Extra&ordinary Design and Eileen Ng Collaborate on Teumsae Vase Series

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

The Poilu Vases represent an innovative venture into material research and 3D printing technology by Paris-based Studio Bold. This project explores the integration of natural fibers into 3D printed structures to create unique textural qualities in decorative objects. The studio's research centered on developing a method to implant what they describe as “hair” into the vases during the additive manufacturing process, aiming to enhance the visual and tactile bulk of the objects. The design philosophy behind the Poilu Vases bridges mathematical logic with natural generative principles. Studio Bold formulated a specialized code that dictates the precise coordinates for the integration of fibrous materials within the 3D printing sequence. This algorithmic approach allowed for a controlled yet organic outcome, resulting in surfaces that mimic the appearance of looped fibers, reminiscent of certain textile textures such as those found in rugs. Crafted from vegetable-based fibers, the vases incorporate materials like bamboo, coconut, and wood. These natural components contribute to the distinctive “hairy” texture and give each vase a unique character. The choice of natural fibers also aligns with contemporary design trends that emphasize sustainability and the incorporation of organic elements into manufactured goods. The collection consists of three distinct vases, each named after a hair color: "Blond," "Brun," and "Roux." This nomenclature further reinforces the concept of implanted "hair" and differentiates the individual pieces within the series. Each vase is produced as part of a limited edition, with specific numbering and artist signatures. This exclusivity positions the Poilu Vases as collectible design pieces rather than mass-produced items. The Poilu Vases are distributed through Aybar Gallery, highlighting their status as art and design objects. The collaboration with a gallery suggests a deliberate effort to present these pieces within a fine art context, appealing to collectors and design enthusiasts interested in the intersection of technology, art, and natural materials. This project showcases the potential of 3D printing to move beyond purely functional applications and into the realm of sculptural and decorative art, pushing the boundaries of what is achievable in contemporary object design through material innovation and advanced manufacturing techniques. #3DPrinting #VaseDesign #StudioBold #MaterialInnovation #HomeDecor #VegetableFibers #LimitedEdition #AybarGallery #ContemporaryDesign

Brooklyn-based designer Lauren Manoogian, known for her slow fashion approach, has partnered with Paris-based maker Lætitia Jacquetton to create a distinctive series of vases. These unique vessels are crafted from glass blown directly around carefully selected rocks. The collaboration is currently featured in Manoogian's Manhattan showroom and is also available for viewing and purchase online. Manoogian's decision to showcase Jacquetton's work aligns with her broader intention to provide a platform for other artists and craftspeople whose work she admires and finds inspiring. This initiative, dubbed 'Object,' began organically through Manoogian's travels to Peru, where she discovered compelling ceramic traditions. She emphasizes the importance of fostering a sense of wonder and emotional connection to physical objects, especially in an increasingly digital world. Lætitia Jacquetton's artistic practice seamlessly blends traditional glass-blowing expertise with a profound respect for the natural environment. She acquired her glass-blowing skills in Murano, Italy, and Nancy, France. Each of her sculptural pieces is created by blowing glass around rocks that she personally forages from nature, taking care not to disrupt the surrounding ecosystem. This process imbues her works with a sense of both rarity and reverence, effectively capturing a moment in time within a solid, poetic form. When discussing the parallels between their artistic approaches, Manoogian notes the seemingly simple yet transformative use of materials in both their works. She highlights that both their creations are sculptural and feature well-defined proportions, yet possess a mutable quality that arises from an intuitive process. This makes the pieces approachable and capable of enhancing daily life. Manoogian further elaborates that both their works are deeply intimate, both in their final use and in their creation process, emphasizing a shared tactility and an experimental drive to discover the ideal tension point within materials, which ultimately shapes the final form. The deliberate connection to nature embedded within Jacquetton's vessels is a central element that captivates the imagination. Manoogian expresses her appreciation for the artist's intention and the inherent uncontrollable elements within the creation process. She acknowledges the element of risk involved in making each piece, as Jacquetton works quickly, harnessing gravity and fire. The resulting forms are highly gestural, encapsulating the precise moment when all elements converge. This dynamic process is what imbues each vase with its unique aliveness and individuality, making every piece a singular creation. #Glassware #ArtCollaboration #HomeDecor #SustainableDesign #Craftsmanship #LaurenManoogian #LaetitiaJacquetton #InteriorDesign #NaturalMaterials

Art Nouveau, a pervasive design movement from 1890 to 1910, distinguished itself through its characteristic sinuous curves, intricate ornamentation, and stylized interpretations of natural forms. Drawing inspiration from Japonisme and the English Arts and Crafts movement, Art Nouveau emphasized material experimentation, allowing artists to translate the beauty of the natural world into highly individualistic expressions. Many prominent figures of the movement delved deeply into nature or traveled to diverse locales, seeking inspiration from unfamiliar flora, fauna, and insects. The core genius of Art Nouveau artists lay in their capacity to render the organic delicacy of natural forms using rigid materials such as glass, wood, and metal. Specialists like Victoria Tudor from Christie's Design department highlight the pivotal role of glassmaking, woodcarving, and marquetry during this period, with fruitwoods, mahogany, and satinwood being common choices. Designers skillfully manipulated structured materials to evoke the movement found in nature, mirroring the forms of flower stems or leaves. The masters of Art Nouveau, including Tiffany, Gallé, and Daum, excelled in working with their chosen materials, transforming themes and emotions into tangible art forms rather than merely words. Several key designers significantly shaped the Art Nouveau movement. Daum, founded in 1878 by Jean Daum, initially produced tableware. However, under the artistic direction of Antonin Daum and Henri Bergé, the company embraced floral designs in colored and cameo glass, greatly expanding its artistic range and production volume. Daum also engaged in significant collaborations, notably with Louis Majorelle, a key figure in the Ecole de Nancy, resulting in notable pieces like the 'Nénuphar' table lamp. Emile Gallé, another founder of the Ecole de Nancy and based in the glassmaking hub of Nancy, France, created works celebrated for their elegant forms, rich colors, and nature-inspired decorations. He pioneered experimental techniques such as glass marquetry and acid etching, creating complex layered glass pieces, often with inclusions like gold leaf. Gallé also introduced 'verreries parlantes' or 'speaking glassware,' which incorporated poetic inscriptions, requiring the viewer to interact with the object to read them. René Lalique dominated Art Nouveau jewelry and decorative objects. After achieving fame for his modern jewels, he began experimenting with glass around 1890. Lalique later opened a shop at Place Vendôme, showcasing both his jewelry and glass objects. He revolutionized the perfume industry with his glass bottles and, by the 1920s, focused exclusively on glassmaking, developing a distinctive technique of contrasting clear and frosted glass. His extensive output included numerous vases and other mass-produced items, and his business continues to thrive today, having adapted to subsequent styles like Art Deco. Louis Majorelle, renowned for his woodworking, operated a substantial atelier that produced a wide range of furniture, from standardized designs to exclusive commissions. He worked with a diverse palette of global woods, creating tonal designs, gradients, and fine art-like floral marquetry. Majorelle was a vice president of the Ecole de Nancy and maintained multiple shops across France. Tiffany Studios, led by Louis Comfort Tiffany, focused on stained glass design and production. Working with skilled American artisans, Tiffany Studios developed patented processes, such as for iridescent Favrile glass, and created iconic leaded glass lamps. Tiffany drew immense inspiration from his estate, Laurelton Hall, which was meticulously designed to reflect his artistic vision and served as a retreat for artists. Despite the estate's destruction by fire, the legacy of Tiffany Studios endures through its vibrant lamps and other decorative creations in glass, ceramics, enamel, and metalwork, which remain highly valued by collectors. The global influence of Art Nouveau extended to various international variations and localized movements. Italian designer Carlo Bugatti produced architectural furniture, while the Vienna Secession featured artists like Gustav Klimt. Cities such as Barcelona, with Antoni Gaudí's works, and Paris, with Hector Guimard's contributions like the Métro entrances, showcase the ambitious scope of Art Nouveau creators. The interplay between architecture and furniture design was crucial for many Art Nouveau designers, underscoring the holistic nature of their artistic approach. These diverse examples highlight the widespread and transformative impact of the Art Nouveau movement on design and art across Europe and beyond. #ArtNouveau #CollectingGuide #DecorativeArts #DesignHistory #Glassmaking #FurnitureDesign #TiffanyStudios #EmileGalle #ReneLalique #LouisMajorelle #Daum

Studio E.O founder Erik Olovsson's 'Indefinite Vases' series, launched in 2016, showcases a narrative-driven approach to design, focusing on the interplay between contrasting materials. The project unites fluid, hand-blown glass with robust marble slabs, granite, and onyx, resulting in visually compelling and unique pieces. Olovsson, known for imbuing his projects with a story without adhering to a linear narrative, describes his work as having an unpredictable outcome, which he finds particularly appealing in this series. The creation of the 'Indefinite Vases' involved a collaborative process with local glass artisans in Stockholm, where Olovsson is based. These artisans crafted the spherical glass forms that are designed to interact with and perch upon the carefully selected stone bases. Olovsson deliberately chose five distinct types of marble, granite, and onyx, conspicuously avoiding the common white Carrera marble to introduce more variety and character into the collection. A central theme of the 'Indefinite Vases' is the contrast between the ancient origins of the stone and the freshly blown, malleable glass. This juxtaposition creates a calming visual effect that has resonated with viewers. Olovsson expresses a particular fascination with the geological history embedded within the stone materials, seeing them as timeless elements that beautifully complement the ephemeral quality of glass. The unpredictable nature of how the molten glass settles onto the stone is a key aspect of the design, ensuring that each vase is a one-of-a-kind creation. The enduring appeal and potential for variation suggest that 'Indefinite Vases' is an ongoing project for Studio E.O, with Olovsson envisioning a continuous exploration of these material interactions. The works are made available for purchase through Galerie Kreo, a testament to their artistic and design value. The series challenges traditional notions of a vase, proposing an "indefinite" form that is continually shaped by the unique process of its creation and the inherent characteristics of its components. The designer emphasizes that the journey of creation and the element of surprise in the final form are integral to the identity of the vases, making them more than mere functional objects but rather sculptural expressions of material dialogue. #StudioEO #IndefiniteVases #BlownGlass #MarbleDesign #StoneCraftsmanship #ErikOlovsson #MaterialContrast #InteriorAccessories #SwedishDesign #ArtisanCollaboration

This article explores the growing trend of designer ceramics as significant style statements within contemporary homes, moving beyond their traditional role as mere containers for flowers. It highlights how a carefully selected vase serves as both a functional display for blooms, whether fresh, faux, or dried, and a decorative piece in its own right. The piece identifies prominent figures and brands that have influenced this shift. Anissa Kermiche is cited as a key influencer, whose viral designs, characterized by a witty and stylish interpretation of the female form, have gained significant traction on social media and attracted an A-list following, including celebrities like Gigi Hadid and Gwyneth Paltrow. The article also acknowledges the continued relevance of historic design houses such as the Italian brands Seletti and Fornasetti. Seletti's pop-art inspired pieces have achieved widespread popularity on Instagram due to their distinctive offerings, while Fornasetti's collection of whimsical pottery has garnered a new generation of admirers. Henry Holland, formerly a fashion designer, is also noted for his successful pivot to ceramics, creating a mood-boosting line of boldly striped vases and matching candlesticks following the closure of his fashion label in 2020. The article then curates a selection of vases catering to diverse tastes and aesthetics, ranging from irreverent, conversation-starting pieces suitable for a gallery setting to more minimalist vessels that emphasize natural materials. Glass designs in various hues are also featured. Among the specific recommendations is Anissa Kermiche's 'Love Handles' Ceramic Vase, praised for its versatility and signature design, ideal for styling with various botanicals or as a standalone piece. Henry Holland Studio's Green And White 'Profumo' Vase is highlighted for its distinctive silhouettes and ripple-like designs in a sophisticated color palette, reflecting the designer's ability to blend fashion and interior aesthetics. Jonathan Adler's 'Scala' Vase is presented as a classic investment piece, embodying the designer's eclectic style with gilded accents and a '60s glamour influence through its concentric, geometric patterns. The Ginori 1735 Ming Porcelain Vase is showcased for its luxurious Italian craftsmanship, featuring Ming-inspired blue florals on a leaf-green base, making it a beautiful piece that complements spring flowers. Astier de Villatte's Flower Pick Artichoke Vase is recommended for displaying single blooms in an artistic and whimsical manner, drawing inspiration from traditional tulipieres and employing artisanal ceramic production techniques dating back to the Middle Ages. La DoubleJ's 'Ciccio' Mini Striped Murano Glass Vase is noted as a vibrant, hand-blown Murano glass piece, perfect for small buds and evoking the colors of Italy. Fornasetti's Face-Print Vase, featuring the iconic face of opera singer Lina Cavalieri, is described as an eccentric and spotlight-stealing piece. Seletti’s 'Love In Bloom' vase, a literal interpretation of a heart-shaped vase with openings resembling arteries for single stems, is presented as a unique and decorative item. Finally, Georg Jensen's 'Bloom Botanica' Vase, a polished stainless-steel piece inspired by sculptural floral works, and Liang & Eimil's 'Pokal' Vase, a vibrant, reeded glass design inspired by Venetian glasswork, are included for their distinctive appeal. #VaseDesign #HomeDecor #DesignerHomeware #CeramicArt #InteriorStyle #LuxuryVases #HomeAccessories #ContemporaryDesign #DecorativeVases

Extra&ordinary; Design is a London-based studio founded by Hyunhee Hwang, specializing in creating design-led products that elevate everyday spaces. Hwang's extensive experience in the design industry in South Korea and England, spanning over a decade, has shaped her distinctive aesthetic. This aesthetic is characterized by a blend of playful colors, sculptural forms, and the innovative use of jesmonite, a versatile composite material known for its tactile qualities and ability to mimic natural stone. The studio's latest collection, named Scala, draws inspiration from the grandeur of Roman marble architecture, specifically focusing on the visual elements of marble block stairs and columns. The Scala collection encompasses a range of home objects, including vases, candle holders, incense holders, and decorative trays. Each item within this collection is individually cast and meticulously handmade, resulting in unique marble-like characteristics and finishes. This artisanal approach ensures that no two pieces are exactly alike, adding to their individual charm and exclusivity. The use of jesmonite allows for the replication of marble's luxurious appearance while offering a more sustainable and lightweight alternative. Beyond the Scala collection, Extra&ordinary; Design also features pieces from its Jumony collection. This collection includes accessory trays and wall-mounted planters, which are distinguished by their ruffled edges. These delicate, fabric-inspired details are a direct nod to traditional Korean garments and accessories, reflecting Hwang's cultural heritage and her ability to integrate diverse influences into contemporary design. The Jumony collection's design elements evoke a sense of softness and movement, contrasting with the more structured forms of the Scala collection, yet maintaining the studio's overarching commitment to unique and visually engaging objects. Extra&ordinary; Design's philosophy centers on transforming mundane household items into pieces of art that contribute to the overall aesthetic and atmosphere of a home. By focusing on unexpected forms, vibrant colors, and innovative materials like jesmonite, the studio aims to create objects that are not only functional but also serve as focal points in a space. This approach challenges the conventional understanding of home furnishings, encouraging consumers to view everyday objects as opportunities for artistic expression and personal style. The studio’s dedication to craftsmanship and thoughtful design is evident in every piece, making each a conversation starter and a testament to the beauty that can be found in the reimagining of the ordinary. #ExtraordinaryDesign #HomeDecor #Jesmonite #SculpturalDesign #InteriorDesign #HandmadeObjects #ScalaCollection #JumonyCollection #HyunheeHwang

Palestinian architecture and engineering studio AAU Anastas has collaborated with Japanese sound artist Tomoko Sauvage to create a site-specific installation called _Serpentine Bell_ at Ruinart's estate in Reims, France. The conical structure, resembling a translucent hive, is constructed from 103 hand-crafted blown-glass voussoirs, which are wedge-shaped elements crucial for both its visual appeal and sonic qualities. These delicate glass surfaces refract light and enhance sound, contributing to an immersive acoustic experience. The installation stands atop a tall tripod in a clearing among trees, elevated 1.35m above the ground on steel stilts, inviting visitors to step underneath and experience it like an immersive kaleidoscope. The project originated in 2024 when Ruinart commissioned Tomoko Sauvage for a garden installation. Sauvage then invited AAU Anastas to collaborate, based on their shared appreciation for material exploration. Elias Anastas, co-founder of AAU Anastas with his brother Yousef, noted their long-standing admiration for Sauvage's work on sound and materials. He highlighted the synergy between Sauvage's focus on the sonic qualities of materials and AAU Anastas's expertise in the precision and delicacy of stereotomic principles, particularly in shaping materials like stone. This shared sensibility became the foundation for their collaboration on _Serpentine Bell_. _Serpentine Bell_ represents an evolution of AAU Anastas's decade-long research into traditional stone building techniques, known as Stone Matters. For this project, glass was substituted for stone, with each of the 103 blown-glass voussoirs (categorized into 11 typologies) being crafted through an experimental process using plaster molds and 3D-printed templates. These thick glass bricks interlock, providing structural integrity with minimal additional support, similar to a gift shop ceiling the studio completed in Jerusalem in 2018. The intricate and organic geometry of the structure allows it to reflect light and interact dynamically with its environment. Upon entering the space beneath the sculpture, visitors encounter an auditory landscape created by water-filled bowls and micro air bubbles emitted by chalk stones sourced from Ruinart’s underground cellar. Light refracting through the glass distorts the surrounding trees, creating a visual effect akin to underwater reflections. Anastas explained that Sauvage’s work focuses on the subtle interplay of sound, water, and composition, while their studio emphasizes precision and finesse in working with materials. _Serpentine Bell_ merges these approaches, blending glass, and sound to create a subtle, immersive experience that fosters a deeper connection between visitors, materials, and the surrounding space. Elias Anastas highlighted that the project explores how material can shape, reflect, and amplify sound. The flowing, bell-like forms of the structure subtly reference symbols of transformation and purification, where sound holds significant spiritual meaning in various traditions, including Japanese culture. The year 2024 was highly productive for AAU Anastas, with significant projects like 'Tiamat' at the Design Doha Biennial, exploring stone’s potential, and 'Carthagisme' in Tunis. The studio’s commitment extends to advocacy and relief efforts, channeling proceeds to initiatives like the Revive Gaza’s Farmland project and Médecins Sans Frontières. Upcoming projects across the Middle East and the UK, alongside the development of their Bethlehem-based Wonder Cabinet cultural hub into an experimental educational platform, underscore their ongoing mission. #AAUAnastas #TomokoSauvage #Ruinart #SerpentineBell #GlassSculpture #SoundArt #ArchitectureDesign #Materiality #SiteSpecificInstallation

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

Water, a symbol of tranquility and clarity, serves as a significant source of inspiration for product designers, injecting movement, freedom, and flow into interior spaces. This article highlights nine home design products that uniquely capture the essence of water, showcasing a diverse range of interpretations from various artists and brands. Each featured design demonstrates how water's fluid characteristics, reflective qualities, and symbolic meanings are translated into tangible home furnishings. The featured designs include interlocking handblown vases from Manu Nanu, created by artist Mansi Shah. These vases are designed to fit together like molecules, with the glass itself mimicking water and casting shifting shadows when exposed to sunlight. Beacon Custom Lighting's Pond decanter, designed by New York City architect Dean Maltz, extends a theme previously explored in a ceiling lamp that evoked a water drop. The handblown carafe features a bulbous glass filament rising from its center, reminiscent of a splash in a pool. Tina Scepanovic, a Chinese American artist, draws on her experience as a competitive swimmer to infuse her Narcissus catchall with the 'hidden power' of water. She translates the loose gestures of Chinese brush painting into metal sculpture, aiming to capture the object's 'qi' or vital energy, conceptualizing the pool form as a portal to another dimension. Joseph Algieri, a New York City designer, presents Construction vases where pigmented foam appears to break through ceramic barriers, challenging the conventional containment of water and emphasizing its transformative power. Italian designer Paola Navone, a self-proclaimed Pisces, created the nautical-inspired Oblò lighting collection for Lodes. These pendant lamps, named after the Italian word for 'porthole,' are suspended like buoys, creating an oceanic sway with milky white or limpid blue glass diffusers. Oki Sato, founder of Tokyo design studio Nendo, developed the Windy collection of grès porcelain tiles. These tiles feature subtly incised patterns that emulate the marks a breeze makes on water surfaces, rice paddies, and grasslands, available in various colors. Golnar Roshan of Rive Roshan, an Amsterdam design firm, designed the Fluid rug collection for Moooi, inspired by the light and sky reflecting and rippling on the canals outside her studio. These rugs are available in both rectangular and circular forms. Kast, an English concrete basin company, offers the Wave series, including the Tilde, Dune, and Prim fixtures, which complement the inherent water theme of bathrooms with their curvy forms and a palette of 28 colors, such as Storm (blue) and Brick (terra cotta). Lastly, the Tanba basket by Enkay features a sinuous rim that traces the lines of a river. Asha Chaudhary, the company's founder, highlights the enduring appeal of water motifs in interior design for the softness they impart to spaces. These handwoven baskets are crafted from ilala palm leaves sourced from Zimbabwe. Together, these nine products illustrate how water's symbolic and physical attributes continue to inspire innovation and creativity in contemporary home design. #HomeDesign #InteriorDesign #WaterInspired #ProductDesign #LuxuryHome #ArtisanCraftsmanship #FurnitureDesign #LightingDesign #CeramicArt

Rebecca Atwood, known for her dreamy designs, hand-sketched patterns, and muted watercolor motifs, has launched a new collaboration with Pottery Barn. This partnership makes her signature aesthetic more accessible, moving her designs from high-end boutiques to a broader market at a more affordable price point. Atwood's work is characterized by its calming influence, offering a contrast to color-saturated maximalism, and aligning with the current trend of creating zen-like home environments. The collection, which launched today, features a range of home decor items, including framed artwork, quilted duvets, removable wallpaper, and table linens, with prices starting from $24.50. The collaboration addresses a significant challenge for smaller brands like Atwood's, allowing them to explore product categories that would typically be cost-prohibitive. This accessibility means consumers can incorporate Atwood's distinctive painterly prints into various parts of their homes without a substantial financial investment. The collection includes items such as rainbow-striped dining room runners and ombré shower curtains, designed to integrate seamlessly with existing decor while still adding a special, curated touch. The subtlety of the prints ensures they can blend with different styles, offering a versatile approach to home decoration. This partnership highlights a growing trend of collaborations between established retailers and independent designers, bridging the gap between bespoke artistry and mass-market availability. It enables designers to reach a wider audience and provides consumers with unique, design-forward products at a fraction of the cost typically associated with designer goods. The collection allows for easy incorporation of designer aesthetics into everyday living spaces, transforming ordinary areas into more personalized and stylish environments. The range of products caters to various needs, from statement pieces like framed prints to functional items like pillow covers and napkins, all imbued with Atwood's characteristic artistic flair. #PotteryBarn #RebeccaAtwood #TextileDesigner #HomeDecor #DesignCollaboration #AffordableDesign #WatercolorMotifs #InteriorDesign #ProductLaunch

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign