Made in Japan Nagoya Mosaic-Tile collections now available

Marazzi, an Italian ceramics company, has launched its new Crogiolo Rice collection, a line of porcelain tiles designed with an authentic, handmade aesthetic. These tiles feature hand-painted designs and subtle irregularities, such as pitting, smears, and variations in texture, which contribute to their unique character and vibrant appearance when installed. The collection is inspired by thick-glazed majolica tiles, giving them a lustrous, glossy finish. The color palette primarily consists of whites and blues, aiming to impart a lively and welcoming atmosphere to interiors. The Crogiolo Rice tiles are part of Marazzi's broader Crogiolo collection, which represents the company's commitment to blending traditional craftsmanship with industrial technology. This approach allows for the creation of ceramic products that celebrate authentic, colorful, and decorated designs while benefiting from modern manufacturing processes. The brand emphasizes that the minor imperfections in each tile, including grainy surfaces or slight chipping around the edges, are intentional features that enhance the handmade feel and ensure no two pieces are identical. Rectified edges allow for minimal joint lines, further highlighting the tiles' surface qualities. The collection is available in three distinct sizes: 15 by 15 centimeters, five by 15 centimeters, and 7.5 by 20 centimeters. These varying dimensions offer flexibility for different design applications. The subtle shifts in color tone, shadowing, and minute variations in the concave-convex forms are carefully controlled to create a visually rich and dynamic effect. Marazzi's design philosophy for the Crogiolo collection draws from its rich heritage, particularly from a series of booklets developed in the 1980s called 'Il Crogiolo.' These booklets documented 112 projects, illustrating various decorative techniques and capturing insights from potters and designers. This historical resource continues to serve as a source of inspiration for Marazzi's current product development, ensuring a continuity of craft and innovation. The Crogiolo Rice collection is positioned as a testament to Marazzi's ongoing research into materials, colors, glazes, and technological advancements, all while preserving the essence of handmade artistry. The tiles are suitable for various applications, bringing a touch of traditional charm and modern sophistication to residential and commercial spaces. #Marazzi #PorcelainTiles #Ceramics #HandmadeDesign #TileCollection #InteriorDesign #HomeDecoration #BuildingMaterials #SurfaceDesign

Tokujin Yoshioka has collaborated with Italian ceramics manufacturer Mutina to create a new tile system called 'Phenomenon.' This collection is inspired by irregular textures found in nature, specifically encompassing designs named "snow," "honey-comb," and "rain." Yoshioka's objective was to develop a design that evokes emotion and imagination by integrating small elements to produce both depth and expanse within the tiles. To highlight this depth and allow the interplay of light and shadow to define each texture, the tiles were deliberately left white. The partnership with Mutina was initiated due to the company's perceived "experimental vision" and its ability to balance traditional handcrafting with industrial technology. Yoshioka believed Mutina possessed the capability to achieve a "beautiful sense of depth" in their ceramic products. To optimize Mutina's manufacturing potential and extract the inherent beauty of the material, Yoshioka and his design studio conducted extensive material experiments. These investigations aimed to refine the production process to best express the naturalistic textures intended for the 'Phenomenon' collection. The 'Phenomenon' collection represents an innovative approach to tile design, moving beyond purely decorative patterns to incorporate a tactile and visual depth inspired by natural forms. By focusing on the intrinsic qualities of the ceramic material and the subtle effects of light, Yoshioka sought to create a product that engages the viewer's perception and adds a unique aesthetic dimension to interior spaces. The deliberate choice of white for the tiles serves to amplify the intricate textures, ensuring that the irregular surfaces are the primary focal point, changing appearance with varying light conditions. This collaboration highlights a blend of artistic vision and material science, pushing the boundaries of ceramic tile design. #TokujinYoshioka #Mutina #TileDesign #CeramicTiles #InteriorDesign #ArchitecturalMaterials #ProductDesign #MaterialExperimentation

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

Italian brand Ceramiche Refin has introduced its new Wide collection of porcelain tiles, designed to mimic the appearance and texture of natural slate. This collection includes innovative versions adorned with patterns of lines and grids that give the impression of having been hand-drawn in chalk. The Wide collection is characterized by subtle surface smudges, marks, and imprints, contributing to its authentic slate-like character. It is available in five distinct color options: a chalky white, black carbon, olive green, and two shades of grey, steel and lead, offering a versatile palette for various design schemes. A notable addition to the Wide range is the Sketch series, which features chalky lines and grid patterns superimposed on the slate-like surfaces. These Sketch tiles are specifically designed to serve as accent pieces and create visual interventions within expansive spaces, adding a unique artistic touch. The collection offers a variety of sizes to accommodate different project scales and applications. Smaller tile formats are available for residential projects, while larger formats, such as 240 by 120 centimeters, 120 by 120 centimeters, and 120 by 60 centimeters, are intended for significant commercial areas and retail spaces where a reduction in grout lines is often desired to achieve a more harmonious and seamless aesthetic. Beyond the standard smooth finish, Ceramiche Refin also provides textured options for the Wide collection. Both smooth and textured tiles maintain a thickness between nine and 9.5 millimeters, ensuring durability and consistent quality. For outdoor applications, a specialized 20-millimeter-thick version is available in the carbon and steel shades. These thicker outdoor tiles are suitable for various installation methods, including traditional adhesive application and raised installations. Raised installation is particularly beneficial for temporary spaces, uneven ground, or areas where easy access to the sub-surface for inspection or maintenance is required. The durability and practical benefits of Ceramiche Refin porcelain tiles are significant. They are renowned for their strength, resistance to abrasion, frost, and various chemicals, making them a robust choice for both indoor and outdoor environments. Porcelain tiles are also low-maintenance, requiring only simple cleaning without the need for harsh chemicals, sealing, or special surface treatments. Their vitrified nature makes them an ideal choice for use in conjunction with underfloor heating systems, efficiently distributing warmth. Ceramiche Refin, with over 50 years of manufacturing experience, operates a state-of-the-art factory and a showroom in Milan, employing a dedicated research team and in-house technical laboratory to continuously innovate and advance tile technology. The Wide collection, including its Sketch variations, exemplifies Ceramiche Refin's commitment to combining aesthetic appeal with high performance. The thoughtful design, which mimics natural slate while incorporating contemporary graphic elements, positions these tiles as a versatile solution for a wide array of architectural and interior design projects. The ability to choose from multiple sizes, finishes, and specific designs like Sketch allows designers and homeowners to create customized and impactful spaces, whether for intimate residential settings or large-scale commercial developments. This collection highlights the ongoing evolution of porcelain tile technology, offering sophisticated and practical surfacing solutions. #CeramicheRefin #TileCollection #PorcelainTiles #SlateEffect #InteriorDesign #ArchitecturalSurfaces #HomeDecoration #CommercialDesign #SketchTiles

Muji, the Japanese lifestyle brand known for its minimalist 'no-brand' approach to everyday goods, has unveiled a unique, large-scale installation titled 'Muji Materials Garden' in New York. This installation marks the 10th anniversary of Muji's retail launch in New York and represents a rare collaboration with outside designers. Toru Tsunoda, Muji US president, commissioned local American design duo Ladies & Gentlemen Studio, comprised of Dylan Davis and Jean Lee, for this inaugural New York Design Week activation. The primary objective was to create an immersive experience that delves into Muji's distinct design ethos and its commitment to honest materials, offering a fresh interpretation inspired by traditional Japanese rock gardens. The 'Muji Materials Garden' installation moves away from the typical flamboyant displays often seen at design festivals, instead offering a series of meditative vignettes. These vignettes are designed to explore the origins of Muji's core product offerings, focusing on materials such as wood, stainless steel, plastic, cotton, ceramics, paper, and glass. Each section thoughtfully pairs finished Muji designs with their fundamental, elemental sources. For instance, delicate glass bowls are presented on beds of sand, illustrating the raw material from which they are formed. Soft cotton apparel is displayed alongside wispy fronds of cotton plants, highlighting the natural origin of the fabric. Ceramic dishes are arranged on plinths made of clay slabs, directly linking the final product to its earthy beginnings. Further demonstrating this material journey, clear storage units are positioned above a pool of opaque plastic pellets, providing a visual connection to the raw polymer. A stainless steel desk is showcased amidst rocks and minerals, from which the metal is mined and processed, emphasizing the industrial transformation of natural resources. A central gravel path connects these diverse vignettes, serving as both a physical and metaphorical conduit. This pathway offers visitors a tactile and visual lesson in contemporary material science, effectively blurring the lines between natural origins and manufactured goods. The pairings, despite the industrial processes involved, are presented in a surprisingly soothing manner, fostering a deeper appreciation for the materials. Dylan Davis, one half of Ladies & Gentlemen Studio, articulated the designers' intent, stating their desire for visitors to perceive materials through the lens of a designer, capturing the inherent fascination associated with them. The exhibition highlights Muji's philosophy of emphasizing the inherent qualities of materials and the simplicity of form. By showcasing the raw components alongside the finished products, the installation educates and engages the public on the origins and transformations of everyday items. It underscores Muji's dedication to quality, functionality, and a respectful understanding of the resources used in its designs. The installation is a contemplative journey, encouraging visitors to pause and consider the fundamental elements that contribute to the creation of Muji's minimalist products. The 'Muji Materials Garden' is more than just an exhibition of products; it is an educational and experiential display that invites introspection on the journey of materials from nature to designed objects. This approach aligns perfectly with Muji’s brand identity, which champions simplicity, sustainability, and the intrinsic value of materials. The collaboration with Ladies & Gentlemen Studio demonstrates Muji's openness to innovative interpretations of its brand values, particularly in a significant market like New York. The installation was on view until May 29th at the Muji Soho pop-up located at 434 Broadway, New York, NY 10013, providing a unique cultural experience during New York Design Week. #Muji #JapaneseRockGarden #Minimalism #NewYorkDesignWeek #InstallationArt #MaterialScience #LadiesAndGentlemenStudio #DesignExhibition

The Peter Zumthor collection, a collaborative effort with Time & Style, presents a selection and reconstitution of furniture designed by Swiss architect Peter Zumthor over five decades. These pieces were originally crafted specifically for his architectural projects, highlighting his approach to integrating furniture seamlessly into the overall architectural narrative. Time & Style, renowned for its commitment to original techniques and materials, has produced this collection, marking it as the world's first official furniture collection by Peter Zumthor. The philosophy behind this collection is rooted in Zumthor's architectural vision, which emphasizes authenticity and a timeless quality that transcends transient trends. The furniture is not conceived as standalone commercial products but as integral components of his architectural designs, embodying the essence of his work. This approach aligns with Time & Style's dedication to preserving traditional craftsmanship and material integrity, utilizing accumulated Japanese techniques and materials to bring Zumthor's vision to life. The collaboration signifies a unique fusion of Swiss architectural philosophy with Japanese artisanal expertise. The meticulous attention to detail and material quality inherent in Japanese craftsmanship complements Zumthor's understated yet profound design principles. Each piece in the collection reflects a deep understanding of its functional and aesthetic role within a larger architectural context, maintaining the purity and universality that are hallmarks of Zumthor's work. The collection offers an opportunity to experience furniture that is not merely decorative but deeply connected to the spaces they inhabit. Time & Style's involvement ensures that the furniture adheres to the original specifications and spirit of Zumthor's designs. This includes careful material selection and manufacturing processes that honor traditional methods, creating products that are both robust and aesthetically refined. The collection aims to provide users with pieces that resonate with a sense of history and permanence, much like Zumthor's buildings themselves. This endeavor also serves to make previously bespoke architectural furniture accessible to a wider audience, allowing them to appreciate the intrinsic link between architecture and its internal components. Ultimately, the Peter Zumthor collection by Time & Style stands as a testament to the enduring power of thoughtful design and meticulous craftsmanship. It showcases furniture that is deeply embedded in architectural concepts, offering a universal and authentic experience. The collection is composed of five distinct series, each reflecting the architect's unique design language and the precision of Japanese manufacturing, contributing to a holistic design experience. #FurnitureDesign #LifestyleDesign #ArchitecturalFurniture #PeterZumthor #TimeAndStyle #JapaneseCraftsmanship #TimelessDesign #AuthenticDesign

Italian brand Marazzi has unveiled five distinct collections of advanced ceramic and porcelain tiles on Dezeen Showroom, catering to various aesthetic and functional preferences. These collections include antibacterial tiles that mimic wood floorboards and high-gloss stone-effect tiles, demonstrating a blend of traditional craftsmanship and modern technology. One of the featured collections is Oltre, a porcelain tile meticulously designed to replicate the appearance of oak floorboards. This collection incorporates an interlocking pattern system that convincingly emulates the natural grain of timber. Available in four colors—white, natural, sand, and caramel—Oltre tiles are versatile for both indoor and outdoor applications. They come with an ultra-matt finish, a slip-resistant coating, and an antibacterial treatment, emphasizing cleanliness and safety. The antibacterial properties make them suitable for spaces where hygiene is a priority, while their durability and aesthetic appeal broaden their applicability in diverse design schemes. Another collection suitable for indoor and outdoor use is Carácter. These porcelain tiles are noteworthy for their composition, which includes 40 percent recycled materials, reflecting a commitment to sustainability. The Carácter tiles present an understated stone effect, achieved through a blend of neutral-colored pebbles of varying shapes and sizes. Despite their luminous finish, these tiles are equipped with Marazzi's StepWise coating, providing an anti-slip surface. The collection is offered in six colors, all within the grey and beige spectrum, allowing for subtle yet sophisticated floor and wall treatments. The Crogiolo Rice collection is a series of handmade modular tiles characterized by a high-gloss finish and natural variations. These tiles draw inspiration from traditional majolica tiles, often adorned with plant patterns and featuring a dense glaze. Despite their intentionally irregular surfaces, the tiles possess straight edges, facilitating precise tessellated installations. Available in three sizes, Crogiolo Rice tiles can be arranged in complementary compositions or mixed to create unique designs. The color palette includes white and off-white hues, alongside three distinct designs that feature nature-inspired motifs in blue, offering a decorative element. Completing the showcase is the Crogiolo Lume range, also part of the broader Crogiolo tile collection. This range is similarly modeled after handmade majolica tiles from the Mediterranean region. These glazed tiles are primarily recommended for wall applications but can be used on floors in areas with low-level foot traffic, such as private residences. The Crogiolo Lume tiles are frostproof and resistant to abrasion, ensuring their longevity and versatility. They are available in a vibrant array of mottled colors, including green, blue, white, black, musk, and greige, providing extensive design possibilities for interior spaces. Additionally, Marazzi has updated its Grande Marble Look collection of porcelain slab tiles, engineered to mimic the luxurious appearance of Venetian terrazzo and marble. These tiles, like the other new collections, are suitable for both indoor and outdoor use and are skid-resistant. They exhibit striking vein and shade variations, offered in a wide range of colors such as deep green and jet black with dark brown veining, providing sophisticated options for large-format applications. Established in 1935, Marazzi is a prominent Italian ceramic tile manufacturer with a global presence in over 140 countries, offering a comprehensive selection of flooring and wall coverings for various settings, designed to emulate natural materials like wood, concrete, marble, and stone. #Marazzi #CeramicTiles #PorcelainTiles #DezeenShowroom #InteriorDesign #FloorCoverings #WallCoverings #HomeDecor #SustainableMaterials

Ayala Land has entered the tile business through a partnership with Nenking Group of Foshan, a city known for its long ceramic tradition. This collaboration has led to the establishment of Esta Galleria, a 745-square-meter showroom designed by architect Conrad Onglao, located in Glorietta 3. The showroom distinguishes itself by showcasing tile applications in various room settings, such as kitchens, bathrooms, living and dining areas, bedrooms, and outdoor spaces, rather than simply displaying stacks of tiles. The partnership originated in 2007 when Nenking Group collaborated with Ayala Land on a residential project in Foshan, China. Impressed by the quality of Nenking's tiles, Ayala Land decided to bring these products to the Philippines. The Esta Galleria venture involves significant figures from Ayala Land, including president and COO Fernando Zobel de Ayala and president and CEO Bobby Dy, indicating the strategic importance of this new business for the company. Rowena Tomeldan, Esta Galleria chairman and a key figure in Ayala Malls' expansion, highlights that these tiles will be integrated into future Ayala Land projects. Nenking Group, a Chinese conglomerate, has diverse interests in real estate, property management, financial services, international investments, and pharmaceuticals. Esta Galleria focuses on wholesale operations, targeting architects, designers, contractors, and developers rather than individual homeowners. The showroom serves as a space where these professionals can bring their clients to visualize and select tile options. Esta Galleria tiles are manufactured in Foshan, leveraging traditional tile-making expertise combined with modern technology. The products are exported to 120 countries, underscoring their global appeal and adherence to international standards. Architect Conrad Onglao's design for the showroom aims to demonstrate that tiles, often perceived as a budget-friendly option, can be a high-end material suitable for luxurious homes and buildings. He emphasizes the advanced characteristics of these tiles, noting their thinness, durability, and resistance to breakage. The showroom is conceived as a comprehensive resource, offering guidance on tile cutting and treatment, and supplying necessary materials like grout and cement. Esta Galleria tiles are recognized for their strength and refined finishes, produced in 10 large manufacturing plants utilizing advanced Italian and Spanish press machines and ink-jet printing technology. Gabby Katigbak, Esta Galleria general manager, states that the brand stands for quality, durability, and excellence, offering a continuously expanding selection from essential to unique and handmade designs. The product range includes porcelain, cement, and stone, with options featuring wood designs. Porcelain tiles are particularly highlighted for their durability, low water absorption, and resistance to acids and alkalis, which help maintain color integrity. The tiles are available in versatile colors like white, cream, black, gray, and brown, and are notable for their large sizes, including 1.2x2.4 meters. The premium BIG+ series, featuring Italian design elements and eight-channel ink-jet technology, recreates the natural texture of stone and intricate spatial patterns. The V-LIFE collection, including the Loft Line, utilizes high-standard porcelain antique technology to create soft, glossy surfaces with unique shapes and a slim 7.5mm thickness, making them lightweight and elegant. The production process involves powerful 16,800-ton pressing machines, significantly stronger than standard machines, and the tiles are sealed with Torrecid, a high-quality ink and glaze from Spain. The showroom, located on the third floor of Glorietta 3 in Makati City, also features works by wire sculptor and furniture designer Ann Pamintuan, enhancing the aesthetic experience. #AyalaLand #NenkingGroup #EstaGalleria #TileDesign #InteriorDesign #ArchitecturalMaterials #FoshanCeramics #ModernLiving

Italian ceramics company FMG has launched its Max Fine collection of large-scale tiles, designed for versatile application across floors, walls, and furnishings. These tiles, despite their substantial size, maintain a lightweight profile and a reduced thickness of six millimeters, facilitating their integration into diverse interior spaces. The design intent allows interior designers to utilize them on a wide array of surfaces, offering both aesthetic flexibility and practical application. The Max Fine tiles are crafted from porcelain, yet their surfaces are engineered to meticulously replicate the appearance of various natural materials, including different types of stone, marble, and metal. This hyper-realistic mimicry enables the creation of cohesive, mono-material interior designs when applied uniformly across both floors and walls. Alternatively, designers can strategically contrast different surface finishes within the collection to emphasize specific sections of a space, introducing visual interest and defining distinct areas within an environment. Beyond traditional floor and wall applications, the collection extends its utility to act as cladding for specific decor items. This includes furniture pieces such as dining tables, washbasins, and storage cabinets, allowing for a unified material aesthetic across multiple elements within a room. The tiles can also be used to highlight more substantial fixtures, such as shower cubicles and staircase balustrades, or to form textural panels in room dividers and partition walls, thereby expanding the creative possibilities for interior segmentation and detailing. FMG highlights the collection's ability to foster cohesion and uniformity while simultaneously allowing for selective emphasis through contrasting appearances. This versatility empowers architects and interior designers to explore innovative concepts and push creative boundaries, redefining conventional understandings of architectural and furnishing surfaces. The company emphasizes that the Max Fine collection breaks down the traditional barriers between materials used for structural architecture and those used for interior furnishing, offering a singular, adaptable material solution. Comprising 74 distinct colors and finishes, the Max Fine collection is organized into several sub-ranges. These include 'Marmi,' which emulates the veiny patterns of marble; 'Agata,' designed to mimic surfaces inlaid with chunky aggregate; and 'Iron,' which presents a slightly worn, metallic aesthetic. For those preferring more understated options, classic, plain-color choices are available within the 'Limestone' and 'Walk On' ranges, catering to a broad spectrum of design preferences. Durability is a key feature of the Max Fine tiles, as FMG has engineered each tile to be highly resistant to scratches, mold, staining, chemical exposure, and UV radiation, ensuring their longevity and performance in various environments. The imitation surfaces also contribute to their low-maintenance nature, making them easy to clean. FMG states that these large-format tiles introduce a distinctive look to ceramic surfaces, enhancing any domestic, commercial, or public space while promoting comfort and well-being. Established in 1998 by Romano Minozzi, FMG, or Fabbrica Marmi e Graniti, is headquartered in Modena, Italy, and has a global presence, providing flooring solutions for residential, hospitality, and civic projects worldwide. #TileDesign #InteriorDesign #MaterialInnovation #SurfaceFinishes #PorcelainTiles #HomeDecoration #ArchitecturalMaterials #ItalianDesign

Metaphor Interior Architecture, a Jakarta-based interior design consultancy, services clients globally. This firm, composed of creative individuals, aims to provide optimal design solutions, specifically focusing on The Zora Kanade cluster. Christine, a senior associate, spearheads the design for Kanade Type 12. She reveals that her prior work on the Samasana Club House at The Zora provided a foundational understanding of the developer's design aspirations for the Kanade Cluster, which she extended to its three show unit houses. Her approach to the design brief involved analyzing the high-end target market and varied price points of the three housing units to determine appropriate interior design concepts. This led to distinct designs for each show unit, all incorporating a Japanese sensibility tailored for a modern, affluent demographic. Christine explains that the Japanese philosophy is translated not through direct imitation, but through the principle of 'balancing,' akin to Zen philosophy. This balance is evident in the harmonious use of colors, materials, and room composition, which collectively contribute to the desired ambiance. Elaborating on design balance, Christine highlights that each room's decor aligns with its function. For instance, a spacious area between the living and dining rooms demonstrates their strategy for balancing different zones within a single space. They also collaborate with Henco Home Decor to supply custom-designed furniture. Regarding color palettes, earth tones like brown or gray form the base, augmented by accent colors such as burnt orange, teal, and combinations thereof. While orange might not be traditionally Japanese, teal and olive are chosen for their natural associations, reflecting leaf colors. These accent colors are strategically employed to infuse a modern and luxurious feel into the Japanese aesthetic. Acknowledging the Japanese preference for simplicity, Christine clarifies that the target market's demand for luxury necessitated a nuanced approach to color, resulting in a unique modern atmosphere. The three show units, contrary to having a common thread, are each designed with distinct interior concepts to cater to their specific target markets. For example, the Type 12 unit targets a mature clientele prioritizing luxury, while Type 8+ and Type 10 units are designed with younger families in mind, featuring more youthful aesthetics. To ensure each unit resonates with potential buyers, the design process incorporates diverse consumer style preferences. These customer needs are then translated into unique designs for each unit, varying in color and overall concept. Material selection prioritizes both aesthetics and ease of maintenance, with choices like solid surface, marble, or laminate ensuring durability and practicality. #InteriorDesign #JapaneseDesign #LuxuryHomes #MetaphorInteriorArchitecture #HomeDecoration #DesignPhilosophy #ColorPalette #MaterialSelection

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign

Jiun Ho, founder and president of a multidisciplinary firm specializing in residential and commercial design, furniture, lighting, and art, has released a new textile collection inspired by Japan. Ho, who has traveled to over a hundred countries, considers Japan his constant source of inspiration, stemming from his first visit as a boy from Malaysia. His latest collection draws from the natural elements and harmonious color palettes of Kyoto, the former capital of Japan and a hub of history and culture. Ho describes Kyoto as a city where old shops with aged-wood detailing line the streets, and geishas clad in hand-woven kimonos attend traditional tea ceremonies. He appreciates the subtlety, craftsmanship, and wabi-sabi aesthetic of the city. The color names in the new textile collection reflect various aspects of Kyoto, such as greens and golds inspired by Kinkakuji, a temple known for its gold leaf and cypress trees. Ho plans to return to Japan for personal rituals, including bike rides to explore Kyoto's temples like Kiyomizu-dera and its gardens, hoping to witness the cherry blossoms in bloom. Ho emphasizes that Japanese culture uniquely allows materials to speak for themselves, whether in textiles, cuisine, or ceramics. He details the designs within the Kyoto collection: **Ami:** This performance textile features a partially buried boucle, giving its ribbed surface a texture reminiscent of flowering trees. It comes in Washi, Rice Paper, and Enoki. Ho notes that most textiles in the collection are high-performance, utilizing the latest generation of polypropylene for a softer feel and enhanced resistance to abrasion and pilling, making them suitable for residential, commercial, and yacht use. **Hanakago:** Named after traditional Japanese flower baskets, this is Ho's first indoor-outdoor print, showcasing an organic graphic design with vibrant color pops. He explains that while Japanese culture is often seen as calm, it also has a vibrant side, which he sought to capture. For example, the Japanese Maple colorway features deep brown, pink, red, gold, and orange, mimicking the tree's hues. Indigo references the shibori dyeing technique with interwoven green for contrast, while Matcha reverses this with dominant green and light blue. Black Sesame, his personal favorite, pairs bright yellow against a deep charcoal background. **Lava:** This popular fabric, known for its linen-like feel and volcanic stone-inspired texture, is reintroduced with lighter neutrals: Rice Paper and Pearl. It is an indoor-outdoor polypropylene. **Raku:** Inspired by a 16th-century Japanese pottery style characterized by unique, organic, and slightly rough pieces, this high-performance fabric has a "crackled" texture with multiple shadings. Colorways include Shiitake (mushroom tones), Matcha (tea greens), and Mizu (deep blues). Kintsugi, named after the Japanese art of repairing broken ceramics with gold, features gold threads woven into darker yarns, symbolizing the celebration of imperfection. **Salar II:** Inspired by Ho's journey to the Salar de Uyuni salt flats in Bolivia, this re-released fabric comes in Salt, Platinum, and Onyx. The chenille fabric has a slight sheen and reflectivity, and its pattern directly translates photographs of the salt flats. **Tatami:** Named after classic Japanese floor mats, this textile has an irregularly ribbed surface and a dry hand, yet is surprisingly soft and exceptionally durable. It is ideal for seating and headboards due to its high performance and easy care, making it family-friendly. One colorway, Sureto, means "black" or "charred" in Japanese. **Umami:** Woven at a Belgian mill using a jacquard technique and seven distinct types of yarn, this linen-blend fabric has a tactile boucle slub texture. Its six colorways, including Sea Salt, Toro, Shiso, and Whiskey, evoke complex flavors. Ho envisions it for upholstery and drapery in traditional Western homes. **Yugen:** Lighter and more ethereal than Umami, Yugen is an indoor-outdoor performance fabric that defies the perception of performance fabrics being tough. Its chenille composition provides a soft hand. Colorways include neutrals like Washi, Taro, and Rock Garden, as well as saturated options like Wasabi (chartreuse green) and Mizu (blue). Yugen, an aesthetic concept describing subtle, mysterious grace, aptly rounds out the collection inspired by Kyoto's nuances. #JiunHo #TextileCollection #KyotoInspiration #JapaneseDesign #InteriorDesign #PerformanceFabrics #LuxuryTextiles #HomeDecor #ProductLaunch

The article introduces the work of Japanese designer Asao Tokolo, who effectively merges art and mathematics, bridging historical and contemporary influences, and Eastern and Western aesthetics. Tokolo's designs are characterized by patterns that interlock harmoniously without repeating, a concept initially demonstrated through magnetized tiles. These tiles, when rotated, consistently match at every edge, creating endless new configurations from a single set of elements. Tokolo's inspiration draws from the traditional Japanese arabesque patterns, known as karakusa, which originated in various Western and Middle Eastern regions approximately 1200 years ago. These patterns, typically representing flora, were historically used on clothing, bedding, and ceramics in Japan. While scholarly work often focuses on the fractal geometries and repetitive nature of these patterns, Tokolo's innovation lies in creating unique tile shapes that, despite their individuality, always connect seamlessly. This approach reflects a conceptual blend of Western individualism and Eastern collectivism. Following the development of the mathematical principles behind his unique patterns, Tokolo explored various applications. He collaborated with interior designers and architects, leading to the use of his designs in ceramic tiles and wall decorations. The patterns extended beyond decorative elements for homes, appearing in public spaces such as Tokyo trattorias, where they were frosted into glass partitions. Furthermore, Tokolo's designs were integrated into fashion and automotive industries, notably adorning Ooito jackets and Volkswagen Beetle seat fabrics, demonstrating their versatility and adaptability across diverse mediums. The article emphasizes the compelling nature of Tokolo's work, particularly highlighting the original magnetic tile piece as the most remarkable example of his design philosophy. The consistent fit yet non-repeating characteristic of these patterns is described as a form of mathematical magic. This aspect of his work underscores the designer's ability to create complex, engaging patterns that offer endless possibilities for arrangement while maintaining an inherent harmony. Tokolo's designs, therefore, are not merely aesthetic but also incorporate a deep mathematical and philosophical underpinning, challenging conventional notions of pattern and repetition. #AsaoTokolo #PatternDesign #JapaneseDesign #MathematicalArt #InteriorDesign #CeramicTiles #KarakusaPatterns #DesignInnovation #ModularDesign

This article highlights seven new products recently featured on Dezeen Showroom, encompassing a range of interior design elements from tiles and wallpaper to furniture, lighting, and textiles. The collection includes the Geo tile range by Italian brand Ceramiche Keope, characterized by six nature-inspired colors and delicate patterns that evoke raw earth. These versatile tiles are suitable for both indoor and outdoor applications, providing a silky and tactile surface underfoot. Another featured product is a series of wallpapers from the German brand Wallpaper from the 70s. These designs integrate authentic 1970s patterns with contemporary materials, offering options such as a minimalist geometric herringbone, a bold graphic hexagonal motif, and various colorful floral designs. These wallpapers aim to blend retro aesthetics with modern durability and application. The Sova Lounge chair, designed by French designer Patrick Norguet for the Bosnian furniture company Zanat, is also presented. This lounge chair features a curved foam backrest for enhanced comfort and a solid wood frame available in maple, walnut, or oak. The seat and backrest can be customized with a selection of fabric or leather upholstery, emphasizing both ergonomic design and material choice. Ambientec, a Japanese brand, introduces the Xtal lighting series, designed by Ryuichi Kozeki. These portable table lamps are crafted from hand-cut crystal glass, producing a refracted glow reminiscent of candlelight. Their water-resistant properties make them suitable for diverse environments, including outdoor settings and bathrooms. Ceramiche Keope expands its offerings with the Elements Lux tile collection, featuring two new marble-like veining colors: Calacatta Verde, with green veins of varying weights, and Calacatta Statuarietto, characterized by fine grey and gold veining. These tiles provide luxurious aesthetic options for surfaces. From Danish brand Ca'lyah, the Versus tapestries by designer Margrethe Odgaard are highlighted. This collection of bright wall hangings draws inspiration from the colors of Kathmandu, Nepal. The tapestries are meticulously handwoven by Himalayan craftspeople using the traditional Tibetan Knot technique, utilizing wool and silk fibers to create rich textures and vibrant designs. Finally, the Cloe rug collection by Italian brand Sit-in is featured. These rugs, available in circular and rectangular shapes, boast a soft, thick pile designed to complement various living spaces. The collection offers six color options, including peach, rope, stone, teal, terracotta, and vandyke, allowing for diverse interior coordination. #DezeenShowroom #InteriorDesign #Tiles #Wallpaper #Furniture #Lighting #Tapestries #Rugs #HomeDecor

Seoul, designated as World Design Capital 2010, is showcasing its commitment to design through various ambitious architectural projects and exhibitions. Among these, Tokujin Yoshioka's "Spectrum" show at the Museum Beyond Museum stands out. Yoshioka, a Japanese designer, views design as an experiential rather than a purely creative process, and his works often possess an ethereal quality. His installation for Kartell at Salone del Mobile and his "Tornado" creation for Design Miami in 2007 exemplify this unique approach. The current exhibition features a nine-meter-tall window composed of 500 crystal prisms, titled 'Rainbow Church,' which is a central and awe-inspiring piece. This project was inspired by Yoshioka's visit to Henri Matisse's Chepelle du Rosaire in his early twenties, where he was deeply affected by the vibrant light filtering through Matisse's stained glass. This experience sparked his long-held dream of designing architecture that allows individuals to perceive light with all their senses. The exhibition also highlights some of Yoshioka's significant works from the past decade. These include the innovative "Venus" chair, which was cultivated from crystals within an aquarium, and the "Honey-pop" chair, a honeycomb-like structure crafted from sheets of glassine paper. A previously unseen piece, "Waterfall," is also on display. This counter table is fashioned from a massive glass block, similar to those used in giant observatory telescopes, and was originally created for a private gallery in Tokyo in 2006. Its appearance evokes that of a colossal ice block. Yoshioka's work consistently aims to engage all senses, offering an immersive experience for viewers rather than a passive observation. The "Spectrum" show in Seoul continues this tradition, inviting visitors to deeply interact with his designs and the unique way he interprets and utilizes light and materials. The exhibition is hosted at the Museum Beyond Museum in Gangnam-gu Chungdam-dong, Seoul, South Korea. #TokujinYoshioka #SeoulDesign #MuseumBeyondMuseum #DesignExhibition #CrystalPrisms #RainbowChurch #VenusChair #WaterfallDesign #JapaneseDesign