Nishizawa Architects design a Vietnamese home with moving metal walls

The TB House, designed by HA&A Design, is a residential project located in a Vietnamese village undergoing urbanization. The house was conceived as a gift from a young couple to their children, with a primary focus on maximizing natural light and vegetation within the living environment. The design addresses the local climate conditions by orienting the main open surface along the prevailing wind direction, which also aligns with the sun's orbit, ensuring optimal natural ventilation and sunlight exposure throughout the day. This strategic orientation aims to create a comfortable and healthy indoor atmosphere, a crucial aspect for a family home in a developing urban context. The architects incorporated locally available stone materials, which were often used arbitrarily in the region, into the design. This approach reflects a commitment to utilizing regional resources and potentially elevating their aesthetic and functional application within a structured architectural context. The integration of these local materials likely contributes to the house's unique character and its connection to the surrounding environment, while also promoting sustainable building practices by reducing the need for imported materials. The TB House spans an area of 400 square meters and was completed in 2022. The architectural team, led by Vũ Ngọc Hậu, included Lê Thu Phượng, Văn Cường, and Đỗ Hoàn. Triệu Chiến was responsible for the photography, capturing the essence of the design and its integration into the landscape. The project utilized products from manufacturers such as AutoDesk, Charm decor, Dulux, Toto, and Vietceramics, indicating a blend of modern construction technologies and local material sensibilities. The emphasis on natural light and vegetation suggests a design philosophy centered on well-being and a connection to nature, particularly beneficial for children's development. This design choice also addresses energy efficiency by reducing reliance on artificial lighting during daylight hours. The architectural firm's thoughtful consideration of both environmental factors and the clients' aspirations highlights a holistic approach to residential design in an urbanizing Vietnamese setting. Furthermore, the selection of local materials not only supports regional economies but also minimizes the carbon footprint associated with transportation. The project serves as an example of how modern residential architecture can respond to specific site conditions and cultural contexts, balancing contemporary design with traditional resourcefulness. The TB House stands as a testament to creating a nurturing and environmentally conscious home in a rapidly changing environment. #ResidentialArchitecture #VietnameseArchitecture #NaturalLightDesign #SustainableMaterials #Urbanization #ModernHomeDesign #HAADesign #FamilyHome #LocalMaterials

PVT House, designed by Cote Architects, is situated in a tranquil residential area of Vỹ Dạ Ward, Hue City, Vietnam. The house benefits from its proximity to a lush garden, providing extensive open views, abundant natural light, and a serene, fresh atmosphere. The design prioritizes integration with nature, ensuring that the living spaces feel connected to the outdoors while maintaining privacy and comfort. The project covers an area of 390 square meters and was completed in 2024. The architectural team was led by Hoang Viet Hung, with contributions from Nguyen Ba Vuong, Vo Thanh Thuy, Le Van Hoang Hai, and Vo Doan Hung. Structural engineering was handled by Nguyen Minh Hoang, while Dien Quang Hue was responsible for lighting design. MEP and HVAC consulting were provided by COTE Arch. Key manufacturers involved in the project include AutoDesk, Eurotile, INAX, and Kenwin. The house features prominent use of concrete as a primary material, which contributes to its modern aesthetic and structural integrity. The design likely incorporates large windows and open-plan layouts to maximize the inflow of natural light and views of the surrounding garden. The emphasis on natural light and ventilation aligns with sustainable design principles, enhancing the living environment and reducing reliance on artificial lighting and cooling. Photographs by Hoang Le capture the essence of PVT House, showcasing both its exterior and interior spaces. The exterior photography highlights the house's facade and window placements, suggesting a thoughtful approach to balancing openness with privacy. Interior shots often feature dining areas, living spaces, and bedrooms, emphasizing the interplay of light, shadow, and material textures. The use of beams in the interior design indicates a focus on structural expression and spatial definition. Architectural drawings, including site plans, floor plans for multiple levels, sections, elevations, and an axonometric view, provide a comprehensive understanding of the house's layout and design philosophy. These illustrations detail the spatial organization, circulation paths, and volumetric relationships within the building, offering insights into how the architects addressed the programmatic requirements and site conditions. The project reflects contemporary residential architecture in Vietnam, often characterized by a blend of modern design with local climatic and cultural considerations. #ResidentialArchitecture #HouseDesign #VietnamArchitecture #ConcreteArchitecture #NaturalLight #SustainableDesign #ModernHome #HueCity

Noah’s Nest, a residential project by Archiro Vietnam in Tiền Giang province, presents a modern home deeply rooted in Vietnamese architectural traditions. Designed for actor Lâm Thanh Nhã, this 603-square-foot residence thoughtfully combines contemporary design principles with a strong emphasis on local heritage. The project diverges from industrial, imported materials, instead favoring locally sourced elements such as baked clay bricks, bamboo poles, traditional rice storage straw mats, and ornamental stone mortars. This material selection not only serves an aesthetic purpose but also firmly connects the home to the cultural and agricultural landscape of the Mekong Delta, reflecting Tiền Giang's identity. The home's design balances rustic textures with clean, modern lines, creating a space that feels both familiar and innovative. This equilibrium ensures the residence integrates seamlessly into its rural environment while maintaining a distinct architectural character. Despite its modest size, Noah’s Nest achieves a sense of openness and spaciousness through strategic use of skylights and integrated greenery. Natural ventilation is a key design feature, allowing air to flow freely throughout the structure and minimizing the need for artificial cooling in the tropical climate. The inclusion of indoor plants and outdoor views throughout the layout promotes biophilic design, contributing to a healthier living space. The underlying philosophy of Noah’s Nest extends beyond its physical attributes. The home, characterized by unfinished walls and open windows, is conceived as a dynamic structure that requires ongoing care and interaction, much like a nest. These deliberate imperfections add to the home’s character, serving as a constant reminder of the evolving nature of family life. For its owner, the home functions as a creative sanctuary. The comforting familiarity of traditional materials, coupled with the tranquility of rural life, provides an environment conducive to introspection and artistic inspiration. This setting allows Nhã to explore new ideas for his work, thereby contributing to the development of Vietnam’s film and artistic community. A notable design element is the integration of indoor rock beds. On the ground floor, a rock garden forms the focal point of the open-plan living area, encircling a spiral staircase that connects to the upper level. This sculptural feature is softened by lush greenery, effectively blurring the boundaries between interior architecture and nature. Upstairs, a second rock bed serves as the foundation for a floating bathtub, strategically placed opposite the bed in the primary suite. Surrounded by tropical plants and natural textures, this bathing area evokes the ambiance of a private spa, integrating tranquility and biophilic design into the core of the home. The exposed brick construction of Noah’s Nest is a testament to the collaborative effort between the design team and local artisans. This technique not only emphasizes the tactile beauty of handmade materials but also enhances building efficiency and reduces costs. By highlighting the natural tones and patterns of the bricks, the home gains visual warmth and minimizes the need for additional ornamentation. Structural components are subtly integrated within the brickwork, creating an illusion of simplicity while ensuring robust support for the entire structure. #VietnameseArchitecture #ModernHomeDesign #BiophilicDesign #SustainableMaterials #CulturalHeritage #IndoorOutdoorLiving #ArchiroVietnam #TienGiang

The J House in Bien Hoa, Vietnam, designed by local studio CTA (Creative Architects), addresses the challenges of a narrow urban plot measuring four by 24 meters by employing a strategic use of folding glass doors, perforated metal screens, and skylights. The client, a teacher, sought a bright and airy home that could also accommodate her gardening hobby. The design prioritizes natural light, ventilation, and noise prevention, drawing from CTA's analysis of common issues in urban townhouses. The home is organized with a layering of spaces. The entrance features a living room and classroom accessible through full-height, folding glass doors. This space transitions into a central kitchen and dining area, which then leads to a bedroom and a small private garden at the southern end of the property. The distinct areas are delineated by large, wood-framed screens, which are infilled with various types of glass – translucent, transparent, and textured. This approach creates diverse light qualities and visual connections throughout the interior, promoting an open yet defined living experience. Given the site's narrow dimensions, the design incorporates skylights to bring natural light and air into the house's central and rear sections. These skylights are equipped with a thin layer of stones on top, which serves to diffuse direct sunlight, reduce glare, and produce dappled shadows within the home. This creates an effect reminiscent of sunlight filtering through leaves, enhancing the natural ambiance indoors. The team at CTA aimed to ensure that while the indoor spaces are abundantly lit, they remain cool and comfortable. A staircase, also illuminated by a skylight, ascends to the smaller first floor. This upper level comprises an additional bedroom, a bathroom, and a terrace at the front of the house. At the rear, a rooftop garden is sheltered by a metal-framed pergola. The exterior of the upper storey is clad in finely perforated metal panels arranged in a gridded pattern. A deliberate gap in this cladding allows for unobstructed views from the bedroom window and terrace, blending privacy with openness. The interior material palette features dark wood, concrete, and stone panels, which complement the play of light and shadow, imparting a sense of warmth and intimacy to the dwelling. Furthermore, a hollow-frame ceiling system is integrated into the design to absorb external noise, contributing to a tranquil indoor environment. CTA, established in 2014 and led by Bui The Long, Vo The Duy, and Nguyen Thi Xuan Thanh in Ho Chi Minh City, has a portfolio that includes other residential projects in Vietnam, such as a home in Tay Ninh with brown scalloped tiles and another in Bien Hoa wrapped in perforated bricks, showcasing their consistent focus on innovative material use and light management in narrow urban contexts. The photography for the J House project was done by Hiroyuki Oki. #JHouse #CTA #VietnameseArchitecture #NarrowPlotDesign #NaturalLight #Skylights #PerforatedMetalScreens #SustainableDesign #UrbanHousing #InteriorDesign

Local House, completed in 2022, is a contemporary and sustainable residence situated within the historically significant Mount Eagle Estate in Eaglemont, Australia. Designed by Zen Architects, the project reinterprets the architectural character of the suburb while integrating seamlessly with its meticulously landscaped environment. The Mount Eagle Estate, originally planned and designed by Marion Mahoney and Walter Burley Griffin in 1915, is known for its winding roads and community parklands that follow the natural topography, with dwellings designed to be secondary to the natural landscape. The Griffins, proponents of modern architecture, advocated for designs free from stylistic precedents. This historical context informed the architectural approach for Local House, adhering to the estate's guidelines which encourage modern designs while complying with heritage, landscape, and vegetation protection overlays. The residence spans 214 square meters and was constructed by CBD Contracting Group. Key materials used in its construction include wood, concrete, and brick, contributing to its sustainable and contextual design. The architectural team was led by Ric Zen as the Design Architect, with Luke Rhodes as the Project Architect, and Madeleiene Ingham and Sanderson Bell serving as Architectural Assistants. OPS Engineers provided the engineering expertise for the project. The design prioritizes harmony with the natural surroundings, a core principle of the Mount Eagle Estate. This is evident in the integration of the house with its garden and facade, featuring numerous windows that allow for ample natural light and views of the landscape. The interior spaces are designed with a focus on natural materials, incorporating wooden elements, exposed beams, and thoughtful layouts that enhance functionality and aesthetic appeal. The presence of large windows throughout the house, including in living areas, bedrooms, and bathrooms, highlights the connection between indoor and outdoor environments. Courtyards and patio areas further extend the living space into the garden, providing opportunities for outdoor enjoyment and interaction with the natural setting. Interior photography showcases various rooms, including living areas with wooden tables and chairs, a kitchen with contemporary countertops and shelving, and bedrooms designed for comfort and natural light. The bathroom features modern fixtures and large windows, reinforcing the bright and open aesthetic. The overall design emphasizes a minimalist yet warm ambiance, achieved through the careful selection of materials and the strategic use of natural light. The project successfully balances modern architectural principles with the historical and environmental sensitivities of the Mount Eagle Estate, creating a dwelling that is both innovative and respectful of its unique context. #ResidentialArchitecture #SustainableDesign #ModernArchitecture #MountEagleEstate #ZenArchitects #Melbourne #Australia #ContemporaryHouse #EnvironmentalIntegration

ROOVICE has completed the Shirokanedai House project, a renovation of a 50-year-old wooden residence in Tokyo's Minato ward, Japan. The primary objective of this project was to upgrade the 1970s two-story house for enhanced earthquake resistance, establishing safety as the fundamental principle guiding all subsequent aesthetic and functional improvements. The renovation successfully integrates traditional Japanese architectural elements with contemporary design principles, aiming to improve the property's overall functionality, safety, and visual appeal for continued rental use. The decision to renovate rather than demolish was driven by the prohibitive costs associated with demolition in Japan and the property's sound structural condition. The ground floor underwent a significant transformation to create a more open and inviting living space. This involved the removal of existing dividing walls and ceiling boards, effectively merging the former kitchen with two tatami rooms into a single, expansive area. The previously dim, grayish walls were repainted in a crisp white, and new windows were installed to maximize natural light penetration, contributing to a brighter atmosphere. The traditional tatami floors were replaced with hemlock wood flooring, and the kotatsu stove pit was covered. The kitchen and corridor areas were updated with durable clinker tiles, and a custom-made kitchen counter was installed, adding a contemporary touch. A distinctive triangle-shaped built-in cupboard in the corridor wall was visually accentuated by a diagonal wall connecting it to the kitchen wall. A new glass door, designed to complement the cupboard's style, was also added, enhancing both functionality and aesthetic coherence. Further enhancements on the ground floor included the bathroom, which was reconfigured to accommodate a washing machine. The front room's flooring was updated with practical PVC sheeting. A new bathtub and white wall tiles were installed, while traditional Tamaishi tiles, reminiscent of the Shōwa era, were selected for the bathroom and toilet floors. The wooden steps connecting the living room to the garden were replaced with stone steps, fostering a more robust connection between the interior and exterior spaces. Upstairs, the renovation maintained a respectful link to the home’s traditional roots while introducing modern updates. The kitchenette in the corridor was removed, and the wall in this area was tiled with the same clinker tiles used on the ground floor, ensuring design consistency. New tatami mats were laid in the tatami rooms, and the shoji doors were refurbished, preserving their traditional character. The outer corridor’s flooring and windows were updated to align with the ground floor's design. All walls throughout the upper level were painted white, contributing to a cohesive and bright ambiance. In the third room on the second floor, old wood boards were replaced with new lauan wood ones, and a beige carpet was laid, offering a soft contrast to the wooden elements. The balcony received waterproofing treatments, and its fencing was repainted black, concluding the comprehensive refresh of the home's exterior. #ROOVICE #HouseRenovation #EarthquakeResistance #JapaneseArchitecture #TokyoRenovation #ShirokanedaiHouse #TraditionalModernDesign #InteriorDesign #ArchitecturalUpdate

Khuôn Studio and Phan Khac Tung designed the 18 House in Ho Chi Minh City for a family with a young daughter, situated on a compact 18-square-meter plot. The primary design challenge was to maximize space while ensuring privacy and adequate daylight in a dense urban environment. The solution involved constructing a multi-level home with a distinctive washed-terrazzo facade, characterized by tall, narrow, and individually operable windows. These narrow windows are integral to the home's design, serving both aesthetic and functional purposes. They facilitate natural light penetration into the interior while maintaining privacy from neighboring buildings. The facade also incorporates angled protrusions between windows, which shield the interior from direct sunlight and prevent unwanted views into the home. This strategic fenestration addresses the need for both openness and enclosure in a tightly packed urban setting. To optimize the limited internal area, the architects placed the staircase along the building's perimeter. This not only created additional functional space underneath for bathrooms and storage but also prevented the circulation areas from encroaching on living spaces. The staircase itself is minimalist, featuring wooden treads supported by metal rods suspended from the ceiling, contributing to a light and airy interior ambiance. For child safety, the architects suggested the future addition of rope nets. The ground floor includes a garage accessible by scooter, seamlessly connected to a compact kitchen and lounge area, with a restroom beneath the stairs. A double-height void above the parking area offers flexibility for future expansion, potentially accommodating an additional loft level. The first floor houses a bedroom with a raised platform for the child's bed, where the external angular facade elements are mirrored internally to manage morning sunlight and prevent overheating. The second floor contains another bedroom with a tiled headboard. A toilet is situated below the final flight of stairs leading to a shrine on the uppermost level. Adjacent to this bedroom, a set of steps ascends to a mezzanine reading loft, integrated with shelving within the deep window sills. A roof terrace extends from the worship space, providing access to an additional seating area on the roof of the reading room. The choice of terrazzo for the facade provides a durable and aesthetically pleasing finish that complements the modern design of the house. The project demonstrates an innovative approach to urban living on a small footprint, balancing practical needs with creative architectural solutions to create a comfortable and private family home in a bustling city. #ResidentialArchitecture #SmallPlotDesign #UrbanLiving #HoChiMinhCity #KhuonStudio #TerrazzoFacade #NarrowWindows #SpaceOptimization #VietnameseArchitecture #ModernHome

Limdim House Studio has undertaken a renovation project for the Brown Box apartment in Vietnam, transforming a previously commercial two-bedroom unit into a serene one-bedroom home. The design philosophy centers on creating a gentle and calm living space, inspired by the owner, Ms. Brown, and her preference for the color brown. The renovation involved a significant reorganisation of the apartment's layout, primarily by removing existing walls to foster a more open and fluid environment. A key design element implemented throughout the apartment is the extensive use of curved walls and arched niches. These architectural features serve to soften the interior, eliminating sharp corners and contributing to a sense of fluidity and openness. Complementing these curves are tiered cornices, which offer a contemporary interpretation of traditional crown mouldings, further enhancing the gentle aesthetic of the space. The overall design embraces a natural color palette, predominantly featuring light browns, beige, and various wood tones, which collectively evoke a tranquil and sophisticated atmosphere. The studio's material selection plays a crucial role in defining the apartment's character. Terrazzo is a prominent material, applied not only to the flooring but also to key furniture pieces such as the kitchen island. This choice provides a durable, aesthetically pleasing surface that contributes to the apartment’s cool and soothing feel, particularly beneficial in Vietnam’s tropical climate due to its heat dissipation properties. The continuous flow of terrazzo from the kitchen island across the floors unifies the main living areas. In the open-plan kitchen and dining area, a rounded island clad in pale terrazzo acts as a central feature, offering additional counter space while blending seamlessly with the apartment's overall design. An arched niche within the kitchen frames the sink, terrazzo countertops, and a semi-circular arrangement of taupe-brown overhead cabinetry, all designed to fit harmoniously within the alcove. The living space, separated from the kitchen and dining area by floor-to-ceiling Melaleuca wood cabinetry and a curved ceiling, continues the theme of natural materials and soft forms. This curved ceiling transitions into an arched wall, subtly demarcating the living zone. Wooden furnishings further tie into the natural aesthetic, ensuring consistency throughout the main living areas. The bedroom, accessed through an arched doorway from the living area, maintains the calm and airy aesthetic. The walls in this private space are finished with a grey plaster-like texture, adding a tactile dimension. An en-suite bathroom adjoins the bedroom, featuring a free-standing terrazzo bathtub positioned beneath a large circular window, which provides a visual connection between the two spaces. Redbrick tiling is used within the en-suite, introducing a contrasting texture while remaining within the natural material palette. Limdim House Studio emphasizes that the primary goal of their design is to create a comfortable and sophisticated living environment that truly resonates with the owner. The studio believes that a successful design goes beyond meeting basic needs, aiming to foster a sense of enjoyment and peace within the home. This project reflects their architectural and interior design approach, which focuses on integrating natural materials, subtle curves, and a calming color scheme to create a harmonious and inviting space. #LimdimHouseStudio #VietnamInteriors #ApartmentRenovation #CurvedWalls #ArchedNiches #TerrazzoDesign #NaturalPalette #OpenPlanLiving #ContemporaryInteriors

The "Courtyard House with Seven Rooms" project, designed by Takayuki Kuzushima and Associates, is a residential property located in the suburbs of Nishio, Aichi Prefecture, Japan. Completed in 2022, the house spans an area of 95 square meters and was constructed with structural support from Komatsu Structural Design. The design process for this house was unique, starting from the owner's extensive collection of architectural and interior design images sourced from social media and magazines. This collection included a diverse range of aesthetics and functional ideas, from bare concrete exteriors and wood-paneled facades to minimalist and eclectic interiors, alongside practical storage solutions and antique furniture preferences. Faced with a seemingly disparate set of inspirations, the architects opted against a selective approach to integrate these varied elements. Instead, their design philosophy focused on creating a foundational framework capable of accommodating and harmonizing this overflow of diverse and potentially evolving preferences. The core concept revolves around an "open room to room" strategy within a "build room in town" context. This approach aimed to foster a continuous and adaptable living environment that could embrace the owner's changing tastes over time, rather than confining them to a rigid, pre-defined style. The house is characterized by the use of wood and steel as primary materials, reflecting a blend of traditional and contemporary Japanese architectural elements. The design likely incorporates a courtyard, as suggested by the project title, to introduce natural light and ventilation while maintaining privacy in a suburban setting. The "seven rooms" could refer to distinct functional zones or spaces within the house, each potentially reflecting a different aspect of the owner's collected inspirations, yet interconnected through the overarching design framework. The emphasis on adaptability and the ability to integrate diverse aesthetic preferences suggests a highly personalized and flexible living space. This project exemplifies an architectural response to the modern homeowner's desire for a custom-built environment that can evolve with their lifestyle, moving beyond a single, static design vision. #ResidentialArchitecture #Houses #Nishio #JapanArchitecture #CourtyardHouse #JapaneseDesign #ArchitecturalInnovation #WoodConstruction #SteelStructure

Hélène Séguin and Vincent Lavoie, inspired by their 1996 trip to Japan, embarked on a journey to design and build a timber-frame home that blended their needs with Japanese Zen elements. They envisioned a residence that would offer balance and calm, surrounded by natural beauty. The couple spent years meticulously developing their plans, collaborating with ConSpecTek, a structural timber-house design firm, and architect technician Carl Fournier to translate their vision into detailed 2D/3D blueprints. In 2001, Séguin and Lavoie acquired a 5,109-square-meter lot in Hudson, bordered by a protected natural forest reserve. The construction of the B.C. fir timber frame, crafted by Heirloom Timber Frames, began in the spring of 2007. Donald Elliot, a general contractor from Hudson, was enlisted to oversee the project, ensuring a professional and committed team was in place. The self-build project presented its share of challenges. A significant budget overrun occurred when the selected metal roofing firm became unavailable, necessitating the choice of a more expensive alternative. This unexpected cost led to the postponement of certain additions, such as a garage. Despite these hurdles, the couple, along with their two young sons, moved into their partially completed home in February 2008. Over the years, Séguin and Lavoie have continued to enhance their property, adding a pond, sunrooms, a spa with a pergola, and extensive landscaping. The house itself measures 18.28 meters by 13.71 meters and is clad with horizontal white pine planks stained a cedar color. It features cathedral ceilings up to 7.31 meters high in some areas. With no basement, most of the approximately 233 square meters of living space is on the ground floor, complemented by a 20-meter mezzanine housing the main bedroom. Toitures Vaillancourt installed the galvanized sheet-metal roof, and the facade is adorned with a mix of shrubs, climbing plants, and seasonal decorations. Upon entering the house, the Japanese influence becomes immediately apparent. The entryway features slate slabs covered in a glossy, wet-looking epoxy resin, evoking the imagery of a natural riverbed. A Japanese cherry-wood lamp illuminates these details. Two large openings in the wall, designed for glass aquariums that house koi during winter, separate the entryway from the kitchen and offer a view through to the living room and the forest beyond. The dining room incorporates a unique feature: a hollow space 45.72 centimeters lower than the floor, allowing for Japanese-style seating with legs comfortably tucked under the suar wood table. Tatami mats and carbonized bamboo plank floorboards enhance comfort and style. An antique Chinese buffet, acquired during the couple's time in Luxembourg, adds a touch of international flair. The dining room and sunrooms offer views of the pond, with one sunroom serving as an extension of Séguin's psychology office during the summer months. The kitchen, designed for a modern and clean aesthetic, features stainless steel. Pierre Morency Architecte, known for his restaurant kitchen designs, contributed to the layout and suggested a 4.57-meter-long B.C. fir beam as the island counter. Stainless steel cabinets, designed and manufactured by Cajo Métallurgie Inc., were added later around the refrigerator. The kitchen and living room form a cohesive, airy space with Chinese slate flooring from Ramacieri Soligo. Radiant heating from hot-water pipes embedded in the concrete slab ensures warmth throughout the house. A notable architectural detail in the living room is a curved lower timber beam, mimicking a Japanese Torii gate. The space is furnished with an Italian leather sofa purchased in Luxembourg and an antique Chinese cabinet adorned with photos of jazz musicians. Pine wood steps attached to a single galvanized steel beam lead to the main bedroom on the mezzanine, with a custom-made handrail by a Dorion tinsmith and tightly stretched wire cables extending along the mezzanine. The main bedroom, an open-concept ensuite overlooking the living room, features a king-size mattress on tatami mats on an elevated level. The room receives ample light from the living room's upper windows, which align perfectly with the mezzanine. A free-standing Japanese-style vanity required careful planning, including the creation of a false beam to accommodate plumbing without obstructing light. The ceiling is decorated with bamboo slats and natural bamboo poles. Outdoors, the pergola is constructed from B.C. fir beams by Heirloom Timber Frames, and the spa base is made of IPE wood, known for its durability and resistance to humidity, rot, and insects. The exterior pond, a focal point visible from several rooms, was built by Jean Brulé of Jardins Aquadesign, drawing inspiration from a Japanese pond visited by the couple. It features three levels for various aquatic plants and is surrounded by natural stones laid by JPL Excavation and Landscaping. The pond is home to 25 to 30 koi, some purchased and others adopted, which are hand-fed daily. The residents affirm that their home, surrounded by nature, embodies a peaceful and Zen atmosphere, fostering a sense of balance and calm, with ongoing plans for future enhancements to their personal paradise. #JapaneseDesign #TimberFrameHome #ZenLifestyle #HudsonArchitecture #CustomHomeBuild #InteriorDesign #SustainableLiving #LandscapeDesign #HomeRenovation

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

OWIU Design, a Los Angeles-based studio, has completed the renovation of influencer Remi Ishizuka's ranch house near Austin, Texas. The project successfully merges the studio's minimalist Asian aesthetic with the traditional farmhouse style of the property. Ishizuka, born in Los Angeles and a second-generation child of Japanese and Chinese immigrants, sought to incorporate elements of her Asian heritage into her new home. She collaborated with OWIU co-principal Amanda Gunawan, who shares a similar background, to achieve this fusion of Asian and Californian design sensibilities. The two-story Pontious Ranch House, originally built in 2018 in a traditional ranch style, underwent a transformation that retained its original character while introducing contemporary elements. The designers worked closely with the initial builders, fostering a collaborative process that respected their mutual expertise and ensured a harmonious integration of old and new. The interior palette is dominated by warm, neutral tones, including various cream shades, which complement the existing exposed wood and stone structure. These colors are specifically chosen to reflect the immediate Texan landscape, creating a seamless visual dialogue between the home's exterior and interior environments. A key design feature in the living room is the softening of hard corners into rounded, more organic shapes, reminiscent of adobe architecture. A built-in window seat extends into a light-toned stone ledge, which gracefully continues past the fireplace, enhancing the room's fluid lines. The kitchen features a prominent, rough-hewn stone block that serves as a central anchor. Extending from this natural element are an island and a wooden dining table with rounded edges. The kitchen's design balances the raw texture of the stone with minimalist wooden cabinet fronts, a square range hood, and smooth marble surfaces, creating a rich interplay of textures and finishes. Another distinctive architectural detail is a circular opening, a recurring motif in Asian architecture, which connects an upstairs lounge to the stairwell void. This circular aperture elegantly frames a trio of paper pendant lamps, adding a visual focal point and a subtle nod to Asian design principles. A marble shelf bisects this circular opening, providing a display area that echoes another similar ledge above pale wood cabinetry on the opposing wall. The serene color scheme of cream tones and textured fabrics extends into the bedrooms, contributing to a cohesive and calming atmosphere throughout the house. This renovation is characterized by OWIU Design as a genuine blend of California and Texas design, also serving as a testament to the enduring friendship between the client and the designer. OWIU Design has a track record of incorporating Japanese design elements into their projects, including previous renovations such as Ray Kappe's Glass Ridge House and the mid-century Duane House, both in Los Angeles. They have also revamped a 1950s home and a loft in a converted biscuit factory with similar design approaches, consistently demonstrating their ability to infuse modern residences with a minimalist Asian aesthetic. #TexasRanch #JapaneseMinimalism #OWIUDesign #HomeRenovation #InteriorDesign #AsianAesthetic #ContemporaryElements #NeutralPalette #RemiIshizuka

Noesis Architecture & Design has completed KDH2, a two-story residence situated on the periphery of Okayama city, Japan. This project, conceived for an architect and his family, delves into the intricate relationship between internal living areas and the surrounding urban environment. The architectural approach is heavily influenced by the Japanese concept of ‘Ma’, emphasizing the dynamic interplay of space and time. The house is meticulously designed to facilitate a smooth transition between private family zones and the more public aspects of the neighborhood. The design incorporates strategically placed apertures that serve multiple functions. These openings allow for the ingress of indirect natural light, illuminating the interior spaces with a soft, diffused glow. Concurrently, they frame carefully curated views of the adjacent neighborhood and the distant city, thereby strengthening the occupants' sensory and perceptual connection to their external environment. These visual connections also provide subtle glimpses of the family's daily life to the outside world, fostering a sense of community and enhancing human interaction with the surroundings. The KDH2 residence features an open, continuous spatial arrangement that seamlessly links the upper and lower floors. A distinctive element of the second floor is its undulating wooden ceiling, which not only draws the eye towards panoramic views of the city but also instills a feeling of stability and enclosure within the primary family activity area. Through subtle architectural cues rather than physical barriers like doors, various zones within the house are differentiated. This design choice allows family members to maintain an awareness of each other's presence through auditory cues, such as voices and ambient sounds, reinforcing a sense of togetherness within the open layout. An L-shaped floor plan is central to the home's design, ensuring that every room benefits from a direct connection to the garden. This configuration further blurs the lines between indoor and outdoor living, creating a harmonious and integrated living experience. Noesis Architecture & Design has opted for a palette of simple, enduring materials, including natural wood and stucco. These materials are chosen for their timeless aesthetic and their ability to age gracefully, developing a rich patina over time that symbolizes the accumulation of family memories and experiences within the home. This intentional material selection contributes to the house's organic integration into its environment and its capacity to evolve aesthetically with its inhabitants. #JapaneseArchitecture #ResidentialDesign #FluidSpaces #UndulatingCeiling #IndoorOutdoorLiving #OkayamaHouse #ModernArchitecture #WoodAndStucco

Amanda Gunawan and Joel Wong, co-founders of OWIU Design, have transformed a 1973 Ray Kappe-designed modernist home in the hills of La Cañada Flintridge, California, into a serene dwelling influenced by Japanese aesthetics. The couple, originally from Singapore, were drawn to the unique combination of the modernist house and its two-acre forested lot, which contrasts with the traditional suburban homes in the area. They embarked on a yearlong, full-gut renovation while meticulously preserving key elements like the redwood ceilings and wall panels, which exude the home's original character. A significant architectural modification involved replacing exterior walls with a 14-foot-tall glass box enclosure that offers expansive views of a newly installed swimming pool, enhancing the connection between indoor and outdoor spaces. The interior design adopted a fluid approach, focusing on creating strategic viewpoints of nature rather than adhering to a rigid floor plan. Furniture selections are low and minimal to maintain unobstructed sightlines to the surrounding gardens and landscape. An example of this is the living room, which features Eames lounge and accent chairs and a Barcelona Day Bed, all chosen for their midcentury design and ability to complement the natural views. Japanese design philosophy deeply influenced the renovation, reflecting Gunawan and Wong's extensive travels to Japan. They admire the Japanese commitment to excellence and sought to integrate a restrained aesthetic, drawing inspiration from traditional Japanese ryokans (inns) to evoke a sense of groundedness and tranquility within their home. This influence is evident in the use of tatami mats; a sleek black tatami, custom-made by a traditional tatami artisan, covers the primary bedroom's bed platform, providing a modern interpretation while respecting its traditional purpose. The outdoor areas also showcase a strong Japanese sensibility. The gardens feature a meticulously designed small stream with flowing water and a koi pond, developed with the consultation of a Kyoto-based landscape designer. The couple covers the koi pond at night to protect the fish from local wildlife. The renovation included a new facade accented by a sakura tree, which blooms with cherry blossoms every spring, further enhancing the Japanese garden theme. Water elements are strategically placed throughout the property, from the main entrance's Japanese-inspired water fountain to the stream and fish pond, all contributing to a continuous visual flow of water from the house to the distant Pacific Ocean, as advised by Japanese gardeners. The original sunroom was converted into a glass-enclosed space, further enhancing the indoor-outdoor connection. Custom white oak built-ins, an island, and cabinetry, constructed by Inflexion Builds, define the kitchen space. Art pieces, such as a parchment painting in the living room by a Korean artisan and an ink on canvas painting by Japanese artist Tomoka Naka, add personal and cultural touches. The primary bathroom features a large marble soaking tub, reminiscent of a Japanese ofuro, while the guest bathroom is enveloped in kiln-dried Douglas fir. Even the previously oddly-shaped pool was rebuilt to be more functional and aesthetically integrated with the surrounding landscape, providing a peaceful retreat with access to a nearby forest. #ModernistArchitecture #JapaneseDesign #HomeRenovation #InteriorDesign #LandscapeDesign #RayKappe #OWIUDesign #CaliforniaHomes #Tatami

In Japan, commercial house production often leads to houses being treated as commodities, with limited owner input in design. To counter this, ikmo architects, led by Yuko Higo, developed an alternative called Cotoiro. This project emerged from a design competition sponsored by a window sash manufacturer and a commercial house seller, which challenged participants to envision novel ways of integrating windows into living spaces. The core inspiration for Cotoiro stemmed from observing how cats utilize windowsills, leading ikmo architects to conceptualize the windowsill not merely as a boundary but as an expandable, configurable micro-room. These expanded window-rooms, or _mado-beya_, are designed to accommodate various activities like reading, studying, napping, or engaging in conversations, while providing access to fresh air and natural light. Homebuyers are given the flexibility to choose from 25 different _mado-beya_ designs, which can then be attached to a basic cubical house structure. The architects aimed to create homes where interior spaces are less rigidly separated from the exterior, encouraging a more dynamic interaction with the outside world through these unique window-rooms. Even as a product for a general clientele, the Cotoiro concept is intended to promote a more vibrant and engaged window-living experience. The architects anticipate that the Cotoiro house will have a broader societal impact beyond individual homeowners. Yuko Higo believes that the small, interactive spaces of the _mado-beya_ will foster communication among neighbors and that the visible human activities within these window-rooms will enhance the attractiveness of the town. Furthermore, the diverse configurations of Cotoiro houses, when collectively assembled, are expected to contribute to a more aesthetically pleasing urban landscape. The initial prototype of the Cotoiro house, a simplified version of the competition entry, is situated in Oita city and is slated for sale later in the year, serving as a model for this innovative approach to residential design. #JapaneseArchitecture #WindowDesign #FlexibleLiving #CustomizableHomes #UrbanPlanning #ArchitecturalInnovation #ResidentialDesign

The article presents the renovation of a 1970s wooden house located in Sumida City, Japan, undertaken by the architecture firm ROOVICE. Originally a dark and compact 65m² residence, the project focused on adaptive reuse with modest updates to align it with contemporary living standards. The revitalization effort is detailed through various aspects of its design and implementation. The project involved a comprehensive overhaul of the existing structure. The renovation aimed to maximize natural light and create more open, functional spaces. Key interventions included reconfiguring the interior layout, replacing outdated materials, and introducing modern amenities while preserving the house's inherent character. The design philosophy emphasized thoughtful, subtle changes rather than radical transformations, ensuring that the updated house retained a connection to its past while embracing modern needs. Material selection played a crucial role in the renovation. Wood, being the primary material of the original structure, was thoughtfully integrated into the new design. This likely involved restoring existing wooden elements, using new timber for structural enhancements or finishes, and ensuring a cohesive aesthetic that celebrated the material's warmth and texture. The choice of materials contributed to both the durability and the visual appeal of the renovated spaces. The layout modifications addressed the previous issues of darkness and compactness. Strategies to increase natural light might have included enlarging windows, creating new openings, or reorienting certain rooms. The aim was to foster a brighter and more spacious feel within the limited footprint of 65m². This spatial reconfiguration would have considered the daily activities of the occupants, designing areas that flowed seamlessly into one another and provided flexibility in use. ROOVICE, led by architect Sorai Takei, executed the project in 2023. The photographs by Akira Nakamura document the completed house, highlighting its transformed interior and exterior. The firm’s approach demonstrates a commitment to sustainable practices by revitalizing an existing building, thereby reducing the environmental impact associated with new construction. The project also serves as an example of how older residential properties in dense urban areas like Sumida can be successfully adapted for modern living. In terms of manufacturers, the project utilized products from Electrolux, Globo Daily, Miratap, and toolbox. These suppliers likely provided various fixtures, appliances, and construction components that integrated into the updated design. The mention of these manufacturers offers insight into the specific choices made for the interior fit-out and functional elements of the house. Overall, the renovation of the House in Sumida by ROOVICE showcases a mindful approach to adaptive reuse. It illustrates how a dated residential structure can be transformed into a functional and aesthetically pleasing modern home through strategic design decisions, careful material selection, and an understanding of contemporary lifestyle demands. The project contributes to the ongoing discourse on revitalizing existing urban housing stock. #ResidentialArchitecture #HouseRenovation #JapaneseArchitecture #AdaptiveReuse #WoodenHouse #InteriorDesign #SumidaCity #ROOVICE #ArchitecturalPhotography