Charlotte Perriand: Photography to interior design

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Kathryn M. Ireland, a Los Angeles-based interior designer, is releasing a new book titled "A Life In Design" on October 24. This book commemorates her three decades in the industry, highlighting her distinct and fearless approach to interior design. Ireland's philosophy emphasizes a non-serious, playful attitude towards decorating, which has attracted a diverse clientele, including notable figures like Steve Martin and Drew Barrymore. The book will feature some of her Hollywood projects and personal residences, showcasing her signature style of blending colors, global styles, and various fabrics. Ireland's journey into interior design began unconventionally. She transformed her filmmaker husband's editing studio in Santa Monica into a decorative accessories shop, which quickly gained popularity. Her initial foray into professional interior design came when Steve Martin, impressed by an article she wrote for House & Garden about another celebrity home, commissioned her to design his cottage. For Martin's home, Ireland incorporated subtle seafoam green and cream fabrics with interesting textures to complement his vibrant modern art collection. She also designed simple yet luxurious curtains and created relaxed seating areas, fostering an environment suitable for conversation or impromptu musical sessions, reflecting Martin's interest in playing the banjo. Ireland views each project as a significant learning experience, and her work for Steve Martin taught her the importance of starting with art and antiques in her design process. Her design projects extend beyond celebrity homes to include residential transformations across various locations. For instance, she renovated cosmetics giant Victoria Jackson's ranch house in Ojai, California. This project involved extensive work, such as stripping floors and remodeling bathrooms, and introduced elements like Moroccan and Mexican tiles, Spanish light fixtures, and European furnishings. Ireland also added unexpected details, such as curtains made from vintage Mexican serapes and distinctive red floral-shaped light fixtures in the master bedroom, embodying her preference for amusing, unexpected touches over kitsch. Her expertise also extended to a full-scale renovation of a British actor's farmhouse in the Cotswolds, formerly owned by Sir Mark Palmer. In this project, she meticulously preserved the original spirit of the house while infusing her style. This included wallpapering the master bedroom with her Marrakech Natural in Teal fabric, pairing it with a French armchair upholstered in Pampas Teal by Andrew Martin, and incorporating an armoire from Lorfords in Tetbury. A kente cloth bedspread, created by an Ashanti tribe in Ghana, further exemplified her global aesthetic. Ireland's connection to Ghanaian fabrics dates back to the 1980s when she traveled there for a documentary, and these textiles have since become a primary inspiration for her own fabric collections, which are also featured in her new book. Ireland describes her rooms as resembling a "United Nations," where diverse elements from Bali, Ghana, and France coexist harmoniously. She believes that while many elements can be prominent, they must collectively create a sense of balance and unity rather than any single item dominating the space. Her long-standing engagement with textiles began at an early age, winning a sewing prize at seven for a patchwork quilt, and she continues to sew her own clothes. Ireland, who started her career in fashion, views home design as an extension of fashion, believing that decorating is a therapeutic and relaxing process for both herself and her clients. #KathrynMIreland #InteriorDesign #HomeDecor #DesignBook #CelebrityHomes #GlobalStyles #TextileDesign #CaliforniaDesign

Charlotte Perriand, a prominent figure in design, photography, and architecture for seven decades, championed the belief that life and design are fundamentally about cultivating happiness. Despite working in a male-dominated field, her spirited approach and nonconformist attitude allowed her to define a 'monde nouveau' and her own 'art d’habiter,' characterized by independence and a lack of preconceptions. Her career showcased a rich, multifaceted artistic creativity combined with an innovative approach to social habits. Perriand's work often goes unrecognized or is solely associated with her collaborations with Le Corbusier and Pierre Jeanneret. Initially, Le Corbusier was skeptical about hiring a young female designer, but Perriand's breakthrough piece, 'Le bar sous le toit,' convinced him to collaborate. This partnership led to some of her most iconic works for his studio, notably the LC4 chaise lounge, a piece resulting from their joint efforts. Her design methodology was consistent, deeply human, and marked by a collaborative spirit, setting her apart from the individualistic, patriarchal French design establishment of her era. While Le Corbusier often delegated furniture design, Perriand was instrumental in creating 20th-century classics, such as the cube-shaped Grand Comfort chair, which offered a modernist take on the traditional club chair. In 1940, political events and wartime travels led Perriand to the Far East, where she developed a profound connection with nature. This experience significantly influenced her subsequent work. The Petalo Table, designed in 1951, exemplifies this influence; its design is reminiscent of a flower and a rainbow, featuring multiple combinations of five superimposable colored tables. This piece was conceived to be highly functional and adaptable for collective spaces, such as universities. Perriand's designs often reflect the cultural and social contexts of her life, from the modernism of her early career to post-war reconstruction efforts and new environmental concerns. The Indochine Armchair, created in Vietnam in 1943 during World War II, is a notable example. It is a wooden adaptation of a collaborative design with Le Corbusier and Jeanneret, crafted using local techniques and materials available during wartime, and has since become part of the Cassina collection. Her professional practice evolved considerably over the years, allowing her to transcend traditional design roles often assigned to women. In 1960, Perriand designed and built her own small chalet in Meribel les Allues, France. This personal project was located near the ski resorts she later designed in the region, establishing her as an early pioneer in recognizing and developing the potential of the Savoy region. Her life and work demonstrate a continuous pursuit of innovation and a commitment to integrating design with daily living. #CharlottePerriand #FurnitureDesign #ModernistDesign #ArchitecturalInnovation #DesignIcons #LC4ChaiseLounge #PetaloTable #IndochineArmchair

This article highlights seventeen leading interior design firms and individual designers based in Charlotte, North Carolina, providing an overview of their unique styles, services, and notable projects. Each entry includes the owner's name, a brief description of their design philosophy, and a noteworthy project or interesting fact. The firms featured offer a range of services from full-service residential and commercial design to specialized areas like new construction interiors and antique sourcing. House of Nomad, a full-service firm in South End, draws inspiration from world travels and has been recognized in publications like Domino and HGTV. Barrie Benson, known for blending modern and traditional elements, has seen her work featured in Architectural Digest and Elle Decor. Lucy and Company, also in South End, offers comprehensive design services, with their work spanning from New York to San Diego. Charlotte Lucas Interior Design, founded in 2012, is distinguished by its use of bold colors and whimsical details, and its owner also co-owns a fabric and wallpaper company. Holly Phillips of The English Room is recognized for her vibrant color palettes and unexpected mix of styles, with her designs appearing in Better Homes & Gardens and House Beautiful. Mary Tobias Miller Interior Design, based in Dilworth, excels at sourcing unique pieces and has been in the industry since 1983. KBN Interiors specializes in new construction, handling everything from space planning to material selection, and has received awards for their kitchen designs. Amy Vermillion Interiors caters to diverse clients, including private jet design, and has been featured in The New York Times Magazine and Charlotte Magazine. Circa Interiors & Antiques combines an antique shop with a design studio, offering 18th to 20th-century English and Continental antiques, with owner Cindy Smith’s work showcased in Southern Accents and VERANDA. Georgia Street Design, operating since 2010, emphasizes creating well-designed spaces that foster family memories and has a presence at Slate Interiors. Traci Zeller Interiors, an award-winning firm, balances modernity with tradition, and Traci Zeller herself has been recognized as one of Charlotte’s most stylish individuals. New South Home focuses on mixing current trends with classic styles, ensuring functionality for families, and has received the 'Best of Houzz' award for five consecutive years. Dwell by Cheryl, founded by Cheryl Luckett in 2012, offers sophisticated yet approachable designs on a realistic budget and has won the Best of Houzz Design award for six years. Ashley DeLapp Interior Design, rebranded from Evaru Design, is known for mixing vintage with new, layered patterns, and bold colors, with Ashley DeLapp having a background in architecture. Jacy Painter Kelly Interiors provides creative and casual designs with a preference for clean lines and bold colors, and Jacy Painter Kelly also collaborates on projects through 431 Designs. The Redesign Company, led by husband-and-wife team Tim and Christina Lewis, integrates their skills to improve living spaces for families, with Tim being a therapist and Christina a designer. Lauren Nicole Designs, owned by Lauren Clement, focuses on reflecting clients' personalities, offering a range of services including online e-design, and has also received 'Best of Houzz' awards. #InteriorDesign #CharlotteDesign #HomeDecor #DesignFirms #LuxuryInteriors #ResidentialDesign #CustomDesign #DesignTrends

This article offers a glimpse into the Melbourne home of photographer and author Robyn Lea, showcasing her unique approach to interior design. The residence is a two-storey Victorian home with five bedrooms located in Melbourne's inner-eastern suburbs, where Robyn resides with her husband Tim Hunt, their two children, Isabella and Freddie, and their Beagalier puppy, Magnolia. The family undertook an extensive renovation of the home approximately 12 years prior to the publication of this article, subsequently enlisting Penelope Scott Interiors for window furnishings. Robyn Lea's office is highlighted as her favorite room, described as an evolving space filled with inspiring books, artworks, and various objects. This includes Italian-made plates by La DoubleJ, artworks by Charles Pollock, Nathalie Lété, and John Benn, and four distinct wallpapers, reflecting a constantly changing installation. The sitting room features a mural by Russian artist Ekaterina Panikanova, complemented by chairs from Early Settler and a table from Family Love Tree. The home's collection also includes numerous paintings by artist John Benn, a family friend. The neighborhood where the home is situated is characterized as small, with local cafes, shops, and a family-friendly atmosphere. Robyn expresses her ongoing intention to continuously evolve the interior homescape, viewing it as a natural extension of her visual storytelling through photography and writing about artists. Her advice for decorating is to personalize the space, stating, "Decorate to please yourself – it’s your nest, after all. If you love it, it will love you right back." A significant detail mentioned is Robyn's initial attraction to the home, which was influenced by a majestic magnolia tree in the back garden, reminding her of 'The Magic Faraway Tree.' #EclecticHome #InteriorDesign #MelbourneHomes #PhotographersHome #VictorianArchitecture #ArtisticInteriors #HomeRenovation #PersonalizedDecor

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Carmen Haid, a former PR guru known for her work with fashion icons like Yves Saint Laurent, Alber Elbaz, Hedi Slimane, and Tom Ford, now splits her time between London, her interior design studio and home in Marrakesh, and a penthouse apartment in Paris. Located in the 7th arrondissement near Le Bon Marché, her Parisian residence reflects her passion for vintage curation and design. Haid identifies herself as a “vintage curator,” adept at discovering exceptional pieces in Parisian markets, particularly silverware, as she notes France's appreciation for "the art of the table." She finds continuous inspiration in Paris's fashion, art, and design scene. Haid's current endeavor involves operating as a "design detective," meticulously sourcing vintage items and crafting original designs for her Atelier Mayer label. Initially launched in 2008 as an online platform for haute vintage fashion, Atelier Mayer was re-established in 2022 as an interiors brand specializing in rare vintage objects. This venture operates from her Marrakesh studio, Kasbah Tameslohte, which serves as a private retreat, showroom, and creative hub. In Marrakesh, Haid collaborates with local artisans, recently transforming a warehouse at the Mandarin Oriental hotel into an art and design space with the help of artist/architect Idriss Karnachi, art dealer Martin Summers, and designer Romeo Gigli. The Paris penthouse showcases numerous Atelier Mayer products, including home fragrances, hand soaps, scented candles in jewel-toned ceramics, and hand-woven cushions. Haid's journey into vintage furniture began out of necessity during a period of frequent relocation, including a stint in New York after Brexit. This personal experience evolved into a professional passion, as she now furnishes entire rooms for clients exclusively with vintage pieces. The apartment's decor is a personal narrative, featuring signed cards from Anna Wintour and photographs with esteemed designers. Haid collects graphics from the Wiener Werkstätte and the late-19th-century Vienna Secession movement. A significant collection of Yves Saint Laurent's original "Love" posters, sent to friends each Christmas between 1970 and 2007, adorns her walls, symbolizing her belief that a home should be filled with love. Beyond fashion history, Haid's interests include esoteric art, exemplified by the _Pole Star_ copper, eye-shaped artworks by Balland-Galante in her dining area. These contemporary pieces, while reminiscent of surrealist 1930s Schiaparelli, are regarded by Haid as "holistic art" that enhances emotional energy, leveraging copper's perceived therapeutic properties. Haid faced a challenge arranging her irregularly shaped bedroom, which has five differently edged walls, making feng shui difficult. To address this, she commissioned French artist Christina Maximoff to create a large gold-leaf mural, transforming the space into a peaceful and surreal sanctuary. Her apartment, situated near St Germain des Prés, also features bedrooms accessible via a spiral staircase, often hosting family and friends. Haid enjoys entertaining, creating elaborate soirées where guests can help themselves from numerous dishes and enjoy cocktails on the balcony with views of the Eiffel Tower. She draws inspiration from figures like Robin Birley, appreciating his combination of old-world dining etiquette with fun and chic. For Haid, true luxury in entertaining lies in meticulous attention to detail, transforming an event into a distinct experience. The master bedroom features a mural by Christina Maximoff and Hollywood Regency gilt palm lamps, while the guest bathroom is adorned with L’Échappée Belle wallpaper by French artist Delphine Cauly. The balcony furniture, made in Marrakesh, consists of bespoke zellige-tiled pieces and terracotta pots from Atelier Mayer. #CarmenHaid #ParisPenthouse #VintageDesign #AtelierMayer #InteriorDesign #FashionHistory #MarrakeshStudio #DesignCurator #LuxuryInteriors

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors

Jane Hall, an architect, author, and curator known for her work in expanding the understanding of design and its societal impact, discusses her new book, "Making Space: Interior Design by Women." Hall is a founding member of Assemble, a London-based collective that received the Turner Prize for its community-focused architectural work. Her academic background includes studies at King's College, Cambridge, the Royal College of Art, and a PhD focusing on modernist architects. In 2013, she was the first recipient of the British Council's Lina Bo Bardi Fellowship. Her publications consistently aim to re-evaluate the role of women in the creative arts. Her 2019 book, "Breaking Ground: Architecture by Women," provided a comprehensive, visually rich overview of hundreds of buildings by women architects, seeking to integrate their contributions into architectural history. Following this, "Woman Made: Great Women Designers" (2021) cataloged over 200 female practitioners across various design fields, including furniture, products, and graphics, reframing design history as a interconnected global narrative rather than a limited canon. Her latest work, "Making Space: Interior Design by Women," focuses specifically on interior design, exploring its evolution through the careers of 250 female designers from the early 20th century to the present. Hall highlights how interior design, despite often being seen as a "feminized" profession, has historically provided a significant arena for women's design influence. She notes that unlike architecture, interior design was less institutionalized and theorized, allowing women an earlier and more artistic role in shaping spaces, particularly domestic ones. Hall emphasizes that while the term "interior designer" is a modern professional title, many women in her book, especially from earlier periods, engaged in what could now be considered interior design without formally identifying as such. She points out the client-centric nature of interior design, contrasting it with product design for mass production. Interior designers, she explains, act more like artists, translating client visions into unique aesthetic statements, thereby influencing broader design trends. She identifies the Second World War as a turning point, noting that before the war, many women in the profession came from affluent backgrounds, enabling them to realize ambitious and extravagant projects. An example is Dorothy Draper's design for the Greenbrier Hotel, characterized by bold colors and patterns, which pushed conventional boundaries of taste. Hall observes a surprising lack of Bauhaus or Modernist interior designers among women, as interior design often operated outside academic and theoretical frameworks, providing an avenue for women to express avant-garde ideas. In the post-war period, designers like Florence Knoll gained prominence, alongside figures like Barbara D’Arcy of Bloomingdale's, who made design accessible to a wider audience by showcasing how to integrate products into home interiors. Hall also cites Eva Jiricna, who introduced high-tech aesthetics and glass staircases into retail environments, influencing contemporary spaces like Apple Stores. Other influential designers include Marion Hall Best, known for her vibrant 1960s color-blocking, demonstrating how individual creativity initiated broader trends in interior environments. Contemporary interior design, while more specialized, still requires significant artistry. Hall notes that while the industry has expanded and designers are highly skilled, the proliferation of platforms like Instagram can sometimes flatten the perceived complexity and excitement of their work. However, modern designers, including those like Alex Dorley, Sophie Ashby, Pamela Shamshiri, Jialun Xiong, Maye Ruiz, and Tekla Evelina Severin, continue to create innovative and influential interiors, often extending their practice to include their own furniture, paint, and fabric lines. Many younger designers, not from traditional wealthy backgrounds, find opportunities in commercial spaces, pushing creative boundaries to stand out in a visually driven world. #InteriorDesign #WomenInDesign #Architecture #DesignHistory #FeministArchitecture #DomesticSpaces #CreativeArts #PhaidonBooks

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Fanny Ward, a London-based interior designer and stylist, shares insights from her extensive career, which spans collaborations with major brands like Fortnum & Mason and Harrods, as well as designing interiors for homes, hotels in locations such as Marrakesh, St Lucia, Geneva, and even super yachts in the Mediterranean. Now in her 70s, Ward reflects on her journey into the design world, which she describes as serendipitous. Her career began after her marriage ended, working at The Dining Room Shop where she discovered a passion for visual merchandising and decorating. An unexpected feature of her home in the Sunday Express by editor Eve Pollard led to a portfolio development through collaborations with renowned photographers like Fritz von der Schulenberg and Simon Upton. Her first significant professional role was with Dulux paint, where she was responsible for promoting their color schemes. This experience, along with her innate 'eye' for design—a trait she attributes to her mother—allowed her to learn on the job and develop a practical approach to interior design. Ward emphasizes that an inherent aesthetic sensibility is crucial and cannot be taught in a classroom setting. Throughout her career, she has worked with a diverse range of clients, but a pivotal moment was her collaboration with Volga Linen and Theresa Tollemache, which led to her taking on a full-time interior design role after decorating a large estate in Scotland. Ward recounts memorable projects, including transforming television presenter Jim Davidson's house into a Moroccan casbah. This project involved extensive customisation using Arabic fabrics, unique chair coverings, abundant cushions, and MDF mouldings to create an authentic atmosphere. She highlights her unwavering passion for good lighting, advocating for 'borrowed light' techniques, as practiced by Georgians, to brighten dark spaces and uplift the mood. She strongly advises against overhead lighting in most rooms, preferring floor or table lamps, with exceptions for bathrooms, kitchens, and strategically hung chandeliers. Her design philosophy also includes tailoring her color palettes to the project's location, incorporating natural elements like lichen yellows and various greens for Scottish projects, and emphasizing textures such as tweeds and chintz to blend the indoors with the outdoors. Ward provides practical advice on furniture placement, suggesting that sofas and chairs should be moved slightly away from walls to create a more inviting space. She also champions the preservation of a building's original character, emphasizing sustainability and the importance of allowing a home's personality to evolve with its inhabitants through quality furnishings. Despite having access to high-end suppliers like Howe London, Love Your Home, George Smith, Little Greene, Annie Sloan, Lewis & Wood, and Nina Campbell, Ward also champions affordable options from Ikea and Dunelm for transforming spaces on a budget. She encourages painting old furniture to give it new life, showcasing her belief that good design is accessible regardless of financial constraints. Currently engaged in a barn conversion in Scotland, Ward expresses her love for working on projects from the ground up, meticulously drawing everything to scale to immerse herself in the design process. She finds immense joy and engagement in her work, which allows her to meet fascinating people and their stories, while also maintaining a healthy work-life balance by setting boundaries for her working hours and taking time for personal life and travel with friends and family. Her advice to aspiring designers is to gain experience by working for others and to be brave in pursuing their passions and building connections. #InteriorDesign #FannyWard #CareerHighlights #DesignPhilosophy #HomeDecor #LightingDesign #ClientProjects #Entrepreneurship #CreativeProcess

Mimi Shin, a UCLA-trained architect and interior designer, brings a unique perspective to her work, deeply influenced by her decade-long career as a fashion editor at prestigious magazines like Harper’s Bazaar and Vogue. Shin’s design philosophy emphasizes a foundational approach to space, prioritizing timeless, handcrafted materials, and graceful proportions, similar to how a fashion editor would focus on the silhouette of an outfit. She integrates carefully curated accessories to elevate the overall design, treating them as analogous to the finishing touches in fashion. This methodology is evident in her personal Venice bungalow remodel, which serves as a prime example of her ability to blend new construction with existing character. Shin's journey into interior design was sparked by a realization that her passion lay in the broader aspects of design rather than solely clothing. After a transformative dream, she pursued architecture at UCLA, attracted by its innovative 3D modeling program. Her architectural education provided her with a comprehensive understanding of construction, zoning laws, building codes, and materials, which she considers crucial for establishing credibility in a male-dominated field. She notes the importance for women in the industry to be highly qualified and knowledgeable, enabling them to confidently engage with other architects. In her professional practice, Shin has cultivated a loyal client base among Los Angeles's creative and executive communities, including Hollywood writers, producers, and Snapchat executives. Her clients value her design expertise and her distinctive fashion background. Her own home, a Spanish colonial beach shack in Venice, showcases her design principles. Facing the need for more space, Shin opted for a thoughtful expansion rather than a complete demolition, adding a second story to the main house and constructing a discrete two-story back house. This expansion respects the original character of the bungalow while addressing modern needs, including additional bathrooms and a media room. The outdoor space of her Venice home further exemplifies her innovative approach, featuring a rectangular pool, an outdoor dining area, and a wooden sauna nestled within an ORCA-designed urban garden. The design cleverly integrates these elements without making the lot feel crowded, maintaining a sense of openness and surprise for visitors. Shin consciously preserved the original footprint and scale of her bungalow, contrasting with the “raze and rebuild” philosophy sometimes taught in architecture school. She implemented design choices such as limewashed plaster walls to create a lived-in, authentic feel, preferring this over the sterile appearance of new drywall. Shin's fashion background is particularly evident in her approach to accessories and finishes. She integrates vintage furniture pieces, like a Charlotte Perriand chaise lounge, which add character and a sense of history, much like a stylist would use a worn item to add authenticity to an outfit. Her bathrooms feature an artful mix of tiles by Nathalie du Pasquier for Mutina, custom stained-glass windows, and fixtures chosen for their aesthetic appeal, often resembling jewelry. She actively seeks wall sconces that evoke earrings, highlighting her continuous thought process regarding lighting as a form of adornment. Her work demonstrates a cohesive integration of fashion-forward detailing with solid architectural principles, resulting in effortlessly beautiful and deeply personalized spaces. #MimiShin #InteriorDesign #FashionEditor #HomeTours #VeniceBungalow #ArchitecturalDesign #Remodeling #DesignPhilosophy #CreativeSpaces

Christine Lin, founder and principal of Form + Field, an interior design firm based in San Francisco, shares insights into her work, inspirations, and projects. Lin's background includes studies in architecture and mechanical engineering at MIT, where she also delved into furniture and product design and art history. This diverse academic foundation, combined with rigorous training in corporate and startup tech environments and an MBA from UC Berkeley, equipped her with expert management and execution skills. Her keen eye for design has been further honed through extensive study and global travel, seeking out new art, design, and architecture. Form + Field's design philosophy centers on integration and longevity, aiming to create holistic, enduring environments that promote joy and well-being. The firm intentionally crafts spaces tailored to individual needs, whether residential or commercial. Lin describes her style aesthetic as 'eclectic modernism with an emphasis on contemporary art and architectural detailing.' The design process at Form + Field is highly client-centric. It begins with a comprehensive discovery phase, including extensive questionnaires, to deeply understand clients' personal interests, preferences, and cherished memories of interiors. This information serves as a foundation for crafting a unique space. Lin likens the design process to a Venn diagram, where one circle represents the client's desires and functional requirements, and the other encompasses Form + Field's design principles. The 'overlap' between these two circles, which varies with each client, is where the firm identifies the magical and personalized aspects of a project. Lin finds inspiration primarily through conversations with passionate individuals across various crafts and arts, transferring that energy into her design work. One of her most inspiring projects to date is the Martis Camp project in Tahoe, a collaboration with Faulkner Architects, set to conclude in 2024. This project stands out for its ambitious scope, extensive custom design integrated with interior architecture, and the exploration of new vendors, fabrication processes, and color applications. Her dream project involves designing a small boutique hotel that offers a unique guest experience, deeply rooted in the surrounding culture and context of its location. Form + Field's ideal clients are described as kind, well-traveled, cultured individuals who value quality, invest in good design, appreciate architecture, and collect art. These clients are typically open to exploration, new ideas, and unexpected design solutions. Lin identifies Form + Field's 'design superpower' as their ability to interpret clients' needs and desires through their distinct lens, translating them into elevated, unique designs. The firm prides itself on creating spaces where each project possesses a distinct personality, clearly reflecting the occupants. Her design heroes include architect Rem Koolhaas/OMA, whose conceptual approach, focus on ideas over a singular aesthetic, and willingness to take risks are deeply inspiring. Looking ahead, Form + Field is embarking on a large, new-construction generational home project in Kauai, collaborating with Zak Architecture. This endeavor represents an exciting opportunity to create a holistic vision for a dream vacation home, building on an established trust with the clients, for whom this is their third project with the firm. #InteriorDesign #ChristineLin #FormAndField #DesignPhilosophy #EclecticModernism #ClientCentricDesign #ArchitecturalDetailing #DesignInspiration #CustomDesign