Urban Cowboy Meets Old World New York in a Textile Heir's Apartment

Australian designer Greg Natale's firm undertook the makeover of a narrow 19th-century town house in New York, drawing inspiration from the art deco era as seen through 1970s European cinema. The project, located on Manhattan's Upper East Side, was commissioned by repeat clients Leticia Francini and Stephen Ninnes, who sought to infuse their new American pied-à-terre with the color, pattern, and layering reminiscent of maximalist European restaurants. The four-story, mixed-use property includes a ground-floor retail space, which was converted into a white-box studio for their Art With Love Foundation, offering free workshops in Renaissance painting techniques. Natale's design approach for the 3,330-square-foot residence involved painting rooms—walls and ceilings—in a rich palette of blush, plum, terra-cotta, and various greens. Colorful shades of veined marble, such as Calacatta Viola, Rosso Levanto, and Verde Alpi, are extensively used on floors, walls, countertops, a fireplace, and to frame portals and doors. The intricate stonework was facilitated by the clients' relationship with an Italian quarrier, who cut the marble in Italy and sent masons to New York for installation. An exterior intervention included reinstating a historically appropriate double street entrance, with two doors defined by fluted limestone pilasters, leading separately to the art foundation and the residence. Engineered oak flooring in a herringbone pattern, designed by Natale, is used throughout much of the home, creating a vivid and welcoming interior within the narrow 12½-foot-wide brick building. The town house, previously renovated in the 1970s, retained its general layout but was stripped to the studs. The living spaces, including a sitting room, kitchen, and dining room, are situated on the middle level, flanked by two two-bedroom floors to accommodate the clients' five adult children. Mirror paneling, especially an art deco-inflected arrangement of bronze- and smoke-hued rectangles in the dining area, enhances the sense of space. The dining area also features a starburst molding centered on an 1980s Murano-glass chandelier, a modern interpretation of Italy's Liberty style. Murals play a significant role in setting the European tone, with an embroidered linen-and-silk mural based on Henri Matisse’s Jazz cutouts in the second-floor hallway and a wallpaper blowup of Wassily Kandinsky’s 1935 painting Deux points verts in the living room. The furniture selection combines vintage and contemporary Italian pieces. The living room features a Gianfranco Frattini 1970s Sesann sofa and Arnold Madsen 1944 Clam armchairs, complemented by a concrete-framed Iris mirror by Shawna and Matt Heide and a custom Anna Bonino paper pendant fixture. The dining area includes Dirk van der Kooij’s recycled-plastic Meltingpot table and Juliana Lima Vasconcellos’s Giraffe chairs. The main bathroom showcases Italian rationalism with a complex inlaid-marble shower pattern, while the adjacent bedroom features Mehmet and Dimonah Iksel’s hand-painted White Blossom wallpaper and Vincent Darré’s Neofutur headboard. A notable feature is the dressing room, connected to the main bedroom by marble-encrusted portals, designed to resemble a high-end boutique with sculptural marble-slab dividers forming open closets. #GregNatale #NewYorkTownHouse #ArtDeco #EuropeanCinemaInfluence #MaximalistDesign #MarbleInteriors #VintageFurniture #CustomMurals #InteriorRenovation

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

This blog post details the design and features of a 4,000-square-foot mountain home in Park City, Utah, built by homeowners as their "forever home." The residence, designed by Unscripted Interiors, is situated on a lot with a creek, offering views of the Wasatch Range and access to year-round outdoor activities. The design process involved a collaboration with architects from the ground up, with Unscripted Interiors playing a pivotal role from the initial drawing plans. Kari Armstrong, principal of the Denver-based Unscripted Interiors, describes the home’s style as "Modern Americana" with a "mountain-ish" sensibility, avoiding overly rustic themes despite its mountain setting. The design subtly incorporates a red, white, and blue color palette, with reds appearing in vintage Turkish carpets, blues in blankets and pillows, and whites in paneled hallways and custom tile installations in the kitchen and bathrooms. Materials such as alpaca, local stone, petrified wood, bouclé, and linen contribute to the sophisticated aesthetic, ensuring the home feels elegant and adaptable to various settings. The double-height great room features custom bespoke elements, including an A. Rudin sofa, a 13-foot dining table with bronze accents from Holly Hunt, custom chairs with leather detailing, and a fireplace hearth crafted from local “Park City Gold” limestone. A custom-made rug from Nepal and a Ralph Lauren light fixture for Circa Lighting further enhance the room’s luxurious feel. The built-in bar showcases a unique approach to traditional mountain house elements, with custom-clad leather cabinets finished with nailhead details by The Tanner’s Craft. Accommodation for visiting family is a key aspect of the home's design, including a "four seasons" sun porch that provides comfort in winter with a fireplace and opens up in summer. A dedicated coffee and breakfast bar connected to guest rooms on the second floor caters to early risers. Other notable features include a sitting room with custom walnut millwork, a kitchen with a herringbone pattern backsplash from Concept Studio and metal cabinets, and a primary bedroom with an antler chandelier, a custom bench, and a bouclé bed. Guest rooms include "dueling bunks" with built-in storage and a wood-paneled guest room painted in Cornwall Slate by Sherwin Williams, adorned with vintage blankets transformed into pillows. The primary bathroom boasts a Victoria & Albert freestanding tub and Phylrich faucets. Outdoor spaces feature Gloster dining chairs and bar stools for al fresco meals and a "she shed" near concrete raised garden beds, offering a serene escape. #ParkCity #MountainRetreat #ModernAmericana #UnscriptedInteriors #HomeDesign #CustomInteriors #LuxuryHome #Utah

The Captain Whidbey, a 100-plus-year-old inn located 30 miles north of Seattle in Washington’s Puget Sound, has been reimagined and reopened by brothers Mike and Matt French, along with designer Eric Cheong. Known for their work with the Pioneertown Motel and Ace Hotels, the team has a history of revitalizing historic properties. Their approach to the Captain Whidbey involved immersing themselves in the inn's existing environment for nine months before making significant changes, allowing them to connect with the landscape, history, and community that held many cherished memories of the beloved place. The renovation incorporated a collaborative spirit, inviting various designers to contribute their unique visions. The four stand-alone cabins, for instance, were given to different designers like We the Nomads, Glasswing, Whidbey Edit, and heritage company Filson, with no specific directives. This resulted in a diverse range of styles, from an airy space with nature-inspired palettes and hand-drawn heron wallpaper to a cabin designed by Filson to emulate a yacht's interior, utilizing reclaimed teak and bass from boats. This collaborative ethos extended throughout the property, engaging local artists, craftspeople, and experts. Handwoven woolen blankets were created by local weaver Hannah Ruth Levy, carrying on a family legacy of weaving on the island. Gardens by Salty Acres hosted chef talks, and Portland fashion designer Kate Towers designed fleece housecoats for guests. The bar featured hand-painted ceramic tiles by Portland’s Mixed Needs, depicting water species and a poem by South Whidbey poet David Whyte. An eccentric library was curated from Captain Rhys Balmer's childhood collection, filled with maritime children’s books, classic sea tales, obscure hippie counterculture stories, and sea survivalist handbooks. For the historic lodge itself, the design aimed for a natural, timeless, and quirk-embracing aesthetic with subtle, organic modern updates. The inn's location within Ebey’s Landing National Historic Reserve meant adhering to historic building restrictions, which Cheong, an avid sailor, viewed as boundaries that deepened the design narrative, much like restoring an old ship. The original building’s idiosyncratic style, influenced by Judge Still who hand-built the inn in 1907, was respected. The more than 100-year-old, hand-hewn Pacific madrone logs, known for their cinnamon bark that darkens to red with age, and a unique, hand-built stone fireplace, where guests traditionally left poems and love letters, became central design elements. These historical features were complemented by custom Scandinavian-inspired furniture and jewel-toned mohair fabric, creating a dialogue with the past while incorporating modern comfort and style. The project showcases a deep reverence for historical context, blending it with contemporary design without compromising the inn's unique character. #HotelRenovation #HistoricPreservation #PacificNorthwestDesign #CollaborativeDesign #InteriorDesign #BoutiqueHotel #WhidbeyIsland #SustainableDesign #CommunityEngagement

Casey Neistat, a YouTube vlogger known for his dynamic, fast-paced content, and Candice Pool, founder of the fine jewelry companies Billy! and Finn, have created an urban sanctuary in their high-rise Battery Park City apartment. Eschewing the typical chaotic loft living often associated with creative New Yorkers, the couple sought to establish a tranquil, homey environment that contrasts sharply with Neistat's bustling SoHo office. Their goal was to find a suburban-like peace within the city's confines, a desire that became increasingly important as they grew their family. Working with New York City-based designer Daun Curry, who had previously designed showrooms for Pool’s jewelry brands, Neistat and Pool transformed their three-bedroom, three-and-a-half-bath apartment into a serene retreat. The couple explicitly wanted to avoid a stark, impersonal 'white box' aesthetic, which Pool, a former West Village resident, found unappealing. Curry addressed this by introducing dynamic layers and a sense of history into the modern condo space. One notable design choice was the application of matte-black wainscoting and painting everything below the window sills in the same dark shade. This technique visually grounds the space, drawing attention to the apartment's expansive views of the Hudson River while creating an illusion of depth and lowering the perceived floor level. The interior design adopted a 'Bohemian Aristocrat' theme, characterized by a 'laid-back luxe' aesthetic. The living room, for instance, features a large, comfortable Belgian linen sofa from Restoration Hardware, adorned with embroidered textiles from ABC Carpet & Home and a faux-fur throw from Barneys New York. This blend of comfort and subtle luxury is complemented by a diverse art collection, including a leopard photo by Caroline Gibello—a nod to Pool's South African heritage—a custom painting by Shantell Martin incorporating their initials, and a pastoral painting discovered during a stay at the Ocean House Hotel in Rhode Island. A gold skateboard sculpture, a Father's Day gift from Pool to Neistat, serves as a unique personal touch. The apartment's layout, which Neistat and Pool describe as perfect, provides distinct areas within an open floor plan, offering both spaciousness and defined living zones. Practical amenities, such as on-site laundry, further contribute to the suburban feel desired by the couple as parents of a toddler with another child on the way. Clutter avoidance was a key principle in their design philosophy, with Pool emphasizing that expanding square footage does not equate to expanding hoarding habits. Built-ins in the bedroom and the removal of excessive cabinetry from previous owners underscore their commitment to a calm, neat living space. Ultimately, the apartment has achieved its purpose: providing a genuine sense of home and belonging in New York City, a sentiment Neistat describes as a profound shift from merely surviving to truly living in the city. #CelebrityHomes #ApartmentDesign #InteriorDesign #NewYorkCity #ZenLifestyle #HomeDecor #UrbanRefuge #DesignerCollaboration #BohemianAristocrat

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

A-List designer David Netto embarked on a design project for a New York apartment, facing an initial challenge in defining a strong conceptual direction. The clients, who had combined two apartments in a 1929 Greenwich Village building, trusted Netto’s vision, allowing him to propose unconventional room-to-room connections for a more open, loft-like layout. The turning point arrived during a meeting when the client’s Italian name inspired Netto to create an "Italian New York apartment," not necessarily for the famous Agnelli family, but infused with their sophisticated spirit. The core concept involved radical combinations of old and new, emphasizing quality above all. This approach integrated traditional architecture with modern art, juxtaposing 18th-century antiques and silver with contemporary furniture. The client’s preference for a joyful color palette further guided the aesthetic. The project involved carefully curated objects and their unexpected pairings. For instance, the gallery features Louis XV blue and white ormolu-mounted cachepots from Emilio Terry and a cabinet from Henri Samuel, alongside chairs by Carlo Scarpa. The living room showcases a Noa mosaic coffee table by Elisabeth Garouste complementing a George III armchair from Gerald Bland. The library is anchored by an iron and leather desk inspired by Jean Michel Frank, an antique Louis XVI Fauteuil de Bureau, custom rift oak paneling, an antique rug by Katie Leede, and a sectional sofa upholstered in cinnamon-hued Claremont linen velvet. Throughout the apartment, contemporary Bonacina pieces are prominent. The finishes contribute significantly to the apartment's unique character, such as faux Iznik tiles in the kitchen backsplash, inspired by museum patterns, and a zigzag brown and white Parish Hadley floor in the music room. The dining room makes a bold statement with Zuber’s Combats des Grecs wallpaper, providing a vivid and sensual backdrop, subtly contrasted by contemporary rattan chairs by India Mahdavi. A more subtle Italian influence is observed in the higher mounting of door hardware, reminiscent of Venetian palazzos, an effect Netto previously witnessed in a theatrical New York apartment designed by Renzo Mongiardino. This detail aims to create a sensual rather than purely visual experience, encouraging an unfamiliar interaction with the space. The design process also involved defending choices, such as the use of architectural mirrors to enhance light and add glamour, which Netto argued would ultimately make walls “invisible.” The successful execution of the design is encapsulated as a recipe: a mix of art, boldness, and quality; a blend of 21st and 18th-century elements; a strong point of view; and, most importantly, a space meant for enjoyment and entertaining. This design philosophy emphasizes that successful decorating engages multiple senses beyond sight, contributing to a truly immersive and personal living environment. The article highlights the importance of client trust and a clear design concept in transforming an ordinary space into an extraordinary one, reflecting a unique blend of cultures and eras through thoughtful curation and audacious choices. #ItalianChic #NewYorkApartment #DavidNetto #InteriorDesign #EclecticStyle #LuxuryInteriors #HomeDecor #DesignProcess #ArtAndAntiques

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

This blog post explores the concept of urban eclectic decor, highlighting its key characteristics and offering various examples of furniture and accessories that embody this style. Urban chic is described as a design aesthetic that doesn't require living in a downtown loft but instead focuses on multifunctional furniture, diverse textures, and smaller profiles. The style embraces a mix of old and new, industrial and comfortable, allowing for creative expression and personalization. It encourages blending materials, colors, and design periods to create a unique and lived-in feel. The article showcases several pieces from different retailers that exemplify urban eclectic design. From Art Van Furniture, the Loft II dining table, crafted from solid acacia hardwood with a recycled cast iron base, is presented as an example of multifunctional urban furniture. The 9-drawer Elliott Chest, also from Art Van, is noted for its multicolored mango finish and varied drawer shapes, colors, and textures, emphasizing the style's diverse nature. Art Van's Townsend Queen Bed, with its vintage mahogany finish, is also featured, with a buyer stating that urban decor “really has no rules.” Light fixtures are shown to be both functional and stylish, with examples like the Aspen Chandelier, featuring filament bulbs and a rope-wrapped base, and the industrial-vibe Sputnik Large Chandelier. West Elm contributes to the examples with its Box Frame Counter Marble Table, characterized by a burnished bronze-finished steel frame. The popular industrial storage glass-topped coffee table from West Elm, made of mango wood, offers open shelving and drawers for practical storage. Another West Elm item, the Industrial Bed, is highlighted for its solid wood construction, hand-planed distressed look, and iron base, combining rustic and refined elements. The Industrial Rolling Bar Cart, with its acid-washed, sandblasted metal and electroplating finish, provides a vintage appearance and ample storage, showcasing the fusion of industrial aesthetics with functionality. La-Z-Boy's Urban Attitudes Collection, introduced in 2013, is also featured, emphasizing cleaner lines and smaller profiles in its sofas, love seats, and chairs. The collection includes the customizable Structure sofa, notable for its “party arm” for extra seating, and the Gridiron Stationary Chair, available in numerous fabric options. The Uptown style, also part of this collection, further illustrates La-Z-Boy's take on urban design. The article also touches upon textile influences, presenting Alhambra's Urban Chic textile collection, which draws inspiration from the architectural elements of major cities like New York and Tokyo. This collection offers three color schemes that blend urban tones with metallic touches and vibrant colors. Accessories that complement this style include Nate Berkus's metal Inlay Tray from Target, Target's Angled Metal Mirror in black and gold, and the Threshold rose-gold dipped cement table lamp, all demonstrating the incorporation of diverse materials and finishes. Overall, the blog post illustrates that urban eclectic decor is about thoughtfully blending various design elements to create a distinctive, functional, and personal living space. #UrbanEclecticDecor #HomeDecor #InteriorDesign #MultifunctionalFurniture #IndustrialDesign #ContemporaryStyle #DesignTrends #Furniture #HomeAccessories

Bella Mancini of Bella Mancini Design undertook the task of furnishing a nearly 3,500-square-foot loft in Dumbo, Brooklyn, for a family of four. The objective was to create a space that offered serenity at the day's end while also accommodating frequent entertaining. The loft, situated in a former industrial building, already possessed significant character with its natural wood columns, exposed brick walls, and floor-to-ceiling windows. High-end white oak floors and a new developer's kitchen were also existing features, meaning Mancini's focus was primarily on furniture, custom millwork, lighting, paint, wallpaper, and soft furnishings. The design process was heavily influenced by the clients' lifestyle. With two preteen daughters, a husband who works from home, and a wife with demanding hours, the need for both relaxation and functionality was paramount. The couple's enjoyment of entertaining also played a crucial role in the layout and furnishing choices. This led to the establishment of two distinct dining areas: a casual space near the large windows featuring an Eero Saarinen tulip table, wicker chairs, and a custom banquette that doubles as a desk, and a more formal dining setup elsewhere in the loft. The open kitchen and living area, centrally located, were designed for fluid movement and informal gatherings, encouraging guests to choose any available seat rather than adhering to a formal dining structure. Mancini aimed to infuse a relaxed, breezy Californian aesthetic into the New York setting. However, acknowledging the clients' British background and their Hamptons home's English country style, some glamorous and sparkly touches were incorporated to satisfy their preference for a slightly dressier city environment. The kitchen, visible upon entry, features a dropped ceiling painted in Farrow & Ball's Downpipe to conceal wiring, with Louis Poulsen glass globe pendants illuminating the island. The foyer is anchored by a vintage Scandinavian piece, setting an immediate tone for the home's curated style. Custom elements are prevalent throughout the loft, such as the banquette in the casual dining area, which is also painted in Farrow & Ball's Downpipe, a dark gray used in multiple spaces. The living area showcases a sophisticated and unconventional color palette, including a pink Chesterfield sofa complemented by vintage ochre and gray armchairs, with two coffee tables sourced from Jayson Home. The formal dining area is defined by pink grasscloth wall covering, featuring chrome Breuer chairs from Knoll upholstered in durable mohair, surrounding a wood table from the Danish Design Store. A custom-designed credenza by Mancini further enhances this space. The powder room received a facelift with Ellie Cashman floral wallpaper, an Apparatus light fixture, and a vanity painted in Farrow & Ball's Dead Salmon. The daughters' rooms also feature personalized designs, such as tie-dyed wallpaper from Donghia and canopy beds, alongside custom-built desks and bookshelves designed by Mancini. The master bedroom includes nightstands from Lawson Fenning, a whimsical side table from Artemest, and a chaise lounge from Gubi, with Italian garment-dyed linens from Society Limonata at ABC Carpet & Home. These design choices collectively create a functional, stylish, and comfortable environment tailored to the family's needs and aesthetic preferences. #BellaMancini #BellaManciniDesign #InteriorDesign #LoftDesign #OpenPlanLiving #DumboBrooklyn #CustomMillwork #ResidentialInteriors

In Park Slope, New York, a townhouse renovation blends the old with the new, focusing on the transformation of a client's childhood home into a contemporary and functional space for a young, artistic family. Ethan Pomerance of Ethan Pomerance Architecture was tasked with this challenge, aiming to infuse new life while respecting the home's original Romanesque Revival architectural style. The design subtly weaves in echoes of the home's exterior and traditional downstairs elements with fresh interpretations, maintaining an airy feel. The project held significant sentimental value for the client, a filmmaker, who desired a vibrant space to raise her family above her mother, a Renaissance art historian. This artistic environment necessitated a design that honored historical elements while introducing modern, unique features. The renovation of the kitchen, which was originally the client's childhood bedroom, required innovative solutions to accommodate ample storage and cooking needs, as well as a dining table, despite the presence of an original chimney stack and a pathway to a terrace. Pomerance embraced these structural challenges, allowing the chimney breast to dictate the placement of the cooktop and sink, thus preserving its form and integrating it as a visual and functional anchor. To maintain the room's loftiness and volume, upper kitchen cabinets were reconceived as horizontal, shorter, and wider elements, hanging on the chimney stack like a tree trunk to create a sense of verticality. These sculptural cabinets feature sliding doors with blue geometric forms that act as functional elements and artistic statements, creating a full, dark circle when closed. The material palette combines traditional architecture with modern elements. Speckled terrazzo countertops, chosen from Concrete Collaborative, incorporate various colors present in the kitchen, tying together warm wooden parquet flooring, plaster walls, and the oat, white, and blue cabinet scheme. This selection aims to make the kitchen appear to 'grow out of the floor,' ensuring a radiant and blended look without feeling sterile, and augmenting the natural light. Exposed ductwork was utilized to eliminate soffits and preserve plaster crown moldings, adding to the room's dynamic shapes and forms. Playfulness and color were crucial to the design, with different colored cabinet frames and unique cabinet pulls adding mindfulness and a sense of mystery to everyday activities. The use of soft geometry, like the half-ellipse vent hood, introduces personality and meaning, symbolizing a balance of power. The most striking feature is the Delft tile backsplash, which Pomerance transformed into a modern, surreal collage by cutting and arranging traditional blue and white tiles, adding a storybook quality with animal and nature scenes. Subtle details, such as squiggle handles, further enhance the space's character, blending functionality with a playful aesthetic. The overall design successfully marries historical reverence with contemporary artistry, creating a unique and personal kitchen. #TownhouseRenovation #KitchenDesign #DelftTiles #ModernKitchen #ArchitecturalPreservation #InteriorDesign #TerrazzoCountertops #GeometricForms #ParkSlope

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

The article presents a detailed tour of Leena Nasser's landmarked Upper West Side apartment in Manhattan, designed by Molly Torres Portnof of DATE Interiors. Leena, a social scientist, writer, artist, and dancer, sought to create a home that truly embodies her imaginative and free-spirited personality, a concept she refers to as her ‘creative womb’. The apartment, built in 1915, initially featured builder-grade finishes but possessed significant potential with its tall ceilings, exposed bricks, and a gorgeous terrace. The collaboration between Leena and Molly began during the closing of the apartment sale, fostering a strong connection from the outset. Leena's international lifestyle, with residences in New York, London, Argentina, and Saudi Arabia, influenced the design, as she frequently sent Molly ideas gathered from her travels. The design philosophy integrated a classic New York aesthetic with Parisian influences, culminating in a space tailored to Leena's unique tastes rather than being moderated for a broader audience. Molly highlighted the freedom of designing for an individual, allowing for a celebration of her client's identity. A significant aspect of the design involved incorporating Leena's interest in the divine feminine, the female form's strength, and her nature as a dreamer. An example of this is the mural in her bedroom, which was inspired by a dream she had about a waterfall cascading over a woman, brought to life to be a daily source of inspiration. This creative synergy enabled the realization of highly personalized elements throughout the apartment. The apartment is described as a 'feminine goddess sanctuary,' with each room possessing its own distinct 'magic' and feeling like a 'jewel.' Comfort and beauty were paramount, achieved through inviting elements like sheepskin armchairs and plump sofas, creating a soft and feminine ambiance. Live-edge wood shelving and terrace foliage were incorporated to bring natural elements indoors. The bathrooms feature zellige tiles, chosen for their unique textures and ability to evoke a spa-like, escapist atmosphere. Leena's passion for Arab history, forgotten Arab queens, and various cultures and fictional worlds also played a crucial role in the design. Historical elements are thoughtfully integrated throughout the apartment. A collection of her fairy tales, framed by Ilana Lobet, creates an arresting display on the exposed brick walls of the dining area, with over 75 unique pieces. The furniture in the main living space was specifically chosen to be light and movable, accommodating Leena's love for tango dancing and large-scale painting. The project not only resulted in a personalized sanctuary but also fostered a firm friendship between the client and the designer. Molly Torres Portnof shared insights into her design choices, highlighting the joy in Leena's appreciation for the apartment. She pointed to enlarging the terrace doors as a small change with a huge impact, significantly increasing light and life within the space. Her preferred color palette includes golden mustard with deep purples and greens, and she draws inspiration from Australian designers like Tali Roth and Flack Studio. Her favorite building, the Empire State Building, even influenced her company's name, 'Designing A Tiny Empire.' She also recommended the Demolition Depot in Harlem as a hidden gem for unique finds, emphasizing her attachment to her rug collection, which she views as 'pieces of art on our floors' that tell stories. #ManhattanApartment #InteriorDesign #ArtistHome #FeminineDesign #CustomInteriors #ExposedBrick #UpperWestSide #DATEInteriors #LeenaNasser

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

This article highlights the transformation of a newbuild three-bedroom luxury condo in New York City into a vibrant, chic, and globally-inspired pied-à-terre by Petrie Interior Designs. The owners, avid travelers, sought to create a comfortable home for themselves and their extended family in a city they cherish for its diversity and proximity to loved ones. The initial challenge involved redesigning a space previously built for a young couple with toddlers, necessitating the removal of outdated wallpaper and built-in cabinetry while emphasizing existing floor-to-ceiling windows and natural light. Designer Susan Petrie’s vision centered on embodying exuberance, style, and color, reflecting the clients' globetrotting lifestyle and their appreciation for sophisticated textiles and a global aesthetic. The project involved a significant overhaul, with the clients ultimately deciding to retain only the dining table from the previous owners, opting to replace or revamp all other elements. Petrie describes the interior style as a “global, chic retreat,” characterized by the strategic introduction of colorful wallpaper, strong pattern plays, and bold yet sophisticated fabrics and colors, particularly Manuel Canovas fabric as accent pieces. This approach allowed for a design narrative that weaves together the clients' love for global furnishings, unique eclectic touches, and diverse, chic interiors, ensuring that each room makes a distinct personal statement. The entry and hallway were designed to create an immediate global impression. Dark stained wallpaper and a wood grain front door were replaced to brighten the space. The hallway features Ramayana Blue toile wallpaper by GP & J Baker, evoking distant travel, complemented by a vintage Venetian mirror, a Moorish mother-of-pearl inlay table, and an African Senufo meditation stool. These elements collectively establish an international flair, setting the tone for the curated furnishings throughout the home. The hallway further extends into an area adorned with Serena Dugan Studio’s Cassis Grasscloth Wallpaper in Prussian Blue. The living room stands out as a focal point and a favorite space for the clients, celebrated for its intentional eclecticism. Susan Petrie chose not to use window treatments in this area to maximize the natural light and showcase the western views of the historic Gramercy area. The design prioritized warmth, comfort, and strategic pops of color, with a color palette inspired by Moroccan spices like cayenne, saffron, paprika, and ginger. Custom furniture pieces, including a tufted sofa with an embroidered border trim, bergère chairs with a raspberry contrast trim, and a scalloped edge ottoman upholstered in a coral zig-zag fabric, contribute to the unique and inviting atmosphere. A gallery wall featuring Mary Maguire’s art, known for its antique frames and worldly images, adds a cheerful and unique touch. The kitchen's renovation included replacing original pendants with smoked glass Noreen pendant lights and Henson counter stools from Arteriors, introducing a rustic yet refined aesthetic. The dining area capitalizes on natural light, with Susan Petrie opting against window treatments. A recycled green glass and gold leaf chandelier from Arteriors enhances both artificial and natural light. An authentic hand-woven Otomi table runner adds vibrant color, while the existing table and benches were updated with custom cushions made from Kravet hexagon fabric. The home office features Serena Dugan’s Bahia grass cloth wallpaper in Onyx/Natural, creating an exotic, Brazilian-beach inspired feel, juxtaposed with city views from a vintage woven rattan desk. A rust and teal sivas rug from Eliko grounds the space. The primary bedroom is designed as a cozy and tasteful retreat, a favorite of the clients. A custom upholstered bed from Oomph with a global-themed shape, Peter Fasano Trotwood Dusk Fabric, Matouk zig-zag sheets, and a custom bolster made from Lisa Fine textiles Mughal Floral Monsoon fabric create a luxurious and feminine ambiance. Custom window treatments provide sound and light protection, while a Madeline slipper chair upholstered in Brunschwig & Fils Les Touches offers a comfortable spot for reading. The guest bedroom, designed for a range of ages, features Schumacher Thistle Stripe wallpaper and a custom bed in orchid chinoiserie fabric, complemented by vintage Moroccan green hand-painted side tables, ensuring a cheerful yet luxurious space. #NewYorkCondo #InteriorDesign #EclecticDecor #GlobalInspired #ColorPalette #PatternPlay #LuxuryLiving #ChicInteriors #PetrieInteriorDesigns

Interior designer Kara Mann's Chicago apartment showcases a deliberate blend of high and low elements, characterized by a sophisticated palette of black and brown tones, complemented by various textures and materials. The design ethos is rooted in elegance, a value Mann inherited from her mother, and a preference for subtlety and richness over vibrant colors. This approach is evident throughout her personal style and her professional interior design work. The apartment is situated in a unique vintage co-op building in Chicago, designed by Andrew Rebori, where each unit possesses distinct characteristics. Mann specifically sought out a property that had been untouched for an extended period, allowing her the creative freedom for a comprehensive renovation project. The previous occupant resided there for approximately 40 years, making it an ideal canvas for her design vision. Mann's design philosophy extends to her personal fashion choices, which mirror her interior aesthetics. She embraces a 'high-low' style, favoring durable, beloved items worn repeatedly, and prioritizing texture, richness, and subtle details. This is reflected in her interiors through materials like marble, patinated leather, brass, wood, and grayscale photography, creating a 'muddy rainbow' of complementary hues. A key aspect of her design is the incorporation of animal prints, specifically leopard and tiger patterns, which provide a foundational layer to the textured and layered aesthetic. These prints are integrated in a way that emphasizes materiality rather than bold statements, contributing to the overall elegance. Mann believes in collecting items over time that resonate personally, rather than curating a space all at once. This organic approach is evident in the apartment's collected feel, where each piece, from a Rick Owens chair (a gift) to an Ann Collier art piece, holds personal significance and a story. The renovation of the apartment involved thoughtful restoration and strategic additions. The original checkerboard flooring in the living/dining room was preserved and became a central visual element around which other design choices, such as the terracotta rug, were made. The fireplace, also original, was restored with fire brick, and the plaster was refreshed. A significant modification included redesigning the kitchen from a galley layout into a more expansive and functional space, incorporating a powder room and utility closet. The kitchen features artwork by Alex Prager, chosen for its personal connection to Mann and her sister. Mann's sourcing strategy is eclectic, drawing from diverse places such as Paris flea markets, antique and vintage stores, and design resources like 1stDibs. She also procures rugs from New York and Los Angeles. She emphasizes that design should be lived in and not too precious, advocating for comfort and allowing spaces to evolve with the lives of their inhabitants. This perspective is particularly highlighted by the presence of her daughter's belongings, such as stuffed animals and books, which contribute to the lived-in feel of the space, even influencing the design of her daughter's room. The apartment, in its entirety, represents Mann's unique architectural and decorative style, a harmonious blend of collected treasures and personal narratives. #InteriorDesign #KaraMann #ChicagoApartment #HomeTour #HighLowDesign #TexturalDesign #VintageInteriors #PersonalStyle #ArchitecturalRenovation