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An Interior Stained-Glass Window Casts an Amber Glow on This Once Drab L.A. Home
This article highlights the transformation of a Los Angeles home, originally designed in 1951 by Chinese American architect Gilbert Leong, who notably incorporated an ornate stained-glass window. Decades later, interior designer Sarah Zachary-Jones took on the task of updating the home for a young couple working in comedy, aiming to refresh the entry, dining space, and two living rooms while preserving its mid-century character.
The design approach was heavily influenced by a postcard depicting a poppy field in Yosemite, inspiring a palette of red-orange and emerald green. In the dining room, Zachary-Jones maintained an original fluted plaster wall, revitalizing it with several coats of Ash Grey by Farrow & Ball, a color chosen for its classic appeal and dynamic interaction with light. Furnishings were carefully selected, with an emphasis on vetted reproductions from brands like Lawson-Fenning and Design Within Reach, providing mid-century aesthetic without the extensive search for vintage pieces. The dining area's layout was optimized by repositioning the table and light fixture, and introducing a larger rug to enhance spaciousness and functionality.
The entry, though compact, was enhanced by filling previously empty corners with living elements, including a tall, freestanding planter and large, graphic art pieces on the ledge above the door. The living room features Leong’s original metallic wallpaper. Zachary-Jones addressed a fading tree trunk pattern on the wallpaper by designing an 11-foot-long walnut storage bench with grasscloth doors, suggesting it replaced a custom cabinet that likely existed when the house was first built. The living room's proximity to the kitchen necessitated a modular sofa with a movable ottoman, offering flexibility for entertaining.
For the casual TV room and office, a leafy wallpaper print was chosen for all four walls, with the ceiling left white to prevent overwhelming the space. In line with the home's 1950s origins, window treatments in both the TV and dining rooms were ceiling-mounted using a track system. This design choice, eschewing traditional iron rods, facilitates a ripple fold effect, creating a continuous wall of yellow when the curtains are closed, ensuring a consistent warm ambiance throughout the day and evening.
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