J-14 Decorate is a design magazine aimed at teens

This page functions as a comprehensive job board specifically tailored for the interior design and broader home industry. It presents a wide array of job openings from various companies, catering to different experience levels and specializations within the field. Users can filter job listings by several criteria, including location (ranging from specific states and cities in the US to international and remote options), job category (such as Interior Design, Architecture, Graphic Design, Sales & Marketing, and more), employment type (full-time, part-time, freelance, internship), and compensation range. The job listings provide detailed descriptions of the roles, responsibilities, and required qualifications. For instance, WECSELMAN DESIGN is seeking an Interior Designer with strong design sensibility and a curated eye for residential interiors, emphasizing ownership and collaboration within a fast-paced environment. Jeremiah Brent Design has multiple openings, including a Senior Design Documentation Specialist for a historic estate renovation, requiring talent in bringing timeless architecture and refined interiors to life, and a Senior Designer (FF&E;) to lead design, sourcing, and execution for the same project, focusing on blending timeless character with modern functionality. Mia Todd Studio is looking for a Designer/Senior Designer to support and lead high-end residential projects from concept to installation, requiring detail orientation and project management skills. Downey seeks a Senior Interior Designer with a strong background in architectural design and project management for a boutique residential firm known for refined interiors. Bruce Fox Design is hiring a Senior Interior Designer who is highly motivated, mature, and creative, with a refined design sensibility and background in both conceptual and technical aspects of design. CarbonShack is looking for a Multi-Line Sales Representative for a new sustainable textile brand, Sunthreads, offering commission-based compensation and performance bonuses. Marc Phillips Decorative Rugs needs a Los Angeles Rug Sales Account Manager to cultivate relationships with designers and architects, requiring strong communication and a refined eye for design. Studio Michael Ellison is searching for a Senior Designer passionate about luxury interior design and experienced in delivering private residential projects, taking full accountability for all details. Chused & Co. seeks a Senior Interior Designer/Project Manager to lead residential projects, emphasizing architectural knowledge, technical drawing ability, and refined design sensibility. Jennifer Messina Interiors is looking for an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. requires an experienced Senior Interior Designer to lead projects from concept to completion for a high-end residential firm. Jerry Pair is seeking a Marketing Specialist for the luxury interior design industry, involving e-commerce management, content creation, and digital strategy. Julie Hillman Design, an AD100 firm, is hiring an Interior Architect with at least four years of experience in high-end residential architecture to work across all design phases. Studio MRS, an Elle Décor A-List firm, is looking for an Interior Architectural Drafter for high-end residential renovations and interior design projects. The platform also offers resources for job seekers, including a resume board, and for employers, including the option to post jobs. The overarching mission of Business of Home is to serve as a media record for the home industry and a voice of authority for interior design professionals, providing industry news, analysis, and job opportunities. #InteriorDesign #JobBoard #HomeIndustry #CareerOpportunities #ArchitecturalDesign #SalesAndMarketing #ProjectManagement #LuxuryDesign #DesignJobs

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

The Livingetc Style Awards for 2025 highlight a selection of top decorating products, emphasizing color, pattern, and texture to personalize living spaces. These awards recognize designs that bring personality to walls and surfaces, reflecting a confident approach to self-expression, often drawing inspiration from the natural world. The 'Best in Class' award goes to the Aurora fabric collection by Yarn Collective x Sister by Studio Ashby. This collaboration, inspired by the hues and textures of an early-morning sky, introduces two patterns and three plains that are described as cheerful and sophisticated. Judges praised the alluring and soft subtleties of the colors, noting the collection's dynamic and fresh feel. The 'Fabric of the Year' is awarded to Mata by Élitis, a design that evokes vintage floors and the comforting, retro style of the 1970s. Available in three colorways, the green variant was particularly noted for its livability. The design is said to bring a sense of nostalgia, reminiscent of childhood picnic blankets, making it feel very homely. Judges suggested a sofa upholstered in Mata would be an even more impactful use of the fabric than a simple cushion. For 'Best Wallcovering,' Indomito by Arte is recognized for its geometric pattern, carefully embroidered onto a woven raffia background with hessian. This natural material creates a distinct textured feel. The wallcovering is seen as versatile, capable of making vast spaces feel grand while also adding coziness to smaller rooms. The 'Best Kids’ Collection' is the Storybook Papers wallpapers by Little Greene. This collection, born from the creative director's personal connection to the target age group, features beautiful illustrations reminiscent of Beatrix Potter. These wallpapers are lauded for their artistry, appearing more like murals than traditional wallpaper and designed to delight young children. The 'Best Decorative Touch' award goes to the Kaleidoscope collection by Samuel & Sons, a collaboration with passementerie artist Elizabeth Ashdown. The collection is celebrated for its vibrant and varied colors, bringing a playful and fun final flourish to interiors. The 'Best Paint Collection' is 'The Dependables' by Beata Heuman x Mylands. This collection of 24 colors is designed to be a reliable toolkit for homeowners, ensuring well-curated and elevated spaces. It offers a solution for those overwhelmed by paint choices, providing dependable and effective options. Fromental’s Papier Chinois wallpaper collection receives the 'Best Decorating Innovation' award. This collection combines traditional hand-painted panoramic wallcoverings with augmented reality (AR) technology. When viewed through a smartphone, the birds, bees, and butterflies depicted on the wallpaper appear to take flight, creating an enchanting experience for both children and adults. The 'Best Sustainable Fabric' is Heavenly Hemp by House of Hackney. Made from 100% hemp, a renewable resource, this fabric was praised not only for its eco-friendly credentials but also for its aesthetic appeal and tactile quality, offering a perfect earthy feel. Naperon by Farrow and Ball is named 'Colour of the Year.' Inspired by the comforting warmth of a home-cooked meal, this color was chosen for its immediate appeal and its ability to evoke a sense of coziness. It was highlighted as a standout among the brand's new color launches. The 'Best Textile Collection' award goes to Ancient Memories by Marcel Wanders for Fischbacher 1819. This collection of fabrics is noted for its evocative nature and haunting beauty, featuring cloud-like shapes that create a dreamy atmosphere, sparking anticipation for its diverse applications in interior design. Finally, 'Best Kids’ Wallpaper' is 'Run Away to the Circus' by Annika Reed Studio. This design combines a blue stripe with whimsical illustrations, balancing playfulness with a sense of childlike wonder and nostalgia. It is considered ideal for children's spaces due to its charming and pretty aesthetic. #InteriorDesignAwards #DecoratingTrends #FabricDesign #WallpaperTrends #PaintColors #SustainableMaterials #TextileArt #HomeDecor #KidsRoomDecor

Wallpaper* design editor Rosa Bertoli has compiled a list of the top 10 furniture launches of 2023, showcasing a diverse range of designs that highlight color, clever concepts, and classic aesthetics. These selections emerge from a year filled with design weeks, fairs, and various events within the design industry. The featured launches encompass brand introductions, new collaborations, outdoor furniture collections, and even pieces designed for religious spaces, reflecting a broad spectrum of innovation and style. One notable inclusion is Gabriel Tan's modular furniture for Herman Miller, designed with a focus on interaction. The 'Luva' modular sofa, inspired by the Portuguese word for 'glove,' and the 'Cyclade' coffee tables, which evoke the ancient supercontinent of Pangea with their island-like forms, emphasize versatility and personal interpretation. Tan's work encourages users to engage with the designs in different ways, allowing for individual connections based on their unique perspectives. Andu Masebo's transformative project, where a 1998 Alfa Romeo 145 Cloverleaf was disassembled and repurposed into furniture pieces, also made the list. Presented at the London Design Festival 2023, this collection includes a nightlight crafted from car engine parts. The nightlight, designed to cast intriguing shadows, tells the story of the car's first owner, who found comfort and inspiration to live an adventurous life after a personal loss. Masebo's work often blends simple objects with profound narratives, offering emotional depth to functional items. Molteni & C's debut in outdoor furniture, featuring two complementary collections by Vincent Van Duysen, marks a significant development. These collections, Landmark and Timeout, celebrate the connection to nature and a sophisticated approach to outdoor living. Landmark draws inspiration from an unreleased 1994 design by Luca Meda, while Timeout reflects Van Duysen's affinity for modernism through its aluminum construction. This launch also incorporates reissued pieces from Molteni's history, including Gio Ponti, Ron Gilad, and Foster + Partners. Karl Lagerfeld Maison, the fashion brand's new interior branch, launched its inaugural furniture collection during Milan Design Week 2023. Collaborating with interior designer Matteo Nunziati, the collection comprises four lines named after Lagerfeld’s favorite Parisian areas: 'Saint Germain,' 'Saint Guillaume,' 'Quai Voltaire,' and 'Rue de l’Université.' These collections are a direct reflection of Lagerfeld’s personal design philosophy, which seamlessly combined classic and historical elements with contemporary aesthetics, emphasizing a curated and highly refined approach to interiors rather than mere collecting. Knoll reissued two of Florence Knoll’s furniture designs from 1954, 'Model 31' (a lounge chair) and 'Model 33' (a small sofa), which had been out of production since 1968. This reintroduction pays homage to Knoll’s enduring legacy as a pioneering figure in American design, celebrated for her revolutionary impact on modern interiors. The designs, nearly 70 years old, remain relevant due to their simple, efficient forms and adaptability to contemporary spaces, demonstrating her forward-thinking vision for functional and aesthetically pleasing furniture. Ozwald Boateng's 'Culture and Craft' collaboration with Poltrona Frau reimagines classic Italian furniture pieces. Boateng, a Savile Row designer, applied his distinctive patterns, such as the 'Tribal' print, to iconic Poltrona Frau items like the 'Chester' sofa (1912) and the 'Vanity Fair' chair (1984). The 'Tribal' print, referencing traditional Kente Cloth Motifs, integrates subtly yet vividly, showcasing a fusion of Poltrona Frau’s craftsmanship with Boateng’s unique aesthetic, rendered in a vibrant palette of red, yellow, purple, blue, green, and black. Flexform’s ‘Supermax’ sofa, a contemporary reinterpretation of Antonio Citterio’s iconic 1983 ‘Max’ sofa, also features in the list. The original ‘Max’ sofa, known for its kidney bean-shaped seating and tubular frame, gained legendary status through its unique sculptural design and harmonious interplay with architectural spaces. The ‘Supermax’ updates this classic with a modern perspective, stemming from a retrospective look at Flexform’s product photography, illustrating the timeless appeal of well-conceived furniture design. The selection also includes new small sofas tailored for compact living spaces, addressing the growing demand for functional yet stylish furniture in urban environments. These designs from leading furniture companies, crafted in collaboration with contemporary creatives, offer alternatives to larger seating arrangements. With lengths under 185 cm, these compact sofas are ideal for furnishing smaller apartments or adding comfort to spare rooms, balancing thoughtful design with excellent craftsmanship. Guillaume Bardet's liturgical furniture for the restoration of Notre-Dame de Paris represents another significant launch. Tasked with creating an altar, lectern, cathedra, tabernacle, and baptistery for the cathedral’s late 2024 reopening, Bardet’s designs emphasize simple forms and bronze materials, aiming for a timeless and graceful aesthetic. His work contributes to the rebuilding of a historic landmark, blending contemporary design with the sacred context of the cathedral. Lastly, Ikea’s 80th-anniversary collection, Nytillverkad, reissues vintage designs with bold colors and sustainable materials. This collection taps into Ikea’s extensive archive, bringing back beloved pieces with a fresh, modern twist, prioritizing color and pattern for contemporary homes, reflecting a desire for personalized and vibrant living spaces post-pandemic. #FurnitureDesign #InteriorDesign #DesignEditorPicks #ProductLaunches #ModularFurniture #OutdoorFurniture #LuxuryInteriors #ClassicReissues #SustainableDesign

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

Milan Design Week 2025 showcased a significant presence of Japanese design and craftsmanship across various creative disciplines, ranging from furniture and lighting to unique homes and traditional tea caddies. This year's event highlighted an array of projects that blended traditional Japanese aesthetics with contemporary design principles, demonstrating a commitment to functionality, material integrity, and serene living. Among the standout exhibits was Nao Tamura’s ‘Vosco’ portable light for Ambientec. Tamura, inspired by timeless tools, crafted a light with a clean-lined solidity, featuring a cast iron top and a base made from Japanese walnut, maple, or oak. The design emphasizes utility and durability, incorporating a new Fresnel lens for uniform light diffusion across five levels, catering to diverse needs from a gentle glow to brighter illumination. Tamura's approach reflects a broader philosophical shift towards designing objects that are truly useful and enduring in a world already saturated with products. Atsushi Shindo presented ‘Some Echoes,’ a lighting installation at Salone Satellite inspired by a deep forest. Crafted from hundreds of hand-split Japanese sawara cypress wood pieces, the installation diffused a warm LED light, mimicking the scattered light through trees. Shindo aimed to create a 'moment in time' rather than just an object, using natural materials to evoke a sense of tranquility and connection to nature. Kengo Kuma collaborated with Gandia Blasco to create ‘Hos,’ a furniture collection that explores the interplay between timber and textiles. The collection features rug-like textiles made from recycled PET fibers draped over structural wood frames, reminiscent of Japanese temple joinery. Kuma appreciated the rich texture and natural roughness of the recycled PET, using it to create a harmonious blend with wood. Additionally, Nao Tamura launched the ‘Dunne’ collection for Gandia Blasco, characterized by streamlined curves inspired by ocean waves. Muji, with Paris-based Studio 5.5, unveiled a modular micro-house during Milan Design Week. This manifesto for modern living was constructed from five functional ‘slices’ using bio-based and repurposable materials, including recycled textiles for insulation. The design prioritized sustainability and essentialist functionality, featuring natural ventilation, a white roof for heat reduction and rainwater collection, a deep window-side wooden bathtub in the 'ofuro' bathroom, and a mini Japanese 'niwa' garden. The interior boasted a metal grid system for adaptable storage and a tatami sleeping area, epitomizing micro-living efficiency. Maruni Wood Industry presented its 2025 collection, showcasing designs by Naoto Fukasawa, Jasper Morrison, and Cecilie Manz. Fukasawa's updated Hiroshima sofa included a new modular addition with an angled design, promoting comfortable conversations. Cecilie Manz introduced ‘Maku,’ a serene screen made from washi paper and hinoki cypress, designed as a versatile object that can function as a sculpture or a light source. Her expanded Shoto collection featured a high table and stools with softly rounded edges. Jasper Morrison's new Lightwood Sofa, with its circular wood armrests and soft cushions, emphasized lightness and a flat-packed design. His T&O collection also expanded to include high-end office furniture, reflecting a shift towards more inspiring workspaces. Adal Look into Nature focused on revitalizing the tatami industry by reimagining igusa (rush grass) in contemporary forms. Their exhibition featured the Haori Armchair, with a traditional kimono jacket-shaped cover, and Nagare, undulating wall panels of woven igusa inspired by natural movements. Karimoku Case (KC), Karimoku New Standard (KNS), and Mas presented distinct approaches to design. KC showcased new work designed for specific spatial projects, emphasizing serenity and comfort. KNS and Mas created a lounge space with brightly colored furnishings and prototypes, including a new paper lamp and contemporary woven baskets, set against an urban film installation. Yomosugaru, a new Japanese lighting brand, debuted minimalist outdoor lights inspired by nature. Highlights included Suiren (water lily) with flat circular lights, Shobu (iris) with brushstroke-like black forms, and Kodama, a contemporary interpretation of Japan’s tree spirits. Time & Style harmonized Japanese washi paper with Italian architecture in their renovated Largo Treves showroom, displaying their new 2025 collection of contemporary pieces in a serene setting. Hideo, specializing in high-quality freestanding bathtubs, exhibited luxuriously spacious white tubs made from eco-sustainable materials, such as Cristalplant Biobased Active. Finally, Kaikado, Japan’s oldest tea caddy makers, celebrated their 150th anniversary with a book and an exhibition of 150 tea caddies, alongside demonstrations of their craftsmanship. Nagano Interior showcased a new series of stools made from camphor wood, featuring playful finishes and a foldable wooden bookcase. #MilanDesignWeek #JapaneseDesign #FurnitureDesign #LightingDesign #SustainableDesign #Craftsmanship #MinimalistDesign #InteriorDesign #ProductInnovation

The Wallpaper* Design Awards 2024 celebrate the "Best Scene Setters," highlighting furnishings that combine bold aesthetics with rich materiality to create dramatic and impactful interior spaces. The selection emphasizes pieces with high textural contrast, incorporating materials such as luxurious leathers, tubular metals, and scorched wood, all contributing to a modernist mood. Each chosen item is recognized for its ability to make a significant impression within a room, showcasing innovation in design and material use. Among the distinguished pieces is Studiopepe’s ‘Mr Hide’ room divider, noted for its matte black, powder-varnished metal silhouette. This design expertly balances masculine materials with feminine curves, featuring paper cord panels that play with notions of concealment and revelation, adding sophistication and visual intrigue to any space. Its construction speaks to both robustness and delicate form, making it a standout for its architectural presence. Gianfranco Frattini’s ‘Aspide’ table lamp, originally designed in 1970, is celebrated for its serpentine shape. The lamp's chrome coating enhances its glow through reflective qualities, while its balanced design provides both functional and ambient lighting. The 'Aspide' introduces a dynamic sense of movement, reflecting a playful yet elegant aesthetic characteristic of its era. Rodolfo Dordoni contributes two notable pieces: the ‘Pilotis’ console and the ‘Dylan’ seating system. The ‘Pilotis’ console is crafted from mitre-folded polished stainless steel sheets, giving it a fluid and sculptural character. Its brutalist-inspired design features an eye-catching cylindrical base topped with a cross-sectional brushed ash veneer, creating an elegant contrast of materials and forms. The ‘Dylan’ sofa exemplifies contemporary style with its rigorous forms and a 'suspended' base elevated by slender aluminum blades, giving it a weightless appeal. Available with leather or fabric upholstery featuring couture-inspired stitching, its curved backrest and amply cushioned seating prioritize comfort alongside aesthetic appeal. Patricia Urquiola’s ‘Robotin’ coffee table explores the possibilities of glass with standout geometries and a decorative motif resembling perforated metal sheets, encased within the glass itself. This design is praised for its visual tactility, presenting a paradox of sharpness and smoothness, and delicacy and sturdiness, pushing the boundaries of glass furniture. Yoon Shun’s ‘Goshun’ bench, made from solid oak, brings a sense of nature indoors through a sculptural process. It achieves a balance between refinement and brutalism, employing traditional wood-burning techniques to enhance and protect the wood’s patina, finished with multiple layers of tung oil for a unique surface texture. Caine Heintzman’s ‘Vale’ floor lamp features a thermo-formed curvilinear profile and a weighted mirror base. Its vertically stacked bar of light behind a lens finish emits a warm and ethereal glow, contributing to the ambiance of a room. Finally, Herzog & de Meuron’s ‘Porta Volta’ chair is distinctive for its intersecting wooden U-frames and a backrest that appears to float, extending to form armrests. The chair offers customization options for cushions in various colors and wood choices, as well as upholstery options ranging from velvet mohair to leather, emphasizing both aesthetic flexibility and structural elegance. #WallpaperDesignAwards #InteriorDesign #FurnitureDesign #ModernistDesign #DesignerFurniture #HomeDecor #ArchitecturalDesign #MaterialInnovation

This blog post offers 20 design ideas for teenage boys' bedrooms, aiming to help parents create spaces that are both stylish and age-appropriate for Gen Z kids. The article acknowledges the common challenge parents face in finding a balance between their teenager's desire for personal taste and maintaining a presentable home. Each idea is presented with a brief description and an accompanying image, showcasing practical and creative solutions. One key recommendation is to incorporate stylish storage solutions to manage the abundance of items teenagers tend to accumulate. This includes using roomy closets and hidden loft spaces to keep things organized. Another suggestion is to embrace moody hues, such as rich, inky blues, to add sophistication and reflect a teenager's personality. The article also encourages parents to nod to their son's hobbies by integrating elements like surfboards or vintage sports equipment into the decor, allowing the room to reflect their passions. Adding quirky elements, like paper maché stag heads, is presented as a way to keep the room feeling fresh and youthful without compromising on a grown-up aesthetic. Maximizing every inch of space is emphasized through the use of flexible furniture and smart layouts, such as floating storage units and dropdown desks, which are crucial for teenage bedrooms where various activities occur. The concept of coating the 'fifth wall' (the ceiling) with a dramatic color is highlighted as an alternative to fully painted walls, offering an impactful design choice without a full-room commitment. Impactful murals, particularly peel-and-stick options, are suggested for adding a 'wow' factor and inspiring an adventurous spirit, as demonstrated by a map mural and camp-inspired blanket. Providing ample room for chilling and social activities, whether in individual or shared bedrooms, is deemed important for teenagers to relax and host friends. Maintaining a minimal aesthetic with calming color schemes and essential furniture is recommended for busy teenagers seeking a peaceful retreat. Opting for double-duty furniture, such as platform beds with integrated storage, is advised to ensure the room grows with the teenager from early adolescence through college. Subtle patterns, like dotted green wallpaper, are presented as a timeless alternative to trendy designs, paired with youthful art. Incorporating funky lighting, such as custom neon signs, is encouraged to add personality and creative energy to the space. Choosing casual and comfortable furniture, like plush textures and relaxed shapes, is suggested to cater to a teenager's relaxed style of lounging. Delineating separate zones within the room, for example, using rugs to define individual spaces in a shared room, helps improve functionality. Upping the cozy factor with tactile elements like sheer curtains can make the room more welcoming without resorting to overly soft furnishings. Lending a rustic edge through wood detailing, such as reclaimed wood planks, adds a masculine touch and connects the room to nature. Finally, commissioning custom art that reflects a teenager's interests, like a basketball-themed mural, and adding personal mementos on open shelving are presented as ways to celebrate their individuality and create a sense of belonging. #TeenageBedroomDesign #RoomDecorating #GenZInterior #StylishStorage #PersonalizedSpaces #HomeRenovation #InteriorDesignTrends #YouthfulDecor

Paris Design Week 2025 showcased a diverse array of innovative and luxurious home decor and furniture designs from various international brands and designers. The event featured installations and new product launches across different venues, including Maison&Objet; and Déco Off, attracting interior design professionals and enthusiasts. Pierre Frey transformed the historic Hôtel de Guise into an immersive experience, presenting its first in-house furniture line, the sand-dune-inspired Déserts collection, and Chroma, a plush cotton velvet created in collaboration with India Mahdavi. The installation was enveloped in scenography by French artist Elizabeth Leriche, showcasing a rich array of patterns and textures. Design Rendezvous, a pop-up on Rue Guénard, featured collaborative works. Jiun Ho's Piedra chair was displayed with JG Switzer’s hand-felted upholstery, alongside Sarah Von Dreele’s metallic cork Ascend wallcovering, and Parete’s new collaboration with Scottish rug designer Wendy Morrison, highlighting unique textures and artistic expressions. Lala Curio's founder, Laura Cheung Wolf, unveiled the Feuillage collection at her private home. This couture-quality series of 10 intricately detailed wall panels, inspired by Japan's Yakushima Island, included designs like Fuki, Cabinet of Curiosities, and the namesake Feuillage, which incorporated wooden beadwork, raffia, and paillettes. Faye Toogood, named Maison&Objet;’s Designer of the Year 2025, presented “Womanifesto!”, a four-part retrospective. The exhibition featured archival furniture in surrealistic settings, such as drawing-room-inspired spaces with anthropometric lounge chairs and a forest-themed room adorned with tree-sized cardboard sunflowers and Toogood’s Woodlands wallcovering for Calico Wallpaper. Samuel & Sons collaborated with passementerie artist Elizabeth Ashdown for the vibrant Kaleidoscope collection. This line included 12 bold, multitonal woven designs, such as pom-pom fringes, scalloped braids, and tasseled borders, all crafted using centuries-old passementerie techniques. Tai Ping unveiled the Nakashima Edition, a collection of rugs that reimagines two original George Nakashima rug prototypes from 1959. The eight distinct designs included Migration I, Dark Moon II, and Bird Star II, paying homage to the late American architect and woodworker. De Gournay’s new introductions at Déco Off were inspired by avant-garde fashion designer Paul Poiret. The collections featured designs like the stippled, gilded silk Dunand and Pietra Dura, a colorful, vignette-style wallcovering accented with hand-painted blooms and birds, designed to evoke inlaid marble. Dedar showcased new textile designs, including the kid-mohair-covered Thank You for Sending Me an Angel velvet, the cloud-flecked Lilaz, and Queneau, a water-repellent wool satin available in over two dozen colorways. Aux Abris founder Karen Robert introduced the Alchemy collection, an old-world-style series printed on gleaming metal leaf grounds. Highlights included the Japanese mural-inspired Paradiso, the Italian Renaissance–driven Palazzo, the marbled Cosmo, and the olive-dotted Martini. The Pollack|Weitzner apartment featured playful patterns, with Pollack’s rhythmic Open Studio series and Spring 2025 additions to the Spring Street line. Lori Weitzner presented her Moorish architecture–inspired Alhambra as Muse collection, which included the polychromatic printed velvet, Intrigue. Zoffany’s previews attracted a notable crowd. The Indienne collection showcased block-print designs and collaborations with artists Charlie Calder-Potts and Melissa White. Upcoming launches included the historically informed Rare Textiles series and the pattern-rich Domino Velvets line. Féau Boiseries celebrated its 150th anniversary with a showcase from The Invisible Collection. The exhibition featured new Garcé & Dimofski–designed floorcoverings from Beni Rugs, sculptural pieces by Indian designer Ashiesh Shah, and newly acquired pieces from Mobilier National, such as Maison Leleu’s Panter chair. Fabricut presented Barry Dixon’s Elysium collection for Vervain, featuring designs like the marbleized ombre Pan Atlas, the pastoral Birds & Bittervine, and Cacao Nut, an enchanting trim with egg-shaped pom-poms. Schumacher’s showroom featured artisanal beauty, including a collection of fabric-sheathed light fixtures by French ceramist Elsa Foulon and a botanical fabric design, Flemish Tapestry, based on a 17th-century Belgian tapestry. Ralph Lauren Home released the Rue Bohème collection, a range of runway-ready textiles available through Designers Guild. The line, inspired by the fashion designer’s Spring 2024 fashion collection, included distressed cotton-linen florals, silk-blend ticking stripes, paint-splattered velvets, and botanical embroideries. CMO Paris introduced designs from its 2025 collection, including the braided Bamboo Petit Chevron wallcovering, the sheer, hand-spun Cashmere Degradé curtain fabric, and Wild Water Lily, a serene mural fashioned from all-natural aquatic fibers. Giobagnara showcased its latest designs, including Kelly Wearstler’s leather-accented Maris line, Glenn Sestig’s minimalist walnut Tanell bar table, and an Elie Saab monogram-stamped folding side table. The Vale London’s founder, Melinda Marquardt, unveiled the Maddox line, an homage to Bauhaus pioneers. The primary-color-drenched collection included 16 designs, such as the zigzagging Diana Stripe fabric, the Roman Holiday wallcovering, and the geometric Charlie upholstery. Belgian wallcoverings brand Omexco launched three collections: Light at Night, with 10 glimmering metallic designs like Stardust; Oase, featuring nine textural paper-weave patterns; and Pure, comprising a dozen soothing monochrome styles like Sensitive and Refined Earth. French furniture designer Franck Genser introduced the Morse series at his Parisian showroom apartment. The three-piece collection featured walrus-inspired designs, including a marble-topped coffee table with tusk-shaped legs and an iridescent neoprene-upholstered settee with a coordinating armchair. Arte’s Luster collection showcased four ultradimensional wall designs hand-inlaid with pearlescent capiz shells: Perula, Lucea, Abalone, and Cornice, available in multiple hues. Uchronia’s “What’s New? In Hospitality” installation, designed by Julien Sebban, featured a retro-fueled aesthetic with a hand-curated color palette by Tonester Paints. The display included a round, 1970s-style bed by Treca Paris and Diesel Living’s dinnerware for Seletti. L’Objet collaborated with South African artist Ruan Hoffmann for a highly collectible ceramic line. The 13 playful pieces, adorned with 24-karat gold finishes, included the three-dimensional Love You More plate and a three-wick candle with a mask-like lid. These debuts collectively demonstrated a trend towards luxurious materials, artisanal craftsmanship, historical inspirations, and bold artistic expressions, offering a comprehensive glimpse into the future of interior design. #ParisDesignWeek #MaisonObjet #DecoOff #InteriorDesign #HomeDecor #FurnitureDesign #TextileDesign #Wallcovering #LuxuryDesign

The article showcases the Rising Talent awards at Maison&Objet, a Paris-based trade fair celebrating its 25th year, which took place from September 8-12 at the Parc des Expositions Paris Nord Villepinte. This year's program specifically highlights Dutch design, a field that has historically captured the interest of the industrial design community since the 1990s, with pioneering figures such as Hella Jongerius and Marcel Wanders. The current design landscape, however, is being enriched by a new generation of designers who have been recognized as Rising Talent. A distinguished jury comprising globally renowned female designers, including Kiki Van Eijk, Weiki Somers, Ineke Hans, and Hella Jongerius, selected four individual talents and two design duos for this prestigious accolade. Chantal Hamaide, founder of Intermuros magazine, also played a role in the selection process. While Dutch design traditionally signifies experimental and conceptual approaches, its scope has broadened to encompass an international cohort of students and designers educated or residing in the Netherlands, indicating that "Dutch design is also a state of mind." This new wave of Dutch designers is distinguished by their emphasis on sustainability, frequently incorporating reused waste materials into their creations, and fostering collaborative practices. The article introduces six of these Rising Talents: Atelier Fig, Studio Hanna Kooistra, Théophile Blandet, Studio Yoon Seok-Hyeon, Visser & Meijwaard, and Simone Post, along with Sanne Terweij who received the award for Craft. Atelier Fig, composed of Ruben Hoogvliet and Gijs Wouters, presents the "Gravity" ceramics collection, featuring bowls and candleholders. Their innovative technique involves building objects with liquid clay over a foam armature, which then disappears during firing, resulting in extremely thin, fragile porcelain forms that symbolize impermanence. Studio Hanna Kooistra draws inspiration from traditional Dutch objects and furniture. Her reimagining of the "knopstoel" chair as a foldable, wall-mountable piece exemplifies a nomadic approach to classic styles. Théophile Blandet primarily works with recyclable aluminum and plastic offcuts from local factories, creating pieces that blur the lines between functional furnishings and sculpture, such as his "Fountain of Money," often incorporating socio-economic commentary. Studio Yoon Seok-Hyeon, originally from Cheongiu and a graduate of Design Academy Eindhoven, focuses on environmental impact. His "Relaxing Configuration" project repurposes rug-making knotting skills to create repositionable sofa forms, while his "Ott" project explores tree resin as an alternative, recyclable glazing agent for pottery. Visser & Meijwaard, an Arnhem-based duo, known for their bold hues and clean lines, received praise from juror Ineke Hans for their mastery of product design, exemplified by their LYN cabinet for Pulpo and a kaleidoscopic rug for Moooi. Simone Post, from Utrecht and based in Rotterdam, specializes in textiles, creating rugs from recycled wax-printed cotton leftovers for Label/Breed and flooring from repurposed sport shoes for Adidas, with her design process centered on material exploration and playful experimentation. Sanne Terweij, awarded for Craft, transforms photos of aged doors into wall sculptures using hundreds of colorful metal chips, fascinated by how color influences mood. These designers collectively demonstrate the evolving, innovative, and environmentally conscious direction of contemporary Dutch design. #MaisonObjet #DutchDesign #RisingTalentAwards #SustainableDesign #Ceramics #FurnitureDesign #TextileDesign #ProductDesign #ArtisanCrafts

The article compiles a list of 27 home design trends that individuals find irritating or 'ick-worthy,' gathered from the BuzzFeed Community. These trends range from common aesthetic choices to functional design elements that users believe detract from comfort, practicality, or personal style. One recurring complaint targets the prevalence of gray and beige color palettes in home decor, with contributors arguing that these neutral tones create bland and uninspiring living spaces, even extending to children's nurseries and toys, which are seen as detrimental to child development. Another common 'ick' is cool or white-toned lighting, which many compare to the sterile atmosphere of a doctor's office or warehouse, rather than a cozy home environment. Functional design elements also draw criticism, such as front doors that do not face the front of the house, making navigation confusing for visitors. The misuse of bookshelves for decorative items instead of books is highlighted as a source of clutter and a pretense of trendiness. Patterned wallpaper in every room, especially when clashing patterns are used together, is described as overwhelming and causing an 'acid trip' effect. Similarly, faux shutters that are clearly non-functional are disliked for their deceptive appearance. Lighting and flooring choices also receive negative feedback. Ceiling fans with a single, flat light are deemed unappealing compared to those with multiple lamps. Tiled counters are criticized for their susceptibility to grime accumulating in the grout lines, while strip lighting is seen as creating a clinical or gallery-like atmosphere rather than a homely one. The impracticality of carpets or rugs in dining rooms is noted due to potential spills and cleaning difficulties. Storage solutions like floating shelves are broadly disliked for collecting dust, being impractical, and appearing cheap. Dark-colored tiles, particularly black, are considered problematic in kitchens and bathrooms as they can make spaces feel enclosed and make it difficult to spot bugs. Barn doors used for bathrooms are specifically called out for their lack of privacy and inability to contain odors. The absence of lamps in favor of recessed lighting in some wealthy homes is noted as a frustrating trend, contributing to a less inviting ambiance. Decorative elements like dried vine balls and signs with generic phrases such as "live, laugh, love" are found to be dusty and cheesy, respectively. Exposed lightbulbs, including large skeleton pendants and Edison bulbs, are equated to exposed wires and seen as aesthetically unpleasing. Feature walls, particularly those with dated textures or colors, are criticized for being difficult and costly to change once they go out of style. Bathroom design trends that are disliked include open showers without curtains or glass enclosures, which result in cold experiences, and freestanding bathtubs placed too close to walls, making cleaning difficult. Finally, crushed velvet furniture is dismissed as having "live, laugh, love" vibes, and low-slung, armless, or extremely deep seating is criticized for being uncomfortable and inaccessible for individuals with physical impairments or age-related stiffness, signaling an unwelcoming environment for older or disabled guests. The practice of placing area rugs on top of carpeting is also universally panned as unhygienic and aesthetically displeasing. The article concludes by inviting readers to share their own home design 'icks.' #HomeDecorTrends #InteriorDesign #HomeAesthetics #DesignIcks #HomeImprovement #DecoratingTips #BuzzFeedCommunity

The "Design Awards 2013: best of the rest" article highlights a curated selection of innovative and influential designs across various categories, reflecting the top trends and notable reissues of the year. The first trend identified is the "puzzle-like" design, characterized by random patterns, asymmetric forms, and modern marquetry. This approach updates traditional inlay and overlay techniques by integrating diverse materials such as stone, wood, leather, acrylic, and ceramic, resulting in freestyle, decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with digital-print glazing to create mixed aesthetic patterns; Massimo Morozzi's 'Bois de Rose' cabinet for Edra, featuring random rosewood veneers and piano pedal-operated doors; and Urquiola's 'Fishbone' coffee table for Moroso, utilizing Alycrite to mimic natural materials in a herringbone pattern with a glossy finish. Additionally, Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrate the versatility of quartz compound beyond conventional surfaces, forming heavyweight, puzzle-like arrangements. The article also features significant reissues that have made a comeback. These include Ferdinand Kramer's 1951 'Calvert' coffee table, now produced by E15 in oak, walnut veneer, or colored lacquer, originally designed for flat-pack export. Giò Ponti's tableware, based on his 1951 sketches and manufactured by Sambonet, includes asymmetric 'Conca' flatware and a unique two-bowl centerpiece. Arne Jacobsen's 1939 'Mayor' sofa, conceived for Søllerød City Hall, is reissued by &Tradition; with a solid oak frame and Kvadrat upholstery. Le Corbusier's 'Projecteur 365' light, initially designed in 1954 and inspired by industrial lamps, is now produced by Nemo Cassina in various models. Further categories include "Best Reinvention," recognizing Muriel Grateau's revitalized gallery in Paris, showcasing her color-drenched ceramics, glassware, linen, jewelry, and new silverware and watch ranges in a newly whitewashed space. "Best Use of Material" highlights Chanel Fine Jewellery's 'Clair-obscur' ring, which ingeniously combines diamonds with industrial titanium, inspired by Gabrielle Chanel's original design philosophy and the celestial discovery of titanium. The "Best Plant Shop" award goes to Qusamura in Hiroshima, founded by Kohei Oda, which specializes in pairing unusual cacti with distinctive pottery, treating these botanical forms as sculptures for the home. Minotti's 2012 furniture collection is lauded as the "Best Collection," epitomizing a blend of innovation and continuity with detailed craftsmanship, luxurious materials, and mid-century and Scandinavian influences, featuring pieces like the 'Evans' table and 'Brice' coffee table, and adaptations for compact living spaces. "Best Future Vision" recognizes Cartier's 'ID Two' concept watch, a non-commercial prototype with a transparent ceramic case and vacuum-sealed interior, signaling future technological and aesthetic advancements in watchmaking. The "Best Finishing Touch" category covers beauty essentials, including Comme des Garçons' 'Amazingreen' Eau de Parfum, Chantecaille's 'High Definition Perfecting Powder', Matylda Krzykowski's 'Borste & Horne' brushes, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil'. Other notable mentions include the "Best Lab," the Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects, praised for its tree-inspired design and engaging spaces. "Best Comfort Food" highlights Jacob's Pickles in New York for its Southern soul food and East Coast pickle culture, and Häagen-Dazs' 'Ice Moons' designed by Doshi Levien. "Best Cover-up" showcases innovative outerwear from Herno, Sealup, CP Company, and Hancock, emphasizing technical fabrics and sharp silhouettes. "Best Bottom Drawer" features Nosigner's 'Cartesia' chest of drawers for MSY, a corner-fitting piece with trapezoid drawers opening in two directions. "Best Loo" recognizes Roca's 'In-Tank Meridian' toilet with a hidden cistern and CEA's 'Hydroplate' water jet cleaner. "Best Fixer-Upper" celebrates Jaime Hayón's redesign of Le Sergent Recruteur restaurant in Paris. "Best Bag" is awarded to Piquadro's 'Coleos' backpack for its extensive compartmentalization and thoughtful features. "Best Winter Retreat" goes to The Alpina Gstaad in Switzerland, a luxury hotel blending reclaimed timber and natural materials, with a Six Senses Spa and Japanese restaurant Megu. "Best Building Sites" features OMA's Shenzhen Stock Exchange in China, a symbol of economic power with a floating podium, and Paulo Mendes da Rocha and Metro Arquitetos' Cais das Artes in Brazil, an arts complex elevated above a plaza. Finally, "Best Getaway" highlights Casa Till in Chile by WMR Arquitectos, a remote, Spartan, yet stylish retreat with breathtaking sea views, constructed with local materials and labor. The article also mentions Trevor Paglen's 'The Last Pictures' project as "Best Mission," sending etched photographs into space to document human history for extraterrestrial audiences, and Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara as "Best Bookshop," a vast complex designed to appeal to a broad demographic with an extensive collection of books, music, and a unique lounge bar. #DesignAwards #InteriorDesign #ProductDesign #Architecture #LuxuryGoods #Fashion #Beauty #Travel #FoodAndDrink

The October 2025 issue of Wallpaper* magazine is now available, featuring a comprehensive collection of long-form stories designed to leverage the unique advantages of print media. In an era dominated by multiplatform content creation, this issue dedicates significant space to in-depth articles, aiming to offer rich visual experiences, expansive reporting, and a thoughtful juxtaposition of diverse topics and projects. This approach seeks to provide pertinent insights into broader cultural and life shifts. The 300-page October issue delves into the methodologies and motivations of a variety of global creatives. Readers will encounter Bas Smets, a landscape architect focused on reconnecting humanity with the natural environment. The visionary fashion designer Craig Green is profiled, with an exploration of his London atelier to understand his creative process. Irma Boom is also featured, highlighting her commitment to reinforcing the importance of print through her exceptional book designs. The magazine extends its geographical scope with visits to distinct locations. A report from Tbilisi examines the city’s robust entrepreneurial spirit as it navigates an increasingly authoritarian state. In Lagos, Nigeria, the informal architecture of street markets is presented as a source of inspiration for a new generation of designers adapting indigenous building structures. A significant section broadens the understanding of "home" by exploring Le Corbusier’s Unité d’Habitation in Marseille. Here, residents share their experiences and reflections on the enduring legacy of this landmark housing project. Further exploration of the concept of domesticity is provided through the perspectives of contemporary artists who contemplate the home as a symbol of selfhood. The interiors section focuses on objects that exemplify lasting design, demonstrating the remarkable longevity of certain pieces. The issue also includes reflections on technology and travel, two dynamic aspects of the modern world that are constantly evolving and subject to continuous renewal. The production of this issue involved the collaborative efforts of many individuals. Special acknowledgments are extended to Clara Perrotte, Anne-France Berthelon, Ora-ïto, and Raphaëlle Caldaguès for their contributions to the Unité d’Habitation story. Photographer Kalpesh Lathigra is recognized for capturing the backstage world of Craig Green’s Paris show, while Devashish Gaur is thanked for remotely photographing ten portraits for the Landscape Architects’ Directory 2025. London Art Makers also provided assistance in creating the monumental interiors story. The October 2025 issue is accessible in print on newsstands, via the Wallpaper* app on Apple iOS, and for Apple News+ subscribers from September 4, 2025. The newsstand cover features a prototype ‘Bibendum’ chair and ‘Helia’ fabric, while the limited-edition subscriber cover is an artwork by Gabriel Annouka. #magazine #designInteriors #architecture #culturalExploration #printMedia #designers #urbanLiving #travel

Shannyn Weiler, a Utah-based interior designer, initiated a debate on TikTok regarding the display of family photos in homes. She contends that an excessive display of personal photos, which she terms a "shrine," can appear tacky and narcissistic. Weiler illustrates her point with a personal anecdote about her first apartment being filled with only wedding photos, leading to a "shrine"-like feeling. She extends this concept to rooms dominated by baby photos or pictures of a single grandchild, suggesting that such displays lack variety and design sophistication. Weiler advocates for a more balanced approach to home decor, recommending the integration of diverse artwork, mirrors, or other art prints alongside family photos. She emphasizes the importance of mixing different visual elements to avoid the monotonous and self-absorbed impression created by an abundance of personal images. Her perspective suggests that a home's aesthetic should extend beyond personal memorabilia to include broader artistic expression, creating a more refined and less insular environment. The designer's views sparked considerable discussion among the public, with many social media users expressing disagreement. A significant portion of commenters argued that a home should primarily reflect the tastes and preferences of its occupants rather than being designed to impress visitors. Many asserted their preference for displaying family photos, viewing them as integral to personalizing their living spaces and celebrating their lives and loved ones. Some commenters specifically stated they would rather have pictures of their children and family moments than generic art prints, highlighting a prioritization of emotional connection over conventional design principles. Conversely, some individuals concurred with Weiler's professional opinion, admitting that an overwhelming number of personal photos, especially in public areas of the home, could indeed appear narcissistic or lacking in taste. Examples included houses solely decorated with wedding photos, which some found to suggest a narrow range of interests. This group often advocated for a more curated approach, where family photos are either limited in number, confined to private spaces like bedrooms, or thoughtfully integrated with other decorative elements. The article also references broader design discourse, noting that Weiler's opinion aligns with views expressed by other design experts, such as Sarah Han of Apartment Therapy. Han compares an excessive display of self-portraits to having a tattoo of oneself, reinforcing the idea that it can be perceived as vain. Joanna Goddard, a lifestyle blogger, found similar divided opinions among her readers when she posed the question of whether family photos in the living room were tacky. The responses consistently showed a clear split between those who embrace such displays as personal expressions and those who adhere to a more formal, less personal decorating philosophy for public areas of their homes. Following the viral reaction to her initial video, Weiler posted a follow-up, reflecting on how design ideas can be initially resisted but eventually adopted. She suggested that while some design advice might not resonate immediately, experimenting with new approaches can sometimes lead to unexpected aesthetic appreciation. This response acknowledged the varied reactions and encouraged an open-minded approach to interior design principles, regardless of personal initial biases regarding family photo displays. #InteriorDesign #FamilyPhotos #HomeDecor #DesignTrends #SocialMediaDebate #Aesthetics #PersonalStyle #WallArt #TastefulDecor

The Wallpaper* Design Awards 2024 recognized exceptional interior design pieces that blend bold aesthetics with functionality, dubbed 'Best Scene Setters'. These selected furnishings demonstrate a harmonious interplay of high textural contrast and diverse materiality, incorporating elements like rich leathers, tubular metals, and scorched wood to evoke a modernist mood and create a lasting impression. Each piece not only serves a practical purpose but also acts as a statement, shaping the ambiance of a room through its unique design. Among the celebrated pieces is Studiopepe’s ‘Mr Hide’ room divider, distinguished by its matte black, powder-varnished metal silhouette and paper cord panels. This design achieves a balance between masculine materials and feminine curves, offering a sophisticated play of conceal and reveal that enhances a space without completely closing it off. Rodolfo Dordoni's contributions include the 'Pilotis' console, crafted from mitre-folded polished stainless steel, featuring a brutalist-inspired cylindrical base and a brushed ash veneer tabletop. The console's fluid lines and contrasting materials make it a versatile addition to any interior, embodying sculptural elegance. Dordoni also designed the 'Dylan' seating system, which combines rigorous forms with a contemporary style. The sofa's 'suspended' base, supported by slender aluminum blades, gives it a weightless appearance. Available in leather or fabric with couture-inspired stitching, its curved backrest and ample cushioning provide both aesthetic appeal and comfort. Gianfranco Frattini’s ‘Aspide’ table lamp, originally developed in 1970 and revived for the awards, captivates with its serpentine shape, adding dynamic movement and a playful element to a room. Its chrome coating enhances the light's glow, making it ideal for various lighting needs from reading to ambient illumination. Patricia Urquiola’s ‘Robotin’ coffee table showcases the expansive possibilities of glass. This piece features distinctive geometries and a decorative motif resembling perforated metal, encased within the glass. Its visual tactility creates an illusion of sharpness while being smooth, and simultaneously appears delicate yet sturdy, challenging perceptions of glass as a material. Caine Heintzman’s ‘Vale’ floor lamp, also available as a pendant and ceiling/wall light, is noted for its thermo-formed curvilinear profile and a weighted mirror base. It emits a warm, ethereal glow from a vertically stacked bar of light behind a lens finish, creating a serene atmosphere. Yoon Shun’s ‘Goshun’ bench, crafted from solid oak, brings a connection to nature indoors. This piece demonstrates a sculptural process that balances refinement with brutalism, utilizing traditional wood-burning techniques to enhance and protect the wood’s patina, finished with multiple layers of tung oil. Herzog & de Meuron’s ‘Porta Volta’ chair features intersecting wooden U-frames and a defining U-shaped frame that draws the eye. Its solid wood backrest appears to float, extending into armrests. The chair offers customization options for cushions in various colors and wood choices, as well as upholstery options ranging from velvet mohair to leather, making it adaptable to different design preferences. These winning designs collectively highlight a trend towards furniture that is not merely functional but also highly expressive and visually engaging. They incorporate diverse materials and forms to create distinctive 'scene setters' that define and enrich interior spaces, reflecting a blend of artistry, innovation, and craftsmanship. #WallpaperDesignAwards #InteriorDesign #FurnitureDesign #ModernistDesign #LuxuryInteriors #DesignInnovation #HomeDecor #SculpturalFurniture

Milan Design Week and Salone del Mobile 2024 provided a prominent platform for Japanese design, showcasing a diverse range of innovative creations from various brands. The event highlighted traditional craftsmanship integrated with modern aesthetics, spanning furniture, lighting, textiles, and art installations. Several key brands presented new collections and exhibitions across Milan, emphasizing unique materials and design philosophies. Karimoku Case, known for its woodworking and manufacturing precision, exhibited at Salone del Mobile with a theme of 'Natural Contrasts.' The exhibition, curated by architect Keiji Ashizawa, created a serene atmosphere with spaces designed to connect indoor and outdoor elements. A notable feature was the reintroduction of _keyaki_ (zelkova) wood, traditionally used in temples and shrines, into contemporary furniture, aiming to revive its popularity. Designs by Ashizawa, Norm Architects, and Norman Foster were prominently displayed, reflecting a holistic approach to furniture within specific project settings. Three other Karimoku brands also held separate exhibitions. Seyun, a collaboration fusing Zaha Hadid's futuristic designs with Karimoku's wood craftsmanship, unveiled a new side table, tray, and lounge chair, all crafted from single pieces of wood. Mas, creatively directed by Wataru Kumano, debuted in Milan with 'Project Hinoki,' an exploration of Japanese cypress wood, featuring minimal lights by Daniel Rybakken and low triangular tables by Ville Kokkonen. Karimoku New Standard, with David Glättli as creative director, presented its first solo show in five years, showcasing pieces like the Polar sofa by Moritz Schlatter and textiles from a collaboration with Reiko Sudo's nuno, all in an atmospheric artist's studio setting. The textile industry was represented by Hosoo, a centuries-old Kyoto maker, in collaboration with Michele de Lucchi. Their 'Mind Landscape Collection' explored forest aesthetics through four new textiles (Cedar, Red Elm, Red Oak, Afzelia) with motifs derived from macro photographs of wood fibers and satellite imagery, blurring the lines between wood and fabric. Issey Miyake's 'Fold and Crease' installation, created by Dutch collective We Make Carpets, featured 60,000 hand-dyed bamboo skewers forming an undulating abstraction, evoking an underwater landscape within the brand's flagship store. Sugiyama Furniture, specializing in solid iron craftsmanship, presented 'The Beauty of Lines,' showcasing the versatility of iron in minimalist interior products. Collaborations with Japanese creatives yielded pieces like Kazuteru Murasawa's Felice chairs, combining lightweight iron with organic leather details, and Fumie Shibata's Wall Deco series. Ambientec, a Japanese lighting brand, introduced Fotika, a hybrid portable and desk lamp designed by Kensaku Oshiro, inspired by the light filtering through ocean waters and crafted from a single piece of aluminum. Majotae, a Japanese hemp brand, presented Majotae 9490, a new line of bedding made from _tamai-fu_, a super-fine traditional hemp, with textiles displayed in natural dyes. The exhibition also showcased historical hemp artifacts and a live demonstration of traditional weaving. Stellar Works, a Japanese furniture brand based in Shanghai, returned with an expansive showcase inspired by Marco Zanuso, featuring new Neri & Hu products like the Qi collection sofas and the Taiko terrazzo table by Studio Stefan Scholten. Finally, Nagano Interior, making its Salone del Mobile debut, presented solid wood furniture crafted from materials like red oak and Japanese ash, embodying the concept of 'wa' or harmony, with pieces like the DT614 table and Corona chair. Ritzwell, another Fukuoka-based furniture maker, blended Japanese craftsmanship with functional design, showcasing the Constantino Armchair by Shinsaku Miyamoto and the MT Coffee Table, alongside new wood color shades Sohbobku and Gen. #MilanDesignWeek #SaloneDelMobile #JapaneseDesign #FurnitureDesign #TextileInnovation #LightingDesign #Craftsmanship #SustainableMaterials #InteriorDesign

Jenelle Lovings, a St. Louis–based designer, favors bold patterns over vibrant colors, utilizing graphic, high-contrast motifs in muted tones to create impactful statements without overwhelming a space. She emphasizes that "moody, desaturated hues can be just as impactful as bright, cheery ones." When developing her mood board, Lovings focused on a classic black and white color scheme, laying a foundation with a black-and-white carpet and then incorporating elements that echoed its curved patterns. She strategically introduced subtle pops of sophisticated color, such as powdery pink tile and rich camel-colored leather, to anchor the overall composition. The resulting flat lay demonstrates a blend of geometric prints, striking silhouettes, and organic textures. Lovings notes that many of her chosen materials feature curves or linear elements, contributing to a "free-flowing and natural" scheme where similar shapes, particularly arches, are discernible upon closer inspection. She provides a detailed breakdown of the selected materials, which range from outdoor-friendly velvet upholstery to two-toned wood flooring. Key selections include the "Gem by Kelly Wearstler Elope Field Tile in Ebony by Ann Sacks," chosen for its bold black and white design, and the "Gem by Kelly Wearstler Mode Field Tile in Rose by Ann Sacks," appreciated for its geometric patterns, muted colors, and the designer's influence. For acoustic solutions, Lovings highlights the "Luxury Smoked Oak Acoustic Slat Wood Wall Panels by The Wood Veneer Hub" as a versatile product that elevates walls and absorbs sound. For countertops, she recommends "Calacatta Luccia Quartz Countertop by MSI" as a durable, man-made alternative to natural marble, suitable for commercial projects. Textural elements are introduced through the "Waves Nero Marquina Black Fluted 3D Honed Marble Tile by Tilebar," which features irregular ridge sizes for an unexpected twist on a classical look, and the "Terrazzo Renata Fluted Field Tile in Black by Ann Sacks," combining a classical aesthetic with a contemporary honed terrazzo base. Fabrics include "Heather Fabric in Snow by Designtex," selected for its menswear-inspired look and feel, and "Silicone Element Fabric in Vellum by Designtex," a faux leather available in a wide array of colors. For luxury and durability, she suggests "Lutra Velvet in Fig by Brentano," an outdoor-rated velvet, and "Plushy Fabric in Ash by Perennials," an outdoor-rated fabric that mimics the softness of mohair. Leather options feature "Avion Leather in Sesame by Garrett Leather," praised for its timeless appeal and richness, and "Hide Society Leather in Blush by Jerry Pair Leather," known for its extensive color range and quality. Patterned elements include the "Swerve Area Rug in High by Shawcontract," a practical and fun black and white design. Wallcoverings from the Forbes Masters collaboration with Mitchell Black are also prominent: "Nomolanga Wallpaper in Mocha & Black" for its African-inspired pattern and sophisticated color elevation, "Sade Wallpaper in Black" for its illusion of woven fabric, and "Zaire Wallpaper in White" for its blend of neutrals and patterns. Flooring is represented by "Swoop Oak Wood Tile in Black Onyx and Pickled Pearl by Jamie Beckwith Collection," recognized for its unique patterns and customization options. Accessories include the "Brass Love Object by West Elm." Lovings's curated selection showcases a cohesive design philosophy centered on graphic patterns, muted tones, and a sophisticated interplay of textures and forms. #JenelleLovings #InteriorDesign #MoodBoard #GraphicPatterns #MutedTones #BlackAndWhiteDesign #MaterialSelection #TexturalElements #TileDesign #FabricSelection #Wallcoverings