Celia Rufey answers your fabric questions

This article compiles a series of expert responses from Celia Rufey, addressing a variety of common furniture-related queries from readers. The questions span a range of topics including sourcing specific furniture styles, dealing with furniture issues, and seeking advice on decor and restoration. The initial query focuses on finding a two-seater Knole-style sofa with simpler lines within a budget of approximately £3,000. Celia suggests exploring companies like Sofa.com and Seriously Sofas, highlighting that some offer customization options like adjusting proportions or removable covers, which can help achieve the desired aesthetic and stay within budget. For example, Sofa.com's Descartes or Avalon models can be modified for around £2,000 even with increased arm and back height. Bespoke Sofa London and independent upholsterers are also recommended for custom pieces. The second question concerns sourcing vintage factory stools or chairs for a kitchen. The Old Cinema is recommended for restored vintage industrial furniture, particularly swivel chairs from the 1930s to 1950s, priced between £80 and £200. Ormston Saint, an online supplier, offers 1950s Bauhaus swivel chairs and 1940s machinists' chairs for £250 to £395. For new industrial-style stools, Cult Furniture and Cox & Cox are suggested. A reader seeking a large, contemporary white dining table for around £400, capable of seating 10 and suitable for both parties and children's activities, is advised that this is a challenging request within the budget. Suggestions include the Lia 10-seater table from John Lewis for £299, the Multi matt white lacquer dining table from Go Modern for £510, or the Bramante from Made for £499. Less contemporary but robust options like the Halland Extendable table from Fashion For Home and the Beaufort table from The Cotswold Company are also mentioned, with an emphasis on solid wood tops for refinishing. For a plain-framed four-poster bed without detailing, Raft offers a substantial option in reclaimed teak. Benchmark provides a slim-profile oak bed, while Lombok features a dramatic black lacquer style. The Natural Bed Company and The Four Poster Bed Company are also listed for various wood options. Another reader inquired about a glass-framed coffee table and side tables with a metal frame, excluding brass. Tom Faulkner's Madison range, available in various finishes and sizes, is suggested, with a large rectangular coffee table costing £1,199 and side tables from £499. Finding a purple velvet corner sofa for approximately £2,500 is addressed by suggesting Sofa.com for its competitive pricing and fabric options like Crushed Florentine and Pure Cotton Matt. Sofas & Stuff also offers competitive pricing and a range of velvet choices. For a stone coffee table, Conservatory Interiors by Vale's Rectangular Stone Coffee Table is recommended, or custom options from Mosaic & Stone. Console tables similar to a butler's table are available at Nordic House and John Lewis. Furniture restoration advice includes tackling unpleasant odors in cherry bedroom furniture, likely caused by mildew or mold. Solutions involve bicarbonate of soda, airing, dehumidifiers, and products like Moso Air Purifying Bag or Furniture Clinic's Mould Remover. For a blonde wood apothecary cabinet, Raft and Shimu are suggested for various drawer configurations and wood finishes, alongside The Cotswold Company. Courses for understanding antiques are offered by Regent Academy, Christie's Education, and Sotheby's Institute of Art, with West Dean College providing furniture restoration courses. Replacing unlacquered swan-neck brass handles for an antique chest of drawers is possible through Armac Martin, which can supply unlacquered handles that will naturally mellow over time. K Restorations is recommended for replacing desk leather, offering different qualities and colors with DIY instructions. For a chair similar to a vintage folding chair, I & JL Brown and Christopher Clarke Antiques are suggested, with options for new reproductions or sourcing antique pieces. Advice for furnishing a narrow living room includes zoning techniques with sofas and low tables, or creating a strong decorative focus with a console table or desk. Specific furniture requests include a three-seat, low-armed sofa with three cushions, where Ikea and Sofa Workshop are mentioned, along with high-end options from George Smith, Sean Cooper, and The Odd Chair Company. For a rectangular glass coffee table, Richard Taylor Designs and Glass Domain offer similar styles. Antique oak dining tables suitable for a panelled room can be found at I & JL Brown, Antique Tables & Country Furniture, and Alexander Paul Antiques. Metal chairs in bright colors are available at Alexander & Pearl. Suggestions for large, antique-style sideboards include JVB, Willis & Gambier, and India Jane. Dressing tables to fit a bay window are offered by Leporello (Swedish-style and bespoke), and Greenhill Design (contemporary). Extra-wide armchairs are available in John Lewis's Snuggler collection, Wesley-Barrell, and Content by Conran. Fitting a gas fire unit into a 1930s tiled fireplace is addressed by 20th Century Fires, which offers suitable inserts and installation advice. Bar stools with woven rattan tops are available from Lloyd Loom. Repairing canework furniture is covered by Joan Gilbert and the British Antique Furniture Restorers' Association. Sourcing exotic or dramatic furniture is possible through Osborne & Brown, House Couturier, and Aiveen Daly. Finally, for Victorian-style balloon-back chairs, Leather Chairs and The Odd Chair Company are recommended. Sliding glass room dividers are available from Go Glass, Preedy Glass, and Space Slide. Restoring Moroccan leather seats is handled by The Leather Conservation Centre. Repairing pre-woven cane chairs can be a DIY project using supplies from The Cane Store. Extendable oak tables are offered by Christian Harold, New Heights, and Oak Furniture Solutions. Contemporary writing desks are available at The Conran Shop, Heal's, and Mufti, with Just Desks also offering custom options. Gilding a rattan chest of drawers with metallic paints from Ardenbrite or Beckers is also discussed, emphasizing proper priming and protection. #FurnitureSourcing #HomeDecor #FurnitureRestoration #InteriorDesign #SofaSelection #DiningTables #BedroomFurniture #CoffeeTables #AntiqueFurniture

This primer delves into the intricate world of textiles, guided by Rachel Doriss, design director at Pollack, who has dedicated 25 years to the industry. The discussion covers various aspects of fabric, from the fundamental properties of different fibers to advanced weaving techniques, printing methods, and performance considerations for both residential and commercial applications. Doriss emphasizes how understanding these elements is crucial for designers to make informed material selections, fulfill client needs, and avoid common textile-related pitfalls. The article begins with an exploration of protein fibers, specifically focusing on wool. It details how wool, derived from sheep and lambs, offers resilience and insulation due to its hollow core and natural lanolin coating, making it flame and soil-resistant. The nuances of wool, such as the fineness of Merino and the smooth finish of worsted wool, are explained, along with its suitability for rugs, upholstery, and drapery. The evolution of commercial fabrics, now relying on synthetic fibers for affordability and easy maintenance, is also touched upon. Other animal fibers like mohair (from angora goats), cashmere (from cashmere goats), alpaca, camel hair, and angora rabbit fur are introduced, each with unique characteristics that contribute to their specific applications, from durable theater seating to soft, luxurious garments. Silk, originating from silkworms, is highlighted for its unique luster and delicate nature, primarily recommended for decorative residential use due to its UV sensitivity. Transitioning to plant fibers, the primer discusses cotton and linen. Cotton, known for its moisture-absorbing properties, is often blended with other fibers for increased durability. Linen, one of the oldest fibers, is celebrated for its strength, luster, and characteristic wrinkling, which Doriss describes as part of its appeal. The processing of flax to produce linen, including retting and the origin of 'towhead,' is detailed. Practical advice for using linen, particularly for drapery, is provided, accounting for its reaction to humidity. The article also covers rayon and its variations (viscose, modal, acetate, bamboo), explaining their cellulosic origin and versatility in mimicking natural fibers like linen or silk. Despite past misconceptions, rayon is presented as a valuable fiber with a beautiful hand and fluid drape, particularly when used strategically to minimize shading. Synthetic fibers, such such as polyester, polyurethane, and acrylic, are examined for their chemical composition and performance benefits. Polyester, once associated with leisure suits, has evolved into a sophisticated material that can emulate natural fibers, offering easy cleaning and durability. Polyurethane forms the base for faux leathers, while acrylic provides fade and moisture resistance, making it ideal for outdoor use and as a wool alternative. The strategic blending of synthetic fibers like polyester and nylon with luxury yarns in warp and weft constructions is discussed as a way to enhance durability and manage costs. The role of yarn in defining a fabric's personality is explored, with a focus on novelty yarns like boucle and chenille. The importance of yarn tightness in relation to strength and appearance is explained using the analogy of braiding hair. Various weave constructions—plain, basket, twill, and satin—are described, clarifying that satin refers to a weave rather than a fiber type. The susceptibility of certain weaves to snagging is noted, and designers are encouraged to physically examine fabric samples. The article also introduces the Martindale and Wyzenbeek scales for measuring abrasion resistance, cautioning that high double rub counts do not always equate to overall durability, necessitating consideration of factors like pilling, seam slippage, and cleanability. Velvet, a popular upholstery fabric, is explained in terms of its construction, differentiating between loop and cut pile variations. The phenomenon of 'crushing' or 'panne' in pile fabrics is discussed, along with how different fibers, like linen, contribute to specific aging effects. The primer then delves into printing and embellishment techniques. Digital printing is highlighted for its ability to achieve painterly effects with numerous colors, while screen printing is described as a more artisanal process involving individual screens for each color. Block printing, an even more labor-intensive method, is celebrated for its authentic, handcrafted variations. Embroidery, both machine-guided and hand-guided, is presented as a way to add texture and intricate designs, including unique examples like space-dyed yarn and water-soluble embroidery. Finally, the article discusses performance fabrics, emphasizing solution dyeing for enhanced fade and bleach resistance in synthetic fibers, crucial for outdoor and high-traffic areas. The importance of finishes, not just for protection but also for achieving specific aesthetic effects like blurred surfaces and exaggerated textures, concludes the comprehensive overview of textiles. #TextilePrimer #FabricFibers #YarnTypes #WeavingTechniques #TextileFinishes #PerformanceFabrics #InteriorDesignMaterials #PollackTextiles #RachelDoriss

The article details an unexpected collaboration between interior designer Kerry Joyce and artist Marian McEvoy, sparked by a social media connection. Joyce, known for his interior design work, discovered McEvoy's intricate collages of natural elements on Instagram, specifically under the handle @gustthepoodle. Intrigued by her unique artistic style, Joyce researched McEvoy and learned about her prominent background as a former editor-in-chief of ELLE DECOR and House Beautiful, as well as an editor for Women’s Wear Daily and W. This discovery led to a personal visit to McEvoy's home and studio in Wappingers Falls, New York. During this visit, Joyce recognized the potential to translate McEvoy's distinct artistic vision into fabric designs. He expressed his admiration for her creative energy and his conviction that her designs would be ideal for textiles. The collaboration materialized into a collection featuring five black-and-white botanical watercolors by McEvoy, which were then printed onto linen in ten different colorways. The collection showcases various nature-inspired motifs, including dotted leaves, whimsical vines, and striped florals, all stemming from McEvoy's imaginative work. McEvoy shared her perspective on this new chapter in her career, attributing her refined sense of color, style, and quality to her extensive experience in the fashion industry, particularly her 17 years spent in Paris working with couturiers like Yves Saint Laurent. She expressed gratification at the current level of interest in her work, especially at 73 years old, and highlighted the positive experience of collaborating with someone who genuinely appreciates and acts upon her artistic contributions. The success of this initial collection has already paved the way for a second collaboration between Joyce and McEvoy, scheduled for 2022, underscoring the fruitful nature of their partnership. The story, originally published in the September 2021 issue of ELLE DECOR, exemplifies how digital connections can evolve into tangible and impactful creative endeavors within the design world. #FabricDesign #DesignCollaboration #InteriorDesign #MarianMcEvoy #KerryJoyce #SocialMediaInfluence #TextileArt #BotanicalPrints #ELLEDECOR

This comprehensive guide explores the best online fabric stores, making it easier for sewers and crafters to find the perfect materials for their projects, especially when physical access to fabric stores is inconvenient or local selections are limited. The article highlights that online shopping for fabric offers a broader range of choices compared to brick-and-mortar stores, and many online retailers also provide sewing notions and supplies, creating a convenient one-stop shopping experience. Before making a purchase, several key factors should be considered, including the specific type of fabric needed for a project (e.g., clothing, upholstery, quilting), paying attention to the fabric's weight, content, and width. The article also advises on understanding how fabric is measured and sold (by yard or meter, with varying minimums). Swatch availability is another crucial consideration, as it allows customers to assess the material's look and feel before committing to a larger order, though swatches may be limited for deadstock or vintage fabrics. The potential for bulk discounts is also discussed, which can be advantageous for large-scale projects. The availability of notions and sewing supplies on the same platform adds to the convenience for many crafters. Furthermore, the article emphasizes checking shipping costs and return policies, as these can significantly impact the overall purchase experience. For environmentally conscious consumers, the guide points out stores offering recycled or deadstock fabric, which promotes sustainability by reducing waste and carbon emissions. Customer reviews are presented as an invaluable resource for gaining insight into a fabric's texture, feel, and any discrepancies between its description and the physical product. The article then presents its top picks for online fabric stores, detailing their unique advantages and considerations. Mood Fabrics is named the best overall for its extensive selection, diverse textile range, search filters by skill level and project, and a fabric quiz, along with live chat support. Amazon is highlighted as the runner-up for its streamlined shopping experience, affordable prices, and 2-day delivery options for Prime members, offering a wide array of fabrics for various uses. Spoonflower is recommended for the best design selection, featuring thousands of unique designs from independent artists and the option to upload custom photos or designs, although prices are generally higher. Queen of Raw is identified as the best for deadstock fabric, providing a marketplace for discontinued materials that minimizes environmental impact, complete with Impact Footprint Reports for each purchase. JOANN is recognized as the best for crafts and quilts due to its wide selection of novelty and themed fabrics, extensive sewing supplies, and in-store pickup option. Etsy is also considered for its unique and vintage fabric offerings from individual sellers, allowing buyers to support small businesses and find one-of-a-kind materials. The article concludes by providing practical advice for navigating online fabric purchases, such as utilizing search functions, reading reviews, ordering samples, and understanding the cost variations based on fabric type and quality. It also addresses frequently asked questions, including how to find the right fabric, where designers source materials, what constitutes high-end fabric, and the rarity of certain textiles, along with information on bulk discounts. #OnlineFabricStores #FabricShopping #TextileIndustry #SewingSupplies #CraftingMaterials #HomeDecorFabric #UpholsteryFabric #SustainableFabric #DIYProjects

Josniel Fiallo, President of Rex Fabrics, discusses how his company distinguishes itself in the fabric and textile industry. Unlike many fabric stores, Rex Fabrics provides an extensive range of services directly related to the fabrics they sell. The company operates an in-house atelier with over 25 years of experience, offering haute couture services, also known as "servicio de alta costura" in Miami. This atelier specializes in custom-made dresses, ranging from jumpsuits to elaborate ball gowns, and particularly focuses on unique bridal gowns. Fiallo emphasizes empowering women by providing custom options that allow brides to feel and look their best, rather than conforming to standard designs. The availability of two in-house tailors further sets Rex Fabrics apart, ensuring personalized service for clients. Rex Fabrics also caters to men's fashion with bespoke tailoring services for suits, sports jackets, dress shirts, and guayaberas, which are popular in South Florida's tropical climate. The company handles diverse client requests, from wedding tuxedos to boardroom pinstripes, while upholding the highest standards of bespoke tradition. Beyond apparel, Rex Fabrics extends its services to home décor, offering custom upholstery for both indoor and outdoor furniture. This includes decorative services such as custom-made curtains, drapes, and furniture cushions, as well as reupholstery. As a Sunbrella® dealer, they provide hundreds of Sunbrella® fabric options for updating outdoor spaces. Fiallo shares his 22 years of experience in the fabrics and textile industry, highlighting his lifelong passion for fashion. He developed his skills at Rex Fabrics, which was already recognized as a premier fabric store in Miami. His journey began at the company's first location in Coral Gables, where he was captivated by the wide array of luxurious fabrics, including Brocades, Embroidered Tulles, Printed Silks, Embroidered Lace, Printed Chiffon, and Mikado Zibeline. He notes that exceptional customer service has always been a cornerstone of Rex Fabrics, a quality he believes is often lacking in contemporary retail environments. Fiallo acquired the store and leveraged his existing fashion knowledge to ensure continued success, contrasting his approach with competitors who might struggle due to a lack of focus on exclusive products or inadequate customer service. Regarding brand loyalty, Fiallo stresses the importance of communication and valuing customers as the company's most significant assets. He advocates for consistent engagement with clients to keep them informed and foster a sense of appreciation, which, in turn, promotes loyalty. Staying connected can also encourage customers to interact on social media, share content, and generate new referrals through word-of-mouth marketing, which he finds highly effective. He advises fabric stores in Miami to prioritize client loyalty by developing and maintaining relationships through personalized, focused communication. An example provided is implementing a communication plan upon a customer's purchase of a custom dress, bespoke suit, exclusive fabric, or upholstered item. This strategy not only gathers data but also builds a strong, lasting relationship, making clients feel valued and appreciated. Fiallo also provides insights into building social media presence, emphasizing that the objective is to cultivate an active online community rather than merely accumulating followers. The key has been to post original content, showcasing new products, vendor displays, custom-made dress results, and fashion-related information. This strategy has proven effective for Rex Fabrics, a company with over 30 years of presence in Miami, enabling them to expand their market and continuously acquire more inventory to meet customer demand for exclusive fabrics. #FabricStore #HauteCouture #BespokeTailoring #CustomUpholstery #HomeDecor #CustomerService #BrandLoyalty #SocialMediaStrategy #TextileIndustry

Margo Selby, a celebrated designer-weaver, has been at the forefront of innovative textile design for over a decade, distinguishing her work through the creation of colourful, three-dimensional fabrics that form the core of her vibrant cushions, throws, rugs, and various home accessories. Her signature style, characterized by strong graphics and intricate patterns, originates from her Kent studio, where she utilizes a 24-shaft dobby loom to develop her unique hand-woven textiles before they are put into production by specialized mills. Selby's artistic journey is deeply rooted in her family's tradition of textile craftsmanship, with her grandmother, Edith Selby, having taught her crocheting and cross-stitching. This early exposure to textile arts naturally led her to pursue a focus on textiles during her foundation studies at Chelsea College of Arts, where she also explored graphic design, sculpture, and three-dimensional design. Her formal education continued with an MA in woven textiles from the Royal College of Art, followed by a fellowship at The Ann Sutton Foundation. During her fellowship, Selby engaged in projects that included developing products for Shetland wool and designing dobby fabrics for the interiors fabric industry in Yorkshire, establishing her initial connections with industrial mills. It was through these experiences that Selby began to bridge her hand-woven concepts with industrial manufacturing processes, leading to the development of her brand's hallmark silk and Lycra fabrics. The inspiration for her innovative three-dimensional fabric concept stemmed from her fascination with surface and texture, particularly the desire to emulate the tactile quality of bubble wrap packaging using silk. This pursuit involved extensive research into different fibers that would shrink when exposed to heat, which she then wove in combination with silk to achieve the desired three-dimensional surfaces. Selby's design philosophy is intrinsically linked to the art of weaving, which serves as the primary source of inspiration for all her creations. Beyond her personal handloom work, she actively explores global trends in woven textiles, drawing stimulation from highly decorative designs rich in pattern and color. Recent collections reflect an appreciation for indigenous and tribal fabrics, including techniques such as Japanese dyeing and African prints. The design process for her fabrics begins with the careful planning of the warp, which forms the structural backbone of the fabric on the loom, allowing for experimentation with different structures and weft yarns until a satisfactory product is achieved. This methodical and contemplative approach allows the fabric to evolve one row at a time, providing ample opportunity for design refinement. Once a fabric design is perfected through numerous developmental warps, Selby explores its potential for industrial production, collaborating with mills. For her flooring collection, her woven patterns were adapted into carpet constructions, manufactured in the UK. Operating from an open-plan studio in Whitstable, Selby immerses herself in a creative environment filled with materials, yarns, and inspiring imagery. Her daily routine involves addressing emails and collaborating with her team before dedicating the majority of her day to weaving at her loom. Her collaborations extend to companies like Alternative Flooring, for which she developed wool carpet and runner designs inspired by her deflected double-weave hand-woven cloths. Selby sources yarns globally, with Japan and the US being notable for their vibrant hand-weaving communities, and emphasizes selecting the most skilled weavers for specific material types. The business, which began in her bedroom, has expanded significantly to a bustling textile studio employing eight full-time staff and additional piece workers in Whitstable, focusing on bespoke textiles for a diverse range of applications. The handloom and the traditional craft of weaving remain central to all her products. The current re-emergence of carpet and color in fashion presents an exciting opportunity for her designs, particularly the translation of soft silk and wool fabric designs into large-scale, recolored flooring options. Selby's future plans include developing interiors fabrics for sale by the meter and expanding her accessories range to include bedlinen and towels. #TextileDesign #MargoSelby #WovenTextiles #HandloomWeaving #ThreeDimensionalFabrics #InteriorDesign #HomeAccessories #Craftsmanship #IndustrialCollaboration

In an increasingly commoditized market flooded with generic products, establishing a unique brand identity and achieving customer recognition is paramount for designers. Textile designer Beatrice Larkin has successfully cultivated a signature style in her woven textiles, accessories, and interior products, making her designs instantly recognizable through their distinctive blurred edges and broken geometrics. Her creative process begins with hand-drawn sketches, where the initial marks, intricate patterns, and blotches made with pen and ink are deliberately preserved and celebrated in the finished fabric. This artistic approach ensures a consistent aesthetic across all her woven creations. The production of Larkin's textiles involves a collaborative effort with skilled manufacturers in the north of England. She works with a Jacquard mill in Lancashire to produce small runs of her woven designs, which are then washed and finished in the Yorkshire Dales. The process begins in her Margate studio, where she engages in extensive mark-making with inks, envisioning the final product's scale and application. These initial designs are then refined using Photoshop to determine fabric repeats and optimal sizing. Currently, her collection features two primary materials: fine Merino wool, typically used for throws, cushions, and accessories, and recycled cotton, a more robust option suitable for cushions, upholstery, and curtains. The Merino wool, known for its softness, is sourced from spinners in Italy. Similarly, the recycled cotton collection utilizes rejected fabrics from the clothing industry, which are re-spun and repurposed, also originating from Italian spinners. These yarns are then sent to the Lancashire mill for weaving, brushing, and washing before being returned to Larkin. The final products are then sewn either in her studio or by local Margate makers, though fabric is also available for purchase by the meter. This meticulous production chain underscores her commitment to quality and sustainable practices. Beatrice Larkin's entrepreneurial journey recently received significant recognition with the Start Up Award as part of the Women’s Launch Lab Incubator 2024. As one of ten female entrepreneurs selected from hundreds of applicants, she participated in an intensive three-day program. This program provided access to expertise from innovative female entrepreneurs, growth and marketing strategists, and public-speaking coaches. The experience culminated in pitching her business to venture capitalists and angel investors, including notable figures such as Alison Cork MBE, Akshata Murty, and Judy Naake MBE. Larkin emphasized that this experience offered valuable perspective and a significant confidence boost. Her business was founded in 2013, immediately following her Master's degree from the Royal College of Art, where her final collection garnered interest from prominent buyers like Heal’s. After graduating, she sought a British mill capable of producing her designs at scale. In 2015, Daylesford Organic provided funding for her initial fabric run, which was woven in the Cotswolds and Yorkshire. This collection was sold at Daylesford and served as a crucial launchpad for future manufacturing endeavors. By spring 2017, she began selling at Heal’s and unveiled her first collection at Clerkenwell Design Week. Larkin's immersion in the fabrics industry was a natural progression, deeply influenced by her upbringing. Her father owned Gordon Larkin Fine Wallpaper & Fabric in Canterbury, and her mother was also a textile designer, ensuring a household constantly surrounded by fabrics. Childhood memories of accompanying her father to design shows in Chelsea Harbour and exploring fabric showrooms further solidified her connection to the industry. She attributes her entrepreneurial spirit and the ability to forge her own path to observing her parents' lifestyle as business owners. Three years ago, Larkin relocated to Margate, drawn by its vibrant creative community. Since then, she has expanded her client base, with local stockists including Turner Contemporary and Harbour & Tide. Her brand, Beatrice Larkin, has also been embraced by renowned establishments such as Made, Studio Ashby, Conran and Partners, Tate Modern, and Piglet in Bed. Her journey reflects a blend of inherited passion, formal education, strategic partnerships, and a clear vision for her brand's aesthetic and ethical production. #TextileDesign #BeatriceLarkin #MargateDesign #WovenTextiles #InteriorProducts #SustainableMaterials #BritishManufacturing #Entrepreneurship #WomenInBusiness

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation

This report details observations from the Interwoven fabric show, held from May 7-9 in High Point. The event showcased upcoming trends and designs in fabrics and leathers that are expected to influence the marketplace in the latter half of the year and early next year. Fabric manufacturers and importers presented their latest collections, offering insights into the business and fashion trends poised to appear on upholstery frames and drive retail traffic. Culp introduced new designs featuring a mix of textures, colors, and patterns, aiming to provide unique narratives for retail presentation. Sunbrella also presented a wide array of new offerings, catering to diverse style preferences among consumers with its broad design palette. Richloom's booth attracted visitors like Aamir Thobhani of Innnotex Solutions USA, who explored the new fabric selections. Key industry figures were present, including Bob Meloy of Big House Fabrics, who met with Bob Gorman, vice president of sales and merchandising at PMT Fabrics. R. Sackett Wood, CEO of Moore & Giles, showcased the company's new leather collections. J. Allen Fabric highlighted its Revive performance fabric line, with Miron Yaghoubi, partner and CEO, discussing new additions with Mike Willoughby, senior vice president of sales and marketing. Nice Link unveiled eight new collections, including Waters Edge, totaling 60 patterns and 600 SKUs, demonstrating a wide range of colorways. RM Coco displayed its comprehensive line, encompassing multipurpose solids, prints, wovens, embroideries, silks, performance and outdoor fabrics, sheers, decorative trimmings, and hardware, located in the fifth-floor Pavilion area of Market Square. Nassimi LLC, represented by Executive Vice President Iwan Nassimi, presented new vegan leathers, featuring commercial-grade fabrics designed for both style and durability in residential applications. Z-Wovens showcased a diverse mix of indoor and outdoor fabrics from its core Z-Wovens and Sunbelievable lines, engaging customers with its extensive offerings. Valiant Fabrics also exhibited in the fifth-floor Pavilions of Market Square, where attendees gathered information on their latest fabric introductions. The show provided a platform for participants to observe and understand the evolving landscape of textile design and material innovation within the home furnishings industry. #InterwovenShow #FabricTrends #TextileInnovation #HomeFurnishings #UpholsteryFabrics #LeatherCollections #PerformanceFabrics #RetailTrends #HighPointMarket

This article serves as a comprehensive guide for individuals seeking to purchase fabric online for various home decor projects. It addresses the common challenge of finding specific furniture pieces, curtains, or pillows, and proposes that buying fabric to create custom designs or update existing ones is an effective solution. The piece highlights the convenience of online fabric shopping, detailing a curated list of 15 online stores that cater to diverse budgets and aesthetic preferences. The featured stores range from well-known platforms to more specialized retailers, offering a wide array of fabric types, patterns, and price points. Spoonflower is presented as an online marketplace utilizing on-demand digital printing, featuring designs from artists globally and allowing users to shop by category, color, and fabric type. Annie Selke, while primarily a home decor and furniture retailer, also offers a selection of fabrics by the yard, including both patterned and solid options. NY Designer Fabrics is highlighted for its extensive collection, encompassing silky and metallic fabrics as well as cotton prints. Rifle Paper Co., known for its stationery, also provides a selection of fabrics by the yard, often adorned with floral and nature prints. Decorator's Best is introduced as a premier destination for designer-favorite fabrics, stocking brands such as Schumacher, Brunschwig & Fils, and Kravet. Marimekko is recognized for its bold floral patterns, offering fabrics by type and pattern, including iconic florals, retro, animal, and abstract prints. Etsy is identified as a valuable resource for both new and vintage fabrics, allowing for specific searches or browsing individual shops. Fabric.com boasts a vast inventory, including options from typically trade-only designers like Fabricut. Minted, primarily known for stationery, also offers home products, including fabrics with designs submitted by independent creators. Bolé Road Textiles specializes in handwoven fabrics from Ethiopia, featuring bright and neutral colors, as well as unique textural patterns, all made from 100 percent hand-dyed cotton. LinenMe is recommended for linen enthusiasts, providing a wide selection of linen fabrics in various colors. JOANN is presented as a go-to destination for fabric at different budget levels, offering a massive online selection. AphroChic is noted for its smaller but distinctive collection of fabrics, featuring unique patterns like subtle silhouettes. Calico Corners offers a broad range of home textiles, with fabric being a central focus, allowing customers to filter by color, type, pattern, and designer collections. Lastly, Loom Decor is highlighted not only for its fabric selection but also for its custom upholstery services, enabling customers to design their own window treatments, pillows, and bedding with chosen fabrics. #FabricShopping #OnlineFabricStores #HomeDecor #DIYProjects #InteriorDesign #Textile #CustomUpholstery #DesignerFabric #CraftSupplies

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

The article highlights 15 unique UK fabric shops and designers, moving beyond mainstream options to showcase artisan and distinctive fabric designs for home interiors. These selections cater to a wide range of tastes, from traditional country styles to eclectic prints, hand block-printed motifs, and sustainable options, providing inspiration for upholstery, curtains, cushions, and other soft furnishings. The aim is to introduce readers to designers and shops that offer unique aesthetic qualities and ethical production methods that might not be commonly known. St Jude's is featured for its artist-designed fabrics and wallpapers, including works by Mark Hearld, Angie Lewin, and Emily Sutton, making it suitable for those seeking unique prints. Kate Forman is recommended for traditional, vintage-style floral linens, ideal for country living rooms or bedrooms. Molly Mahon specializes in cheerful block prints, encouraging the mixing of various patterns for a vibrant interior. Susie Watson Designs offers a cohesive palette with prints ranging from florals to animal motifs, designed for easy incorporation into daily life with a muted and pastel color scheme. Madder Cutch & Co stands out for its commitment to sustainability, printing linens with natural pigments and plant extract dyes in a garden studio, also offering cushions and fabric accessories. Fanny Shorter reimagines botanical prints with maximalist fabrics for those desiring a unique take on nature-inspired designs. Morris & Co is recognized for its iconic prints, experiencing a revival that suits both traditional and contemporary interior schemes. Cabbages & Roses caters to vintage enthusiasts with understated designs, including faded floral linens and timeless stripes, perfect for period properties. Tori Murphy presents timeless style through stripes and geometric patterns, woven in a traditional Lancashire mill, ensuring durability and enduring appeal. Sam Wilson provides whimsical printed fabrics based on linocut designs, offering an understated way to integrate nature into interiors. Rapture & Wright is noted for its bold, hand-printed fabrics, featuring Moorish-inspired geometrics and the 'Walled Garden' print, ideal for making an impact. Sylvia & Margot specializes in cushions with intricate florals and birds, based on artist Rebecca's hand-carved linocuts. Ian Mankin is highlighted for its extensive collection of stripes and checks in cottons, linens, and wools, all woven in a historic Lancashire mill, offering a wide variety for different preferences. Cloth & Clover offers Scottish-milled linen mixes that evoke a traditional style, suitable for older properties or adding historic charm. Finally, Pippa Blacker Interiors provides elegant, nature-inspired fabrics and wallpapers based on Pippa's sketches and paintings, all made in the UK, with an option for a made-to-measure service for various soft furnishings. Each selection emphasizes distinctiveness, quality, and specific aesthetic appeals to guide consumers in their fabric choices. #FabricShopsUK #HomeInteriors #FabricDesigners #UpholsteryFabrics #CurtainFabrics #CushionFabrics #ArtisanFabrics #SustainableFabrics #VintageStyle

Rachel B. Hayes, a Tulsa-based artist, creates striking large-scale patchwork textile installations using vivid, translucent fabrics. These temporary artworks are designed to transform perceptions of both indoor spaces and expansive natural environments. Hayes experiments with scale, color, pattern, light, and movement, resulting in joyful and dynamic installations. Her work has been showcased across the U.S. and Europe, frequently appearing as quilted sun sails in courtyards. One of Hayes's recent collaborations, "Horizon Drift" with Black Cube in Denver, featured overlapping triangular elements that cast colorful shadows, reminiscent of her piece "A Moment in Time" in Capri. These temporary installations, typically on view for a few weeks or months, integrate with their surroundings, drawing parallels to the monumental fabric interventions of Jeanne-Claude and Christo. Her richly patchworked or woven creations celebrate light, breeze, and traditional American quilting techniques. Hayes frequently revisits earlier works and site-specific experiments to fuel new designs, finding continuous inspiration and energy in these temporary explorations. She often returns to familiar locations in South Dakota, Missouri, and New Mexico to document her art multiple times, observing how varying light, weather, and landscape changes influence the perception of her pieces. She views many of these works as elements within a broader, long-term artistic vision. Some of Hayes's installations are designed for extended outdoor display, lasting at least five years, which has led her to develop expertise as a "fabric engineer" to ensure the materials withstand the elements while remaining visually impactful. Light, particularly sunlight, is a crucial component in Hayes's artistic process and site selection. For indoor installations, she carefully considers architecture and human movement, often "chasing the sun" to identify areas where light can interact with her textiles, creating reflections and colored shadows. While she utilizes software like Photoshop or Procreate for pattern composition, her primary focus remains on the physical properties of the material and its interaction with specific environments. Hayes's current installations include _Patterned by Nature_ at the Chicago Botanic Garden throughout the summer, _Soft Structures_ at Jane Lombard Gallery in New York City until August 8, and _Body’s First Architecture_ at Ely Center of Contemporary Art in New Haven, Connecticut until August 10. Her semi-permanent works are on display at the International Quilt Museum in Lincoln, Nebraska, and The Gathering Place in Tulsa. Additionally, her flag is currently flown outside Ballroom Marfa in West Texas during gallery hours. #RachelBHayes #TextileArt #SiteSpecificInstallation #Quilting #FabricSculpture #ContemporaryArt #ArtInstallation #TranslucentTextiles #LightArt

The article explores the innovative and impactful uses of fabric in creating unique entertainment environments, highlighting its versatility, cost-effectiveness, and ability to shape atmosphere and user experience. It emphasizes the intrinsic relationship between fabric and lighting, noting how skillfully backlit fabric can evoke visceral reactions and create unparalleled qualities in a space. Fabric is presented as a material that offers a market advantage due to its lower cost compared to other construction materials, ensuring its continued relevance in the entertainment sector where new and authentic experiences are highly valued, particularly by the millennial generation. The article delves into how fabrics contribute to shaping real spaces, drawing parallels with the 'maker' movement's emphasis on handmade and tactile objects over virtual ones. Experts like Eric Bury of Eventscape and Catherine Stowell of Designtex explain that textiles often serve as the primary surface interacting with users, offering opportunities to add materiality, texture, pattern, and color. They note that the contrast between soft fabrics and hard surfaces can directly influence user experience by conveying warmth, familiarity, or luxury. Wade Wesson of Dazian highlights fabric's role in bringing elegance and essential acoustic properties to modern architectural environments, while Judy Dioszegi emphasizes its ability to set the 'atmosphere' or 'environment' of a space, coordinating with upholstery, wall coverings, and art to elicit subconscious reactions from clients. Furthermore, the piece discusses fabric's role in managing space, sound, and mood. Bury underscores fabric's limitless potential in architectural forms, from furnishing interiors to literally constructing building elements. He points out its versatility, ranging from tight and hard-edged to loose and soft, and its ability to span large areas or serve as small accent elements. Stowell highlights how textiles can create privacy and intimacy, particularly with new technological developments in fine sheer materials that allow light and visual transparency while providing significant acoustical properties. Wesson reinforces fabric's effectiveness in surface texture for LED lighting and its superior acoustic values for reducing noise in spaces where hardscape panels are not feasible, noting its affordability for post-construction acoustic issues. The article also presents a case study of the Toronto Centre for the Arts' renovation, where Eventscape engineered and installed an acoustical backlit panel solution that not only solved acoustic requirements but also allowed for programmable light shows, demonstrating a unique immersive experience. Dioszegi provides practical recommendations for using fabrics to enhance interior environments, such as suspending, gathering, or pleating fabrics to accentuate lighting, experimenting with different materials and positioning, and understanding how fabric properties like porosity and weight affect sound absorption. Wesson adds that digital printing on fabric enables custom designs and textures at an economical cost, and LED lighting has brought fabric back to the forefront for surface texture. Looking to the future, the experts predict ongoing innovation in fabric applications. Dioszegi notes a trend towards incorporating industrial elements, often printed or appliquéd on fabric for atmosphere and acoustics. Wesson anticipates more complex, deconstructible architectural fabric structures driven by CAD-based software. Stowell foresees increasing opportunities for custom textiles, with manufacturers working closely with designers to tailor materials. Bury is particularly enthusiastic about fabric as a sculptural medium, citing groundbreaking projects like Anish Kapoor's work at the Tate Museum, Zaha Hadid Architects' Winton Gallery, and the use of ETFE in the Water Cube, alongside emerging trends in fabric formwork for concrete, integrated electronics, reactive surfaces, and 'smart' materials, all pointing to a dynamic future for fabric in architectural and entertainment design. #FabricDesign #EntertainmentEnvironments #TextileInnovation #ArchitecturalFabric #AcousticProperties #InteriorDesign #EventDesign #LightingIntegration

This article provides a curated list of top online fabric stores, offering expert tips for selecting textiles for various home decor projects, particularly focusing on sofas and upholstery. It addresses the common challenge of 'choice paralysis' when browsing extensive online options and features insights from fabric professional Naomi deMañana and interior designers. The guide highlights five recommended online fabric retailers, each excelling in specific aspects: Etsy for unique and vintage finds, Purl Soho for crafting supplies and pre-cut bundles, Spoonflower for budget-friendly and artist-designed fabrics, Perigold for high-quality drapery and designer brands, and Mood Fabrics for new market trends and designer exclusives. Etsy is praised for its vast selection of vintage and discontinued fabrics, allowing users to discover unique pieces and save them for later. However, caution is advised due to varying seller policies and the need to diligently check product descriptions and reviews. Purl Soho is presented as a comprehensive resource for crafting enthusiasts, offering not only a wide array of fabrics but also tools, DIY kits, and pre-cut bundles, making it ideal for projects like quilting and sewing. Spoonflower stands out for its affordability and extensive range of designs, including artist collaborations, with the added benefit of quick shipping through platforms like Amazon. Perigold is recommended for its luxurious and high-end fabrics, particularly suitable for elegant drapery and window treatments, featuring renowned brands such as Morris & Co. Mood Fabrics is highlighted for its user-friendly website, extensive filtering options, and frequent updates with new designer collections from brands like Marc Jacobs and Zimmermann. The article also mentions additional online fabric sources like Lulu and Georgia, which offers exclusive designer collections, and Serena & Lily, known for its durable indoor and outdoor fabrics. The selection process for these recommendations involved consultations with fabric experts and interior designers, emphasizing the importance of material, durability, and sustainability. When choosing fabric, key considerations include the intended use, desired aesthetic (contemporary, abstract, etc.), and the personality the fabric will lend to the piece. For functional items like drapes, durability and resistance to elements like sunlight are crucial. The article also delves into the topic of sustainability, explaining that long-lasting synthetic materials like polyester can be considered sustainable if they are not frequently replaced. Practical advice for sourcing fabric includes beginning the search online, ordering samples to assess texture and color accurately, and understanding wearability codes to ensure the fabric meets durability requirements. The general cost for upholstery fabric is suggested to be between $30 and $60 per yard. Ultimately, the guide aims to equip readers with the knowledge to navigate the online fabric market effectively for any home decor project, from reupholstering a sofa to crafting throw pillows. #OnlineFabricStores #HomeDecor #UpholsteryFabric #DIYProjects #InteriorDesign #FabricShoppingGuide #TextileSelection #SofaWeek #CraftingSupplies