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Modern plantation house with wraparound infinity pool realises 10-year dream
Ty Bhojwani, an Indian-born Canadian businessman, embarked on a decade-long journey to create his dream getaway home in Alibag, near Mumbai, India. After exploring numerous plots, he finally settled on a 1.8-hectare (4.4-acre) patch of land in 2012, drawn by its breathtaking vistas of the sea, hills, and verdant valleys. Despite initial challenges such as the absence of water, electricity, and roads, Bhojwani remained committed to his vision. Construction of the five-bedroom house, named The Ray after the manta rays found in the Arabian Sea, began in 2017 and took four years to complete, rather than the initial 18-month estimate.
The Ray consists of two distinct two-storey pavilions: one is light and airy, while the other is substantial and monumental. Interestingly, neither pavilion primarily focuses on maximizing sea views; instead, they offer diverse vistas, including a central courtyard featuring boulders set in gravel. This design approach, advocated by Robert Verrijt and Shefali Balwani, co-founders of Architecture BRIO, aimed to give the house more dimension. Their design was a thoughtful response to Bhojwani's request for a modern plantation-style home reminiscent of grand mansions in Barbados and the Bahamas. The white pavilion incorporates traditional plantation elements such as shuttered expanses and high ceilings to promote natural airflow, ensuring the structure felt integrated with its environment rather than alien.
To further blend the house with its surroundings, landscape architect Kunal Maniar collaborated with Architecture BRIO to enhance the undulating site. They designed a dense screen at the entrance to build anticipation for visitors. The arrival sequence leads guests through a crushed stone path to a cave-like lobby featuring a manta-ray floor mosaic. From there, a spiral staircase descends into a bright, open living area with steel-framed windows on three sides, offering views of an infinity pool and green paddy fields, with the bay visible in the distance. The stone pavilion, housing the bedrooms, is accessible from the double-height living room, including a "secret" passage at the rear.
The master bedroom, located on the upper level, connects to an outdoor staircase resembling stepped pyramids. Gardens surrounding the two top-floor bedrooms help to maintain cooler temperatures in the rooms below. The wraparound infinity pool and an adjacent louvred outdoor lounge, extending from the living room, contribute to the home's inviting atmosphere. Esha, Bhojwani’s wife, chose the hand-fired turquoise blue tiles for the pool, preferring them over popular black-bottom or cement pools for their welcoming aesthetic. The furniture and furnishings, both indoors and outdoors, were either custom-designed, selected from existing collections, or sourced primarily from Indonesia by Timothy Oulton Studio, emphasizing comfort with washed linens. Unique natural basalt boulders on the property were either retained as features or carved by Rajasthani artisans into distinctive bathroom basins, adding to the home's remarkable character. Despite the lengthy development process, Bhojwani finds moments by the pool surreal, fulfilling a vision he held for a decade.
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