New York millwork shop blends tradition and innovation to create a legacy

A meticulously restored 19th-century co-op situated on a highly sought-after street in the East 70s has recently entered the real estate market with an asking price of $3.95 million. This apartment, located at 5 East 75th Street, is characterized by its original architectural details and impressive views, which are highlights despite the presence of bold wallpaper choices and numerous mirrors. The building, a historic limestone mansion, offers direct elevator access to the unit. Upon entering the co-op, residents are greeted by a mirrored foyer adorned with checkered marble floors and intricate dental oak molding. Adjacent to the foyer, a high-end kitchen features cabinetry that contributes to a serene, almost 'religious' ambiance. On the opposite side of the foyer, a spacious great room captivates with carved wood-paneled walls and towering twelve-foot ceilings featuring authentic carved beams. The exquisite millwork is a continuous design element throughout this room, extending to a functioning wood-burning fireplace and floor-to-ceiling cabinetry that includes bookshelves accessible by a library ladder. The private living quarters, located on the upper level, comprise a master suite that also includes a wood-burning fireplace. An adjoining second bedroom offers two generously sized built-out cedar closets. Both bedrooms provide picturesque "Parisian" views, looking out over the copper rooftops and mature trees of the elegant block. The property at 5 East 75th Street is ideally positioned within a historical limestone mansion, just steps away from Fifth Avenue. Its location offers convenient access to Central Park, with the Metropolitan Museum of Art located merely blocks away. This co-op represents a blend of historical charm and luxurious living in a prime Manhattan location. The emphasis on restored original details, such as the millwork and carved ceilings, preserves the character of the 19th-century building while providing modern amenities. The direct elevator access, high-quality kitchen, and the presence of two fireplaces enhance the comfort and sophistication of the residence. The apartment's views and proximity to iconic New York City landmarks further contribute to its appeal, offering a unique living experience in one of the city's most prestigious neighborhoods. The property is listed by Frances Katzen of Douglas Elliman, with additional details available through CityRealty. #CoOp #LuxuryRealEstate #HistoricHome #UpperEastSide #ManhattanRealEstate #ArchitecturalDetail #Millwork #NYCProperty #DouglasElliman

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

This article highlights the enduring appeal of hardwood furniture amidst the emergence of new materials in design. While acknowledging innovations like bioplastics and vegan leathers, the piece emphasizes that skilled and creative woodworkers can transform traditional materials like teak, walnut, and oak into long-lasting, heirloom-quality pieces using only their tools and workshops. The focus then shifts to showcase several custom wood furniture makers in Toronto and the Greater Toronto Area (GTA) who excel in crafting these enduring designs. Five distinct pieces of furniture are presented, each demonstrating different styles, materials, and price points. The first featured item is Daniel Gruetter’s bar stool, crafted from red oak. When treated with iron oxide, the red oak develops a unique ruddy, patinated complexion. Gruetter combines this material with mortise, tenon, and an upholstered seat to create a bar stool designed to be an heirloom, priced at $2500. Next is Nicholas Hamilton Holmes’ Captain’s dining table, which features a rounded design and pin and tenon joints that playfully extend through a marble tabletop. Made from white oak, this table, starting from $3700, offers a commanding presence while maintaining a lighthearted aesthetic. Heidi Earnshaw’s Half Hathaway is the third item, a made-to-order piece distinguished by its minimalist appearance, bevelled legs, turned knobs, and straight-lined design. Despite its seemingly simple form, the piece incorporates complex joinery, showcasing the hidden craftsmanship. It is priced from $5400. Atelier Arking’s Lami dining chair is highlighted for its contrast between a rigid white ash frame and soft, pillowy leather upholstery. This chair, starting from $620, is designed to serve both as a functional everyday seating option and a striking statement piece. Finally, the article features Kate Duncan’s Ribbed Bed. Inspired by brutalist architecture, this bed, however, uses textured hardwood instead of cold concrete. It can also include optional details such as brass pulls and leather-veneered fronts, and is available from $18,000. Each piece underscores the timelessness and quality achievable through traditional woodworking techniques. #CustomFurniture #Woodworking #TorontoDesign #HeirloomQuality #ProductDesign #HardwoodFurniture #LocalMakers

This article highlights a collaboration between The Hudson Company, a custom mill based in upstate New York, and Schotten & Hansen, a German flooring company, to introduce a line of naturally finished wood products to the U.S. market. The Hudson Company specializes in sustainably sourced and reclaimed wood, and this partnership expands their offerings to include wood from Germany's Bavaria region, which is also sustainably harvested. The defining characteristic of this new product line is Schotten & Hansen's unique finishing process, which emphasizes sustainability and traditional craftsmanship. Unlike typical industrial finishing methods, Schotten & Hansen uses only natural ingredients to treat their wood floors. This commitment to natural processes extends to every stage of finishing, including the use of waxes, oils, and resins derived from natural sources, ensuring that the final product is free from synthetic chemicals. The process involves meticulous hand-finishing techniques that have been passed down through generations of German woodworking. Each piece of wood undergoes a series of manual treatments, including planing, brushing, smoking, and coloring. These traditional methods are not merely for aesthetic appeal but also contribute to the wood's durability and natural texture, creating an authentic old-world feel. The natural ingredients are carefully selected not only to enhance the wood's inherent beauty but also to fill knot holes and other natural imperfections, seamlessly integrating them into the overall design while maintaining the wood's organic character. This approach results in a luxurious natural finish that is both environmentally friendly and aesthetically rich. The partnership aims to cater to a growing demand for sustainable and artisan-crafted building materials in the American market. By combining The Hudson Company's expertise in sustainable sourcing with Schotten & Hansen's traditional German finishing techniques, the collaboration offers a unique product that stands out in the flooring industry. The availability of these products in the U.S. provides architects, designers, and homeowners with access to high-quality, eco-conscious wood flooring and paneling options that embody both natural beauty and historical craftsmanship. This initiative underscores a broader trend towards integrating sustainable practices and traditional artistry into modern home design and construction. #OldWorldCraftsmanship #SustainableWood #NaturalFinishes #GermanWoodworking #LuxuryFlooring #EcoFriendlyMaterials #WoodPaneling #TraditionalMethods #HomeDesign

Susan “Rabbit” Goody, founder of Thistle Hill Weavers in Cherry Valley, New York, has dedicated her life to the meticulous reproduction of historic textiles. Her workshop, established in 1989, specializes in creating fabrics that faithfully replicate the weave, texture, weight, and color of historical materials for a diverse clientele including filmmakers, television producers, historic houses, and high-end furniture and clothing companies. Goody’s unique skill set makes her an indispensable resource for costume designers seeking unparalleled historical accuracy in their productions. Goody's journey into textiles began in her teenage years, driven by a fascination with the weaving process. After earning a degree in cultural anthropology and ethnomusicology from Bennington College in 1972, she moved to rural New York, where she initially supported herself through farm work. In 1975, she purchased a 150-acre farmstead and, with her first husband, built a home inspired by a 1690 Connecticut house. She developed a successful hand-weaving business, selling cashmere-and-silk scarves to stores like Saks Fifth Avenue. Her expertise grew during her tenure as head of the domestic arts program and curator of textiles at the Farmers’ Museum in Cooperstown, where she became a recognized authority on early American textiles. Goody also founded the Textile History Forum, an annual conference that convenes researchers, museum professionals, and scholars. In 1989, she moved her operation into an old feed mill, later expanding to a purpose-built facility next to her home. Today, Thistle Hill Weavers employs seven individuals trained by Goody to operate nine mechanized shuttle looms, some dating back to the 1890s, alongside archaic equipment like warp winders and quillers. Goody’s commitment to authenticity is evident in her approach to acquiring and maintaining machinery. She has salvaged looms from closing textile mills across several states, often from the legendary industrial loom-maker Crompton & Knowles, and has taught herself to repair and operate them. This dedication ensures that her workshop can produce textiles with historical integrity. Her fabrics have graced numerous film and television productions, including "The Gilded Age," _Cinderella Man_, _Master and Commander_, _No Country for Old Men_, _Noah_, "John Adams," and "Turn: Washington’s Spies." She even hand-wove a replica of a fragment of the original Star-Spangled Banner for a Smithsonian event. When a costume designer approaches Thistle Hill, Goody employs a blend of historical knowledge and modern technology. She uses a computer-attached loom to experiment with weave patterns and selects threads to match specific weight, texture, and color requirements. Her process involves creating small woven samples, which are then expedited to clients for review. This meticulous attention to detail is crucial, as even subtle changes in yarn weight or color can significantly alter a fabric’s character, impacting an actor's movement and the overall authenticity of a period piece. For instance, a fabric she produced for Tom Hanks’ overcoat in _Road to Perdition_ had to be re-woven with lighter materials for rain scenes due to its original, historically accurate weight making it too heavy when wet. Goody’s reputation as a historian and her practical skills make her an invaluable collaborator. Costume designers like Joanna Johnston, who worked with Goody on Steven Spielberg’s _Lincoln_, praise her weaving abilities and extensive historical knowledge. Goody recreated Abraham Lincoln’s shawl for Daniel Day-Lewis based on a detailed study of the original held by the Smithsonian. Beyond film, her work extends to historic preservation, such as creating delicate white dimity curtains for Emily Dickinson’s bedroom and a brightly striped Venetian carpet. She also produces custom fabrics for diverse applications, including a 'Mandalorian' cloak, demonstrating the versatility of her workshop. At 72, Goody remains actively involved in her mill and farm, displaying no plans for retirement, driven by her passion and the unique, irreplaceable skills she possesses in bringing the past tangibly to life through textiles. #TextileHistory #HistoricTextiles #CostumeDesign #FilmProduction #ThistleHillWeavers #RabbitGoody #LoomWeaving #TextileConservation #CulturalHeritage

This article highlights the evolving and personal home decor journey of Daniel King and Meghan Lavery, the founders of Home Union, a popular vintage store in Brooklyn. Their apartment serves as a dynamic showcase for their constantly shifting collection of vintage finds and personal treasures, reflecting their business and their lifestyle. The couple's decorating adventure began when they moved in together and embarked on a trip to Maine to find secondhand furniture for their new rental. What started with a few Danish dining chairs quickly escalated into a passion for collecting, leading to a significant surplus of vintage pieces. This surplus was the unexpected catalyst for the creation of Home Union, initially an Instagram account for their finds, which subsequently expanded into a storage unit, a showroom, and ultimately, a successful retail store. Initially, their individual design preferences—Meghan's love for all-white spaces and romantic boho vibes, and Daniel's inclination towards dark wood and Danish furniture—presented a challenge in blending their styles. However, over time, their aesthetics merged into a distinct and bolder style characterized by space-age Italian modernism, 1980s influences, and a curated selection of Danish pieces. Their confidence in using color has grown, contributing to the vibrant atmosphere of their Williamsburg home. Their apartment, located in a building with double-height ceilings, allowed for grand design statements despite its 1980s construction. The couple took on numerous DIY projects to personalize their rental, replacing undesirable original features such as doorknobs and a metal railing with more contemporary and minimalist elements like red plastic handles, canary yellow pulls, and a plywood balustrade adorned with hanging plants. They even undertook a rental-friendly kitchen renovation, painting cabinets, and installing a new countertop, sink, faucet, and tiled backsplash with landlord approval, showcasing their hands-on approach and long-term commitment to making the space feel like home. The living space is a carefully curated blend of items from their store and personal cherished possessions. Pieces like a Milo Baughman burl-wood credenza and a Terje Ekstrom spider-like chair rotate through their home, illustrating the fluid nature of their decor. A Paul Mayan floor lamp, which couldn't be sold due to a minor flaw, became a beloved fixture. The living room also features a limited-edition rug from a collaboration between Home Union and Swedish designer Katherine Plumb, highlighting their commitment to unique and meaningful pieces. The couple's dedication to finding the perfect decor extends to international searches, exemplified by their years-long quest for a pair of cherry red Gerd Lange sconces. After discovering one, they spent years searching eBay and messaging European sellers until they finally found a matching piece, demonstrating their perseverance in achieving their design vision. Daniel King, with his background in furniture-making, personally restores pieces for their store and also creates his own designs. The upstairs den, a multi-functional space, now features his built-in plywood chairs and a bookcase, transforming it into a cozy retreat. Their apartment is described as an ongoing project, constantly evolving with small tweaks such as painting the front door, upgrading the bathroom vanity, and tiling the balcony doorstep. The addition of new items like squiggly vases, futuristic lamps, or vintage Marcel Breuer rattan chairs continually refines their living space. Daniel and Meghan's home is a testament to their passion for vintage design and their collaborative journey in developing a unique and ever-changing aesthetic. #HomeUnion #VintageDecor #BrooklynApartment #InteriorDesign #DIYHomeRenovation #MidCenturyModern #RentalFriendlyDecor #DesignEvolution

Amber Stitch, a brand founded by NIFT graduate Aditi Patwari, is making significant strides in the home decor industry by seamlessly blending traditional Indian craftsmanship with modern, sustainable practices. The brand emphasizes the importance of soft furnishings in creating personalized and inviting interior spaces, offering products like bespoke cushions, table linens, bed linens, and wall art. These items are distinguished by intricate details and rich textures, reflecting the generational expertise of the artisans who create them. A core aspect of Amber Stitch's identity is its commitment to sustainability, labeled as "Luxury with a conscience." The brand prioritizes the use of organic materials and low-impact dyes, ensuring that each product is environmentally friendly without compromising on aesthetic appeal or quality. This approach resonates with consumers who are increasingly seeking products that align with eco-conscious values, transforming their purchases into investments in both design and sustainability. Patwari highlights this by stating that customers are "investing in sustainability and supporting artisanal craftsmanship," with the brand aiming for its pieces to be cherished and passed down through generations. Beyond environmental responsibility, Amber Stitch is deeply dedicated to the social aspect of sustainability by empowering local artisans. The brand actively collaborates with skilled craftspeople, thereby helping to preserve traditional Indian techniques that might otherwise fade. This collaboration also ensures that artisans receive fair wages for their work, contributing to their economic well-being and the continuation of their invaluable skills. The use of custom blocks for hand-printed textiles and handwoven fabrics further underscores Amber Stitch's dedication to authenticity and cultural heritage. The motifs featured in Amber Stitch's collections are largely inspired by nature's flora and fauna, fostering a deeper connection with the environment. This design choice not only adds a unique aesthetic to their products but also reinforces the brand’s eco-conscious message. By offering products that are both beautiful and ethically produced, Amber Stitch successfully bridges the gap between traditional artistry and contemporary design sensibilities, appealing to modern tastes while honoring a rich cultural past. #SustainableHomeDecor #ArtisanalCraftsmanship #IndianTextiles #EcoConsciousDesign #HandcraftedDecor #EthicalProduction #CulturalHeritage #AditiPatwari #AmberStitch

The quilter’s cottage in The 1820s Landscape at Beamish Museum showcases one of the many cottage industries prevalent in the 1800s, specifically quilting. This exhibit highlights the remarkable story of Joseph Hedley, a quilter whose distinctive work, featuring a border pattern known as “Old Joe’s Chain,” gained international recognition, with pieces reportedly sent as far as America. Hedley’s life, particularly the tragic circumstances of his murder in 1826, which became a nationally shocking event, is unusually well-documented for an ‘ordinary’ person from the Georgian era, providing a rich source of historical information. The museum's exhibit allows visitors to delve into the history of cottage industries, learn about the craft of quilting, and explore aspects of 19th-century crime and punishment. Additionally, the cottage features a period-appropriate garden with vegetables and a chicken coop, offering a glimpse into daily life. Joseph Hedley was born in 1750 and was believed to have been married to a woman 25 years his senior. He initially trained as a tailor before dedicating himself to quilting. Despite his considerable skill and widespread popularity as a quilt maker, he was considered to be a man of modest means. The Beamish Museum is fortunate to possess one of only three known surviving quilts attributed to Hedley, making it a significant part of their collection. Beamish Museum undertook the ambitious project of recreating Joe Hedley’s cottage, as the original structure was demolished in 1872. The reconstruction process was aided significantly by a drawing on a postcard produced after Hedley’s murder, which offered crucial details about the original home's appearance. Even a distinctive crack in the front wall, clearly visible in the 1820s drawing, was meticulously reproduced in the replica. An archaeological excavation conducted by Beamish staff and community volunteers in September 2015 at the original cottage site in Warden, near Hexham, yielded substantial findings. Within three days, the team uncovered the first stone blocks. The dig revealed extensive remains of the building, including the lowest courses of three of the four walls, a fireplace, an internal partition wall, and a section of the flagstone floor. Artifacts such as animal bone buttons, a horseshoe, and numerous iron nails were also discovered, providing further insights into Hedley's life and the cottage's construction. The recreation of the cottage at Beamish employed traditional techniques and skills, utilizing locally sourced materials. Approximately 1,400 bales of sustainably harvested heather from near Rothbury, Northumberland, were used for the thatched roof. A master thacher provided training to museum staff and volunteers, ensuring authenticity. Stone dating back over 200 years and 23 tonnes of oak for the roof frame were also sourced from Northumberland, close to the original cottage's location. The project involved active participation from local community members, including Richard Young, who lives near the original site. He contributed to various stages, from the archaeological dig and heather gathering to the stone laying ceremony, timber splitting, and preparing historical objects for display. The quilter’s cottage was the inaugural exhibit completed in July 2018 as part of the significant £20 million Remaking Beamish project. #QuiltersCottage #BeamishMuseum #JosephHedley #CottageIndustries #HistoricalReconstruction #GeorgianEra #ArchaeologicalDiscovery #TraditionalCraftsmanship

The Textile Company, a Sydney-based enterprise, has established itself as a significant force in Australia's interior design industry, supplying high-quality fabrics and wallcoverings to leading designers such as David Hicks, Greg Natale, Thomas Hamel, Alexandra Kidd, Kate Nixon, and Adelaide Bragg. Owner Peter Fitzgibbon, who started his career in a fabric warehouse in Auckland four decades ago, built the company on a deep passion for textiles. His early experiences included measuring and cutting fabric, moving into sales, and eventually buying, which led to crucial supplier relationships with international brands like Phillip Jeffries, Misia, and Fabricut. The company's showroom is organized with fabrics meticulously filed by color base, alongside a diverse library of grasscloth, wall coverings, and wall murals, reflecting a serious expertise in product. The inclusion of Peter's daughter, Jessica, marked a new phase for the business. Jessica's operational skills allowed Peter to dedicate more time to sourcing excellence and attending European trade shows, while she managed the day-to-day operations. Their collaboration leverages their distinct strengths, fostering growth and innovation within the company. Jessica emphasizes the importance of storytelling behind the brands they represent. She aims to understand and share the narrative of each fabric and wallcovering, bringing the product to life beyond its physical sample. An example she highlights is Jean Monro, a historic English fabric company renowned for weaving and hand-blocking fabrics for the British Royal Family. With King Charles's endorsement, Jean Monro is set to release 40 exclusive royal designs, showcasing a dedication to preserving traditional craft. Jessica actively hosts industry events to connect designers with craftspeople, facilitating a deeper understanding of these fabric houses. The Textile Company also champions traditional techniques, as seen in the 'Manila Hemp' grasscloth wallcovering collection from Phillip Jeffries. This collection features fibers grown and hand-loomed by artisans in the Philippines and finished by skilled craftspeople in Japan. These textural wallcoverings, available in various colors, are increasingly used in high-end residential and luxury hotel projects, offering an alternative to paint with their rich texture. Sustainability is a core focus for The Textile Company, recognizing the textile industry's environmental impact. Jessica highlights the importance of responsible selling, differentiating their products from fast fashion. She notes that reupholstering furniture is a considered act of sustainability. Peter makes conscious sourcing choices, opting for natural, pure linens and recycled polyesters whenever possible, reflecting the company's commitment to environmentally sound practices. The company's limited number of carefully selected suppliers ensures deep product knowledge and strong partnerships, allowing them to foster growth for both their business and their suppliers. Peter envisions the company as a legacy, emphasizing that while the textile business may not yield billionaires, it offers a fulfilling life of working with beautiful products and wonderful people. The Textile Company's approach reflects a blend of tradition, passion, collaboration, and a forward-thinking commitment to craft and sustainability in the world of interior textiles. #TextileCompany #InteriorDesign #Fabric #Wallcoverings #FamilyBusiness #Craftsmanship #Sustainability #LuxuryInteriors #AustralianDesign

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

The Greenwich Village Historic District, celebrating its 50th anniversary, showcases unique architectural details like pineapples, pinecones, and acorns, which serve as decorative elements on fences, railings, and building facades. These elements are not merely aesthetic but often carry symbolic meaning, reflecting historical trends and local craftsmanship. The pineapple, in particular, is a prevalent symbol, traditionally representing welcoming and hospitality, its rarity before modern refrigeration emphasizing the generosity of the homeowner. This article delves into specific examples of these architectural features found within the district, referencing the Greenwich Village Historic District designation report for historical context. Numerous properties within the district exhibit these distinct details. For instance, 127 West 11th Street features pineapple motifs, highlighting the Federal-era craftsmanship with elaborate designs crowning newel posts. The report notes that such ornamentations were common where funds allowed, signifying quality and excellence in construction. At 56 West 10th Street, a late Federal townhouse built in 1832, large wrought iron basket urns topped with pineapples adorn the foot of the stoop, enhancing its exceptionally well-preserved doorway with Ionic columns and delicate tracery. This house, formerly home to painter Saul Schary, exemplifies the integration of these symbols into elegant designs. Another significant example is 25 Barrow Street, an 1826 Federal townhouse, where a pineapple still surmounts the right-hand newel post of its stoop, reinforcing its role as a symbol of hospitality. The property's history, tracing back to mason Jacob Shute and its early tenants, provides a glimpse into the district's past. Similarly, 260 West 11th Street, originally an 1830 Federal house, boasts superb original ironwork with Gothic motifs and twisted ironwork supporting pineapples. Even after a later transformation into a three-story building with French casements, these symbols persist, indicating their enduring appeal. Pineapples also appear at 56 Bank Street, an early Greek Revival house built in 1833. Here, unusual openwork circular newel posts are surmounted by painted brass pineapples, explicitly noted as a popular symbol of hospitality of the era. The property, built for Reverend Joseph Carter, demonstrates the spread of this decorative motif across different architectural styles within the district. Beyond pineapples, pinecones and acorns also contribute to the district's distinctive architectural character. 26 Washington Square North features Greek Revival designs on its ironwork, with elaborate finials alternating diminutive obelisk forms with pinecones set above honeysuckle bases. This property, built in 1839, illustrates the intricate details found in the ironwork of stoops and areaways. Acorns are prominently displayed at 142 West 11th Street, part of a row of eight Italianate houses constructed in 1855. The newels and corner post of the low yard railing are surmounted by acorn-shaped finials, showcasing the ornate ironwork typical of the period. Similarly, 47 and 49 Charles Street, late Italianate brownstone townhouses from 1869, retain polygonal newel posts with acorn finials, particularly at No. 49. The elegant doorways and stoops of these houses highlight the detailed craftsmanship. Finally, 59 Charles Street, a French Second Empire-style house designed by Gage Inslee in 1866, features massive balustrades rising from polygonal newels, with square gateposts of the areaway also surmounted by acorns of a smaller size. The intricate design in wrought iron of the arched gate further enhances the property's aesthetic. The article concludes by inviting readers to identify their own favorite examples of these decorative elements, emphasizing their ongoing presence and historical significance within the Greenwich Village Historic District. #ArchitecturalDetails #GreenwichVillageHistoricDistrict #PineappleMotif #PineconeFinials #AcornFinials #HistoricPreservation #NewYorkCityArchitecture #WroughtIronwork #ArchitecturalHistory

Mark Drendel and Chad Conway, owners of Canine Styles, New York City's oldest dog boutique, reside in a 1,600-square-foot apartment within the Art Deco Central Park West building, The Century. Their design philosophy for both their business and home centers on a blend of traditional, classic, and up-to-date styles. Their recently renovated apartment in The Century showcases a deliberate fusion of the building's inherent Art Deco architecture with their contemporary art collection, modern furnishings, and a curated selection of antiques spanning from the 18th century to the 1960s. This eclectic approach creates an environment that aims to transcend a specific era or city, offering a unique and fashionable aesthetic. The couple met 21 years ago on Fire Island and, despite their initial downtown preference, relocated to the Upper West Side for their son's schooling. They emphasize the importance of having a country house in Connecticut, which serves as a traditional, "fluffed" contrast to their streamlined Manhattan apartment, allowing their son to experience a different environment. Their New York City routine includes frequent dining at local favorites like Café Luxemburg and Fiorello’s, and they appreciate the convenience and cultural offerings of their Central Park West location, including Lincoln Center. Their apartment is also a venue for small dinner parties, hosting six to eight guests a few times a month. Mark Drendel acquired Canine Styles 30 years prior to this interview, a business founded in 1959. He began as a retail employee and, with a background in retail and a lifelong affection for dogs, seized the opportunity to purchase the store. The business transformed significantly after Chad joined, leading to the creation of their own product line approximately 16 years ago. This expansion into manufacturing propelled Canine Styles into the wholesale pet market and enabled the acquisition of additional retail locations on the Upper East Side and Upper West Side, leveraging existing grooming clienteles. The original Canine Styles store, an old-school establishment on the Upper East Side, was known for its distinguished clientele, including figures like Andy Warhol and Princess Grace. The Upper East Side's demographic, though slightly younger, has retained a sense of generational continuity, with past child customers now returning with their own families and pets. Canine Styles recently expanded its original store, doubling its size, and the design aimed for a traditional, on-trend aesthetic, allowing the products themselves to introduce color and speak to the brand's identity. The brand's signature item is a proprietary plaid, used across collars, leashes, harnesses, coats, and bedding. They also produce their own line of beds, creating limited runs of fabrics that are not typically repeated, excluding the plaid. A specialized workshop in Long Island City produces small quantities of high-end, couture dog products using remnant luxury fabrics, including bespoke dog carriers made from materials like cashmere, alligator, or ostrich. Their dogs, Katie and Izzy, enjoy the freedom of their Connecticut home, though Izzy is a devoted lap dog who accompanies them everywhere. Mark and Chad acknowledge their fortune in establishing a successful life in New York City, a place that offers both challenges and opportunities for those who find their niche. #HomeTour #CentralParkWest #ArtDeco #InteriorDesign #CanineStyles #UpperWestSide #NYCRealEstate #EclecticDecor #LuxuryLiving

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

The article explores the world of antiquing in Kansas City, highlighting the passion and methods employed by local antique dealers to source unique items for their stores. It delves into the experiences of owners from Weird Stuff Antiques, Urban Mining Antiques, and River Market Antiques, providing insights into their sourcing strategies, the types of items that sell well, and the overarching philosophy behind their work. Antique dealers employ diverse methods to discover items, including attending auctions, estate sales, garage sales, and leveraging online platforms like Craigslist and Facebook Marketplace. Terry Sanchez, owner of Weird Stuff Antiques, emphasizes the effectiveness of word-of-mouth and personal relationships in finding valuable pieces. He notes the shift from traditional newspaper ads to digital platforms for sourcing. Sanchez also observes that the rise in popularity of shows like 'American Pickers' has led to more individuals engaging in 'picking,' necessitating an extra layer of business acumen for seasoned dealers to distinguish themselves. Heather London, owner of Urban Mining Antiques, acknowledges the increased challenge in sourcing due to heightened interest in vintage items but finds the successful discovery of rare pieces highly rewarding. Her most significant find involved an estate sale of local artists, which offered a connection to Kansas City's history. The article also examines customer preferences and market trends within the antique retail sector. Jessica Caulkins, owner of River Market Antiques, notes the varied desires of customers, ranging from young collectors seeking retro toys to older individuals reminiscing about their childhood. She highlights the popularity of specific vintage items, such as Pyrex patterns and architectural salvage. Caulkins, with 17 years of experience managing numerous vendors, has observed persistent trends, with mid-century modern furniture being a particularly strong and long-lasting demand, especially among loft dwellers in Kansas City. She also points out how external influences, like bridal magazines featuring vintage glassware, can create short-term but intense demand for certain items. London suggests that geographical location within Kansas City influences consumer tastes in home decor. Sanchez, after five decades in the business, prefers to focus on timeless items like old signs, cars, and musical instruments, rather than chasing fleeting trends, believing that novelty and keeping things 'fun' sustain customer interest. Ultimately, the article underscores that the antique business is driven by a profound passion for vintage items and the thrill of discovery. Dealers like Sanchez find continuous learning and engagement with like-minded individuals to be highly satisfying. Caulkins expresses pride in her role in combating a 'throwaway' culture by promoting the reuse and refurbishment of quality items, considering antique dealers to be original recyclers. For both sellers and buyers, the core appeal of antiquing lies in the 'hunt' – the excitement of unearthing a unique, historically rich item that represents a 'Holy Grail' moment. #Antiquing #KansasCityAntiques #VintageDecor #AntiqueDealers #MidCenturyModern #HomeDecorTrends #ThrillOfTheHunt #RecyclingCulture #LocalHistory

American craft is experiencing a significant modern resurgence, drawing inspiration from historical movements such as the Studio Craft, Shaker, and Arts and Crafts traditions. This renewed interest emphasizes hand-hewn techniques, material integrity, and nature as a core influence in design and creation. Historically, American craft has served as a platform for artists to express their creativity, with past traditions continuously shaping contemporary innovations suitable for modern living. The Arts and Crafts movement, originating in 19th-century United Kingdom, emerged as a reaction to rapid industrialization. Key figures like textile designer William Morris championed the creation of beautiful, well-made objects for daily use. This philosophy soon traversed the Atlantic, influencing American artisans who shared a passion for decorative arts. Today, this influence is evident in fabric and furniture companies that are reinterpreting archival Arts and Crafts designs with a contemporary sensibility. The Shaker movement, founded in the mid-19th century, is recognized for its commitment to simple living, which permeated their architecture and furniture, including distinctive ladder-back chairs and oval Shaker boxes. Their clean, minimalist aesthetic is celebrated for its exceptional craftsmanship and quality. Contemporary makers are now embracing the Shakers' dedication to simplicity and quality to produce their own minimalist designs. American Studio Craft, much like the Arts and Crafts movement, developed in response to the mechanization and industrial production prevalent in design during the 1920s and 1930s. This movement is characterized by its reverence for nature and its endeavor to bridge the gap between art and design. George Nakashima, considered a pioneer of the American craft movement, advocated for 'celebrating the soul of the tree,' which was reflected in his use of organic forms and live-edge techniques. While these three movements possess distinct theories and practices, they are unified by a shared commitment to craft and the maker. The article highlights various contemporary makers and furnishings that exemplify this revival. Examples include York Wallcoverings, which has launched a new collection featuring the flora and fauna designs of C.F.A. Voysey; Alfred Newall, who crafts bobbin dining tables using traditional wood lathe techniques; and the Museum of the American Arts & Crafts Movement in St. Petersburg, Florida, which signifies a renewed cultural interest in the movement. Morris & Co. is also contributing to this trend with 'gentle recoloring' of its historic patterns, drawing from nature's palette. In the Shaker tradition, Maine artisan Robert LeHay creates storage bins inspired by iconic oval Shaker boxes, and Rockland, Maine-based woodworker Heide Martin emphasizes 'honest functionality' through pared-back joinery and hand-weaving. O&G; Studio in Rhode Island reinterprets early American forms, such as the Windsor chair, with a modern twist, as seen in their Atlantic Settee. For Studio Craft, Inverness, California artisan Ido Yoshimoto crafts wood stools, tables, and sculptures that respect the inherent qualities and history of the wood. The Wendell Castle Collection continues the legacy of its namesake, who viewed furniture as art, while George Nakashima's influence is seen in his iconic lounge chairs and live-edge tables, celebrating the natural beauty of wood. #AmericanCraft #CraftRevival #ArtsAndCrafts #ShakerStyle #StudioCraft #HandCraftedFurniture #DesignHistory #InteriorDesignTrends #NaturalMaterials

The DIY movement is experiencing a resurgence, with craft tutorials gaining viral attention on platforms like TikTok and YouTube. Engaging in crafting provides benefits such as boosting creativity, reducing stress, and offering a break from screen-intensive work. For many, a creative hobby can evolve into a profitable craft business. This guide identifies trending handmade products suitable for sale, ranging from beginner-friendly projects to more advanced creations, and offers advice on converting a passion into an income source. The article categorizes 30 crafts to make and sell in 2025 across five main areas: home décor crafts, jewelry and accessories, floral and textile crafts, fragrance and wellness products, and unique art and crafts. These suggestions are based on popular products sold by online retailers, predictions from crafting resources, and trending topics on social media. Additionally, browsing craft fairs, flea markets, and social media for DIY crafts can provide further inspiration. The ease of selling crafts online is highlighted once a suitable idea is identified. Home décor crafts include tufted rugs and mats, woven home décor, macramé wall hangings, vintage upcycling, hand-painted signs, upcycled furniture, decorative pillows, and seasonal wreaths. Tufted rugs and mats, particularly using hooking or tufting methods, are noted for their potential to generate significant income, with top creators earning hundreds of dollars for custom designs. Woven textile art aligns with a rising interest in midcentury home décor, utilizing various loom types and fibers to create tapestries, wall hangings, towels, and blankets. Macramé, a knotted technique, requires minimal tools and can produce decorative wall hangings, hanging planters, ornaments, and table placemats, offering versatility in design and size. Vintage upcycling promotes sustainability by repurposing old clothing and materials into new products like tote bags, re-dyed apparel, or baby hats. Hand-painted signs cater to the demand for personalized home décor, requiring only reclaimed wood, paint, and a steady hand. Upcycled furniture involves refurbishing vintage pieces with sanding, fresh paint, and creative upgrades to create valuable statement items. Decorative pillows are presented as high-margin items that can refresh a space, with options for custom fabrics, patterns, and personalization. Seasonal wreaths are consistently in demand, allowing for customization across different seasons with various base materials and faux florals. Jewelry and accessories cover tote bags, resin and polymer clay jewelry, beaded accessories, handmade beauty products, pet accessories, customized t-shirts, sublimation tumblers, and eco-friendly upcycled accessories. Tote bags offer versatility for personalization through silkscreening, beading, hand painting, textile dyeing, or embroidery, or advanced crafters can sew them from scratch. Resin and polymer clay jewelry enable the creation of small, detailed pieces like earrings and pendants without expensive metals, allowing for embedded elements or colorful designs. Beaded accessories, including bracelets, anklets, and necklaces, provide endless design possibilities and can be niche-specific, such as custom name bracelets. Handmade beauty products like soaps, bath bombs, and body scrubs cater to consumers seeking natural ingredients and offer repeat purchase potential. Pet accessories, including bandanas, collars, and pet beds, are popular items that can be customized for individual pets. Customized t-shirts, produced with heat presses, screen printing, or vinyl cutters, are profitable when targeting specific niches. Sublimation tumblers, made by transferring designs onto metal or ceramic surfaces using heat, allow for personalized drinkware. Eco-friendly upcycled accessories, such as jewelry or scarves made from recycled materials, appeal to climate-conscious consumers and offer unique, creative items. Floral and textile crafts include paper flowers, textile dyeing, quilted items, and embroidered items. Paper flowers are simple to make and sell, particularly for weddings and events, with low upfront costs. Textile dyeing, exemplified by tie-dye and shibori, requires minimal materials and skills, allowing for customization of blank apparel or fabrics. Quilted items, from blankets and pillows to wall hangings and jackets, offer nostalgic and high-quality options, with smaller items like coasters being easier to produce. Embroidered items add a handmade touch to everyday goods, with personalized options like names or dates being in high demand, and embroidery machines can increase production efficiency. Fragrance and wellness products feature home fragrance products, handmade candles, and natural skin care products. Home fragrance items, such as reed diffusers, wax melts, and room sprays, provide long-lasting scents without an open flame, catering to preferences for safe, low-maintenance options. Handmade candles are in high demand within the growing home fragrance market, allowing for creative designs, unique containers, and unusual scent combinations. Natural skin care products, including body butter and facial oils, appeal to consumers focused on simple, high-quality ingredients, with transparency in ingredient lists being crucial. Unique art and crafts comprise needle felted goods, disco ball art, plant pots and other ceramics, handcrafted greeting cards, laser-engraved products, 3D printed items, and epoxy resin crafts. Needle felting allows for sculptural wool creations such as dryer balls, ornaments, and felted animals. Disco ball art, or mirrored mosaic art, is a trendy craft applied to home décor and other goods. Plant pots and ceramics, including pottery or items made from air clay or cement, cater to the growing plant-parent population. Handcrafted greeting cards offer a special touch in a digital world, with endless design options and personalization. Laser-engraved products, such as keychains, luggage tags, and cutting boards, allow for customization at a higher price point. 3D printed items, while requiring an initial investment in equipment, enable the creation of custom products like toys, accessories, and organizers. Epoxy resin crafts, using a two-part resin and hardener system, can produce items ranging from keychains to jewelry, especially when combined with 3D-printed molds for customization. The article concludes by emphasizing the importance of market research to identify trending crafts early, providing a competitive edge. It suggests utilizing social media (TikTok, Pinterest, Instagram), analyzing craft marketplaces (Etsy, Shopify), using Google Trends to track demand, browsing craft supply stores for clues, and checking niche online communities for insights into popular items and materials. The ultimate goal is to transition from a hobby to a profitable business, emphasizing the need to build a solid brand, create a business plan, and identify target customers, while also considering seasonality and diversifying sales channels through online stores, marketplaces, craft fairs, and retail outlets. #CraftsToSell #HandmadeProducts #DIYBusiness #HomeDecorCrafts #JewelryMaking #TextileCrafts #FragranceProducts #ArtAndCrafts #SmallBusiness