Inside Jane and Daniel Green’s Home

This article details the design and features of Garden House, a new residential property in Sydney's affluent eastern suburbs, designed by Pearse Architects. The house addresses the challenges of a constrained site, which is overlooked by several large, adjoining properties due to the area's subdivision history. Unlike many Sydney homes that extend outwards, Garden House is designed to turn inwards, creating a self-contained and self-sufficient private domain. The core design principle involves wrapping the main living areas on the ground floor and four bedrooms upstairs around a central, lush green courtyard. This strategy ensures privacy from neighbors while integrating nature into almost every room. The central courtyard is a pivotal element, characterized by subtropical plants, palms, and reed structures adorned with bromeliads. A two-story screen of angled vertical timber beams at one end of the courtyard further enhances privacy while still allowing distant harbor views from within the house. The courtyard is not merely an outdoor space but an integral part of the building, influencing circulation, drawing visitors' attention, and providing natural light, air, and a sense of calm throughout the home. One of the owners describes the garden as the "core of the house," particularly when lit at night, comparing it to a "jewel box." Designed for a family with teenage children, the house incorporates three distinct living areas. A formal living room at the front features sliding glazed doors that open to both the courtyard and the front garden, transforming it into a pavilion-like space. On the opposite side of the courtyard, an open-plan casual living and dining area adjoins the kitchen, with glazed doors leading to the rear garden. A third living area, located upstairs between two children's bedrooms, can be converted into a media room with heavy drapes. The central courtyard facilitates visual connections between these living spaces and other rooms, with views filtered by the surrounding garden. The new house replaces a single-story 1930s bungalow and exhibits a continuous interplay between transparency and solidity. The north-east facing front elevation combines face brick and glazed elements. Inside, sandstone blade walls, constructed from the original bungalow's footings, serve as a historical reference. The interiors feature honed bluestone floors and exposed concrete ceilings. A lightweight, stepped timber walkway with a double-height window connects the more robust front and rear sections of the house. Upstairs, the main bedroom and a fourth bedroom access louvre-edged verandahs overlooking the street and offering distant water views, while the two rear bedrooms benefit from sun and sea breezes through high-level louvred windows. The architects prioritized access to morning sun and good ventilation in their design. Green is a prominent color throughout the house, chosen to symbolically extend the garden's presence indoors. This is evident in the rich green glass tiles in the main bedroom's ensuite, pale olive green kitchen cabinetry, lime green in the entry hallway, and a vibrant green pivoting front door. A unique feature in the courtyard is a delicate chain suspended from an eave, designed to capture rainwater and splinter it into droplets that dance onto river stones below, adding an auditory and visual element to the natural integration. The article concludes by listing various products and materials used, along with project details, team members, and consultants involved in the Garden House project. The project was completed in 2013 after eight months of design and documentation and fourteen months of construction, demonstrating a thoughtful approach to residential architecture on a challenging site. #ResidentialArchitecture #CourtyardHouse #SydneyHomes #PearseArchitects #PrivacyDesign #GardenIntegration #SustainableDesign #ModernLiving #InteriorDesign

The article showcases the home of Kelley and Brian Duncan, located adjacent to the golf course at Green Valley Country Club in Greenville, South Carolina. The residence is a carefully curated blend of mid-century aesthetics and personalized touches, reflecting the couple's style and accommodating their family life. Numerous photographs highlight various rooms and design elements within the home. The exterior of the house benefits from its prime location next to the golf course, offering scenic views and a tranquil environment. Inside, the living room serves as a central hub for the family, designed to be open and conducive to entertaining. The space features large multi-panel doors and is adorned with art, including portraits by Pat Rawlins of their two older sons, flanking the fireplace. The shelves in the living room display a collection of art and keepsakes, adding personal character to the area. The playroom introduces a mix of textures and tones, with the warm, rich hues of an upright piano contrasting with natural seagrass wallpaper. A framed print of James Audubon’s “Ruffed Grouse” decorates the wall, and an antique tobacco basket further contributes to the natural aesthetic of the room. In the primary suite, an oil painting of hole #3 at Bulls Bay Golf Club in Awendaw, S.C., commemorates the couple's engagement, adding a sentimental touch to the private space. The home's original fireplace mantel in the living room has been upgraded, painted ebony, and accessorized with antique brass accents, demonstrating a thoughtful update to existing features. A detailed view of the carved mantel highlights its intricate design. The formal dining room, connected to the living room, offers flexibility with retro accordion doors that can section it off. These doors are an original detail of the home and can be neatly tucked away into a wall pocket when not in use. The kitchen features cabinets painted in Farrow and Ball’s Dix Blue, providing a distinctive pop of color. A mother-of-pearl pendant light hangs above a table, which is utilized by the boys for homework, blending functionality with aesthetic appeal. A dark teal sideboard and coordinating artwork echo the color scheme maintained throughout the residence. The foyer is characterized by large mid-century windows that allow abundant natural light to flood the space. A formerly blank area has been transformed into a wet bar, which has become a popular spot. This area now includes a gold-veined mirror, glass shelving, pendant lighting, and stools. Gold retro highball glasses are strategically placed to evoke the home’s original era, adding a touch of nostalgic glamour to the bar. The integration of various design elements, from color palettes to art and furniture, creates a cohesive and inviting living environment for the Duncan family. #HomeDesign #InteriorDecor #GreenvilleSC #MidCenturyModern #FamilyHome #GolfCourseLiving #CustomInteriors #ResidentialArchitecture

This article offers an exclusive tour of Chip and Joanna Gaines' personal farmhouse in Waco, Texas, highlighting their signature modern farmhouse style that blends rustic and contemporary elements. Joanna Gaines emphasizes the intentionality behind their home's design, aiming to create a space that feels both homey and chic. The tour begins with their front porch, which showcases the importance of curb appeal through thoughtful details like potted plants, sconces, and a warm wood double door. The creamy white exterior of their home ensures these elements remain the focal point. The entryway, though compact, is designed to be humble and inviting, featuring a wooden bench, a raw wood entryway table, and various plants, including pampas grass. A blacksmith-style hook rack adds a rustic touch. Joanna describes the entryway as a "big hug," reinforcing the warm welcome it provides. The living room reflects a thoughtful approach to furniture choices and layout, with Joanna prioritizing sentimentality over extensive space. She displays meaningful items like a street sign from her honeymoon and a large, rustic-style clock, demonstrating alternative wall decor. Despite a predominantly neutral interior, Joanna introduces a vibrant antique green piano as a statement piece in the living space. This intentional pop of color, specifically Magnolia Green, adds a playful vibe without disrupting the overall calm aesthetic. This approach suggests that a single, well-chosen colorful item can significantly enhance a neutral room. The laundry room, surprisingly, is one of Joanna's favorite spaces. It features brick floors, quirky signage, and a stunning patterned tile floor, transforming a utilitarian area into a retreat. Joanna views this room as her personal space for reading and writing, emphasizing the idea of making even chore-oriented rooms enjoyable. The nursery is designed with a soft, neutral palette, blending antiques with modern elements. It prioritizes personalization through a "book wall" filled with books from family and friends, focusing on surrounding the child with love rather than adhering strictly to a theme. A mid-century-style rocking chair and a black crib add timeless and modern touches, respectively. The kitchen exemplifies their classic modern farmhouse style with white subway tiles, recessed cabinetry, and a black and white color scheme. Concrete countertops add a contemporary touch, though their maintenance requirements are noted. Joanna's antique island is a cherished piece. The article also touches on the importance of backsplashes in defining a kitchen's character. Concluding the tour, Joanna discusses her design philosophy, which revolves around creating spaces that foster well-being and authenticity rather than striving for unattainable perfection. She shares lessons learned from early career mistakes, emphasizing that a home should be a place where one thrives, filled with meaningful and personalized decor rather than overly curated, trendy items. This philosophy encourages homeowners to embrace individuality in their decor choices. #JoannaGaines #ChipGaines #FixerUpper #ModernFarmhouse #HomeDesign #InteriorDesign #WacoTexas #DesignPhilosophy

Jordana Green, a radio show host for WCCO, and Mark Grossfield, founder of Aviv 613 Vodka, embarked on a significant home renovation project in St. Louis Park. The couple, both divorced with children from previous marriages, met on J-Date and sought a home within the Jewish eruv, a symbolic boundary allowing for easier Shabbat observance. After a year-long search, they found a 1947 rambler on a desirable lot, despite its dilapidated state, which Green described as a “disaster.” The renovation involved gutting the main level and adding a second story to accommodate their blended family. The goal was to create a modern, light-filled, energy-efficient, and low-maintenance home. Their wish list included a private master suite, separate bedrooms for Green's three children (ages 9, 11, and 13), a mudroom for storage, and a modern kosher kitchen featuring two dishwashers for separating milk and meat dishes. Green also required a home radio studio to facilitate her work schedule and parental duties. Additionally, they desired an extra sink near the dining room for handwashing before meals and a prominent bar to showcase Grossfield's vodka brand, all while adhering to a budget. To manage the extensive project, Green hired builder Jim Huber of JR Structures, known for his involvement in DIY Network and HGTV productions, and interior designer Billy Beson of Billy Beson Co., with assistance from Kyle Snyder. Green documented the entire process through an eight-episode video series. An early setback occurred during demolition when a crack was discovered in the basement foundation, the only original part of the house they intended to keep, necessitating an unplanned repair that consumed their contingency fund. As the second floor was constructed, the couple collaborated with their team on the layout. The master suite was designed to offer treetop views and a glimpse of the nearby lake, alongside spacious closets and a bathroom with double sinks and a walk-in shower. The children participated in selecting colors and furnishings for their rooms. Green also implemented budget-friendly solutions, such as creating sliding barn doors for the upstairs laundry and downstairs utility rooms herself, and spending a weekend assembling IKEA cabinetry for the mudroom. The kitchen became a focal point of the renovation. Green was inspired by flat-front Crystal Cabinets at the Partners 4, Design showroom, leading to Partners 4 senior project manager Nicole Sirek designing the kosher kitchen. This design incorporated double ovens, two dishwashers, and a double-bowl sink. The large island, capable of seating seven, was designed for both food preparation and buffet serving. The kitchen's aesthetic was enhanced by seeded glass in the upper cabinet doors, the glossy pearlized gray of the island, Cambria countertops in Brittanicca, and a sparkling wall of gray porcelain tile with an opalescent finish. Beson aimed for a light, airy feel with a touch of glamour, achieved through the selection of the backsplash tile. For the exterior, Beson's team proposed punctuating the white fiber cement with black metal casings. Initially hesitant, Green and Grossfield ultimately embraced the idea, recognizing that it would provide the industrial, modern, and low-maintenance look they desired. The renovation took longer than anticipated, with the couple moving into their new home just one week before their wedding. Despite the stress, Green expressed profound satisfaction with the outcome, marveling at her new living space daily. #HomeRenovation #StLouisPark #BlendedFamilyHome #KosherKitchen #ModernDesign #HomeRemodel #InteriorDesign #BuildingAndRemodeling #JordanaGreen

Matt Donahoe, principal of Bureau Interior Design + Architectural Consulting, has meticulously renovated his 4,500-square-foot cottage in Green Hills, infusing it with a 'hygge' aesthetic, a Danish concept emphasizing comfort and conviviality. Donahoe's design philosophy for his home, which he shares with his husband, blends Old World charm with modern elements, creating a serene environment that is both classic and contemporary. His inspiration draws from a childhood spent in Germany and travels to Scandinavia, where he developed an appreciation for thoughtful editing and personalized, cozy spaces. The extensive renovation included significant structural and aesthetic changes. Donahoe collaborated with contractor David Tachek of Noble Building Group, architectural consultant Nick Dryden of DAAD, and landscape architect Jason Gabbard of Page|Duke Landscape Architects to achieve his vision. Key elements of the interior redesign include resurfaced white oak floors, updated light fixtures, and new windows and doors. A central feature is the application of Venetian plaster on the walls of common areas and the master wing. This material, known for its ability to reflect light and create a soft, earthy tone, complements the home's minimalist yet inviting atmosphere. Donahoe's design pays homage to interior designer John Saladino, known for his relaxed elegance, rich textiles, aged stone surfaces, and the juxtaposition of varied elements like light and dark, and old and new. This influence is evident in the timeless quality of the cottage's design, which avoids being overdone while maintaining sophistication. The home features European flourishes, such as black accent paint on the exterior, modern art, and rustic textures, all contributing to the 'hygge' feel. The upstairs bonus room is highlighted as Donahoe’s favorite space, designed to encourage social gatherings. It is bright and airy, anchored by a large sectional and a bar area clad in Belgian bluestone. Abstract artworks by Jean-Marc Louis and Bradley Duncan add a touch of modern whimsy. The exterior of the home also underwent a transformation; board and batten and some hardy board details were removed, and Belgian plaster was added to give an older, more elegant appearance, contrasted with black accents. Even the backyard was re-imagined to align with the new mood of the house. The pool area now features Indiana limestone coping and Tennessee crab orchard flagstone decking. The pool's water line tile and polish color were darkened to enhance the mood and echo the black elements of the house's exterior. The landscaping was redeveloped into a lush, naturalistic design, drawing inspiration from the work of Bunny Williams. Donahoe describes the home as a personal respite, a 'little cottage nestled behind the trees' in a bustling area, where old and new converge to create a calming and comfortable living space. #InteriorDesign #HyggeStyle #CottageRenovation #GreenHills #NashvilleHomes #VenetianPlaster #EuropeanInfluences #HomeDecor

Dana Gibson and her husband, Mark Longenderfer, purchased a Colonial Revival house in Ginter Park in 2018. They were drawn to the home's scale, abundant light, and fine craftsmanship. Designed in 1912 by D. Wiley Anderson for the Burton family, the house, originally known as Burton Manor, features imposing Ionic columns and a tiled front portico. Inside, vintage details include pairs of double-hung windows with fanlights, 11-foot ceilings, spacious parlors with pocket doors, a sun porch with a painted tin ceiling and tile floor, wavy window glass, and a chiming doorbell. The couple, both passionate about home renovation – Longenderfer as a contractor and Gibson as a designer and artist – have undertaken numerous projects over two decades, transforming various types of homes from cottages to split-levels. Gibson's design philosophy centers on creating happy and comfortable living spaces that reflect the occupants' personalities and exude joy. She approaches each project by taking cues from the house itself, starting with neutral palettes and then layering colors and patterns. She emphasizes the importance of observing how light interacts with a room before selecting paint and fabric, noting that an initial mistake of painting the dining room hospital green was corrected by opting for white walls to brighten the space. While she remains undecided about the coral color of the dining room's coffered ceiling, she has chosen to leave it for the time being. Gibson's personal aesthetic is rooted in the idea that "one idea sparks the next," leading to an organic and evolving design process. As the great-granddaughter of artist Charles Dana Gibson, Dana Gibson channels her own creativity into her work as a home product designer. Her collections feature cheerful, preppy chic lamps, wallpaper, chairs, stationery, fabric, and accessories. Despite her extensive product line, she avoids a showroom feel in her own home by incorporating patterns and prints from other designers like Peter Dunham, Tricia Guild, and Kathryn Ireland. Interior designer Sara Hillery provided advice and production assistance, particularly with the living room's pink silk drapes, a design element Gibson particularly cherishes. Gibson prioritizes light-infused colors that allow surfaces to reflect rather than absorb light, ensuring the colors do not feel too heavy. The interior of Gibson's new home showcases a celebration of contrasts, blending modern updates with traditional motifs. She appreciates the complexity of harmonizing different periods, styles, and artistic viewpoints. The spaciousness of the house allows for focused attention on special objects, avoiding a cluttered appearance. The dining room exemplifies this eclectic style, featuring a modern John Richard chandelier above a well-loved antique farm table, a gift from her grandmother, surrounded by chartreuse chairs. An abstract painting by Aimee Joyaux hangs above a wide antique sideboard, complemented by lamps with lacquered blue shades. In the adjacent living room, bergere chairs upholstered in a bright parrot fabric from Gibson's collection contribute to a joyful mix of color and pattern, fostering a sense of warmth, comfort, and fun. Gibson reflects that her style has evolved, becoming bolder and more daring over time, appreciating the energy created by juxtaposing opposites and incorporating unexpected twists to make a home memorable. #HomeDesign #InteriorDesign #GinterPark #DanaGibson #HomeDecoration #PreppyChic #ColonialRevival #HouseTour

The article delves into the domestic life of Kelvin and Liz Fletcher, stars of "Fletchers’ Family Farm," who reside in the Peak District with their four children: Marnie, Milo, and two-year-old twins Mateusz and Maximus. The interview offers a glimpse into their daily routines, home preferences, and even their pet peeves, providing insights into how they manage their busy lives as parents, farmers, and actors. Upon entering their home, Kelvin consistently takes off his shoes and hangs jackets, though he notes the difficulty in reaching hangers due to the previous inhabitants' height. Liz, on the other hand, often finds herself navigating a trail of mess created by their children. The kitchen emerges as Liz's 'happy place,' whether it's a quiet sanctuary for a cup of tea or a bustling hub of family activity. Kelvin reveals a practical addiction to storage solutions, frequently purchasing giant plastic boxes to maintain organization. Liz’s homeware addictions include candles and vases, in addition to a collection of breadboards. A lighthearted conflict arises from Kelvin’s habit of placing plates on top of the dishwasher rather than inside it, a habit Liz wishes he would break. When it comes to homeware shopping, Kelvin favors Arighi Bianchi, a fifth-generation family furniture business known for high-end items, and John Lewis, appreciating its British and classic appeal. Liz recalls her pregnant days when she frequented Housing Units, a department store, primarily for their ham sandwiches but often ending up with home purchases. As hosts, Kelvin ensures guests never pay for takeaway, while Liz finds Sunday roasts the easiest meal to prepare, much to the surprise of their visitors who are often served it exclusively. Despite their demanding schedules, which encompass four full-time jobs, moments of stillness are rare. Kelvin fondly remembers sitting on their decking area by an open fire with Liz, enjoying a glass of wine or hot chocolate after the children were asleep, a simple pleasure now less frequent. The Fletchers also share quick preferences on various home topics: shoes are always off indoors; meals are eaten at the table; lighting is preferred moody over bright. Liz opts for quick showers, while Kelvin enjoys long ones. Liz leans towards neutral and earthy color palettes, embracing "creative chaos," whereas Kelvin admits to being a "neat freak." When the children are in bed, Liz’s ultimate preference is peace and quiet. Season two of "Fletchers Family Farm" is scheduled for late 2024 on ITV and ITVBe. The Fletchers maintain an active presence on Instagram, and Kelvin supports the "Mind Your Head" campaign, which aims to raise awareness about mental health challenges faced by British farmers. #CelebrityHome #FamilyLife #HomeDecor #HomeOrganization #FarmLife #Interview #InteriorDesign #DomesticHabits

Rachel Gray, a Memphis-based interior designer, showcases her creative philosophy through the design of her own home, which serves as a living laboratory for her design principles. Unlike her professional work, where she follows a structured layering process for clients, her personal approach prioritizes continuous change, experimentation, and the integration of found objects and art. Her design decisions are influenced by her global travels, embracing diverse aesthetics and a willingness to evolve her living space. Gray views her home as an interior design lab, where she tests new ideas and evaluates products before recommending them to clients. An example is the rug under her dining room's Parsons table, which she is currently assessing for quality. Her dining room features a unique "Mary Poppins" light fixture, crafted from copper by an Italian designer, alongside red aluminum chairs sourced from St. Louis. The ever-changing nature of her home is highlighted by the recent replacement of dining chairs, a decision prompted by a client's interest in her previous set. Decorative elements like a "Therapy" sign found on the street and brass Moroccan lanterns discovered during an attic clean-up further illustrate her penchant for eclectic and unexpected finds. Gray is also an art consultant with a focus on abstract paintings and mixed media. She is known for guiding clients in selecting art that not only complements their interiors but also has investment potential. Her own home reflects this passion, with pieces like a Jeri Ledbetter painting, purchased for her daughter Vivian, adorning the foyer. Beyond art, Gray has a passion for furniture design and repurposing objects. Bamboo panels in her living room, which have served multiple functions from headboards to suspended lighting installations, exemplify her experimental approach to design. Her living room features an antique iron horse, a "slam dunk" discovery from an estate sale, and a circular art sculpture found on the side of a street, originally a wooden structure from a dock. A repurposed bottle-drying rack from France currently functions as a lamp, with plans to transform it into a ceiling-mounted light fixture. Gray's design aesthetic often combines unpredictable elements into seamless vignettes, such as a candle altar from Michigan juxtaposed with antique chest and mirror, reflecting woodcut prints by artist Ted Faiers. Gray's second favorite item in her home is an antique iron and wire fire screen, acquired through persistence from an antique store owner who initially deemed it not for sale. Similarly, she salvaged an oversized outdoor antique store sign, relocating it herself, showcasing her determination to incorporate unique, narrative-rich pieces into her decor. A core tenet of her design philosophy is that a home should reflect its inhabitants' favorite things, ensuring every object has a story. She emphasizes the importance of proper scale and lighting in any interior design project, advocating for dimmers to control mood and acknowledging the significant impact of natural light on color and material choices. Gray believes color should create a fluid, cohesive experience within a home, rather than segmenting spaces. Ultimately, her home is a dynamic expression of her creative process, design philosophy, and lifestyle, resulting in an engaging and evolving environment. #InteriorDesign #HomeDecor #MemphisDesigner #ArtCollecting #RepurposedFurniture #EclecticStyle #HomeExperimentation #DesignPhilosophy #RachelGray

Ben Stern, a child psychotherapist and pottery enthusiast, purchased his 1901 Gowanus home in Brooklyn around the time he started dating Sophie Anderson-Stern, a multidisciplinary artist and tattooist. Stern deliberately left the house sparse for over a year, refraining from significant decorating or furniture purchases, anticipating Sophie's potential move-in and her influence on the interior design. If left to his own preferences, Ben admits the house would have leaned heavily towards mid-century modern aesthetics. However, with Sophie's artistic vision, the home transformed into a vibrant space infused with color and personality. During the initial phase of the renovation, Ben engaged MR Architecture + Decor for a comprehensive remodel. The firm converted the three-unit structure into a single-family home. A faulty rear addition was removed and replaced with two levels of terraces, featuring glass windows and doors. The architectural team installed a high-velocity HVAC system that utilizes flexible hoses, a less bulky alternative to traditional ducts, and opted for conventional electrical rocker switches over complex smart home systems, emphasizing simplicity in design. Many of the home's original details had been lost over time. To reintroduce character, MR Architecture + Decor meticulously replicated the sole surviving newel post on every floor. The original joists in the den were revitalized through wire brushing, and a set of old pocket doors found a new purpose as a unique headboard in the primary bedroom. Sophie further personalized this headboard by layering a small rug, aiming to seamlessly merge their individual styles. A shared design preference for the couple is the color green, which prominently features throughout their home. In the kitchen, they selected Benjamin Moore's Sage Mountain, a gray-green shade for the cabinets, a color they admired so much that they extended its use to their front door. The kitchen's layout was meticulously planned to accommodate two people working simultaneously without obstruction, featuring two sinks and ample counter space. A load-bearing wall was removed to create an open-plan kitchen, dining, and living area, with two supporting columns discreetly integrated, one of which cuts through the kitchen island, almost imperceptibly. The kitchen also boasts a cold-rolled steel casement window system that offers views of and access to the garden, complete with an outdoor bar counter for entertaining. Incorporating family-made pieces was another key aspect of their decorating. Ben's brother, a woodworker specializing in guitars, crafted a custom long oval dining table from curly maple for the couple. As they prepared for their first baby, Sophie infused the nursery with elements of her half-Korean heritage, such as a norigae hanging for good luck and artwork inspired by Seoul's temple architecture. She intentionally created all the art for the nursery, with one exception by artist Ashley Brown Duran. She also sourced a vintage Danish rocker and adorned the Pinch pendant light, identical to the one in their bedroom, with paper butterflies and moths for a whimsical touch. The nursery walls are painted in Spotswood Teal by Benjamin Moore. Initially, after bringing their newborn home, the couple spent nights in the den on the couch. Now that a routine has been established, the den serves as a space for entertaining and gardening. A stained walnut millwork bar provides a station for cocktails or for arranging fresh flowers from the garden. Sophie, whose tattoo work often features botanicals, cultivated heirloom chrysanthemums during the pandemic, and gardening has become a significant annual focus for her. The landscape design was a collaborative effort between James Stephenson/The Artist Garden and Sophie Anderson-Stern. #HomeTour #BrooklynHome #InteriorDesign #Renovation #NurseryDesign #GreenInteriors #SustainableDesign #DIYHomeDecor #FamilyDecor

Laura Walker Baird, an interior designer with a background in dealing antiques, and her husband, Paul Baird, a rug expert, are the co-owners of Verde Home, a well-known establishment on the Westside of Atlanta for custom rugs and Farrow & Ball paint. Their home in Morningside, described as a “groovy ranch,” serves as a testament to their combined expertise, featuring a blend of new, old, custom, and shoppable items, reflecting their professional philosophy of stocking what they personally like and would incorporate into their own living space. The Bairds undertook several architectural modifications to enhance their 1950s ranch. Instead of a major addition, they created more space by extending interior walls and vaulting the living room ceiling, aligning with the original architectural style. They also expanded the master bedroom by incorporating a former porch and cantilevered the master bathroom, aiming to create a sense of being immersed in nature, overlooking Peachtree Creek. This effect was further amplified by using Farrow & Ball “Studio Green” paint on the walls and Farrow & Ball “Tourbillon” wallpaper on the ceiling, complemented by artwork from Roxane Hollosi of Kai Lin Art. Their home showcases Verde Home's signature custom creations, particularly their graphic and modern rugs, which are strategically placed to add visual interest throughout the house. Color choices play a significant role in defining the home's ambiance. Laura utilized Farrow & Ball’s “Bancha,” a rich olive green, in the dining room, “Cord” in the hallway, and “Studio Green” in the master bedroom, demonstrating a thoughtful approach to color palettes. The kitchen, rather than being completely overhauled, retained its original wooden cabinets, which were updated with Sherwin-Williams “Mallard Green” paint. The existing Corian countertop was also kept, with Laura noting its durability and resurgence in popularity. Anthropologie hardware, new appliances, and a marble slab from Marmi Stone on the central counter were added. A Verde Home rug further personalizes the space, and the family dachshund, Blubelle, is pictured playfully peeking around a corner. Functionality and comfort are priorities, evident in the choice of couches designed for both sitting and sleeping, sourced from American Leather, which offers a range of furniture from sleeper sofas to recliners. A barn door, gilded with wallpaper, was installed in the hallway leading to the bedrooms to enhance privacy, and a vintage bench, acquired through a trade with a friend, adds to the home's unique character. The exterior received a fresh update with a coat of gray paint over the brick and a vibrant front door in Farrow & Ball “Charlotte’s Locks” to boost curb appeal. In one of the bathrooms, Laura selected the Style Library “Cranes in Flight” wallpaper from Grizzel & Mann to harmonize with the natural views outside. This choice was intended to create a soothing atmosphere, thus avoiding overly colorful elements. The bathroom also features tiles from Moda Floors & Interiors, mirrors from Rejuvenation, a light fixture from Currey & Co., and cabinets by Timberland Cabinets. Laura’s extensive collection of antiques from her early career, such as a French oak armoire and a teak Balinese console, are integrated throughout the home, contributing to an organic aesthetic. These pieces, along with items like Verde Home's custom Marbled V Rug, Farrow & Ball “Lotus wallpaper,” and Selamat Designs Nopales pendant, exemplify the blend of unique and commercially available items that define the Bairds’ home. These products, along with design advice, are available at Verde Home. #VerdeHome #MorningsideAtlanta #InteriorDesign #HomeDecor #CustomRugs #FarrowAndBall #ArchitecturalRenovation #AntiqueIntegration #RanchHomeDesign

Actress Jennifer Garner has offered a glimpse into her Los Angeles farmhouse, purchased in 2019 for an estimated $7.5 million. The property, situated in Brentwood Park, has been transformed into a rustic retreat with the assistance of architect and design duo Steve and Brooke Giannetti. The home showcases extensive exposed wood, high ceilings, and a lush garden. Garner, who shares three children—Violet (18), Fin (15), and Samuel (12)—with ex-husband Ben Affleck, expressed her delight with the abode, emphasizing its suitability for her family. A particularly unique feature of the farmhouse is a cozy reading nook, designed for her children. This space is adorned with two striking stained glass windows. These windows depict a meadow scene, incorporating personal touches. At the base of the design, their dog, Birdie, is shown looking towards the sky, while three owls are perched on a large tree. Each owl symbolizes one of Garner's children, serving as a heartfelt tribute within the home. The children’s enthusiasm for reading is evident, as the living room also functions as a library, featuring numerous shelves filled with books. Garner previously shared details of the stained glass on Instagram, thanking Reed Weston Bradley of Judson Studios for its creation and acknowledging the contributions of Velvet and Linen and Steve Giannetti to the comfort of the reading nook. Garner's vision for the farmhouse, built from the ground up, was to establish a private sanctuary for her and her children. After an extensive search for an existing home that offered both privacy and comfort, she decided to build. She acquired the land in 2019, recognizing the need to construct a space that met her specific requirements for seclusion without being overly grand. The design draws heavily from Garner's childhood experiences in West Virginia, reflected in the abundant use of wood and the overall contemporary farmhouse aesthetic. Key areas of the home, such as the kitchen, despite its large size, maintain a personal and inviting atmosphere. It features exposed wooden beams, a large central island with wooden accents, and wooden flooring. The color palette throughout the home is predominantly neutral, with occasional bright accents. The kitchen includes neutral-toned leather seating and stone-colored cabinets. The living area further incorporates exposed brick around a fireplace and ample seating, designed for hosting guests. #JenniferGarner #CelebrityHomes #HomeDesign #InteriorDesign #FarmhouseStyle #StainedGlass #ReadingNook #ArchitecturalDigest

The article offers a detailed photo tour of the great room in the McGee home, highlighting its design process and key elements. This great room serves as the family's primary living space, combining formal and casual living styles. The design prioritizes an open-concept floor plan while maintaining distinct room identities. Upon entry through a barrel arch, the ceiling height dramatically increases from 10 feet in the entryway to 25 feet in the living room, creating a sense of grandeur. Crucial to the room's structure and aesthetic are the large Douglas fir wood trestles, which required precise craning during installation. A significant design challenge involved seamlessly matching the wood trestles with white oak floors, a task successfully achieved through custom staining by Killowen Construction and Lemco Design. The fireplace wall, initially designed as flat, was enhanced by building out the firebox to introduce dimension, with the break extending vertically to the ceiling. Custom steel-door built-ins flank the fireplace, crafted by the same artisan responsible for the banister, providing both storage and aesthetic appeal. Shiplap on the back of these built-ins connects to similar detailing in other areas of the home, such as the mudroom, laundry room, dining room, and master bedroom, creating a cohesive design language. These built-ins serve as a backdrop for a mix of new decor pieces from McGee & Co. and vintage finds, adding character and depth to the space. The integration of a large Samsung Frame TV above the fireplace addresses both functional viewing needs and aesthetic concerns, appearing as framed art when not in use. The height of the TV is strategically placed to ensure comfortable viewing from various points in the open-plan space, including the kitchen. The custom-built fireplace, constructed from natural stone sections, adds significant visual weight and texture to the room. The natural imperfections in the stone contribute to its unique character. A 72-inch diameter chandelier, suspended between the exposed trestles, was chosen for its substantial size and simple shape, ensuring it complements rather than distracts from the architectural elements. The furniture selection began with a strategic space plan to optimize flow and functionality. The Hale Sofa, over 100 inches long with a bench seat, serves as a central piece. Its Crypton fabric is highlighted for its cleanability, a practical feature for a family home. Floor outlets were incorporated under the sofa to discreetly manage lamp cords. Pattern mixing in the pillow combinations, using various textiles, adds visual interest and layers to the seating arrangements. The Reese Curved Sofa, upholstered in velvet, introduces a contrasting shape and texture, balancing the taller-legged Hale Sofa. Its curved design ensures it is aesthetically pleasing from all angles, particularly for those walking behind it. A faceted pedestal in the corner adds a sculptural element, elevating the room's formal-casual balance. The Beckett Chairs, featuring a wood frame and caned back, introduce additional wood tones and a visually light seating option without bulky arms. The design of these chairs allows the caned detail to be appreciated upon entry. Textile layering is crucial for creating atmosphere, exemplified by combining a vintage rug with a Girona Woven Rug. The layered rugs create a warm, creamy look, with the jute rug's stripe adding detail. The article advises using rugs one size apart when layering. Overall, the great room's design combines architectural strength, thoughtful material choices, and practical family-friendly features with elegant aesthetics.

A Michigan family, initially intending to build a new home, purchased a 5,500-square-foot French country–style McMansion in 2018 and enlisted designer Jean Stoffer for its transformation. Despite the prevalent architectural features often criticized in McMansions, such as columns, oversize transoms, and multistory windows, Stoffer embraced the remodeling challenge. She expressed a preference for remodels over new builds, highlighting the potential in existing structures, and noted her experience in 'de-McMansioning' similar 20-year-old houses with good bones but outdated aesthetics. The renovation began by removing superfluous architectural elements like columns, millwork, and built-ins. Stoffer reconfigured the first-floor layout, merging several smaller rooms into a spacious, open-concept kitchen, breakfast room, and sitting area. A walk-in scullery, functioning as a butler's pantry, was incorporated to store countertop appliances and pantry items, addressing a common issue in open-concept kitchens where clutter is easily visible. The design choices extended to the home's surfaces and furnishings. Pale, Scandinavian-inspired oak flooring was installed throughout. A palette of fresh neutrals was used for walls, complemented by dark, moody colors in specific areas to add depth and character. The furniture selection prioritized family-friendly pieces, with an emphasis on performance fabrics to withstand daily wear and tear. Even the challenging multistory window, a typical McMansion feature, was transformed; painted white walls and a sculptural light fixture drew attention away from its imposing size, allowing the outdoor landscape to become the focal point. Specific room transformations further illustrate the design approach. The foyer, previously featuring dated paneling, received clean-lined millwork and a modernized front door painted in a dark hue. The living room, once a stereotypical 1990s great room, was reimagined as a minimalist yet warm space with a Highland House sectional, Lawson-Fenning chairs, and an Aerin for Visual Comfort chandelier. The dining room was designed for versatility, serving as both a dining area and a space for crafts and homeschooling, with an intentionally bare floor under the vintage table to accommodate children. Navy Masterpiece paint by Benjamin Moore and Cole & Son wallpaper added character. The kitchen, formed by combining several smaller rooms, became an airy, open-concept space featuring Stoffer Home Cabinetry, Armac Martin hardware, a Franke sink, and Perrin & Rowe faucet. A dedicated coffee bar addressed an off-center window with floating brass shelves and a custom walnut countertop. The family room integrated a Samsung Frame TV that resembles art when not in use. The mudroom's existing millwork was refreshed with Benjamin Moore’s Kendall Charcoal paint and new hardware. In the master bedroom, the clients' existing minimalist furniture was complemented by a Made Goods nightstand, Visual Comfort lighting, and a Jaipur Living rug. The nursery was designed with flexibility in mind, intended to transition into an office, featuring a dark ceiling and walls painted in Benjamin Moore’s Crisp Romaine. The bathroom showcased a restored vintage sink, new Kohler faucets, Zia Tile wall tile, and Rejuvenation mirror, reflecting a blend of old and new elements. #HomeRenovation #McMansionMakeover #InteriorDesign #JeanStoffer #ModernHome #FamilyFriendlyDesign #OpenConcept #ScandinavianStyle #MichiganHome

A London couple, anticipating the arrival of twins, embarked on a kitchen renovation project in their two-up, two-down terraced cottage. Their existing kitchen was dark with outdated 1990s laminate units, a dilapidated lean-to conservatory, and a downstairs toilet with an artificial grass floor. They enlisted interior designer Mia Spencer of House by Mia to create a practical, bright, and spacious kitchen, focusing on maximizing light and storage within the existing footprint, as extending into the garden or creating a fully open-plan space was not feasible due to budget and Victorian pipework. Instead of a traditional extension, Mia proposed a 'broken plan' layout. This involved rebuilding the lean-to while retaining the original kitchen wall and window opening. The kitchen area was reconfigured, and the rebuilt conservatory now functions as a dining space, utility room, and WC, featuring a proper floor. Storage was a primary concern, and the owners selected cost-effective cabinets from DIY Kitchens, custom-sprayed in Little Greene's 'Olive Colour'. The builder optimized every available inch, modifying units to fit awkward spaces and reusing bricks to conceal the extractor fan within the chimney breast above the range. A significant design modification occurred when the understairs area was discovered to be larger than anticipated. This space, initially planned for a larder unit, was transformed into a secret walk-in pantry, cleverly hidden behind a standard cupboard door, becoming one of the owner's favorite features. The chosen color scheme, a vibrant olive green, serves to unify the kitchen and dining zones, with a band of the color circling the dining area at the same height as the kitchen units. Vintage elements were incorporated to complement the country cottage aesthetic, including the husband's grandparents’ old leather chair and a 1960s record player in the kitchen, along with a painted antique church pew and antique dining chairs. The owners initially worried that the broken-plan layout might feel like a compromise, but they found it more functional for their family than an open-plan design. The kitchen is used for hosting before moving to the dining room, and the wide, uncluttered kitchen island serves as a versatile space for food preparation, socializing, and even working from home. Thoughtful details contribute to the overall appeal, such as tactile antique brass handles and a high-quality brass tap from deVol, which the owner plans to retain if they move. The flooring, a warm herringbone wood, also adds to the aesthetic. The sink placement was a deliberate choice; instead of installing it in the island, it was positioned elsewhere to keep the island clear for versatile use. Three Laura Ashley Beca ceramic ceiling lights illuminate the kitchen island. A Butler-style ceramic sink, salvaged from a local primary school, further enhances the modern country theme. The rebuilt lean-to features almost full-width Crittal-style doors and large skylights, ensuring ample natural light. The dining area is furnished with a West Elm Silhouette marble round dining table and antique church chapel chairs from eBay. Maintaining the original rear wall and window opening saved on labor and steel costs. The distinct cooking and dining areas are delineated by painting the walls in two different tones of the same paint shade, Portland Stone and Portland Stone Pale 155 from Little Greene, to suit the natural light in each space. A Whizzer wall light in Antique Brass from Pooky is also featured. The doors next to the fridge conceal a hideaway kitchen pantry and walk-in breakfast cupboard, built by the carpenter to perfectly fit the space. This innovative storage solution keeps the toaster and microwave out of sight, freeing up kitchen worktops. The antique brass handles and knobs from Corston Architectural Detail were chosen for their tactile quality and durability. The window opening provides a display area for books and collected treasures. A chill-out zone in the hardworking space includes a leather armchair for listening to records, while a small utility room and WC are discreetly hidden behind two doors to the right of the dining table. This renovation, detailed in the May 2025 issue of Ideal Home, successfully transformed a poorly laid-out collection of rooms into a vibrant, functional, and aesthetically pleasing green kitchen diner. #KitchenRenovation #BrokenPlanKitchen #GreenCabinets #SmallSpaceSolutions #StorageIdeas #InteriorDesign #HomeMakeover #TerracedCottage #BudgetRenovation

Daniel Hopwood, an award-winning architect and interior designer known for his role as a judge on *The Great Interior Design Challenge*, offers key insights into effectively updating and refreshing a home without compromising its existing character. He illustrates his advice by detailing one of his projects, Happy House in London Fields, a late Georgian property designed for a young French couple. This project emphasized sourcing items from markets, utilizing eBay, upcycling, and incorporating bespoke pieces, reflecting a creative and personalized approach to interior design. The article breaks down design strategies room by room, starting with the hallway. Hopwood stresses the importance of a welcoming hallway as it provides the first impression of a home. He recommends decluttering, introducing bold colors inspired by personal items like jewelry (using a strong purple balanced with white woodwork and ceiling in the example), and adding greenery. Practical tips include updating ceiling lights with affordable finds, such as a French Connection light, and integrating functional yet aesthetically pleasing elements like an Edwardian coat stand to organize coats and accessories. The goal is to create a fresh and inviting entrance that reflects the homeowner's personality. For the living room, the focus shifts to strategic accessorizing to refresh the space. Hopwood suggests that while not every item needs to match perfectly, a cohesive element, such as strong color choices like purple and yellow, can unify diverse furniture styles and periods. He highlights the impact of a large convex mirror, like one from Abigail Ahern, to visually enlarge the room by reflecting more of the space. Additionally, he advocates for embracing imperfections to achieve an edgy style, as demonstrated by stripping wallpaper from a chimney breast to reveal a raw, textured surface, preventing the room from appearing overly 'twee'. The dining room section emphasizes bringing back the traditional dining experience. Hopwood encourages using the dining table not just for meals but as a central gathering point for extended social events, similar to French customs. This necessitates comfortable dining chairs, with wine-colored chairs being a suggested option for their evocative hue. He also expresses a fondness for tablecloths, noting their ability to elevate a dinner into an 'event' and conceal imperfections of the table itself. Lighting is crucial, with advice to hang dimmable lights low over the table to create an intimate atmosphere. A personal touch is added through DIY artwork, created using Photoshop and then printed and framed, offering a deeply satisfying alternative to purchasing ready-made art. Kitchen updates are presented as achievable through simple modifications. Beyond the common advice of painting door fronts and changing handles, Hopwood suggests more transformative steps like sanding and staining beech countertops in a pale grey to align with contemporary trends. He favors an 'unfitted' kitchen aesthetic, advocating for open shelving instead of traditional top cupboards to achieve a less built-in and more personalized look. Addressing often-neglected spaces, the guest bedroom is highlighted as a room deserving of prioritization rather than being a 'dumping ground'. The key is simplicity, achieved by incorporating pared-down wardrobes that blend into the wall. The room's accessories are chosen in welcoming pink and yellow, inspired by a floral print, to create an inviting atmosphere. Character is introduced through vintage finds, such as 1960s G Plan bedside tables sourced from eBay, blending old and new elements. Finally, the master bedroom is described as a space that should exude luxury. Hopwood describes splurging on an oversized headboard in paprika velvet and using marbled silver wallpaper by Calico in the alcoves for a touch of opulence. Instead of conventional bedside lamps, he opts for the warm glow of hand-blown glass lights from Rothschild & Bickers. To manage costs without sacrificing glamour, he advises covering only the top of an ottoman with expensive paisley velvet and using voiles with a blind behind, complemented by a pelmet to maintain an elegant aesthetic. #InteriorDesign #HomeDecor #RoomUpdates #DanielHopwood #HappyHouse #GeorgianHome #HallwayDesign #LivingRoomDecor #DiningRoomIdeas #KitchenRenovation #GuestBedroom #MasterBedroomLuxury

Architects Alexandra Burr and Allen Slamic of AlexAllen Studio undertook a comprehensive renovation of a 19th-century wood-frame townhouse in Greenpoint, transforming a dimly lit and structurally compromised dwelling into a bright, energy-efficient home. The initial state of the two-stories-plus-basement row house was described as unpromising, characterized by vinyl cladding, modest size, and cavernous rooms with minimal natural light. A significant structural concern involved the fire hazard posed by shared roof cavities across five connected buildings, necessitating immediate sealing and disconnection from neighboring properties. The renovation focused heavily on enhancing natural light and improving energy efficiency. To achieve this, walls were removed on the ground and a portion of the second floor, and the stair opening was enlarged, sacrificing some upstairs floor space to increase light flow. An existing skylight was expanded, and larger window openings were created on the rear facade, resulting in a dramatic increase in natural illumination. All windows were replaced with double-glazed tilt-and-turn units, except for casement windows in the kitchen, and the HVAC and other mechanical systems were entirely updated, significantly improving the home's energy performance. Attention to design details was paramount, with AlexAllen Studio adopting a pared-down aesthetic that integrated historical elements in a simplified manner. The stair, for instance, retained traditional components like spindles, railing, and a newel post but with a modernized, simplified design. A key design choice involved using reveals instead of moldings at the junctures of walls and ceilings. This technique creates subtle shadow lines, offering a cleaner, more refined look than traditional moldings, though it required more meticulous craftsmanship. The design firm's expertise extended beyond architecture to include interiors, furniture, and lighting design, ensuring a cohesive vision for the entire project. The homeowners' personal touches are integral to the home's character. One of the owners, a photographer, film director, and hobbyist woodworker, crafted numerous pieces of furniture in a basement wood shop. These custom-made items include the kitchen table and stools, a daybed in the living room, the primary bedroom's bed, and children's furniture, adding a unique and personal dimension to the interior. The kitchen, a central feature, was designed in an open-plan layout following the removal of a load-bearing wall. Its palette consists of whites, grays, and natural wood, with a Douglas fir glulam beam emphasizing the soffit where the wall once stood. Vermont Plank flooring, sealed with clear oil to preserve its natural color, contributes to the earthy material scheme. The kitchen design was influenced by BDDW tiles, around which the rest of the elements, including Reform cabinets with painted doors, custom oak veneer millwork, and Atlantic Lava Stone countertops, were coordinated. The homeowner also fabricated the light fixture above the kitchen table. Throughout the house, custom oak veneer doors, trimmed with white oak, maintain a consistent aesthetic, with a large pocket door leading to the primary suite allowing for an expansive sightline. The primary bath features zellige tiles from Clé and an existing skylight positioned over the shower, with angled walls to maximize light, alongside a custom oak veneer vanity with an Arabescato marble top and trim. A second full bath on the top floor serves the family's child, completing the thoughtful and integrated design of the renovated Greenpoint townhouse. #GreenpointTownhouse #HomeRenovation #AlexAllenStudio #InteriorDesign #NaturalMaterials #EnergyEfficiency #CustomFurniture #ArchitecturalDesign #BrooklynRealEstate