We Talk To Cristiano Gatto, Interior Designer For Heesen's Project Altea

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Following his appointment as creative director at Celine, Hedi Slimane has swiftly implemented his vision, significantly transforming the luxury brand. His initiatives include removing the accent from the brand's 'e', introducing menswear lines, and reshaping womenswear. A cornerstone of this transformation is the global rollout of his new retail concept, driven by Celine's CEO Séverine Merle's strategy to expand the brand's footprint with larger flagship stores capable of showcasing the broadened menswear and womenswear collections. This expansion began in March with a 5,000 sq ft New York flagship and two new addresses in Paris: a remodelled two-storey space on rue de Grenelle for both menswear and womenswear, and the brand’s first dedicated menswear flagship on rue François 1er. By mid-April, new boutiques had opened in major cities including Tokyo, Shanghai, Los Angeles, Madrid, Milan, and London, with a Beijing store slated for later in the year. Each store, designed in collaboration with Celine’s in-house team, possesses a unique character while adhering to common design principles. A strong emphasis is placed on natural stone and bold materials, with massive, richly veined slabs of marble, granite, and travertine adorning walls, shelves, and columns. Basaltina lava stone covers the floors. These materials, with their contrasting patterns, are reflected in large mirrors and steel surfaces, creating a visually dynamic environment. Reclaimed oak, alongside wood and leather furniture, introduces warm brown accents that complement the sleek black-and-white palette. Many surfaces, such as the creamy Bianco Raffaello marble and ginger-veined black granite, are noted for their smooth, tactile qualities, inviting touch and offering a departure from the typical coldness associated with stone. Slimane's architectural style is characterized by rigorous lines, evident in the intersecting seams of concrete floors, parallel shelving, and rectangular metal displays. Despite this precision, the designs maintain a sense of weightlessness; display cases and shelves appear to hover, and materials, like brushed steel and Grande Antique marble, are positioned in close proximity without directly touching. This creates an effect of suspension and delicate interaction between elements. The stores also feature a new collection of furniture designed by Slimane, alongside vintage 1960s and 1970s pieces that highlight French woodworking. Slimane’s furniture, primarily made from light or dark plywood, is minimalist and evokes the simplicity of children's building blocks or primitive thrones, with future plans for retail. A significant aspect of the new concept is the Celine Art Project, which integrates contemporary artworks by established and emerging artists. These pieces, either acquired or commissioned, add another layer of sensory engagement; examples include Rindon Johnson’s yellowed rawhide cube wrapped in rope and Shawn Kuruneru’s ink-and-acrylic paintings that echo the marble patterns. The rue de Grenelle store's centerpiece is a site-specific installation by Oscar Tuazon, reflecting Slimane's commitment to combining global brand strategy with a passion for supporting young talent in music, art, and creativity. #HediSlimane #Celine #RetailDesign #LuxuryFashion #StoreArchitecture #InteriorDesign #MaterialSelection #ArtIntegration #FurnitureDesign

The article discusses the evolution of biophilic architecture from a niche concept to a mainstream design approach, emphasizing its benefits and challenges. Biophilia, defined by Edward O. Wilson in 1984, posits that humans have an innate need to connect with nature. Incorporating natural elements into built environments has been shown to improve human well-being, including lower blood pressure, reduced stress, enhanced attentiveness, and increased happiness and creativity. Beyond human benefits, biophilic design also contributes to environmental health by fostering biodiversity, decreasing energy consumption, reducing carbon emissions, and purifying polluted air. Richard Hassell, co-founder of WOHA, a Singaporean architectural firm, notes the shift in perception where developers, initially skeptical, now actively embrace biophilic principles. However, he cautions against the reduction of biophilia to a mere marketing buzzword, stressing the importance of thoughtful and effective implementation rather than just adding plants. The success of biophilic design hinges on how deeply it integrates natural elements and functions, moving beyond superficial aesthetics. MK Leung, director of sustainable design at Ronald Lu & Partners (RLP) in Hong Kong, highlights the need to quantify the quality of biophilic interventions. RLP utilizes a custom script within Rhinoceros with Grasshopper to evaluate projects based on biophilic elements a user would experience, such as views of greenery, natural sounds, scents, and sensations. This ensures that biophilic principles are consistently applied and sustained throughout a project. Examples like RLP's Garden Crescent, a residential tower with vertically linked gardens, and Echo House, a modular residential development integrating biophilic elements to soften its manufactured feel, demonstrate this commitment. Despite Hong Kong's challenging hyper-dense urban landscape and rigid building codes, biophilic design has found fertile ground. The E-Co Village, a recreational space on a former landfill site designed by AOS Architecture, exemplifies this by offering a natural environment for learning about sustainability, powered by solar energy. Corrin Chan of AOS Architecture drew inspiration from Thich Nhat Hanh's "Zen and the Art of Saving the Planet," emphasizing that humans are integral to the environment. Swire Properties' redevelopment of Taikoo Place further illustrates this trend, incorporating 6,500 square meters of public open space, inspired by traditional feng shui woods, to connect urban areas with natural ecosystems and enhance biodiversity. Richard Hassell underscores the importance of designing not only for human-centric biophilia but also for biodiversity, suggesting that a garden rich in butterflies and birds offers a more profound biophilic experience. WOHA's upcoming Faber House in Singapore, for instance, features interconnected vertical gardens and a 15-story waterfall, designed to create interconnected ecosystems. The article also addresses the critical question of environmental sustainability in biophilic design. Leung emphasizes that biophilic designs must not consume more energy than conventional designs to be truly beneficial. Hassell acknowledges the complexity of this calculation, noting that while a poorly designed green wall might be unsustainable, the wellness and mental health benefits, along with improved air quality, often justify the investment when executed thoughtfully. Ultimately, biophilic design aims to harmonize environmental support with human wellness, representing a convergence of these critical objectives. The article also mentions several other biophilic projects in Asia, including Central Park in Vietnam, which integrates engineered 'trees' for rainwater collection and solar power generation; Heatherwick Studio's 1000 Trees in China, resembling a cliffside forest; Kai Yufuin Ryokan in Japan, a hot springs resort designed with terraces inspired by rice fields; and WOHA's Pan Pacific Orchard in Singapore, known for its lush greenery and open-air spaces in a vertical setting. These projects collectively showcase the diverse applications and growing acceptance of biophilic principles in contemporary architecture across the region. #BiophilicArchitecture #SustainableDesign #UrbanPlanning #EnvironmentalSustainability #HumanWellbeing #ArchitecturalInnovation #HongKongArchitecture #SingaporeArchitecture #GreenBuildings

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

This article, a "Letter from the Editor" by Hanya Yanagihara, discusses the philosophy of interior design, particularly emphasizing the value of personal expression and individuality over highly polished, decorator-driven aesthetics. Yanagihara describes the continuous process of discovering unique residences for publication in T Magazine, highlighting that while many stories come from traditional sources like publicists and architects, the most captivating ones are often found serendipitously. She recounts a specific instance where an editor, Nick Haramis, researching artist collectives, stumbled upon Espace Aygo. This collective of young art-school graduates transformed a dilapidated Brussels townhouse into a unique living space by designing and crafting almost every element themselves, from a sink fixture made from a pétanque ball to a tub from urethane rubber. The discovery of Espace Aygo is presented as a pivotal moment for the magazine, offering a refreshing contrast to the prevailing trend of overly refined interior design. Yanagihara posits that a truly memorable home is not one that adheres strictly to conventional politeness or current trends but rather one that reflects the distinct vision and hands-on effort of its inhabitants. The Espace Aygo residence exemplifies this philosophy, showcasing that authenticity, imagination, and a personal point of view are more crucial to creating a home than significant financial investment. The article suggests that such spaces celebrate ingenuity and creativity, proving that a home's character is derived from the unique perspectives and personal touches of those who live in it, rather than from external influences or a desire for perfection. This approach challenges the commercialization of taste in design, advocating for a more genuine and lived-in aesthetic. Espace Aygo, despite its unconventional and perhaps 'rougher' aesthetic, is celebrated for its wit and imagination, qualities that Yanagihara argues are fundamental to the essence of a home. The piece implicitly critiques the homogenizing effect of professional decorators, where residents' tastes can be overshadowed by external design mandates. Instead, it champions spaces where the creative process and the individual's journey are evident, fostering a sense of authenticity and a strong identity for the home. The narrative underscores that the magazine actively seeks out and values these types of unconventional and personally crafted living environments, viewing them as more compelling and inspiring than those that strictly adhere to prevailing design norms. The article thus serves as a declaration of T Magazine's editorial stance, emphasizing the importance of unique design narratives that challenge traditional notions of interior perfection. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollectives #DIYDesign #BrusselsDesign #PersonalExpression #AuthenticHomes

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

Lauren Rottet's Interior Design Hall of Fame member, whose roots are in Houston, has taken on the significant task of renovating and expanding the historic La Colombe d'Or hotel complex in the city's Montrose neighborhood. The original property, a Prairie School-style Fondren Mansion built in 1923, was transformed into a five-suite hotel and restaurant in 1979 by real estate magnate Steve Zimmerman. This project not only involved refreshing the existing mansion but also expanding the site onto 1 1/4 adjoining acres, including the addition of a new 34-floor residential tower and 18 ground-floor hotel suites. Rottet Studio's scope for the project was extensive, encompassing the renovation of the original mansion and the design of the new construction's public areas, guest rooms, and a 10th-floor amenity swath. The design team, including associate principal Chris Evans and senior associate Amber Lewis, also created a connector to the mansion—a landscaped courtyard featuring a fountain and large-scale sculpture. The integration of art was a central theme, with Rottet having access to Zimmerman's extensive collection of approximately 350 works, including pieces by Raoul Dufy and Man Ray, and the ability to acquire new art to support the local Houston art scene. The new tower's entry corridor is conceptualized as a gallery, showcasing historic artwork like Benjamin Robert Haydon’s 19th-century 'Napoléon in Exile' alongside contemporary local pieces by artists such as Earl Staley. The design emphasizes a new, bold, and contemporary aesthetic, characterized by a gold and glowing ambiance. The lighting design, a specialty of Rottet Studio, plays a crucial role in shaping the environment, with folded planes engaging both light and art, enhanced by backlit walls, LED frames, and slanted cove illumination. The resident concierge desk, a highlight of the new tower, is a striking combination of polished or brushed stainless steel topped with quartzite. Its backdrop features a commissioned stencil work by local artist Troy Stanley, named 'Nom de Plume.' Adjacent to this, a wall is adorned with alternating panels of bronze mirror and woven metal mesh sandwiched between glass, creating a burnished, jewel-like effect. The double-height resident lobby is designed as a reflective space, with custom-designed lounge chairs surrounding a double-sided limestone fireplace, creating a contemporary and inviting atmosphere. A gridded glass wall offers views to a quiet residential street, maintaining a connection to the area's history. A key aspect of the project for Rottet was its commitment to historical preservation, a departure from Houston's typical development patterns. The decision to retain and build around the historic mansion, rather than demolish it, is seen as a significant gift to the city. In the tower's hotel rooms, Rottet Studio designed every element, from layouts and millwork to upholstered beds, settees, and nightstands. The rooms include innovative features like an “on-off” kitchen with a concealed refrigerator and sink. The 10th-floor amenity level is a major draw for luxury seekers, offering diverse social spaces such as a game room, a fully equipped fitness center, a private events area, and the Aqua lounge. The Aqua lounge, completely waterproof with glass mosaic tile, iron chairs, and chromed-metal tables, adjoins a 66-foot outdoor lap pool that provides expansive views of the Houston skyline. #HotelDesign #LuxuryHospitality #HistoricPreservation #InteriorDesign #RottetStudio #HoustonArchitecture #ArtIntegration #ResidentialTower #RenovationProject

The July London Victoria, an apartment-hotel located across from Victoria Station, offers a unique blend of residential comfort and hospitality services, catering to both short-term guests and long-stay digital nomads. Situated in a prime London location, this 114-key "urban retreat" integrates public-facing hospitality spaces, including The Idler restaurant and an associated deli, designed to provide a calming environment amidst the city's fast pace. These establishments offer urbanites an opportunity to relax and connect. The hotel's interior design, a collaboration between an in-house design team, the London and Los Angeles-based firm Fettle, and architects Studio Moren, skillfully combines comfort with adaptability. The design aesthetic pays homage to the Art Deco architecture prevalent in the area, incorporating sea foam greens, pale pinks, salmony oranges, and burgundy reds across various surfaces such as tiled walls, intricate crown detailing, and two-tone walls. The public spaces, like The Idler, feature plush banquette seating, a distinctive ceiling mural within bold molding, and herringbone-pattern parquet flooring accented with tile trim. White and black marble slabs top curved-edge counters, which are clad in tambour pattern wood slatting, adding to the sophisticated ambiance. Specific design elements like painted glass sphere pendants and select fabric upholstery contribute to the overall refined aesthetic. Accommodation options include guest rooms, suites, and two Family Apartments with interconnected rooms, alongside a co-working space, all equipped to support various aspects of guests' lives, from relaxation to remote work. The layouts are thoughtfully designed to facilitate these diverse needs. In the guest rooms, custom oak joinery provides integrated wardrobes, kitchenettes, and storage solutions. Bespoke brass pendants and discrete bedside lights with fluted shades further enhance the personalized and functional design. This thoughtful approach ensures that guests have all the necessary amenities for an extended stay, whether for business or leisure. Sustainability is a core value for The July brand, and this commitment is reflected in the material choices and furnishing strategies employed throughout the hotel. A notable aspect of the interior furnishing involves the careful sourcing and refurbishment of vintage pieces, aligning with contemporary trends in architecture and design that prioritize environmental consciousness and unique, characterful aesthetics. This approach not only supports sustainable practices but also imbues the hotel with a distinct personality that resonates with its historical context and the modern traveler's desire for authenticity. The July London Victoria differentiates itself within the hospitality sector by fostering a balance between private living and social engagement, a strategy it aims to replicate in its expanding portfolio across Europe. Andy Goodwin, co-founder and creative director of Fettle, emphasized that the design concept was developed to reflect The July’s brand values and its narrative, which is deeply rooted in the local area's history. He highlighted the multifunctional nature of the apartment-hotel rooms, which needed to accommodate relaxation, dining, and work within each apartment, complemented by dedicated meeting, flexible, and wellness areas. This holistic design ensures that the hotel serves as a comprehensive urban retreat, offering a seamless experience for its varied clientele while maintaining a strong connection to its London setting and a forward-thinking approach to hospitality. The hotel offers flexible accommodation options and shared facilities designed to create a vibrant community while still allowing for individual privacy. Its location near a major transportation hub makes it an ideal choice for a diverse range of travelers. Overall, The July London Victoria represents a contemporary solution for urban living, blending design, functionality, and sustainability to create a memorable stay experience. #apartmentHotel #LondonTravel #ArtDecoDesign #digitalNomad #sustainableDesign #interiorDesign #hospitality #urbanRetreat #fettleDesign

This blog post features an interview with Dana Romeis, the managing principal at Castle Design, who brings over 25 years of experience to the design industry. The interview delves into various aspects of her work, offering insights into her design philosophy, challenges, and preferences. Romeis emphasizes that client input is highly valued in her design process, stating that the best outcomes result from collaborative relationships between the client, designer, and contractor. She highlights the importance of open communication and mutual understanding in achieving successful design projects. When asked about local artists, Romeis expresses her admiration for Charley Blood of Charles Blood Artistic, particularly for his trompe l’oeil work. She praises his willingness to tackle any artistic challenge, noting that he has never refused a request, no matter how complex. This appreciation for skilled craftsmanship and creative problem-solving underscores her professional values. Regarding overlooked spaces in a home, Romeis identifies the guest bedroom as the most frequently under-decorated room, sometimes including the powder room. She sees the powder room as an opportunity for creative expression and urges clients to pay attention to details in guest bedrooms, such as providing comfortable seating, reliable Wi-Fi, and convenient luggage storage. Her advice extends beyond aesthetics, focusing on practical functionality and guest comfort. Romeis discusses the diverse challenges encountered in her career, stating that every project offers a new learning experience. These challenges can range from integrating home automation systems into overall designs and resolving construction issues to navigating interpersonal dynamics with clients. She highlights the importance of understanding client patience levels and interpreting body language to ensure their wishes are met. This adaptability and continuous learning are central to her professional development. Finally, Romeis shares her preference for alternating between designing new builds and renovating historic homes. She finds that variety keeps her creativity and energy levels high, preventing her from falling into "cookie-cutter solutions." This desire for diverse projects reflects her commitment to innovative and unique design solutions, ensuring each project remains fresh and engaging. The interview concludes by referencing the St. Louis At Home November/December 2017 issue, suggesting that this discussion provides a glimpse into the broader trends and insights within the local design community. #InteriorDesign #HomeDesign #DesignInterview #ClientCollaboration #DesignChallenges #DanaRomeis #CastleDesign #StLouisDesign #CreativeProcess

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article highlights four distinctive home design projects by various architectural firms, showcasing innovative approaches to residential living spaces. Each project demonstrates a unique blend of creativity, functionality, and personalized style, reflecting contemporary trends in interior and architectural design. The first featured project is by Itch Società d’Architettura in Milan, focusing on the transformation of early-20th-century attic apartments and duplexes. These residences incorporate clever interventions such as a daylight-ushering glass rooftop extension that opens onto a balcony, enhancing natural light and outdoor access. The design also emphasizes refined color blocking, which serves to animate and add character to otherwise understated interiors, utilizing original wood-slat ceilings crisscrossed with steel beams as a foundational element. Next, Ubalt Architectes in Paris presents a conversion of a 1970s computer data center into a live-work unit on the outskirts of the Marais district. This project boldly reimagines the typically grayscale office environment with fearless design choices. Notable features include vertical blinds, a vibrant jolt of tinted Plexiglas cladding structural steel, and a unique staggered terrazzo jardiniere. This jardiniere, accessed by a surrealist pool ladder, ingeniously extends the terrace greenery into the interior space, blurring the lines between indoor and outdoor living. Office S&M;, an emerging London practice, contributes a remodeled lower level of a Victorian town house in Islington. Their design is characterized by a playful and vibrant aesthetic, incorporating joyous tropical colors and tinted mirrors that introduce warped views, adding a whimsical dimension to the space. Custom built-ins, designed with peaks and arches, reference the surrounding architecture and evoke a playhouse-like charm. A strong emphasis on sustainability is evident through the use of reclaimed materials, such as countertops made from melted-down plastics and pendant lights crafted from recycled crushed brick, giving new life to previously existing elements. Finally, Rowland+Broughton showcases a contemporary three-story family home in Aspen, Colorado. This residence is a crisp composition of natural and refined materials, including soap-finished larch, bleached oak, charred pine, and black steel. Situated adjacent to a meadow and surrounded by evergreens, spruce trees, and Gambel oaks, the home integrates seamlessly with its natural environment. Interior highlights include a sculptural spiral staircase featuring LED-lit treads and a hand-carved Pele de Tigre marble fireplace, a collaboration with the Haas Brothers, which serves as a central artistic statement within the home. These elements collectively define a sophisticated and modern living space deeply connected to its serene surroundings. #ResidentialDesign #CreativeHomes #InteriorArchitecture #HomeRenovation #MilanDesign #ParisianLiveWork #LondonTownhouse #AspenHome

Anna Hackathorn, an interior designer with almost 20 years of experience, shares insights into her journey and the development of her new venture, PLAN + ELEVATE. She explains that PLAN + ELEVATE was conceptualized during the 2020 quarantine as a sister company to her existing interior design business. The primary goal of PLAN + ELEVATE is to democratize interior design, making professional-quality design accessible to individuals who desire a beautifully decorated home but may not have the financial means to hire a full-service professional. Hackathorn identified a significant gap in the online marketplace for resources that empower individuals to undertake interior design projects for their own homes. Many prospective DIY designers feel overwhelmed by the vast array of choices, are uncertain about design principles, and fear making costly mistakes. To address these challenges, PLAN + ELEVATE offers a structured, step-by-step approach through a series of concise video lessons and a wealth of downloadable resources. These resources include worksheets, checklists, and example furniture layouts, guiding users from the initiation of a home decor or renovation project through its completion, culminating in the final touches that create a cohesive and intentional aesthetic. In addition to the self-guided resources, Hackathorn provides one-on-one video consultations. These personalized sessions allow clients to receive direct feedback, explore their design ideas with a professional, hear customized suggestions, and get answers to specific questions about challenging areas of their homes or the general design process. This blend of accessible online learning and personalized support aims to build confidence and competence in individuals tackling their home design projects. Hackathorn also offers a glimpse into her personal recommendations for experiencing Los Angeles, suggesting an itinerary for a week-long visit. Her favored activities include spending a day at Terranea Resort in Palos Verdes, known for its hiking trails, scenic walking paths along the cliffs, and the spectacular views from Nelson’s bar and restaurant. Another recommendation is renting bikes to ride along the beach strand from Redondo Beach to Santa Monica, exploring the distinct personalities and attractions of various beach towns and their piers. She also suggests dedicating a day to Abbot Kinney Blvd in Venice for its unique boutiques, diverse dining options, and vibrant atmosphere. For a day or weekend trip, she recommends taking a ferry to Catalina Island, highlighting the charming town and the relaxing experience at Descanso Beach Club, complete with water activities and beachfront dining. Finally, she mentions her enjoyment of Sunday morning flea markets like the Rose Bowl and Long Beach for sourcing vintage art and decor. Hackathorn extends her gratitude to two key groups: her past clients and her network of local interior designer friends. She acknowledges her clients for trusting her with their home designs and for openly sharing their anxieties, which helped her recognize recurring concerns across diverse budgets, styles, and home types. This understanding underscored the universal need for proper tools and guidance in home design, debunking the notion that only professionals can achieve beautiful spaces. She also credits her fellow small business owners in the interior design industry for their shared support, encouragement, and understanding of the profession's demands, which can often be misperceived as an easy job. #AnnaHackathorn #InteriorDesign #PLANandELEVATE #HomeDecor #DesignConsulting #Entrepreneurship #LosAngelesTravel #SmallBusiness #CreativeProfessionals

This blog post features an interview with Jason Apilado, a Senior Interior Designer, who offers insights into the interior design industry, discusses his notable projects, and shares his recommendations for cultural experiences, dining, shopping, and community engagement in Los Angeles. The interview begins by addressing common misconceptions about interior design, highlighting the blend of creativity and business acumen required for success. Apilado emphasizes the technical skills involved, including mathematics, geometry, engineering for cost calculation and collaboration with architects, and deep dives into psychology, history, and cultural studies for robust conceptual development. He also touches upon the challenges of navigating new design languages and effectively communicating these to various stakeholders, all while managing logistics and meeting deadlines. Apilado stresses the importance of artistic restraint and balancing imagination with practicality, without compromising design values. He introduces his '3 R's' approach—Recognize, Reassess, Recalibrate—to prioritize time management and support creative discipline, a skill he developed over 14 years in the field, including a significant period as a freelancer. Resilience, problem-solving, and leading with confidence without ego are also identified as crucial for designers. Apilado then shares details about some of his favorite projects, including a brutalist home/event space in Eden, Utah, designed in collaboration with Tom Wiscomb Architects and Benchmark Modern. This project features art installations and furniture by renowned artists and designers such as Jónsi, James Turrell, Rick Owens, Vibha Galhotra, Naama Tsabar, Pedro Reyes, and MAD Architects. Other significant works mentioned are the Soulmate Restaurant in West Hollywood, a G550 jet interior, and a contemporary residence in the Hollywood Hills, developed with Belzberg Architects and Dobkin Construction. The discussion also covers his recent ventures into dealing antique furniture, launching a textiles collection, and selling curated goods online. The interview shifts to local recommendations for Los Angeles. For cultural experiences, Apilado suggests Casa Perfect Los Angeles 3.0, Anat Ebgi gallery, Vardan Gallery, Arcana Books, and the Endeavour space shuttle. Dining recommendations include Santa Monica Seafood Market, Santa Monica Farmers Market, Spoon & Pork, Kang Ho Dong, and Siam Night Market. Shopping highlights feature H. Lorenzo and the Rose Bowl Flea Market. For community engagement, he recommends In Sheep’s Clothing hifi, Ambient Church, Brain Dead Studios, Aroma Golf Range, and the LA River West Bank Bike Trail. Finally, Apilado expresses gratitude to numerous individuals who have inspired and supported his career. He acknowledges fellow designers and craftsmen, emphasizing the importance of community and mutual support among artists. He specifically thanks his parents for fostering his creativity, his brothers for their support, and his high school teachers and college mentors for seeing his potential and never giving up on him. Special recognition is given to Sean Leffers for trusting him to build a design studio, and a list of influential figures such as Riza Stillwell, Scott Pennington, David Waggoner, David Goggins, Bjarke Ingels, Ridley Scott, The Wachowskis, Craig Green, and Richard Feynman are mentioned for their impact on his professional journey. #InteriorDesign #CreativeProcess #DesignProjects #LosAngelesCulture #BusinessAcuemen #ProfessionalJourney #ArtisticRestraint #CommunitySupport

Archeda, a family-owned business established in 1996 in Porcia, Friuli Venezia Giulia, specializes in creating bathroom furniture, accessories, and complements. The company's core philosophy revolves around culture and sharing, viewing them as essential tools to inspire and appreciate beauty. Archeda focuses on designing bathroom systems that are adaptable and multifunctional, transforming bathrooms into personalized spaces for self-care and well-being. Each collection is a blend of research and innovation, aiming to anticipate current and future design trends and lifestyle shifts. Founders Maurizio Poletto and Piergiorgio Verardo initiated the company with the vision of infusing beauty and innovation into bathroom design through a diverse range of furnishing solutions. The company’s expertise is rooted in a rich tradition of craftsmanship combined with a passion for design, embodying the resilience and foresight typical of "made in Italy" enterprises. The second generation, led by Alberto Poletto, Maurizio's son, has joined the business, bringing a clear and determined vision for future growth. Alberto Poletto's aspiration is to contribute to the family business by developing design furniture, and he aims to implement digitization processes for faster and more innovative services. He also plans to expand into new foreign markets to promote Archeda's core values globally. The manufacturing facility in Porcia spans 4,000 square meters, where a significant portion of the workforce has been dedicated to the company for two decades. These skilled professionals are responsible for processing raw materials, assembling, and crafting high-quality, durable design pieces. Archeda enhances its customer-centric approach by offering a digital configurator, which allows clients to design their bathrooms virtually. The company is deeply committed to sustainability, integrating eco-friendly materials such as wood and glass into its products and adopting environmentally conscious production methods. Longevity of products is a key priority, further supporting their sustainable practices. To minimize its environmental impact, Archeda powers its operations using photovoltaic panels installed on the company's rooftops. The brand's products are distributed throughout Italy via specialized thermo-hydro-sanitary and furniture shops. On the international front, Europe, particularly France, is a significant market accessed through traditional distribution channels. In the United States, Archeda strategically targets the Boutique Contract sector, collaborating with architects and design professionals in major cities like Miami, New York, and Chicago. This approach highlights their blend of traditional craftsmanship with modern business strategies and environmental responsibility.

Interior Design's Giants and Rising Talent event commenced in Encinitas, California, bringing together established and emerging designers. The three-day event, hosted at the Alila Marea Beach Resort for the second consecutive year, began with a welcome by Editor-in-Chief Cindy Allen. A key highlight of the opening night was a discussion between Tom Kundig, principal and founder of Olson Kundig, and Douglas Keane, owner and chef of Cyrus Restaurant, a project designed by Kundig's firm. Cindy Allen emphasized the importance of gathering the design community, particularly highlighting the blend of seasoned "Giants" and promising new talent. She introduced Tom Kundig as a career hero, acknowledging his ability to translate his unique vision into reality. Kundig, however, shared that his journey wasn't always straightforward, stressing the importance for young designers to find their niche and commit to it. He recounted his professional relationship with Jim Olson, the firm's founding partner, likening their dynamic to the trust and reliance essential in mountain climbing. This profound trust allowed the firm to develop a client-focused model. Olson Kundig's foundation in residential design provided a deep understanding of human needs. Kundig explained that residential projects, which address fundamental requirements like shelter, offer insights applicable to larger-scale endeavors. The firm's portfolio now spans diverse projects, including museums, educational institutions, and hospitality spaces such as Cyrus Restaurant, known for its innovative philosophy. The discussion then shifted to the design of Cyrus Restaurant, with Douglas Keane joining the stage. Keane, with two decades of experience in the restaurant industry, aimed to create a dining experience in Napa Valley that mimicked a dinner party, allowing guests to move through various rooms. He also sought to establish a comfortable environment for staff, addressing common industry challenges like high turnover and working conditions. Kundig highlighted his team's open-minded approach to the project, emphasizing that they prioritized Keane's vision and the specific context of the 1930s warehouse and vineyard setting rather than imposing preconceived ideas. He stated that being sensitive to these elements, rather than working in a silo, leads to extraordinary outcomes. The resulting restaurant space is described by Keane as a dream realized, fostering connection by blurring the lines between chefs and guests, including an immersive kitchen experience. Kundig encouraged young designers to pursue their own passions, advising them not to emulate others but to follow their inner calling. Allen concluded by praising Kundig and Keane for their human-centric approach to design, setting the tone for the event's subsequent discussions on architecture and humanity. The article also mentions future coverage of event highlights, including industry trends and insights. #InteriorDesign #Architecture #DesignEvent #TomKundig #OlsonKundig #CyrusRestaurant #HospitalityDesign #ResidentialDesign #DesignPhilosophy

This article features a question-and-answer session with interior designer John De Bastiani, who recently established his interior design business in Santa Barbara after relocating from Boston and Los Angeles. De Bastiani shares insights into his career path, design philosophy, and personal preferences. His journey in design commenced in Boston, where he worked at the esteemed fabric house Brunschwig & Fils, subsequently designing home interiors throughout the greater Boston area. In 2007, he moved to Los Angeles and gained valuable experience working for renowned interior designer Michael Smith before launching his independent practice. De Bastiani expresses a lifelong passion for interiors and design, stating that his expertise lies in blending practical experience, historical knowledge, and his innate taste. Approximately a year prior to the interview, De Bastiani fully transitioned to Santa Barbara, a city whose Spanish architecture and grand estates, along with its supportive and kind community, captivated him. He operates his business from a home office located in Romero Canyon. The interview delves into the origins of his attraction to design, highlighting his early love for art and art history, and decorative arts, which he sees as a creative outlet without being a fine artist. When asked about his favorite work-related field trip or vacation, he identifies Mexico City. For design inspiration, he looks beyond home projects to a variety of sources including travel, Instagram, and nature, noting that inspiration can stem from something as specific as a Spanish tile or a fantastic organic modern home. He articulates that his favorite aspect of his work is the creative process and the inherent project-based nature of design, which allows him to merge these two interests. Conversely, De Bastiani states his least favorite aspects of the job are difficult clients and unrealistic budget expectations. Pondering an alternative career, he would choose to be a shop owner specializing in home furnishings, antiques, and vintage items. His current state of mind is hopeful, and his ideal of perfect happiness involves managing three well-paced large-scale projects annually with clients who are receptive to his design process. His most significant professional achievement was having one of his projects featured on the cover of *House Beautiful* magazine, while his greatest fear is a lack of business. He considers his greatest extravagance to be Brunello Cucinelli. Regarding virtues, he deems being a “professional Instagrammer” as overrated. The talent he would most like to possess is being a flower arranger, and if he could change one personal trait, it would be to cultivate more patience. His most cherished possession is his 1969 Mercedes 280SL. Among living individuals, he most admires Jane Fonda and most despises Kim Kardashian. Loyalty is the quality he most values in his friends, and his most marked characteristic is being a kind and generous friend. His favorite fictional character is Lord Grantham from *Downton Abbey*, and he identifies Barack Obama as a real-life hero. He admits to lying on occasions when the truth might hurt someone’s feelings and frequently uses the phrase “1,000 percent!” #InteriorDesign #JohnDeBastiani #SantaBarbara #DesignInspiration #CreativeProcess #HomeInteriors #BostonDesign #LosAngelesDesign #LuxuryDesign