Elena Frampton’s artful array of fanciful fringes, tinted parchments and velvet jacquards

Emily Van Hoff, an artist renowned for her textile work, explores the potential of quilts beyond traditional two-dimensional forms, creating pieces that possess significant visual weight and object-like qualities. Her work encompasses a variety of textile forms, including geometric tapestries, faceted weavings, and sculptural constructions. Van Hoff emphasizes her preference for quilts that feel substantial and robust, distinguishing them from flat, decorative pieces. She achieves this by continuously experimenting with different methods to infuse her creations with a chunky, three-dimensional presence. Van Hoff's artistic process frequently involves revisiting and reinterpreting her initial sketches and repurposing offcuts from previous projects. This approach allows her to construct new works by meticulously combining diverse textures, colors, and arrangements. A notable example of her recent experimental endeavors is a piece composed of three interlocking chain links. This particular artwork offers versatility in display, as its components can be rearranged to reveal various orientations, showcasing a dynamic interplay of angles and color combinations. She views this chain link design as an evolution of her existing wall hangings, which often feature overlapping and interwoven elements, further pushing the boundaries of textile art. In addition to her sculptural works, Van Hoff has ventured into commercial design with a new line of quilting fabric named 'Groove,' developed for Moda Fabrics. This collection, set to be released in May of the following year, embodies her characteristic vibrant color palette and incorporates playful, sinuous motifs. Van Hoff reflects on her background in graphic design and her long-standing passion for textile design, highlighting her prior experience working in a fabric shop during high school. She describes the opportunity to design her own fabric line as a dream realized, underscoring her deep connection to the medium. The article showcases several of Van Hoff's creations, including a geometric wall hanging with woven fabric panels and colorful facets, a square quilt with a bright orange and pink circle at its center framed by geometric borders, and a sculptural chain link piece perched on a wooden base. Other illustrations feature a quilted wall hanging in orange and yellow with curving geometry, a loosely tied knot-like quilted wall-hanging with bright color facets, and an array of small, colorful quilted swatches adhered to paper. The collection also includes soft, quilted shapes stacked on a wooden table, a display rack with multiple geometric quilted wall hangings, and a series of colorful, geometric fabric designs presented in strips. These images collectively demonstrate her innovative use of textiles to create visually engaging and structurally complex art. #EmilyVanHoff #Quilts #TextileArt #SculpturalQuilts #DimensionalArt #FabricDesign #Craft #GeometricDesigns #ModernQuilting

The article highlights how interior designers are increasingly embracing eclecticism and individualism by incorporating vintage and antique decor into their projects to add character to homes. Decorating with art is presented as a classic and effective method to infuse personality, showcasing individual tastes and styles while adding color, pattern, and texture to a room. Emily Henderson, a prominent designer, recently shared her passion for vintage art on Instagram, revealing her collection of eleven pieces and offering insights on how to select and place art within a home. Henderson demonstrates that shopping secondhand for art can be a cost-effective yet impactful way to introduce unique character. Her collection includes a cubist-style painting in a kitchen nook and a small framed dog painting unconventionally placed on a bathroom window. This particular placement is highlighted as a clever strategy to accessorize an otherwise empty space and bring a pop of color. She also features a pair of flower still lifes, bought for only $75, which she hung one above the other, transforming a blank wall into an eye-catching display. These pieces are complemented by gold tarnished frames and a matching gold reading light, creating an antique-inspired setup. The article emphasizes that antique and flea markets are excellent sources for art. Henderson showcases a statement piece in her dining room and a scenic seascape above a chest of drawers in her hallway. A notable flea market find is an Expressionist painting depicting a woman's side profile, rendered in bright primary colors. Henderson invested in a gold frame to enhance its vibrancy, pairing it with an antique-style gold sconce to create a sophisticated and timeless display. Art is presented as a simple yet powerful tool for decorating with antiques, capable of elevating any empty surface. Still-life paintings, often simple in subject matter, are shown to convey a classic and high-end aesthetic. Henderson places another still-life painting on her kitchen countertop, infusing the area with color and warmth. Her ninth vintage piece, a geometric, cubist-style artwork, is positioned above her fireplace mantel, providing character and rustic charm to a living room, especially when contrasting with minimal white walls and neutral decor. Emily Henderson's approach to art placement is noted for its unconventionality, as she isn't afraid to utilize overlooked areas. A small painted landscape, set in an antique wood frame, is placed within her kitchen shelves. This charming addition brings warmth and character to the kitchen, elements that are often neglected in kitchen design. With a total cost of $80 for this framed picture, Henderson exemplifies how secondhand shopping can effectively refresh dull areas. Ultimately, Henderson’s collection serves as inspiration for adopting the vintage trend for 2025, demonstrating that an eclectic and charming space can be achieved even on a limited budget through thoughtful art acquisition and placement. #EmilyHenderson #VintageArt #HomeDecor #InteriorDesign #SecondhandFinds #ArtPlacement #EclecticStyle #AffordableDecor #FleaMarket

ELLE Decoration has partnered with Crown Paints to launch its inaugural paint collection, 'ELLE Decoration by Crown'. This collaboration stems from ELLE Decoration's deep-seated passion for color and its significant role in interior design, a theme consistently explored across the magazine's international house features, inspirational photoshoots, interior design profiles, decorating articles, and trend analyses. The editor of ELLE Decoration, Ben Spriggs, had long envisioned creating a paint collection that would embody the magazine's aesthetic and influence future design trends. This dream has now materialized into a premium matt flat emulsion range, comprising 60 distinct shades. The collection is meticulously organized into six diverse color stories, each drawing inspiration from unique sources and designed to challenge contemporary perceptions of color. The partnership with Crown Paints was a natural fit, given the British paint manufacturer's extensive heritage, dating back over 200 years to its first store opening in Lancashire in 1777. Crown Paints' profound expertise in paint formulation combined with ELLE Decoration's sophisticated design sensibilities created a synergy aimed at shaping and defining, rather than merely following, design trends. The editor expressed enthusiasm for the extensive range, highlighting personal favorites such as the deep blue-black 'Black Glass', the vibrant 'Botanical Noir' green, and the earthy 'Hand Crafted' plaster tones. The collection aims to provide readers and design enthusiasts with a curated palette that reflects the magazine's editorial vision and allows them to incorporate these shades into their own homes. The paints are accessible to the public through various retail channels, including Homebase, Crown Decorating Centres, independent retailers, and online at crownpaints.co.uk. Prices for the 'ELLE Decoration by Crown' paints start from £35 for a 2.5-liter can. Further details about the collection can be found on the dedicated website, elledecoration-crownpaints.com/gb. This article initially appeared in the April 2020 issue of ELLE Decoration. The collaboration marks a significant step for ELLE Decoration in extending its influence beyond editorial content into tangible home design products, offering a curated selection of colors that blend historical craftsmanship with modern design trends. #InteriorDesign #PaintCollection #ColorTrends #HomeDecor #DesignCollaboration #BritishManufacturing #CrownPaints #ELLEDecoration #HomeRenovation

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

Fearne Cotton has collaborated with British design house Woodchip & Magnolia to launch a new wallpaper and fabric collection. The TV personality, known for her interest in interiors, has created five distinct designs that embody her personal style, characterized by light and eclectic elements, fresh colors, and calming patterns. The collection, which launched recently, draws inspiration from the blooming and romantic aesthetics of wild spring florals. The five designs are named Vintage Fearne, Hope & Bloom, Twiggy, Move & Flow, and Pondering Peonies. Fearne Cotton expressed her affinity for florals, considering them elegant, and highlighted the significance of color in creating an uplifting home environment. She noted that spring, a season associated with hope, heavily influenced her selection of floral themes. One design, 'Find Your Flow,' is a hand-sketched piece inspired by her passion for movement, reflecting a more personal touch. Cotton also emphasized the versatility of her designs, explaining that altering the base color or pigment of a flower can dramatically change the look and mood of a print. This flexibility allows homeowners to tailor the ambiance of their spaces, whether aiming for the comfort of dark, moody tones or the spaciousness provided by light, colorful options. Each design offers a unique aesthetic and a range of colorways to suit diverse preferences. The 'Vintage Fearne' design reinterprets botanicals with intricate fern patterns, designed to bring a sense of summer foliage and a fresh forest feel indoors. It is available in six color options, including Night Sky Black, Dusky Grey, Dusky Pink, Duck Egg Blue, Spring Green, and Winter Blue. 'Hope & Bloom' is characterized by its chaotic yet colorful depiction of wild scattered flowers, capturing the vibrancy and romance of spring. This design comes in seven colorways: Navy, Cream, Evergreen, Sunny Yellow, Dusky Grey, Dusky Pink, and Vintage Brown. 'Twiggy' offers a delicate and minimalist approach, featuring intricate hand-painted designs inspired by natural colors and the warmth of spring. This subtle design, which aims to integrate the outdoors into indoor spaces, is available in six color combinations, such as Burnt Orange & Blush, Vintage Brown & Blush, Evergreen, Pale Blue, Pink on Cream, and Dusky Grey & Cream. 'Move & Flow' presents a relaxing and fluid pattern with randomly scattered sketched yoga poses. This design, focused on tranquility, is offered in two calming colorways: Blush and Cream. Finally, 'Pondering Peonies' is a bold and elegant design inspired by Fearne Cotton's favorite flower, the peony. It incorporates a retro 1970s twist and a 'Granny Punk' element, designed to inject a playful floral touch into any home. This design is available in six vibrant colorways: Dusky Pink, Duck Egg, Cream, Evergreen, Tangerine & Navy, and Sunny Yellow. The entire collection is accessible on the Woodchip & Magnolia website. #FearneCotton #WallpaperCollection #WoodchipAndMagnolia #HomeDecor #FloralDesigns #InteriorDesign #CelebrityCollaboration #SpringInspired #EclecticStyle

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

In this installment of 'What I Love,' San Francisco-based textile designer and editor of The Textile Eye, Saana Baker, presents a mood board showcasing her current inspirations in fabrics and wallcoverings. Baker, renowned for her ability to identify exceptional prints and patterns, has curated a selection that emphasizes bold hues and tactile textures, driven by a commitment to diversity in design and a response to contemporary global shifts. Baker’s mood board is a vibrant and eclectic collection featuring samples and swatches from international makers, reflecting a broader discussion within the design industry about ethical sourcing and cultural mindfulness. She explains that the theme is deeply rooted in significant global changes, including the social justice movement and its subsequent influence on design aesthetics. The result is a maximalist-friendly compilation characterized by plush materials, striking graphic motifs, and deeply saturated colors. The chosen palette is described as rich and unusual, utilizing innovative color combinations to convey an optimistic outlook for the future. Baker provides a detailed breakdown of 25 items on her mood board. She begins with the Linyati Fabric in Waterfall by Jiun Ho Textile, a linen velvet praised for its elegant luster and livability, making it an ideal complement for complex patterns. Next is the Hingtham Wallcovering in Clay by Black Artists + Designers Guild for S. Harris, a printed grass cloth inspired by Bhutanese ikat, which achieves visual depth through fine detail and polychromatic layering. The Tiger Nest Fabric in Lake, also from Black Artists + Designers Guild for S. Harris, is a fine embroidery mimicking ikat with feathered edges, noted for its evocative name and fresh palette of chartreuse, cobalt, and pale yellow. Jiun Ho Textile's Seronera Fabric in Thorn was inspired by Jiun Ho's extensive travels in the Serengeti, aiming to evoke a mood rather than literal motifs. The Machakos Fabric in Earth and Sky by Nzuri Textiles is a hand-painted Belgian linen design by Eno Jonah, drawing inspiration from African mask details. Shinto Fabric in Cinnabar by Jiun Ho Textile is a rustic boucle with a wool-blend warp yarn that allows for subtle colorations, supporting diverse palettes. The Anna May Wong Fabric in Midnight/Teal by Makrosha, designed by Esha Ahmed, is a finely woven jacquard inspired by the glamour of the art deco period. Makrosha’s Marci Mohair in Sumac is a classic plush mohair available in a wide range of rich colors, known for its enduring quality and ability to develop character with wear. Anamar’s Lamu Meshi Fabric in Lapis Bluff is a hand-woven, ribbed plain-weave silk fabric created in the Philippines using warp screen-printing. The Lightray Wallcovering in Patina is a collaboration between visual artist Lisa Hunt and Lori Weitzner, showcasing geometric yet subtle designs translated from fine art. The Banda Indigo Flatweave Rug by Eskayel is part of a unique collaboration where designer Shanan Campanaro worked with master ikat artisans in Sumba, Indonesia, to reinterpret her watercolor designs into rugs, wallpapers, and textiles. Malene Barnett’s Heritage Wallpaper for Lulu and Georgia, created by the Black Artists + Designers Guild founder, is inspired by her hand-built ceramics, featuring a raised surface-print technique for tactile dimensionality. Karen J. Revis for A-Street Prints designed the Waves Blue Wall Mural, a flowing watercolor design intended as a wall-sized mural. The Maji Fabric in Peacock by Black Artists + Designers Guild for S. Harris is a jacquard velvet with bright blue and striking gold yarns, creating a complex pattern. Anamar’s Beijing Kikko Fabric in Lazurite Peak features a hand-screen-printed globe pattern on the warp, with each color applied separately before hand-weaving. The Hamaka Textile in Humacao by Breuwen, designed by Grey Lux, is a digital linen print inspired by the weaving legacy of his Taino ancestors. Malene Barnett’s Alaari Wallpaper for Lulu and Georgia offers a sophisticated update to millennial pinks with its tonal spice combination. The Akimbo 5 Indigo Flatweave Rug by Eskayel is another example of collaboration with ikat weavers, noted for its inky depth. Nzuri Textiles' Yankari Fabric in Turkana showcases subtle color gradations and hand-drawn details, preserving the hand-touched imperfection of Eno Jonah’s original artwork. Makrosha’s Marci Mohair in Teal is a second colorway of their luxurious mohair velvet, known for its stunning depth of color. Anamar’s Andorra Meshi Fabric in Milori Crown, an archival pattern depicting dragon scales, is a heavy, hand-woven silk with a hand-screened warp and alternating teal colors in the ribs. The Majani Trim in Brass by Black Artists + Designers Guild for S. Harris features gold-toned beads juxtaposed with stiff raffia, creating compelling material contrast. The Bhavana Desert Fabric by Black Artists + Designers Guild for S. Harris is a decorative panel stripe combining print and embroidery with an antiqued white ink and crewel-like embroidery. The Amboseli Pillow in Maasai Blue by Nzuri Textiles is a special hand-woven textile from West Africa, produced on a strip loom by weavers who commit complex traditional patterns to memory. Finally, the Patu Trim in Bark by Black Artists + Designers Guild for S. Harris is a chic trim reminiscent of Maori incised decorations, embellished with beads and tonal embroidery. #TextileDesign #InteriorDesign #MoodBoard #SaanaBaker #Fabric #Wallcovering #JacquardVelvet #EmbroideredTrims #GlobalInspiration #DiversityInDesign

Emily Van Hoff, a Chicago-based artist, creates vibrant wall hangings that seamlessly blend her background in graphic design with traditional quilting techniques. These pieces are a contemporary homage to the craftswomen of past generations, showcasing a distinct fusion of digital design principles and tactile artistry. Van Hoff's work is characterized by geometric patterns and bold color palettes, including shades of bubblegum pink, lavender, and cobalt. Each wall hanging incorporates design elements such as thick stripes, bisected circles, and meticulously arranged rows of stitches, reflecting her stated goal of translating digital design into tangible art objects. Working from her home studio, Van Hoff meticulously constructs these textile art pieces, imbuing them with a modern aesthetic while respecting the heritage of quilting. The choice of colors is deliberate, creating a striking visual impact that makes her work highly sought after. Her creations are not merely decorative items but expressions of a creative process that bridges two distinct disciplines: the precision and visual communication of graphic design with the warmth and texture of textile art. The quilts serve as a testament to the enduring appeal of handcrafted goods and the potential for traditional crafts to evolve through contemporary influences. Van Hoff's artistic practice highlights the intersection of fine art and craft, demonstrating how everyday materials can be elevated into sophisticated visual statements. The tactile nature of her wall hangings invites viewers to engage with the art on a deeper level, appreciating the intricate stitching and the interplay of colors and shapes. Her success in quickly selling out her works underscores the demand for unique, handcrafted items that offer both aesthetic beauty and a connection to artisanal traditions. Her process involves a careful consideration of composition, color theory, and material choice, echoing the deliberate decisions made in graphic design. By applying these principles to textiles, Van Hoff creates pieces that are both visually dynamic and structurally sound. The wall hangings serve as focal points in any space, bringing a burst of color and a sense of thoughtful design to interiors. They represent a harmonious balance between structured design and the organic nature of fabric, offering a fresh perspective on how art can integrate into daily living. #EmilyVanHoff #TextileArt #Quilting #GraphicDesign #WallHangings #ModernCraft #FiberArt #ColorBlocking

Woven fabrics contribute significantly to interior design by introducing softness, warmth, and a subtle textural element that printed cloths cannot fully replicate. The inherent tactility of woven textiles often gets lost in two-dimensional images, making it challenging to distinguish them from printed patterns. However, woven cloth possesses superior strength and offers a comforting quality due to its integrated design, ensuring its longevity. Ireland, with its rich history in weaving, continues to host several long-standing companies that are adapting to modern demands. Foxford Woollen Mills, established in 1892 in Co Mayo, exemplifies this adaptation. While traditional blankets have seen a decline in popularity due to the rise of duvets, throws have experienced a resurgence, particularly during the Covid-19 pandemic. Joe Queenan of Foxford Woollen Mills notes an increased demand, attributing it to both a surge in outdoor dining and a consumer desire to support Irish businesses. He highlights that in times of crisis, consumers gravitate towards reliable, ethically produced goods, willing to pay a premium for quality. This trend is evident in the popularity of Foxford’s high-end cashmere throws, as well as the renewed interest in mohair products. Similarly, John Hanly, a family-run business since 1893 in Ballyartella, Co Tipperary, primarily known for supplying international fashion houses, also offers a contemporary homeware range. Their collection features throws in lambswool, cashmere, and mohair, showcasing vibrant colors. While they rarely receive requests for upholstery fabric, Brian Hanly, the current head, expresses openness to exploring such opportunities, acknowledging the rigorous testing required for durability and fire resistance in upholstery. The viability of short production runs for upholstery fabric, however, remains a challenge. Mourne Textiles in Co Down stands out as one of the few Irish weavers providing upholstery fabric by the meter. As an artisan company specializing in hand-woven products, they accommodate smaller production runs, which impacts pricing. In contrast, Botany Weaving, founded in 1934 with factories in Dublin and Donegal, caters to large-scale contracts. They supply woven textiles for aircraft upholstery, curtains, and carpets for over 120 airlines. Recognizing a shift in market demand, Botany Weaving has expanded into contract furnishing. David Lawson of Botany Weaving mentions that some of their durable, well-designed, and predominantly wool fabrics could be suitable for residential use, often sold under other furniture brands rather than their own. Interior designer Oisín MacManus of Ollas Design emphasizes the role of woven textiles in adding texture to interior spaces. He notes that woven items, typically incorporating multiple colors and materials, invite interaction and add depth to a room, unlike flat surfaces. MacManus uses a sofa upholstered in Glen Marsh from Botany Weaving as an example, highlighting how its varied colors create visual interest and texture. Margo Selby, an English weaver and textile designer, collaborates with industrial mills while also creating her own woven artworks. She stresses the craft inherent in setting machines to produce fabric and the skill of textile technicians. Selby is launching a collection of 23 curtain and Roman blind fabrics with Hillarys, a British brand known for its fitting and consultation services. Her designs are geometric, featuring a mid-century color palette, and are specifically tailored for contemporary homes. Selby observes that people often struggle with selecting window dressings for modern builds, often opting for generic solutions. Her collection, available in ochre and silver, teal and green, and indigo and ink, offers strong yet minimal patterns designed to complement contemporary architecture and add a vibrant touch to interiors. The collection is set to launch on October 12, with prices starting from €289 for curtains and €189 for Roman blinds, inclusive of measuring and fitting services. #WovenFabrics #InteriorDesign #TextileDesign #IrishWeaving #HomeDecor #MargoSelby #FoxfordWoollenMills #JohnHanly #BotanyWeaving

Textiles, whether brought back from international travels or sourced from local designers, offer a unique way to introduce narrative and texture into home decor. Beyond their aesthetic appeal, textiles carry the stories of different times and places, making them cherished keepsakes. The article explores various methods for displaying these pieces, moving beyond common applications like pillows to highlight more creative and impactful design solutions. One effective approach is framing. Designer Christina Bryant, founder of St. Frank, advocates for framing textiles, particularly in acrylic box frames, which accentuate the handwork, three-dimensionality, and texture of the piece. This method also encourages sharing the textile's history and craftsmanship. An example showcases a framed scarf in a Houston living room designed by Meg Lonergan, demonstrating that not all textiles are raw fabric swatches. Another innovative use is transforming a textile into a headboard. Frances Merrill of Reath Design illustrates this by backing and upholstering an African textile with light padding, creating a comfortable and visually striking headboard. This method offers a distinctive alternative to traditional headboard designs, adding a personal and artistic touch to a bedroom. For those seeking a less permanent or upholstery-intensive solution, spreading a textile across the seat or back of a couch offers significant visual impact with minimal commitment. Textile designer Nathalie Farman-Farma of Décors Barbares, for instance, uses a vintage curtain to adorn her couch, achieving a dramatic effect without the need for professional upholstery. Similarly, Rebecca Atwood uses one of her original designs to enhance the back of a sofa, contributing to a calming room aesthetic. Smaller textile pieces can be repurposed into functional and decorative items such as poufs. Sally Breer of Co-Mingle Design utilizes kilims to create plush poufs, serving as additional seating and injecting color and pattern into a living room. Other small-scale upholstery projects mentioned include covering the seat of a chair, the front of a dresser, or the top of a bench. Textiles can also function as unique window treatments. Sally Breer suggests using vintage textiles for windows, especially those with unusual shapes or walls that need artistic enhancement, given their often-idiosyncratic sizes. This approach turns functional elements into decorative focal points, as seen in a stately living room with black and white Roman blinds. Finally, a simple yet impactful method is to hang textiles directly on the wall. British interior designer Abigail Ahern recommends draping a textile over a pole and mounting it, instantly transforming it into a piece of art. This technique, she explains, can make a space feel warm and cozy by elevating the textile to an artistic display. These diverse strategies allow textile enthusiasts to integrate their cherished pieces into their homes in creative and personalized ways, enhancing both the aesthetic and narrative of their living spaces. #TextileArt #HomeDecor #InteriorDesign #TextileDisplay #FramedTextiles #HeadboardDesign #FurnitureAccents #WindowTreatments #WallHangings

Lucy Penfield, the founder of Wayzata, Minnesota–based Lucy Interiors, emphasizes circularity in her design approach. She focuses on incorporating sustainably made items that are durable, repairable, and recyclable, aiming to infuse interiors with character and a connection to nature. Penfield believes that good design contributes to a better future. For her current mood board, Penfield drew inspiration from a floral arrangement by Buffy Hargett Miller and utilized natural materials, including a salvaged-wood surface sample and a wallcovering crafted from water-lily leaves. She highlights that creating beauty while acting responsibly is fundamental to her work. The flat lay she created showcases a collection of artisan-crafted items made from eco-conscious materials, each possessing distinct style and personality. Penfield describes the aesthetic as a romantic blend of mulberry and raspberry hues, combined with moss and spring green, resulting in an earthy yet energetic feel. The mood board features a curated selection of 23 items. Among them is the Pienza Rafano Linen in Violet-Grape by C&C Milano, chosen for its iconic, regal pattern and understated elegance, suitable for drapery. The Leaping Cheetah Cotton Fabric in Bubblegum by Scalamandré is included to add a playful and sassy element. For texture and natural appeal, the Nomad Wallcovering in Spring Green by Omexco, made from water lilies, is selected as an eco-friendly option. The Rosewater 1 Hand-Painted Terra Cotta Tile by Tabarka Studio is featured for its bespoke quality and beautiful workmanship, ideal for a backsplash. Farrow & Ball's Brinjal No. 222 Paint, a moody aubergine, is envisioned for creating an exotic atmosphere when applied in high gloss. The Lucille Ikat Fabric by Tulu is chosen for its dramatic scale and raspberry color, adding pizzazz to any room. Penfield also incorporates a Green Guatemalan Textile with Fringe, highlighting her practice of layering found textiles and celebrating the embroidery work of Mayan women. Bianco London Plane Wood by Foresso, made from waste wood from fallen British trees, is noted for its impressive ethical sourcing and use of recycled materials. The Catch Cabinet Pull in Silicon Bronze Dark by Rocky Mountain Hardware is included for its dark metal finish that patinas beautifully with age, showcasing artisan quality. For window treatments, Whitecaps Window Fabric in Breaker by Hartmann&Forbes is chosen for its natural grass texture as a roman shade. The floral arrangement by Buffy Hargett Miller is specifically mentioned as the inspiration for the mood board's color palette. Edie Metallic Wallpaper in Glam Gold by Cristina Buckley for Schumacher provides a mod-meets-vintage look with its shiny Mylar finish. An Embroidered Decorative Tape Trim from Lucy Interiors, sourced from Mexican women artists, is selected to represent hidden treasures and artisanal craft. The selection continues with Tortoiseshell Wallpaper in Emerald by Hutton Wilkinson for Jim Thompson, described as a book-matched inlay-inspired design with a glossy finish reminiscent of Tony Duquette. A 19th Century Chinese Six-Panel Screen from Bunny Williams Home features scenes of birds and foliage. Mane Attraction Leather in Deep Turq by Holly Hunt, a moody dark turquoise hair-on-hide, is included for its irresistible texture. The Cocarde Fabric in Opiat by Christian Lacroix at Designers Guild, with its rosettes, emblems, and ribbons, offers a playful, wild-card print. Ikat Crazy Fabric in Orange/Pink by Mally Skok Design is chosen for its modern linen ikat pattern, perfect for reupholstering cherished sofas. Glam Stripe I Fabric by Casamota, from Carlos Mota’s debut collection, is noted for its bold palette and delicious embroidery. Quadrato Fabric in Cerise by Casa Branca, with its hand-drawn concentric print, provides a graphic splash that complements the floral inspirations. A Burl Wood Dining Table Sample in Honey Amber by Milo Baughman at 1stDibs, a 1970s classic, is selected for its versatility and earthy connection. A Purple Guatemalan Stripe Pillow from Lucy Interiors, made from artisan fabric, represents another example of found textiles. Finally, the book “Yves Saint Laurent: The Complete Haute Couture Collections” by Suzy Menkes is included for its representation of French style and haute couture archives. #InteriorDesign #SustainableDesign #HomeDecor #MoodBoard #Textiles #Wallcoverings #ArtisanCraftsmanship #NaturalMaterials #ColorPalette

The article explores the resurgence of fringe furniture in modern interior design, highlighting its shift from a practical element to a decorative and opulent embellishment. This trend aligns with a broader movement towards more expressive and personalized living spaces, moving away from minimalist aesthetics. Several designers and celebrities, including Emma Roberts, Justina Blakeney, and Chloe Fineman, are embracing fringe in various forms, from lampshades and curtains to chairs and sofas. Analuisa Corrigan, a ceramicist-turned-designer, shares her "fringe journey," detailing her experimentation with different types of silk fringe for lighting fixtures and other furniture. She notes the historical context of fringe, originally used by Native Americans to prevent textile fraying and repel elements, a function that has evolved into pure decoration. Corrigan observes that despite its historical prevalence, many people remain hesitant to incorporate fringe into their homes, often due to a desire for minimalist, serene environments. She counters this by suggesting fringe can be a subtle and playful addition, particularly effective in diffusing light. Kristin Dickson-Okuda of Iko Iko and Waka Waka, a long-time admirer of fringe in fashion, applies this aesthetic to furniture design. She advocates for exaggerated or mismatched applications of fringe, treating it as a garment trim for furniture. Her work includes "chair dressings" for historical Sussex chairs with elaborate silk trains and the Compartment Chair, which features a Japanese-inspired zabuton cushion with fringed rayon. Dickson-Okuda encourages artists to explore fringe in diverse materials, volumes, and textures, emphasizing its potential to create unexpected and engaging designs. Interior designer Madelynn Hudson discusses her experience with adding bullion fringe to her sofa to enhance its character. She posits that the current revival of fringe, particularly in upholstery skirts, is influenced by French Art Deco and the Venetian Secession movement, offering a fresh, sophisticated take on a classic element. Hudson believes this trend signifies a move towards "curated and collected homes" that reflect individual personality, departing from plain, stark interiors. She anticipates a shift towards more feminine and lush aesthetics, incorporating jewel tones, dark woods, and metallic accents, which she refers to as "house jewellery." Carly Cushnie, in her debut furniture collection for Lulu and Georgia, incorporates shaggy fringe into a bouclé chair, aiming to create drama and movement. She highlights fringe's versatility, noting its ability to stand out in contrasting colors or blend in tonally. Cushnie emphasizes that fringe introduces playfulness and life into stationary furniture pieces, contributing to a richer, more textured home environment. Francesca Grace, another designer, advocates for fringe's ability to add personality, suggesting it can be introduced through smaller elements like pillows and lampshades for those new to the trend. She favors thick bullion fringe for its elevating effect and has incorporated it into her furniture line, Somme, and commercial projects, such as Nardò restaurant. Tiffany Howell of Night Palm uses fringe to introduce a fashion-forward element into her designs, conceptualizing it as the "skirt" of a sofa, complemented by upholstery as the "top" and lighting as "jewelry." She focuses on creating timeless designs by pairing contemporary furniture with ’70s-style fabrics and fringe. Howell notes the growing trend of sculptural fringe elements and believes fringe injects "soul" and "old-world romance" into spaces. Both Madelynn Hudson and Tiffany Howell advise using monochromatic themes for a modern look, suggesting that fringe adds a pop of color without overwhelming the space. Kristin Dickson-Okuda highlights the tactile and interactive nature of fringe, inviting touch and movement. Élan Byrd, an artist with a fashion background, uses raffia to create fringe effects in her wall art, emphasizing texture and dimension. She asserts that fringe can be integrated into any design style, offering a way to add character and depth to interiors, moving beyond blank spaces to create personalized and cohesive home environments. #FringeFurniture #InteriorDesign #HomeDecor #DesignTrends #ModernDesign #OpulentEmbellishment #TextileArt #FurnitureDesign #VintageRevival

Fromental, a British wallpaper company co-founded by Tim Butcher and Lizzie Deshayes, specializes in laboriously crafted chinoiserie wallcoverings that blend ancient techniques with modern aesthetics. Over two decades, Fromental has undertaken diverse projects, including the Goring Hotel lobby in London, the Lürssen superyacht Kismet, and Scotland's Glenmorangie House. Butcher, with a background in weaving, printing, and hand-painting silks for menswear and couture, highlights their Paradiso design as a particular source of pride. This design features bamboo shoots, peonies, delicate blossoms, birds, and butterflies, drawing inspiration from 17th-century Chinese painting manuals like "The Mustard Seed Garden." The core challenge for Fromental is to make these traditional motifs feel contemporary. Fromental achieves this by combining intricate brushwork with hand-embroidery and by refining color palettes to suit modern sensibilities. Due to the bespoke, hand-produced nature of each panel, a moderately sized room (12-foot by 14-foot) can require up to two months of work from dozens of artists, with an average cost of approximately $16,000. While less complex designs cost around $1,150 per panel, a fully embroidered roll of Paradiso can cost up to $8,000. The creation of Fromental's wallpaper involves a detailed nine-step process. It begins with a miniature illustration, hand-drawn in the London studio, which serves as a guide for the overall composition. Next, silk is sourced from Huzhou, China, known for its ability to absorb dye, often a purple-gray shade called taro. This silk is then stretched like a canvas and coated with a proprietary adhesive made from crystallized fish bones, which dries overnight to prepare the surface for painting. After treatment, the silk is mounted onto rice paper using a soft adhesive derived from the same grain, providing substance crucial for the subsequent embroidery. The hand-painting phase occurs at Fromental’s Wuxi studio, where a ceiling-mounted projector casts the miniature illustration onto the silk. Lead artists trace the design in pencil, and a team of junior painters applies the initial layers of color, with a single panel often requiring around 40 hours of work. The painted wallpaper then moves to Suzhou for the most time-consuming stage: embroidery. Each artisan works on one panel, meticulously creating thousands of tiny stitches, with larger elements like birds taking a week to complete and an entire room's panels up to six weeks. The process culminates with a mounting master in Wuxi applying a second layer of rice paper to the embroidered silk, a wet and challenging step that demands precision to ensure even tension and prevent errors. Finally, painstaking adjustments are made to align panel transitions, and the wallpaper is trimmed, ensuring a seamless match across the entire installation. Fromental recommends using specialist wallcovering installers to ensure proper application, acknowledging that despite the material's durability, a single opportunity exists for a perfect finish in each room. #Fromental #Wallpaper #HandPainted #HandEmbroidered #Chinoiserie #HomeDesign #LuxuryDecor #ArtisanCraft #InteriorDesign

This article explores how to infuse the aesthetic of Cecil Beaton, a celebrated creative polymath, into home décor, drawing inspiration from his work on the 1964 film adaptation of *My Fair Lady*. With two exhibitions celebrating Beaton's style this year at The Garden Museum and National Portrait Gallery, his unique worldview is experiencing a resurgence. The decorative focus is specifically on Beaton's elegantly stylized interpretation of Edwardian high-society fashion, epitomized by the home of Mrs. Higgins in *My Fair Lady*. This elaborate, 'iced-cake' like residence, characterized by its white woodwork and floral textiles, serves as the classical Beaton-esque blueprint for the curated product selection. The curated collection begins with the 'Engraved Feather' pitcher by Lobmeyr, priced at £720. Crafted from fine muslin glass by Susanna Rath, this delicate piece features precisely hand-engraved feathers, showcasing meticulous artistry. Next, 'The Dancing Orchids' cushion from House of Hackney, costing £145, offers a subtly floral touch. Made from hemp, it illustrates orchids, symbols of beauty and love, themes central to Beaton's passions. For seating, the 'Odell' sofa by Soho Home, starting from £3,790, is presented. While inspired by a more retro aesthetic, its 'Lichen' velvet color palette subtly echoes Beaton's soft touch, providing a connection to his gentle elegance. Wallpaper options include Liberty's 'Ianthe Mono' at £130 per roll, a reworked archival print blending Art Nouveau elements with the tree of life concept. Its 'Pewter White' colorway allows this historical pattern to seamlessly integrate into contemporary homes. The 'Opera Round' side table by Tom Faulkner, priced at £1,590, bridges Art Nouveau references with a futuristic perspective, offering a delicate yet robust piece that mirrors Beaton's own dichotomous nature. For table linens, the 'Rose' linen napkins by Abask, made by Taf Firenze and costing £2,940 with a matching tablecloth, exude timeless elegance and a crafted, heirloom quality. The 'Clay' armchair by Moroso, priced at £3,499, designed by Giorgia Zanellato and Daniele Bortotto, is a plump, modern seat with a soft color palette that complements the contemporary floral style. Its beauty is enhanced by an ombré pattern visible from the back. To add a decorative flourish, the 'MDS Embroidered Lattice' border by Samuel & Sons, at £99 per meter, suggests garden pagodas, introducing a spring-like beauty suitable for any season. The 'Momentum II' mirror by Studiotwentyseven, starting from £21,000, features an elegantly swooping frame available in various woods and is inspired by biophilic forms, reflecting the work of South Korean designer Soo Joo. Fabrics include Dedar's 'Lilaz,' at £446 per meter, whose flocked and gilt pattern can be interpreted as rolling hills or floating clouds, imbued with a subtle Art Deco influence and shimmer. Finally, the 'Utzon' stool by Fritz Hansen, priced at £1,099, designed by Jørn Utzon, features a flowerhead-like seat that introduces a floral note for minimalist interiors. The 'Willow' wallpaper by Morris & Co, at £108 per roll, designed in 1874 by William Morris, provides a classic and enduringly modern way to incorporate fresh foliage. These selections collectively offer a guide to decorating a home with the pretty whimsy and elegant aesthetic reminiscent of Cecil Beaton's iconic style. #CecilBeaton #HomeDecor #InteriorDesign #EdwardianStyle #FloralDecor #LuxuryHome #DesignInspiration #ArtNouveau #TextileDesign

Brittany Hakimfar, the founder of Philadelphia's Far Studio, emphasizes the importance of natural materials and tactile textures in her interior designs, allowing them to take center stage. Her design philosophy centers on the inherent sophistication of organic elements, which she believes always shine through in an arrangement. For her current flat lay, Hakimfar drew inspiration from richly veined marbles, specifically Calacatta Viola with its lavender hues and Nero Marquina with its bold black-and-white patterns. These marble selections guided her choice of fabrics and finishes, resulting in a cohesive and visually captivating scheme. The final palette, as described by Hakimfar, exudes organic refinement with a touch of glamour. She incorporates eye-catching all-natural pieces, such as honey-hued zellige tile and dark brass counter stools, to celebrate nature's raw beauty. Key elements in her design breakdown include vintage black beads, which infuse an eclectic vibe, and Brinjal paint by Farrow & Ball, chosen for its rich, deep purple hue that acts as a statement color and creates a special mood when used in a lacquered finish for cabinetry. Hakimfar frequently uses one-of-a-kind ceramic pieces and found objects, such as vintage ceramic dishes and bud vases, to add unique qualities to spaces. For custom wood furniture, she relies on Faithful Roots, praising their craftsmanship and natural oak finishes, which she notes can be seamlessly mixed with marble. Brizo's Brilliance finish in Luxe Gold is her preferred choice for subtle brass, as it lacks yellow undertones and complements various wood tones and marbles. For custom stools, Thomas Hayes Studio's dark patina brass finish is favored for its ability to blend with her interiors. Fabric selections play a crucial role in adding texture and color. Verellen's Nevada fabric in Emerald mohair is highlighted for its perfect color and texture. Donghia at Kravet's Covet fabric in Bordeaux velvet was used to complement the Calacatta Viola veins of a marble fireplace, offering a luxurious and soft feel. Jiun Ho's Linyati fabric in Lion velvet adds interest and shine, particularly when used for pillows. For tiling, Riad Tile's zellige tiles in Honey and Forest Green are appreciated for their beautiful mustard tones and unique, natural, handmade quality. Marble selections from Stone Tech Fabrication include Calacatta Viola for its dramatic swirling veining and grounded natural materiality, and Nero Marquina for its subtle yet dramatic mix, often used for book-matched applications. Marble Systems' Chester Plaid marble mosaic in Britannia Light, Snow White, and Black Honed is destined for a bathroom project, promising a mix of pattern and neutral colors. François & Co.'s natural limestone in Paris Grey is anticipated to add texture and a timeless feel to upcoming kitchen projects. Wallcoverings include Phillip Jeffries' vinyl plastered wallcovering in Fresca, which mimics a textured plaster look, and vinyl abaca wallcovering in Fern, chosen for its texture and color. Phillip Jeffries' Venetian plaster wallcoverings in Espresso Brown are noted for their moody vibe and realistic resemblance to authentic plaster. Finally, Sacco Carpet's Thisby rug in Ivory offers luxurious texture in a neutral tone, grounding spaces like primary bedrooms, while Stout Textiles' Emory fabric in Toast is used for window treatments due to its sheer texture and neutral colors. Vintage zen stones are also incorporated as simple, sculptural, and tactile styling elements. #InteriorDesign #NaturalMaterials #BrittanyHakimfar #FarStudio #Marble #TextileDesign #HomeDecor #DesignInspiration #LuxuryInteriors

Serena and Lily is a brand recognized for its coastal chic aesthetic, featuring elements like baby blues, crisp linens, seashell prints, and rattan. This style combines Southern charm with Hamptons elegance, but often comes with a luxury price point, such as a $500 table lamp. For consumers who appreciate this aesthetic but prefer a more budget-friendly approach, the market offers numerous alternatives that capture a similar vibe. Many home decor brands have embraced the elevated-beach-house trend, producing items that either closely mimic Serena and Lily's designs or evoke a similar "coastal granddaughter" energy. This article curates a selection of 16 such products, ranging from furniture to decorative accents, that allow individuals to achieve the desired look for less. These dupes span various categories, providing options for different areas of the home. Among the recommendations are practical and stylish items such as a set of modern farmhouse lamps available on Amazon. These lamps offer functionality with LED bulbs, dimmable touch control, and USB charging ports, while providing an aesthetic appeal. Another notable mention is a crosshatched console table from Joss & Main, which incorporates a rattan pattern to deliver a coastal feel. For dining and kitchen areas, washable quilted placemats with scalloped edges from Amazon are suggested, offering both charm and ease of maintenance. Seating options include a vibey patio bar stool from Birch Lane, featuring woven backs and stained wood, and a solid wood bar stool, also from Birch Lane, which provides additional cushioning and a contemporary cane design. For lighting, a ceramic and jute bedside table lamp with a scalloped lampshade is presented as an affordable alternative to Serena and Lily's Rainier Table Lamp. Small decorative details, such as a rattan tissue box cover, are also highlighted for their ability to elevate a room's overall aesthetic by concealing less attractive everyday items. The article also features larger decor pieces like scalloped curtains that can transform a room into a coastal haven, and a tasseled patio umbrella that closely resembles a much pricier Serena and Lily counterpart. An elevated bar cart from Perigold with a blue and white rattan design is suggested for those looking to stylishly display beverages and glassware. Other lighting solutions include a rope nightstand lamp that adds texture and emits a warm glow. For storage, a modern accent cabinet from SICOTAS provides a deep blue credenza with solid wood doors and soft-close hinges. Bedding is addressed with a reversible blue floral quilt from Flysheep, offering a chic and versatile option for layering. Dining and patio spaces can benefit from a set of outdoor woven dining chairs from T.J. Maxx, which are both functional and stylish. Finally, two different scalloped rugs are presented: an ivory Anna scalloped jute area rug from Rugs USA, made from pet- and eco-friendly materials, and a Greta scalloped raffia floor lamp from Crate and Barrel, which combines a brushed brass base with a raffia shade for a balanced aesthetic. These diverse options collectively enable consumers to infuse their homes with the coastal granddaughter aesthetic without exceeding their budget. #HomeDecor #CoastalGranddaughterAesthetic #SerenaAndLilyDupes #BudgetFriendlyDecor #InteriorDesign #AffordableHome #RattanFurniture #ScallopedDetails #HomeStyling

Framed textiles are gaining popularity among interior designers as a versatile and impactful decorative element. Unlike traditional framed paintings or photographs, textiles offer a unique softness and textural depth to a room, which glass-covered artworks cannot provide. This tactile quality is particularly effective in creating a layered aesthetic within an interior space, contributing to a sense of warmth and inviting ambiance. Designers such as Brandon Schubert emphasize that textiles, especially those stretched onto a frame or hung on a rod without glass, offer a distinct visual and physical texture that enhances the overall design scheme. Beyond their aesthetic contributions, framed textiles also serve as a practical and economical solution for filling large wall spaces, particularly behind furniture like sofas or beds. They can be a more budget-friendly alternative to large-scale artwork, providing significant visual impact without a substantial financial outlay. While fine tapestries or historic weaves can be expensive, many types of textiles, from antique fragments to contemporary geometric patterns, can be acquired at reasonable prices. This accessibility allows for greater flexibility in decorating, enabling individuals to achieve a high-end look on a more modest budget. The versatility of framed textiles extends to their ability to complement various interior styles. Textiles with geometric or repetitive patterns often possess a naturally contemporary feel, making them suitable for transitional interiors where designers aim to avoid overtly specific historical aesthetics. For instance, an Alexander Girard textile, with its inherent modern design, can integrate seamlessly into a Victorian villa without emphasizing its age or pushing the room into a mid-century style. This 'anonymous touch,' as described by Brandon Schubert, allows the textile to blend harmoniously, preventing the room from appearing clichéd. The market for framed textiles is diverse, offering options for every taste and budget. Sources range from antique shops, markets, auctions, and car boot sales, where unique and often affordable pieces can be discovered. For those seeking ready-to-hang options, specialized retailers like Houlston provide antique textiles that are already framed, including needlework and felt pieces. Renowned dealers such as Katharine Pole are a go-to for antique textiles, while Francesca Gentilli offers a wide selection of framed suzanis and antique fragments, bringing vibrant color and pattern into any room. Contemporary options like Porthia Prints and Loom provide bold, modern designs specifically intended for framing. Additionally, platforms like The Fabled Thread offer kits for creating personalized embroidered or needlepoint pieces, allowing for a bespoke approach to textile art. The growing trend of framing textile fragments, even leftover fabric pieces, as exemplified by Sarah Peake of Studio Peake, underscores the creative potential and decorative appeal of this medium, transforming even small swatches into significant artistic statements. In conclusion, framed textiles are a favored decorative choice due to their ability to introduce softness, texture, and warmth into a room. They offer an economical solution for impactful wall decor, adaptable to various design styles and budgets. The wide array of sources, from antique finds to contemporary creations and DIY kits, ensures that framed textiles can be incorporated into almost any interior, elevating the space with their unique charm and character. #FramedTextiles #InteriorDesign #HomeDecoration #TexturalElements #AffordableDecor #AntiqueTextiles #ContemporaryDesign #WallDecor #FabricArt

Master florist Jennifer Figge reimagines four iconic 20th-century American interior designs through the art of floral arrangements. The article highlights how Figge channels the distinctive aesthetics of renowned designers and their famous spaces, translating their unique styles into imaginative botanical compositions. The first reinterpretation focuses on Brooke Astor’s Park Avenue library, designed by Albert Hadley. This setting, known for its opulent livability, features sang de boeuf enamel walls, brass trim, and an extensive 3,000-volume book collection. Figge’s arrangement for this space incorporates oxblood ranunculus to echo the glossy, floor-to-ceiling bookcases, blush hellebores to introduce a playful femininity, and an aged brass vase that subtly references the room's jewellike trim. The floral design captures the sophisticated and refined atmosphere of Hadley’s work, making it suitable for receiving distinguished guests. Next, the article explores Michael Taylor’s guest bedroom in San Francisco, emblematic of his "California look." Taylor's signature style emphasizes elemental beauty and restraint, utilizing organic elements such as a log canopy bed, Yosemite Slate flooring, Italian wicker, and lush alder trees against a serene white backdrop. Figge's floral response to this design employs complex materials like velveteen wisteria seedpods, spherical Bishop’s Balls, and blooming star-of-Bethlehem. These choices mirror Taylor’s immortal sense of balance and his ability to create a visually rich yet understated environment where more layers of detail emerge upon closer inspection. Dorothy Draper’s "Gutsy Glamour" is brought to life through her most famous design playground, The Greenbrier. Here, aqua-striped wallpaper harmonizes with rhododendron patterns on the sofa and carpet, creating a vibrant and confident scheme. Figge’s arrangement for this space is as fiercely vivid as Draper’s aesthetic, featuring commanding red dahlias, lilac sweet peas, and umbrella ferns. This floral composition boldly reimagines the loud, active, and colorful combinations that were hallmarks of Draper’s design philosophy. Finally, the article delves into Mark Hampton’s inviting elegance as seen in a 1980s New York dining room. Hampton's design incorporated chintz and treillage to evoke an English garden enchantment, serving as an airy backdrop for antique porcelain and silver collections. Figge’s reinterpretation creates a romantic idyll with peach dahlias, lavender cosmos, and periwinkle blue lace flowers. The arrangement highlights old-fashioned David Austin Sweet Juliet roses, which are presented as the true stars, embodying the delicate charm and transportive quality of Hampton’s design. This particular piece captures the blend of classic beauty and understated luxury that characterized Hampton's approach. #FloralArrangements #InteriorDesign #20thCenturyDesign #BrookeAstor #AlbertHadley #MichaelTaylor #DorothyDraper #MarkHampton #HomeDecor #LuxuryLifestyle

Brittany Hakimfar, founder of Philadelphia's Far Studio, emphasizes the importance of natural materials in her interior designs, allowing their tactile textures and organic motifs to define her earthy yet elegant aesthetic. Her current design inspiration stems from richly veined marbles, specifically lavender-hued Calacatta Viola and black-and-white Nero Marquina. These stones serve as the foundational palette, guiding the selection of complementary fabrics and finishes to create a cohesive and visually captivating scheme. Hakimfar's design incorporates a variety of natural elements, including honey-hued zellige tile and dark brass counter stools, all chosen to celebrate the raw beauty of nature. The resulting palette aims for organic refinement while subtly introducing glamour. Key elements contributing to this sophisticated blend include vintage black beads, which add an eclectic touch, and Farrow & Ball's Brinjal paint, a rich, deep purple hue that acts as a strong statement color and can create a special mood, especially when used in a lacquered finish for cabinetry. One-of-a-kind ceramic pieces and found objects, such as a vintage ceramic dish and bud vases, are integral to adding unique character to spaces. Custom wood furniture from Faithful Roots, known for its top-tier finishes and craftsmanship, is frequently incorporated, demonstrating versatility in blending with various marble types. Hardware and metal finishes are carefully selected; for instance, the Luxe Gold finish by Brizo is favored for its subtle brass tone without yellow undertones, ensuring compatibility with diverse wood and marble schemes. For custom stools, Thomas Hayes Studio's dark patina brass finish is preferred for its seamless integration into Hakimfar's interiors. Fabric choices are crucial for texture and color, with materials like Verellen's emerald mohair and Donghia's Bordeaux velvet (Covet fabric) being highlighted. The Bordeaux velvet was specifically chosen for armchairs to complement Calacatta Viola marble, while Jiun Ho's Linyati velvet in Lion adds interest and shine to custom banquets. Zellige tiles from Riad Tile, in honey and forest green, are valued for their natural, handmade quality and unique colors. Marbles, such as Calacatta Viola and Nero Marquina from Stone Tech Fabrication, are selected for their dramatic veining and grounding natural materiality, often used for striking features like a full bar wall or fireplace surrounds. Additionally, natural limestone in Paris Grey by François & Co. is anticipated for its ability to introduce texture and a timeless feel to kitchens. Wallcoverings play a significant role in adding depth and character; Phillip Jeffries' vinyl plastered wallcovering in Fresca offers a textured plaster look, while their vinyl abaca wallcovering in Fern creates a subtle layer in dining spaces. The Venetian plaster wallcovering in Espresso Brown by Phillip Jeffries is praised for closely mimicking real plaster, lending a moody ambiance. Finally, the Thisby rug in Ivory by Sacco Carpet provides luxurious texture and a neutral tone, grounding primary bedrooms and creating a calming environment. Styling elements like vintage zen stones, along with sheer and neutral window treatments from Stout Textiles, complete the curated design approach, emphasizing a harmonious blend of natural materials and refined aesthetics. #InteriorDesign #MaterialSelection #LuxuryInteriors #NaturalMaterials #ColorPalette #DesignInspiration #HomeDecor #TexturalDesign #MarbleInteriors