The Many White House Renovations Through the Years

The article details the extensive renovation of a 1970s center-hall cottage belonging to Leigh and Robby Moss, located near family, friends, and their children's school in New Orleans. Initially conceived as a partial update to the master bath and kitchen, the project escalated into a full-scale remodel encompassing nearly every square inch of the house, guided by architect Terri Dreyer of NANO Architects. The homeowners, who had lived in the house for six years, sought to refresh their surroundings and address outdated design elements that no longer suited their lifestyle with two teenage sons. The original structure of the house, while offering advantages like a sizable lot with a pool and pool house, suffered from a compartmentalized interior and an exterior that felt heavy and dated. Formal living and dining rooms were underutilized, and the master bathroom required an update. Dreyer's vision aimed to transform the house into a lighter, less compartmentalized, and more congenial space, aligning with contemporary architectural and interior design trends while maximizing square footage efficiency. Key structural changes on the first floor included removing walls to create an open-concept living area where the living room, kitchen, and great room seamlessly merge. This eliminated a series of separate, unused rooms. A new side entrance was introduced to serve as a less formal service entry. The formal dining room was re-purposed into a mudroom, complete with lockers for the boys' gear, and a sitting room. An existing dining area, which had become a catch-all space, was converted into the new formal dining room. Upstairs, the renovation re-appropriated existing floor space. A portion of the attic was utilized to create an expanded closet, a larger laundry room, a spacious playroom, and an office. This expansion was made possible by bumping out the space between the front and back dormer windows. The exterior also underwent a significant transformation; the large cornice on the facade was dismantled, and the two dormer windows were fused into a single clerestory, resulting in a cleaner aesthetic. The circular brick driveway was replaced with new lawn and landscaping, a new side driveway was added, and an outdoor kitchen, a specific request from Robby Moss for entertaining, was incorporated. The design process involved collaboration and compromise between the homeowners and the architect. While Dreyer initially proposed an open interior with columns, the Mosses opted for casement openings. Their desire for a washer and dryer in the master bath influenced its final, more compact design. Despite the footprint of the house remaining largely the same, the renovation created a sense of increased space through heightened ceilings (the kitchen ceiling was raised, and an A-frame ceiling was added in the playroom) and the removal of walls, enhancing volumetric perception. The updated, cleaner interior necessitated an upgrade in finishes and a more deliberate approach to decor. With fewer walls for furniture and art, Leigh Moss edited her possessions and integrated new pieces with the help of NANO. The understated simplicity of the main living areas allowed for the playful use of patterns, such as scallop tiles in the master bath, and pops of gemstone colors. Artwork, much of it by Leigh’s late mother, Jane Victory Redmon, became central focal points, contributing to the home's personalized character. The homeowners expressed satisfaction with the thorough renovation, noting that the changes made by NANO had a significant impact, making every inch of the house usable daily. #HomeRenovation #ArchitecturalDesign #InteriorRemodel #OpenConceptLiving #ExteriorUpdate #FamilyHome #NewOrleansHomes #KitchenRemodel #MasterBathRenovation

Story Hill Renovations recently undertook a project to modernize a 1922 English Revival brick Tudor home located in Milwaukee’s Kenwood Park–Prospect Hill Historic District. The residence, originally designed by Clas, Shepherd & Clas for Edward and Ida Dahinden, presented the challenge of integrating contemporary living with its historic architectural integrity. The renovation focused on updating the kitchen and bathrooms while preserving the home’s original details, such as the subtly vaulted Gothic plaster living room ceiling, intricate plaster sloped and curved crown molding in the dining room, and original woodwork and radiators throughout the house. Karly Mandell, Story Hill Interior Designer, emphasized the philosophy of modernizing for today’s lifestyle without erasing the past. This approach guided material and fixture selections, with permanent fixtures like millwork, cabinetry, and plumbing adhering to the home's original style. More temporary elements, such as wallpaper, allowed for creative expression. An example of this is the striking skull wallpaper in a first-floor half-bath, which reflects the owners’ desire for a “punk rock country club” aesthetic. Similarly, new millwork and tile in an upstairs guest bathroom were designed to appear original to the century-old home, showcasing a blend of old and new. The historical context of the Dahinden family and the house itself provides a backdrop to the renovation. Edward Joseph Dahinden, born in Milwaukee in 1875, was a prominent businessman who, with his wife Ida, commissioned this home after relocating from the Near West Side to the more desirable upper East Side. The architectural firm of Clas, Shepherd & Clas, led by the renowned Alfred Clas, completed the house and a detached garage in a remarkably short period in 1922 for $22,000. This rapid construction, using skilled craftsmanship, highlights the building practices of the era. The property's ownership history reveals its evolution through different periods, including its brief use as the Fourth Church of Christ Scientist and later as a rooming house, which led to a sale in 1958 due to neighborhood complaints. Subsequent owners maintained the home until the current residents, a young couple, engaged Story Hill Renovations to adapt it to their needs. Their aim was to integrate their modern, eclectic style while respecting the home’s integrity, resulting in updated takes on traditional elements, such as tile wainscotings with cleaner profiles and a modern color scheme for traditional herringbone tile patterns. Expanding the main bathroom presented a significant structural challenge, requiring cantilevering over an existing load-bearing wall. Project Manager Tom Van Heijningen detailed the need for precise execution to protect the ornate plaster wall in the dining room below and manage complex plumbing installations. The project involved nearly 20 trade professionals, coordinating their efforts over six months. A standout feature of the renovated home is the “Yellowstone Room,” an upstairs space with a central fireplace and windows on three sides. This room, reminiscent of a similar space in architect Alfred Clas’s own home, was enhanced by the discovery and restoration of a 1700s chandelier, adding historical depth to the modernized space. The renovation successfully balances the preservation of historical charm with the introduction of contemporary functionality and personal style, ensuring the house continues its story into the future. #HomeRenovation #HistoricPreservation #InteriorDesign #TudorRevival #MilwaukeeArchitecture #StoryHillRenovations #Modernization #ArchitecturalHistory #ResidentialDesign

Colleen Healey, founder of her architecture firm in Washington, D.C., undertook the challenge of modernizing an unrenovated 1883 house while preserving its period charm. The project aimed to update bathrooms and kitchens, connect the house to the garden, introduce light in innovative ways, and honor the past by integrating modern elements. The renovation of the 140-year-old structure involved a deliberate give-and-take between old and new. Healey blended historic and contemporary styles by using shared textures and rhythms, creating surfaces that reflected light similarly in both original and new sections. Original raw materials, such as brick and floor joists, were exposed in modernized areas to provide warmth, bridging the gap between the cellular Victorian rooms and the open new spaces. In the living room, instead of concealing the existing wall curves, Healey embraced them, extending these curved surfaces into the rear kitchen area. This design choice allowed soft light to bounce into the space and was replicated upstairs with skylights to draw light from above. The living room features original pine flooring in the front, while the rear uses diagonally laid pine to accommodate irregular wall angles, celebrating the new design while respecting the original material. The walls are painted in Benjamin Moore's Super White over original plaster, contrasting with dark wood shutters and skirting. The fireplace, crafted from layered Carrara marble, incorporates crisp modern edges while aligning with the ornate Victorian details of the room. The dining room, which is open-plan and connected to the living room by a dark wood trim, maintains cohesion through continuous flooring and white walls. The ornate wood fireplace in the dining room provides a counterpoint to the modern stone fireplace in the living area, balancing period elements with contemporary furnishings like dining chairs. For the kitchen, a highly functional modern space, contrast was chosen over an attempt to blend perfectly with the period surroundings. White kitchen cabinets mirror the white walls seen elsewhere. The kitchen's material palette was kept simple to avoid overwhelming the space, given the existing red brick, wood flooring, and exposed ceiling joists. Muted, honed grey and white countertops reduce reflection, and dark cabinets with a rhythmic slat pattern complement the dark metal shelves, door, and black plumbing fixtures. The kitchen island, featuring stained ash doors, was designed to resemble a decorative furniture piece rather than a typical island, with a U-shaped configuration to define zones within the open-plan area. Architectural additions include skylights on the second floor that funnel natural light into the kitchen below, illuminating exposed original brick and wood joists. An arched passageway connects the front and back of the house, extending an existing archway to create a dramatic threshold into the kitchen. This sculpted surface prepares occupants for a more private area and conceals the powder room and cabinetry, reflecting the historical shape in a modern way. The arched aesthetic is also repeated in the sculpted ceiling of the skylights. In the den, despite minimalist design approaches, the space remains warm and inviting due to the original brick wall and pine flooring, which balance the stark white walls and ceilings. Walnut furniture pieces with delicate rope details contribute to a light and airy feel. The bedroom incorporates period features, with a low headboard wall concealing an old fireplace to create a better bed layout and maintain views, while also providing storage. This wall is topped with Carrara marble, echoing the primary bathroom's materials. The modern bathroom blends glass and tile surfaces with an ornate original mantle, a clawfoot tub, and soft wooden shutters. The staircase, largely untouched, was brightened with new lighting and a skylight to emphasize its historic sculptural quality. The second-floor skylights reveal the home's structure and connect upper private levels with public first-floor spaces. #HomeRenovation #PeriodProperty #ModernDesign #InteriorArchitecture #HistoricHome #ColleenHealey #WashingtonDC #DesignRenovation #LuxuryInteriors

The White House, a historical landmark and residence for the President of the United States, continuously evolves through various decorating styles introduced by past presidents and first ladies. Notably, President Truman named the Lincoln Bedroom in 1945 after decorating it in an Art Deco style. Recently, former President Donald Trump announced the renovation of the Lincoln Bedroom's bathroom, transforming it with marble. This renovation is part of a series of alterations Trump initiated across the building and its grounds, adding to the rich tapestry of art and craftsmanship that has characterized 1600 Pennsylvania Avenue since its cornerstone was laid in 1792. The White House features many unique elements not found in typical homes, such as bowling alleys and top-secret bunkers. While some may question the timing or necessity of this particular bathroom makeover, it's important to consider that the room hadn't seen a major redecoration in 80 years since President Truman's Art Deco additions. Although Art Deco possesses a timeless charm, marble offers an unparalleled classical appeal and beauty. This renovation reflects a continuation of a long-standing tradition of presidents leaving their personal aesthetic mark on the executive mansion. The newly renovated Lincoln Bedroom bathroom exudes lavishness and opulence, characterized by its extensive marble surfaces and gold accents. In a style reminiscent of Trump's known preferences, a gold trash can prominently sits in a corner, intentionally becoming a focal point against the stark black and white marble. The clean and pure lines of the marble in this bathroom mirror the widespread use of this material throughout the White House. From the Ground Floor Corridors to the hallway leading to the East Room, marble is a dominant feature in many iconic White House interior designs. Well-known elements like the marble mantels in the Oval Office and the State Dining Room are familiar even to those who haven't had the opportunity to tour the White House. The residence boasts over 28 fireplaces, including two notable marble fireplaces gifted to President John Quincy Adams by Marquis de Lafayette in the early 1800s. With a history spanning over 2500 years in palaces and mansions globally, marble remains a stunning interior design trend with enduring appeal. Given its historical significance and aesthetic longevity, marble is a fitting choice for bathrooms in a building as stately and magnificent as the White House, ensuring its continued grandeur for years to come. #WhiteHouse #LincolnBedroom #BathroomRemodel #MarbleDesign #PresidentialDecor #HomeImprovement #InteriorDesign #DonaldTrump

The White House Rose Garden, a historical landmark and symbol of presidential administrations, has undergone a significant transformation under President Trump. This redesign has sparked considerable discussion among White House nostalgists and gardeners, particularly regarding the decision to replace the iconic grassy expanse with pale stone. The garden's history dates back to 1962 when Rachel “Bunny” Mellon, commissioned by President John F. Kennedy and guided by First Lady Jacqueline Kennedy, undertook a sweeping redesign. Mellon's vision was not merely for aesthetic appeal but also for functionality. President Kennedy, recognizing the emerging importance of television, sought an outdoor space suitable for televised press conferences and official events. Mellon responded by widening the central step from the lawn to the Oval Office, creating an outdoor platform for addresses. She meticulously arranged hedges in a diamond formation and introduced crabapple trees for seasonal visual interest, while preserving a spacious, uninterrupted grassy area for staging diplomatic events and pageantry. Over the decades, the Rose Garden has served as a backdrop for numerous historical moments, from Tricia Nixon's wedding in 1971 to the 1994 peace agreement between Jordan and Israel facilitated by Bill Clinton. Each administration has left its subtle imprint; for instance, President Reagan introduced different roses, George H.W. Bush added paving for accessibility, and the Obamas established a kitchen garden nearby. In 2020, First Lady Melania Trump also oversaw a redesign, opting for a more muted and symmetrical layout, which proponents argued aligned with Mellon's original intent, while critics noted its stark contrast to the garden's previous colorful appearance. The current changes, however, are described as the most dramatic yet. President Trump explained that the decision to replace the grass with stone was driven by practical considerations, specifically to make the space more suitable for events, addressing issues of wet ground and difficulties for individuals wearing high heels. He indicated that the roses would remain, but the grass would be replaced by “gorgeous stone.” While the White House has not issued formal press releases regarding the renovation, photo documentation reveals the progression of the work, from bulldozers on the lawn to the laying of stone tiles in a diamond pattern. This redesign, reportedly overseen by the National Park Service and funded by the Trust for the National Mall, is said to reflect Trump’s preference for the aesthetic of his Mar-a-Lago estate. The transformation of the Rose Garden is consistent with broader aesthetic alterations made throughout the White House during his presidency, which have included the introduction of opulent elements such as gilt cherubs, Rococo mirrors, and theatrical medallions, and even the display of a framed mugshot. While gardens are inherently dynamic and subject to change, the conversion of the Rose Garden's lawn to stone represents a significant departure from its established character and functional heritage, prompting reflection on the enduring symbolism of this historic space. #WhiteHouseRoseGarden #GardenRedesign #PresidentialHistory #LandscapeArchitecture #WhiteHouse #PresidentialGardens #PoliticalSymbolism #DonaldTrump #JackieKennedy

While colorful houses often grab attention and fill camera rolls, white exterior homes, though perceived as a safe choice due to the high cost of repainting, can possess significant curb appeal. This article showcases eight distinct white houses, demonstrating how thoughtful design elements can elevate a simple white facade to be as dramatic and eye-catching as a black one. One example highlights how a creamy white exterior was chosen for an L.A. home to harmonize with the existing neighborhood, which predominantly featured lighter hues, contrasting with newer black-painted constructions. The addition of a sage green front door provided a subtle yet distinctive touch. Another house, a San Clemente bungalow, creatively utilizes its front yard as a zen courtyard with a firepit, sun loungers, and a water fountain, offering visual depth and interest to its minimalist white exterior. A Spanish-style home in Los Angeles underwent a transformation by Ome Dezin, where stucco walls were smoothed, squared-off thresholds were converted into arches, and traditional railings were replaced with wrought-iron designs, enhancing its playful aesthetic against the white backdrop. For a waterfront property in Sydney, the design prioritized an impactful view from all angles, achieved by installing a glass fence around the pool perimeter. This not only allows for an unobstructed view of the white house but also enables parents to supervise children in the pool from the kitchen. The article also features a Georgian-style home from 1857 in Ontario, whose inherent stately details are amplified by a white exterior, especially after removing overgrown shrubs and trees. A Sydney home on the bay integrates nature through a wood-slatted garage door made from Corymbia Maculata, adding an organic element to its white facade. In Washington, D.C., a Colonial-style house was dramatically altered by shifting an extension to the front, featuring bleached wood siding and a white-painted brick facade, diverging from traditional rear extensions. Finally, an 1860s Greek Revival farmhouse demonstrates the power of monochromatic design, where the same white paint color is used for both the facade and the front door. This simple yet effective approach proves that understated design can still be highly photogenic and impactful. These examples collectively illustrate that a white exterior does not equate to blandness; rather, it serves as a versatile canvas that can be enhanced by architectural details, landscaping, and subtle color accents to achieve a dramatic and memorable aesthetic. #WhiteHouseExteriors #CurbAppeal #HomeDesign #ExteriorPaint #ArchitecturalStyles #LandscapeDesign #RenovationIdeas #ModernHomeDesign

Federation style homes, prevalent in Australia from approximately 1890 to 1951, are renowned for their distinctive architectural characteristics, including red brick exteriors, stained glass, verandahs, tessellated tiles, decorative pressed-metal ceilings, bay windows, finials, turned-timber posts and fretwork, long central corridors, and slate or terracotta tile roofs. These charming historical abodes are highly sought after, offering a unique blend of character and heritage. The art of renovating such homes lies in carefully preserving their traditional details while integrating modern updates to enhance liveability and functionality for the 21st century. The renovation process for Federation homes often involves a respectful approach, aiming to honour the original architectural integrity while introducing contemporary elements. This balance ensures that the homes retain their unique design credibility and historical charm. The transformations range from subtle updates that refresh existing spaces to more extensive overhauls that redefine the home's layout and amenities, often including additions like swimming pools or redesigned gardens. The goal is to create spaces that are both aesthetically pleasing and highly functional, catering to modern lifestyles without sacrificing historical value. Examples of successful Federation home renovations highlight diverse approaches to modernization. One such project involves the meticulous restoration of a stately Federation cottage on Sydney’s Lower North Shore, where the owners focused on preserving its heritage while adapting it for a contemporary family. Another instance showcases an extensive renovation of a five-bedroom Federation home in Melbourne, overseen by a talented designer to create an idyllic family residence. A particularly striking renovation involved transforming a gracious Federation house's exterior spaces into a naturalistic inner-city garden inspired by the Australian bush, harmonizing the historical structure with its natural surroundings. Further renovations demonstrate varied design objectives: a two-bedroom cottage in Sydney’s inner west was reimagined for entertaining, blending traditional charm with features suitable for social gatherings. A Perth home underwent a significant transformation to restore its facade, which had been altered by previous owners, thereby reviving its original grandeur. In Sydney, a spacious heritage home from circa-1907 received a contemporary makeover, particularly in its living room, by incorporating modern materials like chunky sisal carpet, seagrass wallpaper, and angular furniture, yet maintaining its heritage character. Another Federation bungalow in Sydney’s inner west was revived with vibrant colours and enhanced with outdoor amenities like a cabana and a pool. The integration of old and new is a recurring theme in these renovations. One Federation home in Sydney, rescued from disrepair, now perfectly balances period character with fresh new features, notably an open-plan kitchen, dining, and living area designed for both hard work and visual interest. A glamorously restored Federation house, despite its good condition, had its interiors unified and modernized by an interior designer, with a north-facing terrace becoming a practical and beautiful space for children. An extension added to a Federation beauty on Sydney’s North Shore created a dramatic living space, transforming it into a family's forever home. Lastly, a Federation cottage built around 1910 received a contemporary renovation that brought it closer to nature, while a 'frilly' Federation villa in Sydney was revitalized with colour and sleek contemporary updates, and another original Federation villa was restored to enter the 21st century. #FederationHomes #HomeRenovation #ArchitecturalStyle #HeritageRestoration #InteriorDesign #AustralianHomes #ModernMakeover #HistoricHomes #HomeTours

Following Donald Trump's inauguration, the Oval Office underwent a redesign, with social media users quickly identifying various changes. A prominent feature of this redesign was the alleged use of gold-painted Home Depot moldings, which sparked widespread discussion and commentary across online platforms. The internet's reaction highlighted the perceived shift in aesthetic from previous administrations, particularly contrasting with the more traditional and subdued decor often associated with the office. Many observers noted the stylistic choices as reflective of Trump's personal brand and design preferences, which typically favor opulent and gilded aesthetics. The pictorial diary format of the article likely showcased a series of images, contrasting the newly decorated Oval Office with its appearance under previous presidents. These visual comparisons would have fueled the online debate, allowing for direct side-by-side analysis of the design elements. The focus on specific details, such as the moldings, indicates a keen public interest in the minutiae of presidential residences and workspaces, especially when they undergo significant alterations. The use of 'Home Depot' in particular suggested a blend of high-end aspirations with more accessible, perhaps even DIY, components, which further engaged internet commentators. Beyond the moldings, other elements of the redecoration would have been scrutinized. This could include changes to draperies, rugs, furniture, and art, all contributing to the overall atmosphere of the iconic office. The internet's immediate and detailed analysis underscores the power of social media in disseminating information and shaping public perception, even on seemingly trivial matters of interior design. This rapid assessment often involves crowdsourced identification of items and styles, as individuals contribute their observations and expertise. The article, through its 'pictorial diary' approach, would have served as a visual record of these changes, allowing readers to form their own opinions on the aesthetic choices made. Such a format often enables a more engaging and interactive experience for the audience, inviting them to participate in the observation and critique. The commentary surrounding the gold-painted moldings from a mainstream hardware store also touches on broader themes of perceived luxury versus practicality, and how these perceptions manifest in public spaces, particularly those with significant symbolic weight like the Oval Office. Ultimately, the discussion around the Oval Office's redecoration, particularly the 'gold-painted Home Depot moldings,' became a microcosm of larger conversations about the new administration's style and approach. It offered a seemingly lighthearted entry point into political commentary, using design choices as a lens through which to view broader changes. The internet's collective eye for detail and its penchant for rapid, often humorous, analysis ensured that these decorative alterations did not go unnoticed, transforming a simple redecoration into a widely discussed cultural moment. #OvalOfficeRedo #DonaldTrump #HomeDepot #InteriorDesign #PresidentialDecor #SocialMediaReaction #PoliticalSatire #DesignCriticism

Alykhan Velji Designs undertook a significant renovation project in a mid-1990s home, focusing on updating its dated aesthetic to a more contemporary and functional space for a family of five. The initial state of the Calgary residence featured a kitchen dominated by granite countertops and sandy-white cabinets, while the second-floor hallway had an extensive railing, and the overall design incorporated an excessive amount of stone. The renovation’s primary challenge was modernizing these elements without completely altering the existing structural integrity, particularly for the home’s two prominent staircases. The main spiral staircase, a central feature, underwent a major transformation. Instead of demolishing and rebuilding, Velji’s team, in collaboration with Rawlyk Developments, opted to revamp the existing railing. This involved meticulous work to achieve a continuous curve for the new oakwood handrail, complemented by sleek black spindles. The stringers were painted a cool white to match the walls, and the steps were re-covered with a soft, kid-friendly cream carpeting from Karastan Carpet, updating its look while enhancing practicality. A second staircase in the formal living space, which was not up to code, also required attention. The designers increased the railing's height and introduced a swirl detailing on the post to soften its appearance. A key design decision here was to drywall over the spindles and a section of the second floor that resembled an interior balcony. This modification aimed to create more privacy and a cleaner wall line, ensuring ample natural light still permeated the upstairs area. Although the stone fireplace mantel remained due to budget constraints, a new plaster treatment on the massive wall introduced a desirable texture to the room. Beyond the staircases, the renovation extended to other critical areas of the home. The large windows, previously framed with white molding that lacked visual impact, were modernized with several coats of Benjamin Moore’s Black paint, instantly adding presence and sophistication. The entry space incorporated materials inspired by Mediterranean design; specifically, Centura’s Decoro tile was used to mimic a handwoven rug, and Arteriors wall sconces, reminiscent of gladiator armor, became a client favorite, preserving an "old-world, Roman-slash-European feel." The kitchen, initially characterized by its beige tones, was transformed with an emerald backsplash tile, introducing a bold contrast to the new black and white cabinet scheme. The kitchen's layout remained largely unchanged for efficiency, but a tall cabinet was replaced with a secondary bar sink to improve functionality for daily routines. The main bathroom received a cosmetic refresh, featuring graphic shower tiles, 12-by-24-inch marble-look floor tiles, and a custom white vanity. The choice of white cabinetry was strategic, designed to enhance the sense of spaciousness in the narrow room. In the dining room, an existing rectangular nook, offering sightlines into an adjacent hallway, was creatively addressed. Instead of walling it off, which would have made the space feel heavy, the designers placed a fiddle-leaf fig plant within the opening, effectively integrating an architectural quirk into the new design. Overall, the project successfully transitioned the home from its 1990s origins into a modern, functional, and aesthetically pleasing living environment through a series of thoughtful updates and material selections. #HomeRenovation #InteriorDesign #StaircaseMakeover #DatedHomeUpdate #ModernDesign #KitchenRenovation #BathroomRefresh #ArchitecturalFeatures #BeforeAndAfter

This article highlights the extensive renovation and interior design transformation of a historic Federal-style townhouse in Smith Row, Georgetown, Washington, DC. Built in 1815, these homes are rarely available, and the current owners undertook a nearly three-year project to update the property while honoring its historical integrity. The renovation involved a "full-gut" and an excavation to add space in the basement, overseen by Overmyer Architects, Goldsborough Design Build, and DCA Landscape Architects, with Tracy Morris Design handling the luxurious interior finishes. The entry foyer was designed to complement the home's elegant Federal-style detailing with contemporary furnishings. Overmyer Architects introduced wall paneling for subtle detail, and the space was kept clutter-free with minimal furnishings. The original floors were replaced with warm walnut by Welborn & Wright, and modern fixtures like a lantern from Urban Electric and a console by Alfonso Marina were incorporated. The design intent was to create a contemporary contrast that highlights the home's historic architecture, a significant undertaking given the property's neglected state prior to the renovation. A new family living room was added to the home, featuring an enormous skylight and a wall of windows designed by Overmyer Architects, including a modern pivot door. The room is grounded by a washed Oushak rug from Afghanistan, and a custom Vanguard sofa was built to fit the space, providing comfort without overwhelming it. This addition exemplifies how modern functionality and aesthetic preferences were integrated into the historic structure. The kitchen, also an addition, was conceived as a clean-lined galley space. It showcases a stylish combination of white, slab-front cabinets with warm walnut sections, blending contemporary design with a nod to the home's original era. High-end Gaggenau appliances contribute to the streamlined aesthetic. This design choice reflects a commitment to both modern utility and visual harmony within the renovated property. The first-floor living room serves as a more formal area, embodying the balance between elegance and comfort the clients desired. Tracy Morris describes it as her favorite room, combining old and new elements effectively. A. Rudin sofas with clean lines are balanced by classical column fluting, creating a transitional aesthetic. The homeowner's artwork was used as a color base, and a washed Oushak rug tied the color scheme together. Custom console tables from Ferrel Mittman, Vaughn Lamps, and bespoke framed mirrors complete the sophisticated yet approachable ambiance. The bedroom offers a blend of traditional style and modern comforts. The calm decor is highlighted by smart features, such as a painting over the fireplace that conceals a wall-mounted TV and a remote-controlled fireplace. Benjamin Moore’s Winter Solstice paint color was chosen for the walls to create an enveloping atmosphere that makes cream accents stand out. In the primary bathroom, generous proportions allowed for luxurious design elements. A stone fireplace was created using book-matched slabs, serving as a focal point. A gently curved Kallista tub and single faucet mirror the tub's shape, offering a soft contrast to the hard stone. The exterior of the 200-year-old Federal-style home was meticulously preserved, with windows refurbished by hand and millwork given a new paint job using Benjamin Moore’s Lafayette Green in a high gloss for the shutters and front door. The overall renovation successfully combined traditional period details and original features with contemporary design elements, resulting in a beautiful and comfortable modern home. #HistoricHome #HomeRenovation #InteriorDesign #GeorgetownDC #FederalStyle #ModernTraditionalMix #LuxuryInteriors #ArchitecturalRenovation

President Donald Trump's redecoration of the Oval Office has garnered significant attention, largely due to his extensive use of gold accents. This "Midas touch," as some describe it, involves a range of gilded elements, including ornamental moldings on the fireplace mantel, wainscoting, and crown molding, as well as golden tables, gilded portrait frames, and a glammed-up presidential seal. Even golden cherubs are part of the new aesthetic. Trump himself has described these additions as being handled with "great love and 24 karat gold," and The Wall Street Journal reported that a South Florida cabinetmaker, whom Trump refers to as his "gold guy," custom-made the elaborate finishes at the President's request. However, this narrative has been met with skepticism from some social media users, who theorize that the opulent decor might actually consist of inexpensive millwork appliqués from Home Depot, merely covered in spray paint. This raises questions about the true origin and cost of the White House's new gold embellishments. The debate reflects a broader difficulty in discerning truth in contemporary public discourse, particularly when conflicting claims arise about prominent figures or institutions. Investigative reporting by Inside Edition delved into these theories, specifically exploring whether the Home Depot rumor held any weight and how individuals might replicate a similar look using supplies from the popular home improvement store. A TikToker's viral video presented a compelling argument that specific elements, such as the fireplace millwork and cherubs, are polyurethane pieces manufactured by Ekena Millworks, a brand widely available at Home Depot. This claim suggested that parts of the White House's decor could be sourced from a common retail outlet, challenging the perception of custom, high-end craftsmanship. BuzzFeed followed up on these allegations by contacting Ekena Millworks for their perspective. The company responded by stating, "We work with several design firms in DC that have worked on the White House and believe these could be our onlays." This statement, while not a direct confirmation, lends credibility to the idea that their products might have been used. Furthermore, the White House had previously announced its collaboration with McCrery Architects, a Washington, D.C.-based firm, for a new ballroom project, which could indirectly support the possibility of D.C.-based design firms utilizing various suppliers. Ekena Millworks also highlights its reputation for producing high-quality carvings, noting that clients like Disney trust their products for complex projects. The implication is that if their inexpensive polyurethane and wood moldings are suitable for the rigorous demands of Disney theme parks, they would likely be durable enough for the White House. Regardless of whether the gold decor was custom-made by Trump's designated artisan or purchased from a retail chain, the article suggests that DIY enthusiasts interested in achieving a similar gilded look can do so using readily available products like Rust-Oleum Universal Surface Metallic or Krylon Gold Spray Paint, which are popular among DIYers for their effectiveness in creating a metallic finish. #WhiteHouseDecor #GoldDecor #OvalOffice #HomeDepotRumor #TrumpAdministration #InteriorDesign #DIYDecor #EkenaMillworks

Ken Blasingame, an interior designer from Texas, was selected by President George W. Bush and First Lady Laura Bush to decorate the first family's residence in the White House. This appointment followed a long-standing professional relationship, as Blasingame had previously worked on their Dallas home and the Texas Governor's Mansion since 1989. The designer described the opportunity as surreal and filled with "pinch me" moments, marking a significant career highlight. His work commenced in 2002, shortly after the presidential inauguration. A key aspect of his role involved accessing a vast, undisclosed warehouse containing historic American furnishings. This collection included items like pieces purchased by Harry S. Truman for White House renovations and an American highboy chest previously used by Presidents John F. Kennedy and Lyndon B. Johnson. Blasingame, who studied art and developed an early affinity for design and Spanish Colonial antiques, founded Blasingame Design in 1976. His calm demeanor and ability to blend various eras and origins in his designs made him well-suited for the Executive Mansion. He shared a painterly design approach with Laura Bush, who desired the residence to be both appropriate for a national leader and comfortable for guests and family. Blasingame's contributions extended beyond temporary decor. President Bush appointed him to the Committee for the Preservation of the White House, where he served from 2002 to 2008. During this period, he made more permanent additions to the White House's interior. For the 100th anniversary of the West Wing, the White House Historical Association commissioned him to design a new Cabinet Room rug, replacing an older one from the Johnson era. His design incorporated stars, a laurel-leaf border, and other classical elements. Additionally, Blasingame designed a rug for the Diplomatic Reception Room, inspired by gold rays on a china pattern owned by George Washington. This room is noted as the most frequently used entrance in the mansion. Many of his upholstered pieces and newly selected items, chosen in collaboration with Laura Bush, have become part of the White House’s permanent collection. These items are expected to remain in place despite changes in presidential administrations. Interestingly, Blasingame's design process is characterized by spontaneity, with a notable absence of architectural drawings or extensive paperwork. He humorously mentioned that he refuses to do renderings and works with very few notes, preferring a more intuitive approach. Despite this unconventional method, his work has left a lasting legacy on one of the United States' most iconic buildings, contributing to its historical and aesthetic continuity. #InteriorDesign #WhiteHouse #KenBlasingame #PresidentialHistory #LauraBush #GeorgeWBush #AmericanFurnishings #HistoricalPreservation #DesignLegacy

This article highlights American creative talents, including interior designers, fashion designers, and artists, who have collaborated with the White House and its occupants on various commissions. These works range from extensive interior renovations to official presidential portraits, reflecting a blend of design, art, and political authority. The architectural firm Tod Williams and Billie Tsien are identified as the lead architects for the Obama Presidential Center in Chicago. This project, set to open in 2025, moves beyond merely commemorating past achievements to create a dynamic space for future narratives. The campus includes a museum tower, forum, library, public plaza, and connected landscapes, all designed to embody a sense of grace and elevate the surrounding world, aligning with the Obama Foundation's mission. Interior designer Sheila Bridges is recognized for her distinctive "Harlem toile" designs, which integrate Black cultural themes with traditional toile aesthetics. Bridges was chosen by Vice President Kamala Harris and Second Gentleman Doug Emhoff to design their official residence at One Observatory Circle, incorporating a neutral palette with bold accents, such as a pink library. Her previous political commissions include President Bill Clinton's Harlem offices. Fashion designer Gabriela Hearst, originally from Uruguay, is celebrated for her commitment to sustainable luxury. Her eponymous label, founded in 2015, prioritizes slow fashion, ethical production, and innovative, eco-friendly materials like aloe-treated linen and deadstock fabrics. Hearst's work extends to philanthropic efforts, including partnerships with non-profit organizations. Dr. Jill Biden wore a custom-designed, embroidered coat dress by Hearst at President Joe Biden’s 2021 inauguration, symbolizing national unity with floral patterns representing each state and territory. Dr. Biden has continued to wear Hearst's designs. Christopher John Rogers, a fashion designer, gained prominence after securing a slot at New York Fashion Week under his own name. His aesthetic draws from his childhood experiences in Baton Rouge, Louisiana, and the tradition of dressing in one’s "Sunday best" for church. This influence is reflected in his designs, such as an iridescent cyan pantsuit worn by Michelle Obama and a vibrant all-purple ensemble for Vice President Kamala Harris at the 2021 inauguration. Rogers' work is characterized by its fun, flamboyant nature, combined with a sense of composure, redefining power dressing. American painter Amy Sherald is noted for her intimate portraits and depictions of Black American life, which challenge traditional portrayals of race and skin color. Sherald has achieved several milestones, including being the first woman and African American to win the grand prize in the Outwin Boochever Portrait Competition. She is most renowned for her official portrait of First Lady Michelle Obama for the National Portrait Gallery, completed in 2018, which uses her signature grayscale technique to symbolize success for Black women. Artist Kehinde Wiley, based in New York City, is known for his unique approach to portraiture, blending historical artistic traditions with references to the Black experience. In 2018, Wiley, alongside Amy Sherald, became the first African-American artist to paint an official U.S. Presidential portrait for the Smithsonian National Portrait Gallery, depicting President Barack Obama. Obama personally selected Wiley, whose portrait shows the president leaning forward, dressed casually, against a floral backdrop incorporating jasmine (Hawaii), chrysanthemums (Chicago), and African blue lilies (Kenya), symbolizing his heritage. Wiley's exhibition, 'An Archaeology of Silence,' currently touring the U.S., explores themes of brutality, humanity, injustice, grief, and grace within the Black community. Interior designer Michael S. Smith is recognized for his fusion of European classicism and American modernism. In 2010, President Barack Obama selected Smith to renovate the Oval Office and other White House spaces, a project spanning eight years. Smith employed a neutral color palette in the Oval Office, integrating culturally significant items such as Native American pottery and a rug with quotes from prominent Americans like Martin Luther King Jr. and Abraham Lincoln. He also facilitated the display of works by pioneering Black artists, including Jacob Lawrence, Alma Thomas, and Glen Ligon, throughout the White House, making the interiors welcoming for the Obama family's children. Taiwanese-American fashion designer Jason Wu developed a long-standing relationship with then-First Lady Michelle Obama. Starting with her patronage of his brand, Wu was commissioned to design her gown for President Barack Obama’s 2009 inaugural ball, creating a memorable white, one-shouldered gown adorned with organza flowers. During Obama's presidency, Mrs. Obama continued to wear Wu's designs for significant occasions, including a ruby red gown for the second inauguration, a navy lace dress for his farewell speech, and a light blue off-the-shoulder dress for her White House portrait by artist Sharon Sprung. #WhiteHouseDesign #PresidentialCollaborations #InteriorDesign #FashionDesign #ArtAndPolitics #ObamaPresidentialCenter #SheilaBridges #GabrielaHearst #ChristopherJohnRogers #AmySherald #KehindeWiley #MichaelSSmith #JasonWu

Restoring an old house offers immense rewards, yet it often entails significant financial investment. To avoid common pitfalls and ensure a successful renovation, understanding and sidestepping prevalent mistakes is crucial. This guide highlights five key errors rookie renovators frequently commit. One common mistake is treating rooms as isolated entities to be 'assembled' rather than as integral parts of a cohesive whole. This often involves selecting disparate elements from mass-market suppliers without considering the home's inherent character, proportions, millwork, and historical details. Such an approach can result in rooms that lack a consistent narrative and feel disconnected from the rest of the house. To counteract this, it's essential to thoroughly study the architectural style and period of the house, designing each room to organically extend the home's existing aesthetic. Another frequent error is striving for excessive 'period-perfection.' While owning an 1874 house might tempt owners to fill it exclusively with items from that specific year, this can transform a home into a static museum rather than a living space. Real homes, both historically and presently, accumulate items over time from various eras, reflecting the lives and collections of their inhabitants. The charm of an old house often lies in the thoughtful mixing of old and new, creating a layered look that feels authentic and lived-in, rather than rigidly adhering to a single historical date. The modernization of kitchens and bathrooms also presents a common challenge. Homeowners often rush to update these spaces, driven by a desire to replace outdated fixtures—such as those from the 1980s—rather than those that are historically accurate. The key to a smart renovation in these areas is to integrate modern comforts and functionality while respecting the historical context and architectural style of the house. This requires careful research and planning to ensure that updates will remain timeless and harmonious with the home's overall design for decades to come. A fourth mistake is succumbing to a 'replacement' mindset, where original components are readily discarded in favor of modern, mass-produced alternatives. Unlike contemporary goods, which are often designed for obsolescence, many elements of historical homes were custom-made and built to last. Original wooden windows, for example, are frequently replaced prematurely. Prioritizing restoration over replacement is vital, especially for custom-fitted components that contribute to the home's unique story. Exploring all repair options before opting for replacement helps preserve the integrity and authenticity of the structure. Finally, renovators often forget to consider the future implications of their decisions. Renovation is not merely about preserving the past but also about ensuring the home's continued relevance and functionality for future generations. The guiding question should be whether the renovation choices will appear timeless and respect the unique attributes of the house fifty years from now. Designing with the future in mind encourages decisions that honor the home's integrity and uniqueness, rather than simply chasing fleeting contemporary trends that could quickly become dated. By embracing a mindset that values preservation, thoughtful integration, and future-proofing, homeowners can ensure their old houses remain beautiful and functional for years to come. #OldHouseRestoration #HomeRenovation #HistoricHomes #InteriorDesignMistakes #PeriodAppropriateDesign #KitchenRemodel #BathroomRenovation #ArchitecturalPreservation #TimelessDesign

This article details five common renovation regrets shared by Singaporean homeowners, serving as a guide for prospective renovators to avoid similar pitfalls. The first regret highlights the failure to consider future needs, specifically child-proofing, during the initial design phase. One homeowner, T, chose a 3-bedroom home with future children in mind but overlooked practical safety considerations, such as a sharp-edged TV console that later required unsightly childproofing. Other design choices, like a raised platform and over-reliance on floor lamps, also proved hazardous once a baby arrived. This experience underscores the importance of prioritizing safety over aesthetics, particularly for families planning to have children. The second regret discussed is the installation of luxurious built-ins that prove impractical in daily life. K, a homeowner, installed a teppanyaki grill directly into his kitchen counter, driven by a passion for Japanese cuisine. Despite initial enthusiasm, the grill saw infrequent use due to work and daily commitments, eventually malfunctioning and occupying valuable counter space. This example illustrates how trendy or specialized built-in features, while appealing in concept, can become costly and inconvenient if they don't align with long-term lifestyle needs. The third point addresses the maintenance challenges associated with all-white interior designs. Mrs. H, living in a small penthouse, opted for an all-white scheme to make her space appear larger and brighter. However, within a year, she noticed her white countertops and cabinets yellowing, especially near the open kitchen, and showing scuff marks. Glossy white surfaces, while initially appearing modern and expensive, require significant upkeep and are prone to discoloration and visible wear, leading to a prematurely aged appearance and the desire for costly replacements. Fourth, the article covers the regret of not installing ceiling fans. Homeowner M initially avoided ceiling fans for aesthetic reasons, relying solely on air-conditioning. However, when her child developed sinus issues, her doctor suggested the air-conditioning might be a factor. The subsequent installation of a ceiling fan proved to be a difficult and inconvenient process. The article emphasizes that ceiling fans offer practical benefits, such as an alternative cooling source during air-conditioner breakdowns, improved air circulation when windows are open, and a safer alternative to standing fans for young children. Modern, aesthetically pleasing ceiling fan options are also available. The final regret discussed is the premature purchase of furniture without adequate space planning or consultation with an interior designer. S, another homeowner, bought all her furniture during sales to take advantage of discounts, without fully visualizing the layout. Although the items technically fit, the space became cluttered, with large pieces like a TV console and armchair positioned too closely, impeding movement and affecting the overall aesthetic. This highlights the necessity of considering furniture dimensions, color coordination, and overall room perspective, ideally with professional input, before making purchases to avoid costly mismatches and an unharmonious living environment. #RenovationRegrets #HomeownerStories #InteriorDesign #ChildProofing #HomeSafety #BuiltInFeatures #MaintenanceChallenges #AllWhiteDesign #CeilingFans

This article details the extensive renovation of the historic Miles Costin House in downtown Wilmington by homeowners and interior designer Paula Warren and her husband, Chan Warren. Purchased in 2020, the nearly 7,000-square-foot, four-story Italianate-style home, built in 1855 by architect James F. Post, underwent a complete transformation across all 22 rooms. The Warrens moved from Washington, D.C., seeking a warmer climate and a vibrant town, but initially underestimated the scale of the project, especially the challenges of restoring a historic property. The renovation began with the basement, a laborious process that involved stripping everything down to the dirt, taking almost a year to complete. This space was converted into a cow-themed Airbnb named 'Steer on Dock'. Following the basement, the couple tackled the main house, where Paula's design philosophy of eclectic style came to life. She blended bold colors, fun patterns, contemporary fixtures, and unique vintage finds to modernize the once-dated dwelling while honoring its historical grandeur. Key design choices include painting the dining room and parlor in Edgecomb Gray by Benjamin Moore, while the kitchen features White Dove walls and Chantilly Lace cabinets and trim. Paula, known for her frugal and secondhand shopping approach, sourced many pieces from local estate sales, Facebook Marketplace, and Paper Wood Vintage, valuing the character and quality of older items. Modern fixtures were acquired from Capitol Lighting, Shades of Light, and Anthropologie. The kitchen was significantly updated with leathered Taj Mahal quartzite counters by Marmolite Granite & Marble, new pulls, and redesigned layout to incorporate a functional island. Architectural details of the Miles Costin House, such as the grand center staircase spanning three floors, detailed crown molding, thick paned windows, and Greek Revival fireplaces, were preserved. The house is also notable for having one of Wilmington's few mansard roofs and a unique side piazza with floor-length walkout windows, along with distinctive 'come-and-go' front porch stairs. These historical elements were integrated with contemporary design choices, such as curvilinear light fixtures, to create a harmonious blend of old and new. Further renovations included Chan’s second-floor office, which was wallpapered in Phillip Jeffries grasscloth (Manila Hemp in navy). The five bathrooms were updated with creative tile layouts, wall-mounted faucets, and modern fixtures, with four of them being completely gutted. The primary bathroom, formerly a small bedroom, was transformed into a luxurious suite with a fireplace, cappuccino station, and flat-screen TV, featuring Tesoro Bianco marble vanity tops. The primary bedroom boasts a patterned Scalamandre Raphael wallpaper by Sandberg. Children's rooms and guest rooms on the third floor also received fresh paint, such as Cedar Path and Aspen Skies by Benjamin Moore. Exterior restorations included the front porch, side veranda, back deck, and a roof replacement. After two years, the Warrens, along with their French bulldog Atlas, now enjoy their uniquely restored home and its vibrant downtown Wilmington location. #HomeRenovation #HistoricHome #InteriorDesign #EclecticStyle #WilmingtonNC #HomeDecor #MilesCostinHouse #DIYRenovation

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

Rosemary James, a designer and local literary figure, has meticulously transformed her 1910 Queen Anne-style home near Audubon Park into a personal sanctuary, dubbed the 'Putti Palace' by her late husband, Joseph DeSalvo. The 4,000-square-foot residence is a testament to James's passion for period detail, European antiques, and objects d'art, particularly those featuring winged infants known as putti. The home's design is heavily influenced by classical mythology, with Diana, the goddess of the moon, serving as its patron deity, and numerous images of Greek and Roman gods adorning its spaces. The renovation of the home, which James and DeSalvo purchased in October 2019, was extensive, addressing both aesthetic desires and practical needs. The couple's previous residence, a four-story French Quarter building above Faulkner House Books, became unmanageable due to DeSalvo's severe spinal condition, necessitating a move to a home where an elevator could be installed. This 1910 house provided the ideal solution, despite James' initial dislike for its Dutch Revival façade. The property's existing allee of tea olive trees and tall wrought-iron fencing were appealing features. A serendipitous discovery during the renovation revealed that the home had previously been owned by the family of Tom Lowenburg, co-owner of Octavia Books, another independent bookstore, adding to its literary charm. The renovation encompassed a complete overhaul, including rewiring, plumbing updates, and internal and external repainting. Significant structural and decorative changes were implemented, such as adding two bathrooms upstairs and incorporating Victorian embellishments like corbels, ornate door casings, and diamond-paned windows. The installation of classic marble in all bathrooms and the kitchen was a major undertaking, dictating much of the construction schedule due to high demand for the installer. Period-appropriate mantels replaced modern alternatives, enhancing the home's historical integrity. A decorative artist was commissioned to create custom Diana transoms, stencil the library ceiling, and apply a Shagreen pattern to the library walls. The artist also crafted a screen, copying an expensive Venetian painting, to discreetly conceal the library's television. James herself took an active role in the design process, creating custom furniture, bookcases, pocket doors, and a fountain wall specifically for her beloved putti. The exterior was painted in Benjamin Moore’s Winds Breath, complemented by French blue shutters in Farrow & Ball's Lulworth Blue No. 89, and a versatile Chantilly Lace white for the trim. James also restored the first floor's original layout, reinstating walls that had been removed over the house's 110-year history. This decision re-established distinct functional spaces, with the foyer serving as a clear transition point to public areas, the staircase to the second floor, or a hallway leading to the library and a full bath. James expressed her disdain for open-concept layouts, citing practical concerns regarding privacy, kitchen mess visibility, and heating/cooling efficiency. On the second floor, six bedrooms were reconfigured into three: a primary bedroom and two guest rooms. Another room was converted into a dressing room, with the potential to serve as an overflow bedroom. A primary bathroom was created from one of the former bedrooms, featuring a cabana-style shower. A rear exit and utility closet were also added, addressing practical storage needs. James lived in the home with DeSalvo until his passing in December 2020. Since then, she has continued to enhance the property, transforming a former garage into a rentable guest house and dedicating significant time to maintaining the extensive gardens surrounding the pool and driveway, likening the effort to farming. #HomeRenovation #PeriodDetail #Antiques #ClassicalDesign #NewOrleansHomes #InteriorDesign #HistoricalHomes #RosemaryJames #PuttiPalace