A little lagniappe: Uptown New Orleans details meet quintessential Capital City style

New Orleans is renowned for its vibrant history and distinctive funkiness, characteristics openly displayed in its public spaces. Beyond the well-known cocktail bars, parade routes, and po’boy shops, the city’s private residences offer a more intimate glimpse into this unique cultural tapestry. A new book, 'Bohemian Soul: The Vanishing Interiors of New Orleans,' endeavors to capture and celebrate the spirited blend of elegance and eccentricity found within these homes. Authored by interior designer Valorie Hart and photographed by Sara Essex Bradley, the book serves as a testament to the authentic and often unexpected beauty of New Orleans interiors, especially as the city faces ongoing changes that threaten these unique characteristics. The book highlights a diverse array of homes and their inhabitants, showcasing a spectrum of individuals from artists in humble abodes to Voodoo queens, world travelers, and seasoned antiquarians. These interiors are not products of professional staging or modern renovations; instead, they are deeply personal spaces that reflect the lives of their creative owners. Featured elements include vibrant trim complementing patterned curtains, well-used copper cookware displayed in kitchens, towering stacks of books, and candles perched askew in sconces. The aesthetic often embraces the natural aging of structures, with peeling paint and folk art coexisting harmoniously with ornate gilded mirrors. Key examples from the book illustrate this bohemian spirit. One image showcases an Eastlake-style raised cottage near Audubon Park, characterized by its intricate porch railings and decorative brackets. Another features the Seraphim House, a venue hidden off Esplanade Avenue that occasionally hosts dance parties. Its sitting room impressively combines a monumental chandelier, salvaged from a hotel, with crumbling walls and modern chairs, set against a marble floor. Jessica B. Harris, a contributing editor and acclaimed food writer for 'Garden & Gun,' describes her New Orleans home as a reflection of her 'madness' with its 'frame within a frame' design and wall textures shaped by decades of the city's climate and 'gleeful neglect.' Her kitchen, in particular, displays an extensive collection of copper cookware. Other notable interiors include a historic apartment's dining room featuring a vintage early twentieth-century butcher shop sign alongside a nineteenth-century French antique gilded mirror, illustrating a playful juxtaposition of high and low art. A Bywater home demonstrates a mix of fun and finery with a disco ball hanging above navy blue wainscoting in the kitchen. Antiques dealer Kerry Moody’s circa-1836 cottage thoughtfully places a nineteenth-century portrait of a Creole gentleman of color above the living room fireplace, honoring local heritage. Another homeowner, known as Mr. Colour for his expertise in historic paint colors, chose a specific Benjamin Moore shade, Palace Green, for his living and dining room, complemented by a striped floor of white oak and Brazilian cherry. The book also provides a glimpse into a French Quarter residence formed from two combined carriage houses, where each room is adorned with unique vignettes, such as a gilded sconce with askew candles. A couple’s 1930s bungalow showcases shelves brimming with collections of baskets, art, and ceramics, reflecting their downsized lifestyle. Finally, a view from artist Andrew LaMar Hopkins’ antiques-filled studio captures the essence of a balcony view, embodying the bohemian soul of the city. 'Bohemian Soul' ultimately offers a captivating visual journey into the hidden and deeply personal spaces that define New Orleans’ distinct interior aesthetic. #NewOrleansInteriors #BohemianSoul #HomeAndGarden #InteriorDesign #NewOrleansCulture #HistoricHomes #SouthernStyle #ArchitecturalPhotography

Australian designer Greg Natale's firm undertook the makeover of a narrow 19th-century town house in New York, drawing inspiration from the art deco era as seen through 1970s European cinema. The project, located on Manhattan's Upper East Side, was commissioned by repeat clients Leticia Francini and Stephen Ninnes, who sought to infuse their new American pied-à-terre with the color, pattern, and layering reminiscent of maximalist European restaurants. The four-story, mixed-use property includes a ground-floor retail space, which was converted into a white-box studio for their Art With Love Foundation, offering free workshops in Renaissance painting techniques. Natale's design approach for the 3,330-square-foot residence involved painting rooms—walls and ceilings—in a rich palette of blush, plum, terra-cotta, and various greens. Colorful shades of veined marble, such as Calacatta Viola, Rosso Levanto, and Verde Alpi, are extensively used on floors, walls, countertops, a fireplace, and to frame portals and doors. The intricate stonework was facilitated by the clients' relationship with an Italian quarrier, who cut the marble in Italy and sent masons to New York for installation. An exterior intervention included reinstating a historically appropriate double street entrance, with two doors defined by fluted limestone pilasters, leading separately to the art foundation and the residence. Engineered oak flooring in a herringbone pattern, designed by Natale, is used throughout much of the home, creating a vivid and welcoming interior within the narrow 12½-foot-wide brick building. The town house, previously renovated in the 1970s, retained its general layout but was stripped to the studs. The living spaces, including a sitting room, kitchen, and dining room, are situated on the middle level, flanked by two two-bedroom floors to accommodate the clients' five adult children. Mirror paneling, especially an art deco-inflected arrangement of bronze- and smoke-hued rectangles in the dining area, enhances the sense of space. The dining area also features a starburst molding centered on an 1980s Murano-glass chandelier, a modern interpretation of Italy's Liberty style. Murals play a significant role in setting the European tone, with an embroidered linen-and-silk mural based on Henri Matisse’s Jazz cutouts in the second-floor hallway and a wallpaper blowup of Wassily Kandinsky’s 1935 painting Deux points verts in the living room. The furniture selection combines vintage and contemporary Italian pieces. The living room features a Gianfranco Frattini 1970s Sesann sofa and Arnold Madsen 1944 Clam armchairs, complemented by a concrete-framed Iris mirror by Shawna and Matt Heide and a custom Anna Bonino paper pendant fixture. The dining area includes Dirk van der Kooij’s recycled-plastic Meltingpot table and Juliana Lima Vasconcellos’s Giraffe chairs. The main bathroom showcases Italian rationalism with a complex inlaid-marble shower pattern, while the adjacent bedroom features Mehmet and Dimonah Iksel’s hand-painted White Blossom wallpaper and Vincent Darré’s Neofutur headboard. A notable feature is the dressing room, connected to the main bedroom by marble-encrusted portals, designed to resemble a high-end boutique with sculptural marble-slab dividers forming open closets. #GregNatale #NewYorkTownHouse #ArtDeco #EuropeanCinemaInfluence #MaximalistDesign #MarbleInteriors #VintageFurniture #CustomMurals #InteriorRenovation

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

New Orleans interior decorating is a unique blend reflecting the city's rich cultural tapestry, drawing influences from French, Spanish, African, Haitian, and American Low Country heritage. This distinctive style is characterized by a mix of antique furniture, intricate ironwork, sparkling crystal, and a general appreciation for history and opulence, even embracing imperfections like crumbling plaster as decorative elements. Whether aiming for a French Quarter apartment, a colorful shotgun cottage, or a grand Garden District manor, several key elements define this aesthetic. Antique French furniture, both upholstered and wood, is a cornerstone of New Orleans homes, either passed down through generations of original settlers or acquired as a nod to the city's French origins. Complementing these elegant pieces are Low Country antiques, which were locally made furnishings that exhibit a more primitive design compared to their French counterparts, often originating from regions like South Carolina. These items introduce a rustic charm that balances the more refined elements. Ornamental ironwork, a hallmark of New Orleans architecture, can be integrated into interiors even without the iconic French Quarter balconies. Decorative iron gates or fence sections can serve as wall art or headboards. Three-sided balcony pieces can be repurposed into console tables by adding a glass or marble top, bringing an architectural element indoors. Lighting is another crucial aspect, with chandeliers, especially those dripping with crystal, being essential. These fixtures, ranging from French Empire to more eclectic designs, add elegance and create a specific ambiance. Elaborate plaster and millwork, such as deep crown molding and intricate ceiling medallions, are common features. Even in homes without these existing architectural details, they can be simulated using layered hardware store moldings and painted ceiling medallions. Opulent design details like gilding and tufting further enhance the glamorous Parisian roots present in many New Orleans residences. These elements add a sense of luxury and historical depth to the decor. Religious artifacts also play a significant role, reflecting the city's blend of Catholic and Voodoo influences. Unique displays, such as wax skulls adorned with Infant of Prague statue crowns, illustrate this distinctive cultural fusion. Mardi Gras memorabilia, celebrated year-round by residents, adds a festive and playful touch, with collections displayed as decorative elements. New Orleans homes often incorporate lighthearted twists on tradition, exemplified by traditional pieces like a French Bergere chair reupholstered in a vibrant color, showcasing the city's fun-loving spirit despite its deep history. Supporting local artists is another integral part of New Orleans decor. Works by Cajun folk artists, for instance, can introduce a funky, contemporary contrast when mixed with traditional Parisian furnishings, adding color and personality. Finally, bringing the essence of the city's lush courtyards indoors is achieved with classical urns and garden statuary, which can be filled with ferns and tropical plants to create an indoor garden, completing the distinctive New Orleans aesthetic. #NewOrleansStyle #InteriorDecorating #FrenchAntiques #Ironwork #Chandeliers #Plasterwork #Gilding #Tufting #MardiGrasDecor #LocalArt

Adie Kaplan Mears and her husband, Brian Mears, sought to create a new home in New Orleans' Freret neighborhood that blended New Orleans architecture with modern Scandinavian design principles. Having outgrown their previous home on the same lot, the couple decided to demolish the existing structure, retaining only the garage, to build a new 3,000-square-foot residence. Adie, with a background in architecture, spearheaded the design process, collaborating with Adamick Architecture, led by Alexander “Alec” Adamick, to realize their vision. The design incorporated key Scandinavian elements such as abundant natural light, natural materials like wood, and a palette of soft, muted colors, aiming for a sleek yet comfortable living space. A primary goal was to integrate the new home seamlessly into the New Orleans aesthetic, despite its modern inclination. Adamick Architecture proposed a New Orleans townhouse style, incorporating features like a distinctive bump-out at the front for the office and stained wood-plank siding on the front porch and bump-out, which adds warmth and visual interest against the painted siding. The exterior design, credited to Alex Barthel and Judy La, ensured the overall concept aligned with Adie's vision. The ground floor of the new home includes a front porch, a powder room, a pantry, and an open-concept kitchen, living, and dining area, along with a covered rear porch. A custom contemporary stairway leads to the second floor, which houses a children’s play area, a home office, a bathroom, two children’s bedrooms, a walk-in laundry room, and the primary suite. Strategic placement of the play area and office at the front of the house ensures privacy for the bedrooms, which are located away from street view. Throughout the interior, Adie made all material selections, and Adamick Architecture assisted in realizing specific custom features, such as the unique staircase, a custom niche at the top of the hall, and the master bathroom design. The Mears prioritized natural light and tall ceilings, achieving 10-foot ceilings on both floors to create an airy and modern, yet inviting, atmosphere. The open floor plan facilitates family interaction, allowing parents to oversee children while cooking and enhancing entertainment opportunities. Notable interior features include an upstairs playroom with a vertical stained-wood screen overlooking the stairs and a window seat/storage bench. The front entry also features a built-in bench and stained wood screen. The master bath includes a walk-in shower and soaking tub combo, designed to feel like a single wet room with floor-to-ceiling tile. The kitchen cabinets feature a built-in bench for dining, reflecting the family's desire for an informal dining setup. Custom elements extend to the front steps, a back screened porch with matching stained wood, and a distinctive front window in the home office. Budget constraints presented a challenge, but Adie’s careful sourcing of materials, such as cost-effective flooring, allowed for the realization of a sophisticated contemporary design. The interior color scheme predominantly features neutral tones, with light taupe kitchen cabinets, engineered white oak floors, and white walls. Bathrooms provided an opportunity for bolder color choices, including sage green wall tiles in the master bath and mint green tiles with black accents in the children’s bathroom. Adie also incorporated Farrow & Ball's Mizzle for a modern wainscoting effect in Avi’s room and a sun mural in Ayla’s room, painted by a colleague. The new home provides ample space and diverse areas for both individual privacy and family gatherings, with future plans to add a pool and convert the shed into a modern pool house. #NewOrleansArchitecture #ScandinavianDesign #UptownHome #ModernHomeDesign #InteriorDesign #CustomHome #Architecture #HomeRenovation

Maison de la Luz, a new hotel from Atelier Ace, offers a serene and intimate escape from the vibrant energy of New Orleans. Located across from the Ace Hotel, this property is housed in a 1908 building that was once a city hall annex. Studio Shamshiri undertook the interior transformation, creating a visually rich environment. The hotel’s design showcases the transformative power of paint color, with bold, saturated hues used throughout to evoke specific moods and atmospheres. Nivara Xaykao, a color expert at Benjamin Moore, provides insights into achieving similar dramatic effects in a home setting. One striking example is the Bar Marilou, which features a high-gloss lipstick red from floor to ceiling, creating a vibrant and enveloping space further enhanced by matching velvet curtains. This bold choice exemplifies going "all the way" for drama. In the breakfast bar, a rich, classic indigo is prominent, appearing on the tented ceiling, wallpaper, and velvet banquettes. Xaykao notes that deep indigo, especially when paired with crisp white, evokes the timeless charm of a traditional toile pattern. The hotel’s lobby presents a dramatic teal, a moody blue-green that complements brass shelving holding silk-tasseled keys, reflecting the opulence of the Art Deco period and offering an elegant contrast to black and white elements. The foyer incorporates a silvery neutral, featuring blue-gray marble panels and striped walls. This warm silvery gray, combined with fresh white, provides a stylish and modern respite amidst antique furnishings and lavish Art Deco textures. Guest lounges utilize an iron accent color for structure. While walls are a pale gray to balance bold furnishings in citrine and tangerine, contrasting blue-toned black trim adds weight and acts as an anchor in a room filled with sumptuous furniture and eclectic artwork. The guest rooms embrace a lavender dream aesthetic, with a bare hint of lavender-gray on the walls. This calming yet sophisticated hue, paired with a wavy blue velvet headboard and warm neutral floors, demonstrates that soothing bedroom colors do not have to be uninspired. Finally, a backdrop gray is used in other areas, providing a pearly off-white shade with a touch of gray. This color is ideal for offsetting bold furniture, pillows, and rugs, creating a cozy and contemplative mood in various nooks and corners. Maison de la Luz serves as a rich source of inspiration for interior design, demonstrating how diverse paint colors can dramatically influence the ambiance and style of a space, appealing to both color enthusiasts and those who prefer more subtle palettes. #MaisonDeLaLuz #NewOrleansHotel #AtelierAce #StudioShamshiri #PaintColorIdeas #InteriorDesign #ColorPalette #DramaticInteriors #BenjaminMoore

This blog post explores the concept of urban eclectic decor, highlighting its key characteristics and offering various examples of furniture and accessories that embody this style. Urban chic is described as a design aesthetic that doesn't require living in a downtown loft but instead focuses on multifunctional furniture, diverse textures, and smaller profiles. The style embraces a mix of old and new, industrial and comfortable, allowing for creative expression and personalization. It encourages blending materials, colors, and design periods to create a unique and lived-in feel. The article showcases several pieces from different retailers that exemplify urban eclectic design. From Art Van Furniture, the Loft II dining table, crafted from solid acacia hardwood with a recycled cast iron base, is presented as an example of multifunctional urban furniture. The 9-drawer Elliott Chest, also from Art Van, is noted for its multicolored mango finish and varied drawer shapes, colors, and textures, emphasizing the style's diverse nature. Art Van's Townsend Queen Bed, with its vintage mahogany finish, is also featured, with a buyer stating that urban decor “really has no rules.” Light fixtures are shown to be both functional and stylish, with examples like the Aspen Chandelier, featuring filament bulbs and a rope-wrapped base, and the industrial-vibe Sputnik Large Chandelier. West Elm contributes to the examples with its Box Frame Counter Marble Table, characterized by a burnished bronze-finished steel frame. The popular industrial storage glass-topped coffee table from West Elm, made of mango wood, offers open shelving and drawers for practical storage. Another West Elm item, the Industrial Bed, is highlighted for its solid wood construction, hand-planed distressed look, and iron base, combining rustic and refined elements. The Industrial Rolling Bar Cart, with its acid-washed, sandblasted metal and electroplating finish, provides a vintage appearance and ample storage, showcasing the fusion of industrial aesthetics with functionality. La-Z-Boy's Urban Attitudes Collection, introduced in 2013, is also featured, emphasizing cleaner lines and smaller profiles in its sofas, love seats, and chairs. The collection includes the customizable Structure sofa, notable for its “party arm” for extra seating, and the Gridiron Stationary Chair, available in numerous fabric options. The Uptown style, also part of this collection, further illustrates La-Z-Boy's take on urban design. The article also touches upon textile influences, presenting Alhambra's Urban Chic textile collection, which draws inspiration from the architectural elements of major cities like New York and Tokyo. This collection offers three color schemes that blend urban tones with metallic touches and vibrant colors. Accessories that complement this style include Nate Berkus's metal Inlay Tray from Target, Target's Angled Metal Mirror in black and gold, and the Threshold rose-gold dipped cement table lamp, all demonstrating the incorporation of diverse materials and finishes. Overall, the blog post illustrates that urban eclectic decor is about thoughtfully blending various design elements to create a distinctive, functional, and personal living space. #UrbanEclecticDecor #HomeDecor #InteriorDesign #MultifunctionalFurniture #IndustrialDesign #ContemporaryStyle #DesignTrends #Furniture #HomeAccessories

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

Lily Montasser, a digital creator in fashion and lifestyle and founder of Ambyr Social Club, recently transitioned from New York to Los Angeles, a move that embodies a blend of contrasting lifestyles. Her new L.A. residence merges the sunny whimsy characteristic of California with the industrial, downtown Manhattan aesthetic, featuring tiered ceilings, ample space, large windows for natural light, red brick walls, and a loft-style layout. This unique combination provides an ideal "blank canvas" for her creative endeavors, as Montasser is also an artist. Montasser approaches decorating her new space with intentionality, beginning by "clearing energy" with palo santo or sage to foster a fresh and creative environment. Her decorating philosophy emphasizes earthy and ethereal touches, complemented by practical and clever pieces. A significant portion of her decor is sourced online from The Home Depot, highlighting her ability to find stylish and budget-friendly items for her new home. She particularly focuses on "vertical styling" to add dimension, utilizing sturdy floating shelves and an antique-style mirror to adorn her walls and integrate with her personal art. One of Montasser's primary focuses for her new apartment was the dining room, where she aimed to create an inviting space for dinner parties and food-focused gatherings. She meticulously selected stainless steel silverware, elegant placemats, and a ceramic dinnerware set to complete the dining area. Beyond the dining room, she incorporated accent pillows, natural textures, and surprisingly realistic artificial plants to bring life and a sense of calm to her living spaces. Her selections from The Home Depot showcase a curated blend of items that contribute to her unique aesthetic, successfully merging the distinct vibes of New York and Los Angeles. The article includes specific product recommendations and links to items available at The Home Depot, ranging from a brushed brass floor lamp and a modern wood frame accent chair to natural wood floating wall shelves and a round accent table with a marble top. Other recommended items include a 20-piece stainless steel flatware set, a ceramic and faux wood table lamp, cotton placemats, various decorative ceramic and metal vases, and a bamboo coffee table. Larger furniture pieces such as an upholstered sofa, a Moroccan area rug, and a TV stand are also featured. The selection is rounded out with a 64-inch artificial bamboo silk tree, an indoor palm, and even moving boxes, demonstrating a comprehensive approach to furnishing a new home. #HomeDecor #InteriorDesign #LosAngelesStyle #NewYorkStyle #HomeDepot #HomeStyling #ApartmentDecor #LifestyleCreator #BudgetFriendlyDecor

Bella Mancini of Bella Mancini Design undertook the task of furnishing a nearly 3,500-square-foot loft in Dumbo, Brooklyn, for a family of four. The objective was to create a space that offered serenity at the day's end while also accommodating frequent entertaining. The loft, situated in a former industrial building, already possessed significant character with its natural wood columns, exposed brick walls, and floor-to-ceiling windows. High-end white oak floors and a new developer's kitchen were also existing features, meaning Mancini's focus was primarily on furniture, custom millwork, lighting, paint, wallpaper, and soft furnishings. The design process was heavily influenced by the clients' lifestyle. With two preteen daughters, a husband who works from home, and a wife with demanding hours, the need for both relaxation and functionality was paramount. The couple's enjoyment of entertaining also played a crucial role in the layout and furnishing choices. This led to the establishment of two distinct dining areas: a casual space near the large windows featuring an Eero Saarinen tulip table, wicker chairs, and a custom banquette that doubles as a desk, and a more formal dining setup elsewhere in the loft. The open kitchen and living area, centrally located, were designed for fluid movement and informal gatherings, encouraging guests to choose any available seat rather than adhering to a formal dining structure. Mancini aimed to infuse a relaxed, breezy Californian aesthetic into the New York setting. However, acknowledging the clients' British background and their Hamptons home's English country style, some glamorous and sparkly touches were incorporated to satisfy their preference for a slightly dressier city environment. The kitchen, visible upon entry, features a dropped ceiling painted in Farrow & Ball's Downpipe to conceal wiring, with Louis Poulsen glass globe pendants illuminating the island. The foyer is anchored by a vintage Scandinavian piece, setting an immediate tone for the home's curated style. Custom elements are prevalent throughout the loft, such as the banquette in the casual dining area, which is also painted in Farrow & Ball's Downpipe, a dark gray used in multiple spaces. The living area showcases a sophisticated and unconventional color palette, including a pink Chesterfield sofa complemented by vintage ochre and gray armchairs, with two coffee tables sourced from Jayson Home. The formal dining area is defined by pink grasscloth wall covering, featuring chrome Breuer chairs from Knoll upholstered in durable mohair, surrounding a wood table from the Danish Design Store. A custom-designed credenza by Mancini further enhances this space. The powder room received a facelift with Ellie Cashman floral wallpaper, an Apparatus light fixture, and a vanity painted in Farrow & Ball's Dead Salmon. The daughters' rooms also feature personalized designs, such as tie-dyed wallpaper from Donghia and canopy beds, alongside custom-built desks and bookshelves designed by Mancini. The master bedroom includes nightstands from Lawson Fenning, a whimsical side table from Artemest, and a chaise lounge from Gubi, with Italian garment-dyed linens from Society Limonata at ABC Carpet & Home. These design choices collectively create a functional, stylish, and comfortable environment tailored to the family's needs and aesthetic preferences. #BellaMancini #BellaManciniDesign #InteriorDesign #LoftDesign #OpenPlanLiving #DumboBrooklyn #CustomMillwork #ResidentialInteriors

This article details the renovation and interior design of an 1800s New Orleans home located in the Audubon Park neighborhood, transformed by Atlanta-based interior designer Paige Goodloe. The project aimed to update a historic residence to suit the lifestyle of a modern family with three children, incorporating vibrant colors, diverse patterns, and practical solutions while preserving the home's original charm. The entry of the home establishes a sense of lightness, contrasting historic details with contemporary design elements. A fireplace in the foyer serves as a gathering spot, enhanced by seating featuring wooden chairs from the owner’s time in Malaysia and an antique entry table sourced from Atlanta. A modern light fixture complements an ornate ceiling medallion, and dark-toned Hunt Slonem art provides a striking counterpoint to the bright space. The kitchen design prioritized warmth and functionality for family gatherings, centered around a La Cornue range. It features a classic off-white palette, softened with custom Roman shades and pleated fabric shades on brass light fixtures. Brass accents are consistently used throughout the kitchen, from the custom hood to hardware. Appliances are discreetly hidden behind pocket doors in a pantry, maintaining a clean aesthetic. The kitchen island incorporates Hickory Chair counter stools covered in camel vinyl for durability, essential for a family with young children. Addressing the challenges of an older home, particularly narrow spaces, the powder room was completely redesigned. A custom marble sink from Waterworks was created to fit the restricted area, allowing sufficient clearance for the door. The space is further enhanced by Phillip Jeffries grasscloth wall covering and framed intaglios on marble paper from Tyler + Tate, which are also referenced in the room’s soap. An addition to the back of the house created a casual breakfast area, fulfilling the homeowner's desire for a banquette. A round table and antique-inspired chairs maximize this cozy nook. Color is introduced through a commissioned artwork by William McClure, unconventionally hung with a Collier Webb picture rail over a window, making it appear to float and drawing attention to the gardens outside. Adjacent to the breakfast room, a long hallway offers a quiet retreat. A significant addition is a blue lacquered bar, constructed in the former space of a back staircase. This custom bar features brilliant blue cabinetry that matches a de Gournay wallpaper adorned with pelicans, honoring the husband’s favorite NBA team. The wallpaper, which took six months to arrive and required specialized installation, informed the entire color scheme of the bar area. Another repurposed area is a large room that now functions as a combined laundry room and children’s homework hub. This multi-purpose space is divided into distinct zones, equipped with two washers, two dryers, and two desks. It serves as a central point for family activities, offering storage solutions for various household items. The room is decorated with a cheerful yellow floral Schumacher wallpaper, complemented by vibrant yellow paint on the trim and doors. In the Jack-and-Jill bathroom connecting the two older children’s rooms, custom cabinetry was installed to conceal pull-out hampers and provide ample storage, effectively managing clutter. The bathroom was fully renovated with Waterworks tile, featuring a soft green hue that harmonizes with both bedrooms. A vintage rug adds color and pattern to the floor. The daughter’s bedroom is designed with a distinctly feminine aesthetic, featuring Peter Fasano peachy-pink wallpaper, Visual Comfort & Co. bow sconces, and Chelsea Textiles gingham fabric on the window seat. Needlepoint pillows, handmade by the homeowner, add a personal touch. The older son’s bedroom is designed for longevity, with a neutral taupe Pierre Frey stripe wallpaper and streetcar art by a New Orleans artist, intended to age gracefully with him. Classic spindle beds and rattan side tables from 1stDibs, along with a rattan light fixture from Serena & Lily, contribute to a warm and timeless atmosphere. When the family expanded, the attic was converted into a nursery and playroom. The nursery space, designed to accommodate the attic’s angles, features green Schumacher ticking wallpaper on the walls, ceiling, and doors, with a Malta fabric on the window seat and ottoman, creating a light and fresh environment despite the challenges of older walls. The playroom is designed to be bright, cheerful, and durable, with performance or vinyl materials throughout. The color palette, derived from Brenda Bogart’s art, includes pink, blue, and mustard, unified by an Oushak rug. #NewOrleansHome #HistoricRenovation #InteriorDesign #PaigeGoodloeInteriors #FamilyHome #ColorfulDecor #PatternedWallpaper #CustomCabinetry #ModernLiving

AD100 designer Hadley Wiggins recently completed a significant project: the interior design of a stately limestone town house located on Manhattan's Upper East Side. The residence, home to a family with two young children, required a design approach that respected its historical architectural features while introducing softness, warmth, and individuality suitable for contemporary family living. When the house was acquired, it retained its original architectural details such as moldings, windows, and fireplace surrounds, but had undergone a previous renovation that resulted in a very stark, optic white aesthetic. The primary objective for Wiggins was to implement more nuanced design choices to create visual contrast and interest, thereby enhancing the inherent beauty of the existing architecture rather than overshadowing it. Wiggins's design philosophy is characterized by an intriguing interplay of subtle tones interspersed with strategically placed moments of saturated color. For example, richly hued spaces, such as the dining room—which Wiggins considers one of her favorite projects—were designed to "compress" the home's expansive layout. This technique allows for the creation of cozy and intimate areas within a large home, contrasting with the more airy, light-filled spaces. A unifying element across the diverse palette of the home is Wiggins’s meticulous curation of furnishings, art, and decorative objects, a process she undertook with the assistance of art advisor Kate Bellin. Each room is a blend of pieces from various eras, styles, and origins, reflecting Wiggins's signature approach of selecting items that resonate with her and then integrating them harmoniously into the space. This method results in a collected aesthetic, giving the impression that the homeowners have accumulated these cherished pieces over a long period. Notable elements in the design include an antique tapestry in the living room, which serves as a foundational piece for the space, complemented by an oil painting and a diverse array of lighting fixtures. Wiggins's proficiency with pattern and texture, honed during her tenure at Ralph Lauren, is evident throughout the home. She emphasizes that incorporating pattern is a complex process, involving numerous fabric choices that must meet criteria for design, durability, and client approval, ultimately leading to a rewarding outcome. This detailed attention extends even to functional areas, such as the powder room, which features a custom wood vanity and matching toilet seat, clad in a moody, cocoon-like wallpaper. Wiggins believes that a powder room's purpose transcends mere function, aiming instead to evoke a sense of the incredible. Despite the exquisite detailing and bespoke elements, Wiggins maintains that the house is fundamentally a family home. She asserts that her role is not to create a museum-like environment, but a living space capable of accommodating the realities of family life. The design is intended to evolve and age gracefully, improving over time. This distinctive blend of elegance and approachability, historical respect and modern sensibility, and deliberate specificity combined with serendipitous finds, defines Wiggins's work. She actively seeks out pieces that possess beauty due to their age and wear, striving to achieve an "imperfect perfection" in every space she designs. #HadleyWiggins #AD100Designer #NewYorkTownHouse #UnderstatedElegance #InteriorDesign #UpperEastSide #HomeDecor #ArchitecturalRenovation #FamilyHome

This article explores a New York home designed by Ania Dunlop, founder of Home for Zen, which draws significant inspiration from modern Parisian aesthetics. The renovation aimed to blend Parisian chic with a Mediterranean setting, resulting in a vibrant, modern, and sophisticated family home. The residence, located near NYC, underwent a complete gut renovation to harmonize clean lines, luxurious textures, and a soft color palette while preserving its original grandeur and architectural elements. The design emphasizes a unique fusion of styles, celebrating both traditional elegance and contemporary flair. One of the key lessons highlighted is the enhanced Parisian flair achieved through the strategic incorporation of art. Ania Dunlop prioritized modern art and murals to inject a sense of 'happiness and youthful energy' into the space, creating a balanced and inviting ambiance. The collection includes pieces from local galleries, with a notable mention of "Eternal Kate Moss" by Patrick Rubinstein, an interactive three-dimensional artwork that offers dynamic perspectives as viewers move around it. Murals are also utilized as an alternative to traditional wallpaper or paint, serving to transform the mood of each space. For instance, a tropical green wallpaper in the sunroom brings nature indoors, while a monochromatic black-and-white willow mural in the studio adds elegance and tranquility without overstimulation. The second lesson focuses on layered decor for pops of color and curated furnishings. Ania meticulously collected furniture and artworks over time, aiming to fill her home with heirlooms rather than mass-produced items. This approach ensures that every piece tells a compelling story of passions and experiences, making the home feel personal and exquisitely curated. The designer advocates for buying fewer, higher-quality items with a focus on workmanship and sustainability, a philosophy she extends to her clients by introducing them to artisans and handmade pieces. This thoughtful layering of decor contributes to the Parisian flair by creating a sense of timelessness and individuality. Luxe materials form the third essential element of the design. Ania is drawn to modern organic aesthetics that incorporate materials such as marble, ash, rift oak, shearling, mohair, bouclé, and handmade ceramics. These materials are used to create layered and edited interiors that are warm, serene, and authentic. Marble, in particular, is highlighted for its timeless elegance, natural beauty, and reflective qualities that enhance natural light, making spaces feel brighter and more open. The combination of marble with wooden elements, like a walnut floor lamp and an oak side table, adds richness and balance. Textiles such as plush rugs, throw pillows, and upholstery in complementary colors and textures introduce warmth and comfort, providing a contrast to hard surfaces and making the rooms more inviting, as seen with shearling ottomans and textured leather lounge chairs in the living room. The fourth lesson involves a calming color palette. While many Parisian homes feature bright white walls to maximize natural light, this home uses Decorator’s White from Benjamin Moore, a sleek, near-grey shade that brightens the space without strong undertones. The decor then punctuates these white walls with color. The muted color palette is intentionally applied to the ground floor's open-concept layout to create a seamless flow between rooms while still allowing each space to have its unique personality. The design emphasizes simplicity, the incorporation of nature, and the use of textures, soft colors, and modern bright artwork, all contributing to a harmonious feel throughout the home. Finally, the article discusses the preservation and enhancement of architectural elements. The home's traditional ornate crown molding was retained to maintain a grand scale reminiscent of Parisian design. Architectural features like the grand double staircases were streamlined but preserved, and windows were altered to a floor-to-ceiling style to welcome in abundant natural light. This thoughtful integration of existing architectural grandeur with modern design principles breathes new life into the space, marrying timeless elegance with a contemporary flair and creating a cohesive and sophisticated aesthetic. #HomeDesign #ParisianStyle #InteriorDesign #LuxuryMaterials #ArtIntegration #ColorPalette #ArchitecturalElements #ModernHome #NewYorkDesign

Dana and Steve Alpeter, an empty-nest couple, made a significant lifestyle change by moving from a 6,000-square-foot suburban family home in Edina to a nearly 2,000-square-foot sixth-floor loft in downtown Minneapolis. Their new residence, located in the historic North Star Woolen Mill building, which was renovated into North Star Lofts in 1999, offers breathtaking skyline views. This move represented a shift towards a more minimalist and modern living approach, emphasizing freedom and travel. Dana Alpeter, an interior designer, was instrumental in shaping the loft's interior to complement the vibrant downtown energy while providing a calm sanctuary. She opted for a monochrome palette, modern furniture, and carefully curated accessories. Unlike their previous color-rich home, the loft features museum-white walls, with furnishings in pale linen, cotton, and mohair, ranging from champagne to driftwood gray. The only splash of color comes from sunflower yellow accents in a few art pieces, chosen by Dana to inject energy. The open-plan nature of the loft necessitated linear furniture to ensure a smooth flow and maintain continuity in style and detail, a principle Dana found even more crucial in a loft setting than in a larger family home. The loft's design incorporates several key elements to achieve its serene yet sophisticated aesthetic. The floating gray travertine steps, a result of a renovation by architect James Dayton, set a modern foundation. Dana introduced a snowy owl photograph near the balcony door to create a visual link to the outdoors and established symmetrical balance in the living area with upholstered club chairs facing champagne stainless steel and leather-framed chairs. Built-in bookshelves define the dining area, which is further accentuated by a Kyle Bunting hide area rug. The dining chairs, from Holly Hunt, echo the living room's finishes and textures with stainless steel frames and white leather cushions, surrounding a walnut table. Maple floors, stained a driftwood hue, provide the darkest grounding color in the palette. The study and TV room is designed with versatility in mind, serving as a guest room with a large sofa featuring a custom-fit mattress. A custom mural by Area Environments adds a soft pattern to one wall, balancing the room's hard edges with a more streamlined style. An Orca cocktail table from Holly Hunt, with its lacquered metallic finish and organic shape, introduces a gentle curve. In the main living space, a sense of calm is achieved by sweeping away jarring lines. Bronze-frame end tables with smoke glass and bronze floor lamps flank the sofa, reinforcing symmetry. Pattern is intentionally limited to accessory pillows, and a luxurious taupe silk rug defines the conversation area. Linen draperies soften the windows. The master bedroom, while adhering to the loft's color scheme, incorporates a darker champagne leather Holly Hunt bed to create a more intimate and nesting atmosphere, complemented by a rug from Laura Carrarfrom Baker. #DowntownLiving #LoftDesign #MinneapolisRealEstate #MinimalistDecor #InteriorDesign #EmptyNest #Downsizing #UrbanLiving #ModernHome

Lona Tampa, the second Florida location for the renowned Mexican restaurant overseen by chefs Richard Sandoval and Pablo Salas, has crafted a dining experience that is both visually stimulating and authentically Mexican. Situated within the elegant Tampa Marriott Water Street, the establishment seamlessly blends traditional Mexican aesthetics with contemporary sophistication. This is achieved through a carefully selected color palette of warm earth tones and intricate textured details, creating an expansive indoor and outdoor dining environment that invites guests on a comprehensive culinary journey. Every element of the interior design has been meticulously planned to embody the spirit of Mexico while ensuring an atmosphere of comfort and distinctiveness. The design incorporates thoughtfully curated artwork and murals, promising an immersive experience that transports diners to the core of Mexico's vibrant cultural heritage. The interior design was developed by Bart DeLorenzo of DeLorenzo Productions, a long-standing collaborator with Sandoval. This collaboration resulted in an array of custom-designed furniture pieces and elaborate décor that pay homage to Mexico's rich craftsmanship. Upon entering, guests are greeted by wall murals depicting agave plants and other regional artifacts, leading into a grand dining room. This space is adorned with hand-carved wooden chairs, striking chandeliers, and lively upholstery, all reflecting the country's artisanal legacy. A key aspect of the design is the commissioned mural package, which decorates various walls throughout the restaurant. The outdoor dining area is equally captivating, featuring lush bougainvillea, strategically placed potted plants, and hanging greenery that enhance the overall ambiance. Beyond the decor, every dining element, from pottery to hand-blown glassware, underscores Mexico's artistic traditions. Guests can anticipate a dining experience elevated by crafted ceramics and glassware. Lona's establishment in Tampa signifies a significant expansion for the brand, known for its welcoming hospitality, innovative cocktails, and a menu that offers modern interpretations of traditional dishes from Mexico City and Latin America. The restaurant's inviting setting, characterized by its colorful decor and lively atmosphere, aims to transport diners to the bustling taquerias of Mexico. Additionally, Lona offers a thoughtfully curated selection of inventive beverages, allowing guests to indulge in expertly crafted cocktails such as the Lona Margarita and the Passion Picante. The Tampa location boasts an impressive collection of over 200 mezcal and tequila options, including Lona's private selections of Maestro Dobel Diamante and Maestro Dobel Añejo. Guests can also utilize specially designed private tequila lockers to store their personal bottles from Lona’s extensive spirits collection. Lona Cocina y Tequileria is located at 510 Water St, Tampa, FL, 33602, within the Tampa Marriott Water Street. The restaurant operates for lunch and dinner, providing an authentic Mexican dining experience. Dinner is served Monday through Friday from 4 p.m. to 11 p.m., while all-day dining is available Saturday and Sunday from 11 a.m. to 11 p.m. A daily Happy Hour is offered from 4 p.m. to 6 p.m. Complimentary valet parking for three hours is provided for all Lona guests, with tickets validated at the restaurant. Lona also caters to private dining and events, offering a versatile venue for various occasions. #RestaurantDesign #MexicanCuisine #InteriorDesign #TampaHotspot #CulinaryExperience #HospitalityDesign #TequilaBar #CulturalAesthetics #RichardSandoval

Chad Stark, the senior vice president of Stark and president of Scalamandré, embarked on a journey to renovate his first apartment in Manhattan’s East Village, aiming to create a space that encapsulated his personal style while honoring his family's rich legacy in textiles. At 29, Stark represents the future of a formidable fabric and rug empire, founded by his grandparents and later merged with Scalamandré. To achieve his vision, he collaborated with 31-year-old interior designer Sasha Bikoff, known for her distinctive and unconventional aesthetic, notably her Memphis Group-inspired staircase at the Kips Bay Decorator Show House. Bikoff and Stark sought to blend two seemingly disparate influences: the "urban cowboy" vibe of downtown New York with the rugged, adventurous spirit of Aspen, Colorado, a favorite heli-skiing destination for Stark. This conceptual fusion guided their design choices, which extensively drew upon the vast archives of Stark, Scalamandré, and other allied brands like Lelievre and Old World Weavers. The overarching color palette chosen to unify these themes was blue, reflecting Stark's favorite color and serving as a visual thread connecting the "Aspen-meets-New York" narrative throughout the apartment. The renovation transformed Stark's one-bedroom apartment into a showcase of sophisticated yet personal design. The foyer, for instance, features Scalamandré’s iconic Zebras pattern, reimagined in a striking blue, diverging from its traditional red. Vintage dining chairs were upholstered in the luxurious Le Tigre silk velvet, a testament to the brand's enduring elegance. The living area is a vibrant display of dark blue fabrics, including bespoke designs by fashion icon Jean-Paul Gaultier for Lelievre, creating a rich and inviting atmosphere. The bedroom, accessed through hand-carved Indonesian wooden doors, offers a more subdued but equally opulent experience. A paisley wallcovering provides a muted backdrop, allowing the deep red velvet upholstery of the bed to stand out, which Stark playfully describes as exuding a sense of allure. A significant personal touch is an antique oil painting of a hunting dog positioned above the headboard. This piece, according to Stark, encapsulates his deepest passions: an affection for carpets, fabrics, skiing, and most profoundly, dogs. This project highlights a thoughtful integration of personal history, brand heritage, and contemporary design, resulting in a unique living space that articulates Chad Stark’s identity as both a textile scion and a modern Manhattan resident. The apartment effectively balances the grandeur of traditional textiles with a fresh, youthful energy, bridging diverse elements into a cohesive and stylish home. #InteriorDesign #TextileHeir #NewYorkApartment #SashaBikoff #Scalamandré #StarkFabrics #LuxuryDecor #HomeRenovation #UrbanCowboyStyle

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

This article showcases three minimalist Manhattan lofts currently available for purchase, highlighting their unique historical features and contemporary minimalist makeovers. These properties are situated in pre-war buildings, offering a blend of historic charm and modern design. Each loft features whitewashed interiors, emphasizing a pared-back aesthetic and maximizing natural light. The first property, located at 66 Crosby in Soho and listed for $3.5 million via Modlin Group, is a two-bedroom loft with soaring 16-ft-high ceilings and original Corinthian columns. Designed by Alveary Architecture in collaboration with its owners, this loft has been featured in Architectural Digest. It boasts Danish hardwood flooring, bespoke walnut and oak cabinetry, and modern appliances. Six floor-to-ceiling windows illuminate the space, particularly the living room, which includes custom bookshelves and exposed brickwork. A steel and concrete tread staircase leads to a mezzanine-level bedroom, offering views over the main loft area through industrial-style windows. The property also features a cast-iron bathtub and a 525 sq ft terrace. The second loft, at 133 Wooster Street in Soho, is priced at $5.8 million through Allison St Germain Team / Douglas Elliman. This corner loft, situated in the historic cast-iron district, presents a unique opportunity due to its completely open floor plan. Originally a factory building from 1900, it was converted into a co-op in the late 1960s and was reportedly the first loft featured in the New York Times. Spanning 3,600 sq ft, this one-bathroom apartment offers a 100-ft-sight-line along Wooster Street, with expansive windows. Original plank floors have been enamelled, and the 11-ft-ceilings are adorned with painted tin tiles. The flexible layout, with only the kitchen and a west wall of bookshelves anchoring the space, allows for the addition of several bedrooms, enabling a new owner to customize the blank canvas to their preferences. The third property is at 10 White Street in Tribeca, listed for $4.95 million via Christie’s International Real Estate. This historic five-story building, designed by architect Henry Fernbach in 1870, was converted into four sprawling co-op lofts in 1983. Many Victorian features have been preserved, including 12-ft-high painted tin ceilings, cast-iron pillars, and original steel shutters in the bedroom. Solomonoff Architecture Studio has integrated these historical elements into a minimalist design, drenching the 3,000 sq ft full-floor loft in white to create a serene yet dramatic environment. The centerpiece of this loft is a vast 8000 sq ft great room that encompasses an open dining area, library, kitchen, and lounge. The property includes three bedrooms, each with a full bathroom, as well as a separate home office, media room, and utility room. #ManhattanLofts #MinimalistDesign #SohoRealEstate #TribecaProperty #LoftLiving #HistoricHomes #NewYorkApartments #LuxuryRealEstate