced life. They exchanged their Chelsea apartment and a house in Bucks County, Pennsylvania, for a small castle in the Netherlands, located near Eindhoven, de Laat’s hometown. The property, built in 1864 as a summer residence for a royal court member, was transformed by Beauchemin and de Laat into a cozy and inviting home. Beauchemin and de Laat met in Manhattan in 2005, and de Laat later moved to New York. Beauchemin, who continued to design interiors selectively after leaving Jamie Drake, focused on creating homes that reflected the owner's story rather than mere movie sets. This philosophy extended to their own residence, which features a harmonious blend of their individual collections. They discovered a shared aesthetic, including similar vintage Wedgwood Queen’s Ware, Haags Lofje silverware patterns (Dutch and British versions), and Persian rugs, indicating a deep compatibility in their tastes. Their search for a European property revealed a mutual appreciation for architectural styles, particularly pure Bauhaus or 19th-century designs. They found the Dutch castle online in the fall of 2007, and, drawn by its proximity to de Laat’s family, made an offer four months later, moving in the following spring. De Laat describes the castle as having “beautiful bones” despite its previous “Disney palace” décor, characterized by crystals, stained-glass windows, and pastel walls. The renovation took approximately 18 months, involving the recovery and painting of the facade and the replacement of much of the ground-level flooring with aged wood parquet. Beauchemin managed the interior color scheme and furniture arrangement, while de Laat meticulously curated objects and art, creating still life-like displays. Examples include a Dutch Louis XVI card table with a colorful glass bowl by a young Czech artist and Beauchemin’s collection of lemon squeezers alongside a vintage Christofle tea service. The grand rooms are made intimate by the extensive art collection, primarily housed in Beauchemin’s custom frames. The couple owns nearly 1,100 artworks, two-thirds of which are on display, ranging from an original Rembrandt print and an abstract Ralph Rucci painting to an iconic Mario Testano photograph of Princess Diana. Beauchemin now serves as the director of Larson-Juhl France, one of the world's largest custom-framing companies, spending several days a week across the border. Despite their active lives, they continue to garden and host friends at their Dutch castle, viewing their home as a reflection of their lives rather than a mere display. #DutchCastle #InteriorDesign #ArtCollection #HomeRenovation #LuxuryLiving #EuropeanHome #DesignPhilosophy #MarcDeLaat #DanielBeauchemin

Architect Julian King undertook a significant renovation of his 1923 Dutch Colonial home outside New York City, a project that was uniquely challenged by Hurricane Sandy. The storm caused two 85-foot pine trees to fall onto the house mid-renovation, a setback that occurred while framing was underway. Despite this, King, who was personally executing the renovation, maintained his vision for a new, spacious, and light-filled bedroom addition on the second floor. The addition, constructed above the attached garage, was designed as a sculptural mass that integrates with the surrounding natural environment. Its exterior features white stucco, which deliberately contrasts with the reclaimed barn wood cladding of the original house, highlighting the interplay between the historic and modern elements of the structure. King meticulously planned the addition's undulating form by studying the sun's path and considering the surrounding trees and views. This approximately 300-square-foot second-floor space houses a bedroom with a bed strategically positioned under a skylight, a window seat nestled within a three-sided window, a lengthy closet, and a bookshelf with hardware embedded into the original brick chimney. Interior design elements are minimalist, featuring trimless recessed downlights, clear glass shelving, and poured concrete over an electric radiant floor. The exposed red brick of the chimney serves as a subtle color accent, with the primary visual appeal coming from the natural blues of the sky and greens of the trees framed by the skylights and windows. A standout feature is the three-sided skylight above the window seat, designed to create an immersive experience with nature, appearing to dissolve into the air. This particular detail presented significant challenges in both its design and execution due to its unique configuration and the climate, described by King as a 'first of its kind.' The construction of the sculptural skylight involved several complex steps. A more than 900-pound skylight required craning into place, with King personally guiding the crane operator. A strip skylight between the old house and the addition necessitated an intricate arrangement of multiple headers to conceal the skylight frame within the wall and wood siding, enhancing the feeling of being outdoors. The corner window's detailing included a custom steel frame hidden behind the finishes, utilizing glazing tape and a powder-coated thin steel plate frame to achieve a flush appearance with the stucco. The window itself is made of half-inch tempered low iron glass, siliconed together on all three sides, with a thermostat-controlled heat tracing cable used in commercial curtain walls to prevent condensation. Glass shelves in front of the existing chimney are supported by concealed mechanisms behind the sheetrock and inconspicuous steel pins anchored into the brick. King personally undertook nearly all the work on the house, including the extensive gut renovation that involved replacing leaking cast iron plumbing, dangerous electrical wiring, inefficient windows, a leaking roof, cracked plaster, rotted sheathing, and failing floor joists. His hands-on involvement allowed for the execution of innovative details that local contractors might have found challenging. The renovation, described as "Herculean," ultimately achieved remarkable results, integrating advanced design with personal craftsmanship. #ArchitecturalRenovation #SkylightDesign #DutchColonial #ModernAddition #JulianKingArchitect #SustainableDesign #HomeTransformation #StructuralEngineering #ResidentialArchitecture