Why interior designers love framed textiles and where to buy the best ones

Textiles, whether brought back from international travels or sourced from local designers, offer a unique way to introduce narrative and texture into home decor. Beyond their aesthetic appeal, textiles carry the stories of different times and places, making them cherished keepsakes. The article explores various methods for displaying these pieces, moving beyond common applications like pillows to highlight more creative and impactful design solutions. One effective approach is framing. Designer Christina Bryant, founder of St. Frank, advocates for framing textiles, particularly in acrylic box frames, which accentuate the handwork, three-dimensionality, and texture of the piece. This method also encourages sharing the textile's history and craftsmanship. An example showcases a framed scarf in a Houston living room designed by Meg Lonergan, demonstrating that not all textiles are raw fabric swatches. Another innovative use is transforming a textile into a headboard. Frances Merrill of Reath Design illustrates this by backing and upholstering an African textile with light padding, creating a comfortable and visually striking headboard. This method offers a distinctive alternative to traditional headboard designs, adding a personal and artistic touch to a bedroom. For those seeking a less permanent or upholstery-intensive solution, spreading a textile across the seat or back of a couch offers significant visual impact with minimal commitment. Textile designer Nathalie Farman-Farma of Décors Barbares, for instance, uses a vintage curtain to adorn her couch, achieving a dramatic effect without the need for professional upholstery. Similarly, Rebecca Atwood uses one of her original designs to enhance the back of a sofa, contributing to a calming room aesthetic. Smaller textile pieces can be repurposed into functional and decorative items such as poufs. Sally Breer of Co-Mingle Design utilizes kilims to create plush poufs, serving as additional seating and injecting color and pattern into a living room. Other small-scale upholstery projects mentioned include covering the seat of a chair, the front of a dresser, or the top of a bench. Textiles can also function as unique window treatments. Sally Breer suggests using vintage textiles for windows, especially those with unusual shapes or walls that need artistic enhancement, given their often-idiosyncratic sizes. This approach turns functional elements into decorative focal points, as seen in a stately living room with black and white Roman blinds. Finally, a simple yet impactful method is to hang textiles directly on the wall. British interior designer Abigail Ahern recommends draping a textile over a pole and mounting it, instantly transforming it into a piece of art. This technique, she explains, can make a space feel warm and cozy by elevating the textile to an artistic display. These diverse strategies allow textile enthusiasts to integrate their cherished pieces into their homes in creative and personalized ways, enhancing both the aesthetic and narrative of their living spaces. #TextileArt #HomeDecor #InteriorDesign #TextileDisplay #FramedTextiles #HeadboardDesign #FurnitureAccents #WindowTreatments #WallHangings

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

Upholstering furniture offers a unique opportunity to inject distinctive character and style into a home. This process begins with selecting the right pieces, emphasizing the importance of choosing comfortable, well-designed items with strong foundations. High-quality upholstered furniture distinguishes itself through careful craftsmanship, requiring well-proportioned designs that exude elegance and presence. A crucial element for longevity and a solid base for upholstery is a hardwood frame, ideally glued, screwed, and dowelled for maximum strength. The base should also be sprung to the front with coiled springs to ensure the highest levels of quality and comfort. When it comes to cushion fillings, personal preference dictates the choice. Standard European duck feather offers good shape retention, though a foam core wrapped in feather provides a firmer cushion that maintains a neater appearance and requires less frequent fluffing. While pricing for these options is similar, a feather and down cushion is approximately 15 percent more expensive but is often preferred for its lighter feel and ease of plumping. Foam serves as a more economical alternative, though it lacks the natural aesthetic of feather fillings. Finishing details play a significant role in the overall look of upholstered furniture. Self-piping or contrast piping creates a smart finish, with striped fabric cut on the cross achieving a rope effect for added visual interest. Conversely, seat cushions without piping offer a clean, contemporary aesthetic that is currently fashionable. Beyond piping, buttoning remains popular, encompassing deep buttoning with pleated dips and shallow buttoning in either matching or contrasting fabrics. Nailing, available in antique or modern nickel finishes, is also a sought-after detail. Fabric selection is paramount, beginning with an assessment of the furniture's intended use. For frequently used pieces, a durable, hardwearing fabric is essential. Fabric durability is measured by the Martindale test, with results typically provided in pattern books, sample swatches, and on websites. Some fabrics also come with stain-repellent or Teflon finishes, offering protection against minor spills. Embracing bold designs can make a significant statement. Contemporary patterns, such as abstract florals or striking geometrics in vibrant yet sophisticated colors, along with luxurious textural qualities, are ideal for creating eye-catching upholstery. Careful consideration of the pattern's size and repeat is necessary to ensure the design is fully appreciated, especially for large-scale motifs. Utilizing statement patterns on simpler furniture allows the design to be showcased in its entirety, maximizing its impact. For those who prefer to avoid patterns, a bold color applied to an elegantly shaped piece of furniture can yield striking results. Colorful trims can further enhance interest and introduce a playful element. Staying current with seasonal trends also provides inspiration; velvets featuring innovative jacquards and distinctive prints are currently prominent, as are textural fabrics in contemporary shades like chunky chenille weaves in copper and teal tones. These elements collectively contribute to creating unique and stylish upholstered pieces that reflect personal taste and current design sensibilities. #FurnitureUpholstery #DIYHomeDecor #InteriorDesign #FabricSelection #CushionFillings #HardwoodFrame #DesignTrends #HomeImprovement #TextileDurability

The Livingetc Style Awards for 2025 highlight a selection of top decorating products, emphasizing color, pattern, and texture to personalize living spaces. These awards recognize designs that bring personality to walls and surfaces, reflecting a confident approach to self-expression, often drawing inspiration from the natural world. The 'Best in Class' award goes to the Aurora fabric collection by Yarn Collective x Sister by Studio Ashby. This collaboration, inspired by the hues and textures of an early-morning sky, introduces two patterns and three plains that are described as cheerful and sophisticated. Judges praised the alluring and soft subtleties of the colors, noting the collection's dynamic and fresh feel. The 'Fabric of the Year' is awarded to Mata by Élitis, a design that evokes vintage floors and the comforting, retro style of the 1970s. Available in three colorways, the green variant was particularly noted for its livability. The design is said to bring a sense of nostalgia, reminiscent of childhood picnic blankets, making it feel very homely. Judges suggested a sofa upholstered in Mata would be an even more impactful use of the fabric than a simple cushion. For 'Best Wallcovering,' Indomito by Arte is recognized for its geometric pattern, carefully embroidered onto a woven raffia background with hessian. This natural material creates a distinct textured feel. The wallcovering is seen as versatile, capable of making vast spaces feel grand while also adding coziness to smaller rooms. The 'Best Kids’ Collection' is the Storybook Papers wallpapers by Little Greene. This collection, born from the creative director's personal connection to the target age group, features beautiful illustrations reminiscent of Beatrix Potter. These wallpapers are lauded for their artistry, appearing more like murals than traditional wallpaper and designed to delight young children. The 'Best Decorative Touch' award goes to the Kaleidoscope collection by Samuel & Sons, a collaboration with passementerie artist Elizabeth Ashdown. The collection is celebrated for its vibrant and varied colors, bringing a playful and fun final flourish to interiors. The 'Best Paint Collection' is 'The Dependables' by Beata Heuman x Mylands. This collection of 24 colors is designed to be a reliable toolkit for homeowners, ensuring well-curated and elevated spaces. It offers a solution for those overwhelmed by paint choices, providing dependable and effective options. Fromental’s Papier Chinois wallpaper collection receives the 'Best Decorating Innovation' award. This collection combines traditional hand-painted panoramic wallcoverings with augmented reality (AR) technology. When viewed through a smartphone, the birds, bees, and butterflies depicted on the wallpaper appear to take flight, creating an enchanting experience for both children and adults. The 'Best Sustainable Fabric' is Heavenly Hemp by House of Hackney. Made from 100% hemp, a renewable resource, this fabric was praised not only for its eco-friendly credentials but also for its aesthetic appeal and tactile quality, offering a perfect earthy feel. Naperon by Farrow and Ball is named 'Colour of the Year.' Inspired by the comforting warmth of a home-cooked meal, this color was chosen for its immediate appeal and its ability to evoke a sense of coziness. It was highlighted as a standout among the brand's new color launches. The 'Best Textile Collection' award goes to Ancient Memories by Marcel Wanders for Fischbacher 1819. This collection of fabrics is noted for its evocative nature and haunting beauty, featuring cloud-like shapes that create a dreamy atmosphere, sparking anticipation for its diverse applications in interior design. Finally, 'Best Kids’ Wallpaper' is 'Run Away to the Circus' by Annika Reed Studio. This design combines a blue stripe with whimsical illustrations, balancing playfulness with a sense of childlike wonder and nostalgia. It is considered ideal for children's spaces due to its charming and pretty aesthetic. #InteriorDesignAwards #DecoratingTrends #FabricDesign #WallpaperTrends #PaintColors #SustainableMaterials #TextileArt #HomeDecor #KidsRoomDecor

This article serves as a comprehensive guide to 12 prominent fabric brands, specifically curated for individuals looking to incorporate custom upholstery and textiles into their home interiors. The author, an expert in interior design, acknowledges that moving beyond off-the-shelf furnishings to bespoke options can be an overwhelming yet rewarding step in one's interior design journey. The selection presented leans towards modern styles but also includes brands that offer a blend of traditional and contemporary designs, ensuring a wide appeal. The guide begins with Casamance, a Parisian brand known for its romantic and painterly textiles, offering a soft approach to geometric patterns and a diverse range of materials from wools to silks, suitable for curtains, upholstery, and even outdoor furniture. Jane Churchill follows, an interior brand with traditional British roots, featuring structured florals, heritage stripes, and East Asian-inspired patterns that bring sophistication to both classic and modern spaces. Dedar, an Italian fabric brand, is highlighted for its innovative, sleek, and glamorous designs, with a global footprint and a reputation for luxury boucles, tapestry-like linens, and its iconic 'Tiger Mountain' jacquard velvet. GP & J Baker Group, though more traditional with a Royal Warrant, is presented as a brand offering classic quality plains and charmingly creative patterns through collaborations, such as with Kit Kemp, bridging traditional and contemporary design. House of Hackney is identified for its mainstream crossover appeal, known for creative, maximalist patterns in textiles and wallpapers, offering edgy palettes and dramatic florals suitable for clashing or pattern-drenching effects. ILIV, a rapidly growing UK brand, caters to a wide range of styles from luxurious velvets to country-chic, and retro to modern, with all designs created in-house. Liberty, an iconic brand, is celebrated for its intricately detailed patterns rooted in British art and design history, offering romantic florals and Art Deco flourishes in velvets, weaves, and linens for interiors. Kvadrat, a Scandinavian design brand, stands out as a modern choice favored by contemporary interior designers and architects for its clean lines, futuristic aesthetics, and minimalist textures, with separate collections for upholstery and lighter curtain fabrics. MINDTHEGAP, a Transylvanian brand, offers a unique aesthetic with folk-like inspirations and bohemian qualities, featuring intricate patterns that range from whimsical illustrations to historical frescoes. Prestigious Textiles is recommended as a go-to for interior designers seeking mid-range price points without compromising on quality, offering a large selection of in-house designed fabrics and wallpapers with a classic, timeless style. The Romo Group is presented as a collection of diverse fabric brands, each with its distinct identity: Romo for timeless patterns, Zinc Textiles for edgy luxury, Black Edition for contemporary elegance, Kirkby Design for graphic patterns with retro flair, Villa Nova for earthy organic qualities, and Mark Alexander for sophisticated, couture-like textiles. Finally, the Sanderson Group rounds out the list, encompassing Sanderson for traditional country-chic styles, Harlequin for modern and playful designs, Morris & Co for heritage prints, Clarke & Clarke for accessible yet stylish options, Zoffany for rich and opulent textures, and Scion for playful, Scandinavian-inspired graphic prints. Each brand offers a unique approach to textile design, enabling homeowners to curate a personalized mood and tell their home's story through custom fabrics. #FabricBrands #CustomUpholstery #TextileDesign #InteriorDesign #HomeDecor #BespokeFurnishings #ModernInteriors #TraditionalFabrics #DesignTrends

The article explores five significant fabric trends currently dominating interior design, highlighting how designers and consumers are prioritizing comfort, well-being, and a sense of escapism. It begins by emphasizing that beyond aesthetics and utility, factors like material origin and environmental impact are increasingly influencing textile choices. Stine Find Osther, vice president of design at Kvadrat, notes an increased awareness of textiles' role in creating atmosphere and promoting well-being, especially after the recent global challenges that limited tactile interaction. One prominent trend is a "Craving for Comfort," characterized by a move towards cozy, voluminous textiles such as wool bouclé and soft cotton corduroy. Svenja Diekmann, head of design at Hem, observes that bouclé textiles, in particular, emphasize coziness and a warm, homey feel. This trend favors natural materials like cotton, linen, and wool, often in thick weaves and stubby checks, predominantly in beige hues. The resurgence of corduroy is attributed to its soft, velvet touch, durable 100 percent cotton composition, and subtle monochromatic striped style, adding haptic and visual depth to homes while bridging artisanal craft with characterful environments. Another crucial trend focuses on "Healthy Fabrics." Interior designer Laurence Carr points out a massive shift where consumers prioritize healthy living and interiors, opting for natural and renewable fabrics over processed materials that might contain questionable ingredients. This means a move away from performance fabrics, chemically treated fabrics, synthetic materials, and finishes emitting VOCs. Demand is growing for environmentally conscious materials with transparent certifications like SFC, FSC, and GOTS. Carr highlights a return to "noble" textiles, valuing traditional handmade artisanship, such as linen from 100 percent flax and wool and cotton dyed with natural water-based or vegetable dyes. Experts agree that sustainable fabrics are becoming standard, with a preference for thick, honest weaves made from organic materials over synthetic options that often lack texture, color, and are detrimental to the environment. The article also discusses "Creative Alternatives" in textile innovation. Carr expresses excitement about the search for circular, regenerative, and biodegradable next-generation materials. Companies are not only reevaluating material sources but also improving sustainability through closed-loop water systems and initiatives that protect ecosystems and communities involved in material sourcing and manufacturing. An example is Supreen, a performance textile utilizing woven technology and a proprietary silicone blend to create a liquid barrier that remains soft. Vegetable-tanned leathers are gaining popularity, and the rise of initiatives like Vegan Interior Design Week indicates a growing preference for leather alternatives among consumers. "Tactility in Tech" is an emerging trend where textiles extend beyond traditional home furnishings to cover electronic devices. Charlotte Bastholm Skjold, senior vice president of products at Kvadrat, notes that industry partners are integrating textiles into products like speakers, using them to humanize and add tactility in a visually driven digital age. The Bang & Olufsen A9 speaker, for instance, features Kvadrat wool-blend covers, demonstrating how aesthetics can complement sound quality. Finally, "Printed Escapism" highlights consumers' growing boldness in print and color selection. Print designer Stephanie Ogé observes that prolonged time at home has led people to dream about global destinations, with prints becoming a form of escapism. There's a movement away from neutral palettes towards warmer tones, including jewel tones, golden hues, and rust colors. The strong desire to bring nature indoors continues, with "Nature’s Way" encompassing prints featuring florals and leaves with bold color palettes. Diekmann also notes increased interest in warm colors like beige and earthy tones such as warm greens and terra-cotta, accented with vibrant splashes. Hem's Monster Collection, a collaboration with artist Siri Carlén, exemplifies this with its vibrant mohair throws and hand-knotted wool rugs, combining craft, design, natural materials, and coziness for a well-considered home. #FabricTrends #InteriorDesign #TextileInnovation #SustainableFabrics #HomeComfort #MaterialWellness #TactileDesign #PrintedTextiles #NaturalMaterials

Jessica Shaw, the director of interiors at The Turett Collaborative in New York, emphasizes the concept of "beautiful tension" in her design philosophy, utilizing a mix of sophisticated and unexpected materials to create interiors that are both innovative and timeless. Her current mood board exemplifies this approach, featuring a collection of two-tone graphic motifs and neutral color palettes that achieve a yin-yang effect. Shaw’s selections balance coziness with a cutting-edge aesthetic, incorporating metallic mesh fabrics and high-tech leather weaves that are livable yet luxurious. Key elements in her material selection include Inaya Indium Printed Linen by Black Edition, chosen for its watercolor moodiness and suitability for drapery or duvet covers. Venetian Plaster Wallcovering in Marble Dust by Phillip Jeffries adds luminous texture to walls, making a classic look more accessible. Dedar’s Zen Light fabric in Perla is a preferred choice for ripple-fold drapery, creating an elegant and modern veil between indoor and outdoor spaces. The Kotakot Leather Weave, also from Dedar, appeals to Shaw's interest in the intersection of organic materials and high technology. American Elmwood Wall Panels by West | Wood are selected for their natural beauty and unique grain, contributing a tranquil and enduring quality to projects. Corian Solid Surface in Glacier White by Corian Design is valued for its durability, versatility, and clean, modern aesthetic. Imperial Danby Honed Marble from Stone Source, a locally sourced Vermont stone, is highlighted for its suitability in both wet and dry applications. The Catch a Glance fabric by Carlucci at JAB Anstoetz combines glamorous and tribal elements with handmade and machine-made attributes, providing a dynamic option for upholstery. Sahco at Kvadrat’s Sequence fabric in 0001 is noted for its ability to bridge light and dark room palettes, offering modernity and a durable, nubby texture beyond traditional boucle. Terrazzo Renata Fluted Field Tile in Grigio Carnico by Ann Sacks exemplifies Shaw's preference for hard-soft dichotomies in her material palettes. Dedar’s Aramis fabric in Perle introduces a metallic mesh with organic undertones, while Astrografia fabric, also by Dedar, is described as a textural dream. Kirkby Design’s Ember fabric in Noir provides a distinct alternative to popular boucles with its two-tone speckle and strong construction. Mixed-metal finishes from Waterworks, including Architectural Bronze, Unlacquered Brass, and Matte Nickel, are embraced for adding excitement to projects. Madera’s Atelier No. 021 Wide-Plank Oak Flooring is chosen for its natural beauty, tactility, and enduring quality. For high-traffic areas like entry stairs, Adara Limited’s Carmen fabric in Guadalupe, a black sisal, offers a chic and modern solution. Kravet’s Looker Faux Leather Fabric in Bronze provides a stress-free, stain-resistant, and durable option. Absolute Leather in Rowboat by Moore & Giles adds a rich texture that complements modern weaves and organic elements. Finally, Dedar’s Kotakot Leather Weave in Black and 4Spaces’ Edolo fabric, a denser variation of Zen Light, further expand on the themes of handcrafted tradition and diverse material character, illustrating Shaw’s meticulous attention to detail in creating sophisticated and compelling interiors. #InteriorDesign #MaterialSelection #TextileDesign #InteriorFinishes #DesignTrends #MoodBoard #ArchitecturalMaterials #SurfaceDesign #LuxuryInteriors

The Textile Company, a Sydney-based enterprise, has established itself as a significant force in Australia's interior design industry, supplying high-quality fabrics and wallcoverings to leading designers such as David Hicks, Greg Natale, Thomas Hamel, Alexandra Kidd, Kate Nixon, and Adelaide Bragg. Owner Peter Fitzgibbon, who started his career in a fabric warehouse in Auckland four decades ago, built the company on a deep passion for textiles. His early experiences included measuring and cutting fabric, moving into sales, and eventually buying, which led to crucial supplier relationships with international brands like Phillip Jeffries, Misia, and Fabricut. The company's showroom is organized with fabrics meticulously filed by color base, alongside a diverse library of grasscloth, wall coverings, and wall murals, reflecting a serious expertise in product. The inclusion of Peter's daughter, Jessica, marked a new phase for the business. Jessica's operational skills allowed Peter to dedicate more time to sourcing excellence and attending European trade shows, while she managed the day-to-day operations. Their collaboration leverages their distinct strengths, fostering growth and innovation within the company. Jessica emphasizes the importance of storytelling behind the brands they represent. She aims to understand and share the narrative of each fabric and wallcovering, bringing the product to life beyond its physical sample. An example she highlights is Jean Monro, a historic English fabric company renowned for weaving and hand-blocking fabrics for the British Royal Family. With King Charles's endorsement, Jean Monro is set to release 40 exclusive royal designs, showcasing a dedication to preserving traditional craft. Jessica actively hosts industry events to connect designers with craftspeople, facilitating a deeper understanding of these fabric houses. The Textile Company also champions traditional techniques, as seen in the 'Manila Hemp' grasscloth wallcovering collection from Phillip Jeffries. This collection features fibers grown and hand-loomed by artisans in the Philippines and finished by skilled craftspeople in Japan. These textural wallcoverings, available in various colors, are increasingly used in high-end residential and luxury hotel projects, offering an alternative to paint with their rich texture. Sustainability is a core focus for The Textile Company, recognizing the textile industry's environmental impact. Jessica highlights the importance of responsible selling, differentiating their products from fast fashion. She notes that reupholstering furniture is a considered act of sustainability. Peter makes conscious sourcing choices, opting for natural, pure linens and recycled polyesters whenever possible, reflecting the company's commitment to environmentally sound practices. The company's limited number of carefully selected suppliers ensures deep product knowledge and strong partnerships, allowing them to foster growth for both their business and their suppliers. Peter envisions the company as a legacy, emphasizing that while the textile business may not yield billionaires, it offers a fulfilling life of working with beautiful products and wonderful people. The Textile Company's approach reflects a blend of tradition, passion, collaboration, and a forward-thinking commitment to craft and sustainability in the world of interior textiles. #TextileCompany #InteriorDesign #Fabric #Wallcoverings #FamilyBusiness #Craftsmanship #Sustainability #LuxuryInteriors #AustralianDesign

The article emphasizes the significance of drapery in home decor, moving beyond its functional purpose to highlight its role in enhancing a home's aesthetic appeal and reflecting personality. As natural light becomes a crucial element in home design, the discussion acknowledges that while abundant windows are desirable, thoughtful window coverings are essential. The author argues that both blinds and drapery are vital components, with drapery adding a layer of softness and privacy that bare windows or those with only blinds often lack, leaving a space feeling incomplete. The article delves into the transformative power of drapery, suggesting it can introduce drama and personality into various rooms. It advises viewing window coverings not merely as utilitarian objects but as decorative elements that contribute to the overall design and texture of a space. This approach helps to unify the home's decor and infuse it with personal style. Practical applications are then explored across different areas of the home, starting with bedrooms. For these private spaces, the recommendation is to combine blinds for light blockage with drapery for added softness. The article encourages bold fabric choices, including patterns, whether graphic or subtle, to imbue the room with character. Moving to living rooms, the concept of wall-to-wall drapery is introduced as a method to create a striking visual impact. A simple rod paired with ripple-fold drapery in natural linen is suggested for an elegant yet casual look. The advice extends to installation techniques, noting that positioning the rod closer to the ceiling can elongate the wall, while splitting the area between the window top and ceiling offers an alternative. For living rooms with considerable height, floor-length, wall-to-wall drapery in neutral or sheer fabrics is recommended to add drama without overwhelming the space. Finally, the article discusses dining rooms, stressing the importance of consistency in open-concept layouts by extending the drapery style to this area. This continuity helps to tie the spaces together and create a cohesive design. For separate dining rooms, the author encourages a bolder approach, suggesting more daring drapery choices to cultivate a moody and sophisticated ambiance. The piece concludes by reiterating that drapery is a versatile design element that can elevate a home's interior through thoughtful selection and placement, offering both practical benefits and significant aesthetic contributions. #HomeDecor #DraperyDesign #WindowCoverings #InteriorDesign #HomeStyling #TextileDecor #RoomEnhancement #AestheticAppeal

The home furnishings market sees over $40 billion in merchandise sales annually, with trends in products constantly evolving due to shifting fashions and technological advancements. Given the sheer volume of available products, discerning the most imaginative and current designs can be challenging. To navigate this abundance, a curated selection of recent product recommendations was gathered from 30 prominent interior designers and architects. Ghislaine Viñas highlights the Visioni A Soie rug by Patricia Urquiola for CC Tapis, noting its contemporary yet retro 70s aesthetic. Calvin Tsao and Zack McKown appreciate Nanz hardware for its tactile qualities and the company's local base in Long Island City. Pilar Proffitt and Rob Bristow of Poesis Design favor Benjamin Moore's Mysterious paint for its versatile color, which transitions from deep blue to soft navy or near-black depending on the finish and lighting. Charlotte Lucas praises Sarah Laskow's hand-embroidered textiles as masterpieces. Mark Janson finds the Lomma Carlalid carpet, designed by Calle Henzel, reminiscent of fine art with its unique and beautiful coloration. Sheila Bridges recommends Twenty2's Deep 3D wallpaper, humorously noting its modern, interactive quality, complete with 3D glasses. Mikyoung Kim, a landscape designer, values Tournesol's outdoor wood tiles, made from domestic lumber, for their sustainable alternative to exotic hardwoods for roof decks. Frank de Biasi is particularly taken with the Mushroom checkered doorknob from JKC&D;, a new custom hardware line by Jessica Kagan Cushman and Judy K. Dimon. Ken Fulks applauds the "bold, chic" Nigel’s Tartan wool upholstery fabric collection by Hermès and Dedar. Ms. Lucas also regards the re-introduced Madeleine Castaing wallpaper borders by Brunschwig et Fils as timeless and classic. Ellen Hamilton, a New York designer, praises Benjamin Moore's Golden Gate paint for its urbanity, noting its harmonious appearance against city skylines. Doug and Gene Meyer's Brushstroke outdoor fabric for Link Outdoor is deemed "perfect poolside" by Mr. de Biasi. Young Huh appreciates Devine Color Metal Karat paint, available at Target, for its even application and lasting luster, suggesting the addition of Devine Dust for a subtle, sophisticated sparkle resembling a faux finish. These selections collectively form a comprehensive lookbook, showcasing some of the most innovative and appealing new textiles, paints, and hardware currently available in the home design market. The recommendations reflect a broad spectrum of products, from flooring and wall coverings to hardware and upholstery fabrics, catering to various aesthetic preferences and functional requirements in contemporary interior and exterior design projects. #InteriorDesign #HomeDecor #TextileDesign #PaintColors #ArchitecturalHardware #DesignerRecommendations #HomeFurnishings #ModernDesign #DecorTrends

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

Incorporating antique textiles into home decor has become increasingly popular as individuals seek to infuse their living spaces with personality and unique appeal. This approach allows for a blend of old and new, offering a distinctive aesthetic that transcends fleeting trends. While antique furniture and ceramics have long been valued, antique textiles are gaining recognition for their ability to significantly impact a room's design. This guide, drawing on expert insights, explores the multifaceted aspects of decorating with these historical fabrics, from their aesthetic contribution to practical considerations. Antique textiles offer a unique opportunity to personalize a space. Interior design consultant Lucinda Griffith emphasizes that using these textiles creates a scheme that reflects individual taste rather than following widespread trends, thus ensuring greater longevity. The juxtaposition of old and new elements, particularly through antique textiles, can introduce an unexpected layer of sophistication. Samantha Stathis-Lynch of Samantha Ware Designs notes the comfort and elevated feel that older fabrics bring, highlighting their rarity and the importance of acquiring them when found. Jessica Lev of Jessica Lev Antiques points out that antique textiles, with their inherent depth and patina, can make a room feel fresh and distinctive, especially when compared to the common use of modern prints and wallpapers. The unique nature of these fabrics can also inspire entirely new design directions that might not emerge from conventional choices. Despite their aesthetic appeal, there are practical aspects to consider when integrating antique textiles. Jessica Lev warns that these fabrics are often fragile and difficult to clean, making them more suitable for low-traffic areas. Lucinda Griffith advises inspecting them for stains and moth damage before use. Ania Agárdy, a Miami-based designer, suggests treating them as statement pieces rather than purely functional items, placing them strategically to create interest while protecting them from direct sunlight and high humidity. If a discovered fabric is damaged, specialized textile restoration or dry cleaning services might be able to revive it. The decision of whether an antique textile will serve as a focal point or an accent is crucial for integration. Scale is another factor; small pieces are ideal for cushions, which can be backed with contrasting fabric to maximize their impact. Designers also encourage cutting and repurposing fabrics for borders or smaller applications if larger quantities are unavailable. Numerous stylish methods exist for decorating with antique textiles, adaptable to various tastes, styles, and fabric conditions. One prominent method is hanging them on walls, transforming them into art pieces that add texture and a unique statement. Designers like Jessica Lev and Jess Petino of Crewel advocate for this, suggesting that ornate textiles can be framed or used as tapestries above beds for added coziness. Proper hanging techniques are essential to prevent damage over time, with mounting onto a canvas being a recommended preservation method. Alternatively, antique textiles can serve as the foundational inspiration for an entire room's design. Their colors and patterns can guide the selection of paint and upholstery fabrics, establishing a cohesive and wonderfully unique color palette. For those new to textile decor or seeking a more subtle approach, decorative pillows offer an accessible and affordable option, providing bursts of color and contrast. Samantha Stathis-Lynch highlights how faded floral prints or hand-embroidered pillows contribute a warm, lived-in feel to a design. Another effective strategy is to blend antique textiles with modern furnishings to create an appealing contrast. Framing textile samples as wall art or using them in conjunction with contemporary furniture pieces can introduce historical depth and artistic flair, often transforming them into focal points. Finally, for more robust textiles, reupholstering furniture offers a creative way to upcycle older pieces and create one-of-a-kind items, such as ottomans, headboards, or chairs. Designers like Kishani Perera frequently use remnants or even antique clothing for appliques, adding unforgettable details. Whether through simple tapestries and throw pillows or more extensive upholstery projects, antique textiles undeniably enhance a space with unique character and timeless appeal. #AntiqueTextiles #InteriorDesign #HomeDecor #VintageDecor #TextileArt #Upholstery #DecoratingTips #PersonalizedHome #CharacterfulInteriors

This article addresses a range of common inquiries about fabrics for home decoration, offering practical advice and specific product recommendations. It begins by exploring options for toile de Jouy fabrics in unconventional colors, highlighting manufacturers like Manuel Canovas, Harlequin, Lee Jofa, Turnell & Gigon, and Tissus d’Hélène, which offer vibrant color combinations such as red with aubergine or hot pink with orange. The discussion then moves to finding Union Jack fabrics for upholstery, suggesting Emily Bond and Modelli Fabrics for linen and chenille options, respectively. The article also provides a custom-printing service by Banner Box for heavy canvas flags. Guidance is offered on curtain headings, specifically the inverted pleat style, and an alternative method of attaching curtain rings directly to the heading for a softer fold. For recovering antique Thonet chairs, the piece advises on materials like leather and eisengarn, recommending Bruce Upholstery for their expertise. The search for moquette-like fabric for an antique chair leads to Holdsworth for traditional moquette, and Turnell & Gigon, Watts, and Sanderson for similar cut-and-loop velvet épinglé weaves. The article then tackles choosing striped fabrics for a farmhouse living room, suggesting textured options from William Yeoward, GP&J Baker, and Ian Mankin, emphasizing natural tones over stark white. It also clarifies the benefits of interlining Roman blinds versus simple lining, noting its advantage in providing substance to folds, except in high-humidity environments. For long cushion pads, John Lewis is recommended for king-size pillows, and The Feather Company for custom-made cushions with various feather fillings. Suggestions for textured throws in muted neutrals for a country-style bedroom include options from The White Company, The Wool Company, Luma, and Occa-Home. When selecting sofa fabric, the article points to ribbed velvet or corduroy options from Brian Yates, Lewis & Wood, and Warwick. For lattice-smocked cushion covers, while patterns are scarce in the UK, the book “Smocking: Traditional & Modern Approaches” and online tutorials are suggested, alongside ready-made options from John Lewis, Heal’s, and Laura Ashley. Addressing the challenge of finding dusky pink and warm grey fabrics, Elanbach is highlighted for its digital printing capabilities, allowing custom color combinations, with Lewis & Wood also offering suitable designs. For fade-proof fabrics in conservatories, polypropylene and acrylic fabrics from Osborne & Little, Beacon Hill, Perennials, Schumacher, Decortex, and Clarence House are recommended, with a crucial note on fire retardancy treatments. Introducing color to a cream and mushroom bedroom scheme, the article proposes upholstering a chair in striped fabrics from Baker Lifestyle, Romo, William Yeoward, or Malabar, and adding bright cushions and accessories. For covering walls in silk, the advice is to consult an upholsterer, with Swankies Upholstery mentioned as a specialist, detailing the technique involving battens, padding, and fabric tensioning. Animal print velvets for bed throws are explored, with GP&J Baker, Marvic Textiles, Zinc, Robert Allen, and Kravet London offering various soft, draping options. Finding new loose covers for discontinued sofa ranges points to Lyn-Plan and local soft furnishing specialists. For dog-proof upholstery in a country kitchen, the article recommends checked or striped fabrics from Romo, The Isle Mill, Lewis & Wood, Marvic Textiles, and Linwood, suggesting armcaps for practicality. When recovering Chesterfield sofas in velvet, Northcroft Fabrics offers Dralon, mohair, and cotton velvet options, classified by Martindale abrasion test ratings. The Dormy House is presented as a primary option for custom dining chairs, allowing different fabrics for seats and backs, alongside Ikea and John Lewis for more budget-friendly alternatives. Matching grey fabrics for kitchen blinds to Farrow & Ball’s Parma Gray includes Pencarrow linen from Osborne & Little and patterned options from Brocante Fabrics, Veere Grenney, and Nicole Fabre Designs. The best Irish linen bedsheets are identified as those from Thomas Ferguson Irish Linen, despite flax no longer being grown in Ireland. The article advises against re-dyeing a stained cotton cushion cover due to unpredictable results, suggesting replacing the cover or flipping the cushion. Finally, the piece addresses finding yellow or soft grey toile de Jouy patterns for a bedroom, recommending Marvic, Brunschwig & Fils, Manuel Canovas, Nicole Fabre Designs, Pierre Frey, and Sheila Coombes. For upholstery-grade black silk, Veraseta and Faille Antoinette are mentioned, along with a silk/linen blend from GP & J Baker and a high-wear satin from Zimmer & Rohde for a silk-like sheen. #FabricSelection #HomeTextiles #Upholstery #CurtainDesign #CushionCovers #InteriorDecor #MaterialGuide #RenovationTips

The Kips Bay Decorator Show House in Manhattan, which features works from 23 top interior design firms, provides inspiration for incorporating textiles into home decor beyond traditional upholstery. The article highlights four innovative approaches to utilizing fabric, demonstrating its versatility in creating luxurious and artistic spaces. One approach involves fashioning a contemporary canopy bed. Timothy Whealon's design showcases a modern canopy bed using a geometric fabric by Jennifer Shorto for Claremont. This fabric features watercolor hues of lavender, green, and blue, creating a dreamy and luxurious aesthetic. The design reimagines the classic canopy, providing both privacy and a focal point for the bedroom. Another creative use of textiles is to explore an artistic side by swathing entire walls in fabric, and then enhancing them with artistic applications. Designer Phillip Thomas commissioned Andrew Tedesco Studios to decorate the fabric-clad walls of his "Lady Lair" with vibrant hues. This technique not only makes a bold statement but also serves to visually enlarge a small space, demonstrating how textiles can be a medium for expansive artistic expression. The third method involves covering every inch of the wall, including architectural details, with fabric. The interior design firm Drake / Anderson employed a French upholstery technique called gainage in a bedroom. This method involves meticulously applying fabric to walls from top to bottom, extending it over moldings, electrical outlets, and light switch plates. This creates a seamless, enveloping textile environment that adds warmth and texture to the room, transforming it into a cohesive and luxurious space. Finally, the article suggests wrapping furniture in textiles to add texture and unique character to a room. In a bedroom designed by Maximilian Sinsteden and Catherine Olasky of Olasky & Sinsteden, custom-made twin canopy beds were upholstered in a sand-hued Fermoie fabric. This application demonstrates how fabric can transform furniture pieces into tactile and visually engaging elements within a design scheme. These examples from the Kips Bay Decorator Show House illustrate how textiles can be ingeniously integrated into home interiors, offering solutions for enhancing aesthetics, creating visual interest, and defining spaces with a touch of luxury and creativity. #TextileDecor #HomeDecor #InteriorDesign #KipsBayShowHouse #FabricWalls #CanopyBed #UpholsteryTechniques #LuxuryInteriors #CreativeTextileUse

The choice of fabrics in interior design is currently being influenced by a combination of factors, including a heightened demand for comfort, a strong emphasis on well-being, and a desire for escapism. Experts in the field, such as Stine Find Osther and Charlotte Bastholm Skjold from Kvadrat, interior designer Laurence Carr, Svenja Diekmann from Hem, and print designer Stephanie Ogé of Sogé Decor, highlight several key trends that are shaping current textile preferences. One prominent trend is the craving for comfort, manifested through the increased popularity of cozy, voluminous textiles. Materials like wool bouclé and soft cotton corduroy are favored for their inviting texture and ability to create a warm, homey atmosphere. Diekmann notes the resurgence of bouclé and corduroy, attributing it to their plush feel, durability, and subtle stylistic elements like monochromatic stripes. The emphasis on natural materials such as cotton, linen, and wool, often with thick weaves and stubby checks in neutral beige hues, underscores a desire for tactile and visually rich environments that bridge artisanal craft with characterful interiors. Beyond aesthetics, health and wellness are significantly influencing fabric selections. There is a growing consumer preference for natural and renewable fabrics, driven by a post-pandemic awareness of indoor environmental quality. This shift involves a move away from chemically treated fabrics, synthetic materials, and finishes that emit volatile organic compounds (VOCs). Consumers are increasingly prioritizing materials with transparent certifications like SFC, FSC, and GOTS, indicating a strong demand for environmentally conscious options. Carr points to the return of traditional, handmade textiles such as 100 percent flax linen and wool and cotton dyed with natural water-based or vegetable dyes, reflecting a value for noble materials and sustainable practices. The consensus among experts is that sustainable fabrics are becoming standard, with a clear rejection of synthetic alternatives in favor of honest, organically derived weaves. Innovation in textile production is also leading to creative alternatives that address environmental concerns. Companies are exploring circular, regenerative, and biodegradable materials, and reevaluating their sourcing to improve sustainability. This includes using closed-loop systems for water reuse and initiatives that support the ecosystems and communities involved in material production. An example is Supreen, a new performance textile that combines advanced weaving technology with a silicone blend to create a liquid barrier while maintaining a soft touch. The increasing traction of vegetable-tanned leathers and the emergence of movements like Vegan Interior Design Week indicate a broader trend away from animal-derived products. Fabric application is extending beyond traditional home furnishings to technology. Bastholm Skjold observes that textiles are being integrated into devices like speakers, adding a humanizing and tactile dimension to an increasingly digital world. The use of Kvadrat wool-blend covers on products like the Bang & Olufsen A9 speaker exemplifies how textiles can enhance the aesthetic and sensory experience of technological items. Finally, printed fabrics are embracing escapism and bolder aesthetics. Ogé notes that consumers are becoming more adventurous with print selections and color palettes, often drawing inspiration from global destinations. The trend includes moving away from neutral tones towards warmer palettes featuring jewel tones, golden hues, and rust colors. This is complemented by a strong connection to nature, with prints featuring florals and leaves in bold color schemes, aiming to bring the outdoors inside. Diekmann also observes a shift towards warm colors, earthy tones, and energetic splashes of color, as seen in Hem’s Monster Collection, which uses vibrant hues in mohair throws and hand-knotted wool rugs, integrating art, craft, and natural materials into the home. #FabricTrends #InteriorDesign #SustainableFabrics #HomeDecor #TextileInnovation #ComfortInDesign #WellnessInteriors #PrintPatterns #NaturalMaterials

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Ottoline Devries, a former lawyer who transitioned into interior design, shares her curated list of favorite homeware stores, independent brands, vintage shops, and gift ideas. Devries, known for her vibrant and bold wallpaper and fabric designs through her eponymous brand, offers insights into her aesthetic preferences and where she sources unique pieces for her own home and designs. Her brand's success stems from her initial frustration at not finding suitable materials for restoring antique furniture, leading her to create her own. Devries highly recommends The Socialite Family for its blend of minimalistic and timeless homeware with playful items, allowing for an exciting mix of classic and contemporary styles. For a captivating interiors shop, she highlights Howe London on Pimlico Road, praising its team's dedication to quality craftsmanship. Liberty London is recognized as the best department store globally for its continuous introduction of new brands featuring rich colors and patterns. Among independent interiors brands, Balineum is celebrated for its unique tiles and strong brand ethos, emphasizing owner Sarah Watson's generosity and enjoyable personality. The New Craftsmen in Mayfair stands out as a prime independent homeware destination, curating works from various independent artists and makers, making it difficult to leave without a purchase. A recent discovery, Nonna’s Napkins, is admired for its cool hand-embroidered vintage tableware. Devries also discusses her appreciation for vintage finds, listing Adam Bray, Retrouvius, Max Rollitt, 1st Dibs, and Gonnermann as her top choices. She values the character and interest that vintage pieces add, particularly mentioning reupholstered vintage chairs in her home as cherished items. In terms of sustainable options, The Light Clinic is noted for transforming old vases into charming, unique lamps. For special purchases, Glassette is highlighted as an excellent online marketplace for independent brands. When it comes to gifting, Devries recounts designing custom beach towels for her parents, inspired by their home, and cherishing a kitchen table received as a wedding gift from her in-laws, which has become a focal point of family life. Her recent home purchases include photo frames from Host Home for a painting by SJ Axelby. The most significant financial investment in her home has been the restoration and reupholstery of vintage pieces, which she views as creating future heirlooms. For specific home items, Summerill and Bishop is her go-to for tableware, Sophie Conran for scalloped bed linen, and Bias Editions for distinctive glassware. Domenica Marland is recommended for art. For lighting, Rosi de Ruig is praised for her timeless wooden lamp bases and shades made with beautiful papers, including Devries's 'Improvisation' wallpaper. The article concludes with Devries reflecting on a regretted purchase omission: a versatile rug from a Turkish holiday, emphasizing the importance of considering functionality less and versatility more. #InteriorDesign #Homeware #Wallpaper #Fabric #VintageFurniture #HomeDecor #IndependentBrands #LuxuryInteriors

Dane Pressner, the design director of D’Aquino Monaco in New York, maintains a compilation of samples, swatches, and inspirational images to constantly fuel his design ideas. His current mood board reflects a "moody and dramatic" aesthetic, characterized by saturated hues and diverse textures that, despite their apparent disparity, cohere harmoniously. Pressner emphasizes the importance of storytelling in design, noting that each element in his palette has a narrative, connected by his appreciation for craft, color, and the making process. He seeks to create a serene foundation, then introduces a contrasting element to add dynamism. Pressner details 20 specific items from his current inspiration. These include the "Victoria" fabric in denim by The Sign, valued for its saturated color and tactile quality, and the whimsical "Argo 2" fabric by Raf Simons for Kvadrat, chosen for its incredible color and playful nature. He incorporates "Anaconda Velvet" fabric in Petrol by House of Hackney, drawn to its symbolism of rebirth and transformation, and describes it as both luxurious and "menacing." Wood samples like "Iced Grey Fir" and "Iced Barn Wood" from Barn in the City are included for their "showstopping" potential. Artisanal elements such as glazed lava stone samples by Ian Felton Studio are highlighted for their sophisticated palette and Felton's understanding of proportion. Joseph Algieri’s "Large Cactus Foam Lamp" samples are noted for sparking joy with their unconventional green color. "Judy Stripe" wallpaper by Voutsa creates an illusion of draped fabric, which Pressner imagines Mame Dennis would have used. The "Series 108 Hardware Suite" by D’Aquino Monaco for SA Baxter, inspired by Francine Monaco and vintage automobiles, is praised for its versatility across modern and traditional interiors. Further inspirations include the "Lapis Glaze" sample by Danny Kaplan Studio, which features archaic yet modern forms and stunning new glazes, and metal finish samples by Alexandr Zhikulin of Lanin Design, whose straw marquetry interpretation in metal showcases boundless talent. Minimalist and sophisticated "Maykume Wood Panel" samples in Gris Noir by May Furniture are chosen for their texture and tone. The "C-Thru 2 lamp" by The Alpha Workshops, hand-cast in plaster with an aluminum-leaf faux bois finish, is appreciated for its beauty and the non-profit's mission. Pressner expresses an obsession with Pierre Frey's "Majestic" fabric in Noir & Or. Élitis's "Panama" wallpaper in Dandy is his go-to for natural textures, particularly the wild ones, envisioning an entire room in this black and natural grass cloth. "Raphia Rosace" wallcovering in Polaire by CMO Paris is described as magical, evoking an island ambiance due to its hand-crafted, 3D raffia. Custom hand-knotted zebra-print flat weave rugs by Tai Ping are valued for showcasing visible craftsmanship, which Pressner finds grounding. "Rialet Rug" samples by La Manufacture Cogolin are a "must-use" for their captivating color combinations. "Strata Linea Stone Plank Tile" by Clé Tile is appreciated for its innovative use of repurposed stone remnants, warmth, and color. "Sheepskin Upholstery" in Shadow by Opuzen is a frequently used fabric for its cozy texture and adaptability. Finally, "Armor Side Table Chain Mail" samples in Satin Nickel by Konekt are admired for their paradoxical ability to be both cold and soft, fitting into any decor scheme. #InteriorDesign #DesignInspiration #MoodBoard #TextileDesign #MaterialSelection #ArtisanCraftsmanship #HomeDecor #ColorPalette #SurfaceDesign