A reverse brick veneer house in Clovelly with coastal style

Architects Marià Castelló and José Antonio Molina have designed a family home in Port de la Selva, a small Spanish town in Costa Brava. This dwelling is embedded into a steep, rocky site that slopes towards the seafront and features dark volcanic rock outcrops. The design strategy balances openness and privacy by integrating a lower level into the ground with projecting volumes that offer sea views. This approach also minimizes the house's visual impact, allowing it to blend seamlessly into the landscape and creating various patios with distinct lighting conditions. The house consists of two concrete volumes connected by a glazed corridor. The lower level, close to street level, establishes intimate connections with the outdoors through patios. These patios are framed by the natural rock formations of the site. In contrast, the upper level's two volumes are oriented to provide frontal views of the landscape and the sea horizon. This dual strategy of embedding and volumetric division reduces the apparent size of the intervention and enhances its integration with the surrounding environment. On the ground floor, a spacious main bedroom, a bathroom, and a living area open onto private patios. These private outdoor spaces are sheltered by the steep rock surfaces. The eastern volume on the upper level accommodates the children's bedrooms and a small swimming pool, while the western volume houses a kitchen, dining area, and an additional sleeping space. The glazed corridor, which also contains the vertical circulation, connects these two volumes. It offers expansive sea views on one side and a sheltered courtyard on the other, protected by the slope of the site. This glass nexus creates a wind-protected exterior space that maintains visual transparency towards the sea. The exterior of the house features a concrete finish, chosen to harmonize with the natural characteristics of the site. Gravel excavated from the site was used to finish the building's roof, further integrating it into its surroundings. Inside, the rooms are characterized by white walls complemented by oak detailing and custom-made wooden furniture. This material palette was selected to introduce warmth and harmony, offsetting the inherent qualities of the concrete. The exterior carpentry and certain interior claddings are also crafted from oak wood. Both Marià Castelló and José Antonio Molina lead their own architectural practices, Marià Castelló Architecture and José Antonio Molina Saiz, respectively. Their previous works include a geometric three-volume home on Formentera and an Ibizan retreat featuring glass corridors, open patios, and a pool. The construction management for this project was overseen by José Antonio Molina, Lorena Ruzafa, and Marià Castelló, with Joan Noguer as the building engineer, Think Enginyeria for structure engineering, and QS Enginyeria i Associats for facilities engineering. The design team included Lorena Ruzafa and Marga Ferrer, and Construccions Pòrfit served as the builder. The photography was conducted by Castelló, highlighting the architectural details and the house's relationship with its coastal setting. #ResidentialArchitecture #ConcreteHouse #CoastalDesign #SpanishArchitecture #GlazedCorridor #IntegratedLandscape #ModernHome #PortDeLaSelva

This article details the transformation of a circa-1980 Ventura, California, beach house, purchased by an LA-based couple with two young children at the beginning of the pandemic. The homeowners enlisted designer Jess Diab, formerly a project manager for Sarah Sherman Samuel, to redesign the space. The house, which was the only oceanfront property available at the time, presented a unique design challenge due to its irregular shapes, compartmentalized social areas, and a 'clunky' three-floor layout. Diab's design philosophy centered on celebrating the home's existing geometry, particularly inspired by its swooping entry stairwell. The primary goal was to enhance the sense of flow throughout the three-story structure without undertaking major structural changes. The layout includes guest bedrooms on the lower, beach-level floor, living, dining, and cooking areas on the middle floor, and a partially open, lofted main bedroom. Diab aimed to create numerous "moments" and visual movement to counteract the feeling of simply navigating a series of staircases. Key design elements and strategies implemented by Diab included plastering the walls of a funky stairwell niche to create a soothing, textured aesthetic. This area was further adorned with a sculptural side table and a large decorative clamshell, designed to encourage a momentary pause before guests exit the home. In the guest bedrooms on the ground floor, Diab opted for a hotel-suite ambiance, incorporating simple nightstands and pendant lights. A notable design choice in these rooms involved custom cushioned panels framing the headboard, inspired by Drop It Modern fabric. A black side table, originally an inexpensive find, was spray-painted to elevate its appearance and complement the graphic patterns in the room. The lofted main bedroom initially suffered from a long, narrow configuration, resembling a 'bowling alley' where the bed could only be placed on one wall. To mitigate this awkward orientation, Diab introduced a custom channel-tufted headboard to visually expand the room with horizontal lines. In the kitchen, a new marble countertop and backsplash featuring dark green and gray veining were selected to evoke the Pacific Ocean. The slab yard meticulously book-matched the visible edges of shelves to create a continuous, swirling, watery effect. An upper shelf was strategically placed to keep essentials like coffee and mugs accessible for guests. Addressing storage concerns, Diab collaborated with professional organizer Julianna Strickland of Space Camp Organizing. Beyond stocking the house with the family's preferred snacks, the project involved building custom cabinets to accommodate surplus kitchen items. Given the homeowners' need to host up to 15 people, Strickland designed extra storage around the dining nook for pantry items and dishes. The curved theme was extended to these cupboards, which were finished with Park Studio hardware, a detail replicated in the bedroom closets. The collaboration with Strickland reportedly brought a sense of calm and order to the home's functional aspects. #HomeRenovation #BeachHouseDesign #InteriorDesign #CoastalLiving #SpacePlanning #CurvedArchitecture #VenturaCalifornia #JessDiabStudio #StorageSolutions

This article details the transformation of a circa-1980 beachside home in Ventura, California, which was purchased by a Los Angeles-based couple with two young children at the beginning of the pandemic. The homeowners enlisted designer Jess Diab to revitalize the property, which was initially described as "clunky" with irregular shapes and compartmentalized social areas. Diab's primary goal was to celebrate the existing geometry of the space while introducing a sense of flow and movement, despite the house's three-story layout and numerous stairs, which often made it feel disjointed. The design strategy focused on enhancing the home's inherent curves and improving its functionality without undertaking major structural changes. The house features guest bedrooms on the lower level, living, dining, and kitchen areas on the middle floor, and a partially open, lofted main bedroom. Diab addressed the 'clunky' feel by creating design 'moments' throughout the house, aiming to give the illusion of seamless movement. For instance, a funky stairwell niche was transformed into a calming focal point using textured plaster walls, a sculptural side table, and a decorative clamshell, encouraging occupants to pause and appreciate the space. In the guest bedrooms, located on the beach level, Diab aimed to create a hotel-suite ambiance. This was achieved by incorporating simple nightstands and pendant lights. A custom-cushioned panel, sourced from Drop It Modern fabric, inspired the design of a three-ball side table. This table, originally an inexpensive piece, was spray-painted to mimic a high-end designer item, demonstrating a resourceful approach to budget-conscious design. The lofted main bedroom, initially narrow and awkward, was made more inviting with a custom channel-tufted headboard that introduced horizontal lines, visually broadening the space. The kitchen's design also incorporated the theme of movement and connection to the surroundings. A new marble countertop and backsplash, featuring dark green and gray veining, were selected to evoke the Pacific Ocean. The visible edges of the shelves were meticulously book-matched to create a swirling, watery effect. An upper shelf was strategically placed to ensure easy access to essentials like coffee and mugs for guests. Storage was a significant consideration, especially since the homeowners needed to accommodate up to 15 people. Diab collaborated with professional organizer Julianna Strickland of Space Camp Organizing to not only stock the home with family favorites but also to design and install custom cabinets. These cabinets, framing the dining nook, provided ample storage for pantry items and dishes, essential for entertaining large groups. The curved theme was extended to the hardware, with Park Studio handles adorning both the kitchen cupboards and bedroom closets, ensuring a cohesive design language throughout the home. #BeachHouse #InteriorDesign #HomeRenovation #CurvedDesign #SpacePlanning #CoastalDecor #StorageSolutions #JessDiabStudio #VenturaHome

In 2014, Phil and Adriana purchased a 1970s brick-veneer house in Carlingford, Sydney, primarily as an investment property with the intention of eventually knocking it down and rebuilding a new house and a second, smaller dwelling on the corner block. Their initial criteria were purely rational, focusing on the potential for future development and rising Sydney property prices. However, their plans changed after buying a three-bedroom apartment closer to the city and welcoming their first son in 2017. The apartment became too small when they discovered they were expecting their second child, and Phil needed a dedicated study to work from home. This prompted them to reconsider the Carlingford property, which offered more space and proximity to good schools. After exploring a knockdown and rebuild, they opted for a renovation due to the challenging sloping block and cost-effectiveness. The original house was dark, dated, and compartmentalized, featuring a pine kitchen, dingy bathrooms, a built-in bar, and a spiral staircase leading to a 'soulless' multipurpose room. Their goal was to transform this into a functional, comfortable family home for at least ten years, accommodating their two young sons. They re-engaged interior designers Janice Yim and Theresa Chan from Studio Quarters, who had previously provided initial ideas. The renovation focused on extensive structural changes to address the house's inherent issues. A significant modification involved removing a poky entry area that blocked northern light from reaching the kitchen and dining spaces. This alteration opened up the living areas, allowing natural light to flood the interior and dramatically changing the home's ambiance. Other key structural changes included reconfiguring the kitchen to create an open-plan kitchen/living/dining space, removing the old spiral staircase, relocating the laundry downstairs, and enlarging the boys' bedrooms. A new staircase was installed next to the dining area, and a study was created in a former living space. Studio Quarters also designed a clever partition and storage unit between the semi-open study and the kitchen, providing both privacy and connectivity while offering ample storage. The aesthetic vision for the renovated home was a contemporary Scandinavian look with clean lines and a sense of warmth. The designers incorporated blue accents, such as the Murobond Island Blue on the kitchen island and Sailcloth grey on the entertainment unit, along with Piketto Grey mosaic tiles for the splashback, to add interest to what was once a nondescript property. The family also emphasized the need for robust materials that could withstand the rigors of an active household. Phil, who had prior experience project-managing construction, decided to manage the renovation himself as an owner-builder. However, the project encountered a significant setback early on when extensive termite damage was discovered, affecting multiple beams and rafters. This unexpected issue added an estimated $80,000 to $90,000 to the budget, forcing Phil and Adriana to deliberate whether to continue or abandon the renovation for a complete rebuild. After consulting with structural engineers who confirmed the house could be salvaged with rectification work, they decided to proceed, given the money already invested and the time constraints of starting anew. The demanding rectification work, which involved stripping down walls and installing new structures, was completed just before the Covid-19 pandemic in March 2020. Despite the challenges, the now structurally sound home feels spacious and airy, successfully transformed into a stylish and functional family residence that harmonizes with the neighborhood's character. Phil reflected on the importance of setting a realistic budget and accounting for unexpected issues, calling the experience a valuable learning lesson. #HomeRenovation #BrickVeneerHouse #CarlingfordSydney #StudioQuarters #ScandinavianDesign #HomeOffice #InteriorDesign #StructuralRenovation #FamilyHome

Nineteen years ago, CK and Morgan Smith acquired their first large boat, which significantly altered their lifestyle. For nearly two decades, they consistently utilized their free time, primarily summer weekends, to engage in activities on Pickwick Lake. Their four children grew up considering Pickwick Lake a secondary home. Initially, the family docked their three-stateroom boat at Aqua Yacht Harbor, spending weekends living on the water. As the children matured, their desire for more friends and less time anchored on the boat led the Smiths to purchase a ski boat, increasing their active participation in lake activities. Approximately two years prior to this account, the Smiths decided to formalize Pickwick's status as a second home. They collaborated with architect Carson Looney of LRK and interior designer Cindy McCord of Cindy McCord Interior Design, Inc., to construct a dream house at Pickwick Lake, enabling them to enjoy lake life year-round. This residence was intended to offer a complete transition from their everyday lives, providing a sense of calmness immediately upon entering. Morgan expressed a desire for a "beach house" ambiance, contrasting with their Germantown home's French country style, which Cindy had designed 14 years earlier. Cindy drew inspiration from the sun-washed, laid-back, clean-lined residences of Florida’s Rosemary Beach community, a place the Smith family also frequented, effectively creating a "beach house at the lake." Their Germantown residence featured a warm color palette of yellows, corals, and browns. For the new lake house, they opted for a cooler scheme of grays, blues, and whites, resulting in a transitional aesthetic that blends clean lines with coziness and comfort. Morgan envisioned a space where the family and guests could relax comfortably. A weathered wood pedestal table seating eight was a must for Morgan, facilitating entertaining. Doors open fully from the dining space to a screened porch, which accommodates a long farmhouse table with casual cane-seat chairs, collectively seating 20 people. The spacious screened porch, which includes an L-shaped wicker sofa, two side chairs, a stone fireplace, and a mounted flat-screen TV, is a primary gathering spot for the family, usable even in winter thanks to heaters and the fireplace. Cindy McCord and Morgan Smith collaborated closely on the project, including several buying trips to Atlanta for antique and vintage pieces, such as a weathered workbench that adds texture and patina. The designer expressed satisfaction with every room, particularly noting the architectural features of the stairwell. The open living area seamlessly connects to the dining room and kitchen through wide openings framed by reclaimed wood beams, sourced from a Mississippi-based supplier. The kitchen features white cabinetry, white shiplap walls, pale countertops, and a rustic custom wood vent hood, complemented by oversized pendant lights above the island. The living room's stone fireplace extends to a whitewashed peaked wood ceiling, contributing to an airy and ethereal atmosphere. This soft, neutral color palette and inviting ambiance extend into the bedrooms. The master suite includes an upholstered headboard with a subtle pattern, white bedding, and neutral draperies, fostering a restful environment. A guest room showcases a nautical blue-and-white palette with patterned elements, while a large bunk room accommodates ten people with built-in beds and loft-like sleeping arrangements. The house can sleep 18 individuals in beds alone. A spacious entertainment area on the lower level provides extra seating, a bar, and a billiards room, serving as another gathering place for the family. The lake house represents a compromise, fulfilling CK's desire for a lake retreat and Morgan's wish for a beach house, creating a beloved space for family relaxation and entertainment. #BeachHouse #LakeHouse #InteriorDesign #FamilyHome #RusticElegance #TransitionalStyle #PickwickLake #CindyMcCord #HomeFeatures

The A-Frame ReThink residence on Fire Island, New York, initially presented a challenge with its existing layout obstructing the stunning bayside views. New York–based architecture firm Bromley Caldari undertook a comprehensive renovation to transform this outdated beach home into a modern escape, prioritizing open living spaces and maximizing waterfront vistas. The primary intervention involved replacing the original six-foot diameter spiral staircase with a new, sculptural element designed to integrate seamlessly with the iconic A-frame structure. Bromley Caldari leveraged creative design and construction expertise to fit the new, large spiraling staircase within the confined space of the A-frame. This was achieved by taking advantage of a local zoning regulation that permits bay windows to project slightly beyond the building envelope. This allowed the architects to tuck the staircase into the low roof eaves, incorporating large bay windows at various heights on both sides of the house. These windows function similarly to skylights, flooding the interior with natural light and offering framed views of the bay at each turn as the staircase ascends three floors. A catwalk-like balcony connects the two sides of the upper levels. The renovated home features a double-height living space on the main level, where an expansive window wall establishes a strong connection between the living and dining areas and the outdoors. The open-concept kitchen and the home's mechanical systems are discreetly located along the back of the house. The kitchen millwork is intricately detailed, combining functionality with aesthetic appeal, and offers views from multiple directions, whether cooking or entertaining. A sleek solution for the main floor bath is a floating wood vanity paired with a glass pedestal sink, while a wood pocket door conceals the water closet. The second level houses the master suite, which offers bay views and a tranquil space for relaxation. Large glass sliding doors provide access to the suite and can be made opaque for privacy with the flip of a switch. The master bathroom also maintains an emphasis on views, featuring a glass-enclosed shower, a double vanity, and a post-mounted mirror designed not to obstruct the surrounding landscape. The uppermost level, situated just beneath the peak of the A-frame roof, accommodates an additional bedroom and a small living area that can also function as a third bedroom. A shared bathroom, enclosed with glass for an open feel, connects these two spaces. The transparency of the bathroom enclosure further contributes to drawing the bay views inward, reinforcing the home's connection to its scenic surroundings. The A-Frame ReThink project exemplifies a successful integration of modern architectural interventions within a classic A-frame form, resulting in a residence that celebrates its location and offers a contemporary living experience. #AFrameHome #BeachHouseRenovation #BromleyCaldari #FireIslandArchitecture #ModernStaircaseDesign #WaterfrontViews #ArchitecturalRenovation #OpenConceptLiving #SculpturalElements

The Grey Street House, designed by Local Architecture, emerges from the challenges of a constrained site and limited budget to showcase the inherent beauty of everyday materials and the profound legacy of craftsmanship. Situated just two hundred meters from Success Boat Harbour in Western Australia, behind an existing heritage dwelling, this 170-square-meter home thoughtfully addresses privacy, access, and planning to deliver a comfortable family residence that supports daily living rituals. The home's footprint was meticulously shaped by the specific conditions of its 250-square-meter plot, which included a narrow right-of-way, a tight vehicle turning radius, necessary boundary and shading setbacks, and an existing sewer easement. Architect Natalie Miller carefully considered the available volume, manipulating it to adhere to height restrictions and optimize solar performance, all while ensuring privacy and maintaining sunlight access for neighboring properties. This detailed spatial problem-solving resulted in a distinctive rectilinear form featuring a pitched roof, punctuated by openings strategically placed and proportioned to draw in natural light. Red brick was selected early in the design process as the primary building material due to its low maintenance requirements and resilience against corrosive salt-laden coastal winds. A substantial insulated cavity within the building envelope effectively conceals all structural elements and services, while also providing superior acoustic performance and thermal comfort. After thoroughly researching Fremantle's diverse brick types and textures, Natalie Miller incorporated a contemporary interpretation of traditional Flemish bond brick patterning. This design choice contributes to the rich tradition of brick construction in the area, with the header course either flush with the bond, removed to create a brick screen, or in relief, forming a highly textured facade that dynamically changes throughout the day. A brick planter and letterbox at the street edge serve as a welcoming landmark, guiding visitors to a recycled steel gate. Beyond this gate, a large brick planter and a perforated brick screen facilitate a seamless transition to the north-facing jarrah deck and garden, which also serves as the main entrance to the house. An excavated alcove provides shade along the northern facade, acting as a darkened threshold leading into the living and dining areas. The intentional absence of a conventional front door allows visitors to step directly into the core of the house, fostering an immediate sense of informality and welcome. Inside, the spaces are strategically organized around a central staircase. The kitchen, living, and dining areas are oriented north, directly connecting to the entry deck and garden. A sixty-five-year-old olive tree, relocated to the north-west corner, provides ample shade from the intense afternoon sun, while a brick barbecue area offers a sturdy platform for cooking and entertaining. The interior palette features honed concrete floors and white-painted brick walls, establishing a neutral and tactile foundation. The kitchen is designed with understated elegance, featuring American oak cabinetry finished with a black japan stain for subtle tactility, complemented by a fine white engineered stone benchtop and vertical subway tiling that imbue a refined, contemporary aesthetic. The living area benefits from a generous vertical volume extending to the roof ridge, where the perforated brick screen casts evolving patterns across the double-height wall throughout the day. Vehicle access is provided via a rear right-of-way, with a double carport located to the east. A roller door conceals a plywood-lined "man cave," equipped with a robust workbench and ample storage for tools, fishing gear, and bicycles. A playful, china blue entry door leads to the southern "mudroom," a practical space for hats, coats, shoes, helmets, bags, and umbrellas. Recycled jarrah treads and risers, gently sheathing the central stair, ascend to the heart of the upper level: a bright and inviting office space. Despite the home's compact footprint, privacy is maintained on the upper floor by situating the three bedrooms at the corners of the floor plate, ensuring no shared walls. The raked roofline creates a sense of spatial intimacy in the bedrooms, crafting cozy, attic-like rooms. Although the house does not boast a "special" view, windows are judiciously sized and positioned to frame glimpses of native trees and nearby rooftops, and to maximize natural light. Three operable skylights on the south side provide diffused light and efficient cooling, while all operable windows are louvred to facilitate cooling sea breezes. Pivot doors allow for generous openings to the bedrooms, promoting cross-ventilation throughout the house. The bathroom and ensuite are located on the western edge, featuring a continuation of black-stained cabinetry alongside natural-toned tiles that cover the floor and walls. The ensuite, conceived as a Japanese-style wet room, offers a serene retreat illuminated by soft natural light. A void to the lower level occupies the fourth corner of the upper floor plate, creating a vertical connection within the house. From each space, occupants can look through adjacent areas, fostering a sense of interconnectedness. Natalie explains that this design strategy allows spaces to "borrow from each other," enabling the inclusion of program elements not typically found in a house of this size. Indeed, the Grey Street House maintains a remarkable sense of spaciousness, providing a high level of amenity through abundant natural light and ventilation. Fundamentally, the project is about creative making—making with brick, making with light, and making the most of every opportunity. Through thoughtful design, Local Architecture has demonstrated the potential of subdivision, delivering a house that embodies longevity, purpose, and is vibrant with the activities of family life. #ResidentialArchitecture #SustainableDesign #Brickwork #SmallFootprintHome #CoastalLiving #FremantleArchitecture #SpatialEfficiency #NaturalLight #FamilyHome #LocalArchitecture

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

This article details a contemporary 6,000-square-foot residence in Southern California’s Manhattan Beach, designed by Montalba Architects. The dwelling spans three floors on a long, deep lot, characteristic of the area's ocean-adjacent properties, and addresses the challenge of dense proximity while maintaining a sense of openness. The exterior features a pared-down palette of plaster, Douglas fir for the roof overhang, and Western red cedar for a textural screen wall, complemented by an abundance of glass, suggesting a voluminous interior presence. The interior design ingeniously mitigates any feeling of compression through a double-height interior courtyard open to the sky, serving as the central organizing element of the home. Entry to the house is through a screened, semi-outdoor garden space on the ground floor. This level contains a guest room and bath, mechanical and laundry areas, a large gym, and an expansive garage designed to accommodate up to six vehicles, catering to the owner’s passion as a Porsche collector. The "real" front door is situated on the second level, accessible via an exterior stairway. On the second floor, an entry foyer overlooks the central courtyard, which features a large maple tree. This alfresco amenity is visible from various points throughout the house, including from the third floor. This level is dedicated to the owners' private spaces, encompassing the primary ensuite bedroom and bath, as well as separate her and his offices. An additional deck expands the usable outdoor area. An indoor, light-filled stairwell connects to the third floor, strategically located to maximize natural daylight. David Montalba emphasizes that a consistent theme in his diverse architectural work is the sculpting and engaging integration of natural light into buildings. The third floor accommodates the main living areas, including a conjoined living, dining, and kitchen zone, alongside a family-media room. This family-media room opens through sliders to an outdoor living space, featuring the tall courtyard and a deck with a lap pool, overlooked by a vertical garden. This vertical garden enhances privacy and adds a unique aesthetic element. The design also incorporates a subtle 'slot of space' on the third floor, allowing for distant views of breaking waves from all rooms. Montalba’s modernist approach is evident in the minimal finishes and furnishings throughout the home. Flooring consists of white oak indoors, transitioning to ipe outdoors, designed to blur the boundaries between interior and exterior spaces. Other prominent materials include vertical-grain white oak for millwork and acid-blasted silver travertine from Belgium for the living room fireplace. The furniture selection features pieces from acclaimed designers such as Finn Juhl, Rodolfo Dordoni, Edward Barber & Jay Osgerby, Roberto Barbieri, and Roberto Lazzeroni. The home also integrates contemporary art from artists like Andy Moses and Casper Brindle, alongside a family heirloom Steinway piano, blending modern aesthetics with personal history. #MontalbaArchitects #ManhattanBeach #ContemporaryArchitecture #BeachHouseDesign #ModernistDesign #InteriorCourtyard #LuxuryResidential #SouthernCaliforniaHomes #ArchitecturalLighting

Surfside House, designed by Andrew Burges Architects, is a compact family home in Clovelly, a beachside Sydney suburb. This project involved converting an existing semi-detached dwelling, where the ground floor was reimagined into bedrooms, and a new open living space was added above. The design responds to the coastal hillside site, suggesting a new neighborhood character through its tower-like form and integrated garden platforms. The ground floor of the Surfside House houses three bedrooms arranged around a central stair and study. The architects utilized overly wide doors to enhance light distribution and extend the perception of space. A main bedroom faces the street, while two children’s rooms at the rear open onto a small garden and connect to each other. This thoughtful allocation of doors creates a sense of continuous space throughout the ground level. To maximize the utility of the small rooms, built-in sleeping lofts were incorporated, providing each child with a private elevated space featuring a small window. The varied ceiling heights on this level, with their bulkheads and thresholds, define distinct areas and manipulate natural light to create pockets of shadow, making the rooms feel discrete even when doors are open. In stark contrast to the ground floor, the first-floor living room is a singular, expansive open space. Large windows offer ocean views and invite breezes, while nearby treetops and new planter beds bring greenery close to the interior. Timber walls and sliding screens contribute to a treehouse-like ambiance. A rear deck extending from the kitchen further integrates planting through built-in garden beds. The kitchen, dining, and lounge areas are unified under a raked ceiling that ascends to a generous corner skylight, making the room feel large and spacious. The kitchen joinery is crafted to resemble bespoke furniture, reflecting its role as the heart of the home for a cooking-focused family. Despite its open plan and large windows, the living room maintains a cozy and inviting atmosphere due to deliberate design choices. Deep reveals around most upper-level windows encourage occupants to sit and converse by the sill. A subtle separation between eating and lounging areas is achieved through a few steps and a low credenza, effectively zoning the space without dividing it. This allows for a sense of containment provided by the timber furniture. The Surfside House stands out in Clovelly, an area that has seen significant development from its original simple cottages to a mix of units, duplexes, and contemporary homes. The state government's "Complying development" planning controls have often led to new constructions that disregard neighborhood character. Surfside House, with its hardwood board cladding, clean roofline, and raised planters, intentionally diverges from the traditional brick cottage aesthetic. Its tower-like form, visible through a gap in banksia trees, is designed to harmonize with the rich vegetation of the eastern suburbs. The timber cladding blends with the giant banksias, and the built-in planters integrate with the tree canopy. This design approach not only revived a dilapidated cottage but also provided a growing family with a functional and aesthetically pleasing home within their community, potentially offering a new vision for neighborhood character and priorities. #SurfsideHouse #AndrewBurgesArchitects #CoastalLiving #ResidentialArchitecture #SydneyHomes #CompactDesign #ArchitecturalRenovation #SustainableDesign

The "Gingerbread House" in Larchmont, a historic summer cottage built in 1872 near Manor Beach, underwent a comprehensive interior redesign to suit an active young family with three daughters. Designer Laurie Scovotti was tasked with lightening the home's interiors while preserving its unique character, which includes rich millwork and whimsical architectural details. The primary directive was to create a brighter, more youthful, and modern feel within the Victorian Gothic structure. Scovotti achieved this by juxtaposing the home's original architecture with relaxed, clean-lined furnishings and a vibrant palette of colors and patterns. Blue tones were established as a grounding hue, reflecting the family's passion for sailing and the home's coastal proximity, complemented by accents of pinks, greens, and floral motifs. The exterior also received a fresh update, with a classic white complemented by light blue trim, following a collaboration with color consultant Debra Kling. The large living room was cleverly divided into two distinct areas. One section was designed for intimate conversations around the fireplace, featuring deep-blue velvet chairs and an airier feel created by a lighter-colored stone mantel surround. The homeowners' existing art pieces, including watery prints and a colorful painting, were integrated into the decor. The other side of the living room, bathed in natural light from floor-to-ceiling windows, evokes a summery ambiance with light blues and pinks, anchored by a large blue coffee table and softened by subtly patterned drapes. Dark crown molding in several rooms was painted to reduce visual weight, though a prominent wood beam in the living room ceiling was retained. In the dining room, a dramatic "Inisfree" wallpaper by Carrier and Company for Lee Jofa served as the foundational design element. The low ceiling was visually elevated by painting it in Benjamin Moore Smoke, a shade also applied to the millwork around the mantel, which itself received a fresh coat of white paint. The space was kept calm and neutral with a wool-and-jute rug, a delicate glass chandelier, and refined dining chairs, with rounded doorways providing elegant transitions. The former passthrough area was transformed into a functional bar room, blending traditional elements, such as the homeowners' rug, with mid-century pieces like a rattan bar cabinet and leather chairs. The walls, painted in Benjamin Moore’s “Jamestown Blue,” contribute to a relaxed lounging atmosphere. The husband's office was designed to balance wood-paneled walls with a bright blue ceiling, and heavy curtains were replaced with unlined woven shades. A metal-and-glass desk adds a modern touch, and built-in shelves display personal items like sailing trophies and books. A hallway connecting bedrooms was updated into a vibrant lounge space, featuring durable vinyl grass cloth on the walls, a cleverly concealed electrical panel behind artwork, and an array of pillows in various prints and textures to add brightness and energy. Each of the daughters' rooms was personalized according to their preferred color themes, with Scovotti expanding on these palettes. For instance, the oldest daughter's room incorporated softened primary colors around a floral "Carly" wallpaper, providing a fun and adaptable space. Another girl's bedroom balanced dark window trim with modern furniture and bold patterns, utilizing blue-and-green fabrics and mint-green walls to create a peaceful yet youthful environment. The primary bedroom, a serene retreat for the couple, heavily features blues. The decor is light and bright, with dark blue accents on the bed frame and a Greek-key pattern on the drapes. A four-poster bed from Maiden Home is strategically placed to maximize the water view, and a comfortable armchair was reupholstered in a vintage Schumacher print. The wife's dressing room, located at the top of a spiral staircase, functions as an office with an impressive view. Drapes in a blue-and-white Schumacher fabric frame a circular window, and a burlwood desk lightens the room's darker wood elements. A nautical compass inlay on the floor adds a decorative touch. Scovotti also provides advice for incorporating color into a home, suggesting starting with impactful but not overwhelming additions like large artwork or upholstered chairs, rather than painting entire rooms, and encouraging individuals to trust their intuition regarding color choices. #HistoricHomeRenovation #InteriorDesign #FamilyFriendlyDesign #LarchmontHome #LaurieScovotti #ColorPalette #ModernVictorian #CoastalDecor #HomeRedecoration

This article showcases the transformation of a Cornish beachside house into a home filled with coastal charm, reflecting the owner Juliet Mayhew's journey from initial skepticism about the region's appeal to fully embracing its unique character. Initially, Juliet, an Australian, found Cornwall's shingle beaches a stark contrast to the white sands she was accustomed to. However, a sunny second visit, including a boat trip along the Helford River, changed her perspective, leading her to appreciate the special allure of the area. This shift in perception was crucial as she and her husband found a house in a prime, secluded location overlooking the sea, offering views of bobbing boats and lush oak-covered hills. The process of acquiring the property was a notable undertaking, requiring an early morning drive from London to place a successful bid before the house went to the open market. Following the purchase, the couple dedicated significant time to planning improvements, aiming to seamlessly connect the interiors with the stunning outdoor spaces. A key structural alteration involved creating an open-plan kitchen and sitting room by knocking through a wall, enhancing light and maximizing the sea views from all main rooms. The kitchen, which was an existing feature, received a stylish update with pale grey painted cabinets, and its large central workspace was designed for entertaining. As an experienced interior designer and party planner, Juliet meticulously curated the home's aesthetic over a year, drawing inspiration from the sea. Her approach involved extensive online searches for marine-themed decor, including rope lamps, fabrics with coral motifs, shells, boats, oars, driftwood stools, and a large compass. This intentional and overt embrace of nautical styling, rather than a subtle nod, infused the house with distinct character and visual interest. The sitting room, with its expansive windows, allows residents and guests to fully immerse themselves in the spectacular views, complemented by a vibrant color scheme that defines the coastal living space. The dining room's lively color palette mirrors Juliet's energetic personality and her love for entertaining, a central consideration in the home's redesign. Upstairs, the main bedroom was expanded to include a larger balcony, creating a space that evokes the feeling of a ship's deck. Juliet particularly enjoys sitting on the balcony and watching boats, finding it a source of deep relaxation. In contrast to the home's more vibrant areas, the guest bedroom offers a serene atmosphere, decorated in a calming palette of blues and neutrals, directly inspired by the surrounding coastal environment. Optimizing the outdoor living experience, the terrace was reconfigured after observing the sun's path throughout the seasons. This thoughtful adjustment allowed the couple to fully leverage the breathtaking views of the Cornish coastline. The entire renovation and decoration project underscore a deliberate design philosophy that blends personal taste with the natural beauty of the location, creating a harmonious and uniquely styled beachside residence. #CoastalHome #InteriorDesign #HomeRenovation #CornwallLiving #NauticalDecor #OpenPlanLiving #SeasideProperty #HomeStyling

This blog post explores a 5,445-square-foot Bethany Beach home designed by C&E;, a third-generation interior design studio led by Kate Winnington. The design ethos, described as 'coastal and elevated,' deliberately moves away from stereotypical kitschy coastal aesthetics, opting instead for elegance, luxury, and warmth. Situated on Fenwick Island, surrounded by the Atlantic Ocean and a picturesque bay, the home seamlessly integrates its natural environment into its design. A central goal of the project was to blend modern architectural elements with the inherent oceanside atmosphere. Winnington aimed for an organic and earthy feel, layering various natural textures and maintaining a relatively neutral color palette. Subtle modern touches were incorporated to enhance the overall design without overpowering the coastal essence. This approach is evident in an entryway alcove, featuring wooden cladding, a custom console table, a modern mirror, and a carefully placed light fixture, all contributing to the 'coastal modern' aesthetic. Texture plays a crucial role in the home's design, evolving naturally throughout the project as outdoor views influenced interior choices. The space showcases a rich array of natural and nature-inspired textures, including weathered wood, a limewash-finish fireplace, boucle armchairs, and natural stone. This symphony of textures contributes to an earthy, inviting atmosphere, making the neutral color palette more dynamic and elevated. Winnington emphasizes that achieving the right balance of shades and textures is vital to creating a sophisticated space. The design continuously acknowledges the strong influence of the beach environment, ensuring that all elements complement rather than compete with the outdoor views. The neutral color palette and textures are directly inspired by the natural tones outside, implemented subtly to prevent them from dominating the scenery. Winnington's favorite room, the custom-built kitchen, exemplifies this philosophy with natural stone counters and backsplash, wooden cabinetry, open shelving, and a mix of gold and matte black hardware. She highlights the kitchen as a key investment area in a home, given its central role in daily life. The article also discusses how organic elements can be incorporated into any home, regardless of location. Winnington suggests using natural fibers and textures like jute, bamboo, cane, and rush in rugs and mixed-material furniture to introduce an earthy and organic feel. While most of the home maintains a neutral palette, the main bedroom diverges with dark, moody black paneled walls combined with a wood-clad ceiling and a textured bedframe. This bolder choice creates a cozy, retreat-like ambiance, demonstrating that master bedrooms are ideal spaces for design experimentation due to their function-forward nature and relative size. Finally, the integration of C&E;'s own furniture line into the design was seamless, with pieces thoughtfully selected to enhance the nature-inspired aesthetic. Winnington notes that such projects often see elements falling into place effortlessly, making the furnishing process intuitive. The furniture, including outdoor sofas and streamlined wooden coffee tables, reflects a sculptural quality through curves, details, and mixed materials. This Delaware home serves as a prime example of coastal modern style, balancing elevated design with an appreciation for its natural surroundings. #CoastalModernDesign #InteriorDesign #BeachsideHome #OrganicDesign #NeutralPalette #NaturalTextures #CustomKitchen #MoodLighting #DelawareHome

This article highlights the recent redesign of a four-bedroom farmhouse-style home located in Montecito, California, specifically in the Hedgerow neighborhood. The property, originally built in the 1970s, offers a secluded setting with a stunning garden and views of the Montecito mountains. Despite its idyllic location, the home presented interior design challenges before its transformation into a perfect retreat. The homeowners, a young family, enlisted interior designer Hayley English to create an unpretentious, youthful take on traditional farmhouse style, incorporating coastal decor elements. The primary goal was to establish a better backdrop for vacations and casual gatherings, as well as to improve the overall flow of the space. English focused on softening the home's original aesthetic and enhancing its warmth. In the kitchen, the designer opted for white units, moving beyond the often predictable and unremarkable nature of white kitchens. She introduced humble materials like a butcher block island and rattan chairs to create a surprisingly warm atmosphere. Feminine floral fabrics were used for drapery and upholstery, adding a softer touch, complemented by grosgrain cushion ties for a whimsical and chic feel. A vintage rug in muted shades of pink and gold further contributed to the warm color scheme. Key pieces in the kitchen include a pendant light from Hector Finch (Harbinger), barstools from Serena & Lily with Lisa Fine cushion fabric, and other fabrics from Soane Britain and Fermoie. The dining room, an open-plan area connected to the living room, was designed for a casual and comfortable ambiance. The wooden tabletop, intended to bear the marks of years of family gatherings, anchors the space. Chairs from Redford House with cushions from Schuyler Samperton (Jasper Showroom), Match Pewter candleholders, and table linen from Connected Goods complete the setting. For the living room, which serves as the first impression for guests, an open floor plan was strategically implemented to ensure optimal flow and an airy feel. A light color palette was chosen as a foundation, with pops of earth tones in the upholstery playing off the stone fireplace surround. Denim blues were integrated to introduce a coastal element. Antiques and vintage accessories were curated to create a traditional, relaxed, and welcoming atmosphere. The pitched ceiling with white clapboard paneling further reinforces the coastal theme. Notable items in this space include ottomans upholstered in Lisa Fine fabric, a coffee table from Redford House, a rug from Jamal Rugs, and throw pillows from Nickey Kehoe. The artwork throughout the home, including the living room, consists of vintage, commissioned, and antique pieces depicting California scenery, unifying the color schemes. The primary bedroom was designed to be unique and nostalgic, featuring a tall four-poster bed with crisp linen drapes that complement the cathedral ceiling. Key elements include a Serena & Lily bedframe, a bed cover from Chelsea Textiles, a quilt from Les Indiennes (Nickey Kehoe), drapery from Schumacher, and sconces by Mark Sikes for Hudson Valley Lighting. Another bedroom adopted a cheerful, English cottage style, featuring pale green walls painted in Benjamin Moore's 'Guilford Green.' This room stands out for its playful mix of patterns and colors. Drapery by Penny Morrison, a quilt from Nicky Kehoe, a lampshade from Maison Maison, and pillowcases from ST Frank (Over the Moon) contribute to its distinctive character. A third bedroom exhibits a sophisticated yet approachable design with a punchy palette. Cool blue walls, painted in Benjamin Moore's 'Woodlawn Blue,' and elements like a cane bed and woven wood shades incorporate coastal motifs. The bedframe is from Serena & Lily, the quilt from Neem (Nicky Kehoe), euro pillow fabric from Décors Barbares Tissus Tartares, and pillowcases from Annie Selke. All photographs for the project were taken by Sara Tramp, with styling by Lauren May. #MontecitoHome #FarmhouseStyle #CoastalDecor #InteriorDesign #HayleyEnglishInteriors #HomeRenovation #KitchenDesign #LivingRoomDecor #BedroomIdeas

Robson Rak Architects have crafted their third rammed earth house on Victoria’s Mornington Peninsula, a sprawling residence deeply integrated into its natural surroundings. The design emphasizes a sense of solidity and embeddedness, largely achieved through the extensive use of rammed earth. This material choice was central to the clients' brief for a low-maintenance home on their ten-acre plot, a preference shared by the architects for its pure, inside-out building quality, where the material itself forms both interior and exterior finishes. The house is considered a subtle monument, possessing enduring qualities without ostentatious grandeur. Initially, the clients envisioned a symmetrical, rectangular modernist building, but the architects, Kathryn Robson and Chris Rak, felt this design wouldn't adequately respond to the site's unique characteristics. Instead, they proposed a design that broke up the rigid rectangular form, introducing level changes and manipulating the edges to create a more dynamic and textured structure. Despite these modifications, the architects maintain that the house retains a modernist sensibility, albeit one that extends and adapts rather than adhering to a simple, gallery-like cube. Perched at the highest point of the site, the house maintains a low, lean profile, appearing to settle into the earth. Its southern facade features a tiered design, descending into the site with a series of single and double steps, a deliberate strategy to work with the natural slope of the land and create a gentle, quiet presence. The orientation of the house was influenced by a tall plane tree, which became a focal point for a large window in the main bedroom. From this central point, the house extends westward, incorporating a central volume for living, dining, and kitchen areas. A parents' retreat is located at the eastern end, a second living zone to the west, and three additional bedrooms line the northern edge. A terrace spans the southern side, offering views of a fernery at the lower part of the property. The southern orientation is a distinctive feature, designed to avoid the harshness of direct sunlight. The clients preferred a softer, ambient light, which the architects achieved through various strategies, including deep eaves, narrow clerestory windows, and a trio of skylights above the kitchen. These elements not only control light but also introduce diverse lighting conditions throughout the spaces. The design incorporates intimate pockets, such as a window seat next to a fireplace, which benefits from ample sunlight. The entry, an understated three-sided forecourt paved with sleepers and compressed gravel, is another notable space, praised for its quietness and symmetry. The interior design reflects these same qualities, utilizing a restrained palette of earth, glass, timber, and concrete. The materials are harmoniously combined, with slender aluminum window frames contrasting with the substantial four-hundred-millimetre rammed earth walls and polished concrete floors. Greyed timber surfaces, including a central spine wall that cleverly conceals services difficult to integrate into rammed earth, add texture. The architectural focus was on texture rather than vibrant colors or patterns, aiming for an easy-to-live-in space that feels earthy, tactile, and warm, yet timeless. Custom details, such as a bespoke front door handle crafted from found brass objects by an artist friend of the client and custom-designed side tables by Chris Rak, who has a background in sculpture, enhance the home's unique character. The children's bathroom features a carefully proportioned freestanding vanity set back from the wall to allow for floor-to-ceiling windows and linen curtains. The kitchen includes a central island encased in purple-grey tiles for socializing and a discreet butler's kitchen behind a sliding door for practical, everyday use, equipped with a second set of appliances, stainless steel benches, and ample storage. The success of the project is attributed to the exceptional site, a well-defined brief, and a collaborative relationship between the architects and the client. #RammedEarthHouse #RobsonRakArchitects #MorningtonPeninsula #SustainableArchitecture #ModernistDesign #LowMaintenanceHome #NaturalLightDesign #CustomDetails #InteriorDesign #SiteResponsiveArchitecture