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Bauhaus shapes and bold materials: best scene setters in the Wallpaper* Design Awards 2024
The Wallpaper* Design Awards 2024 celebrate the "Best Scene Setters," highlighting furnishings that combine bold aesthetics with rich materiality to create dramatic and impactful interior spaces. The selection emphasizes pieces with high textural contrast, incorporating materials such as luxurious leathers, tubular metals, and scorched wood, all contributing to a modernist mood. Each chosen item is recognized for its ability to make a significant impression within a room, showcasing innovation in design and material use.
Among the distinguished pieces is Studiopepe’s ‘Mr Hide’ room divider, noted for its matte black, powder-varnished metal silhouette. This design expertly balances masculine materials with feminine curves, featuring paper cord panels that play with notions of concealment and revelation, adding sophistication and visual intrigue to any space. Its construction speaks to both robustness and delicate form, making it a standout for its architectural presence.
Gianfranco Frattini’s ‘Aspide’ table lamp, originally designed in 1970, is celebrated for its serpentine shape. The lamp's chrome coating enhances its glow through reflective qualities, while its balanced design provides both functional and ambient lighting. The 'Aspide' introduces a dynamic sense of movement, reflecting a playful yet elegant aesthetic characteristic of its era.
Rodolfo Dordoni contributes two notable pieces: the ‘Pilotis’ console and the ‘Dylan’ seating system. The ‘Pilotis’ console is crafted from mitre-folded polished stainless steel sheets, giving it a fluid and sculptural character. Its brutalist-inspired design features an eye-catching cylindrical base topped with a cross-sectional brushed ash veneer, creating an elegant contrast of materials and forms. The ‘Dylan’ sofa exemplifies contemporary style with its rigorous forms and a 'suspended' base elevated by slender aluminum blades, giving it a weightless appeal. Available with leather or fabric upholstery featuring couture-inspired stitching, its curved backrest and amply cushioned seating prioritize comfort alongside aesthetic appeal.
Patricia Urquiola’s ‘Robotin’ coffee table explores the possibilities of glass with standout geometries and a decorative motif resembling perforated metal sheets, encased within the glass itself. This design is praised for its visual tactility, presenting a paradox of sharpness and smoothness, and delicacy and sturdiness, pushing the boundaries of glass furniture. Yoon Shun’s ‘Goshun’ bench, made from solid oak, brings a sense of nature indoors through a sculptural process. It achieves a balance between refinement and brutalism, employing traditional wood-burning techniques to enhance and protect the wood’s patina, finished with multiple layers of tung oil for a unique surface texture.
Caine Heintzman’s ‘Vale’ floor lamp features a thermo-formed curvilinear profile and a weighted mirror base. Its vertically stacked bar of light behind a lens finish emits a warm and ethereal glow, contributing to the ambiance of a room. Finally, Herzog & de Meuron’s ‘Porta Volta’ chair is distinctive for its intersecting wooden U-frames and a backrest that appears to float, extending to form armrests. The chair offers customization options for cushions in various colors and wood choices, as well as upholstery options ranging from velvet mohair to leather, emphasizing both aesthetic flexibility and structural elegance.
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