Inside a Designer’s Theatrical Apartment and Studio in Rome (Published 2019)

La Macchina Studio, led by cofounders Gianni Puri and Enrica Siracusa, undertook the renovation of an 807-square-foot apartment in Rome, Italy, originally built in the 1950s. The project aimed to transform the space for a young couple, drawing inspiration from diverse artistic fields including cinema, painting, and illustration, citing influences ranging from the Sienese School and David Lynch to Katsumi Komagata and Prince. This eclectic approach informed the studio's design philosophy, focusing on creating a theatrical and surreal environment within the residential setting. The renovation involved the introduction of new materials to complement the existing structure. Botticino marble and brick red microcement were integrated throughout the apartment, providing a contemporary foundation. These materials were juxtaposed with bold color accents, such as a prominent blue arched door in the main living area. This door serves as a visual focal point and a transition point, leading into the bedroom and embodying the studio's desire to incorporate unexpected elements. A key design objective was to instill a sense of magic and playfulness into everyday living spaces. The architects achieved this by employing a strategy of color contrasts, graphic motifs, and deliberate “incursions” of surprising elements. The intention was to enhance the irreverent and surreal nature of the architectural narrative, making the apartment feel dynamic and engaging. This approach is evident in the selection of furnishings and decorative items. The living and dining areas feature a combination of classic and contemporary design pieces. Venetian terrazzo flooring forms a consistent base across these spaces. Furnishings include Mariolina chairs by Enzo Mari for Magis and a Tulip dining table by Eero Saarinen for Knoll. Lighting fixtures such as the Cirque by Louis Poulsen add to the curated ambiance. In the kitchen, Dioscuri 14 lamps by Artemide contribute to the functional yet stylish illumination. The classic blue arched door, made of lacquer wood, stands out as a signature element, reinforcing the playful design language. Further details within the apartment demonstrate the studio's comprehensive design vision. A Divano Goto sofa by Disegno Doppio and a Colonna stool by Ettore Sottsass for Kartell are placed in communal areas, alongside a painting created by La Macchina Studio itself. Another area features a Componibili side table by Anna Castelli Ferrieri for Kartell, a vintage chair from the 1950s, and an illustration titled “Birds” by Gianni Puri, highlighting his dual role as an architect and illustrator. The bedroom features brick red microcement flooring and a Bright Modeco 20 pendant by Nordic Tales, maintaining the cohesive material and color palette. In the bathroom, mosaic wall coverings in ceramic, light grey microcement flooring, and a Bonola 50 bathroom sink by Ceramica Flaminia complete the thoughtful renovation. #ApartmentRenovation #RomeDesign #LaMacchinaStudio #InteriorDesign #MidCenturyModern #ColorContrast #ArchitecturalRenovation #PlayfulDesign #ItalianArchitecture

Dimorestudio, in collaboration with Loro Piana, unveiled an immersive installation titled 'La Prima Notte di Quiete' at Milan Design Week 2025. This unique presentation explores the blurred lines between reality and cinematic fiction, set within the evocative backdrop of an elegant, fictional 1970s villa. The experience was designed to showcase new furniture pieces from Dimoremilano – Dimorestudio's furniture brand – for Loro Piana Interiors, alongside existing studio classics re-imagined with Loro Piana fabrics. The installation, located in the Cortile della Seta courtyard at Loro Piana's headquarters, begins with guests entering a foyer designed to resemble a vintage cinema, complete with red velvet curtains and leopard-print carpet. Visitors are then guided through a series of holding areas before entering a pitch-black space. The core of the experience unfolds as individual rooms of the villa are dramatically illuminated, synchronized with a soundtrack composed by Nicola Guiducci. This multisensory approach creates an atmosphere of suspense and intrigue, leaving attendees to ponder the narrative of the villa's unseen inhabitants. The setting is a stormy night, emphasized by the sounds of thunder and water cascading down glass panels. Intermittent voices add to a sense of commotion, subtly reflected in the disarray of the interior spaces: crumpled bed sheets, scattered grapes, and misplaced throw pillows. The meticulous attention to detail is evident in elements like a half-read book on a sofa and faint suggestions of mold on the ceiling, all contributing to the plausibility of the scene. Dimorestudio emphasizes that this realism is achieved through a balanced curation of diverse objects, mirroring the sophisticated taste one would find in a genuinely lived-in home. Among the featured pieces is the 'Varallo' round bed, characterized by a tubular steel frame integrated with a Mohair velvet-upholstered headboard. The 'Valsesia' oval dining table also incorporates the same tubular steel for its legs, supporting a lacquered wood top with an Altai wool and cashmere fabric center. The installation also includes various other luxuriously crafted items, such as cabinets, seating, lighting, and decorative objects, all seamlessly integrated to appear as if they were collected over time by the villa's residents. Classic Dimoremilano designs like the 'Tavolo 089', 'Dega', 'Sciura', and 'Patty' armchairs are reinterpreted using Loro Piana Interiors fabrics, underscoring a commitment to tactile luxury and harmonious design. A notable debut within the installation is Loro Piana's 'Punti a Maglia' porcelain tableware, handcrafted in Limoges, which is presented dramatically shattered, adding to the installation's narrative of disruption. Antique sculptures and artworks, sourced from various galleries including Tornabuoni Art and Cardi Gallery, are strategically placed throughout the vignettes and in metal and glass vitrines, further enriching the environment. Dimorestudio's reputation for a cinematic design approach is evident, with influences from filmmakers like David Lynch and Federico Fellini. The installation, which intentionally raises more questions than it answers, serves as a masterclass in set design, inviting visitors into a thought-provoking experience that culminates in a golden, engraved key as a parting gift, subtly implicating the visitor in the unfolding mystery. #MilanDesignWeek #Dimorestudio #LoroPiana #InteriorDesign #FurnitureDesign #ImmersiveInstallation #CinematicDesign #LuxuryInteriors #ItalianDesign

La Macchina Studio, an Italian architecture firm, recently completed the renovation of a 1950s one-bedroom apartment in Rome's Appio Latino quarter, named 'Retroscena.' The project focused on restoring original Venetian terrazzo floors while incorporating bold colors and theatrical elements to create a dynamic living space. Studio founders Gianni Puri and Enrica Siracusa aimed to enhance the apartment's "irreverent and surreal nature" by playing with color contrasts, graphic motifs, and unexpected design elements, likening the space to a "surreal set where reality and fiction coexist in a quasi-theatrical scene." The renovation began with the meticulous restoration of the apartment's existing terrazzo floors, with local craftsmen enlisted to bring them back to their original state. To provide a neutral backdrop for the vibrant additions, walls and certain architectural features were painted in bright white. Against this white canvas, primary colors were introduced to create striking visual accents. For instance, an arched doorway and a low, mid-century style cabinet in the living area are painted a bright blue. A pair of zesty lemon-yellow fabric curtains can be drawn to partition the living area from the kitchen diner and to provide privacy for the balcony door. The blue-lacquered wooden archway, extending almost a meter from the wall, serves to screen the kitchen from the hallway's view and defines the entrance to the bedroom. A red wall-hanging above the sofa further contributes to the primary color palette. The bathroom was conceived as a two-room space. The first section, featuring a bath and shower, is encased in white square ceramic tiles with dark grouting, forming a graphic check mosaic. A pointy arched doorway leads to the second part of the bathroom, which houses a toilet, bidet, and a sink framed by the arch. Peacock-blue enamelled walls and a dimmable ring light mirror above the sink amplify the theatrical aesthetic within this private space. In the bedroom, a brick-red micro cement treatment applied by La Macchina Studio gives the floor a ruddy hue, offering a warmer, softer contrast to the bolder living areas. A low-hanging orb-style pendant light and peach velvet curtains further contribute to this softer ambiance. The entryway also features pinkish cement flooring, differentiating it from the rest of the apartment. Built-in white wardrobes in the hallway cleverly conceal a hidden room, which functions as a study, maximizing the apartment's functional space. La Macchina Studio, founded in 2013 by Puri and Siracusa in Rome, has previously undertaken other notable renovations in the city, including an apartment with terracotta-colored walls and another featuring a reading den with a porthole-style cutout. This Retroscena project showcases their distinctive approach to residential interior design, blending historical elements with contemporary, playful interventions. #ApartmentRenovation #RomeArchitecture #LaMacchinaStudio #InteriorDesign #TerrazzoFloors #ColorfulInteriors #MidCenturyApartment #ArchitecturalRestoration #ResidentialDesign

STUDIOTAMAT undertook a comprehensive renovation of Casa Rude, a 120-square-meter Brutalist-inspired apartment with a 40-square-meter terrace located in the suburbs of Rome, specifically in Tor de’ Cenci. This project was designed for a lawyer couple seeking a departure from their previous small city apartments, desiring a residence filled with natural light, original character, and modern amenities, all while overlooking the Castelporziano Nature Reserve, providing both wooded and sea views. The design philosophy centered on enhancing the distinctive features of the 1980s terraced building, aiming to re-establish spatial fluidity and highlight existing materials and details as a foundation for a new aesthetic vision. The main living area was conceived as an open-plan loft, characterized by unfinished walls and exposed concrete elements from the building's support structure, which serve to visually interconnect the various spaces. This raw, Brutalist foundation is harmoniously combined with a diverse palette of tones, textures, and materials, creating a visually engaging environment. The coarse texture of terracotta tiles on the oval kitchen island and the concrete pillars provides a striking contrast with the smooth, elegant Patagonia marble countertops that link these elements. Custom design pieces are integrated throughout the apartment, such as a dining table featuring a Shou sugi treated wood top, supported by a black base and a glossy red ceramic leg, introducing a sleek, modern touch. Functionality is addressed through a large, birch wood cube that acts as a multifunctional unit, ingeniously concealing a pantry, offering coat storage, providing additional storage solutions, and housing a television. In the home office area, a wall constructed from perforated bricks facilitates the passage of natural light while maintaining a subtle separation from the living room. A custom-designed desk extends from built-in shelves and is supported by a circular red wheel, which echoes the design element of the dining table and allows the desk to be repositioned along a track. A pivoting door strategically separates the communal areas from the private sleeping quarters, which include a main bedroom with an en-suite bathroom and a guest room. Within the primary bedroom, ribbed glass sliding doors offer a balance of privacy and natural light for the bathroom space. The terrace, an expansive outdoor area, is equipped with an outdoor kitchen, multiple seating zones, a dining area, and an outdoor shower, all positioned to maximize the enjoyment of sunset views. #BrutalistArchitecture #ApartmentRenovation #RomeInteriors #STUDIOTAMAT #ModernDesign #InteriorArchitecture #CustomFurniture #OutdoorLiving #PatagoniaMarble

This article highlights four distinctive home design projects by various architectural firms, showcasing innovative approaches to residential living spaces. Each project demonstrates a unique blend of creativity, functionality, and personalized style, reflecting contemporary trends in interior and architectural design. The first featured project is by Itch Società d’Architettura in Milan, focusing on the transformation of early-20th-century attic apartments and duplexes. These residences incorporate clever interventions such as a daylight-ushering glass rooftop extension that opens onto a balcony, enhancing natural light and outdoor access. The design also emphasizes refined color blocking, which serves to animate and add character to otherwise understated interiors, utilizing original wood-slat ceilings crisscrossed with steel beams as a foundational element. Next, Ubalt Architectes in Paris presents a conversion of a 1970s computer data center into a live-work unit on the outskirts of the Marais district. This project boldly reimagines the typically grayscale office environment with fearless design choices. Notable features include vertical blinds, a vibrant jolt of tinted Plexiglas cladding structural steel, and a unique staggered terrazzo jardiniere. This jardiniere, accessed by a surrealist pool ladder, ingeniously extends the terrace greenery into the interior space, blurring the lines between indoor and outdoor living. Office S&M;, an emerging London practice, contributes a remodeled lower level of a Victorian town house in Islington. Their design is characterized by a playful and vibrant aesthetic, incorporating joyous tropical colors and tinted mirrors that introduce warped views, adding a whimsical dimension to the space. Custom built-ins, designed with peaks and arches, reference the surrounding architecture and evoke a playhouse-like charm. A strong emphasis on sustainability is evident through the use of reclaimed materials, such as countertops made from melted-down plastics and pendant lights crafted from recycled crushed brick, giving new life to previously existing elements. Finally, Rowland+Broughton showcases a contemporary three-story family home in Aspen, Colorado. This residence is a crisp composition of natural and refined materials, including soap-finished larch, bleached oak, charred pine, and black steel. Situated adjacent to a meadow and surrounded by evergreens, spruce trees, and Gambel oaks, the home integrates seamlessly with its natural environment. Interior highlights include a sculptural spiral staircase featuring LED-lit treads and a hand-carved Pele de Tigre marble fireplace, a collaboration with the Haas Brothers, which serves as a central artistic statement within the home. These elements collectively define a sophisticated and modern living space deeply connected to its serene surroundings. #ResidentialDesign #CreativeHomes #InteriorArchitecture #HomeRenovation #MilanDesign #ParisianLiveWork #LondonTownhouse #AspenHome

StudioTamat, a Rome-based architectural firm, has undertaken the renovation of an 80-square-metre "villino" in the heart of Rome, situated within the courtyard of a late-19th-century building on Viale di Trastevere. The project, known as RA House, was designed to create a sense of spaciousness and vibrancy for a couple who split their time between multiple residences. The intervention strategically employs elements of color, transparency, and reflection to achieve this objective within the compact three-level property. The design ethos centers on amplifying spatial dynamism while maintaining a coherent aesthetic that nods to the existing charm of the villino and the lively Trastevere neighborhood. Architects Matteo Soddu, Tommaso Amato, and Valentina Paiola spearheaded the transformation, which involved a significant rethinking of the vertical arrangement of the house. A key modification was the replacement of part of the original first-floor mezzanine with a structural glass floor. This innovative feature establishes a direct visual connection between the ground-floor living areas and the bedroom located above, promoting a more open and integrated living experience. Further enhancing the feeling of openness, a void was introduced into this new glass floor, creating a double-height lightwell. This lightwell is complemented by a new window, allowing natural light to permeate deeper into the interior. Mirrored ceilings are strategically incorporated throughout the house, contributing to an illusion of expanded space and vertical infinity. These reflective surfaces work in conjunction with the transparent elements to dematerialize boundaries and make the relatively small footprint feel significantly larger. A central blue volume acts as a functional core, extending between two levels. On the lower floor, it neatly houses the kitchen and utility spaces, while on the upper level, it accommodates an en-suite bathroom. This clever integration of services within a unified volume optimizes space and maintains visual continuity. The circulation within the house is also thoughtfully designed; a bookshelf ingeniously doubles as a space-saving staircase connecting the two main floors, while a spiral staircase provides access to the second floor, which serves as a flexible study or guest room. In addition to these structural and spatial interventions, the project meticulously restored the art-nouveau-style stained glass, which now forms an orangery at the entrance, infusing the space with shades of green, orange, and yellow. New materials are introduced with a discerning eye, including Verde Alpi marble, which is prominently featured as a podium at the base of the chestnut wood staircase and on kitchen surfaces. Fluted glass is used for partitions in the upstairs en-suite, offering a degree of privacy while maintaining light and an open feel. The kitchen also showcases metal cabinets with an ombre effect, fading from rose-gold to black. The interior is furnished with a mix of contemporary and vintage pieces, including a concrete table, vintage Thonet chairs, and a custom-made bed, providing the final touches to a sophisticated and spatially efficient urban residence. The project successfully blends historical preservation with modern design principles, creating a functional, elegant, and seemingly expansive home within its compact Roman setting. #StudioTamat #RAHouse #RomeArchitecture #VillinoRenovation #GlassFloors #MirrorCeilings #SpatialDynamism #InteriorDesign #ResidentialArchitecture

This article highlights the comprehensive renovation and enlargement of a 2,583-square-foot apartment situated on the top two floors of a historic building in Rome. The project, undertaken by local firm Studio Strato, aimed to enhance the apartment's connection to its outdoor surroundings, specifically a lush green park. The redesign emphasizes preserving elements that narrate the building's history, such as exposed beams and pillars, which were intentionally left visible to showcase the restoration process and the building's historical layers. The renovation began with the demolition of existing internal walls to create a more open and integrated living space. This transformation resulted in a single, expansive area that combines the living and dining functions. The interior aesthetic was significantly brightened with fresh white walls and complemented by larch parquet flooring. A notable feature is a sleek black fireplace, contributing to an overall airy and modern environment. Central to the common area is a striking pink staircase, which serves both a functional purpose, connecting the lower level to the master bedroom above, and an aesthetic one, visually delineating the living and dining zones. To improve the apartment's connection to the outdoors and maximize natural light, large, expansive windows were installed. These windows not only flood the interiors with sunlight but also offer panoramic views of the adjacent park. The dining area, located next to the living lounge, provides direct access to a balcony, further blurring the lines between indoor and outdoor living. The kitchen also underwent a modern upgrade, now equipped with stainless steel appliances, reflecting a contemporary design approach. Vincenzo Tattolo, co-founder of Studio Strato, articulated the design intent as enriching the house with a strong graphic look. This was achieved through specific material choices, such as using masonite for the walls of the master bedroom and the widest wall in the kitchen, adding a distinctive texture and visual interest. The master bathroom features Fornace Brioni tiles on both the floor and walls, contributing to a cohesive and sophisticated design. Similarly, the daughter's bathroom is adorned with dotted mosaic tiles, also from Fornace Brioni, ensuring design continuity and quality throughout the apartment. The article includes floor plans of both the lower and upper levels, providing a comprehensive overview of the spatial arrangement and how the renovation optimized the flow and functionality of the apartment. The project successfully blends historical preservation with modern design elements, creating a bright, open, and graphically rich living space that is well-connected to its Roman setting. #apartmentRenovation #romanArchitecture #interiorDesign #studioStrato #modernLiving #historicBuilding #openConcept #pinkStaircase #italianDesign

This article features an interview with Mehruss Jon Ahi and Armen Karaoghlanian, the co-founders of "Interiors," a journal that reconstructs sections from famous scenes in classic films as architectural floor plans. Ahi, an architect, and Karaoghlanian, a filmmaker, discuss their collaborative process and the interdisciplinary nature of their work. They explain that "Interiors" was founded in December 2011 to explore the relationship between film and architecture, leveraging their respective backgrounds. The division of labor involves Ahi managing the architectural and creative direction aspects, while Karaoghlanian handles the film side, including writing, editing, and liaising with filmmakers. They emphasize a streamlined workflow with defined roles, which contributes to the consistent layout and structure of each issue, creating a familiar experience for readers. Their design choices, encompassing layout, structure, cover, and icons, were meticulously planned to establish a distinct brand identity, drawing inspiration from companies known for strong graphic identities. Karaoghlanian elaborates on their critical approach to analytical pieces, stressing the importance of thorough research. He avoids overly technical specifications to make the content accessible to a broader audience while maintaining accuracy and detail. The selection process for featured films and scenes is based on their narrative significance or iconic status. A crucial criterion is the ability to accurately diagram the space from available camera angles. Ahi's architectural training is instrumental in estimating dimensions of interior spaces by using fixed elements like doors or windows as reference points. Regarding their audience, Ahi notes that while initially perceived to appeal primarily to film and architecture students, "Interiors" has attracted a wider demographic. The creation of an online store selling art prints of their diagrams highlights the artistic value perceived by their audience. Karaoghlanian expresses a desire for more filmmakers to engage with their work, envisioning "Interiors" becoming an integral part of the filmmaking process, from pre-production through post-production. He suggests collaborations where they could observe and analyze spatial changes during filming and contribute insights before and after a film's creation. Looking ahead, Ahi states that "Interiors" does not have a fixed "end-goal," allowing for continuous evolution and exploration of new avenues. The journal has already expanded into exhibitions, validating the artistic merit of their drawings. Additionally, they have formed a production company to create a short film, aiming to integrate their analytical approach into actual film production. Future plans include teaching a film and architecture class at Woodbury University and organizing related events, further solidifying the interdisciplinary dialogue between film and architecture. Both Ahi and Karaoghlanian underscore the mutual benefits for architects and filmmakers in understanding each other's disciplines, asserting that a broad understanding of various artistic fields enriches a filmmaker's toolkit. In essence, the article details the innovative project "Interiors," which bridges the gap between architecture and filmmaking by dissecting cinematic spaces through architectural drawings and analysis. It delves into the creative process, the collaborative dynamics of its founders, their approach to content, their engagement with diverse audiences, and their vision for the future expansion and impact of their unique interdisciplinary endeavor. #InteriorsJournal #FilmArchitecture #FloorPlans #CinematicSpaces #ArchitecturalDrawing #FilmAnalysis #InterdisciplinaryCollaboration #CreativeDirection

An economist with a keen interest in literature and Art Deco commissioned De la Villa Studio, a Madrid-based firm comprising architects Miguel Otero and Juan Esteve, along with interior designer Alberto Mirror, for a complete renovation of their 1,450-square-foot residence in central Madrid. The client sought to integrate their inspirations into their living space through architectural detailing and new furnishings. De la Villa Studio approached the project with meticulous attention to detail, incorporating numerous custom elements throughout the apartment. A central feature of the renovation was the library, which was designed to house the client's extensive book collection. Varnished oak shelving with leather-upholstered lower cabinets provided storage, while an aged, mirrored ceiling was installed to enhance the room's sense of spaciousness and brightness. The library also includes a reading nook furnished with an Eames lounge chair, a 265 wall lamp by Paolo Rizzatto for Flos, and a painting by Sabine Finkenauer. This versatile space doubles as a dining area, featuring oak dining chairs and gazelle leather-upholstered seats, illuminated by natural light from a balcony. Custom design elements are prevalent throughout the residence, crafted from materials such as stone, linen, and wood. The firm designed geometric flooring for the entry, bathroom, and kitchen, ensuring it harmonized with the overall aesthetic. Many furniture pieces were also custom-made, including the living room's bronze-smoked glass coffee tables with honed travertine. Specific design details pay homage to the Art Deco style, such as the arched bronze-and-glass doors in the bathroom and custom-designed oak sliding doors in the bedroom. Despite the extensive renovation, De la Villa Studio preserved the apartment's original architectural features, including its high ceilings and balconies. Located just steps from the bustling Gran Vía street, the residence has been transformed into a tranquil and inspiring sanctuary. The living room features a vintage B&B Italia sofa by Mario Bellini, complemented by Patricia Urquiola armchairs for Cassina. The entryway showcases a painting by Aythamy Armas alongside a black-stained oak console. The kitchen is equipped with bar stools by Leon Ransmeier for Hay, positioned at a stone island, while the dining area features oak chairs upholstered in gazelle leather surrounding a bronze-tinted smoked glass table designed by De la Villa Studio. These carefully curated elements combine to create a residence brimming with flair and Art Deco elegance. #MadridResidence #ArtDecoDesign #DeLaVillaStudio #HomeRenovation #InteriorDesign #CustomFurnishings #ArchitecturalDetailing #LuxuryInteriors

During the unprecedented theater closures of the pandemic, Milanese architect Giulia Pellegrino initiated a transformative project for the dressing rooms of the Teatro degli Arcimboldi. This initiative, dubbed ‘Vietato L’Ingresso’ (meaning ‘entry forbidden’), was presented during Milan Design Week 2021 and aimed to revitalize the theater's backstage areas, which had fallen into disrepair. Pellegrino, collaborating with Show Bees and Teatro degli Arcimboldi Milano (TAM), invited 17 local design practices to reimagine the theater's dressing rooms. The participating studios included Atelierzero, BDGS with Daniela Volpi, Calvi Ceschia Viganò, DAP Studio, Enrico Scaramellini, Francesco Rota, Galante Menichini, Gio Latis Studio, Lupettatelier, Monica Baio with Nicola Quadri, Studio Wok, NM Nick Maltese Studio, Paolo Volpato with Caterina Steiner, Park Associati, RGA studio, Studio Cagnato, and Senselab with Nicolò Gobini. The project successfully secured 100 percent sponsorship, allowing for the complete redesign and execution of the rooms without financial burden on the designers. The redesigns showcase a wide spectrum of styles, from minimalist aesthetics to vibrant and bold interiors. The project incorporated furniture and fittings from renowned brands such as Living Divani, Molteni&C, USM, Laufen, and Zucchetti Kos. Each studio was given a concise brief: to include a mirror, a make-up table, a space for relaxation, and a plant pot, with complete creative freedom beyond these basic requirements. This approach fostered diverse interpretations, resulting in 17 unique narratives expressed within the identical external shells of the dressing rooms. While the project did not mandate a direct connection to Vittorio Gregotti’s original architecture of the theater (built between 1997 and 2002), some designers spontaneously integrated elements that subtly referenced the theater's history or the surrounding Bicocca neighborhood. The pandemic's limitations, particularly concerning social gatherings and construction timelines, were addressed through meticulous planning, with the concept developed in April 2021, project deliveries in May, and construction commencing in June of the same year. Pellegrino emphasized the collaborative spirit and generosity of the designers, sponsors, and workers who contributed to the project. The aim was to make a strong and lasting gesture toward the performing arts sector by creating permanent, not temporary, settings for the artists. The 'Vietato L'Ingresso' project extended its reach to the public through an open contest, inviting audiences to vote for their favorite dressing room. This initiative capitalized on the accelerated adoption of virtual visit technology during the pandemic, allowing for widespread dissemination and public involvement, underscoring the belief that the theater belongs to everyone and their opinion matters in shaping its future. #MilanDesignWeek #TheaterRenovation #InteriorDesign #ArchitecturalCollaboration #GiuliaPellegrino #TeatroDegliArcimboldi #VietatoLIngresso #DesignInnovation #MilanArchitecture

The July London Victoria, an apartment-hotel located across from Victoria Station, offers a unique blend of residential comfort and hospitality services, catering to both short-term guests and long-stay digital nomads. Situated in a prime London location, this 114-key "urban retreat" integrates public-facing hospitality spaces, including The Idler restaurant and an associated deli, designed to provide a calming environment amidst the city's fast pace. These establishments offer urbanites an opportunity to relax and connect. The hotel's interior design, a collaboration between an in-house design team, the London and Los Angeles-based firm Fettle, and architects Studio Moren, skillfully combines comfort with adaptability. The design aesthetic pays homage to the Art Deco architecture prevalent in the area, incorporating sea foam greens, pale pinks, salmony oranges, and burgundy reds across various surfaces such as tiled walls, intricate crown detailing, and two-tone walls. The public spaces, like The Idler, feature plush banquette seating, a distinctive ceiling mural within bold molding, and herringbone-pattern parquet flooring accented with tile trim. White and black marble slabs top curved-edge counters, which are clad in tambour pattern wood slatting, adding to the sophisticated ambiance. Specific design elements like painted glass sphere pendants and select fabric upholstery contribute to the overall refined aesthetic. Accommodation options include guest rooms, suites, and two Family Apartments with interconnected rooms, alongside a co-working space, all equipped to support various aspects of guests' lives, from relaxation to remote work. The layouts are thoughtfully designed to facilitate these diverse needs. In the guest rooms, custom oak joinery provides integrated wardrobes, kitchenettes, and storage solutions. Bespoke brass pendants and discrete bedside lights with fluted shades further enhance the personalized and functional design. This thoughtful approach ensures that guests have all the necessary amenities for an extended stay, whether for business or leisure. Sustainability is a core value for The July brand, and this commitment is reflected in the material choices and furnishing strategies employed throughout the hotel. A notable aspect of the interior furnishing involves the careful sourcing and refurbishment of vintage pieces, aligning with contemporary trends in architecture and design that prioritize environmental consciousness and unique, characterful aesthetics. This approach not only supports sustainable practices but also imbues the hotel with a distinct personality that resonates with its historical context and the modern traveler's desire for authenticity. The July London Victoria differentiates itself within the hospitality sector by fostering a balance between private living and social engagement, a strategy it aims to replicate in its expanding portfolio across Europe. Andy Goodwin, co-founder and creative director of Fettle, emphasized that the design concept was developed to reflect The July’s brand values and its narrative, which is deeply rooted in the local area's history. He highlighted the multifunctional nature of the apartment-hotel rooms, which needed to accommodate relaxation, dining, and work within each apartment, complemented by dedicated meeting, flexible, and wellness areas. This holistic design ensures that the hotel serves as a comprehensive urban retreat, offering a seamless experience for its varied clientele while maintaining a strong connection to its London setting and a forward-thinking approach to hospitality. The hotel offers flexible accommodation options and shared facilities designed to create a vibrant community while still allowing for individual privacy. Its location near a major transportation hub makes it an ideal choice for a diverse range of travelers. Overall, The July London Victoria represents a contemporary solution for urban living, blending design, functionality, and sustainability to create a memorable stay experience. #apartmentHotel #LondonTravel #ArtDecoDesign #digitalNomad #sustainableDesign #interiorDesign #hospitality #urbanRetreat #fettleDesign

This article features an interview with David Godshall, co-owner and principal of TERREMOTO, a landscape architecture firm with offices in Los Angeles and San Francisco. Godshall, who describes himself as a self-proclaimed punk and art historian turned landscape architect, founded the firm with Alain Peauroi. TERREMOTO specializes in creating localized landscapes that are both formally and conceptually adventurous. The firm currently comprises seven individuals, including Godshall, Peauroi, Diego Lopez, Jenny Jones, Nadia Alquaddoomi, Story Wiggins, and Erik Schmahl. Godshall manages the Los Angeles office, while Peauroi oversees the Bay Area office. This dual-office structure allows them to undertake projects in both regions. Godshall explains that his motivation for starting TERREMOTO stemmed from a perceived lack of conceptual and philosophical depth in landscape architectural work in the United States, particularly in residential projects. He and Peauroi aimed to establish a practice that would enable them to explore innovative ideas and create intellectually and formally distinct work, while also structuring their office in an unconventional manner. Regarding challenges, Godshall notes that in a small office, every team member must be versatile and willing to handle a wide range of tasks. While he acknowledges that this can be a hurdle, he also finds it enjoyable. Cash flow is another occasional concern for the small but growing firm. Despite these challenges, Godshall expresses gratitude for their supportive clients, collaborators, and projects. When asked about scaling the practice, Godshall indicates that maintaining the current size, ideally not exceeding ten people, is a preference. He values the familial dynamic of the present team and believes it fosters creativity, a quality often lacking in larger, more corporate landscape architecture firms. Godshall views mainstream landscape architecture as fundamentally flawed due to its inability to support the creative and philosophical inclinations of its professionals. TERREMOTO aims to operate at the fringes of the profession, taking risks and maintaining an avant-garde approach, rather than becoming a conventional, profit-driven business. However, he acknowledges that this perspective could evolve as the firm and its members grow. The benefits of running their own practice include the ability to define their own rules and integrate work into their lives in a flexible manner. Godshall describes his work-life balance, highlighting that he maintains long hours but still allocates dedicated time daily for his family. The firm also implements an hourly pay model for employees, which, while offering competitive salaries, ensures that team members are compensated for overtime, promoting a healthier work environment and thoughtful time management by the owners. Godshall emphasizes that staying small necessitates honesty and a lack of ego, requiring everyone to be hands-on with all aspects of the business, from client management and conceptual design to construction documents, tree tagging, and even mundane office tasks. This approach has fostered a team of well-rounded, versatile individuals who contribute broadly to the firm's diverse projects and internal discussions, preventing the over-specialization often seen in larger firms. #SmallStudioSnapshots #LandscapeArchitecture #TerremotoLandscape #DavidGodshall #StudioPractice #ArchitecturalInnovation #WorkLifeBalance #CreativeProfession

Casa Polly, located in Rome’s historic Villa Fiorelli, represents a compelling architectural transformation that blends brutalist aesthetics with pop art elements. This project, undertaken by 02A Studio, helmed by architects Marco Rulli and Thomas Grossi, revitalizes a 1960s apartment once owned by designer Valerio Ciampicacigli. The original space featured mid-century brutalist characteristics, including raw concrete and open layouts, which have been preserved and reinterpreted to suit the vibrant personalities of its new inhabitants, actress Martina Pinto and director Alessandro Poggi. Spanning 1,292 square feet, the apartment's layout was meticulously redesigned to meet the evolving needs of a family. The central living area is an eclectic mix of materials, featuring an exposed concrete pillar that serves as a brutalist anchor. This is complemented by a terrazzo floor with a resin finish, glossy kitchen tiles, and wooden accents on a raised dining platform, creating a dynamic interplay of textures and finishes. The intention was to celebrate the apartment’s heritage while introducing a fresh, joyful aesthetic. Each room in Casa Polly introduces a distinct character. The hallway incorporates lilac striped walls that cleverly conceal storage solutions, transforming functional elements into artistic features. The primary bedroom adopts a whimsical, cartoon-inspired theme, characterized by flowing lines, plush furnishings, and a light blue carpet, contributing to a dreamy atmosphere. The adjoining en-suite bathroom extends this theme with pastel colors and undulating forms, juxtaposed with sleek industrial partitions. A notable design detail in the bathroom is a light green wavy border framing the doorway, leading into a space adorned with light pink tiles. A pink fluted vanity with a matching countertop is a focal point, further enhanced by a contrasting pale yellow mirror. Beyond its visual appeal, Casa Polly is designed with a strong emphasis on family functionality. The renovation includes a dedicated child’s bedroom, a practical walk-in closet, and a separate laundry area. These additions are seamlessly integrated into the home's playful design, ensuring that every space is both practical and aesthetically pleasing. The project reflects 02A Studio’s philosophy of treating each architectural endeavor as an intricate puzzle, where client aspirations, existing structural constraints, and artistic vision are harmoniously brought together to create a cohesive and joyful living environment. #ArchitecturalRenovation #BrutalistArchitecture #PopArt #InteriorDesignRome #02AStudio #FamilyHomeDesign #EclecticInteriors #ModernApartment

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

Adi Goodrich, a multidisciplinary designer, shares insights into her diverse career, which spans film sets, art installations, interiors, and furniture design. Goodrich's journey began in Momence, Illinois, leading her through studies at the School of the Art Institute of Chicago and the Sorbonne in Paris. Her initial professional experience included window dressing for prominent retailers like Barneys New York and Anthropologie, which eventually led her to Los Angeles. In L.A., she transitioned into set design, a field that allowed her to combine her passion for storytelling with design. In 2015, Goodrich co-founded Sing-Sing Studio with her husband, Sean Pecknold. This studio specializes in large-scale film and advertising sets, site-specific art installations, and sculptures. More recently, Sing-Sing Studio has expanded its scope to include interior design and the production of small-batch furniture, launched in 2022 under the brand name Sing-Thing. Goodrich's background deeply influenced her approach to design; her family lived above her artisan father’s woodworking and antiques restoration business, fostering an early appreciation for materiality, construction, and craftsmanship. She describes herself as a “spatial designer,” a role that encompasses creating immersive worlds for various media, from photo shoots and commercials to films, and also extends to installations and public sculptures. Her foray into set design began with a film collective, leading to commissions for commercials, such as a Lavazza campaign that featured costume design, a custom espresso-cup chair, and a vibrant use of colors and shapes. Recognizing her growing interest in interior spaces, she pursued further education in interior design and architecture at UCLA Extension. Her first interior design commission was for Wine & Eggs, a bodega in L.A.'s Atwater Village, which she designed with inspiration from small French grocery shops. This project subsequently led to the design of Dreams, a nearby lifestyle store, which Goodrich imbued with a surrealistic quality, reflecting her belief in the power of dreams and her desire to avoid being conventional. She also designed the first brick-and-mortar store for the online fashion retailer Lisa Says Gah! Goodrich's design aesthetic, characterized by ice-cream and terra-cotta colors, distinctive materials, and patterns, draws inspiration from mid-century Italian style, particularly Gio Ponti, as well as artists and designers like Josef Albers, Jean Arp, Merce Cunningham, Charles and Ray Eames, Alexander Girard, and India Mahdavi. Goodrich’s design philosophy emphasizes creating playful, collaborative environments, exemplified by her office project for iam8bit, a media production company. Her debut furniture collection, Sing-Thing, is handmade in L.A., primarily from cherrywood and colorful high-pressure laminate. She describes the collection as a blend of artistic influences, picturing “a wet Sophie Taeuber-Arp painting that’s fallen on top of a Charlotte Perriand table.” The collection aims to create accessible and livable pieces for her friends, reflecting her commitment to practical yet artful design. Her work across various disciplines consistently demonstrates a vibrant, imaginative, and highly personal approach to design. #AdiGoodrich #SingSingStudio #SpatialDesign #InteriorDesign #FurnitureDesign #SetDesign #ArtInstallation #LosAngelesDesign #MultidisciplinaryDesign

Pia Mendaro, a Spanish architect, undertook the transformation of a 100 sqm warehouse in Madrid into a flexible living and workspace for her artist friend, Clara Cebrian. Cebrian's request for a home that could adapt over time, similar to a 'Ron Weasley house,' guided Mendaro's approach. The design aimed to be minimal, allowing life to unfold within the space while incorporating specific existing elements, including a kitchen Cebrian had purchased and immovable downspouts. Mendaro emphasized understanding the space as a square, a fundamental concept informing the layout. The central element of Topo's Shed is a semi-hanging platform that serves as the artist's sleeping area. This innovative feature, developed in collaboration with architect Manuel Ocana, was conceived after considering various mobile and enclosed bed designs. The decision to elevate the sleeping space was driven by the desire to detach it from the ground. Thin steel rods and corrugated rounds secure this structure to the ceiling truss, creating an ethereal and spacious sleeping area. The platform is strategically positioned near the gabled roof's opening, allowing light to filter into the space and offering views of the warehouse's horizon. A movable ladder provides access to this elevated platform, which is designed to accommodate multiple people. Additionally, a flight of steps, doubling as seating, leads to a balcony that provides views of the surrounding neighborhood. The layout of the warehouse integrates a discreet bathroom, concealed behind a wall that also separates the kitchen and main living area from the storage facility. The kitchen floor is distinguished by wooden planks, contrasting with the larger cement flooring throughout the rest of the space, a practical choice to maintain cleanliness. The home's design incorporates a lounge area, a hammock suspended beneath the elevated bed, and a substantial open area designated as the artist's studio. The color palette primarily features greys and whites for walls, floors, and ceilings, which are accented by pastel and coral hues in the kitchen cabinetry, furniture, and artworks. Reflecting on the completed project, Mendaro noted one potential area for improvement: the lack of direct sunlight due to the north-facing windows. While this aspect is beneficial for avoiding harsh glare, she considered the future need for curtains to facilitate longer sleep, acknowledging the natural light conditions. The project, named Topo's Shed, was completed in 2020 and is located in Madrid, Spain. It spans a built area of 100 sqm, with Clara Cebrian as the promoter and Fast&Furious Office responsible for production. This design exemplifies an unconventional approach to residential and studio spaces, prioritizing flexibility, adaptability, and a distinctive elevated living experience within a repurposed industrial structure. #PiaMendaro #WarehouseConversion #MadridArchitecture #ElevatedLiving #ArtistStudio #FlexibleSpaces #ArchitecturalInnovation #AdaptiveReuse #InteriorDesign