Muebloc Introduces a Variety of Wood Finishes to the World of LEGO Furniture

Roc H Biel, a designer and Royal College of Art alumnus, has created a sculptural furniture collection named "Dust Order," which redefines sustainability by utilizing wood dust, typically considered a waste product. The collection transforms this fine offcut material into monumental forms, drawing inspiration from classical columns and challenging traditional perceptions of weight and material. The design aims to evoke a sense of ancient history while maintaining a modern and otherworldly aesthetic. The "Dust Order" series comprises two primary objects: a sculptural chair and a modular desk system. Both pieces showcase the unique, granular texture of compacted wood dust, reminiscent of raw stone or sand casting, yet they possess a surprising lightness. Biel's approach reinterprets classical motifs through a contemporary lens, creating pieces that feel both familiar and futuristic, aiming to generate a moment of wonder where material, memory, and perception converge. The sculptural chair in the collection is constructed entirely from compacted beech wood dust. Its design features negative space that creates a visual rhythm, and its geometric profiles transition from octagon to circle to square, giving a modern edge to the classical column silhouette. The chair's surface texture belies its unexpected lightness, making it a conversation piece that challenges expectations of its composition. The modular desk system offers versatility and functionality. It consists of three 3D-printed components made from a bonded mixture of magnesium and beech wood dust. These components are designed to represent the classic elements of columns—shaft, capital, and entablature—but are reimagined for contemporary use. The modular nature allows for various configurations, transforming the desk into a stool, a bench, a bench with a side table, or a dining table. This adaptability is paired with a grainy texture that evokes compacted earth or pressed sediment, connecting its modern function with ancient materials. Biel's work in "Dust Order" highlights intentional contrasts: between weight and weightlessness, waste and refinement, and earth and atmosphere. The project serves as an example of how unconventional materials can be elevated into sophisticated design, proving that surrealism can manifest in powerful physical forms beyond digital realms. The designer's innovative use of wood dust not only promotes sustainability but also challenges the aesthetic and tactile expectations of furniture, transforming discarded material into objects of artistic and functional value. #FurnitureDesign #SustainableDesign #WoodDust #SculpturalFurniture #ModularFurniture #ClassicalModernFusion #MaterialInnovation #RocHBiel

Wood has long been a fundamental material in furniture design, valued for its durability, availability, and versatility. It allows for diverse forms, from linear to sculptural, and offers a wide range of colors depending on the timber species, such as cherry, oak, or walnut. This enduring appeal of wood is being revitalized by a new wave of designers, particularly those based in Los Angeles, who are approaching this traditional material with fresh and innovative perspectives. These creatives are experimenting with shape, color, and overall style, pushing the boundaries of what can be achieved with timber. The article highlights several designers and their unique contributions to this resurgence of wood furniture. One featured piece is the 'Sweater Chair' by Sam Klemick, who brings a background in fashion design to furniture. This chair features a surreal element: a carved wooden sweater draped over its back, meticulously crafted to mimic the delicate hang of fabric. This piece functions as both a statement and a conversation starter, showcasing an unexpected blend of materials and aesthetics. Nik Gelormino's 'Shell Stool' is another example, known for preserving the natural texture and hue of the original timber while completely re-imagining its form into a swirling, sculptural design. Gelormino's work is recognized in both private residences and prominent online shops, reflecting a blend of organic inspiration and refined craftsmanship. The Los Angeles-based studio Base 10, founded by Lindsey Muscato and Joshua Friedman, presents the 'Bowtie Chair.' Influenced by Japanese woodworking techniques and the inherent qualities of the wood itself, this chair highlights the beauty of elm wood, subtly enhanced by small bowtie inlays along its legs, which also give the piece its name. Adi Goodrich, who grew up in her father’s woodshop, explores the interplay of color and wood in her 'Sketti-S Side Table.' Her collection of tables, chairs, and stools demonstrates how vibrant colors can accentuate the natural beauty of wood, with blue, for instance, providing a striking contrast against natural cherry wood. Tristan Louis Marsh’s 'Elephantine Chair' represents a different approach, where the designer opts to smooth over the raw qualities of wood. This chair is created using a technique that coats the frame in resin, resulting in a smooth, almost otherworldly effect that transforms the perception of the material. Finally, Shin Okuda’s studio, Waka Waka, focuses exclusively on wood furniture, producing designs that are both functional and aesthetically pleasing. The 'Leaning Cylinder Chair,' with its distinctive barrel-backed silhouette, is one of Okuda’s more recognizable pieces, available in various colors such as indigo, green, and red. These designers collectively illustrate how an age-old material can be given a contemporary and often surreal twist, making wood furniture cool again through innovative techniques and artistic vision. #WoodFurniture #FurnitureDesign #LosAngelesDesigners #ContemporaryWoodworking #InteriorDesignTrends #SustainableMaterials #ArtisanFurniture #DesignInnovation

Belgian designer Casimir marks three decades in the design industry with a new collection of six wooden objects, with another six pieces slated for future release. These initial six items include two consoles, a cabinet rack, a mirror, a side table, and a low table, all crafted from solid oak and walnut, chosen for their ecological qualities. Each piece is a limited edition, signed, and numbered, reflecting Casimir's hands-on approach as a self-described furniture artist who designs and produces his work in his own studio. The designer emphasizes concept over styling or trends, aiming to rethink and question classical furniture through his oeuvre. He values the authenticity and sustainable nature of wood as a material. One notable piece, Cross4, is a customizable console designed to lean against a wall. It incorporates the symbol of a cross, which Casimir explains is a loaded symbol in Flemish culture, traditionally placed above doors to signify welcome and protection. This console is thus intended as a gesture of hospitality at an entrance. CabinetRack2, measuring 120 centimeters wide and 180 centimeters high, showcases an innovative approach to furniture construction. Casimir created a standard cabinet without doors, then sawed it into two equal parts. These parts were subsequently shifted at an angle and glued together, resulting in a rack that can also function as a room divider, demonstrating an "exercise in what you can do with a standard cabinet." Mirror3, another piece in the collection, intentionally restricts the user's view, contrasting with traditional mirrors that offer a full reflection. Casimir drew inspiration from architectural sun blinds, which are horizontal slats used to block sunlight. He reinterpreted this concept by orienting them vertically to limit the reflection to a single viewpoint within a space. The side table, Arch, is unique in the collection for being crafted from walnut wood rather than oak. Its oval-shaped tabletop is cut from a larger rectangular piece of wood, with the remaining material utilized to form the legs. These legs consist of two trusses that cross beneath the oval top, creating a small vault. Plank5, a low table standing 35 centimeters off the ground, features five oak wood planks stacked in a manner reminiscent of a fireplace or campfire, with the plank ends extending at various angles. The final piece of this initial release is Console3, a double-shelved unit supported by three rotatable tripods. Casimir's upcoming six designs to complete the 12-piece collection include three ladders and a cabinet, alongside an exploration of furniture legs, all continuing his work with wood. The designer's ambition for the entire collection is for the pieces to endure for over a century, aligning with the tradition of classical furniture making. He notes the importance of experimentation and intuition in his creative process, where the idea, material, form, and function are deeply interconnected. #FurnitureDesign #WoodenFurniture #OakFurniture #WalnutFurniture #SustainableMaterials #BelgianDesign #ArtFurniture #LimitedEdition

The article discusses a re-emerging interior design trend for 2025: wood-paneled walls, specifically highlighting its modern interpretation in the Oaks Project game room by Studio McGee. While acknowledging that some 1970s design elements are best left in the past, the author emphasizes that this particular trend, when executed thoughtfully, can bring an organic and enduring beauty to a home. The piece suggests moving beyond traditional applications of wood paneling to embrace a more refined approach that complements contemporary aesthetics. Studio McGee, known for balancing traditional and trend-forward designs, implemented this concept in The Oaks Project. Instead of the potentially overbearing or outdated appearances often associated with historical wood paneling, their design features oak wood-lined walls in a game room. This application is presented as an ideal choice for creating an inviting atmosphere for family and friends during game nights. The material choice of oak contributes to a naturally beautiful wall treatment that is intended to age gracefully with the home, rather than becoming quickly obsolete like many fleeting trends. The article encourages readers to consider wood-clad walls as an alternative to more common wall finishes such as paint, wallpaper, or plaster. It advocates for the inherent warmth and organic texture that wood can introduce into an interior space. By showcasing the successful implementation in The Oaks Project, the author aims to inspire homeowners to explore this trend and integrate it into their own living environments. The provided imagery serves as a visual guide, demonstrating how this modern take on wood paneling can elevate a room's design and offer a unique, sophisticated aesthetic. #InteriorDesign #HomeDecor #WoodPaneling #DesignTrends #GameRoom #StudioMcGee #TheOaksProject #OrganicMaterials #ModernDesign

The article highlights Forbo's Furniture Linoleum, a surfacing material showcased in a video produced by Dezeen. This product distinguishes itself through its composition primarily of natural materials, including linseed oil, wood flour, and limestone. A key aspect emphasized by Alexander Wenzel, Forbo's head of key account management, is the material's strong focus on sustainability. Wenzel notes that Furniture Linoleum is "climate positive, without any offsetting" and produced using "one hundred per cent green electricity." The material's environmental impact is assessed using a "cradle to gate" approach, covering its lifecycle from raw material extraction to its departure from the factory. Beyond its eco-friendly credentials, Furniture Linoleum possesses practical benefits such as antibacterial and antistatic properties. These characteristics make it a suitable choice for environments requiring high hygiene standards, such as kindergarten schools and hospitals, as dust does not adhere to its surface and it inhibits bacterial growth. The material also offers a distinctive aesthetic and tactile experience. Wenzel describes its matte finish and a feel akin to wood and leather, which contributes to a warm and inviting atmosphere in furniture applications. This characteristic was further elaborated by Lotte Hyldahl, founder of the Danish design company &Shufl;, who noted the material's soft touch, inviting interaction. Furniture Linoleum is a versatile material, applicable to a wide range of furniture items including desks, stools, kitchens, cabinets, and doors. The product is available in a palette of 24 contemporary colors, which Hyldahl described as soft, classical, and timeless, designed to remain fashionable for years. Forbo is set to unveil its latest color collection at Galleria Rossana Orlandi during Milan Design Week, scheduled from April 7 to 13. The material's combination of natural composition, environmental benefits, hygienic properties, and appealing aesthetics positions it as a noteworthy option in the surfacing material market for furniture design. #Forbo #FurnitureLinoleum #NaturalMaterials #SustainableDesign #Biomaterials #InteriorFinishes #FurnitureDesign #MilanDesignWeek

The AESTUS series of stratified wooden vases represents a fusion of traditional materials and contemporary technology, drawing inspiration from the dynamic interplay between nature and machinery. These vases, designed by architect and wood researcher Oliver David Krieg, are characterized by their soft natural curves and a futuristic, warm aesthetic, achieved through the precise alignment, combination, and gentle sculpting of hundreds of layers of beech wood. Each vase incorporates a stainless-steel internal cavity, which serves both as a water-resistant repository and a stable base. Oliver David Krieg's design process for AESTUS intentionally blurs the lines between handcrafted artistry and automated manufacturing. The vases are carved by an industrial robot, capturing the fluidity of the machine's movements within the intricate texture of the wood. This approach yields unique, custom-made pieces, fabricated in Germany from premium beech wood, intended to highlight the emerging aesthetic possibilities within modern wood design. The project aims to celebrate the innovative application of technology to natural materials. While not explicitly following trends, the AESTUS collection aligns with a broader movement in design influenced by digital design and fabrication processes. This trend allows for the creation of complex, three-dimensional shapes that were previously unattainable. AESTUS distinguishes itself through its dialogue between natural materials and advanced technology, prompting reflection on contemporary technological advancements and natural forms. The development phase presented challenges in balancing natural, physical, and digital elements, particularly in integrating the robot's movements as a primary design tool. Parametric software and digital simulation tools were developed to explore design possibilities and seamlessly incorporate robotic fabrication, complemented by the production of prototypes to understand robotic constraints and ensure consistent quality. The future direction for AESTUS involves increasing exposure for Krieg's studio and attracting clients interested in either the specific product line or the underlying manufacturing process, which has potential applications across various surfaces and materials. Current efforts include developing new versions of AESTUS with alternative materials. From the perspective of interior design, wood, as one of humanity's oldest and most natural materials, continues to hold allure for designers and architects. Despite a past perception of being outdated, wood has recently seen a resurgence in interest due to its sustainability, adaptability, and inherent tactile and visual depth. This renewed appreciation for natural materials coincides with the emergence of innovative digital technologies that empower designers to engage directly with novel fabrication methods. Consequently, the interior design and interior products sectors are increasingly prioritizing sustainability and responsible manufacturing. This shift does not necessarily signal the emergence of specific new styles but rather a renewed focus on modern and classic design solutions that incorporate wood. #HomeDecor #ArtDesign #InnovationDesign #WoodenVases #DigitalFabrication #RoboticsInDesign #SustainableMaterials #InteriorDesign #BeechWood

The article discusses the resurgence of wood-clad interiors in contemporary home design, highlighting how designers are re-embracing this traditional material to create cozy and nature-connected spaces. Despite a past association with outdated 1970s aesthetics, wood paneling, millwork, and veneer are being widely adopted in various forms, from cedar-paneled dining rooms to soaring mahogany-veneered living spaces and intricate Arts and Crafts-style libraries. The inherent properties of wood, such as its insulating qualities and decorative potential, are noted as historical reasons for its widespread use across diverse cultures and architectural periods, including traditional Japanese and Chinese homes, Gothic interiors, Victorian wainscoting, and modernist Case Study houses by architects like Charlotte Perriand and Ray Kappe. Designers today are innovating with wood-clad interiors. AD100 designer Jamie Bush, for instance, counters the perception of wood as dark or dreary by explaining that a darker interior can draw the eye towards exterior windows, a technique favored by craftsman architects. Bush's projects demonstrate the versatility of wood, from using cedar planks to create intimacy in vast Santa Monica Canyon living spaces to applying wide-plank oak flooring to both floors and walls in a Montecito bedroom, creating a "bento box" effect. The article showcases how wood is being incorporated into unexpected contexts, moving beyond traditional applications. For example, Aurora James’s Los Angeles home, an English cottage-style house, features a wood-clad wall, adding depth and character. Designers Aaron Aujla and Ben Bloomstein of Green River Project are recognized for their wood-forward interiors, seen in Aujla's own New York City rental with African mahogany and coffee-stained Douglas fir, and in commercial spaces for fashion brands and hospitality venues. This rustic aesthetic appeals to a younger, fashion-forward demographic, as exemplified by former NFL player Romeo Okwara’s wood-clad landing in his Detroit home. The trend also extends to more refined applications. Designer Athena Calderone discovered original varnished-white oak paneling in a 1902 Tribeca apartment, which led her to explore Art Deco-inspired wood interiors, such as those by Hugo Toro who used polished walnut, sweet gum, and ziricote in his Paris apartment. Calderone's experience highlights the initial hesitation some may have towards wood-clad spaces, but also the eventual appreciation as the design is experienced over time. The article delves into the technical aspects of working with wood, differentiating between solid wood for paneling and thin-cut wood veneer for curved surfaces or non-flat applications. Solid wood offers a hand-hewn, more expensive look, while veneer provides stability, radius curve capability, and diverse finish and grain options, often preferred in more urban settings. Designers like Oliver Furth blend solid walnut and veneer on various surfaces, including kitchen cabinetry, walls, ceilings, and bathrooms, to achieve a modern and authentic connection to the natural environment, especially when the material is locally sourced. AD100 firm Commune emphasizes the enduring relevance of wood-clad interiors, noting its use in projects like a Santa Cruz beach house lined with salvaged Monterey Cypress and an off-the-grid cabin using knotty cedar and white oak. The firm's cofounder, Roman Alonso, attributes the current surge in client demand for wood to a desire for warmth and coziness, a reaction against the prevalent all-white and beige luxury aesthetics. He also points out the natural fit of wood in coastal California projects, where it ages gracefully and blends seamlessly with the environment. The diverse examples and expert insights presented underscore wood’s versatility and timeless appeal in interior design, solidifying its significant moment in contemporary aesthetics. #WoodInteriors #HomeDesignTrends #InteriorDesign #ArchitecturalWoodwork #LuxuryInteriors #DesignRevival #ContemporaryDesign #MaterialTrends #ArchitecturalDigest

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

The provided content offers a comprehensive overview of various wood treatment products designed for both interior and exterior applications. It highlights how these treatments can be utilized for furniture upcycling, garden protection, and general home refreshment. The selection includes essential categories such as wood preservatives, shed and fence paint, decking paint, varnishes, and wood stains. For interior projects, the article details options like undercoat and primer paints, furniture paint, cupboard paint, and specific interior wood paints. These products cater to diverse needs, from preparing surfaces for a new finish to adding a decorative touch or enhancing durability. The range of interior wood treatments ensures that homeowners can find suitable solutions for different types of wooden furniture and fixtures within their living spaces. Conversely, exterior wood treatments are showcased to protect and beautify outdoor wooden structures. Products like wood preservatives and shed and fence paint are crucial for safeguarding against environmental elements, extending the lifespan of garden sheds, fences, and other outdoor timber. Decking paint and garden furniture paint and stain provide specialized solutions for maintaining and revitalizing wooden decks and outdoor furniture, offering both protection and aesthetic appeal. The article also mentions specialized products such as wood dye, which allows for altering the color of wood while preserving its natural grain. To assist customers in making informed choices, exterior paint tester pots are available, enabling users to sample colors and finishes before committing to a larger purchase. Additionally, a wide array of decorating and painting supplies is listed, ensuring that all necessary tools and accessories are accessible for any wood treatment project. The content is organized to guide users through different product types, emphasizing their specific applications and benefits. It implicitly suggests that proper wood treatment is vital for both the longevity and appearance of wooden items, whether indoors or outdoors. The variety of products available indicates a focus on providing solutions for various wood types and desired outcomes, from basic preservation to decorative enhancements. This structured approach helps users easily navigate the extensive product offerings to meet their specific project requirements. #WoodTreatments #InteriorWoodPaint #ExteriorWoodCare #FurnitureUpcycling #GardenMaintenance #DeckingPaint #WoodStain #Varnishes #HomeImprovement

The article explores the interior design trend of layering different tones of wood to create rich, warm, and sophisticated spaces. This approach moves away from monochromatic wooden furniture and single-tone finishes, advocating for a varied wood palette in surfaces, furniture, and accessories. Key advice from designers Alexy Kos and Che Huang of Child Studio emphasizes using sustainable, indigenous wood species like pine, oak, cherry, and maple, while strictly avoiding exotic and endangered woods. The article presents five examples that showcase the effective application of this trend. The first example features a dining room designed by Child Studio, incorporating mahogany library walls paired with Rosso Levanto marble and a round maple table. The choice of woods with slightly reddish tones contributes to a deep, opulent feel. The designers highlight that layering various wood tones and textures creates a timeless atmosphere, making a home feel warm and lived-in. They suggest that understated designs, where timber serves as a background element, age more gracefully, allowing accessories or art to update the space. The second illustration focuses on a lighter, brighter application of layered woods within another Child Studio project. Curved walls, furniture, and screens, all made from different wood tones, demonstrate how careful selection of wood grain can unify a space dominated by timber. The designers stress the importance of choosing specific pieces of timber with attractive natural patterns and soft, natural grain patterns. They also advise against high gloss levels, recommending oils and varnishes to preserve an organic appearance, avoiding an artificial or plastic look. A kitchen-diner designed by Melbourne architects Kennedy Nolan serves as the third example, featuring wraparound tonal wood paneling on walls and ceilings. This design prioritizes warmth, texture, and durability. Founding partner Patrick Kennedy explains that eliminating white and lining all surfaces in timber amplifies the material's warmth and softness, enhancing views. While initially hesitant to mix timber species, the studio carefully balanced tones, avoiding high contrast and selecting timbers for their inherent qualities, following a tradition seen in vernacular architecture. The fourth example showcases a vignette at Kona Village, A Rosewood Resort, designed by NICOLEHOLLIS. Here, Douglas Fir-clad walls and ceilings are combined with a mix of wood furniture, including a deep red-brown sideboard and a pale-framed armchair, with cane elements drawing the natural materials together. Alexy Kos and Che Huang suggest pairing light and dark timbers to create contrast and interest. They recommend using different shades of oak for lighter tones and cherry and walnut for darker ones, using one as a backdrop and highlighting with the opposing shade. This contrast can yield a smart, sharp look, while softer, subtle tones create a more casual feel. The final example is an architectural hallway by Jake Arnold Design, where a subtle difference in wood tone between the staircase and columns highlights the architectural beauty of these elements. A stone table provides a contrasting focal point against the deep woods. The designers suggest that natural elements like marble, limestone, brass, and wool textiles complement mixed woods beautifully. This overall approach of layering wood tones and textures is presented as a sophisticated and welcoming interior design trend. #InteriorDesign #WoodLayering #DesignTrends #HomeDecor #MaterialMixing #ChildStudio #KennedyNolan #NicoleHollis #JakeArnoldDesign

The Live Edge furniture collection, designed by Beomsuk Ko, founder of South Korean brand Kobeomsuk Furniture, focuses on celebrating the natural beauty and grain of wood in its designs. The collection, which includes a walnut TV stand, a glass cabinet, and a freestanding shelving unit, is a testament to Ko's design philosophy that prioritizes natural, unartificial aesthetics, imbued with a sense of Korean tradition. This approach is evident in the selection of materials and the method of presentation, where the inherent characteristics of the wood are highlighted rather than concealed. The inspiration for the Live Edge collection stemmed from Ko's profound appreciation for the intrinsic beauty of wood. He sought to integrate this natural elegance directly into the furniture pieces. The Live Edge TV stand, for instance, features a minimalist form, allowing the distinctive grain patterns of the walnut wood to become the focal point. Ko likens the visual effect of the horizontally arranged wood panels to a river flowing when viewed from above, emphasizing the organic and fluid qualities inherent in the material. This deliberate arrangement accentuates the wood's character, transforming it into a key design element. The glass cabinet within the collection continues this theme, constructed with a walnut frame and internal drawers crafted from a combination of sapwood and heartwood. This choice of materials not only showcases the different textures and tones within the wood but also adds depth and warmth to the piece. The design reflects a careful balance between the functional aspects of a cabinet and the artistic presentation of its components. Completing the collection, the freestanding shelving unit draws inspiration from the compositional principles of traditional Korean furniture. It incorporates open glass shelves, providing a contemporary lightness, while two drawers prominently display the unique Live Edge wooden fronts. This design decision ensures that the collection's core aesthetic – the celebration of natural wood grain – is consistently maintained across all pieces. Each item in the Live Edge collection is designed to emphasize the raw, untouched allure of wood, offering storage solutions that are both functional and artistic. #LiveEdge #KobeomsukFurniture #BeomsukKo #StorageFurniture #WalnutWood #NaturalDesign #KoreanAesthetics #MinimalistFurniture #WoodGrain

The furniture industry is dynamic, with trends constantly evolving. Many homeowners find it challenging to keep pace with these shifts, especially when furniture represents a substantial, long-term investment. Recognizing this, House Digest consulted seven interior designers to identify furniture trends that are losing popularity and to highlight emerging alternatives. The consensus among these experts is that bulky, matching sets, and all-gray profiles are becoming outdated, making way for more personalized, flexible, and character-driven designs. Fast, distressed, and boxy furniture styles that once dominated interiors are now being phased out in favor of more sustainable and aesthetically refined options. Oversized sectionals, once a staple for family comfort, are being replaced by modular equivalents. Chris Turner, owner and designer at Studio Nisho, notes a shift from large, plush sofas to more modern and tailored options. Modular sectionals, with their detachable pieces, offer flexibility for various room configurations—L-shape, U-shape, or individual loveseats—and adaptability for future relocations. This design approach allows for easy replacement of damaged parts and ensures proportionality with room size, thereby maintaining a fresh and timeless appeal. Distressed farmhouse furniture, popularized by Joanna Gaines, is also declining in favor. Turner points out that the whitewashed, distressed look is overdone. Dani Gottschalk, an interior designer at Tinzeltown, shares this sentiment, advising against furniture with uneven finishes or splinters. The trend is moving towards warmer, modern styles within the farmhouse aesthetic, incorporating subtle patinas and cleaner lines, and pairing wood tones or organic fabrics with warm neutrals for a contemporary touch. The widespread appeal of all-gray furniture from the 2010s is diminishing. Artem Kropovinsky, founder of Arsight Studio, explains that while gray remains a neutral, it no longer dictates furniture aesthetics as personal style and colorful choices are resurfacing. Designers are now gravitating towards softer tones such as brown, deep green, and pastels. The 2025 Pantone x Joybird collaboration's choice of mocha mousse, for instance, reflects this shift, encouraging the use of earthy colors in furnishings. Homeowners are updating existing pieces with linen or woven fabrics in hues like sienna or pink, seeking comfort through warmer color palettes, albeit not in oversized forms. The rise of sustainability is impacting the demand for 'fast furniture.' Kropovinsky observes that mass-produced, inexpensive furniture, often made from flimsy materials, is losing favor due to environmental concerns and growing consumer interest in durable, handcrafted products. Consumers are increasingly turning to sustainable brands, second-hand markets, or vintage stores, opting to refurbish or repurpose older items. Challie Stillman, vice president of creative at Resource Furniture, emphasizes that investing in high-quality, long-lasting pieces is key to creating an expensive look, regardless of square footage. White oak, despite its recent popularity, is being re-evaluated. Teri Simone, head of design and marketing at Nieu Cabinet Doors, suggests that contrasting different wood finishes is the new trend, moving away from a monochromatic white oak presence. Designers are now 'wood drenching' rooms by combining white oak with richer tones like walnut or smoky elm, which provide depth and warmth. Maple and cherry finishes are also popular for their ability to complement white oak as it ages, with a general preference for warmer undertones to avoid visual competition. Matchy-matchy furniture sets are no longer desirable. Bree Steele, product and design manager at RJ Living, notes that identical furniture sets are losing favor as homeowners prioritize personalization and self-expression. The trend is towards mixing materials, textures, and shapes to create layered spaces that reflect individual personalities. This approach allows for the incorporation of unique pieces from travels or antique stores, moving beyond the predictable aesthetics of coordinated sets. Stores are also adapting, offering diverse combinations to meet changing consumer preferences. Boxy sofas, once a symbol of contemporary design, are now considered dated. Steele highlights a shift towards soft, organic forms that prioritize comfort, while Ginger Curtis, founder and CEO of Urbanology Designs, emphasizes the replacement of 'harsh, clinical minimalism' with rounded edges, textured fabrics, and cozy silhouettes. Curved furniture, also known as conversation or crescent pieces, promotes interaction and allows for more organic layouts, echoing the resurgence of the Art Deco movement. These curved silhouettes are appearing not only in sofas but also in headboards, coffee tables, and floor lamps. Outdoor furniture trends mirror interior shifts, moving away from bulky items towards lighter, sculptural pieces with slimmer profiles. This change accommodates smaller outdoor spaces, such as rooftops and balconies, and offers greater functionality and convenience. The trend also embraces a natural, organic aesthetic, featuring curved designs and natural finishes like teak. For sustainability, FSC-certified wood is recommended, alongside weather-resistant fabrics and sleek wrought iron chairs, to ensure durability against natural elements. #FurnitureTrends #InteriorDesign #HomeDecor #SustainableFurniture #ModularFurniture #ColorTrends #WoodFinishes #OutdoorFurniture #DesignEvolution

This article highlights 12 furniture designs and interior products crafted from wood, all of which have been featured on Dezeen Showroom. The collection demonstrates the enduring versatility, durability, and aesthetic appeal of timber, a material that has been utilized in furniture making for thousands of years. Wood is also recognized as a sustainable choice due to its renewable nature and low embodied carbon footprint. The featured designs encompass a wide array of wood types, including Douglas fir, cherry, oak, walnut, beech, maple, and acacia. Each species contributes a unique tone and grain pattern, allowing for diverse aesthetic outcomes, whether left in its natural state or treated with paints and varnishes. The showcased products range from seating with organic shapes to lighting fixtures, illustrating the material's adaptability across different product categories. Among the featured items is the 4PM chaise longue by Massproductions, designed to offer comfort without upholstery and available in laminated Douglas fir or cherry wood, with a self-build option inspired by Enzo Mari. Yamagiwa's rereleased Taliesin lamps, originally by Frank Lloyd Wright, utilize oak, cherry, or walnut to create a distinctive lighting effect through rotating wooden boxes. Appareil Atelier's Elsie chair collection showcases gentle, rounded forms in timber, featuring a semi-circular seat and a curved backrest. The Spectrum Workstation Round ST160, a collaboration between Geckeler Michels and Karimoku, is a versatile table with a round top and splayed legs, available in natural or black wood. Ben McCarthy's Hollywood seating collection for Gohome offers stackable chairs and bar stools in oak, with a simple silhouette reminiscent of traditional director's chairs. Blu Dot's Hoard Storage Tables are characterized by biomorphic shapes and hollow interiors, made from black-finished or natural acacia wood. Koyori's minimalist Shaku Chair, designed by Ronan & Erwan Bouroullec, is composed of six individual components from black-stained beech wood. Konstantin Grcic's Bench collection for Plank includes a wooden bench and table, designed for easy assembly and disassembly. Neri&Hu;'s 98.6°F outdoor collection for De La Espada features various outdoor furniture pieces made from Croatian white oak, chosen for its resistance to rot. Patrick Norguet's Sova Lounge chair for Zanat boasts a solid wood frame available in maple, walnut, or oak, sourced from sustainably managed forests. Studio Lloyd's Sayari outdoor furniture collection, including a daybed and side table, uses eucalyptus globulus hardwood and features organic shapes. Lastly, Harri Korhonen's Naku Stack chair for Inno is a minimalist, stackable design in birch, ash, or oak, suitable for public spaces. These examples collectively highlight wood's continued relevance and innovative applications in contemporary furniture and product design. #WoodDesign #FurnitureDesign #InteriorProducts #SustainableMaterials #DezeenShowroom #LightingDesign #Seating #Tables #TimberCraft

German designer Ruben Beckers has created a wooden table named "kleinergleich5," which translates to "less than five," referencing its remarkably light weight of 4.5 kilograms. This design was showcased at the [D3] Design Talents exhibition at imm cologne as part of the Wood*Transformation project at Kassel School of Art and Design. The table's primary innovation lies in its structural design, which allows it to be exceptionally lightweight while maintaining stability and functionality. The table's construction utilizes a grid of thin wooden strips made from poplar wood. These strips interlock at five-centimetre intervals, forming a rigid lattice structure that is only 28 millimeters deep. This intricate grid provides the necessary support for the table's slender top, ensuring it can hold objects without compromising its integrity. The design minimizes the amount of material used, contributing significantly to its low weight. The lightweight nature of the table is a key feature, making it easily movable and versatile for various settings. Beckers' design is notably lighter than Benjamin Hubert's "Ripple" table, which was previously recognized for its lightness. Functionality and aesthetics are integrated into the design. The table features removable solid-wood legs that are bent and slot directly into the holes within the grid structure. This method of attachment not only provides a secure connection but also allows for easy assembly and disassembly, enhancing its portability and storage convenience. The minimalist aesthetic, derived from its structural efficiency, highlights the natural beauty of the poplar wood and the precision of its engineering. The development of the "kleinergleich5" table highlights the potential for innovative structural solutions in furniture design to achieve significant reductions in weight without sacrificing strength or usability. The project demonstrates an advanced understanding of material properties and structural mechanics, pushing the boundaries of what is possible with traditional materials like wood. This approach aligns with contemporary design trends that prioritize sustainability, efficiency, and adaptability in furniture. The table represents a notable achievement in the pursuit of lightweight and functional design within the furniture industry, offering a solution that is both practical and aesthetically refined for modern living spaces. #FurnitureDesign #LightweightDesign #Woodwork #RubenBeckers #IMM Cologne #ProductInnovation #GermanDesign #PoplarWood #Exhibition

Engineered wood products (EWP) are advanced, high-performance building materials characterized by their dimensional stability and consistent performance. These products are manufactured using small dimension lumber, veneers, and wood fibers to create structural components. EWP has significantly influenced the building industry and is projected to see continued growth, largely driven by the expansion of the U.S. housing market. Government reports on residential construction indicate a positive trend. In May, privately owned housing starts increased by 5% over April's revised estimate and were 20.3% higher than May of the previous year. Single-family housing starts also saw a 3.9% increase. Building permits, while slightly down from April, remained 8% above the previous year's rate. Industry experts, such as Joe K. Elling from APA – The Engineered Wood Association, anticipate sustained growth for EWP, forecasting 1.36 million housing starts in 2019, up from 1.3 million in 2018. Demand for North American-produced I-joists is expected to rise by 6% in 2018 and an additional 2% to 3% in 2019. Beyond housing starts, factors such as pricing stability, volatility in commodity lumber, demand for long-length lumber, lumber quality, and increased design flexibility contribute to EWP's anticipated growth. Residential construction, encompassing both single-family and multi-family homes, remains the primary driver for EWP manufacturers. Mass timber construction, which increasingly uses wood in mixed-use development projects, is also fueling demand for solid-section EWPs like glulam beams and columns. The millennial demographic is identified as a key influence in the residential growth forecast, with predictions of a 5-7% increase in single-family starts for 2019. Challenges to this growth include a shortage of skilled labor for both trucking and construction, particularly for on-site product installation. Despite these labor concerns, the overall trajectory for EWP usage and demand remains upward. A significant trend poised to further propel EWP growth is mass timber construction, which is gaining popularity in the U.S., particularly for four- and five-story mixed-use developments. This method utilizes solid or engineered wood for primary load-bearing structures and solid wood panels for walls, floors, and roofs, offering a sustainable and carbon-friendly alternative to steel and concrete. Examples of mass timber products include Cross-Laminated Timber (CLT), Nail-Laminated Timber (NLT), Laminated Strand Lumber (LSL), Parallel Strand Lumber (PSL), and Glue-Laminated Timber (glulam). Engineered wood products have a long history, with archaeological evidence dating back thousands of years. Modern EWP has evolved consistently with changes in building codes and practices, becoming stiffer, stronger, more fire-resistant, energy-efficient, and easier to install. Manufacturers are integrating structural panels with air and water barriers to reduce labor requirements and meet new code standards for lower air exchange rates. Due to mass timber construction, EWPs are also being developed to meet more stringent fire codes, with some achieving fire ratings of up to two hours. While radical changes are unlikely, evolutionary advancements are continuously being made to improve product performance and address specific market needs, such as fire-resistant I-joists for unfinished residential basements in certain regions. Product consistency is a critical advantage of EWP, especially in an era of labor shortages. Builders seek products that are easy and quick to install, consistent in quality, and minimize callbacks. EWP solutions address these needs, enabling builders to operate more efficiently. The "one-stop-shopping" approach, where a single manufacturer or supplier provides a wide range of EWP solutions, simplifies the process for contractors and homeowners, fostering confidence in product performance and warranties. Manufacturers are also emphasizing the environmental benefits of EWP, highlighting their vertical integration and efficient use of wood resources. Ultimately, comprehensive product knowledge and strong manufacturer support, including training, literature, and technical assistance, are essential for dealers to effectively sell EWP, leading to increased sales, faster construction, and greater customer satisfaction. #EngineeredWoodProducts #ConstructionIndustry #HousingMarket #MassTimberConstruction #BuildingMaterials #SustainableBuilding #LaborShortages #ProductInnovation #ResidentialConstruction

Wood paneling, often associated with outdated 1970s dens or 1990s basements, is undergoing a modern resurgence in interior design. Designers are re-embracing this material to inject warmth, architectural interest, and character into both new constructions and historical homes. Emily Ward of Pierce & Ward notes a shift away from minimalist white interiors, indicating a desire for more textured and character-rich spaces. Austin-based designer Shannon Eddings emphasizes that while wood paneling may have been overused in the past, it remains a classic element that can be refreshed with new paint or stain. The contemporary approach to wood paneling prioritizes real wood and high-quality craftsmanship, moving away from the laminate and vinyl products that contributed to its dated reputation in the 20th century. Roman Alonso of Commune Design advocates for using local, native woods to connect the interior with its natural surroundings. Various types of wood paneling offer distinct aesthetic possibilities. Beadboard, traditionally characterized by beaded and beveled edges, creates a cottage-like atmosphere and is now available in convenient sheets for easier installation. V-groove paneling, with its chamfered edges forming V-shaped notches, offers a more versatile, formal, and modern alternative, often featuring wider planks than beadboard. Board-and-batten paneling involves flat wood panels with vertical strips (battens) covering the seams, a style originally used for weatherproofing exteriors but now popular in interiors, often made from vinyl or fiber cement board. Wainscoting refers to decorative paneling typically covering the lower third of a wall, initially serving insulation and protection purposes. This technique can incorporate various paneling styles such as raised panel, V-groove, shiplap, and beadboard. Shiplap, composed of wooden planks fitting together at a 90-degree angle with a distinct nickel gap, traditionally waterproofed ships and now adds a nautical flair to interiors, famously endorsed by Joanna Gaines. Flat paneling, as its name implies, consists of plain wooden strips with minimal decorative elements. Raised paneling creates a grid effect with framed insets and beveled edges, commonly seen in kitchen cabinets and Victorian interiors. Tongue and groove paneling, a system where each board has a ridge (tongue) that fits into a corresponding slot (groove on opposing sides of another board), ensures a snug fit. Cost considerations for wood paneling vary significantly. Installing wood paneling in a 12-by-12-foot room can range from $1,000 to $15,000, with real wood being pricier than faux alternatives. MDF or plywood are at the lower end of the real wood spectrum, while exotic woods can exceed $40 per square foot. These costs do not include painting or staining. To modernize wood paneling, designers suggest mixing and matching materials, such as combining wood with metals or incorporating harmonizing color palettes. Choosing the appropriate paneling style is crucial; smaller paneling might evoke a classic or English cottage feel, while wider tongue-and-groove designs lean more modern. The choice of paint color also influences the overall aesthetic. For a glamorous update, Elizabeth Pash recommends high-gloss paint, especially for existing paneling, to add color and drama. Wood paneling can be purchased in sheets for easier installation. While not primarily a noise-canceling solution, its added layer can reduce noise. Wood paneling is generally more expensive than drywall alone, and it is usually installed over drywall, requiring budgeting for both materials. #WoodPaneling #InteriorDesign #HomeRenovation #HomeDecor #DesignTrends #ArchitecturalDetails #DIYProjects #WallCoverings #MaterialSelection