I Sent Living Room Photos to a Designer — Her Changes Made It Better

The author, an editor at Design Milk with over seven years of experience in design journalism, recounts her personal struggle with designing her own living room, highlighting the disconnect between professional exposure to high-quality design and the practicalities of creating a functional, aesthetically pleasing space on a budget as a first-time millennial homeowner. The article details her family's move into their first home in May 2020 during the early months of the pandemic, a period marked by uncertainty and the immediate need for functional space for their two young children. This resulted in a cluttered and dysfunctional living room that, despite appearing organized on social media, did not feel relaxing or adult-friendly. Faced with the challenges of designing a living space while caring for toddlers and acknowledging her own limitations in interior design despite her professional background, the author sought professional help. In March 2022, nearly two years after purchasing her home, she enlisted the services of Alex Yeske, a design-loving influencer and former graphic designer for notable brands like Madewell and Loeffler Randall. Alex Yeske, who had transitioned her career to interior design and established Alex Yeske Interiors on the west coast, was a serendipitous find for the author, given their long-standing connection through Instagram. The collaboration with Alex Yeske began without the typical inspiration board, as their established online connection allowed Alex to understand the author's needs intuitively. The primary dissatisfactions with the existing living room included a lack of storage, inadequate division between kid and adult spaces, and an overall lack of cohesive design. Alex presented multiple design options, including layout plans, schemes, and material swatches, to address these issues. The article emphasizes the value of hiring a personal interior designer, contrasting it with the pitfalls of attempting to design a home independently, which can lead to costly mistakes and dissatisfaction. Alex Yeske underscored that clients are not just paying for aesthetics but for expertise, experience, and comprehensive project management, including contractor coordination, product sourcing, scale assessment, and integrating functionality with design. Throughout the sourcing process for furnishings, both the author and Alex identified many products from brands powered by Shopify, highlighting the platform's role in supporting independent interior businesses and simplifying the shopping experience through the Shop app. The article notes a preference for supporting small, independent businesses like Sixpenny, Cedar & Moss, and Everhem, alongside established retailers such as Room & Board, and incorporating vintage and antique pieces from platforms like Etsy or local flea markets. This approach allowed for a curated design scheme that reflected the author's personal style rather than generic trends or limited brand portfolios. The project, despite experiencing delays due to COVID-19, out-of-stock items, and long lead times for contractors, was completed seven months after the initial consultation. The article concludes by anticipating a forthcoming reveal of the refreshed living room, including "after" photos, a complete source list, details on budgeting (splurges versus saves), and further insights from Alex Yeske for new homeowners. This initial post serves as a prelude to the full reveal, focusing on the "before" state and the design consultation process. #InteriorDesign #LivingRoomDesign #HomeRenovation #DesignInfluencer #AlexYeskeInteriors #HomeownerJourney #DesignProcess #Shopify #InteriorStyling

Danielle Tanner, an interior designer at Topology Interiors, embarked on a significant renovation of her three-bedroom flat in south-east London, which had remained untouched for over six decades by its previous owners. The project aimed to transform the dated property into a warm, contemporary home for her and her partner, along with their cat, Dora. The renovation involved stripping the flat back to its essential structure, including a complete rewiring and strategic modification of interior walls to optimize the living space. A key aspect of the structural changes involved reconfiguring the layout of the kitchen and bathroom. Danielle managed to reclaim approximately 30cm from the unusually large bathroom, which, despite its modest size, significantly enhanced the functionality of the kitchen. This additional space allowed for the installation of an extra row of units and overhead shelving, features she particularly values. Furthermore, she ingeniously carved out a floor-to-ceiling hallway cupboard from another section of the bathroom, creating much-needed storage for household items like a vacuum cleaner, coats, shoes, and bags. This was a crucial improvement, especially given the narrow entrance typical of many Victorian London terraces, illustrating how small, thoughtful adjustments can lead to substantial practical benefits. The living room, initially perceived as large but poorly laid out with furniture pushed against the walls, underwent a notable transformation. Danielle’s design philosophy emphasized creating a more intimate and conversational setting by bringing the sofa inwards, rather than adhering to conventional wall-placement. This adjustment not only improved the room's aesthetic and comfort but also freed up a significant back wall for bespoke storage cupboards and expansive floating shelves, which serve as a prominent design element and a favorite spot for her cat. The kitchen also benefited from a layout overhaul, with the addition of a peninsula that provides extra seating and dining space without sacrificing storage, making it ideal for entertaining guests while cooking. Throughout the renovation, Danielle prioritized maximizing storage, recognizing it as a major deficiency in the original property. Custom joinery was integrated into every room, including floor-to-ceiling wardrobes in both bedrooms, the hallway cupboard, and alcove cupboards, along with a full back wall of storage in the living room. While this bespoke joinery represented a significant investment, its utility proved invaluable. Budget management was a critical challenge, but Danielle meticulously tracked expenses, ensuring the project stayed within financial limits. She allocated a buffer for unforeseen issues, which fortunately were not extensively utilized. Cost-saving measures included retaining and repainting the original doors in a uniform color with new hardware, embracing their diverse styles as a unique character feature rather than replacing them entirely. Danielle's favorite part of her home is the living room, appreciated for its afternoon sunlight and ability to transition between light and airy in summer and cozy with a gas fire in winter. She also cherishes the large floating shelves for their decorative impact and versatility. Reflecting on the project, she identified a few areas she would change if given the opportunity, such as adding wall lights or softer lighting in the hallway and replacing the skirting boards and door architraves for a crisper finish. Despite these minor reflections, her overall satisfaction stems from taking the time to carefully select decorative elements and furnishings, ensuring the home truly reflected her personal style and needs, rather than rushing for a quick completion. #InteriorDesign #HomeRenovation #LondonHome #BeforeAndAfter #SpaceOptimization #CustomJoinery #BudgetRenovation #LivingRoomDesign #KitchenRemodel #HallwayStorage

This article highlights the transformation of a 1940s Federal-style house in Nashville’s Belle Meade, which was updated by interior designer Yancey Shearouse of Yancey Seibert Shearouse Interiors. The design drew inspiration from the client Hailey Stone's fashion sensibilities, characterized by bold patterns, bright colors, and chic silhouettes, while also incorporating her husband Bryan's preference for classic, tailored styles. The challenge was to blend these differing aesthetics into a cohesive and personalized living space. The design strategy involved integrating a variety of wallcoverings, fabrics, and rugs featuring floral, geometric, and abstract motifs, with some playful elements like feathers and cowboy boots. These elements are executed in a vibrant color palette encompassing greens, blues, pinks, purples, reds, and oranges. The visual richness of these textiles is balanced by the home's foundational elements, such as hardwood floors, classic white trim, and stately millwork. Family heirlooms and antique-inspired furnishings further ground the design, creating a blend of contemporary and timeless styles. Art plays a significant role in the home's character, reflecting the couple's shared passion for collecting contemporary pieces. Shearouse ensured that the interior design provided an ideal backdrop for these cherished artworks, which are considered central to making the house feel like a home. The article then details specific rooms, showcasing how this design philosophy was applied throughout the 4,500-square-foot residence. In the living room, brilliant blue accents, including a velvet throw pillow, sculptural lamp base, and drapery trim, punctuate green expanses. A diamond-design rug in spicy pinks, oranges, and ambers introduces warmth, complementing Andy Warhol licensed prints. The kitchen features an all-white scheme with a riveted lap seam range hood as a focal point, softened by circular pendants and cane barrel-backed counter stools. Café curtains in the kitchen match the full-length drapes in the adjacent family room, ensuring design continuity. The dining room embraces fun with feathery wallcovering and sumptuous pink drapes, adding a celebratory and whimsical touch to the formal space. Louis Phillipe-style mirrors and Directoire-inspired commodes are updated with crisp white paint, gold leaf accents, and brass hardware. Vintage dining chairs from a Palm Beach estate sale are paired with Bryan’s grandmother’s antique dining table, with the original 1940s crystal chandelier maintained. The entryway introduces the home's color palette through a green and white Anna French wallcovering, a jewel-toned vintage runner, and an electric blue Schumacher ottoman. Federalist architectural details, like fanciful door transoms, were preserved, and art by Angela Chruschiaki Blehm is displayed alongside mixed media pieces. The family room presents a classic arrangement with a contemporary twist, featuring oversized lamps, an abstract painting by AK Hardeman, and a sleek waterfall-profile wood coffee table. High-voltage pinks and blues provide pops of color against a more muted palette. The primary bedroom utilizes ethereal blues for a quietly colorful atmosphere. A Modern History poster bed’s strong silhouette is softened by white linens, floral pillows, and a scallop-framed settee. A gilt-framed abstract by Alexis Walter and Visual Comfort lamps complement the bed’s delicate gold leaf details. Finally, the primary bathroom showcases pattern play with marble mosaic tile flooring and subway tile shower walls. Brass fixtures and vibrant art by Emyo bring warmth against the marble and blue Lee Jofa wallcovering. #InteriorDesign #HomeRenovation #NashvilleHome #FashionInspiredDecor #BoldColors #EclecticStyle #ArtCollection #YanceyShearouse

Linda Dekkers, an interior stylist and cofounder of Fronteriors, a company specializing in custom fronts for IKEA cabinets, transformed her small three-bedroom coastal holiday home in Ouddorp, Netherlands, by strategically using statement walls. Instead of conventional paint, Dekkers opted for a unique approach: cane wallpaper. This choice allowed her to introduce texture and define distinct zones within the compact space. The wallpaper, which features patterns inspired by woven rattan, is incorporated into both the dining-living area and the master bedroom. The aesthetic effect is so convincing that it’s difficult to distinguish it from actual woven cane unless viewed closely. The Dutch brand NLXL is responsible for producing this wallpaper, utilizing ultra-high-resolution scans to create a trompe l’oeil effect that mimics the natural material. Dekkers emphasizes that integrating texture into a room is crucial for elevating a space from flat and uninspired to one that feels rich, full, and alive. Despite its cost, approximately $300 for 50 square feet, Dekkers views the cane wallpaper as an investment rather than mere wall decor. She likens its significance to a piece of furniture, highlighting its enduring design appeal. The use of caning in interior design has a long history, notably seen in Swiss architect Pierre Jeanneret’s Chandigarh chairs, which have maintained their relevance for over 70 years, indicating that cane-inspired designs are not a fleeting trend. In the dining room, Dekkers paired the cane print wallpaper with a pale pink vintage wardrobe, creating a modern contrast. For the master bedroom, she adopted a more minimalist style, forgoing a headboard to allow the accent wall to serve as the primary focal point. NLXL’s collection offers various cane wallpaper designs, including square webbing, a crisscross pattern, teardrops, diamonds, and plain strips. Dekkers specifically utilized the square webbing design in her dining room. Dekkers notes that this particular wallpaper is heavier than many other types, necessitating assistance during installation, which she received from her mother. However, she assures that the effort is well worth it, as the textured walls create a striking visual impact that ensures the space is noticed and appreciated, regardless of the season. The article showcases how a seemingly simple material choice can significantly enhance the depth and character of a home. #InteriorStyling #CaneWallpaper #TexturalDesign #SmallSpaceDesign #HomeRenovation #DutchDesign #AccentWalls #ModernInteriors

The article details the home renovation journey of Temi Johnson, a participant in BBC1's Interior Design Masters, who transformed her two-bedroom Victorian end-of-terrace house in Hertfordshire into a vibrant and personal space, ultimately leading her to pursue a full-time career in interior design. Temi and her husband initially fell in love with the house's location, which offered good links to London while feeling like it was in the countryside. They had previously lived on a narrowboat to save for a mortgage, and ironically, their new home was right next to a boatyard they frequented for repairs. Upon purchasing the house, Temi quickly realized it needed significant work beyond a cosmetic makeover, including extensive modernization and redecoration, especially the bathroom which had exposed old soil pipes. Despite these challenges, the house retained its original parquet flooring and had a small kitchen extension, providing a good foundation. The renovation began with ripping out the downstairs kitchen and old shower room, transforming it into a larger kitchen, laundry room, and downstairs toilet. This phase, initially planned for six weeks, stretched to nearly three months due to unexpected building issues, forcing them to wash dishes in the bathtub. Temi's vision for the kitchen was a decent-sized space for entertaining, reflecting her love for food. She describes the kitchen as the heart of the house, where they spend most of their time with friends and family. The design incorporated cabinetry with hidden storage and open shelving, cubbyholes for plates, and a built-in wine rack. For the worktops, she opted for durable quartz over more expensive and delicate marble, considering they have a three-year-old. The kitchen also features a country-style Butler sink and brass taps and handles, with the island housing the oven and hob. The living room was designed to feel larger and more inviting, using a bright orange eco-friendly lime-wash paint from Francesca’s Paints, as Temi expresses a dislike for wallpaper. The room is furnished with a mix of vintage finds, including an Ercol sofa and a brass coffee table from eBay, complemented by cherished artworks. Temi highlights her love for antiques and vintage items, emphasizing their character and charm, and describes her style as a blend of traditional and modern vintage with a strong emphasis on color. She mentions painting the fireplace black, a detail inspired by a previous boat renovation, and notes the polarizing reactions to her orange living room. Moving to the private spaces, the main bedroom features a birch bed from Ikea and a color scheme with Dulux’s Bright Skies on the walls and a Farrow & Ball Arsenic-matched paint for the door. A fitted wardrobe with curved door inserts and large circular brass handles, sourced from Pushka Home, was custom-built to fit an alcove. Her son's bedroom is designed for play and storage, featuring a raised Ikea bed to accommodate toys and a teepee that serves as a snug area. The bathroom, a surprising challenge during the renovation due to unseen damage and previous modifications for disability, was updated with a second-hand bath and sink from eBay, with all plumbing replaced. Temi concludes by advising against rushing home decoration, encouraging homeowners to take their time to find items they truly love, emphasizing that a home will come together authentically with patience. #InteriorDesign #HomeRenovation #VictorianHouse #Hertfordshire #ColorfulDecor #KitchenDesign #LivingRoomIdeas #BedroomDecor #DIYHome

Lauren Sparber, an interior designer, and her husband Josh, embarked on a renovation project for their historic 1920s Tudor-style home in Washington D.C. Their primary goals were to expand the footprint, significantly increase natural light, and optimize the house's functionality for their family of four. Facing the challenge of a narrow plot with nearby properties, which complicated expanding and introducing more light, Lauren enlisted the expertise of her neighbor, architect Colleen Healey. Healey's local knowledge and understanding of the couple's vision proved invaluable in developing effective solutions. A key design challenge involved incorporating a large screened-in porch without blocking essential light to the new living spaces. Colleen Healey's innovative solution involved a striking porch addition at the rear of the house, featuring large doors that can be fully opened to seamlessly integrate with the interior living areas. An open space beneath the porch was also incorporated for children's play equipment and storage, with the flat roof designed for a future green roof. This design allowed the family to enjoy the porch for dining and entertaining throughout much of the year, with integrated fans and heaters ensuring comfort. Furthermore, strategically placed skylights became crucial for illuminating the interior. To maximize natural light, especially in the kitchen and family room, an asymmetrical ridge line was implemented in the roof design. This allowed morning light to reach the new primary bedroom and afternoon light to penetrate the double-story kitchen through a carved-out section of the second floor. An additional east-facing skylight further enhances the natural illumination in the kitchen. The original kitchen, described as tiny and cramped, was transformed into an airy and functional workspace, boasting triple the storage and counter space, centered around a large island ideal for entertaining. Lauren Sparber selected earthy warm oak full-height cabinets and an island, complemented by painted white lower cabinets, to introduce subtle layers of color. For countertops, Vermont Danby natural stone was chosen for its durability and unique green and black accents, which then influenced other design elements in the space. Three Allied Maker pendant lights above the island and laced leather and rattan barstools from McGuire were selected to complement the architectural details and other black accents in the room. The family room, constrained by the home's footprint, was meticulously planned to feel spacious despite its narrow layout. The design prioritized a well-considered arrangement and carefully chosen furniture. Hardwearing materials were selected to accommodate a young family, with a West Elm sectional serving as a primary seating area. Sophisticated touches were added with a Holly Hunt chair and side table, custom coffee tables, and a Matt Camron wool rug. TimberTech flooring on the screened porch seamlessly extends to the light oak interior floors, creating a cohesive look. A popular window seat, positioned between the family room and the glass porch, provides a cozy reading nook, featuring a Pollack woven linen cushion, a Mantas Escaray blanket, and a Visual Comfort reading light. The dining room, though maintaining its original location, benefited significantly from the new open wall leading to the addition, creating an illusion of greater size and natural light. Furnishings in the dining room include a BuzziSpace light fixture, an ebonized oak Camerich dining table, and easily cleanable leather-covered Holly Hunt host chairs and molded wood CB2 side chairs. Externally, the front facade also underwent a renovation. The existing front porch, which darkened the interior rooms, was removed. Windows were replaced with a soft grey finish and a simple mullion pattern, and the heavy Tudor elements were replaced with a clean stucco finish. The redesign successfully created a modern, light-filled family home that meets the owners' aesthetic and practical requirements, with the double-height kitchen ceiling and the screened porch being particular highlights for Lauren. #HomeRenovation #InteriorDesign #ArchitecturalDesign #ModernHome #LightFilledSpaces #KitchenDesign #FamilyHome #ScreenedPorch #Skylights

The McGee Home Refresh details the second phase of design updates made to Shea McGee's family residence in Salt Lake City, Utah, serving as a practical design laboratory. The article outlines various enhancements across different areas of the home, focusing on adding layers, textures, and character to the existing structure. Each section discusses the specific changes and the designer's rationale behind them. For the exterior, the refresh aimed to create a timeless appearance. While the home initially featured classic lime-painted brick and stone, new elements were introduced to enhance its character. These additions included a columned porch with a copper roof, stepped flairs and decorative vents on the brick, custom bifold shutters for upper windows, curved garden walls, a bluestone walkway, an oval window, and gas lanterns. These details were chosen to make the relatively new build blend seamlessly with a neighborhood that features both old and new architecture. In the entryway, functionality and aesthetics were balanced. A vintage chest was incorporated to provide hidden storage for everyday items like socks and toothbrushes. A key aesthetic change involved mirroring the living room's plastered brick technique onto the entryway's brick, adding warmth and texture and creating a cohesive visual flow between the two adjoining spaces. The living room refresh focused on adding architectural interest, deeper tones, and varied textures. Structural modifications included plastering the brick fireplace, adding tongue and groove paneling to the ceiling, and installing a curved opening to separate the living room from the staircase, echoing the exterior's brick elements. This space also served as a testing ground for new McGee & Co. products and allowed for the display of Shea's antique collections. The dining room was enhanced to introduce visual drama and better define its space. Half walls with sidelights were added to provide separation from the open-plan kitchen without completely closing off the flow. This, combined with the existing coffered ceiling, gave the room a more refined and distinct feel. Pierre Frey wallpaper, featuring a growing pattern, was applied to the walls, and the furniture consisted of a mix of new and existing pieces, including the Orville Extension Dining Table from McGee & Co. and affordable cushions from their Target collection. The pantry refresh primarily involved a paint color change to create a moodier, more personalized atmosphere. Green shades from the dining room wallpaper were extended into the pantry, with "Inspiration" by Portola Paints used on all cabinetry to add character to the small, windowless space. In the primary bedroom, the refresh was largely a furniture and styling swap. New McGee & Co. pieces, such as the Walt Bed in praline velvet, the Philippa Settee, and the Tali Burl Wood Dresser, were introduced, allowing Shea to test products in a lived-in environment. Wren's room, belonging to the oldest daughter, received subtle updates to reflect her evolving personality. Key changes included a Roslin Hand-Knotted Wool Rug and new bedding like the Briony Gauze Quilt and Inger Gauze Coverlet. Ottomans were swapped for more mature Channel Ottomans, and a woven bistro chair replaced a vintage chair, paired with a ruffle cushion. Ivy's room, for the younger daughter, focused on incorporating patterns. Willow Boughs wallpaper by Morris & Co. was used, complemented by the Pimpernel Wallpaper in the adjoining bathroom. Furniture remained largely the same, with the addition of the Prudence Chair in mohair velvet and the Mackenna Dresser. Styling elements like the Tess Ceramic Table Lamp and Neutral Swan artwork completed the refresh. Finally, the upstairs nook was restyled to add depth and warmth. A vintage tapestry found at an online auction was paired with the Clemence Chair and Goodrich Side Table from McGee & Co., transforming what was once a simple bench into a cozy and inviting corner. The McGee Home Refresh showcases a thoughtful approach to evolving a home's design over time, emphasizing layering, texture, and personal touches. #HomeRefresh #InteriorDesign #ExteriorDesign #HomeDecor #RoomTransformation #DesignProcess #ArchitecturalInterest #FurnitureStyling #StudioMcGee

This article showcases a collection of outstanding projects from prominent local interior designers, each highlighting a unique approach to creating captivating spaces. Scott Sanders' cabana exemplifies 'Island Style,' blending 1970s inspiration with contemporary pieces and vibrant colors like cobalt blue and turquoise. The design incorporates natural elements such as bamboo, wicker, and rattan, contributing to a tropical yet sophisticated ambiance. Gil Walsh Interiors presents a living room themed 'Among the Stars,' characterized by a harmonious blend of turquoise, citron, lighter blues, ivories, and grays. Walsh's design focuses on brightening the space and integrating modern fixtures with a mid-century feel to complement the architectural geometry, featuring glamorous starburst motifs. Katherine Shenaman Interiors crafted a 'Pretty in Pink' nursery, embodying a fresh and modern aesthetic while retaining youthful charm. The room is dominated by rosy pink, with a Bradley USA wallpaper and a Wendy Clark Designs rug. Whimsical elements, such as rabbit chairs by Stefano Giovannoni, cater to children's playfulness. Sara McCann Design Group redefines game rooms with 'Playing Favorites,' proving they can be both fun and stylish. The design for a family game room lounge uses brilliant greens and rich caramels against white cypress walls and ceilings, inspired by Palmetto fabric and enhanced by viridian Winnie lamps, creating a luxurious and comfortable tropical atmosphere. Krista Watterworth Alterman of Krista + Home introduces a 'Feast for the Eyes' with a Bali-inspired contemporary kitchen that deviates from typical all-white designs. It features dark woods, natural materials like banana bark chandeliers, gold upholstered stools, and integrated appliances, presenting an earthy yet modern aesthetic with a global and moody vibe. Angela Reynolds Designs, in collaboration with Smith Architectural Group and Davis General Contracting, showcases 'Contemporary Glamour' in a dining room. This design merges classic architecture with contemporary elements, including black fluted lacquer columns and a custom dining table with silver-leaf banding. The room's focal point is a pair of John Pomp chandeliers, whose handblown glass clusters illuminate the space while preserving ocean views. Lorraine Rogers-Bolton of Rogers Design Group, with Amanda Wyant-Binns, created a 'Dream Weaver' bathroom that fulfills a client's vision of tranquility. The space features a silver and crystal chandelier, calming grays and whites in the wall covering, snowy stone with gray veins, and an oval tub, all contributing to an ethereal, airy, and contemporary feel. Finally, Jim Dove Design’s 'Letting in the Light' kitchen in a Hobe Sound home emphasizes natural illumination. Dove integrated three windows to maximize light, which enhances crisp white accents, high-gloss white cabinetry, and countertops. Serene azure blues in the Sub-Zero refrigerator and custom cupboards create a calm ambiance, blurring the lines between indoor and outdoor spaces. #InteriorDesign #HomeDecor #LuxuryInteriors #DesignTrends #PalmBeachDesign #ResidentialDesign #ContemporaryGlamour #IslandStyle #KitchenDesign

The author of the article describes a common design dilemma: a beloved rug purchased impulsively that turns out to be too small for the intended space, specifically a guest bedroom. Despite knowing the importance of precise measurements, the author acquired the 5’7″ x 7’10″ Stockholm rug from IKEA, a part of a popular but fleeting collection, for a 10-by-10 foot room. The rug awkwardly covers only a third of the space under a queen-sized bed, prompting the author to seek advice from seven interior designers on how to integrate it successfully or find an alternative solution. The primary goal was to make the graphic pattern of the IKEA rug appear intentional rather than out of place. The designers offered several solutions to address the undersized rug. The first and most popular suggestion was to layer a larger, neutral rug underneath the existing one. Lia McNairy of LALA Reimagined endorsed this approach, recommending a neutral flatweave to avoid excessive bulk and ensure the IKEA rug's pattern remains the focal point. She suggested affordable options from Hook and Loom and Rugs.com, and also pointed to Etsy for custom-sized rugs, highlighting the possibility of negotiation. Nicole Alexandra Arruda similarly advocated for a neutral foundation, specifically a jute or sisal rug in a sandy hue, such as options from World Market, to provide durability, subtle texture, and warmth, complementing the IKEA rug's crisp white and light blue tones. Another approach involved grounding the existing rug with a solid-colored base layer. Alvin Wayne proposed using a colorful rug that picks up one of the shades from the IKEA rug, suggesting Rugs USA’s Arrel Speckled rug in denim as a potential match to create a visually appealing border. For those willing to invest more, custom-sized rugs were presented as a viable option. Natalie Myers of Veneer Designs, experienced in working with non-standard vintage rugs, also recommended a neutral custom rug that is smaller than the room but larger than the initial rug, typically a 9’x9′ or 8’x9′. She specifically mentioned Ernesta’s Briar rug in Redwood for its terracotta undertones or the Suri in Oatmeal to blend with existing tan patterns. Pottery Barn was also noted for offering bespoke sizes. Jessica Hansen of Tandem Design provided a sketch to demonstrate the ideal 9’x9’ base layer and recommended Birch Lane’s Torbin Jute/Sisal rug, emphasizing how a textural difference could enhance the IKEA rug's appearance. She also suggested incorporating striped bedding to add more visual interest. Contrasting with the layering suggestions, Canadian designer Luke Havekes advised against layering in small spaces. His unconventional solution was to purchase a second Stockholm rug and stitch them together, effectively creating a larger rug. Kate Hayes of Hayes Little Studio shared a similar sentiment regarding the potential visual complexity of layering and instead suggested placing several sheepskin pelts from Sunday Shop around the room. This would create multiple soft landing spots and add texture without the potential pitfalls of layering. The author concluded that the size of the rug is the most critical factor to get right. She plans to opt for a 9’x9’ square base layer and is considering samples from Ernesta for their Mila, Jesse, and Luca styles. Despite the effort to find a solution for the current rug, the author acknowledges the appeal of simply storing the existing rug and starting fresh with a new one that fits the space perfectly from the outset. #GuestRoom #RugMistake #InteriorDesign #LayeringRugs #HomeDecor #BedroomDesign #CustomRugs #NeutralPalette #DesignTips

This article details the renovation of a Toronto home, focusing on how designer Jaime Zimmerman of JPZ Interiors successfully integrated a distinctive wall of 34 orange-tinted, 1980s-era windows into a modern, functional living space. The homeowners, drawn to the unique character and backyard view offered by these windows, wished to retain them despite their dated appearance and the contractor's suggestion to paint them. Zimmerman emphasized that these windows contribute to the home's natural feel and character, making them a special feature she aimed to preserve. The renovation tackled several challenges, including a "wonky" layout where different areas of the great room, kitchen, mudroom, family room, and dining area were on varying levels, creating tripping hazards. Zimmerman’s primary goal was to create a cohesive and safer environment. One significant improvement involved extending the steps to the left of the fireplace thresholds and constructing them from white-painted brick, matching existing elements in the room, to address a safety concern for the homeowners' children. The kitchen, originally separated by a peninsula, was opened up further to seamlessly connect with the great room. The designer maintained the integrity of the windows by not adding upper cabinets in their vicinity, instead maximizing storage with custom organizers for pots and pans integrated into drawers near the range. The vent hood, strategically placed in front of the windows, was painted the same color as the new flat-slab cabinets to make it blend in and appear less obtrusive. Material selection, particularly wood tones, was crucial. Zimmerman replaced the terracotta tiles with engineered hardwood flooring, opting for a honey-hued finish that harmonized with the existing orange tones of the window frames and ceiling panels. In the new front entryway, a checkerboard tile was introduced, along with an oak coat closet. For new wood furniture and built-ins, lighter stains and species were chosen to avoid a heavy aesthetic. This new entryway, now functioning as a mudroom, had its floor raised to be level with the kitchen, and the double door was replaced with a single opening and sidelight windows for improved accessibility. Lighting also received careful consideration. Given Toronto's dark winters, a functional yet subtle lighting plan was implemented. Zimmerman avoided grand chandeliers, instead incorporating simple track lights over the dining table and mono-point flush mounts above the peninsula. Sconces were used to mark the new arched thresholds and steps leading to the family room. The formal dining room, a long and narrow space, was an exception, featuring a series of three long-hanging fixtures with textured white shells that complement the room’s linear design and blend into the background. #homeRenovation #interiorDesign #beforeAndAfter #windowDesign #kitchenRenovation #floorLeveling #woodTones #lightingDesign #mudroomDesign #TorontoHome

Designer Clive Lonstein, based in Manhattan, showcases his philosophy of creating balance through contrasts in the transformation of a bedroom with a sitting area in a New York City suburb. Lonstein's approach blends antiques with contemporary elements, Old World craftsmanship with modern colors, and fosters intimacy within expansive spaces. His design for this project heavily features Italian-made luxury fabrics, rugs, and wall coverings from Coraggio, along with a custom area rug from Thibaut and throws from Rosemary Hallgarten. A key aspect of Lonstein's design is the strategic use of texture over overt patterns. He highlights that texture is a hallmark of his work, and Coraggio's sumptuous, to-the-trade offerings were ideal for fulfilling the client's desire for an intimate room that avoided feeling dark or cluttered. The Coraggio Elevato Wallcovering, a basket-weave raffia, was chosen for its ability to add detail and warmth while maintaining a sophisticated, minimalist palette. Lonstein notes the dual scales at play: the macro scale of large squares composed of much finer strands, creating a rich yet uncluttered aesthetic. The natural variations in the 100-percent-raffia fibers contribute to a variegated color and dimensional texture, particularly around corners and the bed's bump-outs. Despite the room's cathedral ceiling and inherent openness, the wallcovering imparts a sense of coziness and intimacy, transforming the overall feel of the bedroom. Another principle applied by Lonstein is clothing traditional shapes in modern colorways, aiming for a rich appearance without excessive complexity. He appreciates the material integrity of Coraggio's offerings, even in simple, solid colors, which lend a contemporary feel. For a classic armchair in the sitting area, he selected a shimmering cognac-colored Royal Silk Mohair Fabric from Coraggio, enhancing it with accessories in similar shades but different fabrics, such as a Solaro fabric pillow in Cognac and a Pebble Strie throw in Camo from Rosemary Hallgarten. For an adjacent loveseat, Lonstein opted for green, a favored shade for its freshness and versatility, using Coraggio’s linen-cotton blend Solaro fabric in Olive. Throw pillows in Astratto and Burano fabrics, along with other accessories like a jade lamp base and bed bolster, maintain a monochromatic, tone-on-tone scheme within this zone. Lonstein emphasizes the paramount importance of quality in textiles, noting that Coraggio's materials are crafted by master weavers in Italy, ensuring luxurious finishes and drape. Lonstein also focused on marrying timeless style with practical, modern elements. The bedroom features an eclectic mix of antiques and new acquisitions, including vintage wood doors hung on roller tracks that serve as a visual anchor and subtly connect to the loveseat's fabric and outdoor greenery through their remnants of green paint. While mostly vintage tables dot the space, they are accessorized with contemporary ceramics. A practical addition is the neutral-colored, highly textural Sonoma AREAS Rug from Thibaut. Made from synthetic PET, this rug is both soft underfoot and durable, as well as easy to clean. This versatility is crucial to Lonstein’s design process and influences his material choices. He asserts that high-quality, high-design lines like Coraggio’s provide significant design agility. Lonstein believes that environments profoundly impact human well-being, and transforming a home to reflect its inhabitants creates immense harmony. Coraggio products are available to the trade, with information on their offerings and services accessible online. #InteriorDesign #LuxuryFabrics #BedroomDesign #CliveLonstein #DesignContrasts #Coraggio #Thibaut #RosemaryHallgarten #TextureInDesign

The Petit Palais in Paris is currently hosting an exhibition dedicated to Charlotte Perriand, focusing on the significant role photography played in the development of her renowned interior designs. This unique exhibition delves into Perriand's creative process, presenting her inspirational photographs alongside the finished products they informed. The core idea is to illustrate how Perriand's observations of the natural and urban environment, captured through her camera lens, directly translated into her groundbreaking furniture and interior architecture. Perriand's engagement with photography as a preliminary study method began in 1928, when she joined the influential Le Corbusier/Pierre Jeanneret studio as a furniture design associate. During this period, she dedicated herself to exploring the 'laws of nature' in various contexts, from bustling cityscapes to serene mountain landscapes. The exhibition features a substantial collection of 380 photographs, many of which depict objects and forms discovered during her extensive walks and explorations. This photographic archive underscores her philosophy that the modernist movement was driven by a spirit of inquiry and a process of analysis rather than a mere stylistic trend. Her keen eye for the world around her is evident in these images, revealing a designer who constantly sought inspiration from her surroundings. A key highlight of the exhibition is the direct juxtaposition of these inspiration photographs with their resultant designs. For instance, the skeletal structure of fish bones is shown to have directly informed the design of her 'Banquette Tokyo.' Similarly, the elegant lines of a reclining human figure are presented as the muse behind her iconic 'Chaise Longue Basculante.' Other examples include the 'Chaise Ombre' from 1954, shown with its photographic precursor, and the 'Table Basse' from 1984, which evolved from an 'Art Brut Grès plage Normandie vers' photograph from 1935. The 'Chaise longue bambou' from 1940 draws inspiration from a 'Paysanne corse' photograph from 1937, demonstrating Perriand's ability to translate organic forms into functional and aesthetically pleasing furniture. Furthermore, the exhibition reveals Perriand's innovative approach to design by showcasing how she was one of the first designers to integrate photography as an essential tool throughout her furniture and interior design projects. This method allowed her to meticulously analyze forms, textures, and compositions from the real world, subsequently abstracting and reinterpreting them into her distinctive modernist aesthetic. The exhibit also includes images like 'Immeuble de l’Armée du Salut en construction, vers' from 1931, which inspired the 'Meuble de séparation' from 1954, and 'Pont à poutrelle' from 1933, leading to the 'Table Gigogne' from 1951. These examples highlight her holistic approach, where even architectural elements and everyday structures found their way into her furniture designs. In essence, the exhibition at Petit Palais offers a profound insight into Charlotte Perriand's meticulous design methodology and her enduring legacy as a modernist pioneer. It demonstrates how her photographic practice was not merely a documentation tool but a fundamental component of her creative process, allowing her to bridge the gap between observed reality and innovative design solutions. The careful arrangement of photographs and finished pieces effectively illustrates her journey from capturing momentary inspirations to crafting timeless pieces of furniture and interior spaces, firmly establishing her as a designer who saw the world through a uniquely analytical and artistic lens. #CharlottePerriand #InteriorDesign #ModernistDesign #DesignHistory #PhotographyInDesign #PetitPalais #FurnitureDesign #LeCorbusier #DesignProcess

The author shares insights on transforming living spaces with minimal changes, drawing inspiration from a specific living room makeover. This perspective arises from the common post-holiday financial constraints that often deter major home renovation projects. The author, having covered numerous 'before and after' home transformations for over five years, emphasizes that significant impact can be achieved through small, budget-friendly alterations, a concept particularly relevant for a cozy refresh in the new year. The featured living room makeover, initially documented in 2022, serves as a prime example. The original state of the living room was characterized by dark walls and curtains, contributing to a gloomy atmosphere. The new homeowners aimed to brighten and enlarge the space visually without altering its physical dimensions. While one major change involved replacing old carpeting with laminate wood-look flooring, the subsequent improvements were predominantly minor yet highly effective. The most substantial visual impact was created by repainting the walls a fresh white, immediately making the room appear more spacious and inviting. This was complemented by the installation of breezy white curtains, paired with rattan shades to maintain privacy while allowing light in. Additionally, the original low, heavy chandelier was replaced with a modern flush-mount light fixture featuring a Sputnik-style design, further enhancing the room's open feel and contemporary aesthetic. These structural and aesthetic updates were augmented by careful decor choices, maintaining a light and bright theme throughout the room. The cumulative effect of these changes transformed the living room into a much more open and welcoming area, fulfilling the homeowners' initial goal. A key takeaway from this project is that the transformation occurred gradually over several years, illustrating that a complete room overhaul is not necessary all at once. Even one or two strategic changes can yield substantial positive results. The author contemplates making small, impactful changes to their own living room in the coming year, considering additions like fresh art or improved lighting. This approach aligns with the 'January Cure,' a program designed to kickstart home improvement projects, which the author plans to join for motivation. The article encourages readers to explore the full details of the inspiration living room's transformation and provides links to further decorating ideas for living rooms. #HomeDecor #LivingRoom #HomeProjects #BeforeAndAfter #InteriorDesign #SmallChanges #BudgetFriendly #DIYProjects #HomeMakeover

Mimi Shin, a UCLA-trained architect and interior designer, brings a unique perspective to her work, deeply influenced by her decade-long career as a fashion editor at prestigious magazines like Harper’s Bazaar and Vogue. Shin’s design philosophy emphasizes a foundational approach to space, prioritizing timeless, handcrafted materials, and graceful proportions, similar to how a fashion editor would focus on the silhouette of an outfit. She integrates carefully curated accessories to elevate the overall design, treating them as analogous to the finishing touches in fashion. This methodology is evident in her personal Venice bungalow remodel, which serves as a prime example of her ability to blend new construction with existing character. Shin's journey into interior design was sparked by a realization that her passion lay in the broader aspects of design rather than solely clothing. After a transformative dream, she pursued architecture at UCLA, attracted by its innovative 3D modeling program. Her architectural education provided her with a comprehensive understanding of construction, zoning laws, building codes, and materials, which she considers crucial for establishing credibility in a male-dominated field. She notes the importance for women in the industry to be highly qualified and knowledgeable, enabling them to confidently engage with other architects. In her professional practice, Shin has cultivated a loyal client base among Los Angeles's creative and executive communities, including Hollywood writers, producers, and Snapchat executives. Her clients value her design expertise and her distinctive fashion background. Her own home, a Spanish colonial beach shack in Venice, showcases her design principles. Facing the need for more space, Shin opted for a thoughtful expansion rather than a complete demolition, adding a second story to the main house and constructing a discrete two-story back house. This expansion respects the original character of the bungalow while addressing modern needs, including additional bathrooms and a media room. The outdoor space of her Venice home further exemplifies her innovative approach, featuring a rectangular pool, an outdoor dining area, and a wooden sauna nestled within an ORCA-designed urban garden. The design cleverly integrates these elements without making the lot feel crowded, maintaining a sense of openness and surprise for visitors. Shin consciously preserved the original footprint and scale of her bungalow, contrasting with the “raze and rebuild” philosophy sometimes taught in architecture school. She implemented design choices such as limewashed plaster walls to create a lived-in, authentic feel, preferring this over the sterile appearance of new drywall. Shin's fashion background is particularly evident in her approach to accessories and finishes. She integrates vintage furniture pieces, like a Charlotte Perriand chaise lounge, which add character and a sense of history, much like a stylist would use a worn item to add authenticity to an outfit. Her bathrooms feature an artful mix of tiles by Nathalie du Pasquier for Mutina, custom stained-glass windows, and fixtures chosen for their aesthetic appeal, often resembling jewelry. She actively seeks wall sconces that evoke earrings, highlighting her continuous thought process regarding lighting as a form of adornment. Her work demonstrates a cohesive integration of fashion-forward detailing with solid architectural principles, resulting in effortlessly beautiful and deeply personalized spaces. #MimiShin #InteriorDesign #FashionEditor #HomeTours #VeniceBungalow #ArchitecturalDesign #Remodeling #DesignPhilosophy #CreativeSpaces

The article introduces Ashley Montgomery, a designer and founder of Ashley Montgomery Design, who emphasizes the transformative power of paint beyond just walls. Montgomery argues that paint is an accessible and affordable tool capable of significantly altering a space's mood and feel without structural changes. She observes that paint is often an afterthought in many homes, with walls typically painted in neutral tones, trim left unaddressed, and ceilings neglected with standard white. Montgomery urges individuals to move beyond the default use of 'ceiling white.' She highlights the ceiling as the 'fifth wall,' a blank canvas that can add depth, drama, and cohesion to a room. She suggests extending wall color onto the ceiling to create an immersive and intimate atmosphere, particularly suitable for bedrooms or powder rooms. For those seeking a bolder approach, she recommends using a contrasting ceiling color or even wallpapering the ceiling, noting that such unexpected design choices often elicit positive reactions and elevate the design. Beyond ceilings, Montgomery advocates for the intentional use of contrasting trim and interior doors. She points out that trim is often viewed purely functionally, in standard white, but it presents an opportunity to inject character and intention into transitional areas like hallways. By painting trim and doors in deep, saturated earth tones—such as warm taupes, olives, ochres, or muddy blues—these spaces can be transformed from cold corridors into curated and personalized areas. These colors, she explains, can function as neutrals, grounding the space and enhancing its personality. Montgomery underscores the emotional impact of color, asserting that it influences both the aesthetic and the occupant's feelings within a room. She encourages clients to be bold and trust their instincts rather than chasing fleeting trends. She clarifies that 'bold' does not necessarily mean bright or loud; a soft, moody taupe can be as daring as a vibrant rust orange when applied with purpose and intention. When planning color schemes, Montgomery advises considering the home as a cohesive whole, mapping out where dramatic accents are desired, where calmness is paramount, and how colors transition seamlessly between areas. Paint, in Montgomery's view, is a versatile medium that can unify an entire home or allow individual rooms to stand out. Its non-permanent and non-structural nature makes it a low-risk option for experimentation. She encourages homeowners to use paint thoughtfully, creatively, and extensively, breaking free from the conventional limitations of painting only walls or sticking to white. Ultimately, she believes that a home should reflect the owner's story, style, and soul, and color is one of the most powerful and straightforward means to achieve this, as it is the details that differentiate a house from a home. #InteriorDesign #PaintApplication #HomeDecor #ColorTheory #CeilingDesign #TrimColor #DesignTips #AshleyMontgomery #PersonalizedSpaces

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration