Inside Every Apartment Carrie Bradshaw Has Called Home—and the Can't-Miss Design Details

Interior designer Galeana Younger transformed a 1929 cottage in San Antonio's historic Monte Vista neighborhood into "Casita Chica," a home tailored for her 77-year-old mother, Chica. Despite the house's faded original luster, Galeana saw its potential, embarking on a renovation that prioritized her mother's vibrant personality and Mexican heritage over resale value. The initial design choice was to convert the 1,666-square-foot house into a one-bedroom with 1.5 bathrooms, a layout Chica embraced, stating her intention to live there indefinitely. The renovation emphasized custom millwork throughout the library, kitchen, and pantry to accommodate Chica's extensive collections and treasures accumulated over a lifetime. Galeana champions built-in features for their functionality and aesthetic contribution. The home is characterized by bold colors, rich patterns, and layered textures, creating an inviting and dynamic atmosphere. Vintage items and family heirlooms are seamlessly integrated with new or reupholstered furniture, blending historical significance with contemporary comfort. Each room in Casita Chica showcases unique design elements. The entry foyer features a celadon Osborne and Little wallpaper print, a cherished item Chica had kept for decades, and a gold star motif echoed by an art installation from a church in Puebla, Mexico. A family heirloom, a red dresser nicknamed the “triple casket,” was updated with a marble top. The living room, designed for conversation, boasts a cheerful color scheme, a Persian rug from Chica's father, and armchairs re-covered in fabrics by Manuel Canovas and Christopher Farr. A vintage bar cart, fitted with circus-like wheels, and a skeleton souvenir from Cuernavaca, Mexico, named "Kelly, the Skelly," add eclectic touches. The kitchen is a vibrant space with four different tile patterns and an almost electric yellow paint, designed to be fun and lively. Space was borrowed from a back bedroom to create a pantry. The former breakfast room was converted into a bar and seating area, complete with custom cabinetry for storage and a display of orchids, Mexican pottery, and fresh fruit. The dining room features scenic Manuel Canovas wallpaper, complementing Chica's existing furniture and art, including an Old English chest and a rosewood dining set from her parents. A “Madonna and Child” artwork and a crystal chandelier enhance the room's Old World elegance, while gold foil and pink archway motifs by the late artist Gregorio Mannino add a personalized touch. The powder room stands out with its "Everyday Lips" wallpaper by Voutsa and red velvet doors, creating a playful, immersive experience. It includes a vintage mirror, Signature Hardware vanity, and Kohler plumbing fixtures. The bedroom was designed as a regal retreat for Chica, incorporating a curtain and canopy in fabrics by Manuel Canovas, Clarke and Clarke, and Texture Fabrics. The custom headboard was crafted by Ray’s Upholstery using Schumacher fabric. A vintage lamp from Oaxaca, Mexico, and bedding by Matouk and Sferra complete the luxurious feel. Finally, an extra bedroom was repurposed into a "Cloffice"—a combined closet and office space with integrated laundry units. Custom cabinets store a variety of items, including Chica’s extensive collection of huipiles and traditional Mexican costumes. The cabinet doors, painted in Behr’s “Heart Breaker” pink, feature bamboo molding from Osborne Wood and hardware from Etsy, reflecting Chica's passion for Mexican art and textiles. #InteriorDesign #HomeRenovation #HouseTour #EclecticDecor #MexicanHeritage #CustomMillwork #VibrantColors #FamilyHeirlooms #SanAntonio

Designer Wesley Moon's Park Avenue apartment, shared with fashion executive Salvatore Malleo, is a testament to blending classical grandeur with modern sensibilities. The two-bedroom prewar apartment, initially a 'plain white box,' underwent a studs-out renovation to infuse it with a rich sense of history and luxurious detail. Moon drew inspiration from the Vatican's grand architecture and diverse stone work, aiming to create a contemporary interpretation of classical aesthetics. This approach manifests in the lavish use of geological materials throughout the 1,750-square-foot space, such as Byzantine pink onyx doors in the primary bedroom and book-matched opera d’arte marble in the powder room. The apartment’s ‘Carrie Bradshaw moment’ refers to the meticulously designed dressing room, further emphasizing the blend of style and personal expression. The kitchen, once a stark 1977 renovation by I.M. Pei featuring white Formica, has been reimagined with Patagonia granite countertops and coffee-hued cerused oak walls, offering a warm and sophisticated atmosphere for Moon, an espresso martini enthusiast, and Malleo, who enjoys cooking. Despite having lived in the apartment for only a year since its renovation during the pandemic, the space exudes a high degree of collectedness. This is achieved through a profusion of art and objects spanning different styles and eras, all unified by Moon’s personal aesthetic philosophy: buying what he loves and believing that diverse pieces will coalesce harmoniously, a principle inherited from his upbringing on a Georgia farm. The dining room features a custom de Gournay wallpaper, painted on gold leaf with matte pigments, depicting the palatial Palermo church Maria Santissima del Carmelo, significant to Malleo’s family. Illuminated by an Eve Kaplan gilded ceramic chandelier, the scene achieves a remarkable three-dimensional quality. In contrast, the adjacent living area showcases a large-scale watercolor by Kelly Falzone Inouye, depicting a scene from the film '9 to 5,' celebrating Moon's idol, Dolly Parton, whose black-and-white Lego portrait also adorns the library. Moon's design expertise lies in his ability to navigate the subtle boundary between maximalism and almost-maximalism, characterized by unique customizations. He demonstrates this by showcasing the fringy backside of a Holland & Sherry drapery textile instead of its embroidered face. The marble fireplace mantel is transformed into an architectural showpiece with Art Deco-inspired molding embossed in python scales and finished in turquoise, a collaboration with Benjamin Wiener. A replica of a Dutch master’s portrait of Elizabeth I above the hearth is uniquely fragmented by artist Michael Mapes, incorporating an image of Moon's grandmother (also named Elizabeth), symbolizing the designer's distinctive approach to classical disruption. Other notable design elements include gilded wall panels in the living room inspired by Paris’s Restaurant Le Gabriel, ombré drapes by Rosemary Hallgarten in the primary bedroom, and a golden ceiling mural by MJ Atelier in the library. The gallery space features fluted, burnished plaster walls, providing a textured yet neutral backdrop for art, complemented by velvet knot stools by Neta Tesler and a Robert Polidori photograph. The powder room, despite its small size, is a lavish display of geological gems, including book-matched opera d’arte marble and a custom solid-onyx basin. The primary bedroom is upholstered in luxurious textiles from Fortuny, Toyine Sellers, and Jim Thompson, with an 18th-century tapestry headboard embellished with gold paint by Jane Henry. The guest bathroom also boasts a thoughtful mix of materials, such as Ondulare Rosso marble and black Kyoto wall tiles by Artistic Tile, alongside a 1950s Osvaldo Borsani mirror, demonstrating Moon's comprehensive attention to detail and ability to create a harmonious, yet richly layered, living environment. #InteriorDesign #LuxuryApartment #ParkAvenue #WesleyMoon #HomeDecor #ArchitecturalDesign #CustomDesign #NewYorkCity

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

The article discusses Carrie Bradshaw's questionable kitchen chairs in the show "And Just Like That" following her breakup with Aidan. The author expresses strong disapproval of the folding chairs, describing them as "painfully basic," "temporary," and "blah," comparing them to dorm room furniture despite having gilded frames and emerald green cushions. Carrie, traditionally a style icon, has made other questionable design choices in her Gramercy townhouse, including her bedding and a "love table" shared with Aidan. The author links these decor choices to Carrie's emotional state throughout the season, suggesting that her reluctance to fully decorate her new home reflects her discomfort with the space and her relationship with Aidan. The article posits that Carrie subconsciously avoided permanent design decisions because she anticipated the relationship would not last, opting for easily disposable furniture. Following the breakup, the author urges Carrie to discard the chairs and other noncommittal decor, proposing alternatives like a chic bistro set or furnishing her townhouse with more eclectic items, reminiscent of her bachelorette pad. The article concludes by recommending that Carrie embraces a style more fitting for her character and independent lifestyle. #CarrieBradshaw #AndJustLikeThat #InteriorDesign #KitchenChairs #HomeDecor #CelebrityHomes #HouseBeautiful

In 2013, interior designer Mary Laipple built a three-bedroom, 2 ½-bathroom home at 455 Wyola St. in the Sweetbriar Village development on Mount Washington, deliberately avoiding the then-popular farmhouse style characterized by white shaker cabinets and gray interiors. Instead, Laipple, in collaboration with Sweetbriar developer Jeff Paul of Pomo Development, aimed for an "industrial modern" aesthetic that conveyed a lived-in, welcoming atmosphere, eschewing the typical new construction feel. Her design choices were focused on creating a timeless style, which has since gained widespread popularity on social media. The home's distinctive design elements are evident from the moment one approaches, with a Craftsman-style front door framed in teal. Inside, high ceilings contribute to an expansive feel. The main living space, accessible via three steps, immediately showcases Laipple’s vision. The kitchen, a central feature, boasts custom Decora cabinets with taupe finishes, a professional-grade Jenn-Air appliance suite including wall ovens and a six-burner gas range, and black soapstone countertops. Laipple specifically chose soapstone for its aesthetic appeal and antimicrobial properties. A center island with a waterfall edge provides seating for four. The kitchen's walls are adorned with neutral-hued, handmade subway tiles, complemented by a bronze-rubbed statement hood and a basket-weave backsplash. Lighting in the kitchen and dining area is provided by lantern pendants over the island and dining table. A custom wall bar, designed for entertaining, includes seeded-glass front doors, wine storage, a sink, and a mini-refrigerator, strategically positioned near the patio to facilitate both indoor and outdoor gatherings. The outdoor space features a roof-covered deck, a grill, and a settee, which Laipple notes is frequently used. The living room features a stacked stone gas fireplace, uniquely accented with a vertical soapstone panel on one side, cleverly concealing media and technology components. The upper level of the home accommodates a custom primary bedroom suite, distinguished by a tray ceiling, ceiling fan, and a continuation of the wide-plank oak flooring seen downstairs. The primary bathroom is designed as a luxurious retreat, featuring a double-bowl vanity, porcelain-and-glass tile walls, a soaking tub, and a spacious glass-walled shower with a seat. This suite also includes a walk-in closet equipped with custom cabinet drawers, ample hanging space, and shoe storage. The two additional bedrooms on this level measure 11x11 square feet and 11x10 square feet, respectively. One serves as a guest bedroom, decorated in a soft green-gray, while the other is currently configured as an office in a soft heather pink hue. An additional bathroom in the hallway could be integrated into the guest bedroom to create a second en-suite. The upper level also includes a conveniently located laundry space and attic storage with pull-down access. The finished basement offers further functionality with a yoga studio and workout area, a half bathroom with the potential for conversion into a full bathroom, and three large closets. Laipple highlights the flexibility of this space, mentioning that previous owners have adapted it into a guest suite by combining the bathroom with the main room. The property also features a two-car integral garage. The Sweetbriar Village community provides a large common area and sidewalks, promoting a friendly environment suitable for dog walking and social interaction. Laipple emphasizes the convenience of the Mount Washington location and its diverse community. #HomeDesign #InteriorDesign #MountWashington #PittsburghRealEstate #TimelessStyle #CustomHome #KitchenDesign #PrimarySuite #ResidentialArchitecture

Blair Harris Interior Design, a relatively new name in the New York design landscape, has completed a remarkable renovation of an Upper East Side townhouse. This project exemplifies sophisticated interior design, blending opulent textures, colors, and patterns to create an atmosphere of regal allure. The architectural elements of the townhouse, such as floor-to-ceiling windows, intricate ceiling medallions, detailed molding, and bespoke built-ins, provide a foundation for the luxurious aesthetic. The living room's design centers around a harmonious interplay of cool blue-purple tones and various shades of warm brown, which complement the dark hardwood floors. Large plantation shutters on the extensive front windows enhance the room's natural luminosity. Adjacent to the main living area is a secondary, less formal seating space, distinguished by a unique light fixture resembling a cactus or sea urchin. This fixture's angular design is softened by the plush textures of a wide sofa and chaise, while dark built-ins and an accent chair further enrich the space. The dining room echoes the color scheme of blue, purple, and warm browns. A substantial dark hardwood table, surrounded by opulent purple dining chairs, anchors the room. Light blue walls and glass chandeliers with an ice-like appearance contribute to a lighter, more inviting ambiance. The kitchen, in contrast, is characterized by its bright and airy feel, with white cabinets and a kitchen table that reflect the abundant natural sunlight. Light blue tiles provide a decorative accent on the kitchen walls. Throughout the townhouse, decorative elements such as low-relief designs on molding and ceilings, and intricately inlaid floor patterns, underscore the attention to detail. The stairwell, connecting the lower and upper levels, features a chic gold light fixture and a rich banister, adding to the home's overall elegance. The design team's approach has successfully integrated color, texture, and material into each room, crafting a cohesive and inviting narrative for the clients. #UpperEastSide #TownhouseDesign #BlairHarrisInteriorDesign #LuxuryInteriors #NewYorkDesign #InteriorDecoration #OpulentDetails

Jennifer Behr, the founder and creative director of a luxury hair and bridal accessories brand, lives in a meticulously organized 640-square-foot apartment in Fort Greene, Brooklyn. She approaches her living space with the same precise attention to detail as she does her jewelry box, ensuring every item is considered and has its designated place. This philosophy allows her small apartment to feel both functional and aesthetically cohesive. The apartment features materials and design elements reminiscent of Behr's Greenpoint studio. The bedroom armchair is upholstered in pink velvet, while radiator grills and light switches are crafted from brass. A mirrored wall in the bathroom creates an illusion of spaciousness, reflecting a crystal-like quality. The overall design emphasizes a sense of luxury and careful curation, extending even to the most minute details of the living environment. During a renovation five years prior, Behr implemented extensive built-in storage solutions. The kitchen, in particular, showcases this ingenuity, with cabinets extending to the ceiling and incorporating a paneled refrigerator, a pull-out pantry, and a microwave cupboard. Despite her height, Behr designed these high cubbies for lesser-used items, demonstrating a practical approach to maximizing vertical space. Closer to the ground, a shallow window crevice was transformed into a drawer for silverware, while discreet cabinets beneath the island house cleaning supplies, extra lightbulbs, and pet food. Behr's go-to pots and pans are stored in a credenza on the opposite side of a wall, illustrating a creative use of adjacent spaces to free up the main cooking area. She notes that her current small kitchen offers more storage than her previous, significantly larger kitchen, highlighting the efficiency of her design choices. The living area also provides ample space for activities like yoga, showcasing that smart storage does not equate to compromise on functionality or personal habits. The bathroom renovation further exemplifies Behr's commitment to thoughtful design. She sourced a specific 54-inch soaking tub, a smaller alternative to the standard 60-inch size, to accommodate her desire for baths within the compact space. A floor-to-ceiling mirror and a tankless toilet further contribute to the perception of openness. An integrated medicine cabinet, custom-shaped around internal pipes, ensures no space is wasted. In the bedroom, Behr designed a long, narrow closet with shock racks and rods to store her extensive collection of long dresses, meticulously measuring to ensure comfortable access. Her prized headpieces are protected and organized using custom-made wood blocks from her father, stored in primary and front hall closets to prevent dust accumulation. More delicate headbands, alongside earrings, necklaces, and bracelets, are housed in a vintage lingerie cabinet, organized by color and material, allowing for easy selection based on material type. Everyday items, such as bags, sunglasses, and scarves, are kept in two shallow closets in the entryway for convenient access. Behr's philosophy extends to displaying belongings openly, like chinoiserie jars filled with spices and teas in the kitchen, encouraging their regular use rather than saving them for special occasions. This approach reflects her belief in enjoying beautiful things daily, integrating them seamlessly into her life rather than reserving them for display. #SmallSpaceDesign #ApartmentLiving #StorageSolutions #HomeTour #InteriorDesign #LuxuryHome #CustomStorage #BrooklynHome #Renovation

Liz and Daniel Farrar, after living in Charlotte for over a decade and residing in several rental homes, finally found their ideal property on Carmel Road in South Charlotte. While the existing house itself held no appeal, the 3.6-acre lot, adorned with five 100-year-old magnolia trees, captivated them. Initially, the couple planned a renovation to accommodate their four children, aged 4 to 13. However, their architect and contractor advised against salvaging the old structure due to previous improper renovations, making a complete rebuild the more practical option. Having lived in numerous houses and with Liz's parents having built custom homes, the Farrars aimed to integrate their favorite elements into their 'forever home'. They enlisted Benham Builders, architect Scott Fleming, and designer Crystal Nagel to bring their vision to life, resulting in a new 7,600-square-foot residence. Their wish list was extensive and specific: Daniel desired a wraparound porch and large wood-burning fireplaces, while Liz sought an art deco style and 'dueling offices' off the foyer. The children wanted a pool, and the entire family prioritized ample space for entertaining and a kitchen capable of accommodating many people. Crystal Nagel emphasized designing a home that would serve the family for the long term, incorporating all their needs from the outset. Groundbreaking occurred in January 2022, and Crystal collaborated closely with Liz on every design decision, noting Liz's strong communication skills and clarity in identifying priorities. They opted for a light-colored, knotty floor for a casual feel, complemented by stained kitchen cabinets. While Liz favored bold colors, Crystal expertly moderated this preference to translate her vibrant personality into the home's aesthetic without overwhelming it. The exterior was designed in a classic Cape Cod style to blend seamlessly with the existing magnolias. As a mother of four herself, Crystal understood the need for functionality, designing what she termed a 'workhorse of a house' with durable furniture and fixtures. The interior boasts six bedrooms, seven full bathrooms, and two half-baths. The outdoor living space spans 2,500 square feet, featuring a covered patio, grill, and fireplace. A bright-yellow 'friend entrance' door on the side of the house, symbolic of friendship and happiness for Liz, adds a welcoming touch. The kitchen is equipped with two dishwashers, three sinks, a 60-inch Wolf range, and two oversized islands, designed for both dining and prep space, facilitating large gatherings. The islands are painted in Sherwin-Williams’ Underseas, with white oak cabinets featuring a matte finish. Durable quartz countertops and wipeable leather bar stools were selected. A glass mosaic tile backsplash serves as an accent wall, and brass hardware complements the custom vent hood. A retractable window above the sink opens to the patio, functioning as a snack bar for the pool area. The scullery includes a refrigerator, sink, and dishwasher, with a modern art deco marble backsplash featuring a brass inset, contrasting with the kitchen's more functional design. For the butler’s pantry, a fishtail tile backsplash with glittery marble adds an art deco touch. The cabinets are painted in Benjamin Moore's Montpelier and feature reeded glass doors. The spacious mudroom, designated the 'command center,' has porcelain brick floor tiles for dirt concealment and a large island for laundry. Each family member has a dedicated locker with shoe storage beneath, crafted from natural stained wood for durability. The primary bathroom features stained white oak cabinets, white porcelain plank flooring, and a makeup station with abundant natural light. Custom-made large mirrors from Frame Warehouse and polished nickel light fixtures from Visual Comfort were installed. The cabinet hardware incorporates reeded pulls, and the sinks have a scalloped texture, subtly echoing the art deco theme. Liz's 'dueling offices' flank the foyer, which opens into a family room with 10-foot ceilings and a grand fireplace for Daniel. A fluted console table with a Josh Jensen painting and sconces occupies a nook beside the fireplace, connecting to the primary bedroom. The sofa was custom-made, with accent chairs and tables sourced from Slate Interiors, lamps from Black Lion, and an area rug from The Loom and Co., reflecting Liz's 'eclectic and collected' style. Since moving in last July, the house has been a hub of activity, fulfilling the family's desire for a welcoming and functional home for entertaining and everyday life. #HomeDesign #CustomHome #InteriorDesign #CharlotteRealEstate #FamilyHome #ArtDecoInfluence #KitchenDesign #FunctionalLiving #TeardownRebuild

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Sarah Jessica Parker, known for her distinctive fashion sense, extends her impeccable style to her New York City townhouse, as evidenced by a recent glimpse shared on Instagram. The image reveals an inviting room bathed in sunlight, featuring a blue tartan lounge and a brass vase filled with bold red flowers on a coffee table. The backdrop includes a deep-hued floral wallpaper and a tasselled yellow cushion with a unique floral pattern, all contributing to an eccentric yet romantic aesthetic. Fans expressed appreciation for the textures, colors, and cozy ambiance of the space. Parker and her husband, Matthew Broderick, purchased the West Village townhouse in 2016 for $34.5 million, embarking on a renovation to imbue the property with their personal touch. The residence spans over 13,900 square feet and reportedly includes a 2,100-square-foot garden and a library, catering to Parker's passion for reading. Morris Adjmi Architects, known for their work on the Samsung building and the Austin Nichols House, oversaw the renovations, which reportedly cost $50 million. This aligns with Parker's long-standing interest in interior design, previously showcased in a 2014 Vogue '73 Questions' feature that highlighted her former Greenwich Village home. That property featured floor-to-ceiling bookshelves, unique artworks, and an antique sideboard with a vintage drinks tray. Beyond their New York City residence, Parker and Broderick also own a $6.5 million Hampton's hideaway. This seafront property was briefly available for rent on Booking.com in 2022, offered for two nights at a modest price. Parker's personal message for the listing emphasized a desire for guests to feel at home, encouraging them to enjoy the secluded backyard, spend time at the beach, dine at local restaurants, and utilize the fully stocked bar and vintage appliances. This article highlights Parker's consistent dedication to creating personalized and stylish living spaces, reflecting her unique aesthetic across multiple properties. The blend of bold patterns, rich colors, and thoughtful details defines her approach to home decoration, demonstrating how her personal style translates effectively into interior design. #SarahJessicaParker #CelebrityHomes #NYCTownhouse #HomeDecor #InteriorDesign #MatthewBroderick #WestVillage #Hamptons

Kathryn M. Ireland, a Los Angeles-based interior designer, is releasing a new book titled "A Life In Design" on October 24. This book commemorates her three decades in the industry, highlighting her distinct and fearless approach to interior design. Ireland's philosophy emphasizes a non-serious, playful attitude towards decorating, which has attracted a diverse clientele, including notable figures like Steve Martin and Drew Barrymore. The book will feature some of her Hollywood projects and personal residences, showcasing her signature style of blending colors, global styles, and various fabrics. Ireland's journey into interior design began unconventionally. She transformed her filmmaker husband's editing studio in Santa Monica into a decorative accessories shop, which quickly gained popularity. Her initial foray into professional interior design came when Steve Martin, impressed by an article she wrote for House & Garden about another celebrity home, commissioned her to design his cottage. For Martin's home, Ireland incorporated subtle seafoam green and cream fabrics with interesting textures to complement his vibrant modern art collection. She also designed simple yet luxurious curtains and created relaxed seating areas, fostering an environment suitable for conversation or impromptu musical sessions, reflecting Martin's interest in playing the banjo. Ireland views each project as a significant learning experience, and her work for Steve Martin taught her the importance of starting with art and antiques in her design process. Her design projects extend beyond celebrity homes to include residential transformations across various locations. For instance, she renovated cosmetics giant Victoria Jackson's ranch house in Ojai, California. This project involved extensive work, such as stripping floors and remodeling bathrooms, and introduced elements like Moroccan and Mexican tiles, Spanish light fixtures, and European furnishings. Ireland also added unexpected details, such as curtains made from vintage Mexican serapes and distinctive red floral-shaped light fixtures in the master bedroom, embodying her preference for amusing, unexpected touches over kitsch. Her expertise also extended to a full-scale renovation of a British actor's farmhouse in the Cotswolds, formerly owned by Sir Mark Palmer. In this project, she meticulously preserved the original spirit of the house while infusing her style. This included wallpapering the master bedroom with her Marrakech Natural in Teal fabric, pairing it with a French armchair upholstered in Pampas Teal by Andrew Martin, and incorporating an armoire from Lorfords in Tetbury. A kente cloth bedspread, created by an Ashanti tribe in Ghana, further exemplified her global aesthetic. Ireland's connection to Ghanaian fabrics dates back to the 1980s when she traveled there for a documentary, and these textiles have since become a primary inspiration for her own fabric collections, which are also featured in her new book. Ireland describes her rooms as resembling a "United Nations," where diverse elements from Bali, Ghana, and France coexist harmoniously. She believes that while many elements can be prominent, they must collectively create a sense of balance and unity rather than any single item dominating the space. Her long-standing engagement with textiles began at an early age, winning a sewing prize at seven for a patchwork quilt, and she continues to sew her own clothes. Ireland, who started her career in fashion, views home design as an extension of fashion, believing that decorating is a therapeutic and relaxing process for both herself and her clients. #KathrynMIreland #InteriorDesign #HomeDecor #DesignBook #CelebrityHomes #GlobalStyles #TextileDesign #CaliforniaDesign

Carrie Johnson recently shared a rare glimpse into her eldest son Wilfred's bedroom at their Oxfordshire manor house, Brightwell Manor. The family moved into the impressive nine-bedroom Grade II-listed property after Boris Johnson concluded his tenure as British Prime Minister, leaving 11 Downing Street. The manor, reportedly purchased for £3.8 million, boasts a rich history, with its oldest parts dating back to 1605, featuring a sitting room, family room, and an oak-paneled bedroom suite. Beyond the main residence, the estate spans almost five acres and includes a guest cottage, a tennis court, a walled garden, two stables, and even a moat, providing ample space for the couple and their three children: Wilfred (3), Romy (1), and baby Frankie (7 weeks). Wilfred's bedroom showcases a distinctive style, as revealed in Carrie's Instagram post where he is seen reading David Walliams' book 'Little Monsters'. The room features a single bed with a cream and daisy metal frame, adorned with a white quilted sheet printed with mini raspberries. Complementing the bedding are two Rufflemouse cushions, intricately decorated with gymnastic figurines and striped ruffle trims. Carrie captioned the photo, humorously remarking on the room's appeal: "Anyone else's kids bedroom nicer than their own!? Love this new raspberry print quilt from @evieandskye_tinytots." The decor extends to white walls, a framed French poster depicting Babar the Elephant, and wooden floorboards. A chest of drawers is covered with a vibrant rainbow-striped mat, adding a playful touch. Personalized elements are visible through soft toys, including a Paddington bear, a large giraffe, and an oversized letter 'W' to signify Wilfred's initial. This curated blend of classic and whimsical elements creates a unique and charming space for the young boy. Further insights into the family's new home were previously shared. Following baby Frank's birth, Carrie posted photos of the newborn in another room, revealing a plush bed with a dark wooden frame, ruffled pillows, and a blue pleated lamp, contributing a vintage aesthetic. In July, Carrie also offered a peek into their picturesque garden, which features a vegetable patch. She demonstrated making a homemade crumble using fresh rhubarb harvested from the garden, highlighting the whimsical beauty of the property's outdoor spaces with wildflowers and a large brick wall as a backdrop. The article provides a detailed look into the Johnsons' family life and their country estate, offering a rare glimpse into the private living quarters, particularly Wilfred’s uniquely decorated bedroom, and aspects of their extensive property. #CarrieJohnson #BorisJohnson #CelebrityHomes #ChildrensBedroom #HomeDecor #OxfordshireManor #InteriorDesign #FamilyLife

This article highlights the interior design of a 7,500-square-foot Chestnut Hill home, orchestrated by Cohasset-based interior designer Katie Frazier. The project focused on creating a comfortable, convenient, and aesthetically pleasing living space for a family of five who transitioned from city life to the suburbs during the COVID-19 pandemic. The homeowners, both holding demanding corporate careers, sought a highly personalized interior for their newly acquired house, which was already nearing completion by architect Marcus Gleysteen when they purchased it. Frazier's design approach centered on a transitional aesthetic, blending modern and traditional elements to achieve a "light and bright with interest" scheme. A key aspect of the design was the integration of "invisible" features that prioritize functionality and comfort. For instance, the kitchen's stove hood conceals a television screen that can be revealed for viewing from the island, eliminating the need for guests to crane their necks. The home office includes refrigerated drawers for beverages and snacks, and a dedicated closet was designed specifically for luggage storage. The husband's T-shirts each have their own designated drawer, illustrating the meticulous attention to organization and convenience throughout the home. Furthermore, electronic wiring is seamlessly hidden, contributing to the clean and uncluttered environment. Despite the prevailing pale and serene color palette in many areas, Frazier introduced vibrant statements of color and pattern to add character and visual interest. Examples include a custom-designed red wallcovering in the powder room located off the mudroom, saturated teal cabinetry in the butler’s pantry, and a soft, dark gray hue for the woodwork in the home office. The living room features elegant green-velvet sofas, providing a rich focal point. The design also incorporated spaces to display the family's expanding art collection, with a colorful abstract painting by Josh Jensen in the home office and an enigmatic painting by Brittney Ciccone above the living room mantel. The majority of the furniture in the house is new, carefully selected to complement the larger scale of the rooms compared to their previous city residence. Custom cabinetry, crafted by JD Millworks, was installed throughout the home to meet the family's specific needs and preferences. Importantly, the design process did not involve any structural modifications to the house; the existing architectural layout proved suitable for the family's requirements. Frazier's firm, established after her mentorship at Hudson Interior Designs, undertook this project in April 2020. A significant challenge during the project was navigating the uncertainties and safety protocols associated with working during the COVID-19 pandemic. Despite these obstacles, the project was completed successfully and on schedule, without any health incidents, resulting in a luxurious and comfortable suburban sanctuary for the family. The article was originally featured in Boston Home's Fall 2024 issue under the title “Easy Living.” #InteriorDesign #ChestnutHill #HiddenFeatures #LuxuryHome #TransitionalDesign #CustomCabinetry #FamilyHome #KatieFrazierInteriors #BostonHome

The Brooklyn town house belonging to actor David Harbour and singer-actor Lily Allen is a vibrant and unconventional space, designed in collaboration with AD100 designer Billy Cotton and architect Ben Bischoff of MADE. The home, described as a "familial fantasyland of daring beauty and individual connoisseurial vision," stands in stark contrast to the prevailing trend of minimalist, neutral aesthetics. Its interiors feature a dynamic mix of chintz balloon shades, crystal chandeliers, pink silk, tiger-patterned textiles, and Mylar wallpaper, reflecting Allen's bold, eclectic, and fun personal taste, as noted by both Cotton and Harbour. The project began with the renovation of a late-19th-century Italianate brownstone in Brooklyn’s Carroll Gardens neighborhood. Architect Ben Bischoff recalls the house's initial deteriorated state and the subsequent discovery of original moldings and doors beneath layers of past renovations. The couple sought to preserve the historical character while creating a casual, family-friendly environment, rejecting overt formality. Billy Cotton presented three design directions: traditional English, modern Brooklyn town house, and a layered Italian style, which the couple embraced due to the neighborhood's Italian-American history and Allen's desire for something "weird and wonderful." The layout of the house also deviates from typical conventions. The second level features a primary bath-cum-sitting room, adorned with wall-to-wall floral carpet, Zuber wallpaper, and sink stands fashioned from Louis XVI–style commodes. This eclectic design prioritizes the owners' preferences over traditional resale value concerns, as highlighted by Allen. The primary bedroom, uniquely situated as a windowless chamber between the main bath and dressing rooms, further exemplifies the personalized approach to the home's design. On the piano nobile, the kitchen and dining area are positioned at the front of the house, immediately accessible from the street, signifying its role as the home's central gathering space. Conversely, the living/garden room, featuring a double-sided sofa in emerald velvet, is located at the rear. The lower-level media room, devoid of original 19th-century details, adopts a crisp, contemporary interior with a glamorous, Madeleine Castaing-inspired aesthetic, showcasing matching tiger-patterned carpet and sofa against high-gloss, creamy-white walls. This design choice, according to Cotton, is a reflection of Allen’s captivating presence and her aversion to conventional living spaces. David Harbour, a self-proclaimed "suburban boy" accustomed to a more conventional aesthetic, expresses admiration for his wife's distinctive vision and willingness to take design risks. Despite the unconventional style, which their children playfully refer to as the "clown house," the home embodies a deeply personal and creatively executed living environment that perfectly suits the family's unique preferences. The collaboration between the homeowners, designer, and architect resulted in a unique and character-filled Brooklyn residence. #HomeDesign #InteriorDesign #CelebrityHomes #BrooklynRealEstate #EclecticDecor #RenovationProject #ArchitecturalStyle #LuxuryInteriors

This article showcases the transformation of a 1918 brick Georgian home in Greenwich, Connecticut, into an ultimate entertaining space, spearheaded by interior designer Shazalynn Cavin-Winfrey and architect William Hellow. The owners desired a colorful and collected aesthetic that conveyed happiness, leading to an imaginative, elegant, and vibrant design throughout the house. The tour begins with a high-octane dining room, emphasizing deep, layered colors and magical lighting. Key features include a luminous silver-leafed ceiling that reflects light, high-gloss trim custom-matched to the velvet walls, and Baltic blue velvet upholstery that provides a regal feel and excellent acoustics for dinner parties. Abstract art from the owners' collection adds a personal touch and breaks the formality, while a late-18th-century mahogany sideboard with gold details complements the Georgian style and offers practical heat resistance with its marble top. The powder room, presenting a geometric challenge due to an off-center leaded-glass window, was elegantly resolved with Ralph Lauren silk wallpaper in pinstripes and a marble chevron floor. Playful antique parrot sconces and a Lucite-and-gold sink base introduce a hint of fun without compromising sophistication. The kitchen is designed to work the crowd, featuring prime seating, intriguing collections, and an easy flow for mingling. A mohair banquette framed in walnut offers a comfortable and virtually indestructible gathering spot. Globe lighting, re-created from a Los Angeles find, adds a touch of retro charm, blending playfully with the room's rectilinear layout. White stone walls provide a clean contrast to reclaimed walnut islands, which appear aged and symmetric. Double islands, one equipped with an ice machine, sink, and beverage drawer, enhance functionality and balance in the voluminous space. A coffered ceiling, custom-matched to the cabinetry, ensures harmony, while a corner cabinet with British metal mesh offers light, period-appropriate vertical storage that accents gold elements. The French Lacanche range, trimmed in brass and nickel, serves as the kitchen's centerpiece, inspiring a custom hood with beautifully detailed rivets. The bar area, originally a sunroom, was transformed into an intimate formal bar. It features a copper cupola and an octagonal laser-cut marble floor pattern, echoing the cupola's shape. Green lacquer walls, ceiling, and cabinetry are illuminated by penlights, creating a festive sheen and a solarium-like atmosphere with a 360-degree garden view. Guest rooms are designed with gusto, using layered patterns for a cozy, timeless, yet pleasing aesthetic. An example includes a blue plaid with cream and gold stripes, offering a fresh take on classic patterns. Another feminine bedroom showcases a bold bargello rug contrasting with traditional pink pagoda prints on walls, windows, and bed upholstery, all complemented by luxurious yet manageable bed linens. This comprehensive design approach ensures every space is not only beautiful but also perfectly suited for frequent entertaining. #HomeDesign #InteriorDesign #EntertainingSpace #GeorgianHome #LuxuryDecor #DiningRoom #KitchenDesign #BarArea #GuestBedrooms

Interior designer Susannah Talley, after moving from a 3,000-square-foot carriage house in Prides Crossing, Massachusetts, downsized to a 475-square-foot studio on the Upper East Side, which she affectionately refers to as her “treehouse.” This transition occurred 27 years ago. In 2008, Talley's experience with small-space living gained an additional dimension when she discovered an abandoned dollhouse and undertook its restoration. This project, detailed in her 2015 self-published book, *The Dollhouse: A Love Story*, became a shared creative endeavor with her husband, Truman “Mac” Talley, during his illness. The living room of Talley’s studio is designed to evoke the ambiance of a country home, featuring family portraits and comfortable chairs arranged around a decorative fireplace. This fireplace ingeniously conceals a flat-screen TV. The armchairs are upholstered in a mixed “Tree of Life” patterned fabric from Jofa, complemented by wall-to-wall carpeting from Patterson, Flynn & Martin. Talley offers practical advice for maximizing small spaces, such as utilizing floor-to-ceiling mirrored walls in strategic locations to create the illusion of greater depth. She emphasizes the importance of selecting furniture that is appropriately scaled for the space, advising against oversized sectional seating due to its potential to overwhelm a room and complicate the placement of reading lamps. Instead, she recommends comfortable club chairs paired with well-positioned reading lamps and movable ottomans over traditional sofas. Upon entering the studio, the inviting decor immediately conveys Talley's expertise in creating beautiful and welcoming environments. A notable design element is the decorative fireplace, which, upon closer inspection, reveals a crackling fire image displayed on a flat-screen TV. Above the fireplace hangs an unsigned family portrait. Talley ingeniously converted a closet space into a functional bar area. This space features checked skirting fabric from Schumacher, wallpaper from Cole and Sons at Jofa, and paint from Farrow & Ball. Talley advocates for varying wall surfaces through different wallpapers and paint colors to create the perception of distinct rooms within a small area. She also prefers wool wall-to-wall carpeting for its ability to hide dirt, eliminating the need for guests to remove their shoes, which she considers an imposition. Another clever design solution within the studio is a functional dressing table integrated into a deep window sill near the bed. This was achieved by inserting a “sandwich of decorative wallpaper within two curved pieces of glass,” with decorative trim providing a finished edge. Hidden right-angle brackets offer structural support for this feature. The dollhouse, found abandoned on the street, was a significant project for Talley. She recounts her immediate connection to the dollhouse, seeing it as an answer to her desire for a creative project. She meticulously sanded away crayon and marker scribbles, drilled holes for lighting using Christmas-tree lights, and painted the exterior a deep eggplant shade to harmonize with her apartment’s decor. Together with her husband, Mac, she embarked on furnishing and decorating the dollhouse’s rooms. Talley sourced miniature items for the dollhouse from The Tiny Dollhouse Store on East 78th Street, acquiring objects like a two-inch dog bed, a thimble-sized bunch of bananas, and a fist-sized baby grand piano. The dollhouse kitchen is meticulously detailed, complete with tiny pots, pans, plates, cookbooks, and a miniature bottle of wine. The dollhouse's boudoir features a black-and-gold japanned bed and matching chairs, a gift from her sister. The walls are adorned with deep pewter-blue damask, and the floor is covered with navy-blue felt serving as wall-to-wall carpeting. A purple cocktail coaster from India was repurposed as a bedspread, and an upside-down beaded votive holder functions as a perfectly scaled bedside table. A painting by Talley’s daughter, Expressionist painter Isabelle Peabody, hangs on the wall. The dollhouse also includes a miniature menagerie of four-legged friends, completing the domestic scene. This project became a poignant and creative outlet, providing a miniature world within their real-life small space. #homeDesign #smallSpaces #interiorDesign #studioApartment #dollhouseRenovation #decoratingTips #creativeLiving #upperEastSide #SusannahTalley