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Is This the Most Sophisticated Sunroom Ever Designed?
Veranda, a publication centered on connecting with nature, often features indoor-outdoor spaces like sunrooms and porches, though they rarely grace the magazine's covers. These spaces, while favored for their ability to bring natural beauty into the home and offer expansive landscape views, are typically decorated in a more casual style, which doesn't always align with the sophisticated aesthetic expected of a cover image. To be deemed cover-worthy, such a space must combine casual comfort with refined sophistication, possess magical natural light, and exhibit a dramatic quality derived from its furniture, colors, textures, and scale.
The May/June 2024 cover features a Los Angeles sunroom designed by Michael S. Smith, which is presented as a prime example of a sophisticated sunroom. This room incorporates traditional sunroom elements like woven textures, abundant natural light, and a color palette that seamlessly links the interior with the garden. Smith describes the room as a "portal to the magic of the garden, an homage to that alluring indoor/outdoor lifestyle of California." However, its design deviates from typical sunroom aesthetics.
A key element is a vintage wool carpet by Swedish weaver Ingrid Hellman-Knafve, whose diverse green shades echo the garden. Smith likens the carpet's variety of color and texture to a painting, emphasizing the importance of human craftsmanship in design. The room features a rich layering of natural textures, including the woven rug, planter, seating, plaster walls, and layered window treatments from Elitis and Hartmann and Forbes. The woven rope seating, from John Himmel Decorative Arts, plaster walls by Rex J. Pratt, Inc., linen window treatments, and wood chair frames from Jasper contribute to the room's depth and dimension despite its monochromatic scheme.
The furniture, while comfortable, casual, and durable, also represents a collection of iconic styles. The woven seating draws inspiration from early to mid-20th-century French designers Adrien Audoux and Frida Minet, known for their rope-woven pieces. The plaster chandelier is by French sculptor Philippe Anthonioz, who developed his passion for plaster while working with Diego Giacometti. The faux bois table base pays homage to the 19th-century French tradition of crafting "false wood" furniture from concrete.
Perhaps the most distinctive feature is the animal-inspired footed furniture, which playfully connects the indoors to the garden. Anthropomorphic feet in decorative arts have a long history, dating back to ancient Egypt. Specific styles like the ball and claw foot, claw foot, trifid or drake foot, and monopodium originated as early as the 17th and 18th centuries. The re-discovery of King Tutankhamun's tomb in 1923 sparked a renewed interest in Egyptian motifs, influencing the Art Deco movement.
Smith modernizes this tradition with simplified versions of animal-footed furniture. His four wooden chairs are a contemporary interpretation of French designer Marc du Plantier's 1930s "Egyptian" chair, offering a nod to both modern and earlier design periods. Additionally, a plaster three-legged stool by mid-20th-century American designer John Dickinson, now reproduced by Sutherland Furniture, adds a sense of romance and modernity to the space. This blend of historical references with contemporary design, bridging indoor and outdoor aesthetics, and combining sophistication with casual comfort, made Smith's sunroom an ideal choice for the cover of Veranda's outdoor living issue.
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