Chrissa Amuah designs upholstery textiles inspired by her Ghanaian heritage for Bernhardt Design

African design is increasingly gaining global recognition for its unique magnetism and rich heritage, shifting from a previously overlooked status on the international stage. This burgeoning movement is championed by a new generation of designers who are skillfully blending traditional African craftsmanship with contemporary aesthetics, bringing a fresh perspective to furniture, textiles, and art. Among these prominent figures is Chrissa Amuah, founder of Amwa Designs, a London-based studio that creates textiles, furniture, and art inspired by Ghanaian sensibilities. Her 'Asanka' table, for instance, incorporates a jesmonite interpretation of a traditional West African grinding bowl under a glass top, with its wooden base drawing from the Ghanaian Adinkra symbol Adinkrahene, representing authority and leadership. Amuah's designs often feature vibrant color combinations and off-center silhouettes, embodying a balance of strength and vulnerability. Another notable presence is Altin Studio, founded by Mehdi Kebaier and Yasmine Sfar in Tunisia. This studio celebrates local design by utilizing native materials like sea rush, clay, and palm wood. They reinterpret age-old techniques through a contemporary lens, evident in pieces like the 'Ganymede' cabinet, which contrasts woven sea-rush panels with earth-red metal, referencing satellite patterns. Their 'Petite Ourse' seat, hand-carved from palm wood, also draws inspiration from celestial themes, alluding to the 'Little Bear' constellation. From Lagos, Nigerian designer Nifemi Marcus-Bello leads Nmbello Studio with an ethos rooted in empathy and respect for people and places. His work, developed over the past decade, has garnered several awards, including the Hublot Design Prize and the Curator’s Choice: Design for Good Award. His 'Oríkì' series, particularly 'Act 1: Friction Ridge', explores materiality and form through bronze sculptural benches, named after the Yoruba practice of praise poetry, and launched with an immersive installation featuring a soundscape of his mother reciting his personalized oríkì. In Johannesburg, Thabisa Mjo, the creative force behind Mash.T Studio, produces furniture, lighting, and homeware that celebrate South Africa's diverse cultural tapestry. Collaborating with artisan communities, she incorporates materials such as colored beadwork and repurposed telecommunication wire, traditionally used by Zulu watchmen, into pieces like her 'Bright Light' pendant and '4Kona Light'. Her recent lighting collections honor Xhosa customs and circular architectural forms found in rural areas, employing vibrant palettes that signify abundance and festivity, thereby promoting local crafts globally. Rich Mnisi, a Johannesburg-born designer, initially made his mark in fashion before venturing into collectible furniture. His work bridges the gap between function and art, drawing inspiration from the women in his life, queerness, and heritage. Pieces like the 'Nwa-Mulamula' chaise, displayed at Southern Guild’s ‘Mother Tongues’ exhibition, reflect the reclining body of his great-grandmother, showcasing a striking fluidity and organic elegance. His new work, ‘Vutlhari (Wisdom)’, a light crafted from bronze and resin, also features sweeping silhouettes. Zimbabwean artist Xanthe Somers draws on her homeland's customs for her hand-built ceramic sculptures, often functional as lighting and vases. Her 'In Bad Taste' collection challenges the political aspects of design, critiquing Western overconsumption and the impact of eco-racist practices on the global South. Her work, displayed in prestigious venues like London’s V&A; Museum, features vivacious colors, exaggerated silhouettes, and thought-provoking narratives. Don Tanani, a contemporary Egyptian brand, aims to redefine Egyptian design and showcase local talent. Collaborating with designers like Lina Alorabi, whose work has been exhibited internationally, the brand focuses on reclaiming Egyptian identity through sophisticated pieces. Alorabi’s 'Moruna' collection features a conversation chair, a curvaceous sun lounger, and coffee tables with tile patterns, reflecting the dynamism of Cairo and collaboration with craft experts. Finally, South African ceramicist Chuma Maweni began his journey crafting vessels using a pit-firing technique intrinsic to the Nguni people, developing a distinctive aesthetic of dark, porous surfaces and hand-formed sculptural outlines. After opening his Cape Town studio in 2016, his work, including the 'Imbizo' dining table and stools, has been exhibited globally and acquired by institutions like the Metropolitan Museum of Art, continually celebrating traditional craft through a fresh, contemporary lens. #AfricanDesign #Craftsmanship #ContemporaryDesign #FurnitureDesign #TextileDesign #CeramicArt #CulturalHeritage #EmergingDesigners #GlobalDesign

The article presents an interview between Joy Moyler and Esha Ahmed, focusing on Ahmed’s journey into textile design and the philosophy behind her brand, Makrosha. Esha Ahmed, born in Bangladesh and raised in New York, recounts her early introduction to textiles through her mother’s extensive sari collection in Jackson Heights. These early experiences, including playfully repurposing saris into costumes, sparked her interest in fabrics and fashion. Ahmed's formal education at the Fashion Institute of Technology, where she studied fashion design and later costume preservation and textiles for her master’s, further solidified her passion. Her initial career involved managing designer Peter Marino's extensive textile collection, an experience that broadened her understanding of textiles within interior design, covering commercial, residential, and hospitality projects. This role provided insight into both the creation and application of textiles, exposing her to numerous vendors and artisans. Following her tenure with Marino, Ahmed launched Makrosha, a business specializing in fabric, rugs, and throw pillows. A core mission for Makrosha is to preserve and support vanishing traditional weaving arts globally, ensuring the survival of high-quality, handcrafted textiles. Ahmed collaborates with weavers worldwide, each contributing unique methods and aesthetics to her designs. She also partners with designers for custom textiles and represents Aïssa Dione Tissus, a Senegalese master weaver known for handwoven fabrics. Ahmed draws inspiration from historical fashion design, particularly medieval styles, and shares an affinity for late 18th-century Europe and medieval Spain, periods known for their ornate, colorful, and detailed designs that resulted from cultural fusions. She acknowledges the historical influence of the fashion industry on luxury home textiles, observing how trends from designers like Dries Van Noten often translate into the home market. However, Ahmed expresses concerns about the modern culture of disposability and emphasizes the importance of sustainability and longevity in design. She advocates for investing in high-quality items, such as hand-knotted rugs that can take months to create, intending for them to last generations rather than being treated as disposable goods. Her design process involves starting with inspirations from her antique collection, developing renderings with mills, and collaborating closely with individual makers across different cultures, such as those in Laos, Nepal, and England, to ensure the essence of craftsmanship is maintained. Ahmed stresses that true quality and craftsmanship come from this collaborative, hands-on approach. The conversation highlights the critical need to protect traditional weaving practices from extinction due to increasing mechanization, underscoring Makrosha's role in keeping these artisanal skills alive. #TextileDesign #GlobalWeaving #EshaAhmed #Makrosha #InteriorDesign #SustainableDesign #ArtisanalCraftsmanship #FashionHistory #HomeDecor

The article highlights nine Black-owned home brands and stores, aiming to provide year-round support and visibility for businesses that often face limited exposure compared to major retailers. While Black History Month brings some attention, the article emphasizes the need for continuous promotion of these brands. Each featured brand offers a unique range of home decor and furnishings, showcasing diverse styles and ethical practices. Sustainable Home Goods, founded by LaToya Tucciarone, offers a variety of ethically sourced and sustainable products including home decor, glassware, cleaning products, and textiles. The brand collaborates with artisans from marginalized communities globally, focusing on providing job opportunities and economic stability. Notable products include the Pillowpia Tabletop Belly Basket, Creative Women Cactus Silk Pillows, and The Great Lakes Goods Anthurium Forever Flower. 54kibo, established by Nana Quagraine, is inspired by contemporary African design. Originating from Ghana and South Africa, Quagraine curated a collection of home decor, lighting, and linens from African designers. The brand's name, derived from Africa's highest summit and the number of African countries, symbolizes excellence in design. Key offerings include the 54kibo Teal Hand-Tufted Wool Rug, the Amur Matte Black Table Lamp, and the Yellow Cord Woven Mirror Artwork. Jungalow, a women-owned company, focuses on creating vibrant and healthy home environments. Beyond offering colorful wallpapers and quilts, the brand is committed to social responsibility, planting trees in Africa and donating to organizations like Black Lives Matter. They feature exclusive art prints from international artists and handmade textiles from India, such as the Justina Blakeney X Loloi Waves Lumbar Pillow, Jungalow Arched Cane Shelf Set, and the Justina Blakeney Kaya Shorty Ceramic Planter. Sheila Bridges Home, led by interior designer Sheila Bridges, reimagines traditional French toile with designs that reflect African American experiences. Her collection spans textiles, glassware, and wallpaper, bringing a blend of history and classic design. Featured products include the SBD Classic Stripe Wallpaper, SBD Harlem Toile Wall Decals, and SBD Harlem Toile Fabric. Linoto, founded by Jason Evege, specializes in 100% linen bedding, bath, and kitchen products. Evege's personal quest for affordable linen sheets led him to create a business that now boasts over 10,000 orders. Linoto's items, crafted in a New York workshop, include reusable Linen Paper Towels, comfortable Linen Pillowcases and Shams, and the luxurious Linen Spa Towel. Albany Park, co-founded by Darryl and Jessica Sharpton, simplifies the furniture buying process by offering three core sofa designs tailored to various needs. Their Ẹkáàbọ̀ collection, inspired by Darryl Sharpton's West African roots, features bold and colorful African prints. Examples are the Albany Park Ẹkáàbọ̀ Park Armchair, the versatile Park Armchair, and the functional Kova L-Shape Sectional + Console couch. Estelle Colored Glass, a luxury brand by Stephanie Hall, draws inspiration from her grandmother Estelle's glass collection and childhood summers in South Carolina. The brand offers hand-blown colored glass drinkware and cake stands, such as the Estelle Cake Stand Lavender, Estelle Colored Champagne Coupe Stemware, and Estelle Colored Rocks Glass Set. Clare, founded by interior designer Nicole Gibbons, addresses the challenge of selecting paint colors with a curated palette and a "Color Genius Quiz." Their water-based paints are VOC-free and Greenguard Gold Certified. Notable products include Clare Neutral Paints, Clare Primer, and the Clare No-Fail Neutral Swatch Kit, which allows customers to test colors at home. Finally, Pretty Honest Candles, started by Andrea Bertrand, focuses on creating candles with fragrances that effectively fill an entire home. After two years of development, Bertrand perfected her formula, offering 8- and 14-ounce handcrafted soy candles with long burn times, along with wax melts, room sprays, and reed diffusers. Featured items are Pretty Honest Room & Linen Sprays, the Old Flame Soy Candle, and the Honeysuckle Jasmine Soy Candle. #BlackOwnedBusinesses #HomeDecor #InteriorDesign #SustainableLiving #AfricanDesign #Textiles #Furniture #HandmadeGoods #HomeFurnishings

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

This article serves as a comprehensive guide to 12 prominent fabric brands, specifically curated for individuals looking to incorporate custom upholstery and textiles into their home interiors. The author, an expert in interior design, acknowledges that moving beyond off-the-shelf furnishings to bespoke options can be an overwhelming yet rewarding step in one's interior design journey. The selection presented leans towards modern styles but also includes brands that offer a blend of traditional and contemporary designs, ensuring a wide appeal. The guide begins with Casamance, a Parisian brand known for its romantic and painterly textiles, offering a soft approach to geometric patterns and a diverse range of materials from wools to silks, suitable for curtains, upholstery, and even outdoor furniture. Jane Churchill follows, an interior brand with traditional British roots, featuring structured florals, heritage stripes, and East Asian-inspired patterns that bring sophistication to both classic and modern spaces. Dedar, an Italian fabric brand, is highlighted for its innovative, sleek, and glamorous designs, with a global footprint and a reputation for luxury boucles, tapestry-like linens, and its iconic 'Tiger Mountain' jacquard velvet. GP & J Baker Group, though more traditional with a Royal Warrant, is presented as a brand offering classic quality plains and charmingly creative patterns through collaborations, such as with Kit Kemp, bridging traditional and contemporary design. House of Hackney is identified for its mainstream crossover appeal, known for creative, maximalist patterns in textiles and wallpapers, offering edgy palettes and dramatic florals suitable for clashing or pattern-drenching effects. ILIV, a rapidly growing UK brand, caters to a wide range of styles from luxurious velvets to country-chic, and retro to modern, with all designs created in-house. Liberty, an iconic brand, is celebrated for its intricately detailed patterns rooted in British art and design history, offering romantic florals and Art Deco flourishes in velvets, weaves, and linens for interiors. Kvadrat, a Scandinavian design brand, stands out as a modern choice favored by contemporary interior designers and architects for its clean lines, futuristic aesthetics, and minimalist textures, with separate collections for upholstery and lighter curtain fabrics. MINDTHEGAP, a Transylvanian brand, offers a unique aesthetic with folk-like inspirations and bohemian qualities, featuring intricate patterns that range from whimsical illustrations to historical frescoes. Prestigious Textiles is recommended as a go-to for interior designers seeking mid-range price points without compromising on quality, offering a large selection of in-house designed fabrics and wallpapers with a classic, timeless style. The Romo Group is presented as a collection of diverse fabric brands, each with its distinct identity: Romo for timeless patterns, Zinc Textiles for edgy luxury, Black Edition for contemporary elegance, Kirkby Design for graphic patterns with retro flair, Villa Nova for earthy organic qualities, and Mark Alexander for sophisticated, couture-like textiles. Finally, the Sanderson Group rounds out the list, encompassing Sanderson for traditional country-chic styles, Harlequin for modern and playful designs, Morris & Co for heritage prints, Clarke & Clarke for accessible yet stylish options, Zoffany for rich and opulent textures, and Scion for playful, Scandinavian-inspired graphic prints. Each brand offers a unique approach to textile design, enabling homeowners to curate a personalized mood and tell their home's story through custom fabrics. #FabricBrands #CustomUpholstery #TextileDesign #InteriorDesign #HomeDecor #BespokeFurnishings #ModernInteriors #TraditionalFabrics #DesignTrends

Designer Suzanne Miller Farrell, founder of The Storied House, drew inspiration from her 2004 honeymoon in South Africa to create her new fabric collection, "Cape Town," and to decorate her family room. Farrell and her husband initially planned a brief stay in Franschhoek, about 50 miles from Cape Town, but extended their visit to four days due to the area's charm and European feel. She noted that South Africa, contrary to stereotypical perceptions, possesses a multiethnic quality with various cultural influences, particularly in regions like Franschhoek, which reminded her of the South of France with its antique stores, wine, and French restaurants, even featuring elements like buffalo check and toile in their B&B. This blend of cultures and aesthetics significantly impacted her design philosophy. Farrell’s living room at home embodies the "light and bright" South African style, featuring neutral walls accented with vibrant pops of color. While a zebra print rug in her living room is not an authentic African piece, her experiences in South Africa, especially the safari, profoundly influenced her. She highlighted the unexpected joy of observing animals in their natural habitat, such as a mother elephant with her calves and a giraffe feeding half a mile away, which left a lasting impression on her understanding of animal behaviors and the natural world. Her "Cape Town" fabric collection is directly inspired by the vistas and hues of South Africa. She incorporated colors from a watercolor painting by her late aunt, reflecting the autumn landscape she witnessed during her June visit to the country. Farrell described the South African autumn as featuring deep greens, oranges, and fall foliage set against vivid blue skies. The orange-clay land, when hit by the sun, produces brilliant and dynamic colors. She emphasized the pervasive beauty of the landscape, noting how Table Mountain rises even within the city, and the sky mirrors the sea, creating wide-open blue expanses and uniquely brilliant sunsets. Beyond the natural beauty, Miller Farrell also gathered tangible elements from her trip. Her family room displays items like coffee-table books on South African themes and photo albums, aligning with designer Nate Berkus’s philosophy that a home should tell a personal story. She acquired hand-carved trinkets, including bowls and a rhino, as well as a wooden giraffe, from artisans in a street market in Senegal, a country recommended by local artist Sofi Seck. Farrell observed that while such unique pieces were once difficult to find outside their origin, globalization has since made them more accessible. These collected items and memories serve as constant reminders of her journey and its deep influence on her design work and personal space. #SuzanneMillerFarrell #SouthAfrica #InteriorDesign #FabricCollection #CapeTown #TravelInspiration #HomeDecor #TextileDesign #AfricanCulture

Dana Arbib, the designer behind the brand A Peace Treaty, has established a New York headquarters that serves as a physical embodiment of her globally-inspired aesthetic. After completing a two-year residency in the CFDA Incubator, which provided office space in Midtown Manhattan, Arbib sought a more distinctive environment for her brand. Her search led her to a pre-war building on cobblestoned Lispenard Street in Tribeca. The studio space was chosen for its blend of modern and rustic elements, a departure from the corporate office settings Arbib wished to avoid, thus preserving her creative freedom. A significant draw of the Tribeca studio was its existing floor-to-ceiling shelving and a functional rolling library ladder. These features proved ideal for displaying the myriad of objects Arbib collects during her extensive travels. Her journeys take her to diverse locations, from Pakistan to Peru and Turkey, where she sources textiles, learns traditional production techniques, and acquires unique baubles. The displayed artifacts include handwoven bags and accessories procured from an artisan market in Cuba, a custom-designed leather trunk from India, and a train case from London, now repurposed for transporting jewelry. The studio's decor also incorporates family heirlooms, such as a collection of masks from South Africa and Namibia dating back to the late 1970s, a piece of art by Israeli artist Michael Argov, and an Egyptian tomb statue. The design of the studio was not merely an accumulation of these global finds but was directly influenced by A Peace Treaty’s Resort 2017 collection. This collection drew inspiration from the rich legacy of woven African art, featuring crocheted caftans, scarves, and intricately embroidered textiles. This thematic connection is evident throughout the workspace, with numerous pieces from Africa, including baskets and handmade crafts, integrated into the decor. Most of the baskets in the studio are from Rwanda, with the exception of a leather-handled bolga basket crafted in Ghana. Arbib emphasizes that these elements celebrate traditional handmade techniques, a core value reflected in both the brand's collections and its workspace. The studio, therefore, functions not only as a functional workspace but also as a curated showcase of global artistry and Arbib's personal narrative of travel and cultural appreciation, offering an alternative to mass-produced decor. #HomeDesign #InteriorDesign #GlobalInspiration #TribecaStudio #DanaArbib #APeaceTreaty #TextileArt #CulturalDecor

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

The article explores the collaboration between designers Stephen Burks and Malika Leiper of Stephen Burks Man Made, and the Italian wood veneer company Alpi, to translate the intricate patterns of Kuba cloth into a contemporary design product. Kuba cloth, a raffia textile handcrafted by the Kuba people of the Democratic Republic of Congo, originated in the 17th century and served as a significant status symbol among the ruling class. While it was once thought that the tradition of Kuba cloth declined after the kingdom's fall due to internal rebellions and colonization, Burks and Leiper discovered during a visit to Kinshasa that this ancient art form is, in fact, thriving among a new generation of artists and makers in villages. Burks clarifies that the perception of Kuba cloth as a 'dying artform' is a Western misconception, often influenced by the commodification of 'prestige cloths.' His and Leiper's practice, Stephen Burks Man Made, is dedicated to demonstrating the current vitality of Kuba art, emphasizing that for Kuba to have a future, it must have a present. Their efforts include producing a documentary, curating an exhibition in Japan, and designing the scenography for an upcoming show at the Mint Museum in Charlotte, North Carolina, all centered on their research into Kuba cloth. A pivotal project in their endeavor is the collaboration with Alpi, a company established in 1919 and renowned for its designer collaborations with figures such as Ettore Sottsass, Alessandro Mendini, Konstantin Grcic, Patricia Urquiola, and Ron Arad. Alpi's president, Vittorio Alpi, expresses a passion for experimentation and invites designers to create unique pieces that push the boundaries of industrial production, granting three-dimensionality to Alpi surfaces. At Design Miami 2025, Burks and Leiper unveiled their collection of sculptural furnishings, titled 'Lost Cloth Object,' which translates the geometric patterns of traditional Kuba textiles. This collection, presented as part of the fair’s 2.0 section curated by Glenn Adamson, serves as a conceptual starting point for a commercial veneer that will be developed with Alpi. Burks highlights that their practice consistently investigates the intersection of craft, community, and industry. The design process involved creating a Kuba-inspired motif using thousands of laser-thin sheets of FSC-certified poplar veneer, a technique that embodies both repetition and variation, mirroring the inherent qualities of Kuba cloth. Leiper explains that each motif in Kuba cloth carries social meaning, indicating the maker or wearer, and often mimics natural shapes, acting as a language in itself. The use of variegated veneers from Alpi’s Legacy Collection adds another layer of significance, as these veneers replicate the appearance of endangered wood species like ebony, teak, rosewood, and zebrawood, without contributing to deforestation. Vittorio Alpi notes that this collection allows for the reproduction of rare woods sustainably. The 'Lost Cloth Object' collection features a curved platform, round stools, and a circular partition with integrated shelving, designed to evoke both Alpi’s postmodern collaborative tradition and the sacred, ceremonial contexts in which Kuba cloth is traditionally used. While the specific sculptural objects will not be mass-produced, the 'Lost Cloth Object' pattern is intended for further development as a commercial veneer. Burks concludes that the project honors the traditions of the Kuba Kingdom by combining African patterns with natural wood in a sculptural, modern application, connecting to Alpi's legacy of surface design. #AfricanTextile #KubaCloth #StephenBurksManMade #Alpi #DesignCollaboration #VeneerDesign #Craftsmanship #DesignMiami #CulturalPreservation

Textile manufacturing holds a significant place in Britain's history and continues to thrive today, thanks to a diverse array of homegrown fabric and textile designers. These designers are instrumental in preserving the crafts, skills, traditions, and quality that define the British textiles industry. For individuals looking to update their homes, whether through reupholstering furniture, refreshing window treatments, or revitalizing sofa cushions, engaging with these British designers offers an opportunity to support local craftsmanship and businesses, aligning with contemporary trends in sustainability and upcycling. Leading British textile designers draw inspiration from various sources, ranging from historical movements like the British Arts & Crafts to global cultures and natural environments. Ellen Merchant, for instance, blends William Morris's aesthetic with her unique perspective, creating hand-drawn botanical forms using traditional craft skills. Chelsea Gem, founded in Chelsea, produces abstract fabrics and wallpapers inspired by local life, all hand-drawn, cut, and printed using natural, sustainable, and locally sourced materials. Chelsea Textiles, established by Monica Perlhagen, specializes in recreating antique embroidery and incorporating authentic materials for traditional interiors, with collections that also feature Scandinavian influences and collaborations with renowned designers and hotels. Christopher Farr Cloth is recognized for its commitment to high-quality materials and traditional craftsmanship, offering playful and colorful designs influenced by diverse cultures and 20th-century artists. Clovelly Cloth draws from Victorian botanicals and the Arts and Crafts era, producing hand screen-printed designs in gentle mineral colorways that also extend to wallpapers. Cole & Son, founded in 1873, is celebrated for its bold and imaginative wallpapers and fabrics, characterized by vibrant patterns, colors, and global influences. Colefax & Fowler, a leading name in British textile manufacturing since the 1930s, balances traditional English roots with evolving designs, offering a wide range of fabrics and wallpapers beloved by interior designers. Designers Guild, founded by Tricia Guild in the 1970s, is a favorite for its versatile and stylish designs, such as the Minakari collection, which reinterprets florals with glamorous jacquards and printed velvets. Fermoie, launched by Farrow & Ball founders, uses natural dyes for its collections, emphasizing sustainability with natural raw materials and eco-friendly packaging. George Smith, a renowned furniture maker, also offers responsibly sourced, sustainable, and British-made upholstery fabrics with classic, understated designs. GP & J Baker, a Royal Warrant holder since 1882, boasts an extensive archive of designs from leading arts and crafts designers, skillfully adapted for modern tastes. House of Hackney, created by Frieda Gormley and Javvy M Royle, is known for its quirky, colorful, and distinctive patterns, often collaborating with other creatives. Jessica Osborne's fabrics are inspired by wild and natural environments, featuring vibrant, repetitive patterns printed on 100 percent linen. Madeaux produces charming fabrics and wallcoverings inspired by vintage tapestries and British wildlife. Nina Campbell's textiles are easily identifiable by their playful, feminine patterns and timeless appeal, ranging from traditional florals to bold contemporary designs. Osborne & Little, a brand since the 1960s, is celebrated for its imaginative approach, quality, and creative innovation, offering a mix of contemporary and classic designs. Parker & Jules, founded by Nancy Parker and Juliet O’Carroll, creates fabrics inspired by traditional British homes and diverse global influences, using pattern and maximalism to re-energize interiors. Penny Morrison's distinctive, characterful patterns are a staple in stylish homes, with collaborations that expand her extensive portfolio of bright colorways. Rapture & Wright specializes in hand-printed designs, utilizing traditional craft methods and operating a sustainable printworks. Rose Uniacke offers an organic and recycled fabric range, inspired by William Morris and 1920s patterns, with a focus on environmental principles. Sanderson, established in 1860, is known for its elegant hand-drawn designs, bold floral patterns, and highly pigmented colors, drawing inspiration from the English countryside and global influences. Soane Britain offers a range of furniture, upholstery, lighting, and distinctive fabrics and wallpapers, often inspired by antique textiles and made in British mills using traditional methods like block and screen printing, with custom service options available. #BritishTextileDesigners #InteriorDesign #FabricDesign #HomeDecor #SustainableTextiles #Craftsmanship #Upholstery #Wallcoverings

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

Jomo Tariku, an Ethiopian American designer, has dedicated two decades to introducing African designs into the mainstream furniture market. His work merges sleek, modern aesthetics with deep historical and cultural African influences. Tariku draws inspiration from diverse African cultures, including Dogon masks from Mali, Ashanti stools, Maasai jewelry, and Kente cloth from Ghana. Architectural elements also play a significant role in his design philosophy, with influences ranging from the ancient buildings of Timbuktu to Islamic patterns and interiors found in Morocco. Tariku emphasizes that Africa, with its rich and varied cultures and long history, provides an inexhaustible source of inspiration for his designs. He believes in moving beyond conventional stereotypes through extensive reading and research to uncover these unique resources. In many African contexts, furniture traditionally serves a dual purpose, acting as both a functional item and a decorative art piece, a concept that profoundly influences Tariku's continuous creation of new contemporary African furniture. His latest design, 'The Birth Chair II,' is a contemporary interpretation of traditional African birthing chairs, which have been used for childbirth in parts of Sub-Saharan Africa since ancient Egyptian times, as depicted on temple walls in Luxor. Tariku's modern rendition features a single bent piece of wood, clean lines for the seat, and a sliding backrest adorned with artistic carvings. A key innovative aspect of this chair is its modular backrest, which can be detached and hung on a wall as a decorative element, offering flexibility in room styling and personal expression. 'The Birth Chair II' embodies trendsetting concepts that Tariku intends to use as a platform to bring contemporary African designs into homes globally. This piece, along with others from his collection, was showcased at Dubai Design Week – Downtown Design in Dubai, UAE. Tariku's background includes being born in Kenya to Ethiopian parents, growing up in Ethiopia, and earning an industrial design degree from the University of Kansas in the U.S. His portfolio includes several acclaimed contemporary African furniture lines, such as 'The Axum Series,' a living room set inspired by the architectural styles of the Axum stelae in Ethiopia, and 'The Berchuma,' a series of stools that exemplify unique contemporary African design as functional art. These creations highlight his commitment to showcasing the beauty and functionality of African design to a global audience. #AfricanDesign #JomoTariku #FurnitureDesign #DubaiDesignWeek #ContemporaryAfricanFurniture #FunctionalArt #HomeDecor #CulturalHeritage #ProductDesign

Banana Republic has expanded its BR Home line, which initially launched with home textiles, to include a comprehensive range of furniture, lighting, and interior accessories for bedrooms, living rooms, and dining areas. This expansion reflects the brand's long-standing design philosophy of reimagining classics with a global influence to create modern, timeless pieces. The furniture collection emphasizes a minimalist palette of natural materials and colors, designed for versatility and easy integration across different interiors. Key pieces highlighted include the Rose Pendant, crafted from hand-pressed clay petals by South African collective The Handmade Story, paired with the Sydney coffee table (handcrafted from cast aluminum in India) and the Stinson Sofa, which reinterprets midcentury modernism. Another ensemble features Napa End Tables made from solid mango wood with brass inlays, a Brooklyn Coffee Table showcasing Spanish Marquina marble, and Celeste Table Lamps with marble bases and aluminum shades. The Rio Sectional, handmade in North Carolina from modular units, is presented with Kent Coffee Tables made from hammered brass and painted glass. Lighting fixtures such as the Merrick pendant, with its hand-woven wire petals, are designed to make a visual statement and are juxtaposed with geometric forms like the Savannah Round Dining Table in European white oak. The collection is rooted in a dedication to quality craftsmanship and the use of opulent textiles and natural materials. This commitment is evident in the bedding, which utilizes European linen, cotton cashmere, and organic cotton, as well as in hand-rolled clay beading, hand-knotted wool rugs, and teak furniture hand-carved in Java. The collaboration with The Handmade Story for pendants and chandeliers underscores BR Home's focus on artisan-made pieces that also support ethical production, as the collective empowers women and families affected by HIV. The design team emphasizes meticulous attention to detail, including exaggerated stitching, linings, and trims, to elevate the overall aesthetic and quality of the products. Each furniture collection is named after a destination or concept that reflects its character, such as the London sofas with their modernist silhouette, the Brooklyn collection's bold forms from handcrafted marble, Lisbon's organic modernism in oak, and Sydney's streamlined, textural beauty. BR Home also offers home styling advice through the BR Atelier, providing one-on-one appointments with stylists to assist customers with selecting individual pieces or developing complete interior schemes. This service aims to empower customers to create impactful spaces with the versatile and carefully curated BR Home range. The expansion into a full furniture line maintains the brand's core values of discovery, self-expression, and a rich, textured aesthetic that has defined Banana Republic since its inception in 1978. #BRHome #FurnitureCollection #HomeDecor #InteriorDesign #HandcraftedFurniture #NaturalMaterials #ModernDesign #TextileArt #GlobalInspiration

The article highlights 15 unique UK fabric shops and designers, moving beyond mainstream options to showcase artisan and distinctive fabric designs for home interiors. These selections cater to a wide range of tastes, from traditional country styles to eclectic prints, hand block-printed motifs, and sustainable options, providing inspiration for upholstery, curtains, cushions, and other soft furnishings. The aim is to introduce readers to designers and shops that offer unique aesthetic qualities and ethical production methods that might not be commonly known. St Jude's is featured for its artist-designed fabrics and wallpapers, including works by Mark Hearld, Angie Lewin, and Emily Sutton, making it suitable for those seeking unique prints. Kate Forman is recommended for traditional, vintage-style floral linens, ideal for country living rooms or bedrooms. Molly Mahon specializes in cheerful block prints, encouraging the mixing of various patterns for a vibrant interior. Susie Watson Designs offers a cohesive palette with prints ranging from florals to animal motifs, designed for easy incorporation into daily life with a muted and pastel color scheme. Madder Cutch & Co stands out for its commitment to sustainability, printing linens with natural pigments and plant extract dyes in a garden studio, also offering cushions and fabric accessories. Fanny Shorter reimagines botanical prints with maximalist fabrics for those desiring a unique take on nature-inspired designs. Morris & Co is recognized for its iconic prints, experiencing a revival that suits both traditional and contemporary interior schemes. Cabbages & Roses caters to vintage enthusiasts with understated designs, including faded floral linens and timeless stripes, perfect for period properties. Tori Murphy presents timeless style through stripes and geometric patterns, woven in a traditional Lancashire mill, ensuring durability and enduring appeal. Sam Wilson provides whimsical printed fabrics based on linocut designs, offering an understated way to integrate nature into interiors. Rapture & Wright is noted for its bold, hand-printed fabrics, featuring Moorish-inspired geometrics and the 'Walled Garden' print, ideal for making an impact. Sylvia & Margot specializes in cushions with intricate florals and birds, based on artist Rebecca's hand-carved linocuts. Ian Mankin is highlighted for its extensive collection of stripes and checks in cottons, linens, and wools, all woven in a historic Lancashire mill, offering a wide variety for different preferences. Cloth & Clover offers Scottish-milled linen mixes that evoke a traditional style, suitable for older properties or adding historic charm. Finally, Pippa Blacker Interiors provides elegant, nature-inspired fabrics and wallpapers based on Pippa's sketches and paintings, all made in the UK, with an option for a made-to-measure service for various soft furnishings. Each selection emphasizes distinctiveness, quality, and specific aesthetic appeals to guide consumers in their fabric choices. #FabricShopsUK #HomeInteriors #FabricDesigners #UpholsteryFabrics #CurtainFabrics #CushionFabrics #ArtisanFabrics #SustainableFabrics #VintageStyle

The article introduces Inner Child, a home decor brand founded by Michelle Pham, which specializes in colorful, handmade, maximalist decor. The author, Tori Polizzotto Jones, shares her personal journey from a minimalist aesthetic to an appreciation for maximalism, influenced by sentimental family heirlooms. This shift in personal style led her to discover Inner Child, a brand that resonates with her newfound love for vibrant and expressive home furnishings. Michelle Pham, the founder of Inner Child, explains her inspiration for starting the brand. She observed a gap in the U.S. market for accessible, handmade textiles and crafts, which are often found only through extensive travel. Her aim was to bring these unique, artisanal items to a broader audience. Inner Child's products are distinguished by their 100% handmade nature, encompassing fabrics, patterns, and textures. The brand offers a variety of home linens, including blockprint tablecloths, napkins, placemats, and table runners. Additionally, Inner Child has developed a sustainable practice by creating recycled paper goods from leftover cotton textile production. The brand's name, 'Inner Child,' reflects Pham's philosophy that joyful and whimsical decor should not be outgrown. She notes that while adult tastes often lean towards muted, minimalist palettes, children instinctively gravitate towards color and experimentation. Inner Child seeks to reintroduce this playful approach into adult homes, encouraging consumers to embrace delightful and colorful items. The brand continuously innovates, transforming new design ideas into stitched realities quickly to meet consumer desires for vibrant home aesthetics. Among Inner Child's bestsellers are the Ocean Wave Waste Bin, made from hand-marbled and block-printed recycled cotton papers. This collapsible, sustainably made bin serves both as a waste receptacle and a chic storage solution. Another popular item is the Araminta Toiletry Bag, available individually or in sets of three. These bags are designed for functionality, featuring four inner pockets and a wipeable plastic liner, with fabric hand-block printed by an eighth-generation artisan team. The Purple & Blue Checkered Reversible Sujani Quilt is another standout, crafted by one of only two remaining families globally practicing the Sujani weaving technique. These cotton-filled quilts take over 16 hours to handloom and offer a unique 'puff pillow' effect. Pham's inspiration stems from her childhood experiences, including reading extensively about crafts and textiles, and traveling widely in her twenties, which exposed her to diverse crafts and ways of living. Her mother, a talented seamstress, also instilled in her a deep appreciation for colors, patterns, and fabrics from an early age. Living in New York City further provides daily inspiration from fashion and people's choices. Pham also sheds light on the realities of running a small business with handmade products. She single-handedly manages all aspects of Inner Child, from design and production to warehousing, shipping, and marketing. This hands-on approach has given her comprehensive mastery over her business operations, from recognizing ideal shipping boxes to understanding fabric compositions and maintaining daily communication with artisans. Despite the immense workload, she finds the work highly rewarding, emphasizing that it is a constant, demanding endeavor rather than a typical nine-to-five job. The brand's core message is to promote the accessibility of handmade items and to encourage adults to embrace joyful and whimsical home decor that allows for self-expression and happiness, regardless of age. #HomeDecor #MaximalistStyle #HandmadeProducts #SmallBusiness #MichellePham #InnerChild #TextileArt #SustainableDesign #Entrepreneurship

Ikat patterns have gained immense popularity in both fashion and interior design, yet many consumers are largely unaware of the textile’s rich cultural origins. This article delves into the history and contemporary resurgence of ikat, particularly focusing on its Central Asian roots and its introduction to Western fashion by designers like Oscar de la Renta. The term ikat, derived from a Malay-Indonesian word meaning “to tie,” describes both the intricate resist-dyeing technique and the resulting fabrics and patterns. This labor-intensive process involves carefully resist-dyeing bundles of warp threads to create the design before weaving, a method distinct from other fabric production techniques where patterns are woven in. In the 19th century, Central Asian ikat production involved a sophisticated network of artisans, often organized along ethnic lines, with Tajiks handling red and yellow dyes, Jews managing indigo dyeing, and Uzbeks conceptualizing the patterns and undertaking the weaving. While the ikat technique developed in various parts of the world, Uzbekistan’s silk ikats became particularly renowned for their stunning quality. The origins of ikat in Central Asia, specifically in cities like Bukhara and Samarkand, in the early 19th century remain somewhat mysterious, as its sudden appearance was marked by a high level of sophistication, suggesting unknown precedents. The Smithsonian’s Arthur M. Sackler Gallery’s exhibition, “To Dye For: Ikats From Central Asia,” highlights this cultural journey by displaying a collection of Oscar de la Renta’s ikat-inspired pieces alongside historical Central Asian ikats. De la Renta, after being captivated by these textiles following the collapse of the Soviet Union in 1991, visited Uzbekistan and commissioned local weavers. He subsequently incorporated ikat motifs into numerous collections for both Balmain and his eponymous label, a move credited with popularizing the trend in Western fashion and home decor, seen in brands from Anthropologie to Target. The exhibition, which includes pieces from 1997 to 2013 on loan from de la Renta’s estate and about 30 historical Central Asian ikats donated by Guido Goldman, aims to educate visitors about the textile’s origins and cultural context. Goldman, a Swiss-born academic, amassed one of the world's most significant collections of ikats, including flat tapestries and ceremonial coats and robes. These historical garments, worn by both men and women, symbolized wealth and status in Bukhara and Samarkand. The exhibition thoughtfully juxtaposes de la Renta’s designs with 19th-century ikat coats, making the Central Asian pieces more accessible and emphasizing the shared luxurious and valuable nature of both contemporary and historical examples. The vintage Uzbek coats, cut in wide, loose styles reminiscent of Ottoman kaftans, are striking for their elaborate patterns and vibrant colors, often lined with Russian cotton or Indian chintz. A late 19th-century woman’s robe, for instance, showcases bold red, yellow, and white diamond shapes, stylized flowers, and zigzags on a black background, with a vibrant lining. De la Renta’s pieces, such as a robe from his fall/winter 2000 collection featuring pomegranate shapes, often referenced traditional Uzbek motifs like fruits, flowers, and geometric patterns. He sometimes used actual ikat fabric and at other times replicated its distinctive blurry effect through other techniques like embroidery. Beyond clothing, the exhibition also features noteworthy wall hangings. Flat Uzbek ikats served both decorative and functional purposes, such as insulating house walls or covering bedding. These were typically made from several narrow, loom-width lengths of material sewn together, creating an additional design element. An ikat from mid-19th-century Samarkand illustrates this with its cascading floral forms created by staggered fabric swaths. While Oscar de la Renta's designs played a crucial role in bringing ikat to global prominence, the exhibition subtly underscores the importance of acknowledging the cultural and historical origins behind this now-ubiquitous style. It serves as a reminder that many familiar contemporary designs have roots in diverse cultural traditions, and understanding these origins enriches our appreciation of the art form. #IkatFabric #TextileArt #CentralAsianCulture #FashionHistory #InteriorDesign #OscarDeLaRenta #SmithsonianSacklerGallery #CulturalAppreciation

This article highlights a curated selection of Black-owned businesses focusing on home decor, emphasizing the importance of supporting these brands to uplift the Black community and promote diversity in the design world. The featured companies offer a wide array of products, from luxurious bedding and handblown glassware to unique vintage pieces and contemporary furniture. Linoto, founded in 2007, specializes in high-quality linen products, including bedding, bath towels, and window treatments. Estelle Colored Glass, inspired by founder Stephanie Summerson Hall's grandmother, provides exquisite handblown colored glassware. Global Attic, based in Chicago, sources luxe home decor from Haiti, Africa, and Asia. Livvy & Neva, established by interior designer Keita Turner, offers one-of-a-kind pillows crafted from vintage textiles. Ceramic Meltdown showcases the work of ceramist Kyle Lee, known for bright colors on traditional forms. Clare, founded by interior designer Nicole Gibbons, disrupts the paint industry with a curated color palette and a direct-to-consumer model. Jungalow, created by designer Justina Blakeny, is recognized for its vibrant textures, colors, and bold prints. Malene Barnett, an activist and multidisciplinary artist, produces paintings, sculptures, and rugs influenced by her African heritage and is the founder of the Black Artists + Designers Guild. AphroChic, led by Bryan Mason and Jeanine Hayes, celebrates Black home culture through a lifestyle brand including a magazine, podcast, and decor products. Sheila Bridges, an A-List designer, incorporates her iconic Harlem Toile print into various items like wallpaper, clothing, and Moroccan slippers. Takussanu Senegal supports Senegalese women artisans by offering beautiful handmade baskets, ensuring fair wages and employment. Expedition Subsahara, founded by a former photographer, sells unique accessories to fund a STEAM school for girls in Senegal, dedicating twenty percent of proceeds to education. Eva Sonaike, a London-based company, features bold accessories with a West African aesthetic. Eclectic Home in New Orleans offers a diverse range of items from quirky ceramic pieces to streamlined case goods. Dressing Rooms Interiors Studio in Charlotte specializes in one-of-a-kind vintage decor. Peace & Riot, a Brooklyn boutique, presents housewares and bath accessories reflecting Caribbean and African heritages. Nicole Crowder Upholstery, a Washington, D.C.-based studio, creates bespoke furniture and transforms classic pieces with eclectic fabrics. Modish Decor Pillows, an online and pop-up retailer, sells luxurious throw pillows and tabletops. Mitchell Black, a Chicago-based brand, provides custom wall art, wallpaper, textiles, and rugs. K-apostrophe, led by mixed-media artist K’era Morgan, offers globally influenced prints, blankets, pillows, and tapestries. Bolé Road Textiles, from Ethiopian-born designer Hana Getachew, features soft goods with rich colors and graphic patterns inspired by her cultural background. Goodee World, a socially conscious platform by Byron and Dexter Peart, sells home decor made by minority artisans. Rochelle Porter, an Atlanta-based brand, produces bright, sustainable home accessories and textiles. xNasozi, founded by Nasozi Kakembo, blends international experiences and social justice in her Brooklyn store. Johanna Howard creates supersoft alpaca textiles inspired by her Swedish upbringing. Domain by Laura Hodges Studio, based in Washington, D.C., and led by interior designer Laura Hodges, offers home accessories reflecting her Norwegian, British, and Jamaican heritage. Baughaus Design combines modern and traditional materials to create handmade ceramics, lighting, furniture, and soft goods. Marie Burgos Design, inspired by Paris, features a collection of luxe lighting, furniture, and decorative accessories. Blk Mkt Vintage in Brooklyn curates vintage curiosities rooted in Black history. Jomo Furniture, by Virginia-based designer Jomo Tariku, infuses African art and culture into striking furniture designs. Born Indigo offers luxurious, sustainably made coconut wax candles with unique fragrances. Lastly, 54 Kibo, named after Africa's tallest summit, is a design brand specializing in tabletop to furniture items sourced throughout the diaspora, aiming to address the underrepresentation of African artisans. #BlackOwnedBusinesses #HomeDecor #InteriorDesign #SupportBlackOwned #Designers #ArtisanalProducts #EthnicInspiredDecor #SustainableBrands