manipulate glass with the 'touch-me' vase collection by matteo silverio + stefano bullo

The "Indefinite Vases" project by Stockholm-based multidisciplinary design practice Studio E.O explores the dynamic relationship between organic and geometric forms, and between transparent and opaque materials. This series utilizes handblown glass and meticulously cut stone to create a collection of unique vessels. The design process involves melting and cooling traditional vase forms directly onto sharp, angular stone bases, resulting in a distinct interaction where gravity plays a crucial role in defining the final shape. The project intentionally blurs the lines between sculpture and container, as well as between functional and decorative objects. The core concept revolves around the contrast between the fluid, malleable nature of the handblown glass and the rigid, defined structure of the stone platforms. This juxtaposition highlights the interplay between a delicate, fragile material and its solid, unyielding counterpart. The glass appears to "melt" onto the stone, adopting its contours and creating a seamless, yet visually contrasting, union. Each vase becomes a site-specific creation, molded by the precise interaction with its individual stone base. Studio E.O's approach emphasizes the inherent characteristics of each material. The handblown glass, with its inherent imperfections and fluidity, is allowed to naturally conform to the sharp edges of the cut stone. This process ensures that no two vases are exactly alike, each possessing a unique form dictated by the forces at play during its creation. The transparency of the glass further enhances this effect, allowing light to interact with the forms and reveal the subtle variations in thickness and texture. The angular stone bases provide a stable and strong foundation, contrasting with the soft, flowing lines of the glass. The selection of stone, likely chosen for its aesthetic and structural qualities, complements the ethereal quality of the glass. The project statement elaborates on this exploration, highlighting how "indefinite melting material interacts with definite angular forms and gravity determines the relationship in between." At the time of its release, a limited number of these "Indefinite Vases" were made available through Galerie kreo, a renowned gallery specializing in contemporary design. The project demonstrates Studio E.O's innovative use of traditional materials and techniques to produce pieces that challenge conventional notions of form and function. The collection serves as an example of how careful consideration of material properties and natural forces can lead to compelling and visually striking design outcomes. #glass #sculpture #vessels #StudioEO #handblownGlass #stoneArt #design #artisticVases #materialContrast

The "2x Glass Vases" collection, created by Assembly Design, features unique glass vases that give the impression of ice crystals forming both on their interior and exterior surfaces. This distinct aesthetic is achieved through the application of master glass-blowing techniques, ensuring that each vase in the collection is entirely one-of-a-kind. The creation process for these vases involves the careful integration of broken glass shards into a freeform glass bubble. This bubble is initially shaped through mouth-blowing, a traditional glass-making method. Following the initial blowing, the piece undergoes a meticulous process of repeated heating and hand-molding. This iterative shaping and heating allow the glass shards to become seamlessly embedded within the vase's structure, transforming them into integral sculptural elements. The purposeful incorporation of these glass fragments is what contributes to the vases' unique, crystal-like appearance, giving them a texture and visual depth that distinguishes them from conventional glasswork. The manual and repetitive nature of the shaping process ensures that while they share a common design principle, no two vases are exactly alike, each possessing its own subtle variations in form and shard integration. Once the sculptural body of the vase is complete, the final steps involve cutting and polishing the top edges. This finishing touch refines the vase's aesthetic, providing a smooth, clear opening that contrasts with the textured body, and making it suitable for practical use while maintaining its artistic integrity. The entire production sequence underscores a commitment to craftsmanship and artistic expression, resulting in decorative objects that are both functional and visually striking. #GlassVases #AssemblyDesign #GlassBlowing #SculpturalArt #HomeDecor #UniqueDesign #ArtisticGlassware #Craftsmanship #InteriorDesign

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

The Metropolitan Museum of Art in New York is currently hosting a significant exhibition dedicated to the glass works designed by Italian architect Carlo Scarpa for the art-glass manufacturer Venini. This exhibition, adapted from a 2012 show at Le Stanze del Vetro in Venice, showcases approximately 300 pieces and highlights Scarpa's innovative approach to glass design between 1932 and 1947. Scarpa, known for his preference for designing museums over skyscrapers, saw opportunities for creativity in the former, which allowed for adaptation and subordination to existing elements. This philosophy is evident in his glass innovations, where he boldly injected new ideas, forms, and processes into established traditions of glassmaking. His works are presented alongside the Met's collection of Qing porcelain, ancient Greek and Roman cast glass, and 19th-century Murano vessels, underscoring their timeless and daring quality. During his 15-year tenure as artistic consultant to Venini, Scarpa collaborated closely with the company's founder, Paolo Venini, and master glassblowers. This partnership resulted in the creation of over two dozen distinct styles and the pioneering of numerous techniques, silhouettes, and color palettes that effectively modernized the ancient art of glassblowing. His contributions ranged from the "bollicine" pieces, characterized by their bubble-studded appearance, to the rare, ceramic-like "murrine opache" works. The exhibition provides a comprehensive look at Scarpa's diverse output for Venini, including pieces from series such as the "Battuti," which features thick glass bowls with irregular finishes, and the "Macchie," incorporating central abstract decorations in blue and black glass. Other notable series include "Incisi," with its velato finish and etched decorations, and "Rigati e tessuti," showcasing intricate striped and woven patterns. The exhibition also features "A Cerchi, A Fasce, A Spirale" pieces with aquamarine decorations, multi-colored "murrine romane" vases, and perfume bottles from the "Iridati" series with hot-applied bugne and iridized surfaces. The "Sommersi" series, featuring ovoid glass vases with gold-leaf inclusions, further illustrates Scarpa's experimental spirit. The exhibition underscores Scarpa's profound impact on the design world, demonstrating his ability to reinterpret and revolutionize traditional craftsmanship while producing works that continue to resonate with contemporary aesthetics. His designs for Venini represent a pivotal moment in the history of glass art, bridging historical techniques with modernist sensibilities. #CarloScarpa #VenetianGlass #Venini #MetropolitanMuseumOfArt #GlasswareExhibition #ItalianDesign #ArtGlass #ModernistDesign #GlassblowingTechniques

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign

Studio E.O founder Erik Olovsson's 'Indefinite Vases' series, launched in 2016, showcases a narrative-driven approach to design, focusing on the interplay between contrasting materials. The project unites fluid, hand-blown glass with robust marble slabs, granite, and onyx, resulting in visually compelling and unique pieces. Olovsson, known for imbuing his projects with a story without adhering to a linear narrative, describes his work as having an unpredictable outcome, which he finds particularly appealing in this series. The creation of the 'Indefinite Vases' involved a collaborative process with local glass artisans in Stockholm, where Olovsson is based. These artisans crafted the spherical glass forms that are designed to interact with and perch upon the carefully selected stone bases. Olovsson deliberately chose five distinct types of marble, granite, and onyx, conspicuously avoiding the common white Carrera marble to introduce more variety and character into the collection. A central theme of the 'Indefinite Vases' is the contrast between the ancient origins of the stone and the freshly blown, malleable glass. This juxtaposition creates a calming visual effect that has resonated with viewers. Olovsson expresses a particular fascination with the geological history embedded within the stone materials, seeing them as timeless elements that beautifully complement the ephemeral quality of glass. The unpredictable nature of how the molten glass settles onto the stone is a key aspect of the design, ensuring that each vase is a one-of-a-kind creation. The enduring appeal and potential for variation suggest that 'Indefinite Vases' is an ongoing project for Studio E.O, with Olovsson envisioning a continuous exploration of these material interactions. The works are made available for purchase through Galerie Kreo, a testament to their artistic and design value. The series challenges traditional notions of a vase, proposing an "indefinite" form that is continually shaped by the unique process of its creation and the inherent characteristics of its components. The designer emphasizes that the journey of creation and the element of surprise in the final form are integral to the identity of the vases, making them more than mere functional objects but rather sculptural expressions of material dialogue. #StudioEO #IndefiniteVases #BlownGlass #MarbleDesign #StoneCraftsmanship #ErikOlovsson #MaterialContrast #InteriorAccessories #SwedishDesign #ArtisanCollaboration

The French-based design firm AD-3D, led by Bulgarian designer and artist Aleksandar Dimitrov, has introduced an innovative 3D-printed accessory called 'clip on glass.' This creation transforms an ordinary drinking glass, specifically the IKEA Pokal glass, into a functional vase for flowers. The design aims to add a secondary purpose to everyday items through a simple yet effective modification. The 'clip on glass' is engineered to be minimalistic while maintaining full functionality. Measuring 9 x 9 x 6 centimeters, the object is optimized for material efficiency, utilizing a minimal amount of polyamide. Polyamide was selected for its strength and flexibility, critical properties for the 'clip' mechanism. The material's fine surface texture allows for the necessary expansion and contraction during the clipping process, ensuring a secure fit without compromising the integrity of either the accessory or the glass. The design ethos behind 'clip on glass' centers on enhancing existing household items rather than replacing them, promoting a sustainable approach to home decor. By leveraging 3D printing technology, AD-3D offers a customizable and accessible solution for users to repurpose their drinking glasses. The ease of attaching the accessory means that users can effortlessly switch between the glass's original function and its new role as a vase, providing versatility in home styling. This project highlights the potential of additive manufacturing in creating practical and aesthetically pleasing objects for daily use. The ability to produce complex geometries with minimal material waste makes 3D printing an ideal method for such small-scale, high-utility designs. The product serves as an example of how thoughtful design can integrate new functions into common objects, extending their lifespan and utility. Aleksandar Dimitrov's work with AD-3D demonstrates a forward-thinking approach to product design, focusing on user-centric solutions and the innovative application of modern manufacturing techniques. The 'clip on glass' accessory is not only a decorative item but also a statement on adaptable design, encouraging creative uses of everyday objects and showcasing the transformative power of 3D printing in the realm of home accessories and functional art. #3DPrinting #HomeDecor #ProductDesign #IKEAHack #SustainableDesign #FunctionalArt #AleksandarDimitrov #AD3D #Polyamide

Brooklyn-based designer Lauren Manoogian, known for her slow fashion approach, has partnered with Paris-based maker Lætitia Jacquetton to create a distinctive series of vases. These unique vessels are crafted from glass blown directly around carefully selected rocks. The collaboration is currently featured in Manoogian's Manhattan showroom and is also available for viewing and purchase online. Manoogian's decision to showcase Jacquetton's work aligns with her broader intention to provide a platform for other artists and craftspeople whose work she admires and finds inspiring. This initiative, dubbed 'Object,' began organically through Manoogian's travels to Peru, where she discovered compelling ceramic traditions. She emphasizes the importance of fostering a sense of wonder and emotional connection to physical objects, especially in an increasingly digital world. Lætitia Jacquetton's artistic practice seamlessly blends traditional glass-blowing expertise with a profound respect for the natural environment. She acquired her glass-blowing skills in Murano, Italy, and Nancy, France. Each of her sculptural pieces is created by blowing glass around rocks that she personally forages from nature, taking care not to disrupt the surrounding ecosystem. This process imbues her works with a sense of both rarity and reverence, effectively capturing a moment in time within a solid, poetic form. When discussing the parallels between their artistic approaches, Manoogian notes the seemingly simple yet transformative use of materials in both their works. She highlights that both their creations are sculptural and feature well-defined proportions, yet possess a mutable quality that arises from an intuitive process. This makes the pieces approachable and capable of enhancing daily life. Manoogian further elaborates that both their works are deeply intimate, both in their final use and in their creation process, emphasizing a shared tactility and an experimental drive to discover the ideal tension point within materials, which ultimately shapes the final form. The deliberate connection to nature embedded within Jacquetton's vessels is a central element that captivates the imagination. Manoogian expresses her appreciation for the artist's intention and the inherent uncontrollable elements within the creation process. She acknowledges the element of risk involved in making each piece, as Jacquetton works quickly, harnessing gravity and fire. The resulting forms are highly gestural, encapsulating the precise moment when all elements converge. This dynamic process is what imbues each vase with its unique aliveness and individuality, making every piece a singular creation. #Glassware #ArtCollaboration #HomeDecor #SustainableDesign #Craftsmanship #LaurenManoogian #LaetitiaJacquetton #InteriorDesign #NaturalMaterials

The 'From the Ashes' project by Studio Peipei, led by German designer Benedikt Peirotén, investigates the use of renewable raw materials as alternatives to traditional glass components like soda (sodium carbonate) and limestone (calcium carbonate). These conventional ingredients are becoming increasingly problematic due to their energy-intensive production and the environmental impact of their extraction. Peirotén highlights that the availability of these essential ingredients is dramatically changing due to climate change and human production methods, prompting a search for more sustainable manufacturing processes for glass. The project proposes integrating waste streams into glass production. Specifically, Peirotén explores using wood ash from pizzerias and seashells from seafood restaurants, both of which are typically discarded. Wood ash can yield Potassium Carbonate, which, similar to Sodium Carbonate in conventional glassmaking, acts as a flux. A flux lowers the high melting point of the primary glass-forming constituents, such as silica and alumina, and helps prevent crystallization. Experiments with this material have also revealed that it imparts intense color tones, giving the glass a distinctive character. Ground seashells are utilized to provide the necessary hardness to the glass, serving as a substitute for calcium carbonate. Calcium carbonate is traditionally mined from limestone through energy-intensive processes, making the use of seashell waste a more environmentally friendly alternative. The only component that still needs to be sourced externally is sand. Once created, this sustainable glass can enter an infinite recycling loop, generating no by-products or waste. It can be repeatedly re-melted or ground back into sand, allowing it to be returned to nature if its ingredients are harmless. Discussions surrounding the environmental impact of glass are gaining momentum. Previous projects, such as one by Snohetta and Studio Plastique, have drawn attention to the scarcity of sand, another critical component in glass production. While Studio Peipei's project does not address sand scarcity, it offers innovative solutions for replacing other energy-intensive components. Peirotén's approach demonstrates the potential of underutilized waste streams to create a more sustainable glass, showcased through a collection of vases. The principles and materials explored in this project have broad applications beyond these specific objects, suggesting a path toward more environmentally responsible glass manufacturing. #SustainableGlass #SeashellRecycling #WoodAsh #InnovativeMaterials #EcoFriendlyDesign #ProductDesign #MaterialInnovation #CircularEconomy #HomeDecor

The blog post, "Vibrant Vessels: Editor Favorites for Every Flower Preference," curated by Architectural Digest, presents a selection of unique and aesthetically pleasing vases designed to enhance any floral arrangement or stand alone as decorative pieces. The article emphasizes that the right vessel can be as impactful as the flowers it holds, showcasing a range of styles from hand-blown elegance to playfully eccentric designs. Each featured vase is highlighted for its distinct characteristics, offering diverse options for various home aesthetics and personal tastes. The collection includes the Murano Spring Olla Glass Vase from Abask, priced at $860, which exemplifies hand-blown craftsmanship. Another notable piece is the Konstantin Cache Pot by Carolina Irving & Daughters, available for $176, offering a more rustic or classical appeal. For those seeking a contemporary look, the Speckled Vase from Cabana, at $210, features a distinctive yellow splattered glaze, adding an artistic touch to any space. The article also showcases the Worley Vessel - Rising Dawn from The Future Perfect, which merges Murano glass artistry with a whimsical, "Candyland" aesthetic, creating a polished yet playful decor item. A significant discount is noted for the Soho House Carlotta Murano Vase from Soho Home, originally $1295 and now $645, making a luxurious item more accessible. The Ferm Living Verso Table Vase, available at Lulu and Georgia for $144, presents a versatile option with its unique form and texture. Further selections include the Wheaton Decorative Vase, also from Lulu and Georgia, priced at $414, which offers a more traditional yet sophisticated design. The Louise Roe Sophia Roe Glass Vase from Net-a-Porter, at $805, is presented as another elegant glass option. For minimalist and sculptural preferences, the Accordion Vase from Mociun, costing $135, stands out with its distinctive pleated design. More affordable options are also featured, such as the Hibiscus Bud Vase from Nordstrom for $74 and the Fairfax Vase from Serena & Lily, discounted to $50 from $78. The collection is rounded out with the Three Handled Jug from 1690, priced at $522, and the Delft Vase II from Memor, at $375, both offering classic and artistic styles. Lastly, the Bollenglass Hand-Blown Narrow Glass Vase from Abask, available for $134, is specifically recommended for displaying a single, dramatic flower. This vase, with its three-dimensional motifs and textured swirl, exemplifies the detailed craftsmanship highlighted throughout the article. The overall aim of the article is to guide readers in selecting vessels that not only serve their functional purpose but also significantly contribute to the aesthetic appeal of their living spaces, regardless of floral choice. #VibrantVessels #HomeDecor #VaseCollection #FloralArrangement #InteriorDesign #DecorativeObjects #HandBlownGlass #CeramicVases #LuxuryDecor

Glassware, traditionally considered a practical and often overlooked category in home decor, is undergoing a significant transformation, moving beyond its functional role on dining tables to become a prominent decorative element throughout the home. This shift is driven by a new wave of designers and brands, including homeware brands like LaDoubleJ, as well as fashion and jewellery brands such as Jil Sander and Sophie Bille Brahe, which are introducing creative and aesthetically driven glassware. These brands are infusing the category with unique designs, vibrant colours, and sophisticated details, elevating glassware from a mundane item to a stylish accent. Historically, everyday glassware like cups, wine glasses, and carafes did not prioritize cutting-edge design. However, contemporary designers are now pushing boundaries, creating pieces that serve as versatile decorative items. Emily Wong, Senior Vice-President of Merchandising at Lane Crawford, emphasizes that decorative glassware's appeal lies in its ability to reflect light, its versatility, and its capacity to instantly add a modern and elegant vibe to any interior. She notes that it's an easy way to introduce pops of colour, diverse textures, and finishes, fostering a sophisticated yet approachable atmosphere. Furthermore, there's a growing emphasis on personalizing spaces with unique, artisanal pieces. The allure of modern glassware is also rooted in the intricate techniques and high level of skill required for its creation, akin to luxury handbags. Handblown Murano glass, for instance, exemplifies this craftsmanship. Originating from an island near Venice, Murano glass has a rich, centuries-old history, with expert techniques passed down through generations. These traditional methods are now evolving to incorporate new styles and trends, attracting a new generation of collectors and enthusiasts. Martina Mondadori, founder of Cabana, highlights the constant desire among Murano glassblowers to innovate while respecting traditional craftsmanship. Technical advancements have further fueled new trends in glassware, particularly concerning colours, finishes, and textures. Vibrantly coloured glassware has become a staple in tablescapes, allowing homeowners to express their personality. Examples include Saint-Louis’ Les Endiablés collection, known for its bold bi-coloured crystal and significant waitlist, and Cabana’s balloton glasses, which feature mesmerizing hues ranging from vivid jewel tones to soft pastels. This evolution indicates a broader trend where functional home items are increasingly becoming integral components of interior design, reflecting personal style and aesthetic sensibilities. #GlasswareDesign #HomeDecorTrends #DecorativeAccents #MuranoGlass #ArtisanalCraftsmanship #InteriorDesign #LuxuryHomeware #TablewareInnovation #ColorfulGlassware

This article highlights an iridescent glass vase from Oliver Bonas as a noteworthy decorative item. The vase is presented as a versatile home accessory, suitable for displaying flowers or serving as a standalone decorative piece. It is available in two sizes and features a rounded shape, crafted from mouth-blown blue glass. A distinctive aspect of the vase's design is its iridescent finish, which transitions from an ocean-toned, textured crackle effect at the bottom to a petrol-effect rainbow finish towards the top. This combination of textures and colors is noted for its visual appeal. The article emphasizes the positive reception of the vase, citing five-star ratings and customer reviews that commend its appearance and quality. One customer's feedback describes the vase as a 'really lovely surprise,' exceeding expectations with its colors and overall impression. Another review highlights its suitability as a wedding present, praising its beautiful colors and effectiveness as a decorative item even without floral arrangements. The product's popularity is attributed to its aesthetic qualities, which are described as stunning and stylish, despite iridescent finishes not always being perceived as such. The vase is presented within the broader context of home decoration, where vases are considered essential for either holding blooms or enhancing interior aesthetics. The author suggests that one can never possess too many vases, implying their utility and decorative value. Pricing information is provided, with the small size retailing for £32 and the large size for £36. The article also includes a brief section titled 'The lust list: Iridescent vases,' which further contextualizes the trend of iridescent homeware, although no other specific products are detailed within this list. Published in September 2018 by Olivia Heath, the daily editor at House Beautiful, the article aligns with the publication's focus on home decor and interior styling. Heath's editorial background, which includes covering design trends, decorating tips, and homeware, reinforces the article's authority within the domain of home aesthetics. The piece functions as a product feature, aiming to draw readers' attention to a specific item from Oliver Bonas that has garnered positive attention and fits current decorative trends. #OliverBonas #IridescentVase #HomeDecor #GlassVase #DecorativeAccessory #InteriorStyling #Homeware #ProductReview

Glassblowing, an ancient craft involving the inflation of molten glass through a blowpipe to create artistic and functional objects, is gaining recognition in Singapore. This art form allows individuals to transform liquid hot glass into various creations, including vases, ornaments, sculptures, and elegant glassware. While pottery classes are widely popular, glass art workshops remain a unique and underserved niche in the local creative scene. This article highlights several glassblowing and glass art workshops available in Singapore, encouraging participation and support for this craft. One prominent workshop is Tombalek, which offers a range of hands-on activities in an open-air setting, including woodworking, metalworking, and glassblowing. Tombalek is equipped with modern tools, well-organized workstations, and Singapore’s sole glass-melting furnace. Their class offerings accommodate all skill levels, from 'Beginning Glassblowing' for novices to more advanced sessions like 'Glassblowing with Colours.' The 'Beginning Glassblowing' class, priced at $260 (originally $380), is a 3-hour guided session covering fundamental techniques such as gathering, marvering, blowing, and transfers, allowing up to four students per class. Participants can collect their finished glasses at the session's end if successful. Other offerings include a 90-minute 'Clear Glassblowing Experience' for $128, focusing on making a cup or vase, and a 'Glass Ornaments Making Class' for $180. For those seeking a more intimate experience, the 'Colourful Glassblowing' class for two students, priced at $360, focuses on creating two coloured glassware pieces. Tombalek also offers glass furnace rental for those who have completed their introductory class, at $120. Art Glass Solutions, also known as Refind Studios, is another significant contributor to Singapore's glass art scene, having created impressive glass sculptures for various tourist attractions. Founded by Sydney-born, Singapore-based artist Barbara Jane Cowie, this studio specializes in hot glass blowing and offers workshops at her Katong studio. The studio provides two main hot glassblowing workshops: 'Introduction to Glassblowing' ($380 to $450 per pax) and 'Advanced Glassblowing' ($700 to $800 per pax), both kept small for personalized attention and safety. Additionally, Art Glass Solutions offers experiential classes such as 'Glassmaking Taster,' 'Kiln Forming,' and 'Bead Making,' which can accommodate larger groups, making them suitable for corporate or social gatherings. Goodman Glass Studio focuses on fused glass art and serves as Singapore’s exclusive dealer for Bullseye Glass supplies. The studio is well-equipped with specialized glass-cutting tools, including a Beetle Bits Cutter, German-made glass-cutting equipment, and three glass kilns. They also offer a variety of German-made slumping molds and customization services. Goodman Glass Studio categorizes its classes into beginner, intermediate, and advanced levels. Basic classes include 'Explore Mosaic Glass Art' for $68 per plate and 'Basic Glass Cutting' for $80. Intermediate skill development classes, such as 'Kiln Carving on Plate' and 'Painting with Frits,' are priced at $160 each. For advanced practitioners, 'Refining Glass Jewellery using Machinery' costs $380, and a comprehensive 'Glass Instructor & Artist Course' is available for $3,500, offering a customized program to hone glasswork skills. Goodman Glass Studio ensures that participants receive instruction from experienced professionals, catering to both newcomers and aspiring artists. Art Glass Centre, led by glass and sand artist Tan Sock Fong, provides a holistic studio, workshop, and gallery space. The center, although its Emily Hill location is permanently closed, continues to offer various classes. Workshops include 'Glass Texturing' ($400 for three 3-hour sessions), 'Beads Making' ($300 for two 3-hour sessions), 'Pendant Making' ($250 for two 3-hour sessions), and 'Art Glass Plate' ($300 for two 3-hour sessions). Participants are advised to contact Tan Sock Fong directly for current details. The Glass Academy by Synergraphic Design, an educational arm of a family-run glass art and design company, aims to promote glass art in Singapore. Led by Tan Sock Fong, the academy offers classes in glass fusing, kilnforming, and art glass creation. Their 'Glass Jewellery Class' is a multi-session program priced at $2,500, covering basic, intermediate, and advanced techniques. Taster workshops for fused glass jewelry and coasters are available for $55 and $85, respectively, while a 'Glass Kilnforming Basic Workshop' costs $165, and a 'Stained Glass Basic Workshop' is $455. Genesis Stained Glass, supported by the National Arts Council, offers a range of classes, including 'Art of Stained Glass' (beginner, intermediate, advanced), 'Art of Glass Mosaic,' 'Art of Molten/Fused Glass' (fusing & slumping, fritography, fused jewelry), with prices available upon contact. For those interested in alternative glass art forms, glass painting workshops are also widely available. Sage Artelier offers engaging glass painting workshops for $60, where participants can create personalized glass art masterpieces within two hours. @21 Singapore hosts glass decorating workshops from $10, allowing customization of wine glasses with charms. The Cozy Cabin provides a 1.5-hour 'Glass Decal Workshop' from $40, where individuals can personalize glass cups, which then undergo a firing process. Finally, the Visual Arts Centre offers glass painting workshops at $35 nett per person, guided by skilled instructors, covering fundamentals of acrylic painting and layering techniques. These workshops collectively aim to make glass art accessible and foster creativity among Singapore residents. #Glassblowing #GlassArt #Workshops #Singapore #Craftsmanship #CreativeActivities #ArtClasses #GlassPainting #FusedGlass