Timeless Traditions Abound in a Local Designer’s Home

The article discusses the resurgence of traditional interior design, a trend gaining significant traction after years dominated by contemporary and minimalist styles. This shift is attributed to a renewed desire for comfort, nostalgia, and groundedness, particularly amplified by the COVID-19 pandemic. As people spent more time indoors, there was an increased need for spaces that felt deeply personal and comforting, moving away from sterile aesthetics towards something more familiar and warm. Designers, such as Lauren Lothrop Caron of Studio Laloc, highlight how the pandemic created a need for groundedness, leading people to seek out designs that offer comfort and familiarity. This preference for traditional elements—like carved wooden furniture, wallpaper, and sweet embellishments—provides a sense of coziness and a design equivalent of a hug, contrasting sharply with the often-cold feel of mid-century modern or minimalist aesthetics. Amy Sklar, a Los Angeles designer, further explains that traditional decor acts as a subtle rebellion against the fast-paced, technologically driven world. In an era of rapid technological changes and societal tumult, individuals are drawn to interiors that offer comfort and a connection to the past. This inclination towards nostalgia is observable across broader trends, including fashion and home decor, indicating a collective search for solace in familiar styles. The appreciation for timeless craftsmanship is another key aspect, encouraging people to value durability and classic beauty over fleeting trends. While traditional design might seem at odds with the typically modern and breezy West Coast aesthetic, designers confirm that it is possible to integrate this style effectively. The key lies in blending old and new elements to create a cohesive and curated look. One accessible method involves incorporating antiques and classic textiles, such as throw pillows and drapery, into existing decor. For more significant changes, updating architectural details like crown molding or replacing builder-grade lighting with traditional fixtures can enhance the overall traditional feel. To achieve balance, designers recommend pairing traditional silhouettes, such as a roll-arm sofa, with natural textures and historically inspired color palettes. The strategic use of varied materials is also crucial for bridging different design styles. Sklar suggests opting for surfaces designed to age gracefully and show signs of use, listing unlacquered brass, soapstone, butcher block, and marble as excellent choices for this purpose. These materials contribute to a lived-in, authentic aesthetic that aligns with traditional sensibilities. Ultimately, integrating traditional decor successfully into any home, particularly in regions known for modern design, requires a holistic approach. It’s important to consider how individual pieces contribute to the overall harmony of the space. The goal is to create a collected, rather than haphazard, appearance. Maintaining consistency in wood tones, color schemes, textures, and materiality ensures that traditional elements complement the existing interior and avoid appearing as an afterthought. This thoughtful curation results in a home that transcends both time and fleeting trends, offering an enduring sense of style and comfort. #TraditionalDecor #InteriorDesignTrends #HomeDecor #DesignTrends #ComfortInDesign #NostalgiaInDecor #WestCoastDesign #AntiquesInDecor

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

The foyer, as the initial impression of a home, holds significant importance in setting the overall design tone. This article showcases five contemporary Indian homes that integrate traditional artisanal details into their foyer designs, creating a welcoming and visually rich entryway. First, a luxury residence in Gurugram, designed by Shabnam Gupta of The Orange Lane, exemplifies fine Indian craftsmanship. Gupta’s eclectic and bohemian maximalist style is evident in the handcrafted details and playful colors. The foyer's approach features a framed textile from Sarita Handa, flanked by chairs made from a vintage camel cart sourced from Jodhpur, and a Brass Tawa wall light from AKFD Jaipur. The foyer itself is adorned with a carved wood panel titled 'Freedom' by Sonal Ambani and a vintage Bhutanese ceiling panel, with the study conveniently accessible from this area, allowing for separation from the private sections of the home. Next, a Mumbai home by Maulika Gandhi of Magnolia Design Studio and Richa Bahl of Richa Bahl Design Studio (RBDS) presents an eclectic blend of traditional and modern elements. This home incorporates American farmhouse, French modern, and English country influences, creating a global yet old-worldly charm. The entrance foyer features a checkered marble French floor contrasted with cement grey tiles, a black door, and fluted panel walls. It is furnished with an arch-design oakwood console and a colonial cane chair from Magnolia, a vintage foliage print cabinet from House of Things, and vintage glass lights by Hesperus, aiming to provide warmth and coziness despite its high-rise setting. Thirdly, a G+3 Hyderabad villa named Verve in Jubilee Hills, transformed by architect Niharika Veerabommala of Naav Studio, fuses conventional and modern design. The villa’s aesthetic uses chromatic shifts between white and grey to create an intimate atmosphere. The client specifically requested a grand foyer with large wooden main doors and a spacious drawing room. The lobby leading to the foyer includes a teak-bordered grey textured bison board ceiling, basalt flooring, and a white textured wall adorned with wooden elephant art. A black bench, brass antique planters, and artifacts enhance the lobby's visual appeal. The main entrance boasts solid teakwood doors with bespoke five-foot-tall brass handles, and an antique monolith stone art installation from Orion Studio complements the grey textured wall and a 200-kg mild steel console from K2 India, balancing modern and Indian elements. A DeMuro Das Hathi chair is positioned against a handcrafted brass wall installation with ikat motifs. Lastly, a Vadodara home designed by Mitul Shah of Studio Yamini showcases an artful and colorful character. Situated in a city known for grand residences like the Laxmi Vilas Palace, the design prioritizes complementing the client’s extensive art collection. The foyer features ochre Jaisalmer flooring as a strong base, with a diagonally paneled wall displaying works by K.G. Subramanyan and adjacent walls exhibiting art by Jyoti Bhatt and Jyotsna Bhatt. The design seamlessly integrates art throughout the home, providing visual continuity for a large joint family. Another home in Bengaluru, crafted by Ganesh Nair of Whitespace design firm, blends modern and Indian ethnic interiors. The family sought a contemporary look with traditional Indian elements, emphasizing correct dimensions and proportions for the large rooms to ensure a welcoming and uncrowded feel. The foyer area is decorated with a Tanjore-style painting of the goddess Lakshmi and a contemporary console table, achieving a harmonious balance between different design styles. #FoyerDesign #TraditionalFlair #IndianCraftsmanship #LuxuryHomes #EclecticDesign #ModernTraditionalMix #ArtfulInteriors #HomeDecor #InteriorDesign

The American farmhouse aesthetic, deeply rooted in history and practicality, offers a timeless and authentic approach to home design. This style, often seen in regions like Chester County, Pennsylvania, emphasizes a connection to the land and a phased building approach that reflects organic growth over time. Architects, such as those at Period Architecture, integrate traditional architectural elements with modern functionality, ensuring that new constructions resonate with the character of historic farmhouses while meeting contemporary living demands. Authenticity is paramount in achieving a farmhouse aesthetic, requiring careful consideration of a home's history, environment, community, climate, and architectural language. This means drawing inspiration from historical precedents to replicate functionality and charm. A farmhouse should appear to have grown from its surroundings, complementing the landscape rather than dominating it. Practices like preserving mature trees and harmonizing the home's placement with natural features contribute to this sense of belonging. Additionally, incorporating historical elements like farmhouse sinks, deep window sills, interior walls that mimic thick stone, period-inspired paint colors, raised-panel doors, and locally sourced natural materials helps tell a story of gradual development. Organic and salvaged materials are crucial for both historical accuracy and environmental responsibility. Farmers traditionally used readily available resources, a practice echoed in modern farmhouse design. Stone and brick, often harvested locally or salvaged, are used for facades, fireplaces, and floors, providing durability and an authentic look. Wood, especially reclaimed beams from old barns, is utilized for structural elements, furniture, millwork, and siding, adding warmth and character. Iron, hand-forged using traditional methods for hardware and lighting, further enhances the historical feel of the home. Millwork and architectural details, once indicators of wealth and craftsmanship, continue to define the farmhouse style. Intricate details in kitchens, bathrooms, staircases, and various interior and exterior trim work evoke a sense of a bygone era. Functional elements like dormers and porches, originally serving practical purposes such as increasing usable space or providing a transitional area from outdoor work, are now celebrated for their aesthetic appeal and ability to connect inhabitants with nature. Dutch doors, for instance, blend aesthetic value with functionality, bridging indoor and outdoor spaces. Integrating old with new is a hallmark of contemporary farmhouse design, allowing for the preservation of historical charm while embracing modern conveniences. Decorative shutters might replace their functional predecessors, and composite materials can offer the look of natural wood with enhanced durability and reduced maintenance. While traditional fireplaces were primary heat sources, modern farmhouses benefit from advanced heating, cooling, insulation, and smart home technologies, ensuring comfort and energy efficiency without sacrificing historical integrity. Ultimately, the appeal of the farmhouse aesthetic lies in its emphasis on family-focused comfort and livability. Modern farmhouse layouts adapt traditional designs to suit contemporary family needs, transforming former servant quarters into functional mudrooms, opening up classic center halls and kitchens into expansive living areas, and incorporating luxurious master suites with ample closets, bathrooms, and scenic views. Essential modern additions like laundry rooms, increased storage, butler’s pantries, and well-designed mudrooms enhance daily living. The farmhouse remains a symbol of authenticity, deep-rooted family values, and regional pride, offering a profound sense of home within the American countryside. #FarmhouseAesthetic #PeriodArchitecture #HomeDesign #ArchitecturalTraditions #OrganicMaterials #SalvagedMaterials #Millwork #IndoorOutdoorLiving #HistoricPreservation #FamilyFocusedDesign

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The article details the creation of a new 7,517-square-foot cottage in Cottagewood, aiming to blend modern construction techniques with the soulful character of an older, Old World European home. Builder Kyle Hunt of Kyle Hunt & Partners, alongside architect Jean Rehkamp Larson, collaborated to achieve this vision for owners Bari Kessler and Dave Marantz. The design emphasizes natural materials, including recycled-timber beams, stone countertops, and custom metalwork, to evoke an aged sensibility and combine rustic and refined elements. The homeowners, having moved from Minneapolis to Lake Minnetonka for a simpler life closer to nature, desired a new home that felt established and rich with history. Bari Kessler, an interior designer with a passion for antiques, sought to create a tranquil retreat for her family, including three boys and two dogs. Her favorite space, a cozy family den, exemplifies this aesthetic, filled with patterns, textures, colors, and a collection of art, objects, and books. South Carolina-based interior designer Alecia Stevens assisted in integrating the couple's existing antiques, rugs, chairs, and paintings into the new design, layering pieces to create a lived-in and loved atmosphere. Kyle Hunt & Partners, a 32-year-old Deephaven company, specializes in crafting artisanal homes tailored to client needs. For this project, Hunt assembled a team of skilled artisans, including a stucco professional, plaster painter, metal smith, and cabinet maker, all committed to achieving the desired aged aesthetic. This commitment is evident in the custom cabinetry by Joe Michalski of Rosemount Woods, which features inset wood, exposed hinges, cup-shaped drawer pulls, and brass name plates, giving newly built cupboards the appearance of antiques. Similarly, Otto Painting Design created a unique hand-troweled patina for the plaster walls, further contributing to the home's historic feel. The home was also designed with the family's three boys in mind, incorporating child-friendly spaces. A miniature study hall with built-in desks and bookcases is situated outside their bedrooms, providing a homework area. The attic was transformed into a treehouse-like space, complete with a dedicated room for Legos. Another nook houses the family's guinea pigs, and bunk beds accommodate sleepovers. These elements ensure the reimagined cottage offers inspiring environments for both adults and children to thrive. Ultimately, the residence successfully marries new construction with an old soul, embodying the nostalgic comforts of home and reflecting the values and identity of its inhabitants. #homeDesign #oldWorldCharm #customHome #naturalMaterials #interiorDesign #artisanalCraftsmanship #familyHome #Cottagewood #KyleHuntAndPartners

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

Sarah Southwell, a former handbag designer, has transitioned her creative flair from fashion to interior design, establishing her studio in 2020 after a series of successful home renovations in London. Her most ambitious project to date is her family home, a 21-room Grade II-listed manor house located in the Somerset Levels. This extensive renovation showcases Southwell's distinctive approach to country style, characterized by a blend of elegance, eccentricity, and a 'generational layering' philosophy that expertly combines old and new elements. Sarah and her husband, Nick, acquired the manor in 2021, moving from London to provide their three sons with a more spacious environment. Despite being warned by the estate agent about the significant renovation required, the couple was drawn to the property's original features, such as its mullioned windows and historic front door. The renovation process was comprehensive, addressing issues ranging from hundred-year-old plumbing and crumbling plaster to the complete absence of a heating system. With the assistance of approximately 20 local tradespeople and funds from their previous London property sale, they undertook the extensive overhaul, including replastering all rooms with traditional lime, a necessity for listed buildings. Southwell's design aesthetic prioritizes a 'perfectly imperfect' look. She achieved this by using lime-based paint throughout the house, mimicking the mottled tones of plaster. The kitchen features Bauwerk’s Ibiza limewash, reclaimed pine floorboards, British Standard units, and Arabescato marble worktops, creating a contemporary yet classic feel. An adjoining utility space adds a playful touch with units painted in deVOL’s Scullery Yellow. The home is adorned with unique finds from flea markets and antique fairs, reflecting Sarah's passion for vintage items, such as a Transylvanian hand-painted folk art cupboard in the playroom and 18th-century Indian doors repurposed for the master bathroom. Creative and whimsical elements are evident throughout the manor, particularly in the children's spaces. The bedroom shared by Sarah's two eldest sons boasts a circus-themed ceiling painted by Eugenia Barrios Osborne, complemented by custom-made bed canopies and antique furniture sourced from local dealers. The color palette in this room includes Farrow & Ball's Rectory Red and Babouche mustard-yellow. A notable feature of the home is its incorporation of 'hidden nooks and secret doorways,' a reflection of Southwell's design philosophy that a house, much like a handbag, benefits from concealed compartments. An example is a hidden cubbyhole in a former attic, accessible via a wooden ladder, designed to create a magical space for her sons. Additionally, a hidden drinks bar is cleverly camouflaged by wallpaper in the downstairs lavatory, adding a surprising element for adult guests. Following the completion of this significant renovation, Sarah Southwell now leverages her expertise to assist other clients in realizing their design aspirations, operating with a comprehensive approach to interior styling. #InteriorDesign #ManorRenovation #CountryStyle #HistoricHome #LimeWashPaint #VintageFinds #HiddenSpaces #FamilyHome #EclecticDecor

Designer Jennifer Hunter, a lifelong city dweller, fulfilled her dream of a country estate in Washington, Connecticut, alongside her husband and two daughters. The couple discovered their ideal location over ten years ago, envisioning a classic Greek Revival home that would integrate with Litchfield County's historical architecture while showcasing Hunter's distinctive bold and playful design philosophy. Collaborating with Hinkel Design Group, a local architect, and Prospect Mountain Builders, they embarked on transforming this vision into a tangible home. The completed residence is a timeless yet functional space for Hunter’s family, characterized by durable finishes, intricate custom millwork, and a curated selection of custom wallpapers, antiques, and commissioned art, all designed to be appreciated without excessive formality. Hunter notes the positive reception from clients, many of whom have been inspired by the home to request similar materials or even engage her design services. The 4,500-square-foot house features four bedrooms and four-and-a-half bathrooms. The living room, painted in a high-gloss aubergine, provides versatile seating arrangements for various activities, including after-dinner cocktails, board games, and quiet reading. A custom portrait of George Washington serves as a playful homage to the town. Custom couches in Mughal Floral fabric by Botanica Trading, a custom art piece by Paste, an antique coffee table from 1stDibs, and sconces from Visual Comfort complete the space. Crisp white molding and chartreuse accents, such as a custom chaise covered in Sister Parish's Dot fabric, maintain an open and elegant feel. The family room, with its muted tones inspired by the natural landscape, openly connects to the kitchen but retains its distinct character. A soft green vaulted ceiling contributes to an effortless and grounded atmosphere. Exposed beams provide architectural interest and define the boundary between the kitchen and family room. The entryway immediately conveys Hunter’s signature style, combining traditional millwork with personalized elements like botanical collages by Paste, a Temple Studio runner, and a custom green wallpaper inspired by Albert Hadley’s ‘Happy’ pattern. In contrast to the vibrant hues found elsewhere, the kitchen adopts a serene approach with creamy cabinetry and natural stone countertops that are expected to develop a beautiful patina over time. Hunter aimed for a classic, clean, and calm space. The kitchen includes Farrow and Ball ‘Wimborne White’ cabinet paint, Fireclay Tile backsplash, Armac Martin hardware, Calacatta Luccicoso countertops from La Pietra Tile and Stone, Visual Comfort pendants, and a Lacanche range. A sunlit dining nook with a custom plate wall offers a cozy spot for family meals and activities. Adjacent to the dining room, a hunter green pantry provides a saturated nook reminiscent of an English larder, featuring open storage and baskets. The dining room itself boasts a whimsical mural by Zoe Design, inspired by the Garden Room at the nearby Mayflower Inn, complemented by furniture from Scout and Nimble and fabrics from Namay Samay and Etsy. The guest suite, known as “The Tree House,” is situated above the garage, providing privacy and a kitchenette. Its walls are adorned with a custom colorway of Sandberg’s Raphael wallpaper. The primary bathroom features a more masculine design with plaid floors and effortless materials, creating a spa-like retreat. A Kohler soaker tub offers a place for relaxation. The girls' room exudes childhood magic with floral Schumacher wallpaper, vintage twin beds, and a custom lamp shade in Schuyler Samperton fabric. The primary bedroom's aesthetic was inspired by a picnic basket, featuring woven textures, natural tones, and a custom bed with Jasper fabric, setting a tone of casual elegance. The mud bathroom on the ground floor combines style with practicality, serving as a full bath for outdoor clean-up while incorporating pattern play with Fireclay tile and Jasper wallpaper. The girls’ bathroom presents a feminine design with a powdery pink palette and a custom tile floor mimicking rosettes. The mudroom, painted in rich burgundy, offers functional storage for coats, shoes, and hats. Finally, the expansive porch, with its classic wicker furniture and striped textiles, invites relaxation, while the home's exterior, a Greek Revival design, was meticulously planned to blend seamlessly with the historic architecture of Litchfield County, incorporating custom elements like door hardware inspired by George Washington's jacket. #InteriorDesign #HomeDecor #CountryEstate #JenniferHunter #LitchfieldCounty #CustomMillwork #PatternPlay #GreekRevival #TailoredInteriors

The article explores the concept of transforming a mere house into a personal home, drawing insights from 12 creative individuals across various fields, including fashion, art, architecture, and culinary arts. Each expert shares a unique perspective on what constitutes the essence of a home, highlighting both tangible objects and intangible relationships. Doris de Pont, director of the New Zealand Fashion Museum, emphasizes the role of a large, enduring kauri library table as the central gathering point for her family, symbolizing connection and shared experiences. Her custom-designed red lacquer wardrobe, which reflects the garden, showcases how personal storage solutions can become artistic and functional elements within a living space. Artist Jade Townsend, from Ngāti Kahungunu, frames home through the lens of Te Ao Māori, emphasizing relationships with all living and non-living things. Her art, created within her domestic space, reflects this belief, making her home a dynamic and evolving expression of her cultural and personal identity. She views home as a place for growth, distinct from the self-discovery experienced while away. Dan Ahwa, fashion director for Canvas, recounts his journey of making his home feel less "juvenile" post-marriage. A vintage, scallop-shaped pink velvet zebra-striped couch became the pivotal piece, defying conventional taste to anchor their eclectic style. Surrounded by plants, books, and a 1930s leadlight drinks cabinet, his home reflects a surprising yet cohesive personal aesthetic. Interior designer Nicola Manning highlights the importance of a luxurious and comfortable bed for creating a sense of security and refuge. She stresses that personal touches, such as inherited antiques, travel souvenirs, art, and photographs, are crucial for imbuing a house with individual character and transforming it into a true home. Ceramic artist Phil Brooks, influenced by his mother's love for bargains, describes his home as an evolving collection of unique finds from charity shops and antique markets. A large beaded panel from Kuala Lumpur, treasured by his mother and now displayed in his daughter's room, exemplifies how objects with rich histories contribute to the narrative and essence of his family home. Architect Christina van Bohemen views home as both a refuge and a gathering place. Her dining table, a simple, narrow Sam Haughton design, acts as an anchor for various activities and fosters intimacy. She also values the strategic placement of furniture to maximize views, enhancing the sense of openness and connection to the outside world. Chef Dariush Lolaiy, co-owner of Cazador, finds his home's heart in a custom-made, bright mustard-colored couch, a symbol of leisure after long workdays. Paintings inherited from his wife's great-uncle further cement their connection to family history, making their apartment feel more like a home. Divya Purushotham, an associate at Warren and Mahoney, describes her 130-year-old railway worker's cottage as a space of ongoing renovation and reflection. A name plaque, "Temuka," above her front door, and antique brass pots from her grandparents in India, serve as irreplaceable links to her heritage, contributing to a deep sense of belonging. Chef Jason Kim's definition of home centers on personal routine and family. His early morning ritual of Korean canned coffee and Iron Maiden, quickly followed by making cheese toasties for his children, illustrates how small, consistent moments of connection and comfort define his domestic life. Interior designer Amanda Neill, a Sagittarius, is drawn to fire and its ambient qualities. Her custom-made Alchemy Firepits, adorned with an evocative quote, represent a deep need for connection and provide a gathering point for loved ones, symbolizing warmth for both body and soul. Glass artist Devon Ormsby curates her home with artworks and art objects, such as Ruth Castle woven baskets and a Walk in the Park wooden bowl. Her personal collection, constantly evolving with her own glass creations and pieces from peers, transforms her living space into a "curated museum" reflecting her interests and life story. Emma Ogilvie, general manager of Bar Celeste, values a functional kitchen with an island bench that allows for social cooking and hosting. Having a well-stocked fridge, despite their busy schedules, is essential for creating a homely atmosphere, counteracting the feeling of always being away. #HomeDesign #InteriorDesign #PersonalStyle #CreativeExperts #DomesticSpaces #FamilyLife #ArtInHome #CulturalHeritage #ComfortAndConnection

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife