
A Former Bravo Design Star Embraces The British Kitchen Trend Taking Over America
Jeffrey Alan Marks, a renowned designer and former Bravo personality, undertook a significant kitchen renovation in his historic 1928 Connecticut home, detailed in his book *This Is Home*. The primary objective of the redesign was to transform the kitchen into a central gathering space for his family, acknowledging its role as the most frequented area of the house. While many of the home's original historical elements were preserved, the kitchen underwent a complete overhaul. Marks' vision for the space was heavily influenced by British design principles, aiming to create a cozy larder-like atmosphere rather than a conventional kitchen.
The renovation began with the installation of crisp, glossy white nickel-gap paneling on the walls and ceiling, providing a clean canvas. To inject personality and warmth, Marks strategically incorporated high-contrast colors. The cabinetry and built-ins feature a palette of cheerful celadon, blush pink, and dusty blue. For instance, the white wall paint color is 'Decorator's White' by Benjamin Moore, while a similar shade to 'Matcha Latte' by Clare was used for the island, and 'Down Pour' by Sherwin-Williams was used for blue cabinetry. This colorful approach ensures the white kitchen remains vibrant and engaging.
A key aspect of the British design influence was the decision to forgo traditional upper cabinets in favor of open shelving and a stand-alone cupboard, a design choice inspired by the concept of a larder. Marks collaborated with the British kitchen design firm Plain English Design to realize this bespoke vision. The kitchen's original long layout and limited counter space presented a design challenge, which was creatively addressed by installing a pair of green butcher block-topped worktables instead of a single island. These dual islands provide ample prep surfaces and include built-in drawers for additional storage, enhancing both functionality and aesthetics.
The aesthetic was further enriched with collected accents, such as pieces from Marks' whimsical Ozark Roadside Tourist Pottery collection, and a vibrant painting of an Italian fish market. Butcher-block countertops were chosen to introduce a sense of lived-in warmth. Cool Carrara marble and nickel hardware were integrated to add an Art Deco touch, contrasting with the warmer wood and painted finishes. This theme extends to the sink area, where an inset marble sink is paired with an oak-handled nickel faucet, whose water-pump shape subtly nods to the property's agricultural history. Antique lanterns with an oxidized finish and rope cord covers contribute to the kitchen's unique character. A counter-to-ceiling Carrara marble backsplash behind the six-burner stainless steel range is complemented by a nickel-gap wood clad vent hood, reinforcing the cottage aesthetic. The addition of an oversized mortar and pestle and mismatched containers creates a 'happily collected clutter' effect.
Bespoke details, such as curvy brackets on wall shelves and mesh door insets on upper cabinets, contribute to the custom feel of the kitchen. A green pass-through bar area, painted in 'Emerald Green' by Fine Paints of Europe, connects the kitchen to the dining room, which features a hand-painted pastoral mural wallpaper by de Gournay. The interior of a step-back cabinet in the bar area is painted in a blush pink (similar to 'Sailor's Delight' by Benjamin Moore), a compromise with Marks' daughter. The bar area also incorporates a repurposed wicker island, originally a French laundry basket, now topped with zinc, adding texture and unique personality to the space.
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