megre interiors renovates 150-year-old fonarnye bani in st. petersburg

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

In 2023, a 1952 Metairie home, after 33 years of ownership, underwent a significant transformation from its previous appearance, characterized by a light blonde brick exterior and a mix of midcentury, contemporary, and New Orleans design elements. The ranch-style house was re-envisioned as a modern, multigenerational residence, incorporating elements that pay homage to its original midcentury style. Architect Nathan Fell noted that many homes built in that era in Metairie often displayed a cautious design approach, which this renovation aimed to transcend. Working with Nathan Fell Architecture, the owners embarked on an extensive renovation of their 4,000-square-foot home. The exterior, particularly the entry and roofline, was redesigned to accentuate midcentury features. Internally, bathrooms were repositioned, a new laundry room was added, and the kitchen area was reconfigured to create a large great room. The comprehensive renovation also involved converting the garage into a cabana with direct access to the pool. The owners, a busy couple with adult children, grandchildren, and an active social life, desired a space that would better accommodate family gatherings and sleepovers. Although the home's footprint remained unchanged, a major internal re-arrangement was necessary. Fell, collaborating with CNG Construction, sought to depart from the home's original reserved design by highlighting its midcentury origins while also creating spaces that fostered openness, diversity, and functionality for the family's lifestyle. To achieve a more expansive and visually dramatic living space with vaulted ceilings, the former dining room was merged with the living room, and the roof was raised and reframed. The renovated exterior now features white-painted brick and a distinctive wooden gable, presenting a unified aesthetic with repointed brick framed by smooth gray stucco. Ipe wood trellises were incorporated to delineate space, and a central ipe gable adorned with glass elements was added for visual depth. Horizontal pavers guide visitors to a new double-door ipe-clad entrance, also framed by a trellis. For the pool and landscaping, Fell partnered with Palmetto Pools + Landscape. The pool was elevated 3 feet, aligning with the main floor, and raised decking was installed, creating a visual effect similar to an internal courtyard. Inside, the design harmoniously blends new, modern, vintage, and heirloom furnishings. The kitchen, inspired by the family's matriarch, was a focal point, designed to be both visually appealing and highly functional for cooking and family bonding. It features double ovens and an efficient exhaust system. The millwork throughout the home, crafted by Daniel Bell, replicates the color of a cherished rosewood dining room table. Quartz countertops and a backlit Cristallo Natural Stone feature wall from Triton Stone provide contrast and dramatic flair against the rosewood-stained millwork. Barlinek, Oak Cannoli 7-inch wide plank engineered wood flooring unifies the kitchen, dining, and great room areas. Multiple seating zones in the great room are connected by the consistent use of quartz for the stone feature wall and the same cabinet and casework materials found in the kitchen. The feature wall includes an inset flat-screen TV and a linear vapor fireplace. A striking element is the multi-tonal ipe wood veneer covering the vaulted ceiling, which creates a subtle link between interior and exterior elements. An I-beam, an architectural challenge, was seamlessly integrated into the gable design and concealed within a trapezoidal shape. The entryway was designed for practicality, featuring a bench and coat closet, setting the tone for a home that successfully merges past and present, innovation and tradition, and reinvents the familiar. #HomeRenovation #MidcenturyModern #NathanFellArchitecture #MetairieHome #ArchitecturalDesign #InteriorDesign #ModernLiving #FamilyHome #CustomMillwork

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject

March & White, an award-winning architecture and design studio, has completed the conversion of a three-story traditional mews building in North Belgravia, London, for the property developer Grosvenor. The project involved transforming an office space into a luxury residence, requiring a unified approach to both design and functionality. March & White managed all aspects of the conversion, encompassing architecture, interior design, and furnishings, resulting in a contemporary and luxurious property that aligns with the Grosvenor brand's image. A key element of the renovation was the creation of a centralized point of reference within the house. This was achieved by replacing the property’s original two sets of stairs with a single, bespoke staircase. This new staircase features wooden steps, a glazed balustrade, and a perimeter handrail with integrated lighting, creating a luminous path from the ground floor to the second floor and the newly added roof extension. The conversion work began in September 2012 with the demolition of the existing mansard roof, which paved the way for a contemporary roof extension. This extension now covers the entire footprint of the building and incorporates an outdoor terrace. The terrace is equipped with a vertical 'green' wall designed to support various plantings, enhancing the aesthetic and environmental aspects of the space. Access to the terrace from the second-floor living area is provided by a glazed frontage that includes a sliding glass door. This design choice not only allows for seamless indoor-outdoor living but also floods the living area with natural light. The open-plan living area within the residence combines a media den and a wet bar lounge. The media den features bespoke joinery with specialist artisan metal lacquer and leather detailing. It also integrates a fireplace and an AV installation into the far wall, creating a fully customized entertainment system. Ceiling coffer lighting complements the media den’s white bespoke joinery and establishes a visual connection to the wet bar, situated directly opposite. The concealed wet bar incorporates a hand-finished antiqued mirror, which reflects the second-floor living space, and artisan metal lacquer detailing that becomes visible when the bar is opened. In addition to these structural and joinery elements, March & White collaborated closely with suppliers to source rich materials for luxury interior accents throughout the home. This meticulous selection of materials contributed to the establishment of a well-balanced and contemporary environment. Italian lava stone from Mount Vesuvius, with an artisan-glazed finish, has been extensively used in the kitchen, ensuite bathrooms, and WC across all floors. The master suite on the first floor is distinguished by a built-in leather-clad vanity unit with a mirror, a feature headboard wall, and cove lighting. On the ground floor, the dining room showcases bespoke joinery on either side of a specialist hand-finished antiqued mirror. This mirror frames a fireplace nestled within its center. The dining room seamlessly connects to the kitchen, with the option for separation using top-hung sliding screens that can lock into place. This project, named Headfort, provided March & White with an opportunity to leverage all their capabilities, from architecture to interior design, and to strengthen their existing relationship with Grosvenor. James White and Elliot March, the founders of March & White, expressed their satisfaction with the outcome, highlighting that Headfort reflects Grosvenor’s forward-thinking approach to development and that their expertise successfully aligned with the client's vision. They believe Headfort sets a benchmark for the quality of projects they are currently undertaking with Grosvenor. March & White is a London-based architecture and interior design studio specializing in hotels, private homes, residential developments, restaurants, and yachts, with a diverse client base across the UK and internationally. #MewsConversion #LuxuryResidence #NorthBelgravia #MarchAndWhite #Grosvenor #InteriorDesign #ArchitecturalRenovation #LondonProperty #BespokeJoinery

The article details the renovation of Frank Gehry's first house, originally built in 1974, by Dan Brunn Architecture for artist James Jean and his wife Chihiro Torikai. The property, located in Los Angeles, holds significant architectural provenance, being Gehry's initial residential project before his more renowned deconstructivist works. Despite Gehry's original involvement, many of his design details for this particular house went unbuilt, leaving it as a relatively blank canvas for the subsequent renovation. James Jean, a celebrated commercial and fine artist known for his work with Prada, sought a living space that would integrate his artistic practice with his family life, desiring a home studio rather than a separate workspace. He gave architect Dan Brunn significant creative freedom, having developed a friendship after meeting at a street-art festival in Hawaii. Brunn's approach honored Gehry's legacy while infusing the home with contemporary design elements and personal touches reflective of Jean's artistic style. Brunn acknowledged Gehry's original design at the recessed entry, cladding it with overlapping copper panels that subtly reference Gehry's signature fish-scale motif. Inside, Brunn focused on transforming the space, starting with a central staircase. This staircase, crafted from 2-by-8-inch solid walnut planks of varying lengths, features a dual geometry: a crisp crease line combined with a subtle curve. This curved element subtly alludes to the fluid and lyrical forms characteristic of Jean's drawings and paintings. The staircase is not merely a vertical connector; it also defines the horizontal flow of the ground level, compressing the space between the foyer and the main living, dining, and studio areas. A significant design feature is a 12-foot-wide pivoting plasterboard partition. When open, it allows the living area to connect directly with the library. When closed, it converts the library into guest quarters, demonstrating a versatile use of space. Adjacent to the library-bedroom, an alcove was designed as a contemplative retreat. This open-sided box, constructed from canted walnut planes, is inspired by Japanese teahouses. Sliding glass doors allow this volume to merge with the meticulously landscaped garden, which features bamboo, ginkgos, and Japanese maples, creating an atmosphere of absolute zen. Lighting throughout the ground level is designed to be diffuse, providing a shadow-free environment ideal for photography and everyday living. At night, LEDs ringing the alcove's walnut box offer programmable color cycles, controlled by a handheld remote, serving as an homage to light artist James Turrell. This multi-layered approach to lighting underscores Brunn's nuanced take on minimalism. For furnishings, Brunn selected a mix of modern and contemporary design icons. The library features classic Eames swivel armchairs and ottomans. The dining area includes a slimmed-down Parsons table by Bertjan Pot, surrounded by Jonathan Prestwich side chairs and Diez Office armchairs. In the living area, an Antonio Citterio pale gray sectional is paired with Jean Prouvé black sling chairs, gathered around a custom cocktail table made of reclaimed Douglas fir, detailed with turquoise inlays and copper staples. Upstairs, Brunn made a significant decision to reduce the total square footage to 3,600 by removing a bedroom. This sacrifice created private outdoor space, a glass-walled pocket terrace for the master suite. This solution unexpectedly echoed Gehry's original plans for the same spot, which had envisioned a greenhouse. The project team included Aras Burak from Dan Brunn Architecture, structural engineer Chris Salas, CBM Woodworks and Woodmaster Kitchen & Bath for woodwork, KR Welding for metalwork, and RealCo Creations as the general contractor. #ResidentialDesign #ArchitecturalRenovation #FrankGehry #DanBrunnArchitecture #JamesJean #InteriorDesign #LosAngelesArchitecture #ModernInteriors #AdaptiveReuse

This article describes the transformation of a London residence in the Marylebone area, located within a Grade I listed building at Park Crescent Gardens, by Bergman Design House. The project aimed to infuse warmth and a sense of 'hygge'—a Scandinavian concept of coziness—into the home of a British couple, reflecting the Swedish heritage of Albin Berglund, cofounder of Bergman Design House. Marie Soliman, cofounder and creative director, characterizes the design approach as embracing the concept of the flâneur and integrating wabi-sabi principles, which celebrate imperfection, impermanence, and the unconventional. The home spans 3,000 square feet across three levels, each designed with distinct character while maintaining overall cohesion. The entrance features a welcoming foyer and a den decorated in rich muddy teals, evoking the ambiance of a private member's club. In contrast, the first level hosts an airy and light-filled open-plan living room, dining area, and kitchen. The top floor includes a study room with expansive views. The main suite is adorned with pale apricot tones, crushed linen walls, and a hand-painted de Gournay Wisteria silk wallcovering, adding a whimsical touch. Throughout the home, existing period details have been meticulously restored, creating a blend of historical charm and contemporary design. Chocolate herringbone floors and muted, oyster-colored walls contribute to a sense of grandeur and an inviting atmosphere. A central feature of the kitchen is a striking island-bar crafted from pale green marble with russet veins, which serves as the heart of the living space. Additionally, a whiskey corner offers a view, featuring rare exotic (four seasons) marble in jewelry-inspired colors. Soliman notes that these elements were chosen to bring the beauty of London's Regent’s Park landscapes indoors and introduce playful yet elegant details, resulting in glamorous yet understated spaces. The home also showcases an impressive art collection, central to the owners' passion for discovery and display. Notable art pieces include a vibrant installation by Zhuang Hong-yi in the main living area and "The Thinker," an eccentric astronaut sculpture by Joseph Klibansky, positioned near the staircase to spark conversation. Soliman emphasizes that the home's design thoughtfully complements the artworks, echoing their shapes and tones without overshadowing their beauty. This approach ensures the rooms exude balance and considered calm, highlighting the architectural strengths and treasured objects. Most of the furniture consists of bespoke pieces from Bergman Design House’s Black Berg Collection. The article also mentions specific design elements such as Gubi's Pacha chairs in green boucle in the living area and artworks by Marie Soliman above the mini-bar cabinets. #LondonHome #InteriorDesign #BergmanDesignHouse #LuxuryResidence #HyggeDesign #WabiSabi #ArtCollection #Marylebone #ResidentialDesign

This article details the six-year renovation of an 18th-century, Grade-II listed Georgian cottage in a historic village in the UK's South Downs National Park by its owners, Matt and Holly Clements. The renovation aimed to restore the property sensitively, uncovering and preserving its original features while adapting it for modern family life. The exterior restoration began with the removal of damaging pebbledashed cement render, replaced with a breathable limewash color-matched to original fragments. Georgian sash windows were also restored off-site and fitted with hand-blown glass. Inside, the kitchen, though due for a full replacement, was refreshed with Atelier Ellis' 'Quiet Grey' paint. The space is characterized by unfitted elements, vintage accessories, and an heirloom farmhouse table and chairs. Devol handles and a brass hanging rail were added to existing cabinets, complementing a soft white Everhot range cooker. In the living room, the painstaking process continued as internal cement render around the bay window was removed, revealing original lime plaster. This multi-functional space, the primary gathering area outside the kitchen, was furnished with neutral colors, vintage leather armchairs from Vinterior, an antique Indian cot serving as a coffee table, and a high-street jute rug, creating a calm and inviting atmosphere. The main bedroom offered significant discoveries. A false ceiling concealed original beams, which were found wrapped in crumbling insulation and required extensive work. Beneath layers of plasterboard, a Georgian fireplace was uncovered and gently repaired. The original wide plank floorboards, crudely altered for modern utilities, were carefully cleaned and restored with wire wool and white spirit. To respect the cottage's history, the fireplace wall's original brick was exposed, while other walls received a lime render. A hand block-printed floral wallpaper, 'Garland by Flora Roberts' for Hamilton Weston, was chosen for the bedhead wall, inspired by a 1700s fragment, with Earthborn’s St John clay paint on the remaining walls, blending historical accuracy with contemporary design. The bathroom combines original features like exposed ceiling beams with modern comforts, including a marble-look walk-in shower. The wooden floor was repurposed from a 400-year-old barn, and the plasterboard ceiling was removed to reveal characterful original beams. Holly incorporated vintage accessories such as a Georgian tilt-top table, a French mid-century painting, and antique Hungarian pieces to soften the space without creating a pastiche. The children's rooms are thoughtfully curated with vintage treasures and adaptable designs, reflecting the family's approach to the entire home. The children actively participated in painting and cleaning. A peg rail in one room displays an antique mirror and chair, with walls and paneling painted in Atelier Ellis' 'Stony Ground'. Finally, the backyard features a secluded seating area excavated from a large cement and chalk lump, providing an alfresco dining space with an antique Hungarian trestle table and a window-frame mirror from an antiques fair. The entire renovation underscores a deep respect for the cottage's history, combining meticulous restoration with personal touches and vintage finds to create a cohesive and charming family home. #CottageRenovation #GeorgianArchitecture #HistoricHome #InteriorDesign #VintageDecor #SustainableRenovation #FamilyHome #ArchitecturalRestoration #HomeStyling

The penthouse residence within a 37-story Neo-Romanesque luxury condominium tower in downtown Brooklyn underwent an extensive renovation, spearheaded by Jaklitsch/Gardner Architects. This landmark building, originally constructed in the 1920s as the Williamsburgh Savings Bank Tower, now houses 179 apartments. The transformation of the 3,000-square-foot penthouse proved to be a protracted endeavor, lasting seven to eight years, in stark contrast to the building's initial two-year construction period. The extended timeline was largely due to the client's demanding schedule, which frequently caused project pauses, and also to unforeseen obstacles, including Hurricane Irene in 2011, which caused flooding in 40 units and significantly delayed work for months. Despite these challenges, the client's adventurous spirit in design collaboration pushed the architects to create a unique living space. The renovation unfolded in two primary phases: an architectural gut renovation followed by interior design. During the architectural phase, significant structural changes were implemented. The apartment's front door was relocated to open into the living area instead of the kitchen, creating a new vestibule and enhancing the sense of arrival and spaciousness. Two existing bedrooms were combined to form a primary bedroom and an adjacent sitting area, separated by three curved, telescoping wood walls. This innovative design allows for both connection and privacy within the expanded space. Throughout the apartment, ebony-stained white oak flooring was installed to provide a consistent and cohesive aesthetic. The interior design phase focused on creating a fluid landscape, where many custom-designed pieces serve as metaphorical representations of nature. Notable examples include a 'fountain' coat rack with looping brass arcs, a 'cumulus' chandelier featuring spheres of cast glass, and a record cabinet adorned with incised white flowers—all conceptualized and designed by Jaklitsch/Gardner Architects. The dining table, another bespoke piece from the firm, is composed of three configurable parts, allowing for flexible arrangements and evoking the appearance of a large tree stump when joined. The designers noted that the themes of 'celestial and landscape' symbolize the apartment's unique position between ground and sky. Stephan Jaklitsch, who founded the firm in 1998, highlighted the intention behind the movable elements, which aim to provide tactility, psychological warmth, and a human scale to the residence. He also pointed out that the building's conversion from offices to residences in 2007 resulted in generic layouts and nondescript interiors, which the firm sought to overcome. The renovation capitalized on the penthouse's prime location, just three floors below the building's gilded, four-sided clock, offering panoramic views of New York City and infusing the interior with a distinctive character. The project ultimately created a sophisticated and unique living environment, harmonizing with the building's historic essence while incorporating modern, nature-inspired design elements. #PenthouseRenovation #BrooklynArchitecture #HistoricBuilding #LuxuryDesign #JaklitschGardnerArchitects #CustomFurniture #InteriorDesign #ArchitecturalRenovation #NewYorkRealEstate

This article explores the transformation of a century-old Federation bungalow in Sydney's Lower North Shore into a home that harmoniously blends its classic architectural features with modern Scandinavian-inspired interiors. Initially, the owners considered demolishing the shabby bungalow they purchased in 2017. However, after a temporary refresh involving painting and gardening while waiting for demolition plans, they discovered the inherent charm of the house. Its original details, including cornices, archways, fanlights, stained glass, sash windows, high ceilings, and solid double-brick construction, captivated them, leading to a change of plans. A professional assessment confirmed that the valuable period features could be preserved. Architect Mohit Keni of Corben Architects was enlisted to lead a renovation that respected the home's historical essence while integrating contemporary finishes and amenities. The owners' vision included light-filled living spaces, a strong indoor-outdoor connection, and practical, efficient use of space. Their comprehensive wish list detailed four bedrooms, all with ensuites, two living areas, an office, a kitchen with a butler's pantry, ample natural light, and plenty of storage. Aesthetically, they aimed to highlight the beautiful period features alongside a fresh, airy Scandinavian style, using Pinterest to convey their preferences to the architect. The renovation began by removing a mismatched 1970s addition at the rear. In its place, a light-filled extension was built, housing two bedrooms and a study on the ground floor, and an additional bedroom and two bathrooms upstairs. Mohit Keni also ingeniously converted previously unused attic space within the original house into a main bedroom suite. The new extension is characterized by its four pitched sections and two dormer windows, which subtly echo the home's original roofline, creating a contemporary yet cohesive architectural dialogue. Slate shingles on the dormers, referencing Scandinavian design, further integrate the new with the old, with the internal pitched roof geometry becoming a feature in the upstairs bedrooms. The layout was reconfigured to maximize views of Sydney Harbour to the north. The bedrooms previously occupying this prime location were relocated, and a sociable open-plan kitchen and dining area was established to take advantage of the outlook. New French doors were installed to connect this space to the garden and the water views beyond. To enhance spatial flow and light, a section of the wall opposite the hallway was removed, creating a link between the new kitchen and living room. Throughout the home, a crisp, clean aesthetic was achieved through abundant storage solutions, including a butler's pantry, under-stair storage, and a waterproof cubbyhole beneath the kitchen and dining area. Skylights in the upstairs bathrooms, covered rear terrace, and stairwell ensure a steady influx of natural light. Embracing the Scandinavian aesthetic, the external red brickwork was painted white, a modern look that extends to the interior. The design emphasizes simplicity, minimalism, and an uncluttered environment, featuring light-stained, natural-look oak floors. All-white joinery and a consistent tonal palette, even in the bathroom floor tiles, create a seamless transition between rooms, offering a neutral, calm, and warm backdrop for the owners to personalize with accessories, furniture, and art. Classic pieces, such as Hans Wegner 'Wishbone' chairs, in natural hues and rich textures, are strategically placed, enhancing the home's inviting atmosphere. The dining area, with its harbour views and a classic archway, along with the morning light streaming into the living room, are highlighted as beloved spots, symbolizing the successful integration of the home's original character with its modern, Scandinavian-inspired renovation. #FederationArchitecture #ScandiStyle #HomeRenovation #InteriorDesign #SydneyHomes #ArchitecturalDesign #PeriodFeatures #ModernLiving #OpenPlanLiving

The article details the comprehensive restoration of a Grade II-listed Georgian townhouse in London, a property that had remained untouched for eight decades. Creative director Mike Fisher of Studio Indigo led the architectural redesign, transforming the building into a modern home while preserving its historical integrity. The project aimed to infuse modernity into the 1820s structure, which retained many original architectural features despite suffering minor bomb damage during the 1940s. Nathalie Hirst, the homeowner and a property buyer, actively contributed to the design process, emphasizing the importance of selecting features that would enhance the property's value and create a special atmosphere. The renovation prioritized maximizing space, a crucial aspect given the townhouse's compact size of under 3,000 square feet. This was achieved by opening up connections between rooms, creating seamless views to the garden, and optimizing the layout to make the interior feel larger than its actual dimensions. Key structural changes included extending and opening up the ground floor to create a cohesive kitchen, sitting, and dining area, forming the heart of the home. The original form of the closet wing was preserved, and existing spaces were reconfigured to incorporate en-suite bathrooms. These new additions were designed with a modern aesthetic that remained sensitive to the house's historic character, avoiding overly contemporary elements that might clash with its Georgian roots. The restoration also involved reinstating and refurbishing period details such as paneling, cornices, skirtings, and architraves, ensuring that the historical essence of the building was maintained. Mike Fisher and Nathalie Hirst collaborated with interior designer Dominique Bonino for the decor. Bonino focused on curating Hirst's existing furniture and art pieces, blending them with new selections to achieve a timeless, transitional style. The chosen color palette for the interior was fresh and light, reflecting the Georgian period, with accents of yellow, green, blue, and ochre introduced through furniture and soft furnishings. The objective was to create an inviting and cozy environment that was functional for daily living, allowing Nathalie's heirloom pieces to shine while complementing them with carefully chosen contemporary elements. The design philosophy emphasized mixing modern and traditional pieces to create a balanced, enduring aesthetic, avoiding overly dark colors to maintain an airy feel while incorporating rich fabrics and exquisite patterns to add character without appearing bland. #GeorgianTownhouse #HomeRestoration #TransitionalStyle #InteriorDesign #LondonProperty #HistoricRenovation #SpaceOptimization #PeriodFeatures #ColorPalette

In the vibrant Greenpoint section of Brooklyn, a creative couple, Jill Magid, a conceptual artist, and Jonny Bauer, an advertising executive, embarked on a significant remodel of their row house. This property, originally a workman’s cottage, underwent a head-to-toe transformation completed in mid-2013, blending its historical essence with modern design sensibilities. The exterior of the home immediately signals its updated character through subtle yet impactful design choices. For instance, the house numbers, a sleek neon '175' rendered in a sans serif font, serve as a modern beacon on a street otherwise characterized by more traditional architecture. This miniature, functional art piece, created by Magid herself, hints at the artistic and thoughtful approach taken throughout the renovation. The project focused on preserving the historic 'bones' of the structure while introducing contemporary interior updates to suit the couple's lifestyle and aesthetic preferences. This careful balance ensures that the home respects its past as a workman's cottage but simultaneously functions as a modern family residence. The renovation involved a comprehensive overhaul, from structural adjustments to the selection of finishes and fixtures, all designed to enhance both the functionality and visual appeal of the space. The integration of modern elements, such as the distinctive neon house numbers and potentially other interior design features, contrasts with the traditional brick siding, creating a unique visual identity for the property. The article highlights how the couple approached the renovation, suggesting a collaborative effort that infused their individual creative and professional backgrounds into the home's design. The choice of materials, color palettes, and spatial arrangements would have been meticulously considered to achieve a harmonious blend of old and new. This thoughtful renovation process aims to create a living space that is not only aesthetically pleasing but also highly functional for a contemporary family. The remodel transforms the historic dwelling into a personalized sanctuary that reflects the artistic inclinations of its owners while maintaining a connection to its architectural heritage. Ultimately, the project in Greenpoint serves as an example of how historic properties can be revitalized through careful and creative renovation. By updating the interior while honoring the original structure, Magid and Bauer have created a home that stands out with its unique blend of artistic expression and historical charm. The narrative implicitly suggests that the renovation involved strategic decisions to modernize living spaces, improve natural light, and optimize the layout, all contributing to a more comfortable and visually engaging environment. The home becomes a testament to how art and design can elevate everyday living within an urban historical context. #BrooklynHome #HomeRenovation #HistoricPreservation #ModernInteriorDesign #Greenpoint #ArtisticHome #RowHouseRenovation #CreativeCouple #UrbanDesign

Anastasia Mirzoyan, founder of Kyiv design firm Anastasia Mirzoyan Bureau, addresses the modern need for individualized housing that meets residents' contemporary lifestyles. Her recent project involves a 650-square-foot apartment within a house built in 1874 in Kyiv's historic district, designed for a client who identifies as a 'citizen of the world' and appreciates both the Bauhaus aesthetic and Kyiv's vibrant art scene. The client sought a flexible home base that could accommodate a minimalist lifestyle, described as one that 'should fit into a backpack.' Mirzoyan's design strategy involves a primary bisection of the apartment into distinct public and private zones. Further division within these zones is achieved through strategic furnishing and custom installations. For instance, open shelving units are custom-designed to separate the sleeping area from the social spaces, optimizing the apartment's compact footprint. A significant feature is a monumental green marble island that serves multiple functions: it discretely separates the kitchen from the bathing area and cleverly conceals all necessary appliances, contributing to a streamlined and uncluttered aesthetic. In homage to the apartment's historical context, Mirzoyan intentionally left certain enclosing structures exposed to showcase the original brickwork. This decision integrates the apartment's past with its modern design, creating a dialogue between old and new. The central element of the home is a custom wood table, positioned in the apartment's core. This versatile piece functions as a hub for various activities, including socializing, working, and dining, embodying a modern approach to multi-functional living spaces. Throughout the apartment, the design incorporates a blend of vintage and contemporary furniture and lighting. A vintage sofa is illuminated by a Muuto floor lamp, while a custom bed by Woodwerk is complemented by a Hay lamp on a Muuto table. The dining area features an &tradition; pendant light hanging above the custom table, which is paired with chairs by Enea. Artistic elements are also present, with a painting by Masha Reva adorning the dining area wall, near a rug by Massimo Copenhagen. The kitchen cabinetry is custom-made by UA Makers, reinforcing the bespoke nature of the design. The use of distinctive materials further enhances the aesthetic. The green marble island, sourced from Guatemala, acts as a focal point, providing both visual interest and practical utility. Graphic floor tiles by Topcer are used in certain areas, adding a modern touch, while green tiling by Detiles Mosaic Tiles define the powder room, maintaining a cohesive color palette and luxurious feel. The overall design successfully marries the client's desire for a Bauhaus-inspired, minimalist, and adaptable living space with the historical character of the building, creating a contemporary yet respectful renovation. #BauhausAesthetic #ApartmentDesign #KyivArchitecture #ResidentialDesign #SmallSpaceLiving #InteriorRenovation #CustomFurniture #HistoricPreservation

In San Francisco’s Alamo Square, builder John Conomos and his wife Amanda undertook the ambitious project of restoring a Victorian home adjacent to their own, driven by a desire to preserve the city’s architectural heritage. The house, built in 1889, had a rich history, once owned by Verta Vinson, a prominent advocate for Victorian preservation in the 1950s. Over the decades, the home had suffered significant alterations, including stucco and cedar shingle facades, which obscured its original Victorian Stick style. The Conomos family enlisted Jensen Architects to lead a comprehensive reimagining of the property. The initial phase of the restoration focused on the exterior, which lacked historical integrity. Guided by the city’s Historic Preservation Commission, the team removed non-historic coverings to uncover original architectural clues, including shadow lines of former trims and moldings. Historic photographs and details found on an intact east facade were critical in reconstructing the original facade. Skeeter Jones of Clearheart Fine Design and Building, known for his Victorian restoration work, meticulously resurrected the facade, improvising where historical evidence was inconclusive but maintaining an "of the period" aesthetic. Deviations from the original design were subtle and strategic, such as replacing a street-level bay window with a garage for functional necessity and incorporating more formidable, thicker handrails and an arched entry. The facade was ultimately painted a semi-reflective silver, a contemporary choice that offered a nuanced metallic sheen without resorting to traditional Victorian color palettes or the increasingly common all-black trend. Turning to the interior, the Conomos family decided to make the renovated Victorian their new home, driven by the desire for a more cohesive living dynamic than their previous house offered. The design priorities were maximizing light and views and fostering social togetherness. A striking sculptural staircase, clad in fumed and stained oak, became a central design element. Initially conceived as a light well, it evolved into an architectural focal point, with its complex, asymmetric design intended to encourage social interaction through spacious landings and integrated nooks. The design process involved extensive renderings and meticulous fabrication by Hayasa Flooring Design, resulting in a unique structure where no two levels are identical. Further enhancing light penetration, an elevator with a glass cab and exposed mechanical elements functions as a vertical light tunnel. The already high Victorian ceilings were extended vertically into the attic space, significantly expanding the third-floor living area. Walkable glass skylights were strategically placed on the roof and third floor to filter natural light to the lower levels. A reverse floor plan was implemented, positioning social spaces like the kitchen, family room, and sunroom on the upper floors to capitalize on views and light, while bedrooms occupied the lower levels. The kitchen’s modern design features a muted palette with a bold pop of teal on the central island, influencing the interior’s overall color scheme. Interior designer Holly Hulburd of Hulburd Design collaborated on a minimalist design palette, ensuring that furnishings and materials complemented the home’s architecture. Bold textures and green hues were strategically introduced for depth. Private spaces, including the master bedroom and bathroom, were designed for functionality and intimacy, reflecting the family’s desire for communal living rather than isolation. The rear facade, a blank slate, allowed for contemporary innovation. Jensen Architects proposed a metal cladding system of laser-cut aluminum screens on motorized sliders, offering privacy, light control, and an interactive element. This facade also features a cantilevered bump-out with seamless glass corners, maximizing views. The compact backyard was transformed by landscape architects Surfacedesign and Habitat Horticulture with a living wall and patterned pavers. The roof deck, a complex 3D jigsaw puzzle due to the home's geometry, was ultimately unified with the elevator and staircase, offering sweeping downtown views while adhering to height restrictions. The completed Alamo Square Residence masterfully blends historical reverence with modern functionality, creating a warm and innovative family home that respects San Francisco’s rich architectural past while embracing contemporary design principles. #VictorianRenovation #HistoricPreservation #ModernArchitecture #FamilyHomeDesign #SanFranciscoHomes #ArchitecturalTransformation #InteriorDesign #LightMaximization #SustainableDesign

Jonathan Matti, an interior designer with an architectural background, has established himself over four decades as a leading figure in Manila's interior design scene. He is the founder and CEO of an eponymous interior design firm and is known for projects such as the Goldenberg Mansion's Glass House and the creative hub Vetted. Matti describes his design philosophy as an integration of "Old World elegance meets 21st-century living," aiming to create spaces that are rich and nuanced without feeling anachronistic or like a museum. Matti emphasizes the importance of client collaboration, stating that successful projects stem from clients who share his appreciation for graceful, modern interiors with a historical feel. He welcomes opinionated clients, viewing such exchanges as a healthy dialogue that enriches the design process. His approach resonated internationally, leading to a collaboration with British company de Gournay to create "Latina Manila," a wallpaper series inspired by Filipino culture and history. His architectural training enables him to bridge the gap between space design and interior design, effectively resolving incongruities between a structure's architecture and its interior furnishings. A notable highlight of Matti’s career involved designing "The Glass House" at the Goldenberg Mansion. Following an unexpected downpour during an event hosted by First Lady Liza Araneta-Marcos, Matti was tasked with creating a weather-proof indoor space. He conceived an air-conditioned annex of glass, steel, and wood, drawing inspiration from pre-Victorian era glasshouses. This structure was designed to blend with the gardens and allow natural light and views in, while providing a comfortable, semi-outdoor venue for events, complete with appropriate lighting. Matti's transition from aspiring architect to celebrated interior designer was influenced by his early exposure to diverse architectural styles through his mother, a real estate broker specializing in Makati villages. His first interior design project, which involved significant re-arrangement and minor construction, solidified his passion for interior design. This initial success led to numerous projects, eventually prompting him to focus solely on interior design. The creative hub Vetted emerged during the pandemic when Matti repurposed a rented storage space. Envisioned as a venue for pop-up events and creative gatherings, Vetted extends Matti's design philosophy, ensuring that all hosted events align with his aesthetic. Its inaugural event was an art exhibit by Elmer Borlongan. Despite initial challenges, Vetted has successfully hosted various events, including a pop-up store collaboration called “Garden of Earthly Delights.” Matti continues his collaboration with de Gournay, hinting at future home-related projects that will bear his signature elegance and meticulous vetting. #InteriorDesign #OldWorldElegance #JonathanMatti #ArchitecturalDesign #PhilippineDesign #DeGournay #GoldenbergMansion #VettedCreativeHub

This article details the comprehensive renovation of a century-old Sydney home, originally built in 1914, transforming it into a modern family residence. The property, located on a corner block near Centennial Park, underwent extensive refurbishment after being purchased in 2017 by a young professional couple. The house was in a state of disrepair, requiring new wiring, plumbing, a new kitchen, and repairs to a collapsing ceiling. The owners enlisted architect Carla Middleton to oversee the project, aiming to create a 'forever home' suitable for a growing family. Middleton describes the original house as dilapidated but an amazing blank canvas. The renovation strategy involved reducing the number of bedrooms from six to three, which would be housed in a newly constructed second storey. Conversely, the number of bathrooms was increased to four, plus a powder room, emphasizing quality over quantity in terms of sleeping quarters. On the ground level, the design focused on creating expansive living areas. The original front rooms were preserved and repurposed as family rooms, a study, and a sitting room. Great care was taken to restore original features such as skirtings, cornices, fireplaces, and stained-glass windows, maintaining the home's historic charm. A key design objective was to implement an open-plan living concept, moving away from the smaller, separated rooms of the previous home. The new extension at the rear features an 11x8-meter living space that seamlessly connects to a sun-drenched deck. Given the home's north-south orientation, a primary goal was to maximize natural light in this area. Carla Middleton achieved this through a striking void space that reaches 6.7 meters at its highest point and extensive glazing. This design ensures that the northern light floods the living/dining area and extends to the upstairs bedrooms overlooking the void. The exterior of the extension, clad in James Hardie Scyon cement-composite boards, contrasts with the original brick structure while subtly referencing its form through a new roofline composed of three gables. These gables correspond to the kitchen, dining, and living zones downstairs. The original hallway was also maintained as a central axis, creating a clear vista from the front door to the light-filled rear living space. For the interior design, Carla Middleton collaborated with the owners to establish a palette that blends her neutral, natural material preference with their crisp, contemporary style and appreciation for darker tones. This resulted in an interplay of black, white, and mid-grey hues, complemented by stone elements throughout the home. The kitchen, a focal point for entertaining, exemplifies this blend with black and white cabinetry by Holtz Joinery and Elba marble benchtops and splashback, featuring a substantial 4x1.3-meter island bench. The renovation was completed as the family grew, with the owners welcoming two children during the project, making the newly transformed space a comfortable and functional home. #HomeRenovation #HistoricHome #ModernExtension #SydneyArchitecture #OpenPlanLiving #NaturalLightDesign #InteriorDesign #FamilyHome #CarlaMiddletonArchitect #AustralianHomes

This article details the comprehensive renovation of a Grade-II listed Georgian townhouse in Bath, transformed by homeowners Paul and Kate Austin. The property, initially purchased by Paul in 1989, was in a dilapidated state, described as a "real mess" with a soil pipe running through its center and an unsightly 1960s lean-to. Despite its condition, Paul immediately recognized its potential, and the sale was finalized within six weeks. The renovation project was extensive and challenging, especially given the property's location within a World Heritage Site, which necessitated consent for almost all modifications. Key initial steps included relocating the central soil pipe to the back of the house. In the early 1990s, Paul and Kate leveraged grants from Bath Council and the Bath Preservation Trust to replace the original Georgian sash windows and the fanlight above the front door, meticulously restoring these architectural elements. The unique white band framing the arched doorway, a characteristic found on specific Georgian streets in the UK, was also preserved. Inside, the renovation addressed significant structural and aesthetic issues. The entire ground floor was re-laid with cast-concrete tiles designed to mimic traditional flagstones, replacing the original smashed tiles. Every wall was stripped back to the bare stone and brick to install a proper damp-proof course, a crucial measure given Bath stone's tendency to retain moisture. The unappealing lean-to and outdoor toilet were demolished, and the garden underwent professional landscaping to enhance its appeal. The kitchen and dining areas were significantly reconfigured to create a more open and functional living space. A wall separating the kitchen and dining room was removed, and Kate installed a handmade kitchen from Plain English, painted in Little Greene's Lead. The kitchen features an array of collected items and small toys, grouped and re-arranged over time, reflecting Kate's passion for layering and collecting. Notably, the tiles around the Aga were designed by artist Lubna Chowdhary. During the kitchen rebuild, a hidden Georgian fireplace surround was uncovered behind 1970s cupboards, which now houses the Aga. An original Welsh dresser was also discovered and restored, adding to the room's character. In the dining room, the back wall was replaced with handmade French doors, maximizing natural light and creating a seamless connection to the garden. The dining area is furnished with a table sourced from a Norfolk farm sale and 1960s lamp shades from Two Columbia Road. Artistic elements include a contemporary resin painting from Edgar Modern art gallery and a mosaic handcrafted by Kate in the fireplace. An antique armchair, reupholstered in Romo's Odin Mercury design, and a 1940s sideboard inherited from Kate’s grandmother, further personalize the space. Despite the initial disrepair, many original period features, such as Georgian fireplaces, internal doors, and ceiling mouldings, remained intact. The sitting room ceiling, however, required repair after a flood. The living rooms showcase a blend of contemporary furniture and antiques, including fringe lamps and a corner cocktail cabinet from Kate's grandmother. Kate's eclectic taste is evident in her collections, which include dolls’ heads, stuffed animals, and motifs of numbers, letters, spots, and stars. The second living room features walls painted in Zoffany's Dusk, a Robert Rauschenberg print, a grey sofa from B&B Italia, and a vibrant print from Nelly Duff. Lighting by Artemide and a vintage Dansette record player complete the look. The bedrooms reflect a continued commitment to unique design and comfort. The master bedroom features contemporary artwork from the Edgar Modern Gallery, bedding from Zara Home and Anthropologie, and cushions from Heal's. The wallpaper, Salcey from Osborne & Little, contributes to a sophisticated ambiance. Daughter Zillah’s room exudes a playful "circus feel" with a yellow armchair from B&B Italia, a Feather & Black bed, Urban Outfitters bedding, and a pillowcase handmade by Kate’s grandmother. Curtains from Rossiters of Bath, a Fired Earth bedside lamp, and a custom-made wooden wall cabinet by Fiona Clark at Spacehub further enhance the room's vintage charm. Nina Campbell's Perroquet wallpaper and a cheerful Habitat rug add to the whimsical atmosphere. Kate Austin, a former visual artist, curated the interior design, infusing the home with her distinctive style. The townhouse serves as a "visual diary" of Paul and Kate's life, incorporating their travels, family heritage, modern art, and experimental use of color and form, all while respecting the historical elegance of the Georgian architecture. #GeorgianTownhouse #HomeRenovation #InteriorDesign #BathEngland #PeriodFeatures #EclecticStyle #KitchenDesign #VintageFurniture #ArtCollection

First-time homeowners Kaisha and Joey Flynn embarked on a significant renovation of their unique Bernal Heights home, a property characterized by its unusual setback and hidden nature. Initially, the couple sought to revamp only two bathrooms, a task that proved challenging in San Francisco due to architects' reluctance to undertake small-scale projects. They enlisted Ryan Leidner, an architect who had recently established his own practice. While Leidner agreed to the bathroom assignment, he was immediately struck by the property's challenging layout, which involved descending over 30 stairs to a sunken front yard and then climbing another 20-plus steps to reach the front door. During a conversation, Joey Flynn asked Leidner what changes he would make without any limitations. Leidner, who had been contemplating the property's design throughout the meeting, proposed building a bridge to address the complex entry. This suggestion transformed the project from a modest bathroom renovation into a comprehensive reimagining of the entire property. The renovation, which began before the COVID-19 pandemic, spanned two and a half years. The finished entry now features a new gate that leads to a 30-foot-long footbridge. This bridge dramatically improves accessibility and offers an ideal vantage point to view the house. The property's exterior is clad in charcoal-stained cedar planks, evoking the appearance of redwood weathered by San Francisco's fog, and the landscape, designed by Stephens Design Studio, bursts with lush greenery. The bridge leads directly to the front door, opening into an entry landing illuminated by a skylight that connects to the main living area. The original exposed-beam ceiling has been meticulously restored, and the interiors feature light white oak floors and cabinets, complemented by gallery-white walls, providing a versatile backdrop for the couple's burgeoning art and vintage furniture collection. Both Kaisha and Joey Flynn are product designers themselves, working at Open AI and Instagram, respectively, and share a keen eye for detail. Leidner frequently collaborates with creative clients who are similarly committed to intricate design. The home showcases a blend of modern architecture and vintage pieces, carefully curated by Joey. Notable items include a 1970s patchwork leather sofa by Swiss brand de Sede and vintage Italian dining chairs. An innovative design feature is a cross-beam converted into a ceiling-spanning planter box, adding a touch of nature and a unique aesthetic. The home's design was also influenced by the couple's travels, particularly a record-listening lounge on the lower level, inspired by similar concepts in Japan. This room features floor-to-ceiling white oak, a dedicated turntable station, a comprehensive vinyl collection, a wet bar, and a built-in olive green daybed. The lounge can be fully opened to the front garden through disappearing pocket doors, integrating the indoor and outdoor spaces. The Flynns designed the house as a child-free couple but welcomed their daughter shortly after the renovation's completion, reaffirming their design philosophy that their choices would not have significantly changed even with children in mind, given their initial willingness to embrace the property's unique challenges. #BernalHeights #HomeDesign #ArchitecturalRenovation #ModernArchitecture #InteriorDesign #SanFranciscoHomes #LandscapeDesign #VintageFurniture #CreativeClients