A Hidden Green Hills Gem: Margi’s Furniture & Design

Mary Ratcliffe, a Toronto-based custom furniture designer, has gained international recognition for her work, which is characterized by a commitment to sustainability and timeless designs. Her creations, intended to be passed down through generations, earned her a feature in Phaidon’s Woman Made anthology and appearances at international shows like ICFF and WantedDesign. Ratcliffe’s journey into furniture design was influenced by her father, a hobby woodworker, inspiring her childhood inclination to craft gifts from scrap wood in his workshop. Initially pursuing architecture at OCAD University, Ratcliffe shifted to industrial design before working at prominent Canadian design studios like Bruce Mau Design and Moss & Lam. This period provided her with foundational knowledge in interior design. A subsequent temporary break allowed her to refine her career path, leading her back to woodworking. She discovered that furniture design offered a more immediate and manageable creative outlet compared to the prolonged timelines of architectural projects. This realization led her to establish Mary Ratcliffe Studio (M.R.S.), initially operating out of her father’s rent-free studio, where she readily accepted various design commissions from friends. The M.R.S. team now comprises five individuals working from her Liberty Village studio and a shared fabrication space in Etobicoke. While custom, sustainable furniture remains the core of her business, Ratcliffe's creative endeavors extend beyond wood. During the pandemic lockdown, when projects were scarce, she diversified her offerings by launching a collection of small housewares, including catch-alls, candle holders, and molded stone vessels. These items, previously given as holiday gifts to clients, became a successful venture, leading to a doubling of sales for the studio over the past year. On May 15th, M.R.S. launched a ready-to-ship collection, aiming to bridge the gap between custom and mass-produced furniture. This new collection focuses on providing high-quality, well-designed pieces at a more accessible price point, embodying Ratcliffe’s vision of making enduring design available to a wider audience. The collection includes items like the Garden of Eden Dining Table, The Bench, showcasing signature parallel lines and negative space, and a Coffee Table crafted from white oak accented with marble, emphasizing enduring beauty. Her minimal Nightstand, with its mid-century aesthetic, subdued color accents, and practical storage solutions, also forms part of the studio's offerings. #FurnitureDesign #MaryRatcliffe #CustomFurniture #SustainableDesign #Woodworking #ProductDesign #TorontoDesign #HeirloomQuality #HomeFurnishings

Michael Graves Design, in collaboration with Pottery Barn, has launched a new collection of home furnishings that prioritizes accessibility without compromising on style or aesthetic appeal. This partnership builds upon both brands' commitment to subvert the often clinical or uninspired aesthetic associated with accessible design, instead offering dignified solutions for a broader range of users. The term "accessible" in this context refers to products designed to be independently usable by individuals with varying abilities, a concept distinct from, yet complementary to, universal design. The collection specifically addresses the needs of differently-abled persons through thoughtful consideration in its design process. The new range includes three bedroom collections and two complementary armchairs, all designed with functionality and safety as primary concerns. The collection integrates innovative enhancements with elegant design details to facilitate effortless living, a standard often taken for granted. A highlight of the collection is the Cayman Collection, which exemplifies Michael Graves' iconic modernist approach. This collection features a bed with a built-in storage bench, a nightstand, a six-drawer dresser, and an upholstered dresser seat. Each piece is crafted from solid mango wood with a warm finish, exhibiting simple geometry, an engaging interplay of solid and void elements, and clear edge articulation. These design choices subtly reveal how form directly follows function within the collection. Several pragmatic features are incorporated into the Cayman Collection. For instance, seemingly inset surfaces create front grab rails and raised edges, preventing items from rolling off the dresser or nightstand. The nightstand is equipped with an integrated power strip and drawer cutouts to discreetly conceal medical devices and their associated cords. The bed frame includes subtle armrests with pull and roll side grips, aiding in repositioning and contributing to human balance, while also visually harmonizing the headboard with the built-in bench. Tubular inset feet on the bed frame are designed to minimize the risk of tripping and stubbed toes. The dresser's elevated base and raised bottom drawer are specifically designed to accommodate wheelchair clearance, providing up to 9 inches of space. Additionally, large voids within the furniture offer open storage, easily accessible when seated or positioned nearby. The Bradford Armchair, a corresponding piece to the Cayman style, features minimal tubular legs, flat arms, and oversized cushions. This design experiments with scale and incorporates touchpoints within the room, with moments of contrast serving as cues for mobility and balance. The chair also includes a taller seat, adjustable foot heights, and a rear handrail, further enhancing support for users. Ben Wintner, CEO of Michael Graves Design, notes the increasing focus on accessibility within the design community, comparing it to the earlier emphasis on sustainability. This mainstream collaboration with Pottery Barn is seen as a positive development, making aspirational and exemplary design more widely available and potentially inspiring future designers to further democratize beauty and functional design. #AccessibleDesign #HomeFurnishings #PotteryBarn #MichaelGravesDesign #BedroomFurniture #InclusiveDesign #ModernDesign #FunctionalDesign

Rachael Rosenblum, founder of Double R Design, operates her furniture redesign business out of a Fort Greene carriage house. This studio serves both as a practical workspace for storing fabric swatches and works in progress, and as a showcase for her imaginative approach to furniture transformation. The studio itself, located on Vanderbilt Avenue, embodies Rosenblum's philosophy, featuring a blend of vintage and rehabbed pieces, including an antique French chandelier and a baker’s rack repurposed as a fabric library. This setup allows prospective clients to visualize how old items can be given new life and purpose. Rosenblum's work is driven by principles of sustainability and waste reduction. She emphasizes that older furniture is often constructed with superior craftsmanship compared to many modern pieces. Her core belief is in the potential of existing items, encouraging clients to consider how their current furnishings can be updated and transformed before purchasing new ones. To illustrate this potential, she maintains a collection of finished pieces in her studio, demonstrating the dramatic transformations achievable through redesign. Some of these are collaborations with other artists, while others are her own creations featuring carefully selected fabrics. This collection helps clients envision the longevity and renewed aesthetic an old piece can achieve. Rosenblum's passion for craftsmanship and repurposing was instilled in her during her childhood in Ohio, where her parents frequently took her to flea markets and secondhand stores. This upbringing fostered an appreciation for finding unique items and understanding their potential. The catalyst for establishing Double R Design came after 17 years in the fashion industry, when Rosenblum was given an antique bergère chair by her grandmother. She undertook its restoration, and seeing her children interact with the newly redone chair—which had moved from a seldom-used bedroom to a lively TV room—highlighted the chair’s renewed energy and purpose. This personal experience solidified her desire to bring similar joy and transformation to others. Following this realization, Rosenblum pursued interior design studies at Pratt online during the pandemic. She subsequently channeled her fashion background and love for textiles into her new career path. She launched Double R Design with an initial collection of 12 items, which she photographed and showcased to begin building her business. She actively promotes her work and process through local markets and an Instagram presence. Clients can visit her studio by appointment or when the doors are open on pleasant days to explore her offerings. When clients inquire about the cost-effectiveness of restoration, which can involve significant labor expenses, Rosenblum advises that it is worthwhile if the furniture possesses a sturdy foundation, particularly solid wood, or interesting design details. Furthermore, sentimental value, such as with a family heirloom, also justifies the investment. Beyond structural integrity, Rosenblum enjoys experimenting with dimensions and combining diverse colors and textiles in her designs. While prioritizing client aesthetics and ensuring the pieces suit their spaces, she often introduces subtle, distinctive elements, such as decorative tape on a sofa or double-sided pillows with reversible patterns, to add an extra layer of uniqueness to her projects. #FurnitureRedesign #SustainableDesign #VintageFurniture #InteriorDesign #FortGreene #TextileDesign #Craftsmanship #HeirloomRestoration #BrooklynLife

The article showcases the home of Kelley and Brian Duncan, located adjacent to the golf course at Green Valley Country Club in Greenville, South Carolina. The residence is a carefully curated blend of mid-century aesthetics and personalized touches, reflecting the couple's style and accommodating their family life. Numerous photographs highlight various rooms and design elements within the home. The exterior of the house benefits from its prime location next to the golf course, offering scenic views and a tranquil environment. Inside, the living room serves as a central hub for the family, designed to be open and conducive to entertaining. The space features large multi-panel doors and is adorned with art, including portraits by Pat Rawlins of their two older sons, flanking the fireplace. The shelves in the living room display a collection of art and keepsakes, adding personal character to the area. The playroom introduces a mix of textures and tones, with the warm, rich hues of an upright piano contrasting with natural seagrass wallpaper. A framed print of James Audubon’s “Ruffed Grouse” decorates the wall, and an antique tobacco basket further contributes to the natural aesthetic of the room. In the primary suite, an oil painting of hole #3 at Bulls Bay Golf Club in Awendaw, S.C., commemorates the couple's engagement, adding a sentimental touch to the private space. The home's original fireplace mantel in the living room has been upgraded, painted ebony, and accessorized with antique brass accents, demonstrating a thoughtful update to existing features. A detailed view of the carved mantel highlights its intricate design. The formal dining room, connected to the living room, offers flexibility with retro accordion doors that can section it off. These doors are an original detail of the home and can be neatly tucked away into a wall pocket when not in use. The kitchen features cabinets painted in Farrow and Ball’s Dix Blue, providing a distinctive pop of color. A mother-of-pearl pendant light hangs above a table, which is utilized by the boys for homework, blending functionality with aesthetic appeal. A dark teal sideboard and coordinating artwork echo the color scheme maintained throughout the residence. The foyer is characterized by large mid-century windows that allow abundant natural light to flood the space. A formerly blank area has been transformed into a wet bar, which has become a popular spot. This area now includes a gold-veined mirror, glass shelving, pendant lighting, and stools. Gold retro highball glasses are strategically placed to evoke the home’s original era, adding a touch of nostalgic glamour to the bar. The integration of various design elements, from color palettes to art and furniture, creates a cohesive and inviting living environment for the Duncan family. #HomeDesign #InteriorDecor #GreenvilleSC #MidCenturyModern #FamilyHome #GolfCourseLiving #CustomInteriors #ResidentialArchitecture

Interior designer Greg Natale has cultivated a distinct style since establishing his studio in 2001, characterized by a bold, eclectic approach to integrating architecture, design, and decoration. His work is far from conventional, often incorporating intricate layers of color and pattern, which he considers an innate aspect of his design philosophy. Clients typically seek his expertise for interiors that eschew muted tones, reflecting his signature maximalist aesthetic rather than a pared-back style. Natale's design methodology is comprehensive, extending beyond singular projects to include product development. He has ventured into furniture design, creating a range of residential wood-based pieces for Mortice and Tenon, alongside a line of more minimalist furniture for Stylecraft. These collaborations underscore his commitment to a 360-degree design approach, ensuring that every element within a space contributes to a cohesive vision. A notable collaboration includes a collection of six distinct New Zealand wool rugs designed in partnership with Designer Rugs. Natale emphasizes the critical role rugs play in his integrated design approach, serving not only as decorative elements but also as foundational anchors for furniture arrangements within a room. The names of these rugs—Corfu, Malibu, Monte Carlo—might suggest a relaxed ambiance, but their design ethos is rooted in a structured approach. The inspiration for the rug collection stems from Natale's passion for repeat patterns. He values the architectural quality of these patterns, noting their effectiveness in defining a room's aesthetic from multiple perspectives. His international travels have also significantly influenced the collection's designs. For example, the "South Beach" rug draws inspiration from an Art Deco building's screen wall, while "Palm Springs" reimagines a historical Chinese pattern encountered in that desert locale. Natale encourages both his team and his clients to embrace a holistic design journey, one that is characterized by continuous integration and innovation. He advocates for taking risks and pushing creative boundaries, believing that such an approach yields more engaging and interesting outcomes. His philosophy suggests that design does not need to be overly serious, but it should possess depth and layering to capture and hold interest. Through his studio and various design endeavors, Greg Natale continues to challenge conventional design norms, offering vibrant and distinctive interior solutions that reflect his unique vision and passion for design. #InteriorDesign #GregNatale #HomeDecor #PatternAndColor #RugDesign #FurnitureDesign #LuxuryInteriors #DesignInnovation

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article is the second part of a five-week series detailing the design project of the Hilltop Estate, specifically focusing on its living and dining areas. The living room and dining room are presented as a cohesive, larger space, characterized by a high ceiling vault. The design approach emphasizes a sense of continuity, achieved through elements like uniform drapery and symmetrical chandeliers. The color palette employed throughout these spaces is softened, featuring peaceful and calming tones, with black accents strategically used to complement the bold steel windows. In the living room, a focal point is created by built-in shelving constructed around a limestone fireplace. The design pays meticulous attention to molding details and the selection of décor accessories. A notable feature within the built-in shelving is a flannel-textured wallpaper backdrop, adding a subtle textural dimension to the space. The article highlights the Studio McGee design approach of mixing furniture styles, illustrated by the use of spindle lounge chairs that complement a cream-colored sofa without being an exact set. Furthermore, a blue-gray sofa with a distinct shape and upholstery is incorporated, contributing to a diverse yet harmonious furniture arrangement. Shea McGee, the designer, articulates the design objective for the living space: to create an environment that feels elegant and refined but remains comfortable and practical for the clients' lifestyle. This balance between aesthetics and livability is a core principle guiding the design decisions for the Hilltop Estate. The dining room, which adjoins the living area, features two prominent long walls. These walls are utilized to introduce height and scale into the space. One wall is adorned with a sideboard and a mirror, which not only serves a functional purpose but also reflects the surrounding views, enhancing the room's spaciousness. The opposite wall features a large hutch, providing both aesthetic interest and valuable storage capacity, contributing to the room's overall functionality and style. The integration of these elements ensures that the dining room, while distinct, maintains the overarching design philosophy and aesthetic continuity established in the living room. The article underscores the thoughtful consideration given to every detail, from architectural features to furniture selection and decorative accents, all working in concert to create a sophisticated yet comfortable living and dining experience within the Hilltop Estate. The design aims to blend traditional and modern elements seamlessly, resulting in a timeless and inviting home. #HilltopEstate #InteriorDesign #LivingRoomDesign #DiningRoomDesign #HomeDecor #DesignContinuity #FurnitureStyling #StudioMcGee

Patricia McGinnis, a Belfast-based interior design consultant and co-founder of Maven, an interior and lifestyle boutique, provides five essential tips for making considered design decisions in home décor. Her advice aims to help individuals create spaces they will appreciate for years, avoiding reliance on fleeting trends. McGinnis emphasizes that the most engaging rooms feature a blend of elements that offer continuous visual interest through variations in shape, color, and texture. She encourages experimentation and playfulness in design, suggesting that vintage and contemporary pieces can coexist harmoniously to create a rich and layered aesthetic. An example from her own home illustrates this principle, featuring a mid-century dining table on an antique rug, surrounded by contemporary Scandinavian chairs and lit by a Japanese-inspired pendant lamp, demonstrating how diverse styles can be integrated effectively. A key recommendation from McGinnis is to avoid compromising on personal preferences, especially when it comes to color choices. She advises individuals to trust their instincts and choose colors they genuinely love, asserting that future regret is more likely to stem from not following one's heart than from bold color decisions. She also cautions against allowing tradespeople to dissuade homeowners from their chosen designs, sharing anecdotes of painters initially resistant to certain colors who ultimately grew to admire them. Furthermore, McGinnis stresses the importance of investing in quality pieces, particularly for items such as sofas, dining chairs, and tables, which are used frequently. She suggests saving for desired items rather than settling for less, as quality furniture is more durable and can become cherished heirlooms, a philosophy central to Maven's curated collection. McGinnis strongly advises against being overly influenced by social media trends. She warns that homes designed strictly according to current trends can quickly become dated and feel inauthentic or impersonal. While acknowledging the inevitability of some trend influence, she advocates for a balanced approach where trending elements are integrated with timeless pieces. This strategy aims to create an enduring aesthetic that reflects the homeowner's personality rather than merely mimicking popular online aesthetics. The goal is for a home to be a unique reflection of its occupants, rather than a generic replication of another's Instagram feed. Layering is presented as another crucial aspect of effective interior design, likened to a chef adding spices to a dish. McGinnis explains that layering multiple textures, tones, shapes, and colors, along with thoughtful lighting, adds depth and richness to a room. This approach elevates a space beyond its basic components, creating a more sophisticated and inviting atmosphere. Finally, McGinnis highlights the practical importance of meticulous measurement. When investing in significant furniture pieces, she advises measuring not only the intended space but also doorways and awkward corners to ensure the items can be successfully moved into the room. This practical tip helps prevent costly mistakes and ensures that carefully selected pieces can be properly installed and enjoyed in their new environment. #HomeDecor #InteriorDesign #DesignTips #PatriciaMcGinnis #MavenBelfast #TimelessDesign #PersonalStyle #LayeringInDesign #QualityFurniture

The article explores how Molly Kidd, an interior designer, draws inspiration from her upbringing in the Pacific Northwest to create soft, inviting, and timeless interior spaces. Kidd's design philosophy is deeply rooted in the natural aesthetics and contemplative stillness of Oregon's pine forests, fog-draped coastlines, and serene mornings. This environment fostered in her an appreciation for how light interacts with spaces, the subtle beauty of nature's colors, and the worn elegance of natural materials. This foundational experience shaped her approach to design, moving away from imposing styles towards listening and responding to the inherent story and character of each space. A central tenet of Kidd's design is her approach to materiality, favoring organic elements such as oak beams, natural flooring with visible knots, hand-thrown ceramics, and rumpled linen. She believes these materials soften a room, inviting comfort and a sense of permanence rather than fleeting trends. This preference for natural and tactile elements helps create an atmosphere that encourages people to relax and feel at ease. The designer also emphasizes the incorporation of vintage pieces in her projects, aiming for at least 50% vintage content, and sometimes up to 80%. This choice is driven not only by sustainability but also by a reverence for the history and character embedded in older items. She finds beauty in the stories these pieces carry, from sun-faded corners to softened edges, and integrates them into homes to create a sense of continuity and depth. Kidd's design process extends to both new builds and remodels, always with a focus on harmonizing with the existing environment. In new constructions, her studio considers the natural footprint of the site—its light, trees, and terrain—to create designs that respect the land and feel thoughtful for generations. For remodels, she seeks to uncover the inherent character of older structures, balancing legacy with modern functionality. The goal is to evolve the space with beauty and purpose, ensuring the design feels both rooted in history and renewed for contemporary living. This careful integration ensures that each project tells a coherent story that resonates with its surroundings. The designer acknowledges that being based in the Pacific Northwest, away from traditional design hubs like New York or Los Angeles, presents unique challenges. However, she views this as an advantage, as it has fostered a sharper, more resourceful approach and a stronger sense of her own design identity. This rootedness allows her to connect with clients across diverse geographical locations, from California to Florida, as her nature-forward aesthetic appeals to those seeking authenticity and spaces that exude a quiet, collected charm. Her room color ideas are directly inspired by the Pacific Northwest landscape, featuring earthy browns, mossy greens, sun-faded creams, and occasional deep reds or biscuit yellows. She particularly favors decorating with brown, viewing it as an endlessly nuanced color that, like nature's palette, feels timeless and enduring. Ultimately, Molly Kidd aims to create spaces that feel collected rather than overtly decorated, organic rather than overworked, and deeply rooted in something more profound than transient trends. Her design language is informed by her Oregonian upbringing, the landscapes that provided stability, and the palette that became her visual lexicon. Even when working on projects far from the Pacific Northwest, she carries its essence—in her material choices, her design restraint, and her quiet reverence for authenticity. The article concludes with clients often remarking that her spaces feel "grounded," a testament to the enduring influence of her roots and her ability to translate that sensibility into meaningful and inviting interiors. #InteriorDesign #PacificNorthwest #MollyKiddStudio #NaturalMaterials #VintageFurniture #SustainableDesign #AuthenticInteriors #EarthyColorPalette #DesignPhilosophy

A Martha's Vineyard property, originally built in the late 1990s by Shope Reno Wharton, has undergone a significant reimagining, transforming into a modern coastal retreat named Red Cliff. The project was a collaborative effort involving Hutker Architects, interior designer Paul Commito, Martha’s Vineyard Construction Co. (MVCC), and landscape architect Horiuchi Solien Inc. The renovation aimed to integrate modern and coastal design elements, deviating from the client's more traditional primary residence, while emphasizing the natural beauty and ocean views of its Chilmark location. The redesign prioritized an open floor plan, moving away from the property's initial division by paneled walls. The 5,700-square-foot house now features crisp white walls, serving as a gallery-like backdrop for the client’s growing modern art collection. White oak floors guide visitors through the interior, which blends natural materials and hues with contemporary touches. Strategic placement of rugs and furniture defines distinct yet interconnected spaces, preventing a disjointed feel. A notable piece is a bright blue sculptural bench by Casey McCafferty, crafted from a fallen Central Park tree, which subtly divides the dining and living areas. The interior design sought to create a warm and inviting atmosphere despite the large, modern space and cool color palette, with Paul Commito emphasizing coziness for guests. The living room showcases black trusses and an Allied Maker fixture on the ceiling, complemented by a palette of coral, green, blue, sandy taupe, and brown in natural fibers. Furnishings include Roman & Williams Guild sofas, B&B Italia armchairs, and custom-stained wood stumps from John Thayer Cabinetmakers. The kitchen, once a closed-off galley, was transformed into a central, open area that overlooks both the pool terrace and the Atlantic Ocean. Hutker partner Phil Regan highlighted this change, noting the kitchen's improved views and social integration within the great room. White oak accents continue into the kitchen, which is equipped with integrated Miele, Sub-Zero, and BlueStar appliances. The kitchen's central island, painted in Farrow & Ball Stiffkey Blue and topped with Caesarstone fresh concrete, is a focal point. Allied Maker pendants hang above, and Mark Albrecht Studio leather-woven stools offer front-row seating for the expansive ocean views. A large picture window behind the sinks, flanked by glossy, light blue-green Ann Sacks tiles, frames the cliffs, sandy beach, surfers, and gardens, seamlessly connecting the interior with the shimmering blue beyond. The primary suite provides a private sanctuary with a neutral-toned aesthetic, featuring a Materia chandelier and a shearling Audo lounge chair, nestled within native seagrasses. Its en suite bathroom includes a Blu Bathworks soaking tub with views of the pastoral landscape. The exterior spaces are equally designed to embrace the natural surroundings. Granite steps lead through native flora to various outdoor living areas, including a fire pit with Sutherland Adirondacks, an Olympic-length lap pool, a hot tub, and a lounge area, all strategically positioned to maximize ocean views. This comprehensive renovation successfully merged sophisticated modern design with the inherent beauty of Martha's Vineyard, creating a harmonious coastal dwelling. #Martha'sVineyard #HomeDesign #InteriorDesign #CoastalLiving #ModernArchitecture #LuxuryHomes #ArchitecturalRenovation #LandscapeDesign

Tailored Home, an upscale design center, has opened its second location in Greenville, Delaware, taking over the space previously occupied by The Enchanted Owl at Two Greenville Crossing. The new store builds upon the legacy of its predecessor, which operated for over half a century, selling fine china and other home accoutrements. Starr Osborne, the founder of Tailored Home, identified a strong market in Chateau Country for her design services and retail offerings, drawing parallels between Greenville's sophisticated clientele and that of her successful first location in Chestnut Hill, Philadelphia. Osborne’s business portfolio also includes Philadelphia’s first home-staging firm and a white-glove relocation service. Her decision to expand into Greenville was prompted by the retirement of The Enchanted Owl's owner, Louise Hoffman, creating an opportunity to fill a void in the local luxury retail landscape. The Greenville store offers access to design services through its Chestnut Hill counterpart, ensuring a comprehensive approach to home aesthetics for its patrons. The store continues to embrace tradition by offering a bridal registry that combines personalized consultation with a digital platform. Despite a general shift towards more casual entertaining since The Enchanted Owl first opened in 1971, Tailored Home observes a continued demand for traditional fine goods. Osborne, an interior designer by profession, emphasizes the importance of setting a beautiful table for any occasion, aiming to create a welcoming atmosphere for guests and encouraging the regular use of quality items. Among the legacy brands carried by Tailored Home are Herend, a porcelain manufacturer favored by royalty such as Queen Victoria and Princess Diana, as well as Simon Pearce and Mottahedeh, all of which were previously staples at The Enchanted Owl. In an expansion of its product range, Tailored Home has also introduced bed and bath products, featuring luxury brands like Abyss & Habidecor, John Robshaw, Matouk, Pigeon and Poodle, and Sferra. This diversification reflects an effort to cater to a broader spectrum of home design needs while maintaining an emphasis on high-quality and luxurious goods. Starr Osborne, who holds a bachelor’s degree in art history from Yale University and was a fellow at Historic Deerfield, views her current work as a continuation of curating homes. Her philosophy centers on the belief that homes should be both aesthetically pleasing and comfortable, serving as a cherished space for individuals to live and grow. The new Greenville location aims to provide residents with a destination for sophisticated home furnishings and design expertise. #HomeDesign #LuxuryRetail #GreenvilleDelaware #InteriorDesign #BridalRegistry #FineChina #HomeFurnishings #StarrOsborne #ChateauCountry

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

This article offers an exclusive tour of interior designer Gil Walsh's home on Bankers Way in Edgartown, Martha's Vineyard, showcasing her distinctive design aesthetic. Walsh, who has been in the interior design business for over 40 years, purchased the home two years prior to the article's publication. The original structure was built and designed by Patrick Ahearn Architects, with Walsh and her team subsequently adding custom touches that reflect her signature style, characterized by careful attention to detail, strategic pops of color, and a blend of antique and custom-made pieces. The tour begins with the 'party barn,' a detached building featuring a cupola and weathervane. This space, originally a concrete garage, was transformed into a spacious sitting room with hand-laid brick floors, pine and floor-to-ceiling beadboard paneling. It is adorned with repurposed antiques and vintage displays, demonstrating Walsh's ability to integrate diverse elements into a cohesive design. An upstairs office within the barn serves as a workspace for Walsh and her project manager, Julie Sierputoski, highlighting the detailed craftsmanship evident in elements like a perfectly sculpted handrail. Architectural details in this area were enhanced by Joseph W. Dick-Architecture Inc., with Timothy McHugh Builders and Arthur Sierputoski Contractors also contributing to the project. The outdoor area includes a pool, garden, and porch, framed by two trellises that create a 'secret garden' atmosphere. An elliptical window further enhances the architectural appeal. Inside the main house, the living spaces are a testament to Walsh's mastery of detail. The dining room features six upholstered chairs stenciled with a vine and leaf pattern, custom-cut antique pieces, an English setter weathervane by Travis Tuck, and Christopher Spitzmiller lamps in the living room. The design maintains a tactile symmetry, where individual elements, though varied, contribute to a harmonious whole. The kitchen is equipped with marble quartz countertops, built-in cabinetry, a six-burner Wolf range, and white beadboard paneling with crown molding. Sierputoski emphasizes the interplay of layers and colors throughout the home, designed to evoke a sense of happiness. The foyer showcases a willow table with seashell inlay from the south of France and a rug from Egypt, underscoring Walsh's global sourcing for unique pieces. The master suite, located on the first floor, is Walsh's favorite room. It features a light blue valance, a clean white comforter, and subtle pops of color from wall art and lampshades. Double doors provide access to the pool and porch. Walsh states that every room in her house is special, each possessing a unique architectural detail or a remarkable piece of furniture. The tour continues to the basement, which was transformed from a concrete space into a vibrant area with distinct rugs, an African tribal skirt, and antique sumo wrestler lamps. An ottoman covered with a red sari fabric demonstrates Walsh's creative use of materials to complement existing decor. Upstairs, another sitting room features upholstered furniture and intricate details, described as whimsical and elegant. The guest bedrooms each have a distinct theme: the 'queen room' with floral valances from a previous home, the 'blue twin room' with twin beds and a multicolored rug, and the 'needle point room' with pastel throw pillows and a Victorian writing desk. Walsh's approach to design often begins with a standout painting or carpet, or a compelling fabric, and she advises looking to nature for color inspiration. The article concludes by inviting readers to suggest other interesting Martha's Vineyard homes for future features in the 'Can we take a peek?' series. #GilWalshInteriors #EdgartownHome #InteriorDesign #MarthaSVineyard #HomeDecor #ArchitecturalDetails #CustomDesign #AntiqueFurniture #LuxuryHomes

Anna Franklin, founder and CEO of Stone House Collective, has opened the full-service interior design firm's first retail space in Shorewood, aiming to create a comprehensive home design hub. The new storefront, which officially opened earlier this month, reflects the firm's signature aesthetic of organic textures and serene tones, a style applied to both residential and commercial projects. Franklin's vision for the space is to engage all five senses of visitors from the moment they enter, offering an immersive experience into the world of interior design. The store is designed to meet various design needs, from full-scale home makeovers to individual item purchases. It features a curated selection of products from community partners and manufacturers with Wisconsin roots. These offerings include high-quality fixtures from Kohler, plumbing solutions from Able, and appliances from Sub-Zero. For decor and finishing touches, Talking Walls provides wallpaper, and Twig + Ember offers a signature candle scent. Shoppers can also find new and vintage art pieces, as well as a dedicated lighting display wall, catering to those looking to add fresh elements to their homes without undertaking a complete renovation. Furniture options are also available, including new pieces for those simply wishing to replace a sofa. Franklin emphasizes the store's commitment to quality, stating that all items are sourced to be durable and long-lasting, avoiding what she calls 'throwaway furniture.' While the store offers items across various price points, Franklin highlights that even their entry-level couch, priced at $5,000, is built for longevity. A notable exclusive offering at Stone House Collective is Parachute bedding, making it the only retailer in Wisconsin to carry the brand, which otherwise operates through its own brick-and-mortar stores across the U.S. Franklin clarifies that the intention behind carrying products from other companies is not to compete but to provide a convenient destination for individuals interested in design. If Stone House Collective's design firm cannot provide a specific service, they are committed to referring clients to trusted community partners who can. Looking ahead, the store has plans for a grand opening event on May 30, which will include food, drinks, and live painting to celebrate its arrival in Shorewood. Additionally, Franklin intends to collaborate with Sub-Zero Group, a luxury kitchen brand known for Cove and Wolf products, to host private dining experiences within the showroom. Seasonal additions to the store's inventory will include outdoor furnishings, timed to coincide with the summer season, further expanding the range of products and services available to customers. #HomeDesign #InteriorDesign #Shorewood #RetailStore #AnnaFranklin #OrganicDesign #HomeFurnishings #LocalBusiness

Kathryn M. Ireland, a Los Angeles-based interior designer, is releasing a new book titled "A Life In Design" on October 24. This book commemorates her three decades in the industry, highlighting her distinct and fearless approach to interior design. Ireland's philosophy emphasizes a non-serious, playful attitude towards decorating, which has attracted a diverse clientele, including notable figures like Steve Martin and Drew Barrymore. The book will feature some of her Hollywood projects and personal residences, showcasing her signature style of blending colors, global styles, and various fabrics. Ireland's journey into interior design began unconventionally. She transformed her filmmaker husband's editing studio in Santa Monica into a decorative accessories shop, which quickly gained popularity. Her initial foray into professional interior design came when Steve Martin, impressed by an article she wrote for House & Garden about another celebrity home, commissioned her to design his cottage. For Martin's home, Ireland incorporated subtle seafoam green and cream fabrics with interesting textures to complement his vibrant modern art collection. She also designed simple yet luxurious curtains and created relaxed seating areas, fostering an environment suitable for conversation or impromptu musical sessions, reflecting Martin's interest in playing the banjo. Ireland views each project as a significant learning experience, and her work for Steve Martin taught her the importance of starting with art and antiques in her design process. Her design projects extend beyond celebrity homes to include residential transformations across various locations. For instance, she renovated cosmetics giant Victoria Jackson's ranch house in Ojai, California. This project involved extensive work, such as stripping floors and remodeling bathrooms, and introduced elements like Moroccan and Mexican tiles, Spanish light fixtures, and European furnishings. Ireland also added unexpected details, such as curtains made from vintage Mexican serapes and distinctive red floral-shaped light fixtures in the master bedroom, embodying her preference for amusing, unexpected touches over kitsch. Her expertise also extended to a full-scale renovation of a British actor's farmhouse in the Cotswolds, formerly owned by Sir Mark Palmer. In this project, she meticulously preserved the original spirit of the house while infusing her style. This included wallpapering the master bedroom with her Marrakech Natural in Teal fabric, pairing it with a French armchair upholstered in Pampas Teal by Andrew Martin, and incorporating an armoire from Lorfords in Tetbury. A kente cloth bedspread, created by an Ashanti tribe in Ghana, further exemplified her global aesthetic. Ireland's connection to Ghanaian fabrics dates back to the 1980s when she traveled there for a documentary, and these textiles have since become a primary inspiration for her own fabric collections, which are also featured in her new book. Ireland describes her rooms as resembling a "United Nations," where diverse elements from Bali, Ghana, and France coexist harmoniously. She believes that while many elements can be prominent, they must collectively create a sense of balance and unity rather than any single item dominating the space. Her long-standing engagement with textiles began at an early age, winning a sewing prize at seven for a patchwork quilt, and she continues to sew her own clothes. Ireland, who started her career in fashion, views home design as an extension of fashion, believing that decorating is a therapeutic and relaxing process for both herself and her clients. #KathrynMIreland #InteriorDesign #HomeDecor #DesignBook #CelebrityHomes #GlobalStyles #TextileDesign #CaliforniaDesign

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

This article introduces Alice Grace, an interior designer who has successfully transitioned her passion for property and design into a flourishing interior design studio and a recently launched homeware collection. Alice's journey began with sharing her home design projects on Instagram, which garnered significant attention and eventually led to her professional venture. Her career background, which includes both teaching and high-end residential property sales, provided her with a unique perspective, though she was always more inclined towards the creative aspects of property, such as designing brochures and writing press articles. This entrepreneurial spirit, despite taking nearly 40 years to manifest fully, led her to establish her own design firm. Alice describes her design style as timeless and considered, emphasizing simplicity and the strategic use of pattern. Her studio aims for an elegant sophistication, often incorporating playful elements to create a distinctive 'Alice Grace' aesthetic. She stresses the importance of understanding each client's unique needs, ensuring that her design approach is tailored to reflect their personal style while delivering exceptional value. Alice's preferred color palette includes warm, muted, earthy tones, complemented by touches of blue. She finds comfort in natural hues like browns, reds, and greens, which harmonize well with natural oak – a material prominently featured in her homeware collection. For fabrics, she often grounds a room with rich velvet upholstery or soft furnishings, contrasting them with lightly patterned linen or embroidered cotton. When incorporating patterns, Alice suggests a balanced approach: selecting one large-scale pattern, alongside grounding plainer patterns that introduce varying textures like bouclé, and then adding a few smaller-scale patterned pieces and a stripe. This method prevents designs from clashing and ensures a cohesive look, as exemplified by a popular bedroom design featuring a busy wallpaper, a velvet headboard, and bespoke soft furnishings with blue accents. Instagram has played a crucial role in Alice's success, initially serving as a platform for sharing her personal life and home designs with a like-minded community. What started as a casual sharing endeavor evolved into a business opportunity as brands began to take notice. Alice views social media as a dynamic landscape, requiring constant adaptation. She notes the shift from aspirational, unrealistic images to a fast-paced, competitive environment, where a smaller, engaged audience is more valuable than sheer follower count. Alice acknowledges the challenge of consistently creating new content, especially when it involves her own home, which necessitates constant reimagining. However, she sees this as an opportunity to experiment freely, unconstrained by client briefs. For aspiring interior designers on social media, she advises establishing a clear brand and personal style early on to stand out in a crowded market. The focus, she explains, should be on providing content that the audience desires to see, rather than what the creator wishes to showcase. Her online community, particularly during lockdown, provided invaluable support and confidence, enabling her to launch her design business and join international design platforms like The Expert. The launch of Alice's homeware collection was a natural progression, stemming from her observations of market gaps during her design work and an inherent desire to create lasting pieces. The collection draws inspiration from an antique mirror inherited from her grandmother, featuring warm oak finishes and soft, curved details. These curves are evident in items such as The Tray, The Bedside, and The Nightstand, alongside modern reeded textures. Collaboration with a local, respected furniture and joinery company, Bath Bespoke, was essential to ensure the collection's quality and alignment with sustainable values. The goal is to create heritage pieces that withstand the test of time and can be passed down through generations. A new collection, including upholstery pieces, is slated for release in the summer, allowing customers to integrate Alice's favorite fabrics into their homes. #InteriorDesign #HomewareCollection #AliceGrace #InstagramSuccess #DesignPhilosophy #SustainableDesign #Entrepreneurship #HomeDecor #FurnitureDesign

Jonathan Matti, an interior designer with an architectural background, has established himself over four decades as a leading figure in Manila's interior design scene. He is the founder and CEO of an eponymous interior design firm and is known for projects such as the Goldenberg Mansion's Glass House and the creative hub Vetted. Matti describes his design philosophy as an integration of "Old World elegance meets 21st-century living," aiming to create spaces that are rich and nuanced without feeling anachronistic or like a museum. Matti emphasizes the importance of client collaboration, stating that successful projects stem from clients who share his appreciation for graceful, modern interiors with a historical feel. He welcomes opinionated clients, viewing such exchanges as a healthy dialogue that enriches the design process. His approach resonated internationally, leading to a collaboration with British company de Gournay to create "Latina Manila," a wallpaper series inspired by Filipino culture and history. His architectural training enables him to bridge the gap between space design and interior design, effectively resolving incongruities between a structure's architecture and its interior furnishings. A notable highlight of Matti’s career involved designing "The Glass House" at the Goldenberg Mansion. Following an unexpected downpour during an event hosted by First Lady Liza Araneta-Marcos, Matti was tasked with creating a weather-proof indoor space. He conceived an air-conditioned annex of glass, steel, and wood, drawing inspiration from pre-Victorian era glasshouses. This structure was designed to blend with the gardens and allow natural light and views in, while providing a comfortable, semi-outdoor venue for events, complete with appropriate lighting. Matti's transition from aspiring architect to celebrated interior designer was influenced by his early exposure to diverse architectural styles through his mother, a real estate broker specializing in Makati villages. His first interior design project, which involved significant re-arrangement and minor construction, solidified his passion for interior design. This initial success led to numerous projects, eventually prompting him to focus solely on interior design. The creative hub Vetted emerged during the pandemic when Matti repurposed a rented storage space. Envisioned as a venue for pop-up events and creative gatherings, Vetted extends Matti's design philosophy, ensuring that all hosted events align with his aesthetic. Its inaugural event was an art exhibit by Elmer Borlongan. Despite initial challenges, Vetted has successfully hosted various events, including a pop-up store collaboration called “Garden of Earthly Delights.” Matti continues his collaboration with de Gournay, hinting at future home-related projects that will bear his signature elegance and meticulous vetting. #InteriorDesign #OldWorldElegance #JonathanMatti #ArchitecturalDesign #PhilippineDesign #DeGournay #GoldenbergMansion #VettedCreativeHub