Designer profile: Olivia Smith

Emma Sims-Hilditch, a prominent figure in the interior design landscape, is celebrated for crafting serene yet practical interiors that exude an understated modern elegance. Her designs are equally suited for both rural and urban settings, reflecting a unique blend of sophistication and comfort. Her journey into interior design was unconventional, beginning with a career in film production in London, where she worked as a production assistant for Ridley Scott on films like 'Thelma and Louise' and 'Gladiator'. This experience proved invaluable, equipping her with essential skills in managing large-scale projects and budgets. Today, her design studio, comprising a team of 30 professionals, serves a diverse clientele, including British clients and international patrons seeking assistance with properties in the UK and abroad. Sims-Hilditch's design philosophy is deeply rooted in nature and the preservation of England's architectural heritage. Her signature aesthetic is characterized by calm color palettes, tactile textures, and a harmonious fusion of modern and classic elements, creating interiors that are both relaxing and highly functional for daily life. The Sims Hilditch studio, formally launched in 2009, evolved organically from Emma's initial foray into interior work. After leaving film production and relocating to Wiltshire, she renovated her own derelict, listed former school and established a professional curtain-making business. Her 'big break' came when she was commissioned to design the interior of a manor house, marking the true beginning of her acclaimed career. Emma's creative inclinations stem from a family history of artists and designers, including a great-grandfather who was a member of the Royal Academy of Arts and a mother who was a keen interior decorator. This early exposure to creativity, combined with her habit of redecorating her own room as a child, set her on a path towards design, despite initially pursuing a business studies degree. As her business expanded, she relocated her studio to a meticulously renovated 16th-century pub, The White Hart, on the Wiltshire/Gloucestershire border. This unique space, opened in 2014, not only accommodates her growing team of 30 but also provides an inspiring and comfortable environment for clients. A key aspect of Sims-Hilditch's work is her team's thoughtful and sensitive approach to renovating listed buildings. They take pride in preserving architectural heritage, integrating original features while reimagining layouts to suit modern living without compromising historical integrity. This commitment to heritage preservation is evident in projects like the renovation of a 500-year-old, nine-bedroom family home. Her designs prioritize longevity and quality over fleeting trends, ensuring that each scheme is client-focused and built to last. The studio also emphasizes the reuse and preservation of existing furniture, incorporating clients' pieces to add character and personality to each home, alongside curating items from local suppliers and antique dealers. The Sims Hilditch studio offers a comprehensive design service, encompassing furniture and furnishing specifications, a dedicated procurement team, and an in-house interior architectural service that covers spatial planning, kitchen and bathroom design, and bespoke joinery. Emma draws inspiration from museums, art galleries, and hotels, notably La Bastide de Marie Hotel in Provence, which influenced her own Wiltshire home. The English countryside also serves as a profound source of inspiration, with elements like color palettes reminiscent of rolling hills and timber floors inspired by woodlands often integrated into her designs. She advocates for exploring surroundings, whether in the countryside or urban centers like London, to spark creativity. Emma acknowledges the impact of technology on the design industry, embracing online platforms for outreach while emphasizing the importance of face-to-face meetings for personal connection. Her design icons include Axel Vervoordt, admired for his understated, natural, and elegant aesthetic. Currently, the studio is engaged in diverse projects, from new builds to extensive refurbishments, including a nine-bedroom family home in Northern England, a chalet in the Swiss Mountains, and various properties in London and the Cotswolds. Emma has also appointed Louise Wicksteed as Design Director, allowing her to focus on the creative direction of the business, while her family continues to demonstrate a strong creative lineage in fine art and film set decoration. #EmmaSimsHilditch #InteriorDesign #EnglishStyle #HistoricRenovation #DesignAesthetic #LuxuryHomes #ArchitecturalHeritage #TimelessDesign #WiltshireDesign

Christine Lin, founder and principal of Form + Field, an interior design firm based in San Francisco, shares insights into her work, inspirations, and projects. Lin's background includes studies in architecture and mechanical engineering at MIT, where she also delved into furniture and product design and art history. This diverse academic foundation, combined with rigorous training in corporate and startup tech environments and an MBA from UC Berkeley, equipped her with expert management and execution skills. Her keen eye for design has been further honed through extensive study and global travel, seeking out new art, design, and architecture. Form + Field's design philosophy centers on integration and longevity, aiming to create holistic, enduring environments that promote joy and well-being. The firm intentionally crafts spaces tailored to individual needs, whether residential or commercial. Lin describes her style aesthetic as 'eclectic modernism with an emphasis on contemporary art and architectural detailing.' The design process at Form + Field is highly client-centric. It begins with a comprehensive discovery phase, including extensive questionnaires, to deeply understand clients' personal interests, preferences, and cherished memories of interiors. This information serves as a foundation for crafting a unique space. Lin likens the design process to a Venn diagram, where one circle represents the client's desires and functional requirements, and the other encompasses Form + Field's design principles. The 'overlap' between these two circles, which varies with each client, is where the firm identifies the magical and personalized aspects of a project. Lin finds inspiration primarily through conversations with passionate individuals across various crafts and arts, transferring that energy into her design work. One of her most inspiring projects to date is the Martis Camp project in Tahoe, a collaboration with Faulkner Architects, set to conclude in 2024. This project stands out for its ambitious scope, extensive custom design integrated with interior architecture, and the exploration of new vendors, fabrication processes, and color applications. Her dream project involves designing a small boutique hotel that offers a unique guest experience, deeply rooted in the surrounding culture and context of its location. Form + Field's ideal clients are described as kind, well-traveled, cultured individuals who value quality, invest in good design, appreciate architecture, and collect art. These clients are typically open to exploration, new ideas, and unexpected design solutions. Lin identifies Form + Field's 'design superpower' as their ability to interpret clients' needs and desires through their distinct lens, translating them into elevated, unique designs. The firm prides itself on creating spaces where each project possesses a distinct personality, clearly reflecting the occupants. Her design heroes include architect Rem Koolhaas/OMA, whose conceptual approach, focus on ideas over a singular aesthetic, and willingness to take risks are deeply inspiring. Looking ahead, Form + Field is embarking on a large, new-construction generational home project in Kauai, collaborating with Zak Architecture. This endeavor represents an exciting opportunity to create a holistic vision for a dream vacation home, building on an established trust with the clients, for whom this is their third project with the firm. #InteriorDesign #ChristineLin #FormAndField #DesignPhilosophy #EclecticModernism #ClientCentricDesign #ArchitecturalDetailing #DesignInspiration #CustomDesign

Elizabeth Sims, the Principal Designer behind CALAFIA Home Design, discusses her journey from an MFA-educated studio artist and arts educator to a successful interior designer and entrepreneur. Her passion for interior design, initially a side pursuit for friends and family, evolved into a full-fledged business in 2015. Sims recognized the unique value her artistic background brought to clients seeking timeless and distinct interiors that resonate with California's rich design heritage and landscape. Her dual career as an artist and designer offers both creative fulfillment and a balanced professional life. CALAFIA Home Design draws its name from the mythical island of Queen Calafia, an early Spanish explorer's imagining of the West Coast. This name embodies the romantic mythology and diverse cultural roots of California, aligning with Sims' mission to craft living spaces that tell her clients' individual California stories. She approaches each project as a bespoke work of art, emphasizing custom, personal, and timeless designs that honor a home's history and its owners' style and practical needs. Sims expresses deep gratitude to her clients, viewing their trust as an honor and motivating her commitment to an accessible, transparent, and joyful design process. When asked about an ideal Bay Area itinerary, Sims highlights the intertwining of landscape and design in the region. Her recommendations include exploring the hidden gardens and architectural marvels in the East Bay hills, such as Julia Morgan buildings, the Berkeley Horticultural Society, Botanical Gardens, and the Cal campus. A suggested evening activity is drinks at the historic Claremont Hotel, offering panoramic views of the Bay. In San Francisco, she recommends visiting the Minnesota Street Projects for art galleries, the Coit Tower murals, Frank Lloyd Wright’s Xanadu Gallery, and the modern architecture of St. Mary’s Cathedral. To complete the experience, a drive across the Golden Gate Bridge to see the Sausalito houseboats, the heritage Heath ceramic studio, and a hike in the headlands are suggested. Sims credits her entrepreneurial spirit and strong work ethic to her father and grandfather, who managed a produce distribution business. Their example taught her the value of building an enterprise and cultivating respectful relationships across industries. Additionally, her family instilled in her a profound appreciation for design. She recalls her parents' collection of early California watercolors, her aunt and uncle's home celebrating Mexican heritage, and her grandmother's subscription to Architectural Digest. These early influences shaped her understanding of California's diverse design heritage and how a home can uniquely tell a family's story, a philosophy that now underpins CALAFIA Home Design.

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

British artist Sophie Smallhorn, whose work explores the relationships between color, volume, and proportion, grew up immersed in a creative environment. Her parents were industrial and textile designers, and her Montessori education, with its use of brightly colored, precisely shaped wooden objects, fostered an early understanding of color, form, and dimension. This upbringing shaped her artistic approach, which is characterized by sophisticated geometric solids and a focus on color dynamics. Initially, Smallhorn pursued a degree in Wood, Metal, Ceramics, and Plastics at the University of Brighton, where she crafted sculptural furniture pieces that, despite their limited functionality, were primarily driven by color. She began creating assemblages from leftover materials for personal enjoyment, eventually selling them informally. Her acceptance of her work as fine art came only after a gallery explicitly presented it as sculpture, reflecting her background in design and making. Early career milestones included significant commissions from the avant-garde fashion brand Comme des Garçons, which provided opportunities for large-scale installations at its Tokyo flagship. These projects broadened her scope, leading to collaborations such as developing a 56-color palette for the London 2012 Olympic Stadium with Populous Architects, where exterior canvas banners in various hues marked spectator entrances. More recently, Smallhorn has ventured into textile design with Designtex, creating an upholstery pattern named Ribbon. This marks her first formal foray into textiles, a field her mother worked in, and one Smallhorn initially resisted due to her discomfort with digital design processes and the overwhelming possibilities of digital printing. However, a clear vision from Designtex's executive design director, Sara Balderi, during their renewed collaboration post-COVID, made the digital process manageable and even a revelation. The inspiration for the Ribbon motif originated from an enameled snuff box with an undulating ribbon, which Smallhorn encountered at the Victoria and Albert Museum. She developed the idea by physically manipulating collage and colored acetates, twisting and folding them, before translating these physical experiments into a digital layout for pattern repeat, palette, and scale. The initial design, which started smaller, evolved into a bold, graphic, and dynamic pattern with a theatrical quality, largely influenced by Designtex. The ribbon on the fabric is not solid but composed of parallel lines, a deliberate choice by Smallhorn to achieve an effect similar to screen printing, where overlapping transparent colors create a third hue, adding a playful and energizing graphic element. A solid version of this pattern, called Flat Ribbon, is available as a customizable wallcovering through Designtex’s Digital Studio website. Smallhorn notes a significant crossover between her two-dimensional prints and her three-dimensional sculptures and installations, as both involve compositions of hard-edged formal shapes. Screen printing serves as a rapid and playful method for developing ideas, allowing for serendipitous color scenarios that often inform her sculptural pieces. While her three-dimensional work does not allow for layering transparent colors, the print table mimics sketching, providing inspiration for new color combinations. She uses the same acrylic paint for both prints and assemblages, viewing the latter as vehicles for exploring and holding a palette. Smallhorn emphasizes the intuitive nature of her color decisions, often repainting pieces multiple times to achieve a desired equilibrium among what she describes as 'easy' and 'less easy' or 'awkward' and 'less awkward' colors, without relying on a predefined system. Her collaborations with brands like Comme des Garçons and COS exemplify her ability to bridge fine art and commercial design. For COS, she created window displays for five global stores, featuring large, overgrown stacks of shapes designed to complement product displays. This dual engagement with both artistic and commercial realms is a comfortable space for Smallhorn, who appreciates working with brands that share a similar sensibility toward color and design. Her career demonstrates a consistent exploration of color, form, and proportion across various mediums, continually seeking synergistic relationships in her chromatic work. #SophieSmallhorn #ArtistInterview #ColorDesign #Sculpture #TextileDesign #InteriorArt #DesigntexCollaboration #GeometricForms #CreativeProcess

The article introduces Daphne Martino and Claudia Barroso, co-founders of M&B Design Studio, highlighting their journey into entrepreneurship as interior designers. Both women, having spent years assisting friends and family with design projects, decided to formalize their passion into a business once their children reached high school and college, providing them with the necessary time and space. Their motivation extends beyond personal ambition; they aim to set an example for their daughters, demonstrating that it is possible to pursue new career paths and achieve significant goals at any age. M&B Design Studio distinguishes itself through its commitment to honesty, transparency, and open communication with clients. This foundational trust is crucial for navigating design challenges and delivering spaces that are aesthetically pleasing and deeply meaningful to their clients. The founders emphasize that their path has involved considerable hard work and perseverance, acknowledging the inherent challenges and frustrations of the interior design industry. Despite these difficulties, they describe themselves as resilient, embracing both the positive and negative aspects of their work and striving to enjoy the process. Their families have been an integral part of their business, offering support with everything from physical help during installations to organizing project spreadsheets. This familial backing is presented as a key factor in their success. The studio prides itself on delivering thoughtful, timeless, and tailored designs that clients genuinely appreciate, reflecting their dedication to their craft. Beyond their professional lives, Daphne and Claudia share insights into their personal preferences and recommended activities in Miami. When friends visit, they curate an itinerary that blends outdoor exploration, culinary experiences, adventure, and relaxation. Their suggestions include a morning visit to Fairchild Tropical Botanic Garden, followed by refreshments from Wayside Market. Sundays feature a stop at the Pinecrest Farmers Market for local produce and artisanal goods. A quintessential beach day in South Beach, complete with lunch at Joe’s Stone Crab, is also on the agenda. For a change of scenery and a more relaxed atmosphere, a trip to Ocean Reef is recommended for boating, swimming, and golf. Their itinerary also highlights Miami’s vibrant art and design scene, with visits to Wynwood for its street murals and creative energy, and the Miami Design District for its architecture, high-end shops, and curated spaces. Relaxation and rejuvenation are factored in with a spa day at The Standard Spa or Tierra Santa at Faena. Dining experiences are diverse and include COTE Miami for a Korean steakhouse, Bouchon Bistro in Coral Gables for French cuisine, and Queen Miami Beach for a glamorous dinner and show. Iconic local spots like Ball and Chain, known for its live music and history, are also included to offer a taste of Miami’s cultural heartbeat. The week concludes with drinks at Bellini at Mr. C Coconut Grove, offering a sophisticated end to their Miami tour. In acknowledging those who have supported their journey, Daphne and Claudia express profound gratitude to their husbands and children. They credit their families with unwavering support, encouragement, and understanding, which have been constant sources of strength throughout the late nights, early mornings, and significant milestones of their entrepreneurial endeavor. Their families are seen not just as supporters but as an integral part of everything they do at M&B Design Studio. #InteriorDesign #Entrepreneurship #FemaleFounders #SmallBusiness #MiamiLifestyle #WorkLifeBalance #FamilySupport #DesignStudio

Sofia Simioni, an architect and interior designer, shares her journey and creative philosophy. She describes creativity as an essential tool for personal evolution and self-exploration. Driven by a lifelong passion for art and a restless imagination, Simioni pursued architecture, finding it to be the ideal field to unleash her potential. Her career path led her from Rosario, Argentina, to Barcelona eight years ago, a city she chose for its rich artistic and architectural heritage. In Barcelona, she integrates art into every project, creating spaces that reflect her clients' personalities. Simioni faced the challenge of establishing herself as an architect in Barcelona, a city with a high concentration of design professionals. Before moving, she co-founded "Para vos todo el amor del mundo" with her sister Connie, designing travel diaries and notebooks. This venture gained quick recognition, enabling them to move to Barcelona together and continue their artistic pursuits. Simioni gained extensive experience working in architectural firms across Argentina, Brazil, Norway, and Spain. These international experiences and collaborations with diverse professionals significantly contributed to her knowledge of architecture and life, forming the foundation for her own studio. Two years prior to this interview, Simioni opened Estudio 08013 in Barcelona's Sagrada Familia neighborhood. She views her studio as an atelier where she collaborates closely with clients to design homes that embody their souls and life perceptions. She emphasizes that each house possesses its own soul and story, and she acts as a conduit for its expression. Her approach focuses on creating homes that resonate deeply with their occupants, reflecting their connection to life and people. Beyond her professional life, Simioni offers a tour of Barcelona, starting with the iconic Sagrada Familia, visible from her home. The itinerary includes a walk along Avenida Marina to the Olympic Port for breakfast, followed by a boat tour to admire the city's skyline. They would then disembark in Barceloneta, walk along the beach, and have lunch at Surf House Barcelona. The tour continues through the medieval streets of the Gothic Quarter, exploring historical sites like the Cathedral of the Sea, and tracing the city's history to Plaza Catalunya. From Plaza Catalunya, the tour proceeds along Paseo de Gracia, known for its modernist buildings and luxury shops. A highlight is a visit to "Nacional," an old industrial warehouse transformed into a food court with impressive interior design, offering tapas and seafood. The journey then shifts to Plaza España and the walk to Montjuic, where Simioni would discuss modernist architecture and the 1929 Barcelona Universal Exhibition. The panoramic view of the city from the National Art Museum of Catalonia, overlooking Tibidabo mountain and its monastery, is a key stop. The tour encompasses the Olympic stadiums and various parks, concluding at Salts, a bar atop the Olympic diving pools, for tapas, vermouth, and a sunset view. The day ends with the Magic Fountain show at Plaza España, a musical and aquatic display recounting Barcelona's history. Simioni expresses gratitude to her family for their unwavering support, to individuals who have guided her personal growth, to the sea and boating for passion and enjoyment, and to Barcelona for making her feel at home. She also acknowledges her commitment to her intuition throughout her life. She provides her Instagram (@studio08013), LinkedIn (Sofía Simioni), Facebook (Sofía Simioni), and email ([email protected]) for connection. Jordi Miralles Fotografía and Studio byPablo are credited for the image. The article concludes with an invitation for community nominations for ShoutoutMiami, aiming to recognize hidden gems in various fields. #SofiaSimioni #Architect #InteriorDesigner #Barcelona #CreativeCareer #Estudio08013 #Entrepreneurship #TravelGuide #BarcelonaArchitecture

Margo Selby, a celebrated designer-weaver, has been at the forefront of innovative textile design for over a decade, distinguishing her work through the creation of colourful, three-dimensional fabrics that form the core of her vibrant cushions, throws, rugs, and various home accessories. Her signature style, characterized by strong graphics and intricate patterns, originates from her Kent studio, where she utilizes a 24-shaft dobby loom to develop her unique hand-woven textiles before they are put into production by specialized mills. Selby's artistic journey is deeply rooted in her family's tradition of textile craftsmanship, with her grandmother, Edith Selby, having taught her crocheting and cross-stitching. This early exposure to textile arts naturally led her to pursue a focus on textiles during her foundation studies at Chelsea College of Arts, where she also explored graphic design, sculpture, and three-dimensional design. Her formal education continued with an MA in woven textiles from the Royal College of Art, followed by a fellowship at The Ann Sutton Foundation. During her fellowship, Selby engaged in projects that included developing products for Shetland wool and designing dobby fabrics for the interiors fabric industry in Yorkshire, establishing her initial connections with industrial mills. It was through these experiences that Selby began to bridge her hand-woven concepts with industrial manufacturing processes, leading to the development of her brand's hallmark silk and Lycra fabrics. The inspiration for her innovative three-dimensional fabric concept stemmed from her fascination with surface and texture, particularly the desire to emulate the tactile quality of bubble wrap packaging using silk. This pursuit involved extensive research into different fibers that would shrink when exposed to heat, which she then wove in combination with silk to achieve the desired three-dimensional surfaces. Selby's design philosophy is intrinsically linked to the art of weaving, which serves as the primary source of inspiration for all her creations. Beyond her personal handloom work, she actively explores global trends in woven textiles, drawing stimulation from highly decorative designs rich in pattern and color. Recent collections reflect an appreciation for indigenous and tribal fabrics, including techniques such as Japanese dyeing and African prints. The design process for her fabrics begins with the careful planning of the warp, which forms the structural backbone of the fabric on the loom, allowing for experimentation with different structures and weft yarns until a satisfactory product is achieved. This methodical and contemplative approach allows the fabric to evolve one row at a time, providing ample opportunity for design refinement. Once a fabric design is perfected through numerous developmental warps, Selby explores its potential for industrial production, collaborating with mills. For her flooring collection, her woven patterns were adapted into carpet constructions, manufactured in the UK. Operating from an open-plan studio in Whitstable, Selby immerses herself in a creative environment filled with materials, yarns, and inspiring imagery. Her daily routine involves addressing emails and collaborating with her team before dedicating the majority of her day to weaving at her loom. Her collaborations extend to companies like Alternative Flooring, for which she developed wool carpet and runner designs inspired by her deflected double-weave hand-woven cloths. Selby sources yarns globally, with Japan and the US being notable for their vibrant hand-weaving communities, and emphasizes selecting the most skilled weavers for specific material types. The business, which began in her bedroom, has expanded significantly to a bustling textile studio employing eight full-time staff and additional piece workers in Whitstable, focusing on bespoke textiles for a diverse range of applications. The handloom and the traditional craft of weaving remain central to all her products. The current re-emergence of carpet and color in fashion presents an exciting opportunity for her designs, particularly the translation of soft silk and wool fabric designs into large-scale, recolored flooring options. Selby's future plans include developing interiors fabrics for sale by the meter and expanding her accessories range to include bedlinen and towels. #TextileDesign #MargoSelby #WovenTextiles #HandloomWeaving #ThreeDimensionalFabrics #InteriorDesign #HomeAccessories #Craftsmanship #IndustrialCollaboration

Violetta Ustayev, an interior designer, shares her journey of establishing Vi Design. After pursuing law and finance, a market collapse prompted her to follow her passion for design and fashion, leading her to start her own business. This decision was driven by a desire for autonomy and the ability to control her own growth trajectory. Vi Design operates as an interior design company that also functions as a retail store, offering wallpaper and fabric. The business further includes an upholstery shop and a recent partnership with a carpentry shop. Their primary focus is on mid to high-end interiors, often managing construction and delivering turnkey projects. A significant portion of their clientele comprises other designers who purchase materials and utilize Vi Design's custom carpentry and upholstery services. The distinguishing factor for Vi Design is its boutique approach, emphasizing personalized and hands-on client engagement, despite its diverse service offerings as a design retail store and fabricator. Ustayev's background in law, finance, and construction provides her with comprehensive project management skills. Ustayev expresses pride in being self-made, having built her business without working for other designers or holding a design degree. As a single mother of three young children, she manages her businesses while consistently seeking to scale and expand. She acknowledges that the path is not always easy, but views every obstacle as a learning opportunity for continuous growth. Her unwavering mindset is encapsulated by the phrase, "nothing can stop me." She recounts a significant challenge nearly two years prior when she broke her spine, an event that almost led to the loss of her business. However, her resilient outlook prevented her from giving up, instead prompting her to adapt and implement changes to prepare for unforeseen circumstances. Ustayev's overarching goal is to convey her profound passion for her work and her gratitude for daily experiences, lessons, and challenges. She aims to demonstrate that it is possible to launch a business, raise a family, overcome adversity, and still achieve success. She emphasizes that her business operations are guided by sincerity and strong moral principles. When asked about an ideal itinerary for a visiting best friend, Ustayev suggests a relaxing week in Miami. This would primarily involve visiting the beach, potentially enjoying a boat ride, and dining at her favorite restaurants. The emphasis would be on relaxation and shared enjoyment, with an openness to tailor activities to her friend's interests. Ustayev dedicates her success and current position in life to her parents. They immigrated to America in the late 1980s with her and her brother, both under five years old, with limited financial resources and no English language proficiency. They worked tirelessly for minimal wages to sustain their family. Their persistent message to their children was the importance of hard work to achieve aspirations and the value of self-employment to avoid limitations imposed by others. Witnessing their struggles instilled in Ustayev at a young age the ambition to become her own boss, a goal she has successfully realized through her various businesses. #InteriorDesign #Entrepreneurship #SmallBusiness #WomenInBusiness #MiamiLife #SelfMade #OvercomingAdversity #PersonalGrowth

Silvana Souza, an interior designer and realtor, discusses her journey into entrepreneurship, driven by a passion for design and a desire for autonomy. With over 13 years of experience in interior design, she aimed to create personalized and functional spaces that reflect each client's individuality. Her decision to start her own business stemmed from wanting the freedom to implement her unique vision and build strong client relationships. Souza's approach focuses on crafting meaningful spaces that bear her distinctive signature. Souza's career is marked by her dedication to high-end, turnkey interior design projects. She holds a bachelor's degree in interior design and has further enhanced her capabilities by acquiring a real estate license. This dual qualification provides her with a comprehensive understanding of both design aesthetics and the real estate market, enabling her to offer clients strategic advice. She assists clients in making informed decisions about designing spaces, whether for resale purposes or for creating their long-term homes, ensuring their investments align with their future goals. Her design philosophy centers on storytelling, believing that every space should narrate the personality and needs of its inhabitants. She strives to create environments that are not only visually appealing but also highly functional and purposeful, collaborating closely with clients while providing expert guidance to simplify their choices. Souza acknowledges the challenges inherent in entrepreneurship, including moments of self-doubt, balancing business growth with family life, and adapting to an evolving industry. She emphasizes that these setbacks served as valuable learning opportunities, fostering persistence, patience, and adaptability. She highlights the importance of a strong support network and mentors in navigating her professional path. A key lesson learned is that success is not linear, and each experience contributes to increased confidence and a clearer vision. Souza is committed to authenticity, creativity, and a genuine desire to enhance lives through design, aiming to create environments that evoke emotion, offer comfort, and reflect unique identities. She assures clients of her dedication, expertise, and care throughout the entire design process. For visitors to the area, Souza suggests a varied itinerary combining relaxation with exploration. A typical week might begin with unwinding at her farmhouse in Fort Pierce, including peaceful walks on private trails. Day two could involve exploring Atlantic Avenue in Delray Beach, known for its boutiques and dining spots. East Boca is recommended for dinner and drinks, specifically Louie Bossie. The Miami Design District offers artistic and architectural exploration, followed by a stylish lunch. Miami Beach's Art Deco district and Wynwood's street art scene are suggested for a vibrant cultural experience. A relaxed day on Boca Lake for boating and grilling, and a general beach day, round out the recommendations. These suggestions reflect a blend of natural beauty, urban culture, and culinary experiences. Souza expresses deep gratitude to her family, particularly her husband, for his unwavering support and encouragement in her entrepreneurial venture. Her children are also recognized for their understanding and patience, which allows her to focus on her business. She extends a special thanks to her mother for providing childcare, a crucial element enabling her professional growth. Additionally, Natalia Britto receives a shoutout for her valuable design business coaching and mentorship. Souza's website (homedesignstudio.us/about/), Instagram (@homedesignstudios), LinkedIn (silvanasouzahomes), and Facebook (homedesignstudiollc) are provided for further information and engagement. Portrait photography is credited to Sue Cervelin of Hello Studios, and project photography to Steve Olmo of Sea Olive Studios. #InteriorDesign #RealEstate #Entrepreneurship #BusinessJourney #DesignPhilosophy #WorkLifeBalance #ClientRelationships #MiamiLifestyle #BusinessMentorship

Lisa Davis, an interior designer known for her work on a Back Bay Mansion featured in Boston Home magazine, shares insights into her career, design philosophy, and a new virtual design program. Davis transitioned into interior design after a career in fashion/retail merchandising, taking courses at RISD in color theory, drafting, and architectural history. She highlights the Boston Design Center as an invaluable resource for its comprehensive offerings, from fabrics to floor coverings. Other favorite vendors include Donghia for modern furnishings, Schumacher for transitional fabrics and wall coverings, and Stark Carpet and Steven King for diverse floor coverings. Davis considers color an indispensable design element, emphasizing its individual impact and using clients' preferred colors as a starting point for projects. Her designs are deeply inspired by travel, which provides visual experiences that build her design consciousness. She recounts a recent trip to Iceland, noting the raw, dark, and textured beauty of the landscape and the ethereal quality of its light as influential. Davis describes her personal aesthetic as a blend of old and new, worn and fresh, and smooth and textured, with a subtle and classic use of textures and patterns. She advises against mixing too many animal prints in one room, stating "only one species per room." She introduces her 'Design by Post' virtual interior design service, aimed at making interior design more accessible. This program allows clients to provide dimensions and design concepts virtually, enabling Davis to assist with floor plans, color schemes, furniture and fabric selections, window treatment designs, and floor and wall coverings. Clients can also order trade-only fabric samples through her. Davis acknowledges the guarded nature of designers when it comes to sharing sources but reveals her go-to custom work specialists. These include Franks Custom Draperies for soft treatments, PHD (Paperhanging and Design) with Greg Kahler for wall covering installations, Partners in Design for re-upholstery and custom upholstery, Art Applications for custom builds and painting, and Boston Binding for carpeting installation and area rug binding. For DIY decorators, Davis advocates for a mindful approach: "choose well, not often." She encourages investing in quality and craftsmanship over time, accumulating a collection of lasting pieces rather than frequently replacing low-quality items. Her preferred projects are those that start from the initial structural elements, like floors, kitchens, and bathrooms, and extend to the final decorative details, such as window treatment trim. This allows her to fully engage her design skills across all aspects of a space, including color, paint, wallpaper, living space planning, electronics placement, lighting control, furniture, upholstery, and accessories. Currently, Davis is working on an office space on Boylston Street, where budget limitations have spurred creative solutions. She expresses impressive satisfaction with the versatility and appearance of IKEA cabinetry, specifically recommending their Besta wall units for various spaces like offices, media rooms, wardrobes, and dressing rooms. This project demonstrates her ability to deliver high-quality design even with cost constraints, leveraging accessible options effectively. #InteriorDesign #LisaDavis #DesignPhilosophy #VirtualDesign #CustomWork #HomeDecor #BostonDesign #DIYDesign #TravelInspiration

Mia Vesper, a New York-based designer known for her Impressionist-printed plisse sets, has meticulously curated her Williamsburg apartment to reflect her unique aesthetic, characterized by a blend of vintage textiles, eclectic decor, and a personalized approach to interior design. Vesper's home is a testament to her philosophy of collecting pieces based on personal appeal rather than adhering to a specific stylistic theme or era. Her mother, an antique collector, instilled in her a lifelong interest in items with rich histories, influencing Vesper's current decorating style. The apartment features an array of vintage textiles, including Persian rugs and velvet Ikat pillows sourced primarily from eBay, which are used on furniture and floors. These textiles are not only decorative elements but also directly link to her fashion brand, as she often uses similar materials in her clothing collections. This crossover sometimes creates a dilemma for Vesper, as she has to decide whether to use a particular textile for a garment or for home decor, emphasizing the interconnectedness of her creative work. She also frequents local antique shops and online platforms for unique finds, such as the Dobbins Street Co-op, where she discovered a large white ceramic cat, and Dream Fishing Tackle for a vintage green credenza. Beyond textiles, Vesper's home incorporates a variety of distinctive items. Her vegan leather sectional is from Albany Park, and her coffee table is a creative assembly of a Preen Ellis Mikkell top mounted on cinder blocks. Lighting is provided by an arched floor lamp from Joss and Main. Other notable decorative elements include lucite-shaped candles with gold flakes and funky chess boards. The artwork is a prominent feature, with paintings and prints arranged thoughtfully across the walls. Her graphic designer boyfriend assisted in digitally mocking up the living room to optimize the placement of these pieces, many of which were sourced from Stardust Print Shop in Buffalo, New York. A recurring motif in Vesper's home is the moth, which she considers an emblem of her brand. This theme is manifested in an oversized cushion made from vintage velvets, created in collaboration with pillow designer Maria Tilyard, and a neon bat with moth-like wings that hangs in her workroom above stacks of vintage textiles. The personal touch extends to the wall color, as the peach paint was chosen to match Vesper's hair, illustrating her unconventional and boundary-free approach to design. Her love for fashion is also evident through displayed items like Mexican cowboy boots on her credenza and a blazer on the wall. Vesper's home ultimately embodies an eclectic and personal style, where diverse elements from various genres and time periods coexist harmoniously. Her philosophy revolves around curating items she genuinely likes, regardless of their origin or conventional categorization, resulting in a dynamic and continuously evolving living space that mirrors her artistic vision and personal history. The apartment serves as a living canvas that blends fashion, art, and home decor into a cohesive and visually rich environment. #MiaVesper #InteriorDesign #VintageDecor #TextileDesign #EclecticHome #FashionDesignerHome #WilliamsburgApartment #PeachWalls #ArtCollection

The article explores Qatari-American artist Sophia Al-Maria’s video installation, \"Gravity & Grace,\" which served as the backdrop for Miu Miu’s S/S 2024 collection during Paris Fashion Week. The artist drew inspiration from the Palais d'Iéna, a classical brutalist building by Auguste Perret, which has been Miu Miu’s show venue for several years. Al-Maria aimed to transform the rationalist structure into a surreal, multi-dimensional space, enhancing the audience's viewing experience of the show. Al-Maria's involvement with Miu Miu began after her work, \"The Future Was Desert,\" was exhibited at Fondazione Prada’s Venice outpost in 2023. This film explored themes of environmental devastation, fossil-fuel dependency, and geopolitical complexities within the Gulf Region, featuring 'delirious, post-apocalyptic dreamscapes.' This previous work established a shared interest with Mrs. Prada in human history and deep time, questioning what is real versus what is not. This connection led to her current collaboration, aiming to reflect this shared sensibility in the S/S 2024 show's visual narrative. Her latest film, \"Gravity & Grace,\" is conceptualized as an old fairytale with a new twist, depicting the 'ending of the world' through the dynamic interplay of a court jester and a royal guard. Both roles are played by stuntwoman Ayesha Hussain, who engages in a sword and crossbow battle over conflicting perspectives on whether life is a tragedy or a comedy. The film’s soundtrack features an original piece by the Melbourne-based band Divide and Dissolve, with arrangements by Asma Maaroof, Daniel Pineda, and Joshua Fay, which complements the surreal and dramatic atmosphere of the visual art. The installation, displayed on screens interspersed among the Palais’ columns, featured a moody, cloud-filled sky before the show, transitioning to images of a samurai sword-wielding protagonist and futuristic versions of the building's pillars during the show. The accompanying notes characterized the film’s setting as \"a landscape of technological ruins, an imaginary history invented inside the Palais d’Iéna.\" This description aligns with Al-Maria’s intent to create a surreal extension of the classical brutalist architecture, blurring the lines between reality and imagination. Despite not having seen the full collection prior to creating the film, Al-Maria noted a \"serendipitous symmetry\" between her work and Mrs. Prada’s S/S 2024 collection. The collection itself explored an \"explosion, redressing\" of contemporary notions of beauty, seeking a \"radical expansion, a rich plurality.\" It combined glamour with everyday elements, such as a golden brocade dress over a sweater and shirt, or a lace petticoat with a blazer, alongside Miu Miu’s signature abbreviated mini skirts and exposed logoed waistbands. Al-Maria noted that the collection felt like an embodiment of a sensation she had felt in the air around the present moment, aligning with her film's themes of questioning reality and embracing the surreal in the quotidian. #SophiaAlMaria #MiuMiu #ParisFashionWeek #VideoInstallation #ArtAndFashion #SetDesign #ContemporaryArt #Prada

Suzanne Lovell, a Chicago-based design professional, discusses her integrated approach to architecture, interior design, and fine-art advisory services. Having honed her skills at Skidmore, Owings & Merrill, Lovell launched her firm in 1985, specializing in residential projects ranging from large estates to superyachts. Her work is characterized by a holistic design process, where architectural materials, furniture, fabrics, and art placement are considered interwoven from a project's inception. This integrated methodology ensures that every aspect of a space contributes to a cohesive aesthetic and functional environment. Lovell emphasizes the distinct nature of acquiring art versus creating an interior. While interior design involves sourcing and buying to achieve a specific aesthetic, art acquisition, particularly for serious collectors, requires a different approach. The art world often demands proof that the art is not merely decorative to grant access to significant pieces and private sales. Lovell and her colleague Kristin Murphy Romanski, who directs the fine-art advisory service, focus on educating clients and providing them with an enriching experience. The goal is for clients to be able to tell a story about their art and home, transforming the entire process, including house building, into an enjoyable and memorable journey. The fine-art advisory service offered by Lovell's firm is comprehensive, involving collaboration with auction houses and galleries. It manages clients' existing collections through logging pieces and coordinating appraisals. The service also assists clients in bequeathing art to museums, demonstrating a deep understanding of museum acquisition priorities. Interestingly, Lovell notes a growing trend among collectors to establish their own private museums, driven by a desire to create accessible art experiences for visitors rather than having pieces stored away in public institutions. Lovell shares details about current projects, including a residential renovation in upstate New York that adopts a Danish-Norwegian aesthetic with white plaster, Andes black granite, and raw oak, designed to complement the surrounding garden. She also discusses an anticipated trip to Cork, Ireland, to meet with Joseph Walsh, a maker renowned for his bentwood furniture and sculptures, to explore the integration of his work into architecture. Regarding her firm's location, Lovell attributes Chicago's unique environment to fostering a loyal team with strong communication and a lack of ego, which she believes has been crucial for building her business. She recounts her experience designing her first superyacht, highlighting the challenge and intrigue of working within limited space, which demands exceptional accuracy and organization for every element. Lovell's design philosophy embraces both traditional and modern elements, often blending them to honor clients' individual preferences rather than imposing a signature style. This approach is evident in her willingness to create diverse aesthetics, from knotty-pine houses to modern penthouses. Her work on a penthouse concept for Vista Tower in Chicago involved leveraging drone footage to understand views and noise levels, emphasizing the importance of creating serene spaces within urban environments and using art to provide memorable moments. She highlights art as a critical component in defining the character and experience of a living space. #SuzanneLovell #InteriorDesign #Architecture #FineArtAdvisory #ResidentialDesign #LuxuryHomes #SuperyachtDesign #ArtIntegration #ChicagoDesign

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles