Q&A with Interior Designer John De Bastiani

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Denoe BCN Design, a Barcelona-based design studio comprising industrial designer Noé and graphic and interior designer Maria José, specializes in creating colorful, simple, and playful products. The duo draws inspiration from everyday objects, reinterpreting their use in innovative ways. This approach is evident in their product line, which transforms common items into functional and aesthetic home furnishings and decor. One featured product is the Fyl chair, a simple and stackable seating solution distinguished by its colorful outline enclosing a bent metal sheet. This design emphasizes minimalism while adding a vibrant touch. Another innovative offering is Pennxero, a modular storage system that reimagines pencils as functional hooks for organizing various items. Denoe BCN Design articulates their philosophy by stating that design encompasses not only the projected object but also the interaction between people and spaces. This perspective guides their creation of pieces that are both practical and engaging. The Gipsy barstool showcases a minimalist and lightweight design with an almost-backless structure, available in a variety of colors, making it a versatile addition to modern spaces. The Zeen rocking chair integrates functionality with leisure, featuring a built-in magazine or book nook within its seat, providing a comfortable and convenient spot for reading. The Nuus collection, inspired by the natural forms of roots and ropes, demonstrates how historical methods of fastening and connection can inform contemporary design. Pyo is an exposed bulb lamp that incorporates a whimsical birdcage-shaped shade, adding a playful and decorative element to lighting. The Maka chair, designed as an indoor lounge, evokes the relaxed aesthetic of a beach chair, allowing users to experience a sense of seaside tranquility within their homes. Each product from Denoe BCN Design reflects a commitment to simplicity, functionality, and a unique, often colorful, interpretation of everyday living. The collection collectively highlights the studio's ability to infuse joy and ingenuity into home furnishings and decor. #DenoeBCNDesign #ProductDesign #ColorfulDesign #HomeFurnishings #InteriorDesign #InnovativeDesign #ModernDesign #BarcelonaDesign

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

Jean-Charles de Castelbajac, a renowned designer with a career spanning over five decades, is expanding his creative footprint into the home design sector. Known for his distinctive use of pop colors and forms, de Castelbajac recently collaborated with historic textile-maker Pierre Frey at Milan Design Week 2025, a partnership that marked a significant step in his focus on home furnishings. This move follows a career where he has dressed figures from Farrah Fawcett to Pope John Paul II and cofounded Iceberg, collaborating with iconic artists such as Andy Warhol and Keith Haring. His work consistently blurs the lines between art, fashion, and design, a philosophy he now applies vigorously to home projects. De Castelbajac's upcoming home collaborations include a new furniture collection with Hall Haus, a design-forward studio, and a second collection with Pierre Frey, set to debut at Maison & Objet in September. Additionally, he is developing new outdoor designs for Fermob and tableware with Gien Earthenware. These projects underline his commitment to infusing residential spaces with his signature aesthetic. His career retrospective, featuring 300 pieces from five decades, will open in December at the Les Abattoirs museum in Toulouse, with plans for a global tour including Los Angeles, New York City, and Vienna. The designer views the home as more than just a functional space, describing it as an "installation" or "scenography." He emphasizes the importance of creating environments composed of various elements that elevate living spaces, a philosophy evident in his earlier works like the Jean-Charles sofa for Ligne Roset and his upcycled Rubik’s Cube cushions from the 1980s. He believes in timeless design, where pieces, like his 18th-century-inspired camouflage chair, remain relevant across eras by blending historical and contemporary influences to create a unique universe. De Castelbajac's iconic use of primary colors, which he started in the 1980s with color-blocked projects inspired by cartoon aesthetics, remains a cornerstone of his work, bringing joy and energy. This approach extends to his art direction for the reopening of Notre Dame de Paris and his creations for World Youth Day. He sees his diverse projects, from fashion collaborations with brands like Palace Skateboards to his home designs, as interconnected expressions of his vision. He differentiates his current design approach from the traditional "5 Ps" (produce, pricing, positioning, publicity, public) of the 1980s, advocating for the "5 Es" (emotion, experience, ecology, e-commerce, entertainment). This shift reflects a desire to immerse people in his artistic vision, offering them an experience that transcends mere product consumption. Despite his current focus on home design, he expresses a longing for fashion, viewing it as a universal language capable of democratizing art and creating cultural narratives, indicating a potential return to the fashion world in the future. His latest collection with Pierre Frey, "The Color of Our Dreams," and other forthcoming projects with Fermob, Gien Earthenware, Drawing Lab, Leblon Delienne, and Les Emaux de Longwy, continue to explore playfulness, poetry, and a sense of wonder, aiming to bring hope and shared values through design.

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article features an interview with Cristiano Gatto, the interior designer for Heesen Yachts' Project Altea, a 50-meter all-aluminium superyacht priced at nearly €36 million, with delivery scheduled for May 2021. Gatto, who trained as a sculptor, approaches yacht design with a focus on blending aesthetics and function, viewing each project as a sculpture refined to the smallest detail, incorporating curves, lines, lighting, and patterns to achieve the final result. The process of styling a yacht's interior varies depending on whether it's a fully custom or semi-custom project. For fully custom projects, Gatto collaborates closely with the owner, translating their ideas and emotions into a feasible design over many months. For semi-custom projects like Project Altea, the approach involves anticipating future clients' desires and creating a versatile design that allows for customization without significantly impacting the advanced construction stage. A 50-meter project, from concept to delivery, typically involves approximately 50 to 60 people. The primary brief for Project Altea was to create a yacht with a distinct personality, catering to the lifestyle expectations of 2021, while building upon the experiences gained from its sister ships, “Home” and “Electra.” The goal was to develop a warm and welcoming ambiance, a cocoon where occupants feel pampered and protected. This was achieved through interior design choices such as soft, curvy lines for furnishings and surfaces, a palette of soft colors, and a meticulous selection of materials like wood, various textures, fabrics, and upholsteries to foster a calm and relaxing atmosphere throughout the vessel. One of the main challenges for Project Altea was to imbue it with a new soul and unique interior approach, despite sharing a similar exterior design with its predecessors. Gatto emphasized the importance of ensuring Altea was not a mere replication but a distinct entity. During construction, Gatto maintains a close collaboration with Heesen's team, relying on their organizational structure for quality control and adherence to a tight schedule. This involves numerous meetings to meticulously select materials such as marble and wood, ensuring high-spec, long-lasting quality and a balance between cost and premium standards. Reflecting on his career, Gatto states that his favorite projects are always the next ones, as each vessel holds a unique place in his heart. Currently, he has seven vessels on the design board. Regarding potential future adjustments to yacht design due to social distancing, Gatto believes yachts are inherently ideal for maintaining a healthy and protected environment. He notes that challenges would arise from space limitations, particularly for crew areas, necessitating independent air conditioning systems and dedicated outdoor spaces for the crew. He is also currently restoring a castle in the UK, aiming to return it to its original grandiose state, drawing inspiration from his Venetian heritage. If he were to own a yacht, Gatto indicates it would likely be one he is currently deeply involved with, such as the Aquamarine Project for Heesen, which incorporates Japanese influences and philosophies, focusing on achieving perfect harmony through a "Mushin"-inspired design process. Looking ahead, Gatto expresses a desire for continued travel, viewing it as essential for his creativity and ability to avoid repetitive designs. He maintains a highly personal approach to his work, overseeing each project closely rather than managing a large team or quantity of projects. #CristianoGatto #HeesenYachts #ProjectAltea #YachtDesign #InteriorDesign #LuxuryYachts #Superyacht #NavalArchitecture

This blog post features an interview with Dana Romeis, the managing principal at Castle Design, who brings over 25 years of experience to the design industry. The interview delves into various aspects of her work, offering insights into her design philosophy, challenges, and preferences. Romeis emphasizes that client input is highly valued in her design process, stating that the best outcomes result from collaborative relationships between the client, designer, and contractor. She highlights the importance of open communication and mutual understanding in achieving successful design projects. When asked about local artists, Romeis expresses her admiration for Charley Blood of Charles Blood Artistic, particularly for his trompe l’oeil work. She praises his willingness to tackle any artistic challenge, noting that he has never refused a request, no matter how complex. This appreciation for skilled craftsmanship and creative problem-solving underscores her professional values. Regarding overlooked spaces in a home, Romeis identifies the guest bedroom as the most frequently under-decorated room, sometimes including the powder room. She sees the powder room as an opportunity for creative expression and urges clients to pay attention to details in guest bedrooms, such as providing comfortable seating, reliable Wi-Fi, and convenient luggage storage. Her advice extends beyond aesthetics, focusing on practical functionality and guest comfort. Romeis discusses the diverse challenges encountered in her career, stating that every project offers a new learning experience. These challenges can range from integrating home automation systems into overall designs and resolving construction issues to navigating interpersonal dynamics with clients. She highlights the importance of understanding client patience levels and interpreting body language to ensure their wishes are met. This adaptability and continuous learning are central to her professional development. Finally, Romeis shares her preference for alternating between designing new builds and renovating historic homes. She finds that variety keeps her creativity and energy levels high, preventing her from falling into "cookie-cutter solutions." This desire for diverse projects reflects her commitment to innovative and unique design solutions, ensuring each project remains fresh and engaging. The interview concludes by referencing the St. Louis At Home November/December 2017 issue, suggesting that this discussion provides a glimpse into the broader trends and insights within the local design community. #InteriorDesign #HomeDesign #DesignInterview #ClientCollaboration #DesignChallenges #DanaRomeis #CastleDesign #StLouisDesign #CreativeProcess

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

Kirstin DiMartile, an interior design consultant at Habitat Design Consulting, assists homeowners in making informed decisions about their home improvement projects, ranging from new constructions and renovations to cosmetic upgrades. Her services provide a valuable 'second opinion' that helps clarify large-scale choices like layout and space planning, as well as smaller details concerning finishes, fixtures, and furniture, ultimately ensuring a cohesive and personalized living space. DiMartile emphasizes prioritizing funds to maximize impact and avoid costly mistakes, guiding clients toward a high-end look and optimal functionality that reflects their individual style and needs. DiMartile's client base includes homeowners undertaking projects of varying scales, whether independently or in collaboration with architects and builders. Even those who haven't hired a full-time interior designer can benefit from her expertise. She focuses on three main client types. The first group comprises homeowners aiming to enhance their existing spaces by utilizing current belongings, performing basic renovations, and incorporating affordable upgrades such as new furniture, paint, and lighting. DiMartile offers guidance on how to best integrate existing items, what new pieces to acquire, and suggestions for upgrades and detailing. The second type of client is involved in significant renovations. These individuals, often already working with a builder or architect, seek greater assurance regarding project specifics before construction begins. For them, DiMartile reviews architectural drawings, identifying opportunities to modify floor plans for improved lifestyle accommodation and ensuring that chosen finishes and fixtures create a unified aesthetic consistent with the client's preferences. She acts as a trained professional to help clients visualize their space beyond just floor plans, facilitating confident decision-making. Finally, DiMartile provides crucial support for clients with ongoing renovation or new construction projects. She offers advice on adapting plans due to budgetary constraints or unforeseen site conditions and lends guidance during on-site meetings where quick decisions are often necessary, such as the placement of light switches. Her focus on functionality ensures that choices made contribute to the smooth daily operation of the home. With two decades of experience in design and space planning, encompassing high-end business offices, custom homes, and apartment towers, Kirstin DiMartile has honed her skills in customer service, custom furnishings, and top-tier interior design. Holding a National Council of Interior Design Qualification certification since 2015, she initially founded Habitat Design Studio offering full interior design services and has recently transitioned to specialized consulting with Habitat Design Consulting. Her objective is to transform lives by transforming habitats, believing that a beautiful and highly functional home empowers people to thrive. Homeowners can initiate the process with a free introductory Zoom conversation, followed by an in-person meeting that includes a space tour and a discussion of needs and dilemmas, allowing clients to share their design materials and ask questions. DiMartile then works with them to explore solutions, sketch ideas, and find concept imagery, leaving homeowners with notes and sketches for implementation. She also provides a follow-up call to address any evolving project queries. #InteriorDesign #HomeConsulting #SpacePlanning #HomeRenovation #DesignAdvice #KirstinDiMartile #HabitatDesignConsulting #HomeImprovement

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

This article features an interview with Tobi Tobin, a Los Angeles-based interior designer known for her work gracing the pages of prominent magazines such as *Architectural Digest* and *House Beautiful*. Tobin owns an eponymous store on Sunset Boulevard, which reflects her signature aesthetic characterized by a blend of black, white, and wood tones. The store offers a diverse range of items, including furniture from her collection, candles, chocolates, vintage jewelry, and dresses. The interview delves into various aspects of Tobin's daily life, personal philosophies, and professional insights. She begins by describing her morning routine, which typically involves being woken by her 110-pound Swiss Mountain Dog, Theo, at 6 AM. Her mornings include feeding Theo, preparing fresh orange juice, and making a fruit smoothie, followed by returning to bed to check emails and read. Her nighttime routine involves showering, gathering magazines, her computer, and a sketchbook, often working for several hours in bed before sleep. Tobin shares her thoughts on various topics, including her perception of a "well-dressed man" as someone confident and her advice for women to always move forward, leaving the past behind. For men, she suggests seizing opportunities to meet special people by confidently introducing themselves with a phrase like, "Hello, aren't you fabulous!" She recounts the *Los Angeles Times* dubbing her the "Rock n' Roll Martha Stewart," a label she acknowledges while clarifying that she is simply Tobi Tobin. If she weren't pursuing her current career, Tobin believes she would "go crazy." She envisions her legacy as building a significant architectural church in a town currently lacking one. A core philosophy she emphasizes is never abandoning a great idea but continuously pushing it forward. When asked about Botox, she expresses a preference for natural beauty, stating that women are amazing, beautiful, and sexy at every age, and believes Botox can actually age a person by altering their "soul." She describes her mother as "fabulous" and finds it impossible to select a single soundtrack for her life. Looking to the future, Tobin plans for the global expansion of her brand, with upcoming ventures into fragrance, candles, body care, and chocolate. She defines happiness as her faith and asserts that there is always a time and place for cocktails. Tobin also expresses concern about the prevalence of negative and exploitative news, advocating for a greater focus on solutions and the people, places, and organizations making a positive difference. In her concluding remarks, Tobin reflects on a life filled with amazing friends and family, extensive travel, love for her pets, abundant laughter, occasional tears, and an unwavering refusal to accept "no" for an answer. She cherishes the great loves of her life, holding them perpetually in her heart. The article is accompanied by photos, including a portrait by Michelle Peerali, all provided with permission from Tobi Tobin. #InteriorDesign #TobiTobin #HomeDecor #DesignerInterview #LosAngelesDesigner #LuxuryLiving #ArchitecturalDigest #HouseBeautiful

The article details designer Dane Austin's approach to transforming a potentially cold, cavernous open-concept living space in the 2024 Whole Home into an inviting communal area. Austin, who expressed a general disinterest in the open-concept trend, focused on creating warmth and distinct zones within the large room, which features 22-foot ceilings and expansive windows. His design process began by drawing inspiration from the natural surroundings of Asheville, particularly the sunset hues and the blue tones of the mountains, which influenced his material and color palette choices. A key element in the living room's design is a Farrow & Ball cherry blossom wallcovering, which reproduces a Renaissance-era chateau design. To further define the space and add architectural interest, Austin collaborated with the build team to install a floor-to-ceiling chimney breast made from Dekton’s ultra-compact surface material, providing depth and dimension. A surrealist sculptural landscape by local artist Colton Dion serves as a focal point, adding a unique artistic touch to the room. Austin’s design philosophy emphasizes a curated, timeless aesthetic, combining old and new, masculine and feminine elements, and a mix of custom-made and flea market finds. This approach is evident in the diverse selection of furnishings, which include various velvets, leathers, and linens. He intentionally included abundant seating options, advocating that a living room should accommodate as many guests as there are dining room chairs, especially for a holiday home. To avoid a monolithic wallcovering effect in such a tall space, Austin cleverly incorporated a shelf at rafter height, painted in Farrow & Ball’s Selvedge color, which is used to display baskets and pottery, breaking up the vertical expanse and adding visual interest. Thoughtful details are also highlighted in the area around the fireplace, where bench seating and shallow cabinetry feature custom brass inserts from Architectural Grille, echoing the wallpaper motif. Above this built-in, a Samsung Frame TV seamlessly integrates technology by displaying evolving artwork and converting to a movie night mode with the push of a button. For the expansive floor, a custom Fibreworks rug was chosen to anchor the living area. Lighting plays a crucial role in distinguishing the living and dining zones, with a multitiered Clementine chandelier by Visual Comfort & Co. hanging above the lounge, and a plastered Mollino pendant, also by Visual Comfort & Co., positioned lower over the dining table adjacent to the kitchen. In the informal dining area, designed for simple entertaining, Lee Industries settees and chairs are paired with a Wayfair Professional table. The Adelaïde wallpaper from Farrow & Ball and a Fibreworks rug continue the aesthetic from the living room. Additional lighting, including a pendant, sconces, and a picture light from Visual Comfort & Co., and custom art from Colton Dion Gallery, complete the dining space. Austin further delineates the open-plan by introducing a “room-within-a-room” concept, using drapery made from Sanderson fabric. This fabric, featuring a crewel stitchwork in blush and blue, adds softness and allows the kitchen to be cordoned off for privacy, especially after events, offering a practical yet elegant solution to open-concept living. The article concludes with a comprehensive list of vendors and products used in both the living and dining areas, reflecting the meticulous planning and curated selection involved in the design. #HomeDesign #InteriorDesign #OpenConceptLiving #LivingRoomDecor #DiningRoomDesign #DaneAustinDesign #Wallcovering #CustomFurnishings #LightingDesign

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The article profiles Ilana Aronowitz, a senior interior designer at Clive Daniel Home in Boca Raton, highlighting her expertise in residential, commercial, and hospitality interior design. With over 20 years of experience, Aronowitz has been a part of CDH since its inception almost a decade ago. Her design philosophy centers on creating a comfortable and personalized haven for clients, emphasizing that a home should be an oasis from the demands of everyday life. She meticulously understands each client's needs and lifestyle, often beginning a design project with a focal point such as a piece of art, a specific chair, or a color, and then building the rest of the design around this central element. If a client doesn't have a clear starting point, she takes the initiative to create one for them. Aronowitz's approach involves a hands-on method to bring visions to life. Instead of merely describing ideas, she physically tapes walls and places material samples on them, allowing clients to see and feel how the proposed design elements will look and interact within their space. She has a particular passion for creating dynamic backgrounds and incorporating various layers into her designs. This includes not only hanging art but also blanketing feature walls with a mix of wallpaper, stone, and wood to generate visual interest and depth. Her intuitive understanding of color is another hallmark of her work, as she enjoys introducing clients to new palettes and blending different hues. Currently, popular color trends Aronowitz observes and incorporates include rusts, earth tones, and dusty rose, which she notes are presented with a modern and improved aesthetic compared to their 1980s counterparts. In terms of patterns, geometrics, houndstooth, and herringbone are prominent, often combined with a rich variety of textures within the color schemes. She asserts that Clive Daniel Home is a trendsetter in Boca Raton, constantly innovating and offering fresh perspectives on design. The company's 70,000-square-foot showroom in Boca Raton features a vast selection from over 250 suppliers, ensuring they remain at the forefront of design trends. Aronowitz's educational background includes degrees in photography and advertising and design from the Fashion Institute of Technology in New York City, followed by interior design studies at Berkeley College in New Jersey. After establishing her career in design, she moved to Florida 17 years ago. Her contributions to the field have been recognized with multiple Gold and Silver Aurora Awards, underscoring her achievements and influence in the interior design industry. #InteriorDesign #HomeDecor #CliveDanielHome #BocaRaton #IlanaAronowitz #ResidentialDesign #CommercialDesign #HospitalityDesign #DesignTrends