Yushima Building / Tenhachi Architect & Interior Design

The "Sunroom House in Tsukaguchi" project by FujiwaraMuro Architects is situated in a tranquil residential area, replacing the client's original family home. The architectural design strategically divides the structure into two main volumes: an LDK (living, dining, and kitchen) area and separate private rooms. A key design element is the use of split-level floors within the main living space, which serves to enhance the perception of spaciousness. This vertical segmentation also fosters improved connectivity and communication among occupants across the dining room and kitchen areas, allowing for visual and auditory interaction across different levels. The residence was completed in 2024 and spans an area of 105 square meters. The project's photography was carried out by Katsuya. Taira (studioREM). FujiwaraMuro Architects acted as the lead architects for this residential undertaking in Japan, focusing on a house typology. The design emphasizes thoughtful spatial organization to maximize both functionality and aesthetic appeal within a relatively compact footprint. The split-level approach, common in modern Japanese residential architecture, is utilized here to create dynamic interior volumes and distinct zones while maintaining an open feel. The overall design philosophy appears to prioritize a sense of openness and inter-connectivity, which is crucial in urban residential settings where space is often limited. By integrating the LDK and private rooms into a cohesive yet differentiated layout, the architects aim to support contemporary family life, providing both communal gathering areas and quiet retreats. The project reflects a careful consideration of the site's context and the client's needs, resulting in a design that is both practical and visually engaging. The selection of materials and finishes, while not explicitly detailed in the provided text, would typically align with modern Japanese architectural trends, often incorporating natural elements, minimalist aesthetics, and efficient use of light. The term "Sunroom House" in the title suggests a focus on natural light and potentially a specific area designed to capture sunlight, contributing to the dwelling's ambiance and energy efficiency, though further details on this aspect are not available in the given text. #ResidentialArchitecture #JapaneseArchitecture #SplitLevelDesign #InteriorDesign #ModernHome #FujiwaraMuroArchitects #Tsukaguchi #ArchitecturalPhotography #SpaceOptimization

The SJ building, designed by Takao Shiotsuka Atelier, is a three-story reinforced concrete structure situated in Saiki, Oita Prefecture, Japan. This unique complex houses a wine shop, a canteen, and two residential units (the owner's house and the grandmother's house) stacked vertically. Its distinguishing feature is an innovative outdoor concrete ramp that serves as the primary means of vertical circulation, linking all floors and spaces without any internal stairs. The project is deeply rooted in the historical context of its location, an intersection leading to a shrine approach in Saiki city, where a liquor store traditionally operated. The ground-floor wine shop continues this legacy, fostering a strong connection with the local community. The canteen, strategically placed within the building, caters to elderly visitors of nearby hospitals, highlighting the building's role in serving the broader community. Takao Shiotsuka Atelier's design philosophy for the SJ building emphasizes creating an open relationship both within its interior spaces and with its external surroundings. The decision to implement an outdoor spiral ramp, rather than internal staircases, is central to this vision. As occupants and visitors ascend or descend the ramp, they are presented with continuously changing views of the historic castle town, creating a dynamic and engaging experience. This architectural choice not only facilitates movement between the disparate functional areas but also integrates the building with its urban landscape. The varying heights along the ramp introduce diverse floor and ceiling levels within the interior spaces. This volumetric manipulation results in rooms with distinct characteristics, each offering unique perspectives and connections to the outside environment through strategically placed openings. The building's design ensures that it interacts meaningfully with the four surrounding streets, effectively extending the existing shrine approach and an adjacent alleyway through the continuous flow of the ramp. Despite the distinct functions of the wine shop, canteen, and two residences, the building is conceived as a cohesive entity. The architect suggests that the layered structure, though functionally separate, can be viewed as a single, organically linked house due to the interconnectedness of its residents' lives facilitated by the shared circulation. The SJ building is a testament to how thoughtful architectural design can blend commercial, community, and residential functions into a harmonious, vertically integrated space, enhancing both internal user experience and external urban engagement. The project was structurally designed by Hirohide Tao and occupies a lot size of 158 square meters. #TakaoShiotsukaAtelier #SJBuilding #JapaneseArchitecture #ConcreteConstruction #OutdoorRamp #MixedUseBuilding #ResidentialArchitecture #RetailDesign #CommunitySpace #UrbanIntegration

Yuji Kimura Design has completed House K, a three-storey residential project located in a busy Tokyo neighborhood. The primary design challenge was to reconcile the client's desire for private outdoor terraces with the need for privacy on a street with significant traffic. To achieve this, the architects implemented a design strategy that involves a tall, white perimeter wall effectively shielding the house and its outdoor spaces from public view. The house is conceived as an elongated box extending from east to west, a configuration that optimizes natural light exposure. The southern facade incorporates the bedrooms and terraces, strategically positioned to receive ample sunlight throughout the day. To further enhance privacy on these terraces while still allowing light and air, slatted timber and translucent panels are used as screening elements, preventing direct views from passersby. In contrast, the northern facade features smaller, horizontal slit windows. These openings are designed to bring natural light into specific areas such as the ground-floor living room and toilet, and the first-floor bathroom and hallway, without compromising the overall sense of seclusion. Upon entering House K, residents are greeted by a functional and uncluttered entrance hall on the ground floor. This space integrates full-height cabinets with recessed handles, creating a streamlined appearance and maximizing storage efficiency. The entrance hall transitions into an open-plan living area, which includes a kitchen, dining room, and a study area. A notable design detail in the ground-floor toilet is the full-height door, which, when closed, blends seamlessly with the wall, contributing to the minimalist aesthetic. Connecting the different levels of the house is a steel staircase with open timber treads. This design choice is not merely aesthetic; it also facilitates the flow of natural light between the upper and lower floors, enhancing the brightness of the interior. The staircase extends upwards to a loft space, further contributing to the natural illumination within the dwelling. The first floor is dedicated to private quarters, housing three bedrooms along one side and a bathroom and separate toilet on the other. Consistent with the ground floor, the doors to these private rooms are also full-height, maintaining a cohesive and less obtrusive visual language when closed. Throughout the interior, Yuji Kimura Design has maintained a minimalist material palette, predominantly featuring white walls and light timber floors, which contributes to a bright, spacious, and serene atmosphere. The total area of the house is 95.98 square meters, built on a site of 120.1 square meters, with a building area of 47.99 square meters. #TokyoArchitecture #JapaneseHouses #PrivacyDesign #ModernResidential #WhiteFacade #TerraceDesign #MinimalistInterior #YujiKimuraDesign

Studio TAN designed a residence for a family of four on the Itoshima Peninsula, Japan, with an emphasis on integrating agricultural elements into daily life. The home is situated on a coastline with views of the Genkai Sea and Mount Sefuri, surrounded by a quiet residential area and a forested landscape. The design ensures ample space for farming and poultry keeping, aligning the home with a self-sufficient lifestyle. The site plan strategically positions fields on the east for morning sun and fruit trees on the north for optimal airflow and afternoon light. A parking area is located along the western access road, maintaining clear views of both the fields and orchard from within the house. The interior layout centers around the kitchen, which functions as the primary hub of the home, replacing a conventional living room. This open-plan design seamlessly extends into a Japanese-style room, a loft library, and an outdoor dining area. A raised tatami space facilitates visual connectivity and interaction across these different functional zones. The lofted bookroom, overlooking a double-height atrium, offers a private yet connected space within the home. An expansive opening allows a large dining table to extend from the interior to the outdoors, effectively linking indoor and outdoor dining experiences. The roof of the residence is designed to manage rainwater runoff efficiently, directing it towards three specific areas: the parking lot to the west, the orchard to the north, and the cultivated fields to the east. Its sloped form also contributes to the interior aesthetics, enclosing the loft library and shaping the distinct ceiling profile in the atrium and pantry. This architectural detail reflects the structure's thoughtful response to seasonal weather conditions, highlighting adaptability and functionality. Overall, the House in Itoshima Peninsula by Studio TAN is conceptualized as a living framework that harmoniously blends natural surroundings with functional living spaces. The design fosters a close connection between habitation and the surrounding landscape of Itoshima, promoting a lifestyle that is deeply intertwined with food production and nature. The project was executed by Studio TAN with Sotaro Fujihara as the lead architect and captured through the photography of Yashiro Photo Office. #ResidentialArchitecture #ItoshimaPeninsula #StudioTAN #JapanArchitecture #OpenPlanLiving #KitchenCentricDesign #AgriculturalIntegration #SustainableLiving #JapaneseDesign

Amanda Gunawan and Joel Wong, co-founders of OWIU Design, have transformed a 1973 Ray Kappe-designed modernist home in the hills of La Cañada Flintridge, California, into a serene dwelling influenced by Japanese aesthetics. The couple, originally from Singapore, were drawn to the unique combination of the modernist house and its two-acre forested lot, which contrasts with the traditional suburban homes in the area. They embarked on a yearlong, full-gut renovation while meticulously preserving key elements like the redwood ceilings and wall panels, which exude the home's original character. A significant architectural modification involved replacing exterior walls with a 14-foot-tall glass box enclosure that offers expansive views of a newly installed swimming pool, enhancing the connection between indoor and outdoor spaces. The interior design adopted a fluid approach, focusing on creating strategic viewpoints of nature rather than adhering to a rigid floor plan. Furniture selections are low and minimal to maintain unobstructed sightlines to the surrounding gardens and landscape. An example of this is the living room, which features Eames lounge and accent chairs and a Barcelona Day Bed, all chosen for their midcentury design and ability to complement the natural views. Japanese design philosophy deeply influenced the renovation, reflecting Gunawan and Wong's extensive travels to Japan. They admire the Japanese commitment to excellence and sought to integrate a restrained aesthetic, drawing inspiration from traditional Japanese ryokans (inns) to evoke a sense of groundedness and tranquility within their home. This influence is evident in the use of tatami mats; a sleek black tatami, custom-made by a traditional tatami artisan, covers the primary bedroom's bed platform, providing a modern interpretation while respecting its traditional purpose. The outdoor areas also showcase a strong Japanese sensibility. The gardens feature a meticulously designed small stream with flowing water and a koi pond, developed with the consultation of a Kyoto-based landscape designer. The couple covers the koi pond at night to protect the fish from local wildlife. The renovation included a new facade accented by a sakura tree, which blooms with cherry blossoms every spring, further enhancing the Japanese garden theme. Water elements are strategically placed throughout the property, from the main entrance's Japanese-inspired water fountain to the stream and fish pond, all contributing to a continuous visual flow of water from the house to the distant Pacific Ocean, as advised by Japanese gardeners. The original sunroom was converted into a glass-enclosed space, further enhancing the indoor-outdoor connection. Custom white oak built-ins, an island, and cabinetry, constructed by Inflexion Builds, define the kitchen space. Art pieces, such as a parchment painting in the living room by a Korean artisan and an ink on canvas painting by Japanese artist Tomoka Naka, add personal and cultural touches. The primary bathroom features a large marble soaking tub, reminiscent of a Japanese ofuro, while the guest bathroom is enveloped in kiln-dried Douglas fir. Even the previously oddly-shaped pool was rebuilt to be more functional and aesthetically integrated with the surrounding landscape, providing a peaceful retreat with access to a nearby forest. #ModernistArchitecture #JapaneseDesign #HomeRenovation #InteriorDesign #LandscapeDesign #RayKappe #OWIUDesign #CaliforniaHomes #Tatami

Parentheses House, designed by SAI Architectural Design Office, is located in Fukui, Japan, an area characterized by its open rural landscape and proximity to the Kuzuryu River embankment. This 172 square meter house was completed in 2019, with photographs by Norihito Yamauchi. The project addresses the challenge of designing in a tranquil, sparsely populated area that is anticipated to see future residential development, given Fukui City's active promotion of residential land. The architectural strategy involved creating a design that interacts meaningfully with its surroundings while acknowledging future uncertainties. The core concept revolves around two stable U-shaped walls, which form the structural backbone and define the interior spaces. This configuration allows the roof to be suspended, creating a sheltered and cohesive internal environment. The design intends to establish a unique dialogue between the house and its expansive natural setting, particularly in anticipation of increased urbanization. The construction involved several notable manufacturers and specialists. JUNG, Vectorworks, Abvent, Catalano, Dulux, and Schindler were among the companies contributing to the project. Satoshi Saito served as the lead architect, while ARCREA Corporation provided engineering expertise. Ippei Yasue was responsible for the structural design. The building primarily utilizes wood as a key material, contributing to its aesthetic and functional qualities. The interior features elements such as shelving, large windows, and exposed beams, indicating a design focus on natural light, functional storage, and structural expression. The exterior showcases concrete facades, offering a robust and modern appearance that contrasts with the natural landscape. The use of concrete and other durable materials reflects a pragmatic approach to construction, ensuring longevity and resilience in the local climate. Parentheses House is categorized under residential architecture, specifically focusing on houses and house interiors. It exemplifies a contemporary Japanese residential design that balances functionality, aesthetic appeal, and a thoughtful response to its environment. The project is an example of modern living in a rural-urban transitional zone, highlighting how architectural design can anticipate and adapt to evolving landscapes while retaining a distinctive identity. #ResidentialArchitecture #Houses #HouseInteriors #Fukui #Japan #SAIArchitecturalDesignOffice #NorihitoYamauchi #ConcreteFacade #WoodConstruction

Yumenomori House, completed in 2025, represents YODEZEEN’s first project in Japan, located in Sapporo, Hokkaido. This 500 sqm single-family home was designed by Artem Zverev and Artur Sharf, with project management handled by Anna Tarabanova and Olga Kravchenko. The architectural vision for Yumenomori, meaning “Forest of Dreams,” harmoniously blends traditional Japanese aesthetics with contemporary European design principles. Situated in a seismically active region, the residence integrates adaptive engineering techniques to ensure structural resilience while maintaining a profound connection to its natural surroundings. The exterior of Yumenomori House features vertical wooden slats, expansive terraces, and meticulously curated garden elements, drawing inspiration from classical Japanese landscaping. These design choices aim to create a visual and experiential continuum between the built environment and the lush natural landscape of Hokkaido. A significant focal point of the design is a polished forest rock, strategically placed within a symbolic garden. This rock is made visible through large glass walls, serving as both a spiritual anchor and a prominent visual element that connects the interior with the external environment. Inside, the home embraces a minimalist design ethos. The material palette primarily consists of travertine, stone, and wood, which together establish a serene and cohesive atmosphere. To introduce a dynamic contrast and infuse energy into the space, a striking red stone has been incorporated through custom-designed furnishings. The interiors are further enhanced by high-end European elements, including Poliform kitchen designs, Henge lighting fixtures, and B&B Italia furniture. Italian wood finishes were carefully selected and hand-applied, contributing to the overall warmth and balance of the aesthetic. Beyond its architectural and interior design, Yumenomori House features a curated art collection by Andrii Voznicki and Naraz Bilyk. These artistic additions contribute to the personal character of the home, reflecting a collaborative vision shared with the client. The residence is conceived as a timeless sanctuary, where architecture, nature, and cultural influences converge to create a distinctive living experience. The project details indicate that Yodezeen was the architect, and Dariusz Sosinka was responsible for the photography, capturing the essence of this unique Hokkaido property. #YumenomoriHouse #SapporoArchitecture #HokkaidoDesign #JapaneseArchitecture #ContemporaryHome #Yodezeen #ResidentialDesign #SeismicEngineering

In Japan, commercial house production often leads to houses being treated as commodities, with limited owner input in design. To counter this, ikmo architects, led by Yuko Higo, developed an alternative called Cotoiro. This project emerged from a design competition sponsored by a window sash manufacturer and a commercial house seller, which challenged participants to envision novel ways of integrating windows into living spaces. The core inspiration for Cotoiro stemmed from observing how cats utilize windowsills, leading ikmo architects to conceptualize the windowsill not merely as a boundary but as an expandable, configurable micro-room. These expanded window-rooms, or _mado-beya_, are designed to accommodate various activities like reading, studying, napping, or engaging in conversations, while providing access to fresh air and natural light. Homebuyers are given the flexibility to choose from 25 different _mado-beya_ designs, which can then be attached to a basic cubical house structure. The architects aimed to create homes where interior spaces are less rigidly separated from the exterior, encouraging a more dynamic interaction with the outside world through these unique window-rooms. Even as a product for a general clientele, the Cotoiro concept is intended to promote a more vibrant and engaged window-living experience. The architects anticipate that the Cotoiro house will have a broader societal impact beyond individual homeowners. Yuko Higo believes that the small, interactive spaces of the _mado-beya_ will foster communication among neighbors and that the visible human activities within these window-rooms will enhance the attractiveness of the town. Furthermore, the diverse configurations of Cotoiro houses, when collectively assembled, are expected to contribute to a more aesthetically pleasing urban landscape. The initial prototype of the Cotoiro house, a simplified version of the competition entry, is situated in Oita city and is slated for sale later in the year, serving as a model for this innovative approach to residential design. #JapaneseArchitecture #WindowDesign #FlexibleLiving #CustomizableHomes #UrbanPlanning #ArchitecturalInnovation #ResidentialDesign

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

The Byoubugaura house, designed by Japanese firm Takeshi Hosaka Architects, presents a distinctive approach to residential architecture, camouflaging its unique interactive spaces within a seemingly conventional concrete box and glass facade. The exterior maintains a regular appearance, yet a closer inspection reveals a complex internal structure that challenges traditional spatial perceptions. The residence is structured with a basement level and two floors above ground. The architectural design is characterized by its innovative use of concrete floor plates, which are dramatically curved upwards at both the front and rear facades. This curvature serves a dual purpose: it strategically obstructs direct views into the living areas, enhancing privacy from neighboring structures, and simultaneously creates a unique visual effect where the interior spaces appear sunken below the established structural grid. A key design element is the blurring of spatial distinctions between the different levels. Despite being on separate floors, the curved concrete plates create an illusion of uniformity, making each level feel interconnected and spatially ambiguous. This design choice contributes to an unexpected sense of depth and enclosure within the home. The integration of wooden floors throughout the interior complements the concrete structure by providing warmth and reflecting the indirect natural light that filters into the spaces. This strategic use of materials ensures the home remains livable and inviting, despite its unconventional concrete forms. Further enhancing the home's interactive quality are the four large glass panes on each level. These panels are designed to slide back and forth, offering various open-air configurations and allowing residents to control the flow of natural light and ventilation. This flexibility transforms the living spaces, adapting them to different moods and environmental conditions. A circular staircase, an integral part of the design, slices through the curved floor plate, connecting the levels. This architectural feature not only provides vertical circulation but also exposes a small section of the floor's construction, offering a glimpse into the building's structural ingenuity. The project details highlight the meticulous planning and execution behind Byoubugaura. The structural engineering was handled by Kenji Nawa, with photography by Koji Fujii / Nacasa&Partners Inc. The client for this innovative residence was Toshiyuki Kondo. Located in Yokohama, Japan, the house is constructed from reinforced concrete. It occupies a site area of 65.16 square meters, with a building area of 30.28 square meters, and a total floor area of 90.84 square meters, distributed across the basement, first, and second floors. The building stands at a height of 5494 mm, comprising a basement, first floor, and second floor. The design phase spanned from March 2011 to September 2011, with construction commencing in September 2011 and reaching completion in the spring of 2012. This project exemplifies an architectural exploration of material properties and spatial dynamics, creating a home that is both aesthetically striking and functionally adaptable. #ArchitecturalInnovation #ConcreteDesign #JapaneseArchitecture #ResidentialArchitecture #TakeshiHosakaArchitects #InteriorDesign #SlidingGlassPanels #SpatialBlurring #ModernHome

This article presents the 'House in Tama' project, designed by Cheng Hao Chung Architect, located on the border of Kanagawa and Tokyo, Japan. The house is situated on the southern slope of a hill, offering ample sunlight and a clear atmosphere, despite being in a dense residential neighborhood. The design approach for this 116 square meter residence, completed in 2024, focused on integrating with the natural topography and maximizing light and views while ensuring privacy and comfort for the inhabitants. The architectural concept emphasizes a multi-layered structure that adapts to the sloping site. The design creates a sequence of distinct yet interconnected spaces, each with its own relationship to the exterior environment. The architects utilized a combination of concrete, wood, and glass as primary materials, contributing to both the structural integrity and the aesthetic of the house. Concrete provides a robust foundation and defines the main volumes, while wood introduces warmth and texture in interior finishes. Large glass panels are strategically placed to blur the boundaries between indoor and outdoor spaces, allowing natural light to penetrate deeply into the living areas and offering framed views of the surrounding landscape and the distant Buddhist cemetery. A key aspect of the design is the careful consideration of the site's unique characteristics. The building form responds to the contours of the hill, creating a stepped profile that minimizes its visual impact and blends with the terrain. The internal layout is organized to take advantage of the southern orientation for optimal sunlight exposure and to create a comfortable microclimate within the house. The use of varied ceiling heights and spatial configurations contributes to a dynamic and engaging living experience, moving from more intimate, enclosed areas to expansive, open-plan zones that facilitate family interaction and entertaining. The project involved collaboration with structural engineer Jun Yanagimuro and constructor Sekkeikomu. The construction process highlighted attention to detail in material selection and craftsmanship, aiming for a durable and aesthetically pleasing outcome. The interior spaces feature a minimalist aesthetic, allowing the quality of materials and the interplay of light and shadow to define the atmosphere. The design includes functional elements such as a modern kitchen, comfortable living areas, and private bedrooms, all designed with a focus on usability and long-term sustainability. Overall, the House in Tama demonstrates an architectural solution that responds thoughtfully to its context, balancing modern design principles with respect for the natural and cultural landscape. The project showcases how a residential building in a challenging urban-natural interface can achieve both architectural distinction and a high quality of life for its residents through careful planning, material selection, and a strong conceptual vision. The dwelling serves as a contemporary example of Japanese residential architecture, prioritizing light, views, and a harmonious relationship with its immediate surroundings. #ResidentialArchitecture #JapaneseArchitecture #ModernDesign #SlopingSite #NaturalLight #Concrete #Wood #Glass #UrbanIntegration #SustainableDesign

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Ryuji Yamashita Architects has designed a two-story residence in Hokkaido, Japan, for a family with four children, emphasizing connection and interaction among siblings while still providing individual private spaces. The design incorporates open floor layouts and timber accents, creating a warm and inviting atmosphere. A central playroom on the first floor serves as the primary meeting point, linking all four children's rooms. This common area is intentionally designed to foster a sense of togetherness, preventing the potential isolation that separate private rooms might otherwise create. To enhance the playful nature of the space, a 70 cm height difference exists between the bedrooms and the common playroom, necessitating steps at each entry point from the ground floor and from each child's room. The architect integrated thoughtful features to encourage ongoing interaction. A large window provides ample natural light to the playroom, and two types of openings further reinforce familial bonds. Glass tiles are strategically placed within the wooden flooring outside the private rooms, creating a visual connection between the two floors and allowing light to filter through. Additionally, each child's room features a small window positioned just above their desk. When these windows are open, the first floor transforms into a large, integrated study area, facilitating direct interaction and collaboration among the siblings. This innovative design offers a flexible environment that adapts to the children's needs for both privacy and shared experiences. The 'With four children' house, completed in October 2021, measures 69.56 sqm for the building area and 125.65 sqm for the total floor area. The project was constructed by Kobayashi Shoten Co., Ltd, with photography by Ikuya Sasaki. This architectural approach by Ryuji Yamashita aims to transcend the traditional binary of private versus large rooms or individual versus group settings. Instead, it seeks to establish a dynamic space where family members can connect through various senses of distance, offering a balance between personal retreat and collective engagement. The design prioritizes the development of strong sibling relationships through carefully considered architectural elements that promote both visual and interactive connectivity within the home. #RyujiYamashitaArchitects #JapaneseArchitecture #FamilyHomeDesign #SiblingBonds #PlayroomDesign #OpenConceptLiving #TimberAccents #Hokkaido #ResidentialArchitecture

The Mori House, originally designed in 1963 by Saul Zaik, a prominent figure in Pacific Northwest architecture, has been revitalized by SHED Architecture & Design. Located in a forested area of Portland, Oregon, the redesign aims to blend mid-century modern aesthetics with Japanese-inspired minimalism to suit a young family's design preferences and functional needs. The property features a main house, a detached garage and studio, and a teahouse pavilion, all connected by elevated decks and surrounded by tall trees, fostering a strong connection to nature. SHED Architecture & Design's renovation honors Zaik's original vision, which emphasized clear geometries and natural materials. The primary goal of the remodel was to enhance the flow of light and space, blurring the lines between the indoor and outdoor environments. A significant alteration involved replacing the original spiral staircase and loft with an open, vaulted ceiling. This change reveals the nail-laminated wood roof structure and introduces a new central skylight, which bathes the living areas in natural light and accentuates the architectural rhythm of the home. The main floor is designed with an open-plan layout, where the living, dining, and kitchen areas seamlessly connect along the southern side. Expansive glazing offers unobstructed views of the surrounding forest. A strategically relocated fireplace in the living room provides a focal point and, on clear days, offers views extending to Mount Saint Helens. The kitchen is a testament to refined craftsmanship, featuring custom fir accents and horizontal windows that frame views of mature rhododendrons, integrating the natural landscape into the interior design. The primary suite, situated on the northern side of the house, is designed as a luxurious and tranquil retreat. It includes a walk-in closet and a bathroom equipped with a Japanese soaking tub, combining comfort with elegant simplicity. Fir slats above the entry doors to the suite softly diffuse light, maintaining a visual link to the central skylight. The lower level of the house has also been transformed into a versatile space, accommodating three flexible rooms that can function as bedrooms, offices, or fitness areas, alongside a shared bathroom and a dedicated wine cellar. A cozy lounge area on this level, with its floor-to-ceiling windows, reinforces the home's deep connection to its natural, wooded surroundings. #Architecture #HouseDesign #InteriorDesign #JapaneseAesthetics #JapaneseMinimalism #MidCenturyModern #PortlandArchitecture #ResidentialDesign #SHEDArchitectureAndDesign

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

This project details the construction of a compact office building situated within a residential area in Kitakyushu, Japan. The primary occupant is Ecoplan Corporation, a company specializing in wildlife and vegetation studies. The architectural design, a collaboration between Furumori Koichi architectural design studio and Daiju Kuwahara, was completed in 2024 and spans an area of 444 square meters. Kyoko Omori provided the photographic documentation for the project. The lead architectural team included Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with Daiju Kuwahara also playing a key role. Structural engineering was handled by Kenichiro Takashima, while Tomohiro Urata was responsible for the landscape architecture. Azuma Kensetsu served as the general contractor for the construction. The project integrates into a residential neighborhood, emphasizing a design that harmonizes with its surroundings. The choice of Ecoplan Corporation as the tenant suggests a focus on environmental considerations, potentially influencing material selection and design elements. The building’s modest size indicates a tailored approach to meet the specific needs of the company, rather than a large-scale commercial development. The involvement of multiple specialists, including structural engineers and landscape architects, highlights a comprehensive design and construction process, ensuring both structural integrity and aesthetic integration with the site's natural elements. The architecture likely considers aspects such as natural light, ventilation, and material sustainability, given the tenant's focus on environmental research. Photographs by Kyoko Omori capture various aspects of the building, including interior spaces, exterior views, and possibly details of material use. The images, which include wood and glass elements, suggest a design that incorporates natural materials and maximizes transparency to foster a connection with the outdoors. The mention of beams in some image descriptions indicates structural expression within the interior, contributing to the overall aesthetic. Aerial views and cityscape images would provide context regarding the building's placement within Kitakyushu’s urban fabric and its relationship to the broader environment. Key design features potentially include a thoughtful integration of wood, which can offer warmth and a natural feel to the office environment. Glass components would allow for ample natural light, reducing reliance on artificial lighting and enhancing the working atmosphere. The phrase "Office in the Breeze" in the title hints at a design that facilitates natural airflow and promotes a comfortable indoor climate. This could involve strategically placed windows, balconies, or other architectural elements designed to harness prevailing winds. The building's category as "Commercial Architecture" within a residential context suggests a nuanced approach to zoning and community integration, possibly requiring sensitive design choices to blend functionality with neighborhood character. The collaboration between two design studios implies a rich exchange of ideas and expertise, likely leading to an innovative and well-considered architectural solution. The project serves as an example of contemporary commercial architecture in Japan, demonstrating how design can respond to both client needs and environmental considerations within a specific urban setting. The area of 444 square meters signifies a mid-sized project that allows for detailed attention to both functional layout and aesthetic quality, potentially incorporating flexible workspaces to support Ecoplan Corporation’s research activities. #CommercialArchitecture #JapaneseArchitecture #Kitakyushu #OfficeDesign #WoodArchitecture #GlassArchitecture #EnvironmentalDesign #KyokoOmori