Joanna Gaines’s New Library Radiates Old-World Charm

Joanna Gaines, known for her design expertise, undertook the renovation of a 1960s Texas lake house, drawing inspiration from its natural surroundings. The project, documented in 'Fixer Upper: The Lakehouse,' aimed to create a mid-century modern oasis that harmonizes with the lake and forest environment. The lake house underwent significant upgrades, including its living room and kitchen, which showcase mid-century modern style and quiet luxury, respectively. The design process also led to a seven-shade paint collection, allowing others to replicate elements of the aesthetic. A notable feature of the renovation is the home library, located off the entryway. This library blends coziness with an airy and light ambiance, incorporating natural inspiration with a moody twist, embodying mid-century modern design principles. A central element of the library is its floor-to-ceiling bookshelves. These shelves feature a minimalistic lattice design with two natural wood tones and thin gold bars, emphasizing the books themselves. A sculptural light fixture with gold accents draws the eye upward, highlighting the room's high ceilings. Large sliding doors connect the library directly to an outdoor space, promoting indoor-outdoor living. The library prioritizes comfort, featuring four brown textured accent chairs arranged in a circle around a round marble coffee table. The coffee table is styled with a tray, a large vase, and books, balancing aesthetics with functionality for reading and conversation. The design and color scheme of the library integrate seamlessly with the rest of the home. Two large wooden doors, adorned with intricate glass fluting, offer a view of the entryway and a custom-built wooden staircase leading to the second floor. Another wall of the library features a full-length shelving system that reveals the room's earthy green hue, 'Wooded Acres from Magnolia.' This paint color, described as a 'woodsy brown with a touch of green,' combined with natural wood, contributes to a warm, welcoming, and contemporary aesthetic. The shelves are styled with a table lamp, nature-inspired accessories, a clock, and framed artwork within their asymmetrical compartments, providing both storage and visual interest. The article concludes that Joanna Gaines' home library successfully captures mid-century modern style, offering a relaxing escape within its natural setting with ample space for comfort, natural light, and books. #JoannaGaines #HomeDesign #MidCenturyModern #HomeLibrary #InteriorDesign #LakeHouse #Renovation #MagnoliaNetwork #DesignInspiration

The article explores the evolution of the library within English Regency country houses, highlighting its transformation from a secluded, private space to a central, informal living area. Initially, in the 17th and early 18th centuries, book collections were housed in smaller, often isolated rooms, sometimes adjacent to private chaplains' apartments. However, starting from the 1730s, libraries began to gain prominence, evolving into significant architectural features in grand country estates. William Kent's design for Holkham and Lord Harley's library at Wimpole are early examples of this shift, reflecting the owners' serious book collecting habits. By the later 18th century, architects like Adam and Wyatt integrated libraries directly off drawing rooms, establishing them as principal sitting and entertaining spaces. Henry Holland further elevated their status, making libraries the largest and most impressive sitting rooms in houses such as Althorp and Woburn. This period also saw a significant change in library furnishings, moving away from formal arrangements. Libraries were equipped with a variety of comfortable, upholstered seating, including sofas, couches, armchairs, and ottomans, often grouped informally around a fireplace or in the center of the room. Specialized furniture like writing tables, reading tables, folio cabinets, and games tables also became common, catering to educated pastimes. Foreign visitors observed the unique comfort-focused seating in English libraries, noting the innovative designs such as movable armrests on library chairs and the use of footstools to facilitate relaxed reading. Prince Pückler-Muskau, for instance, in the 1820s, praised England's advanced approach to comfortable seating. This emphasis on comfort and informality reflected a broader shift in social customs and the increasing desire for relaxed domestic environments. The concept of a library-living room was also adopted in royal residences, including George IV's successive homes, mirroring the Enlightenment tastes of the Whig aristocracy. In many Regency ensembles, such as Arundel, Chatsworth, Belsay, and Tatton, the library became one of the largest and most important sitting rooms. Furthermore, existing older houses, like Broughton Hall and Stourhead, had libraries added or contrived during this period, often to house the extensive collections of owners who were avid scholars and book enthusiasts. The article also delves into the 'bibliomania' of the period, a passionate interest in book collecting that led to rivalries among wealthy individuals for rare editions and valuable manuscripts. The Roxburghe Sale of 1812, which saw record prices paid for books, exemplifies this trend, leading to the formation of the Roxburghe Club. Notable collectors like the 2nd Earl Spencer and the 6th Duke of Devonshire amassed impressive libraries, often acquiring entire collections. These libraries, such as the one at Chatsworth House, were not only personal passions but also resources made available to scholars. Stylistically, these grand libraries showcased a blend of Classical and Gothic influences, reflecting the dual aspects of English intellectual life. Classical designs, popular at Chatsworth and Stourhead, echoed the Georgian appreciation for Greek and Roman literature, while Gothic styles, as seen at Arundel Castle and Horace Walpole's Strawberry Hill, catered to antiquarian interests. Even neo-Classical architects like Sir John Soane incorporated Gothic elements to accommodate specific collections. Regardless of the chosen style, these libraries served as beautiful and significant settings for cherished book collections, providing invaluable insights into the educated interests and cultural values of their owners. #RegencyArchitecture #CountryHouses #LibraryDesign #InteriorDesign #BookCollecting #EnglishHistory #ArchitecturalHistory #GeorgianEra #Bibliomania

Designer Marie Cloud of Indigo Pruitt transformed an often-overlooked upstairs hallway and laundry room at the Greensboro Showhouse, a charity event in North Carolina. Tasked initially with the hallway and laundry room, Cloud extended her renovation plans to include a large linen closet, aiming to create a memorable and inviting space. Her vision was to turn a utilitarian passageway into an area where people would want to pause and linger. Cloud's design process began with color, and for the narrow hallway, she selected two graphic wallpapers from York Wallcoverings. A peacock-patterned print adorned the walls, serving as a subtle homage to the classical architecture of the neighborhood. For the ceiling, Cloud used a unique treatment made from translucent capiz shells, a material she had been eager to incorporate into a project. To introduce a contemporary touch and break the traditional feel of black and white, she added blue paint, specifically Sherwin-Williams’s Poolhouse, to the trim. The transformation of the linen closet was driven by a specific inspiration. Upon learning that the new homeowner was a lawyer and his dressing room was located directly opposite the former linen closet, Cloud conceived the idea of a built-in bench. Her thought was to create a comfortable spot where he could sit to put on his shoes. She repurposed the original footprint of the niche, removing the doors and commissioning a millworker to build the bench and accompanying shelves. For enhanced comfort, an upholstered panel was installed on the interior wall of the nook. Lighting played a crucial role in establishing the mood of the newly designed space. An oversized cone-shaped brass fixture by Uttermost was chosen to illuminate the cozy niche, inviting guests to step in. Cloud utilized a rechargeable bulb for the fixture, noting that a hardwired solution would also be feasible given the typical electrical access in large closets. Art selection for the space was guided by two main criteria: the pieces needed to command attention and beautifully represent Black skin. Cloud sought expressive artwork that could evoke emotion and relatability in viewers. She chose works by Surrealist painter Deandra Lee, known for portraits that convey feelings such as 'Defeated' and 'Connection.' The intention was for the art to be so engaging that it would compel visitors to pause and reflect. Adjacent to the newly created reading nook, the laundry room also underwent a renovation to seamlessly integrate with the hallway's new aesthetic. Cloud extended the capiz shell ceiling wallpaper into the laundry area, while the walls received a more subdued plaid treatment. To further connect the spaces and add a touch of heritage, Cloud incorporated an accent pillow on the laundry room's bench, featuring Sheila Bridges’s Harlem Toile fabric. The overall transformation aimed to create a cohesive and engaging environment, suggesting that guests might even gather in these renovated spaces for social occasions. #HomeRenovation #InteriorDesign #BeforeAndAfter #ReadingNook #HallwayDesign #LaundryRoomMakeover #Wallpaper #SmallSpaceTransformation #GreensboroShowhouse

The "Hide Out" house, a Frank Gehry-designed residence from the 1970s located in Los Angeles' Sawtelle Japantown, has undergone a significant renovation by local studio Dan Brunn Architecture. Commissioned by art collectors, the project aimed to restore and reinterpret Gehry’s original minimalist aesthetic, which had been altered by previous owners, the Janss Family. The renovation focused on creating an open and art-friendly space while integrating elements of Japanese design to complement the neighborhood's character. The 3,600-square-foot home was redesigned to feature an open-air area on the first floor, intended for displaying artwork by one of the new owners, artist James Jean. Dan Brunn Architecture reincorporated architectural details typical of Gehry's style from the 1970s and 1980s, which had been removed during the Janss Family's ownership. A notable exception was the oversized rectangular skylight, a key original feature that was preserved and continues to flood the central part of the home with natural light. The material palette of the renovated Hide Out is deliberately simple, consisting primarily of walnut, concrete, and glass. White walls and pale concrete floors establish a clean, gallery-like backdrop, contrasted by striking walnut elements. A handcrafted, sculptural walnut staircase serves as a central feature, adding warmth and visual interest. The design emphasizes an open-plan layout, with minimal furnishings to ensure that the art collection remains the focal point. Inspiration from Japanese design is evident throughout the home, particularly in the furnishing choices and a unique architectural insertion. For instance, a reclaimed timber coffee table was custom-made using traditional Japanese joinery techniques. A standout feature is a walnut volume, inspired by traditional Japanese tearooms, which is integrated into the living space. This versatile nook functions as a reading area, a meeting space, or a meditation room, offering a secluded and serene environment. This Japanese-inspired reading nook is strategically positioned to overlook a lush garden planted with traditional Japanese flora, including bamboo, gingko, and maple. This integration of indoor and outdoor spaces enhances the tranquil atmosphere of the nook and connects the home with its surroundings. The renovation by Dan Brunn Architecture successfully blends the architectural legacy of Frank Gehry with modern minimalist and Japanese influences, creating a functional yet artistic residence that reflects the tastes of its art-collecting owners. #FrankGehry #DanBrunnArchitecture #JapaneseInspiredDesign #HomeRenovation #ReadingNook #MinimalistDesign #WalnutInteriors #LosAngelesArchitecture #SawtelleJapantown #ArtCollectorsHome

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

Ina Garten, the renowned Barefoot Contessa, cherishes her library in her two-bedroom Upper East Side apartment in New York City, describing it as the "coziest room in the house." This intimate space serves as her personal sanctuary for reading, watching television, and enjoying coffee and desserts after dinner parties. The apartment itself was re-envisioned by architect and interior designer Daniel Ramouldez after Garten and her husband, Jeffrey, acquired it in 2016. Intriguingly, the furniture in the library was repurposed from the living room of her previous New York City residence, also designed by Ramouldez, who noted that the pieces fit this new apartment with a dramatically improved aesthetic. The library's distinctive character is largely defined by its deep purple walls. Garten revealed that she meticulously sampled between 100 to 200 shades of purple before settling on "Approaching Storm" by Benjamin Moore, a grayed purple with a vibrant quality. This intense hue also complements the central purple-and-black ottoman, which is covered in a unique horsehair fabric from Old World Weavers, originally utilized as a rug. The room's seating arrangements include an olive green velvet sofa and a pair of yellow linen armchairs, both upholstered in fabrics from Clarence House, adding layers of texture and color to the space. Burnt orange accents are strategically incorporated to introduce warmth. Ramouldez highlights that the upholstery choices were deliberately made to harmonize with the diverse colors of the book bindings lining the shelves. This thoughtful coordination prevents any single element from appearing garish, contributing to the room's balanced and sophisticated ambiance. The library houses an extensive collection of books covering a wide array of subjects, such as cooking, home decor, entertaining, gardening, ornithology, and travel. Despite the potentially moody nature of the deep colors and rich textures, the designer emphasizes that the room maintains a light and inviting feel, drawing parallels to the balanced color palettes found in old Renaissance paintings where nothing stands out discordantly. This careful curation ensures the library remains a comfortable and aesthetically pleasing retreat for Garten. #InaGarten #HomeLibrary #InteriorDesign #NYCapartment #CelebrityHomes #PurpleDecor #DanielRamouldez #HomeDecor #BenjaminMoore

This article delves into the design of a contemporary library within a newly built house located on the coast of northern Connecticut. The project was overseen by interior designer Roger Jones of Sibyl Colefax & John Fowler, who has an extensive background in both law and antiques before transitioning into interior design. The house, designed by a local architect for an American couple, was conceived to appear smaller from the exterior than its actual size, featuring traditional clapboard construction with a sophisticated internal layout. The library, situated away from the main areas of the house, serves as a quiet, informal living room. The overarching design philosophy for the entire house, including the library, was to integrate the couple's traditional preferences with a light, contemporary touch. A key objective was to ensure that while English antiques were incorporated, the overall ambiance remained distinctly American. This was achieved through careful consideration of room proportions and the selection of fabrics and colors, which were largely influenced by the bright, clear light characteristic of the east coast. The article provides specific recommendations for achieving this contemporary library aesthetic, focusing on key elements such as lighting, fabrics, and furniture. For lighting, Vaughan at Design Centre Chelsea Harbour is suggested for its range of classic designs that align with the scheme's style. For fabrics, the Sommersby linen used on the sofa and chairs in the featured project is from Claremont, with Colefax and Fowler also recommended for its wide selection of classic fabrics and wallpapers. When it comes to furniture, Kingcome Sofas is highlighted as a reputable source for traditional upholstered pieces, including sofas, armchairs, and stools. The article is authored by Giles Kime, Country Life's Executive and Interiors Editor, who brings decades of experience from his career in interior design journalism, including roles at The World of Interiors, The Telegraph, and Homes & Gardens magazines. Kime's expertise spans architecture, gardening, and interior design, and he has authored several books on these subjects. He emphasizes the importance of balancing traditional elements with modern sensibilities to create a comfortable and elegant living space, reflecting a nuanced understanding of design principles and client preferences. #InteriorDesign #LibraryDesign #ContemporaryStyle #HomeDecor #RogerJones #SibylColefaxJohnFowler #ConnecticutHome #TraditionalMeetsModern #GilesKime

Actress Jennifer Garner has offered a glimpse into her Los Angeles farmhouse, purchased in 2019 for an estimated $7.5 million. The property, situated in Brentwood Park, has been transformed into a rustic retreat with the assistance of architect and design duo Steve and Brooke Giannetti. The home showcases extensive exposed wood, high ceilings, and a lush garden. Garner, who shares three children—Violet (18), Fin (15), and Samuel (12)—with ex-husband Ben Affleck, expressed her delight with the abode, emphasizing its suitability for her family. A particularly unique feature of the farmhouse is a cozy reading nook, designed for her children. This space is adorned with two striking stained glass windows. These windows depict a meadow scene, incorporating personal touches. At the base of the design, their dog, Birdie, is shown looking towards the sky, while three owls are perched on a large tree. Each owl symbolizes one of Garner's children, serving as a heartfelt tribute within the home. The children’s enthusiasm for reading is evident, as the living room also functions as a library, featuring numerous shelves filled with books. Garner previously shared details of the stained glass on Instagram, thanking Reed Weston Bradley of Judson Studios for its creation and acknowledging the contributions of Velvet and Linen and Steve Giannetti to the comfort of the reading nook. Garner's vision for the farmhouse, built from the ground up, was to establish a private sanctuary for her and her children. After an extensive search for an existing home that offered both privacy and comfort, she decided to build. She acquired the land in 2019, recognizing the need to construct a space that met her specific requirements for seclusion without being overly grand. The design draws heavily from Garner's childhood experiences in West Virginia, reflected in the abundant use of wood and the overall contemporary farmhouse aesthetic. Key areas of the home, such as the kitchen, despite its large size, maintain a personal and inviting atmosphere. It features exposed wooden beams, a large central island with wooden accents, and wooden flooring. The color palette throughout the home is predominantly neutral, with occasional bright accents. The kitchen includes neutral-toned leather seating and stone-colored cabinets. The living area further incorporates exposed brick around a fireplace and ample seating, designed for hosting guests. #JenniferGarner #CelebrityHomes #HomeDesign #InteriorDesign #FarmhouseStyle #StainedGlass #ReadingNook #ArchitecturalDigest

The Mirikaroden Nakagawa Cultural Complex, designed by Furumori Koichi architectural design studio, is a renovation project in Nakagawa City, Fukuoka Prefecture, Japan. The facility integrates a public library, a multi-purpose hall, and a lifelong learning center, serving as a significant civic and community hub. The architectural design was led by Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with structural engineering provided by Fukuoka Kozo and additional engineering by Tokyo Denki University, Sasatani Laboratory. The project, completed in 2025, covers an area of 8843 square meters. This project addresses a contemporary perspective on the role of libraries and cultural complexes, moving beyond traditional functions to create dynamic, interconnected spaces that foster community engagement and diverse activities. The design of the Mirikaroden Nakagawa Cultural Complex emphasizes creating an environment that supports varied learning experiences, community interaction, and cultural activities. The integration of a library, a multi-purpose hall, and a lifelong learning center within a single complex reflects a modern approach to public infrastructure, where facilities are designed to be versatile and cater to a broad spectrum of age groups and interests. The strategic location within the city, surrounded by complementary amenities like a children's center and an indoor swimming pool, further enhances its accessibility and utility as a central gathering place. The renovation aimed to modernize the facility while maintaining its core purpose of serving the community. Architectural choices, such as the prominent use of wood in the interior, contribute to a warm and inviting atmosphere. Wood is utilized for various elements, including shelving, seating, and other design features, promoting a sense of comfort and natural aesthetics. Lighting design plays a crucial role in enhancing the ambiance, with thoughtful integration to illuminate spaces effectively and create different moods for various functions. The interior photography highlights areas like the entrance, library zones (including magazine corners, kids' gardens, and silent rooms), and the lifelong learning center, showcasing how light and materials are combined to define each space's character. The project incorporates diverse functional zones within the library, such as an information desk, a knowledge garden, and a dedicated teens' garden, indicating an effort to tailor spaces to specific user needs and age demographics. The presence of a cafe within the complex suggests an emphasis on creating a comfortable, social environment beyond mere academic or cultural pursuits. The multi-purpose hall is designed to accommodate a range of events, adding to the complex's versatility. Conceptual diagrams and layout drawings provide insight into the spatial organization and the architectural vision behind integrating these distinct functions harmoniously. Overall, the Mirikaroden Nakagawa Cultural Complex exemplifies a contemporary architectural response to the evolving needs of public cultural institutions. It aims to be more than just a repository of books or a venue for events, but rather a holistic environment that encourages lifelong learning, community bonding, and cultural enrichment through its thoughtful design and integrated facilities. The emphasis on natural materials, strategic lighting, and varied functional spaces supports its role as a dynamic community asset in Nakagawa City. #CulturalComplex #LibraryDesign #LifelongLearningCenter #ArchitecturalRenovation #JapaneseArchitecture #CommunityHub #WoodArchitecture #IntegratedFacilities #PublicSpace

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

Design trends are currently favoring Mediterranean and European influences for outdoor spaces, incorporating sun-bleached neutrals, Greek tiles, and abundant greenery. Nicholas Trobiano of Trobiano Studios highlights the effortlessness of Mediterranean design, which features organic materials such as clay, stone, and wood, alongside sustainable elements like architectural salvage and antique furniture. This style is complemented by lush green landscapes, large palms, and seaside aesthetics. Robert Sicignano of Elite Pool Designs has observed a growing interest over the past five years in Greek tiles and Grecian-Roman pool shapes. Clients are increasingly drawn to green and blue color palettes, as well as architectural features like columns, vine-covered pergolas, and the strategic use of fire and water bowls near pools. For those in warmer climates, terracotta offers another avenue to introduce Mediterranean charm. While caution is advised for using terracotta as a tile due to its potential slipperiness, it is highly effective in other applications. Trobiano suggests incorporating terracotta pots for their warmth and aesthetic appeal, particularly when filled with orange and lemon trees, which thrive in environments like Florida. He also recommends using brown terracotta bowls and serveware for casual entertaining, noting that the rustic, earthen quality of fired clay creates an intimate and lived-in atmosphere. An easy method to infuse this ambiance into an outdoor space is by integrating terracotta pots or planters. Trobiano specifically recommends sago palms and olive trees, as they are sun-loving, drought-tolerant plants that flourish in large planters for many years. Additionally, collecting vintage ceramics or plaster sculptures for display on mantels or windowsills can further enhance the desired aesthetic. This approach to outdoor design marries natural elements with classic European sensibilities, creating inviting and elegant exterior environments. #MediterraneanDesign #EuropeanFlair #OutdoorSpaces #HomeDesignInspiration #HomeTrends #Terracotta #PoolDesign #Landscaping

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

Joanna Gaines, in her "Mini Reni" series, transformed two uninspired, all-white box rooms into distinctive and personalized home offices for a couple. The original space, a formal living room connected to a formal dining room, presented a blank canvas, divided by a pair of doors, and featured only concrete floors and white walls. The design challenge involved creating two separate office spaces that catered to the contrasting interests and styles of the couple: one masculine and moody, and the other feminine and French-inspired. For the masculine office, Gaines focused on adding character and an aged elegance. She began by installing warm laminate floors and architectural details such as molding and a chair rail. The walls were then painted a deep navy and adorned with a coordinating Windsor Blue wallpaper from her collection with York. These elements combined to create a sophisticated and refined study. Despite the dominant masculine and moody theme, the space also incorporated softness and warmth, notably through a thoughtfully curated gallery wall and brass accents, such as a brass calendar and tray. Specific product recommendations included an equestrian study print and an antiqued brass banks vase, contributing to the vintage-inspired aesthetic. Additionally, practical yet stylish boucle ottomans were chosen for seating, acknowledging the limited space in the entry area. The feminine office, designed with a "Happy French Girl" aesthetic, offered a stark contrast in palette while maintaining a connection through common colors, decor, and styling. The walls in this office were covered with French Linen Stripe wallpaper from Magnolia, and the ceiling was painted in Sunday Stroll from Magnolia. To elevate the existing hollow core door, applied molding was added, creating a more refined look. A patterned, textured rug was introduced to ground the space, bringing warmth and visual interest. Vintage-style furniture, including sweet, simple chairs, created a cozy corner for relaxation and connection. A personal shadow box, filled with meaningful trinkets and keepsakes, served as a central decorative element, reflecting the client's desire for a French-inspired space and adding a deeply personal touch. Recommended items for this office included an Olivia Table Lamp in Lake Blue for its whimsical, vintage charm, a Cordelia Marble Side Table designed for Magnolia, and a "Your Story" Brass Display Cabinet to house personal collections. Across both offices, Gaines skillfully blended different styles by using rustic, vintage-inspired decor and a classic color palette. Her approach ensured that while the spaces were individually tailored to the occupants, they also maintained a cohesive aesthetic, preventing them from feeling disconnected despite their stylistic differences. The renovation demonstrates Gaines' ability to infuse personality and old-world charm into modern spaces while adhering to a budget and integrating the clients' individual preferences. #HomeOffice #JoannaGaines #InteriorDesign #HomeRenovation #VintageDecor #HomeOfficeIdeas #InteriorStyling #OldWorldCharm #MagnoliaNetwork

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

The Paint & Paper Library has launched its second wallpaper collection, "Botany," following the success of its "Tresco" collection. This new series maintains an organic theme, drawing inspiration from exotic flora, foliage, and decorative patterns observed by traveling artists. The collection comprises 52 colorways distributed across nine distinct patterns, each meticulously hand-drawn or painted. The "Botany" collection is organized by color palette and is designed to harmonize with carefully selected paint shades from the Paint & Paper Library's existing range. This approach allows the wallpapers to seamlessly integrate into both classic and contemporary interior styles. Ruth Mottershead, Marketing Director of Paint & Paper Library, expressed anticipation for the designs to adorn homes globally, noting that the collection represents a journal of exotic botany and the elegant decor and architecture that complements it. The color palette draws its names from existing Paint & Paper Library paint shades, including combinations like Sea Nor Sky, Aqua Viva & Squid Ink; Porcelain, Plaster & Stone; Slate, Kohl & Steel; and Rhubarb, Scallion & Salt. Key patterns within the collection include "Hardy Palm," which features a pencil illustration of the sculptural Trachycarpus palm. Inspired by botanical paintings on plaster walls, this design depicts strong vertical stems and bold architectural leaves, creating an alfresco ambiance with its five striking grounds. "Quatrefoil" presents a compact geometric form, derived from inlaid encaustic floor tiles but printed using traditional methods with overlaid inks to replicate the smooth, matte texture of ceramic. This pattern is available in nine colorways, each utilizing three flat colors in harmony. "Folia" is a large-scale mural that creates an ethereal landscape of leafy silhouettes on a contemporary ombré ground. Its treatment is inspired by cyanotype, or blueprint processes, and comes in four tonal colorways, offering a sophisticated monochromatic balance ideal for a tranquil bedroom. "Honesty" is an elegant all-over design, created from a watercolor and crayon rendering of a leaf sprig. It draws inspiration from Indian botanical motifs and is available in seven contemporary colorways, providing a gentle ambiance to any room. "Marquetry Tile" offers a timeless diamond design, inspired by marquetry and mosaic tiles. Its graphic form and geometric lines are softened by a traditional surface printing process, resulting in a gentle, painterly finish. It is available in seven two-tone color combinations. "Seedpod" is a small-scale, all-over motif referencing the seedpods of the Indian lotus flower. Evolved from crayon rubbings, this delicate surface print serves as a versatile backdrop for artwork and furniture, with a soft, textural finish available in seven colorways. "Feather Flora" is a delicate all-over floral design featuring abstract flowers floating gently. Created from watercolor and crayon artwork, it is inspired by the feather-like outline of palm leaves. This small-scale pattern comes in five diverse colorways, each with a subtle fibrous texture, making it suitable for modern country living rooms. Finally, "Jangala," meaning ‘jungle’ in Hindi, is a contemporary reimagining of a sepia watercolor painting of a panoramic Indian jungle scene. Printed on a textural, non-woven base resembling watercolor paper, it features a soft, hand-drawn outline and is available in three graduated colorways, transitioning from light to dark. #WallpaperCollection #InteriorDesign #PaintAndPaperLibrary #BotanyCollection #HomeDecor #FloralDesigns #GeometricPatterns #BotanicalMotifs #LuxuryInteriors

A meticulously restored 19th-century co-op situated on a highly sought-after street in the East 70s has recently entered the real estate market with an asking price of $3.95 million. This apartment, located at 5 East 75th Street, is characterized by its original architectural details and impressive views, which are highlights despite the presence of bold wallpaper choices and numerous mirrors. The building, a historic limestone mansion, offers direct elevator access to the unit. Upon entering the co-op, residents are greeted by a mirrored foyer adorned with checkered marble floors and intricate dental oak molding. Adjacent to the foyer, a high-end kitchen features cabinetry that contributes to a serene, almost 'religious' ambiance. On the opposite side of the foyer, a spacious great room captivates with carved wood-paneled walls and towering twelve-foot ceilings featuring authentic carved beams. The exquisite millwork is a continuous design element throughout this room, extending to a functioning wood-burning fireplace and floor-to-ceiling cabinetry that includes bookshelves accessible by a library ladder. The private living quarters, located on the upper level, comprise a master suite that also includes a wood-burning fireplace. An adjoining second bedroom offers two generously sized built-out cedar closets. Both bedrooms provide picturesque "Parisian" views, looking out over the copper rooftops and mature trees of the elegant block. The property at 5 East 75th Street is ideally positioned within a historical limestone mansion, just steps away from Fifth Avenue. Its location offers convenient access to Central Park, with the Metropolitan Museum of Art located merely blocks away. This co-op represents a blend of historical charm and luxurious living in a prime Manhattan location. The emphasis on restored original details, such as the millwork and carved ceilings, preserves the character of the 19th-century building while providing modern amenities. The direct elevator access, high-quality kitchen, and the presence of two fireplaces enhance the comfort and sophistication of the residence. The apartment's views and proximity to iconic New York City landmarks further contribute to its appeal, offering a unique living experience in one of the city's most prestigious neighborhoods. The property is listed by Frances Katzen of Douglas Elliman, with additional details available through CityRealty. #CoOp #LuxuryRealEstate #HistoricHome #UpperEastSide #ManhattanRealEstate #ArchitecturalDetail #Millwork #NYCProperty #DouglasElliman

Joanna Gaines, known for her exceptional eye for detail and love for styling gallery walls, has introduced a modern approach to this decorating concept in her series "Fixer Upper: the Lakehouse." She moves beyond the traditional 2010s-era gallery walls, which typically featured numerous identical picture frames on a blank wall. Instead, Gaines advocates for an evolved style that incorporates open shelving for added dimension, personality, and flexibility. In her lake house renovation, Gaines created a floor-to-ceiling display in the home's library using books, shelves, and various textures. Her design features a gridded cherry wood shelving unit with a paper weave wallpaper backing. To enhance the cohesive and polished appearance, slender brass rails were added to each cubby, which also served to secure decorative items. For those looking to recreate this updated gallery wall look on a budget, Gaines's approach can be adapted without needing a custom, wall-spanning bookcase. Options include utilizing pre-made shelving units, such as an IKEA storage system for a DIY library wall or a smaller mid-century modern bookcase. The key elements to incorporate are textured wallpaper for the backdrop and brass bars for the front edges of the shelves. These details are crucial in transforming a simple display into a refined gallery wall. The article also encourages personalization, suggesting alternatives like floating shelves for spaces where a bookcase might be too bulky. A wall shelf set with built-in rails, for instance, can be used to create a stylish focal point, especially when arranged in an awkward corner or a painted alcove. When it comes to decorating the shelves, while Gaines focused on books for her library setting, a variety of items can be displayed to reflect personal style. These can include vinyl records, artwork, plants, cherished photographs, decorative vases, sculptures, and candles. The essence of this modern gallery wall design lies in an open yet layered arrangement, allowing for visual interest and easy rearrangement. The flexibility of this design makes it simple for individuals to continuously update and personalize their displays, ensuring the gallery wall remains fresh and engaging. #JoannaGaines #GalleryWalls #HomeDecor #InteriorDesign #FixerUpper #ShelfStyling #DIYHomeDecor #DesignTrends #ModernHome