Designer Profile: Christine Lin

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

Olivia Smith, founder of Nodi Rugs, shares her journey in textile design, deeply influenced by her travels and connection to nature. Her initial steps into the world of textiles began in Milan, where she studied textiles and interned with a designer specializing in block-printed textiles from India. This experience introduced her to the beauty of handmade and traditional Indian textiles, and it was during this time that she learned the word "nodi," meaning 'knots' in Italian, which later became the inspiration for her brand name. After three years in Milan, facing the economic downturn of 2008, Smith moved to Sydney. There, she worked for a furniture company, gaining insight into the interiors market, trade accounts, and project specifications by working with interior designers and architects. Despite this, her passion for textiles persisted in the background. A trip to Japan served as a pivotal moment, inspiring her to move to India with the intention of learning and honing her textile skills rather than immediately starting a business. In India, she connected with an agent and various rug factories, ultimately choosing one to weave her initial designs. Smith's early designs were heavily influenced by her surroundings and travels, emphasizing the transformative power of new environments on creativity. Her first collection, consisting of five full rug designs and swatches, presented a logistical challenge upon their arrival in Sydney due to their weight. Undeterred, she created a catalogue, photographed the rugs, and began selling them to her contacts in the interior design community. Recognizing the need for a stronger support system to grow her business, she relocated to Mount Maunganui, New Zealand, where she established the foundational elements of Nodi Rugs. She secured retailers and gradually expanded her sales, leading to the release of a second collection. Over time, Smith adapted her design philosophy to cater to the New Zealand market, which she observed to be more conservative in its aesthetic preferences. This led her to introduce a new range that balanced her bold initial designs with more subdued, versatile options. Her "Staples" range was born from observing natural light and shadows in her Mount Maunganui office, directly inspiring the organic forms within the collection. She consciously chose natural materials like jute, banana silk, and cotton, aligning with the coastal environment she was then inhabiting. The commercial sector has become a growing segment for Nodi Rugs, with custom-made rugs for specific spaces being a favored aspect of her work. For her latest collection, Smith faced the challenge of balancing creativity with commercial viability. This collection, which required numerous redesigns, introduces a wool component to the Staples range and explores different spinning techniques for jute, creating a comprehensive array of staple rugs. Additionally, a new designer range called "Luna," meaning moon in Italian, emphasizes texture and yarn, further showcasing her commitment to natural inspiration and materials. Nodi Rugs exclusively uses natural fibers like wool and jute, avoiding synthetics, underscoring their inherent durability and resilience. Looking ahead, Smith envisions Nodi Rugs evolving into a global brand, exhibiting at major international trade fairs like Salone in Milan and Maison&Objet, while maintaining its core operations in New Zealand. #OliviaSmith #NodiRugs #TextileDesign #InteriorDesign #RugDesign #NaturalMaterials #HandmadeTextiles #TravelInspiration #NewZealandDesign

The article presents an interview with Kristin Gray, an interior designer based in Los Angeles. Gray shares insights into the interior design industry, emphasizing that owning a design business extends beyond creative design to encompass business processes, marketing, logistics, and human resources. She highlights the importance of building personal connections and trust with clients, stating that successful interior design is ultimately about providing high-level client service with integrity. Gray recounts her professional journey, beginning in 2005 when she moved to Los Angeles after college with aspirations of working in design or architecture. Her first role was as an office manager at an architectural firm, where she acquired skills in AutoCAD and blueprint reading. During this time, she pursued further education, enrolling in a Design Psychology class at UCLA Extension, which combined her undergraduate background with her interest in design. This marked the start of a seven-year endeavor to earn her Master's in Interior Architecture, a period during which she simultaneously gained practical experience in the design field through various work opportunities. She reflects on her growth as a designer, stressing the value of self-belief, confidence in her abilities, and her commitment to creating homes that serve as havens for her clients. Gray also offers a suggested itinerary for a week-long visit to Los Angeles, focusing on diverse experiences. Her recommendations include spending an afternoon in the Downtown Arts District, particularly The Row, to explore Smorgasburg's food offerings, browse shops, and enjoy coffee at Go Get Em Tiger. Another day would involve a visit to Terranea in the South Bay for a stroll along the coastal walking path, a meal, and potentially a massage. For dining, she suggests Planta Cocina in Marina del Rey, noting its delicious food and appealing design. The itinerary also features exploring South Bay beach towns like Redondo and Manhattan Beach, complete with shopping, coffee or acai bowls at BlendzUp, food and drinks at Salt & Pearl, and dinner and entertainment at Belle Epoque. Cultural activities include visiting the Huntington for art and gardens and attending a show at the Hollywood Bowl. A relaxed day at the beach is also included in her ideal Los Angeles experience. In her 'shoutout' section, Gray expresses gratitude to the many individuals who have supported her career. She acknowledges past colleagues, friends, and her husband for their encouragement during challenging times, their motivation for professional advancement, their support for her education, their recommendations for new projects, and their trust in her work. Her website, 'kdgrayinteriors.com,' is provided as a resource for those interested in her work. The article encourages readers to nominate others deserving of recognition within the community, aligning with the platform's mission to highlight 'hidden gems' and foster community interaction. #InteriorDesign #BusinessOwnership #ClientRelationships #ProfessionalJourney #LosAngeles #TravelItinerary #LocalRecommendations #Gratitude

Tiffany Clark, an interior designer, shares her journey, insights into managing social media for her business, and how she funded her venture. Clark emphasizes the significant role social media plays in her business, noting that 95% of her clientele comes from these platforms without direct advertising costs. She personally manages her social media, which involves content strategy, customer relations, responding to supporters, and brand promotions through high-quality visual content. Understanding platform algorithms and optimal posting times is crucial for visibility and audience engagement. Clark advises aspiring entrepreneurs to start immediately, even if it means creating a new account to attract a targeted audience with business-related content and a visually appealing page. Clark discusses her lifelong passion for interior design, which she discovered as a child while decorating her own room and later extended to family and friends. Her love for design was further nurtured by playing "The Sims" and watching HGTV shows like "Design on a Dime" and "Property Brothers." After serving nine years in the military, Clark decided to pursue interior design professionally in 2018. Despite initially struggling with self-doubt and fear of leaving a stable corporate job with good benefits, she enrolled in "The Interior Design Institute" to expand her knowledge. A pivotal moment for her was reading "Woman Evolve" by Sarah Jakes Roberts, which helped her overcome her fears and fully commit to her design career. This decision led to significant positive changes in her life, freeing her from previous anxieties. Funding her business began with "zero dollars" and a strong belief in her vision. Clark stresses the importance of faith and self-confidence for any entrepreneur, especially when seeking investors. She advises against waiting for the "right moment" to start a business, as there will always be challenges; instead, one should have a plan, a vision, and trust in divine guidance. Her journey highlights that achieving significant goals requires hard work, dedication, determination, and unwavering faith. Clark also shares a story of resilience, recalling her initial attempts to find employment with design firms after completing her studies. Despite curating a portfolio, she faced numerous rejections due to the close-knit nature of the industry and limited hiring opportunities. This period was discouraging and led her to temporarily stop designing for others. However, she eventually realized that these rejections were a redirection, guiding her towards starting her own business. Believing that a higher power had bigger plans for her, she launched her own company, allowing faith to lead the way. This leap of faith transformed her professional life, empowering her to become her own boss and find fulfillment in her purpose. Her contact information, including her website, Instagram, and Facebook profiles, is provided for those interested in connecting with her work. #InteriorDesign #Entrepreneurship #SocialMediaMarketing #BusinessFunding #CareerTransition #PersonalGrowth #Resilience #SmallBusiness #CreativePursuits

Following his appointment as creative director at Celine, Hedi Slimane has swiftly implemented his vision, significantly transforming the luxury brand. His initiatives include removing the accent from the brand's 'e', introducing menswear lines, and reshaping womenswear. A cornerstone of this transformation is the global rollout of his new retail concept, driven by Celine's CEO Séverine Merle's strategy to expand the brand's footprint with larger flagship stores capable of showcasing the broadened menswear and womenswear collections. This expansion began in March with a 5,000 sq ft New York flagship and two new addresses in Paris: a remodelled two-storey space on rue de Grenelle for both menswear and womenswear, and the brand’s first dedicated menswear flagship on rue François 1er. By mid-April, new boutiques had opened in major cities including Tokyo, Shanghai, Los Angeles, Madrid, Milan, and London, with a Beijing store slated for later in the year. Each store, designed in collaboration with Celine’s in-house team, possesses a unique character while adhering to common design principles. A strong emphasis is placed on natural stone and bold materials, with massive, richly veined slabs of marble, granite, and travertine adorning walls, shelves, and columns. Basaltina lava stone covers the floors. These materials, with their contrasting patterns, are reflected in large mirrors and steel surfaces, creating a visually dynamic environment. Reclaimed oak, alongside wood and leather furniture, introduces warm brown accents that complement the sleek black-and-white palette. Many surfaces, such as the creamy Bianco Raffaello marble and ginger-veined black granite, are noted for their smooth, tactile qualities, inviting touch and offering a departure from the typical coldness associated with stone. Slimane's architectural style is characterized by rigorous lines, evident in the intersecting seams of concrete floors, parallel shelving, and rectangular metal displays. Despite this precision, the designs maintain a sense of weightlessness; display cases and shelves appear to hover, and materials, like brushed steel and Grande Antique marble, are positioned in close proximity without directly touching. This creates an effect of suspension and delicate interaction between elements. The stores also feature a new collection of furniture designed by Slimane, alongside vintage 1960s and 1970s pieces that highlight French woodworking. Slimane’s furniture, primarily made from light or dark plywood, is minimalist and evokes the simplicity of children's building blocks or primitive thrones, with future plans for retail. A significant aspect of the new concept is the Celine Art Project, which integrates contemporary artworks by established and emerging artists. These pieces, either acquired or commissioned, add another layer of sensory engagement; examples include Rindon Johnson’s yellowed rawhide cube wrapped in rope and Shawn Kuruneru’s ink-and-acrylic paintings that echo the marble patterns. The rue de Grenelle store's centerpiece is a site-specific installation by Oscar Tuazon, reflecting Slimane's commitment to combining global brand strategy with a passion for supporting young talent in music, art, and creativity. #HediSlimane #Celine #RetailDesign #LuxuryFashion #StoreArchitecture #InteriorDesign #MaterialSelection #ArtIntegration #FurnitureDesign

Emma Sims-Hilditch, a prominent figure in the interior design landscape, is celebrated for crafting serene yet practical interiors that exude an understated modern elegance. Her designs are equally suited for both rural and urban settings, reflecting a unique blend of sophistication and comfort. Her journey into interior design was unconventional, beginning with a career in film production in London, where she worked as a production assistant for Ridley Scott on films like 'Thelma and Louise' and 'Gladiator'. This experience proved invaluable, equipping her with essential skills in managing large-scale projects and budgets. Today, her design studio, comprising a team of 30 professionals, serves a diverse clientele, including British clients and international patrons seeking assistance with properties in the UK and abroad. Sims-Hilditch's design philosophy is deeply rooted in nature and the preservation of England's architectural heritage. Her signature aesthetic is characterized by calm color palettes, tactile textures, and a harmonious fusion of modern and classic elements, creating interiors that are both relaxing and highly functional for daily life. The Sims Hilditch studio, formally launched in 2009, evolved organically from Emma's initial foray into interior work. After leaving film production and relocating to Wiltshire, she renovated her own derelict, listed former school and established a professional curtain-making business. Her 'big break' came when she was commissioned to design the interior of a manor house, marking the true beginning of her acclaimed career. Emma's creative inclinations stem from a family history of artists and designers, including a great-grandfather who was a member of the Royal Academy of Arts and a mother who was a keen interior decorator. This early exposure to creativity, combined with her habit of redecorating her own room as a child, set her on a path towards design, despite initially pursuing a business studies degree. As her business expanded, she relocated her studio to a meticulously renovated 16th-century pub, The White Hart, on the Wiltshire/Gloucestershire border. This unique space, opened in 2014, not only accommodates her growing team of 30 but also provides an inspiring and comfortable environment for clients. A key aspect of Sims-Hilditch's work is her team's thoughtful and sensitive approach to renovating listed buildings. They take pride in preserving architectural heritage, integrating original features while reimagining layouts to suit modern living without compromising historical integrity. This commitment to heritage preservation is evident in projects like the renovation of a 500-year-old, nine-bedroom family home. Her designs prioritize longevity and quality over fleeting trends, ensuring that each scheme is client-focused and built to last. The studio also emphasizes the reuse and preservation of existing furniture, incorporating clients' pieces to add character and personality to each home, alongside curating items from local suppliers and antique dealers. The Sims Hilditch studio offers a comprehensive design service, encompassing furniture and furnishing specifications, a dedicated procurement team, and an in-house interior architectural service that covers spatial planning, kitchen and bathroom design, and bespoke joinery. Emma draws inspiration from museums, art galleries, and hotels, notably La Bastide de Marie Hotel in Provence, which influenced her own Wiltshire home. The English countryside also serves as a profound source of inspiration, with elements like color palettes reminiscent of rolling hills and timber floors inspired by woodlands often integrated into her designs. She advocates for exploring surroundings, whether in the countryside or urban centers like London, to spark creativity. Emma acknowledges the impact of technology on the design industry, embracing online platforms for outreach while emphasizing the importance of face-to-face meetings for personal connection. Her design icons include Axel Vervoordt, admired for his understated, natural, and elegant aesthetic. Currently, the studio is engaged in diverse projects, from new builds to extensive refurbishments, including a nine-bedroom family home in Northern England, a chalet in the Swiss Mountains, and various properties in London and the Cotswolds. Emma has also appointed Louise Wicksteed as Design Director, allowing her to focus on the creative direction of the business, while her family continues to demonstrate a strong creative lineage in fine art and film set decoration. #EmmaSimsHilditch #InteriorDesign #EnglishStyle #HistoricRenovation #DesignAesthetic #LuxuryHomes #ArchitecturalHeritage #TimelessDesign #WiltshireDesign

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Christian Louboutin, renowned for his iconic red-soled high heels, has expanded his design influence into the hospitality and wellness sectors. His boutique hotel, Vermelho, located in the coastal hamlet of Melides, Portugal, opened in 2023. The venture into hospitality was initially unplanned, stemming from Louboutin's search for a new property after finding his previous home in Comporta too developed. He acquired a fisherman's house and a plot of land in Melides, intending to build a restaurant. However, a suggestion from the local mayor led him to develop a hotel instead. Vermelho, a member of Relais & Chateaux and operated by Marugal Hotel Management, features traditional Portuguese architecture with white render, terracotta tiles, and intricate window details. Louboutin collaborated with Portuguese architect Madalena Caiado on the structural design. The interior design, a collaboration between Louboutin, Carolina Irving, and Patricia Madalena, reflects his eclectic style, incorporating bold colors, with "Vermelho" (red in Portuguese) paying homage to his signature brand color. Each of the 13 bedrooms is uniquely designed, showcasing local craftsmanship and pieces from Louboutin's personal art and furniture collection. The hotel's walls are adorned with hand-painted frescoes by Greek artist Konstantin Kakanias. A significant aspect of Vermelho is its intimate wellness area, characterized by a maximalist design and featuring sacred stones from ancient churches. This area offers a mix of Indian healing practices and treatments in two dedicated rooms. Additionally, complimentary yoga sessions are held every Saturday morning. The hotel also hosts wellness retreats, such as the "Brain Edit" retreat led by Terrence the Teacher, indicating a broader focus on holistic well-being. Louboutin emphasizes the importance of supporting local artisanship, a theme he discussed in an interview published in Dezeen. He believes that local craftsmanship is crucial for a country's culture and that replicating it elsewhere to reduce costs can harm the ecosystem of a region. This commitment to sustainability extends to protecting traditional artisan communities. Further demonstrating his commitment to the hospitality industry, Louboutin acquired a stake in Experimental Group in July 2024 using his personal funds. Experimental Group, a Paris-based hospitality company, operates 20 boutique hotels, restaurants, and bars across Europe and plans to expand to Val d’Isère, Rome, Paris, and potentially the US. This investment signifies Louboutin's strategic move to broaden his brand's presence in the luxury hospitality market beyond his initial accidental hotel venture. He is also reportedly planning a second hotel in Melides, which will include a pool and a rooftop bar. #ChristianLouboutin #LuxuryHospitality #BoutiqueHotel #WellnessTourism #ArchitecturalDesign #InteriorDesign #ArtisanalCraftsmanship #PortugalTravel #BrandExtension

The article introduces Karin Breve, an architect and interior designer, and her business, Iconic Design. Breve discusses the thought process behind starting her business, highlighting her passion for architecture, her Brazilian heritage, and her desire to create emotionally resonant spaces. Growing up surrounded by diverse Brazilian design influences, from Rio's vibrant energy to Oscar Niemeyer's modernism, shaped her unique perspective. After migrating to a new country, she recognized the importance of belonging and combined her architectural background with her cultural insights to establish Iconic Design. Breve emphasizes that Iconic Design goes beyond aesthetics, focusing on crafting functional, sustainable, and deeply personal environments. Her approach involves listening to clients' stories and understanding their needs, whether it's creating a home that reflects their heritage, a workspace that enhances productivity, or a commercial space embodying a brand's essence. This philosophy aims to merge practicality, creativity, and cultural identity, resulting in spaces that leave a lasting impression and inspire innovation. The distinctiveness of Iconic Design stems from Breve's blend of architectural training, cultural diversity, and commitment to meaningful spaces. She draws inspiration from Brazilian color, texture, and tradition, alongside architectural principles of structure and function, to design experiences rather than just rooms. Personalization is central to her work; she delves into clients' needs, preferences, and stories to create authentic spaces. A notable project involved a cultural space celebrating Brazilian heritage, where she fused traditional elements with modern contexts, sparking discussions on cultural preservation and design. Breve's journey to becoming an interior designer involved significant challenges, including cultural differences, language barriers, and navigating a new professional landscape after moving from Brazil. Despite initial rejections and the competitive market, she persevered by focusing on her strengths, unique background, and passion. She learned to adapt to new market preferences and integrated her Brazilian roots into her designs, offering a distinctive style. Building trust and reputation required active networking and seeking out projects aligned with her values. She highlights resilience as a crucial lesson, viewing setbacks as opportunities for growth and trusting the process. Authenticity has been key to connecting with clients who appreciate her vision. Breve's ultimate goal for Iconic Design is to transform lives by creating spaces that elevate the human experience. She believes design can foster connection, whether through a sanctuary-like home, a creative workspace, or a public area that tells a unique story. She concludes by stating that Iconic Design aims to create environments that are truly iconic, reflecting passion, heritage, and the power of design. The article also includes a detailed itinerary for a friend visiting Los Angeles, offering a mix of iconic landmarks, cultural experiences, and culinary recommendations across seven days. This section provides specific suggestions for breakfast, lunch, dinner, and activities in various parts of LA, from Hollywood and Griffith Observatory to Venice Beach, The Getty Center, and the Arts District, reflecting a local's perspective on enjoying the city. #KarinBreve #IconicDesign #InteriorDesign #Architecture #BrazilianCulture #Entrepreneurship #CulturalIdentity #LosAngeles

The Petit Palais in Paris is currently hosting an exhibition dedicated to Charlotte Perriand, focusing on the significant role photography played in the development of her renowned interior designs. This unique exhibition delves into Perriand's creative process, presenting her inspirational photographs alongside the finished products they informed. The core idea is to illustrate how Perriand's observations of the natural and urban environment, captured through her camera lens, directly translated into her groundbreaking furniture and interior architecture. Perriand's engagement with photography as a preliminary study method began in 1928, when she joined the influential Le Corbusier/Pierre Jeanneret studio as a furniture design associate. During this period, she dedicated herself to exploring the 'laws of nature' in various contexts, from bustling cityscapes to serene mountain landscapes. The exhibition features a substantial collection of 380 photographs, many of which depict objects and forms discovered during her extensive walks and explorations. This photographic archive underscores her philosophy that the modernist movement was driven by a spirit of inquiry and a process of analysis rather than a mere stylistic trend. Her keen eye for the world around her is evident in these images, revealing a designer who constantly sought inspiration from her surroundings. A key highlight of the exhibition is the direct juxtaposition of these inspiration photographs with their resultant designs. For instance, the skeletal structure of fish bones is shown to have directly informed the design of her 'Banquette Tokyo.' Similarly, the elegant lines of a reclining human figure are presented as the muse behind her iconic 'Chaise Longue Basculante.' Other examples include the 'Chaise Ombre' from 1954, shown with its photographic precursor, and the 'Table Basse' from 1984, which evolved from an 'Art Brut Grès plage Normandie vers' photograph from 1935. The 'Chaise longue bambou' from 1940 draws inspiration from a 'Paysanne corse' photograph from 1937, demonstrating Perriand's ability to translate organic forms into functional and aesthetically pleasing furniture. Furthermore, the exhibition reveals Perriand's innovative approach to design by showcasing how she was one of the first designers to integrate photography as an essential tool throughout her furniture and interior design projects. This method allowed her to meticulously analyze forms, textures, and compositions from the real world, subsequently abstracting and reinterpreting them into her distinctive modernist aesthetic. The exhibit also includes images like 'Immeuble de l’Armée du Salut en construction, vers' from 1931, which inspired the 'Meuble de séparation' from 1954, and 'Pont à poutrelle' from 1933, leading to the 'Table Gigogne' from 1951. These examples highlight her holistic approach, where even architectural elements and everyday structures found their way into her furniture designs. In essence, the exhibition at Petit Palais offers a profound insight into Charlotte Perriand's meticulous design methodology and her enduring legacy as a modernist pioneer. It demonstrates how her photographic practice was not merely a documentation tool but a fundamental component of her creative process, allowing her to bridge the gap between observed reality and innovative design solutions. The careful arrangement of photographs and finished pieces effectively illustrates her journey from capturing momentary inspirations to crafting timeless pieces of furniture and interior spaces, firmly establishing her as a designer who saw the world through a uniquely analytical and artistic lens. #CharlottePerriand #InteriorDesign #ModernistDesign #DesignHistory #PhotographyInDesign #PetitPalais #FurnitureDesign #LeCorbusier #DesignProcess

The article introduces Daphne Martino and Claudia Barroso, co-founders of M&B Design Studio, highlighting their journey into entrepreneurship as interior designers. Both women, having spent years assisting friends and family with design projects, decided to formalize their passion into a business once their children reached high school and college, providing them with the necessary time and space. Their motivation extends beyond personal ambition; they aim to set an example for their daughters, demonstrating that it is possible to pursue new career paths and achieve significant goals at any age. M&B Design Studio distinguishes itself through its commitment to honesty, transparency, and open communication with clients. This foundational trust is crucial for navigating design challenges and delivering spaces that are aesthetically pleasing and deeply meaningful to their clients. The founders emphasize that their path has involved considerable hard work and perseverance, acknowledging the inherent challenges and frustrations of the interior design industry. Despite these difficulties, they describe themselves as resilient, embracing both the positive and negative aspects of their work and striving to enjoy the process. Their families have been an integral part of their business, offering support with everything from physical help during installations to organizing project spreadsheets. This familial backing is presented as a key factor in their success. The studio prides itself on delivering thoughtful, timeless, and tailored designs that clients genuinely appreciate, reflecting their dedication to their craft. Beyond their professional lives, Daphne and Claudia share insights into their personal preferences and recommended activities in Miami. When friends visit, they curate an itinerary that blends outdoor exploration, culinary experiences, adventure, and relaxation. Their suggestions include a morning visit to Fairchild Tropical Botanic Garden, followed by refreshments from Wayside Market. Sundays feature a stop at the Pinecrest Farmers Market for local produce and artisanal goods. A quintessential beach day in South Beach, complete with lunch at Joe’s Stone Crab, is also on the agenda. For a change of scenery and a more relaxed atmosphere, a trip to Ocean Reef is recommended for boating, swimming, and golf. Their itinerary also highlights Miami’s vibrant art and design scene, with visits to Wynwood for its street murals and creative energy, and the Miami Design District for its architecture, high-end shops, and curated spaces. Relaxation and rejuvenation are factored in with a spa day at The Standard Spa or Tierra Santa at Faena. Dining experiences are diverse and include COTE Miami for a Korean steakhouse, Bouchon Bistro in Coral Gables for French cuisine, and Queen Miami Beach for a glamorous dinner and show. Iconic local spots like Ball and Chain, known for its live music and history, are also included to offer a taste of Miami’s cultural heartbeat. The week concludes with drinks at Bellini at Mr. C Coconut Grove, offering a sophisticated end to their Miami tour. In acknowledging those who have supported their journey, Daphne and Claudia express profound gratitude to their husbands and children. They credit their families with unwavering support, encouragement, and understanding, which have been constant sources of strength throughout the late nights, early mornings, and significant milestones of their entrepreneurial endeavor. Their families are seen not just as supporters but as an integral part of everything they do at M&B Design Studio. #InteriorDesign #Entrepreneurship #FemaleFounders #SmallBusiness #MiamiLifestyle #WorkLifeBalance #FamilySupport #DesignStudio

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Camila Crispino, founder of Creative Concepts Interiors, discusses her journey into establishing her own interior design business. Her passion for aesthetics and functional spaces, combined with her background in Interior Design and Fine Arts from Brazil, motivated her to cater to clients in Miami. She identified a need among investors seeking good returns on their properties and individuals/families needing creative, budget-conscious design solutions. Creative Concepts Interiors has evolved into a full-service boutique firm, handling projects from ground-up construction to styling and staging, with plans for expansion across South Florida and beyond through e-design services. Crispino highlights her unique approach in Miami's competitive design landscape, emphasizing creativity, resourcefulness, and innovation. She aims to make high-end design accessible and straightforward, distinguishing her work through unconventional ideas and the integration of unique materials and techniques that embody Miami's vibrant character. Resourcefulness is a key aspect of her practice, focusing on sourcing distinctive pieces and collaborating with local artisans to deliver sophisticated designs within various budget constraints. This method ensures that each project is personalized without compromising on style. Her design philosophy prioritizes creating welcoming and livable environments, moving away from overly polished or intimidating aesthetics. Crispino stresses the importance of transparent communication with clients, guiding them through the design process to ensure their vision is authentically realized. Her objective is to redefine luxury design in Miami, making it an enjoyable and attainable part of clients' daily lives by blending creative vision with practical solutions. Having resided in Miami for over 25 years, Crispino shares her appreciation for the city's hidden gems that contribute to its distinctive culture. She mentions establishments like Ball and Chain for its live music and historical significance, the experience of enjoying a cafecito in Calle Ocho, and culinary staples such as Shorty’s BBQ for ribs and Chef Creole in Little Haiti for Caribbean flavors. She also notes the European charm of Coral Gables. These local experiences inform her design perspective, allowing her to infuse her projects with a sense of place and authenticity derived from Miami's diverse character. #InteriorDesign #Entrepreneurship #MiamiLifestyle #CreativeConceptsInteriors #DesignInnovation #ResourcefulDesign #LuxuryDesign #SmallBusiness

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Tina Norden, the Interior Designer of the Year at The Brit List Awards 2021 and a partner at Conran and Partners, recently discussed her career and design philosophy. Norden's consistent presence and influential voice in the industry throughout the pandemic, addressing emerging trends, the impact on hospitality, inclusive design, and quality craftsmanship, earned her this prestigious recognition. Her dedication extended to mentoring junior team members and managing large-scale projects remotely, maintaining a positive and productive environment. Norden's passion for interior design and architecture stems from both her upbringing and personal interests. Her father, a landscape architect, and her formative years in Hamburg, Germany, a city known for its creativity, significantly shaped her career path. At 18, she moved to London, drawn by its vibrant music scene, and pursued higher education in architecture and design. A pivotal year-out placement at Conran and Partners solidified her belief that it was the ideal environment for her. During her time at the Royal College of Art (RCA), where she completed her Part II, Norden further developed her interest in interior architecture through a course that uniquely combined design and architecture. She continued her involvement with Conran and Partners throughout her studies and beyond, relishing the creative freedom and collaborating closely with Sir Terence Conran on notable projects. Her design approach emphasizes enduring style over fleeting fashion, a principle she attributes to Sir Terence Conran himself. This philosophy ensures that her projects are both aspirational and long-lasting. Over her career at Conran and Partners, Norden has revitalized numerous projects and led her team with an empathetic style. Her impressive portfolio includes the German Gymnasium, Skylon, South Place Hotel, Finsbury, and the Maximilian Hotel in Prague. More recently, she completed the new Park Hyatt hotel in Auckland, FEAST within Hong Kong’s EAST hotel, a new dining destination and members’ club at London’s Taj Hotel, and the Peninsula Boutique and Café in Hong Kong. Norden and her team also played a significant role in the HIX Event 2021, where they designed the WFHotel installation. This collaborative project explored how changing consumer attitudes towards working from home/hotel could reshape conventional lobby designs. Norden’s contribution focused on fostering community-focused interactions within these spaces, reflecting her commitment to human-centric design. This interview is part of an editorial series sponsored by GROHE, the Broadcasting Partner of The Brit List Awards 2021. #InteriorDesign #HotelDesign #Architecture #ConranAndPartners #TinaNorden #BritListAwards #HospitalityDesign #DesignTrends #LuxuryInteriors