How the Renovation of a 1950s Ranch Ended Up Being More Meaningful than the Architect Ever Imagined

This article details the comprehensive renovation and interior design of a 1970s ranch home in Brentwood, TN, undertaken by its second owner, Tyler Pennington. Having admired the house since childhood, Tyler purchased it from the original owners and embarked on a transformation project to update it for his family of five while preserving its original architectural charm, which he describes as reminiscent of the New England coast. The renovation involved reconfiguring the internal space, adding a second story, and selecting finishes and furnishings to suit a modern lifestyle with young children, without sacrificing its classic aesthetic. Tyler, who owns White Pines Building Group, managed much of the construction work himself. He collaborated with architect Champ Webb of C.W. Design and Andrew King of AK Designs for the second-story addition and exterior elements. For the interior design, he enlisted Sara Ray Interior Design, aiming for a contemporary look that avoided excessive modernity or trendiness. Sara Ray focused on creating a design that blended classic, traditional elements with clean lines and modern touches, prioritizing durable fabrics for furnishings and incorporating vintage rugs to withstand daily wear and tear from three young children. The design also balanced masculine and feminine touches, with a deliberate emphasis on timeless pieces that would retain their appeal over decades. Throughout the renovation, Tyler made efforts to integrate natural and historically relevant materials. While the interior was largely gutted, original materials were reused, and aspects of the original design were recreated. For instance, new poplar molding was installed in the entryway and dining room, hardwood floors were milled locally in Leiper’s Fork, and windows were designed to replicate the original grid pattern. A significant part of the project involved relocating the original fireplace, with its salvaged limestone being repurposed to create a new, two-story focal point in the central living area. The main floor features an open layout with a living area, dining area, and kitchen. The living space, characterized by a wall of doors and a double-story ceiling, displays a masculine-meets-modern aesthetic with warm accent colors against a white backdrop. The renovated kitchen prioritizes brightness, featuring a large center island, a tile backsplash, a polished limestone hood, and light fixtures with brass shades. The dining room, located off the main entry, showcases a reclaimed wood table with an industrial base, brass-foot chairs, and upholstered end chairs, all illuminated by a modern light fixture. Other rooms, such as the powder room, continue the theme of simple design with character. The children's bedrooms were designed with personalized touches. The oldest daughter's room is colorful, while the youngest daughter's features pinks and frills. The middle child's room incorporates antelope wallpaper and a vintage brass deer head, reflecting his interest in hunting. Bathrooms feature muted color schemes, penny tile flooring, and unique fixtures. The second floor accommodates a guest bedroom, children's bedrooms, a playroom, and a study area, while the third floor includes a sleeping nook with bunk-style beds and another playroom with a slide connecting to the second floor. The exterior of the house largely maintains its original appearance, with subtle updates such as a cedar roof, copper gas lanterns, updated stonework, and custom corbels. The transformation successfully merges the home's historic essence with modern family living, ensuring its continued admiration. #HomeRenovation #RanchHome #InteriorDesign #ClassicModern #FamilyHome #ArchitecturalPreservation #SustainableDesign #SaraRayInteriors #NashvilleHomes

Antiques dealer Jennifer Maxcy, known for her affinity for small, cozy interiors, transformed a 1,143-square-foot post-and-beam ranch-style house from 1959 in California's Ventura County into a highly functional and open living space. Faced with a compact home for her family, including husband Mike, son Adam, and two English springer spaniels, Maxcy opted for an extensive renovation to maximize space and natural light. The core of the renovation involved a significant structural change: removing walls that separated the kitchen and a third bedroom. This created a single, expansive living area that she refers to as a "great room," emphasizing its multipurpose nature. To further enhance the feeling of openness and brightness, Maxcy addressed the home's original choppy layout and dark wood elements. She removed existing can lights and vaulted the ceilings, opening them up to the rafters. Subsequently, the ceilings, walls, and trim were coated in a crisp, bright white paint, which was Glidden's base paint in semigloss, chosen for its true white tone without any undertones. This color scheme, applied uniformly, significantly increased the amount of natural light within the home, contributing to an airy and spacious ambiance. Within this large open area, specific zones were defined. In the living room, a midcentury sofa, reupholstered in leather during the 1970s, was positioned on a vintage Moroccan rug, providing a clear distinction for the lounging area. A floor-to-ceiling storage nook was incorporated to keep various items like books, blankets, and firewood organized and accessible. An X bench served as a versatile piece of furniture, functioning as a coffee table, footstool, or extra seating. Adjacent to this was a den, designed with careful consideration for scale. Here, 30-inch-tall barrel chairs were chosen to avoid overwhelming the space, unlike larger wingbacks would. Horizontal ticking stripes and slats on the coffee table were used to create an illusion of width, contributing to the open feel. The dining area featured a built-in banquette, which efficiently maximized both seating and storage. These built-ins were ingeniously crafted from leftover kitchen cabinets, repurposed and installed on their sides. Indigo-colored pillows in this area tied into other blue accents throughout the room, such as X benches and ottomans, while a rattan pendant light and basket added textural interest. In the newly opened kitchen, Maxcy forewent upper cabinets in favor of a single floating shelf, maintaining an uncluttered aesthetic. Pots were hung from an old bridle rack above the stove, contrasting against a white penny tile backsplash. The cabinets and quartz countertops were sourced economically from a closing kitchen showroom. To improve the appearance of a structural post in the vaulted ceiling, it was wrapped in nautical rope. A repurposed old workbench in the island provided hidden storage for dry goods, office supplies, and wrapping paper. Even a small workspace was integrated between the front door and the refrigerator. The desk was painted the same white as the walls to blend seamlessly, and a stainless steel appliance wall was disguised with barnwood. The overall design strategy focused on maximizing every inch of the home, utilizing repurposing and thoughtful design choices to create a cohesive, bright, and highly functional living environment tailored to the Maxcy family's needs. #RanchHomeRenovation #OpenFloorPlan #InteriorDesign #SmallSpaceLiving #RepurposedDecor #HomeTransformation #AntiquesDealer #CaliforniaHomes #ModernFarmhouse

The 'Optimism' project showcases interior designer Jake Arnold's approach to transforming a one-story, mid-century Californian ranch designed by architect Gerard Colcord. Arnold was entrusted by his clients to locate a home with character, leading him to this property in Beverly Hills, distinguished by Colcord’s classic architectural elements such as colonnaded porches, large paneled windows, and pitched roofs. The residence offers expansive canyon views. Arnold's renovation involved stripping back an unsympathetic interior, meticulously refurbishing original wooden floors, reinstating paneling, and gradually layering decorative elements. His color strategy was informed by the clients' preference for neutral palettes, yet he introduced bolder, tonal hues that resonate with the natural surroundings. Arnold's design philosophy incorporates historical prints from renowned brands like Fortuny, Liberty, Ralph Lauren, and Schumacher, which imbue the space with timeless gravitas. These are harmonized with textural plains from de Le Cuona, Holland & Sherry, and Pierre Frey. The curation of old, new, and custom-made pieces is central to the project, reflecting Arnold's commitment to exploring and integrating diverse treasures. The living room is designed to foster relaxed conversation and intimacy, achieving visual impact through scale, materiality, and form. Creative zoning of rooms optimizes flow, enhancing opportunities for entertaining and comfort. Curved, bespoke furniture contributes to a gentle fluidity and intimacy, counterbalancing the linear elements of paneling, bookcases, and angular rooflines. A capacious home office features a bespoke curved sofa upholstered in de Le Cuona velvet, its blue-gray hue mirroring the Farrow & Ball De Nimes shade used throughout the property. Natural materials, including custom-made brass and suede bars, antique rugs, vintage oak and sheepskin chairs, primitive wooden tables, Audoux Minet vintage lights, and Brèche de Vendôme stone flooring, lend a sense of soul and quiet luxury. Arnold emphasizes that great design is about remaining grounded and expressing creativity, believing that a home, regardless of its size, should be a place of comfort and well-being. The home library, painted entirely in mauve, offers an enveloping atmosphere. The kitchen diner pairs a vintage trestle table with mid-century rattan and wood chairs by Charlotte Perriand. A cozy breakfast nook is characterized by a curved corner banquette, designed by Arnold and upholstered in a nostalgic Claremont checked fabric. The dining room, featuring new wall panels that match the original wainscoting and an organically shaped dining table complemented by round chairs, offers stunning views of the outdoor space. In the main bedroom, Farrow & Ball's London Stone paint on walls and ceilings creates a soft, cocooning effect within the vaulted space. The guest bedroom suite, situated among the treetops, harmonizes with its natural environment. The guest bathroom features a tactile rattan mirror and curtaining on the vanity, adding warmth and softness. The project exemplifies Arnold's skill in crafting serene, sophisticated interiors that honor architectural heritage while introducing modern comfort and aesthetic appeal. #JakeArnold #MidCenturyModern #CaliforniaRanch #HomeRemodel #InteriorDesign #LuxuryInteriors #NeutralPalette #CustomFurniture #NaturalMaterials

The article details the transformation of a neglected 1950s California ranch house, located in the Santa Cruz Mountains, into a modern family home. This extensive renovation was undertaken by Studio Muka, a design firm founded by Zabie Mustafa and Neda Kakhsaz. The clients, Amir Kakhsaz and Raphaëlle Durand, both professionals in Silicon Valley with two sons, sought a home that could accommodate their active lifestyle and connect with the surrounding landscape. The property initially presented significant challenges, but the designers approached the project with a clear vision. They reconfigured and expanded the original layout, including relocating the staircase to improve the flow between rooms. The renovation also added an office for Raphaëlle Durand and four new bedrooms, significantly increasing the home's functionality and capacity for extended family visits. The design philosophy centered on an earthy color palette, intentionally chosen to integrate the interiors with the lush natural environment of the Santa Cruz Mountains. Key design elements and furnishings contribute to the home's refreshed aesthetic. The living room, for instance, features a muddy green plaster from Bauwerk Colour, reflecting the external landscape. It is furnished with an Arflex sofa designed by Mario Marenco from the 1970s, a custom cocktail table, a vintage blue lounge chair by Vico Magistretti, and vintage zinc table lamps by Ron Rezek. The kitchen showcases reclaimed terra-cotta tiles from Durand’s 16th-century family home in Normandy, providing a unique historical touch and warmth to the space. The eldest son’s bedroom includes a Roman shade from Smith & Noble, a 1950s Pierre Guariche Tulip chair, and a custom desk inspired by Donald Judd, complemented by a 1950s table lamp by Gilardi & Barzaghi. Mustafa, who previously worked at Workshop/APD, and Neda, formerly with Studio Shamshiri, brought their combined experience to create a home that is both aesthetically pleasing and highly functional. The clients expressed immense satisfaction with the outcome, noting that every space in the house is now utilized effectively, exceeding their initial expectations. The renovation successfully transformed a dated structure into a vibrant and comfortable family residence, deeply connected to its Californian setting. #CaliforniaRanch #HomeRenovation #StudioMuka #InteriorDesign #EarthyPalette #MidCenturyFurniture #SantaCruzMountains #FamilyHome

Architect and designer Kartik Desai, along with his husband Zane Philstrom, transformed an abandoned mobile home property in Southold, North Fork of Long Island, New York, into a modern, cost-effective family residence with breathtaking views of the Long Island Sound. The couple purchased the dilapidated property in 2012, initially using it as a campsite while they designed their dream home, emphasizing the stunning natural surroundings as the primary inspiration. The design philosophy centered on maximizing the Long Island Sound view, ensuring every room and the swimming pool faced the water. To achieve this vision while adhering to budget constraints, Desai implemented several clever cost-cutting solutions. For instance, in the living room, instead of an expensive custom sectional, they opted for an affordable IKEA sectional and customized it with removable, washable linen covers from Bemz, providing both a polished look and practical maintenance for a beach house environment. The living room also features a massive 12-foot hearth fireplace that doubles as a bench, and a clever panel concealing the television. The dining room, kitchen, and living area were designed as a cohesive communal space. A continuous bank of sliding doors along the ground floor was a key design element to connect indoor and outdoor spaces. To avoid the high cost of a custom 50-foot sliding door system, they utilized four standard-width bay units. These were then integrated seamlessly with natural oak finishes, extending to cabinetry and using cabinet face material to fill the gaps, making it appear as a single, custom system. Desai highlights this as an example of making standard-sized elements look bespoke. In the kitchen, budget-friendly material swaps were crucial. The original plan for concrete floors, countertops, and fireplace surround was deemed too expensive. Instead, large format tiles from Porcelanosa were used for the floor, and quartz for the countertops and fireplace surround. These alternatives provided a similar aesthetic to concrete but offered benefits such as durability, stain resistance, and low maintenance. The open kitchen design allows Philstrom, an avid cook, to engage with guests in the dining and living areas or by the pool. The bedrooms and bathrooms also maintain continuity with the home's overall aesthetic and practical design. Bedrooms offer serene views of the ocean, with furniture from brands like CB2, Blu Dot, Parachute, and IKEA. The bathroom similarly boasts sweeping views of the Long Island Sound, utilizing the same practical and durable materials as the main living areas, with fixtures from Kohler, mirrors from Rejuvenation, and tiles from Porcelanosa. This strategic approach to design and material selection enabled the couple to create a sophisticated, zen-like Hamptons home without exceeding their budget, transforming an uninhabitable structure into a modern sanctuary. #HomeDesign #CostSavingTips #HamptonsHome #ModernArchitecture #DIYDesign #InteriorDesign #BudgetDecor #OceanViewHome #SustainableLiving

Ragan Wesson, a Birmingham-based interior expert, emphasizes the importance of a home telling a unique story, and her own renovated 1950s ranch-style home exemplifies this philosophy. She champions the integration of sentimental and meaningful items to create spaces that are both distinct and affordable. Wesson's design approach begins with a clean, neutral canvas, allowing for the layering of personalized pieces. Many of the items in her home are inherited or sourced from thrift stores and antique malls, each carrying a personal history that contributes to the home's narrative. Upon purchasing their Homewood ranch home, Wesson and her husband focused on superficial yet impactful renovations. They refreshed the interiors with new paint, removed popcorn ceilings, and updated light fixtures, all while preserving the original character of the house. The home's generous room sizes and functional layout meant that extensive structural changes were unnecessary, allowing them to concentrate on decorative enhancements. For furnishings, Wesson drew from her extensive collection of cherished items, amassed over many years, demonstrating how curated pieces can elevate a space. One example of her approach is the dining room, which serves as a versatile space for family gatherings and a workstation. Here, an antique desk, discovered by a local antique hunter, complements the existing decor. Wesson advocates for repurposing sentimental items, explaining that they introduce a historical dimension to modern settings. This concept is evident throughout her home: a great-grandfather's buffet now functions as an entertainment console in the main living area, her childhood twin beds are in her older daughter’s room, and a cabinet from her great-great-grandfather is featured in her youngest daughter’s room. The breakfast area centers around a family heirloom table, refinished and paired with contemporary chairs, and various small finds from antique malls and thrifting trips are strategically placed throughout the house. Custom upholstery and locally sourced rugs provide the finishing touches, contributing to a cohesive and inviting atmosphere. The home features a formal living room with bookshelves filled with personal items, including books and a collection of blue and white pieces, which Wesson suggests is an effective way for clients to infuse their own stories into their homes. The original fireplace in this room adds character without appearing dated. In her older daughter's room, Ragan used drapery behind her childhood twin beds to create the illusion of larger windows and soften the design, a DIY project supported by her mother, who owns Brock Custom Interiors. The nursery includes an iron crib, a China cabinet from her great-great-grandfather, and a rocking horse from a local thrift store, Sozo Trading Co. Wesson also shares her thrifting prowess, recounting how she found a side table for her master bedroom on the side of the road, which seamlessly integrated into her decor without needing any alterations. She advises staying consistent with a color scheme or theme when collecting pieces. Wesson aims to demystify interior design, emphasizing transparency in project timelines and budgets for her clients. Lacking formal training, she offers a unique perspective on the industry, allowing her personal and family history to anchor her designs. This personal journey has refined her design process, which she now applies to help other homeowners create spaces that tell their own stories. #HomewoodHome #RanchHomeRenovation #InteriorDesign #SentimentalDecor #AffordableDesign #FamilyHeirlooms #ThriftStoreFinds #HomeStorytelling #BirminghamInteriors

The article details the transformation of an ordinary ranch house in Lexington, Virginia, into a stylish hunting and fishing retreat. Situated on 100 acres overlooking Buffalo Creek, the property was acquired by Tod and Jenny Childress with the vision of creating lasting family memories, particularly through outdoor activities like trout fishing. The existing house, however, required significant renovation to align with this vision. Charlottesville-based Rosney Co. Architects led the extensive renovation, focusing on redesigning the structure to embody a classic hunting and fishing lodge aesthetic. A key aspect of the project involved working within the existing footprint of the house to preserve its original character while significantly enhancing its functionality and charm. The primary addition to the property was a large porch featuring a fireplace, which has become the main living area for the family, blurring the lines between indoor and outdoor living and providing a central gathering space. The renovation incorporated numerous aesthetic upgrades, infusing rustic charm throughout the home. This included revamping almost every surface with reclaimed wood, contributing to a warm and authentic lodge atmosphere. Practical spaces were also integrated, such as a bunk room designed to accommodate additional guests, and a mudroom, essential for storing outdoor gear after excursions on the water and in the field. Beyond the main house, the project also included the construction of a barn for equipment storage, complete with a wine cellar beneath it, and the addition of an outdoor shower, further enhancing the retreat's amenities. Emphasis was placed on incorporating Southern heritage and local craftsmanship into the design. For instance, the fireplace on the new porch was built using local stone, and the flooring was milled from local black locust wood. In the kitchen, the sink and countertops were crafted from Albarene Soapstone, sourced from mines within Virginia. Local blacksmith Corry Blanc, a past recipient of a Garden & Gun Made in the South Award, contributed significantly by forging the range hood, all cabinet hardware, and numerous other exterior finishes, ensuring that every detail reflected a sense of place and local artistry. This renovation transformed the property into more than just a weekend getaway; it became a home designed to be cherished and passed down through generations. The thoughtful integration of natural materials, local craftsmanship, and functional spaces tailored to an outdoor lifestyle successfully created a unique and inspiring retreat that celebrates the Childress family’s love for the outdoors. #RanchHouseRenovation #HomeTransformation #VirginiaHome #HuntingLodgeDesign #FishingRetreat #SouthernArchitecture #ReclaimedWood #LocalCraftsmanship #OutdoorLiving #HomeAndGarden

David and Melissa Bowen, seeking a rural retreat for their family, purchased land in central Georgia. A few years later, a neighboring property became available. David Bowen, upon inspecting the property, discovered a picturesque setting featuring a long driveway, rolling fields, wooded areas, and a lake. However, the existing house was a 1980s-era rancher with a low-slung roof and extensive red brick, which clashed with the desired aesthetic of a classic Southern farmhouse. David engaged Georgia-based designer James Farmer to transform the dated structure. The renovation aimed to convert the house from its original 1980s design, characterized by features like linoleum cabinets and carpeted bathrooms, into a traditional farmhouse and hunting lodge with a Low Country-inspired style. Key design elements for the exterior included a large front porch, dormer windows, a metal roof, and white siding. For the interiors, James Farmer focused on introducing old-fashioned charm. He discovered and restored original heart-pine floors beneath the existing carpets and linoleum. Paint-grade lumber was used to create classic Southern millwork, such as beadboard and shiplap, which immediately gave the house a cozier and older feel. Wallpaper played a significant role in the transformation, with James selecting "Royal Oak" toile by Lewis and Wood for the entry, paired with painted shiplap wainscoting. The putty hue of the wallpaper influenced the overall neutral color palette, which James described as "un-colors"—ambiguous shades that are neither distinctly green, gray, nor brown. The furnishings were carefully curated to achieve a collected aesthetic, despite the Bowens not having many existing family heirlooms for their weekend home. James incorporated antiques such as oil paintings, demijohns, and French baskets, along with some of his personal items. He also advocated for "tomorrow’s antiques," which are modern pieces crafted in the style of historical items, such as the primitive-looking sideboard in the entry designed to resemble an old Southern hunt board. The kitchen, previously a dark galley layout with laminate cabinetry, was transformed into an open and airy space. Carrara marble was chosen for the island, while Georgia heart-pine countertops lined the perimeter. Melissa’s uncle custom-built the cabinets, and brass lighting added warmth. The relaxed dining room, featuring a mix of black Windsor chairs and upholstered French side chairs around an English oak dining table, was flanked by cozy seating areas for TV viewing and conversation. In the living room, a beige grasscloth wallpaper above shiplap wainscoting was combined with rusty brown windowpane plaid fabric for chairs and pillows, creating a tailored neutral scheme suitable for both hunting weekends and girls’ getaways. The primary bedroom featured a grasscloth wallcovering, assorted checked fabrics on the four-poster bed, and tan and white toile curtains for softness. A painted V-groove wood ceiling contributed to an aged and warm ambiance. Guest rooms continued the theme with neutral grasscloth wallcoverings, taupe checked curtains, and patterned pillows, complemented by a gallery wall of baskets and farm landscape paintings above a woven rush headboard. The renovation took approximately two years. The house also benefited from additional outdoor features, including a large back porch designed for family gatherings, seasonal decor with autumnal floral arrangements, and new outbuildings—a boat house and stables—all sporting a crisp white and black color scheme with matching standing-seam aluminum roofs, harmonizing with the main house. #FarmhouseRenovation #SouthernDesign #HomeTransformation #InteriorDesign #JamesFarmer #CountryLiving #ArchitecturalRenovation #HomeDecor #RusticCharm

This article details the transformation of a newly constructed Brooklyn townhouse into a warm, personalized, and comfortable family home with a mid-century modern aesthetic. The homeowners, who are lovers of the outdoors, sought to create an urban oasis that felt like an escape from the city, particularly benefiting from the property's quiet, tree-lined street and enclosed backyard. Interior designer Lucy Harris led the project, focusing on seamless transitions between indoor and outdoor spaces, incorporating super durable pieces suitable for a young child, and maintaining a light and bright color scheme. The entryway, designed to function as both an entrance and a mudroom, immediately sets an eclectic and welcoming tone with custom millwork for storage and a colorful tiled floor from Heath Ceramics, featuring bright blues and golds. Accessories such as a natural-feeling leather mail/key holder from Lostine and a simple half-moon mirror from Bower contribute to the unique character. In the kitchen, which was recently installed in the new-build, minor but impactful changes were made to integrate it into the home's overall aesthetic. Rattan counter stools from Stahl and Band introduced natural materials, while green pendants from In Common With tied in with the dining area's color scheme. The dining nook is highlighted as one of the most dramatic alterations, featuring custom banquette seating upholstered in a deep green wool boucle fabric from Tibor, complementing the leafy street view. A brass fixture from Apparatus adds texture, and a custom-sized solid wood table from Yucca Stuff, along with vintage-inspired Tre 3 chairs by Angelo Mangiarotti, complete the inviting space. The living room was conceived as a casual, peaceful, and fresh area, utilizing a serene palette with vibrant earthy accents. It showcases a colorful area rug by Christopher Farr, an original Bauhaus design, and a soft sofa from Poiat, contrasting with an organic-shaped coffee table in the style of Paul Frankl. An adjacent reading area in the living room features a leather Ojai chair from Lawson Fenning, reflecting the mid-century modern influence throughout the house. A Miniforms Soda glass side table adds material contrast, and custom millwork displays the homeowner’s vintage objects, infusing personality into the new construction. The connection between indoor and outdoor living is emphasized through large houseplants and green color palettes inside, and an inviting balcony dining space leading to a landscaped backyard, designed by Michael Cafiero. The outdoor area includes Fermob Luxembourg chairs and a customized Croft House dining table, suitable for the terrace. The family room introduces a different palette with deep blues and rich rusty oranges, creating an inviting atmosphere with mixed patterns. A custom rug collaboration between Lucy Harris and Carini, a wool and leather ottoman, and a comfortable Albarese sofa by DePadova define the space. A home gym adjacent to an outdoor terrace benefits from a leafy view. The primary bedroom combines pastel colors with vibrant accents for a serene yet interesting backdrop, featuring a walnut nightstand by Hedge House, a scalloped sconce by Nickey Kehoe, and a colorful quilt by Thompson Street Studio. Subtle patterned wallpaper by Rebecca Atwood and Caroline Z Hurley drapes add texture and quirkiness. For the nursery, a playful desert theme was chosen, reflecting the owners' love for hiking. Geometric patterns, a neutral cactus wallpaper, and terracotta accents, including a Kartell Componibili, create a vibrant yet sophisticated space. The guest bedroom on the fourth floor extends the natural beige, orange, and brown palette, with a second walnut nightstand from Hedge House and a rug from Nordic Knots, complemented by green and blue accents in the Room & Board bed and Rebecca Atwood drapery. This comprehensive redesign transforms the builder's spec townhouse into a soulful city oasis with distinctive character and style. #InteriorDesign #MidCenturyModern #BrooklynTownhouse #HomeRenovation #FamilyHome #OutdoorLiving #CustomDesign #ColorPalette #SustainableDesign

Designer Ernest de la Torre undertook a comprehensive renovation of a 1950s ranch house in Snedens Landing, New York, transforming it into a vibrant, art-filled family home shared with his husband, Kris Haberman, and their son, Parker. The project involved an extensive overhaul, addressing both functional limitations and aesthetic preferences. The original backsplit ranch structure presented challenges, with public rooms on the upper floor and bedrooms downstairs, necessitating a significant reorientation of the interior spaces. After living with the home's initial configuration for eight years, de la Torre conceptualized a radical redesign. The primary modification involved removing a floor to create a double-height living room at the back of the house, better connecting it to the outdoor space. This change also prompted the repositioning of other key areas, including the kitchen, which was originally situated near the front door. The structural changes required extensive reinforcement, an undertaking de la Torre described as a 'master’s degree in construction,' emphasizing that while it would have been more cost-effective to rebuild, preserving the house's original charm was paramount. A central goal of the renovation was to enhance natural light within the formerly dark interior. This was achieved by installing skylights and replacing solid walls with expansive glass, notably custom steel casement windows and matching doors throughout the entire house. Beyond natural light, artificial illumination was a critical design element, with de la Torre incorporating a variety of lamps and overhead fixtures, including a giant bronze cocoon light by Hervé Van der Straeten and Charles Rennie Mackintosh sconces. The interior design emphasizes unique details and a garden theme, albeit with an imaginative, 'wonderland' quality. Examples include a kitchen counter inlaid with petrified wood, brass parakeets as faucet handles, 'cloud' reliefs on plaster walls, blown-glass dragonflies on light fixtures, and raindrop mirrors. De la Torre’s design philosophy prioritizes uniqueness, creating spaces that are distinct and original. Comfort and texture were also integral to the design, influenced by de la Torre's mentor Peter Marino. Furnishings feature diverse materials such as leather, fur, snakeskin, wool, and silk, encouraging prolonged use and tactile engagement. The eclectic mix includes pieces the designer had collected over time, like oversized Wendell Castle newel posts now serving as pedestals, and cast-iron balconies from a 'robber baron’s house.' The blend of historical periods is evident, with an 18th-century Robert Adam mantel juxtaposed with a 1980s cocktail table by Sol LeWitt, creating a dynamic interplay of styles. The renovation culminated with a strict deadline: de la Torre and Haberman's June 2015 wedding, with the reception hosted at their newly transformed home. Just before the event, artist Shantell Martin was commissioned to create a mural in the powder room, depicting the couple's life story. This personal touch symbolizes the completion of one dream and the commencement of another within their reinvented home. #RanchHouseRenovation #UpstateNewYork #ErnestDeLaTorre #InteriorDesign #CustomDesign #ArchitecturalTransformation #LuxuryHome #EclecticDecor #ArtFilledHome

This article provides a detailed overview of several noteworthy new property listings in the Santa Barbara area, focusing on their architectural styles, features, recent renovations, and potential for future development. The first property examined is 4265 Cresta Avenue, listed at $20 million. Originally designed by Barry Berkus in 2003, this Hope Ranch compound features six bedrooms, seven full baths, two half baths, a home theater, wine cellar, and gym. The 2.46-acre lot also includes a swimming pool, two hot tubs, a tennis court, and two two-car garages. The sellers acquired the property in August 2020 for $8.2 million and have undertaken significant renovations to modernize its interior, making it more livable despite the initial architectural design. The article notes the service wing off the kitchen as a particularly impressive feature. The second property is 3221 Campanil Drive, priced at $6.998 million. This residence, characterized by its 1970s architecture, features five bedrooms and three and a half baths. The property's current state, including plush orange wall-to-wall carpeting and midcentury stone elements, suggests a need for updating. Located in the developing Campanil neighborhood, the 1.5-acre lot offers ample space for potential reconfigurations, such as consolidating rooms or adding an Accessory Dwelling Unit (ADU). The split-level entrance adds a dramatic flair, but the current bedroom layout would benefit from adjustments. Next, the article highlights 3595 Padaro Lane, a 1996 contemporary beachfront property listed at $34.9 million. This home offers five bedrooms and a separate one-bedroom guesthouse, all situated directly on the sand. Its minimalist design emphasizes the ocean views, with main living areas located on the upper floor, necessitating numerous stairs. The article also touches upon the surreal experience of having a beach scene playing on a home theater TV while the actual ocean is just outside. Following this, 31 Cedar Lane, a 1948 three-bedroom home on Eucalyptus Hill, is presented at $3.995 million. The property underwent renovations after being purchased for $2.1 million in 2021. While the interior now appears fresh, some design choices, particularly the fireplace surrounds, may not appeal to all. The home's layout features relatively large bedrooms in contrast to smaller communal spaces, such as a compact living room and a dining table integrated into the kitchen island, potentially appealing to families who value private spaces. Another listing is 3706 Avon Lane, priced at $3.25 million, located at the corner of Grove Lane in San Roque. Key features include an atrium living room and a guest apartment with its own street entrance. The presence of the guest apartment comes at the expense of a traditional garage, and cars parked in the driveway could detract from the backyard's appeal. Lastly, 428 Corona del Mar, a 1911 cottage listed at $3.399 million, is discussed. Situated off East Beach, this property is currently utilized as a vacation rental due to its location near motels. The cottage is described as adorable, with potential for personal use, possibly by retaining the upstairs two-bedroom apartment. The article also briefly comments on indoor hot tubs lacking the charm of outdoor ones. Additionally, the article mentions 1225 Calle Cerrito Alto, priced at $2.995 million, noting its unusual floor plan, which includes a hidden wing accessible via a bookshelf, ladder, and stairs. Despite this unconventional layout, the property's setting at the end of a secluded cul-de-sac in Santa Barbara, offering expansive views of the city, mountains, and ocean, is expected to drive quick sales and bids above the asking price. The article also briefly lists other properties including 611 Miramonte Drive, 5445 Baseline Avenue, and 1221 Laguna Street, providing concise details on their features and pricing. #RealEstate #PropertyListings #HomeDesign #SantaBarbara #HopeRanch #LuxuryHomes #ArchitecturalRenovation #HouseHunting #CoastalProperties

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

This blog post explores the interior design transformation of a classic 1950s storybook ranch home located in a historic neighborhood on the shores of Lake St. Clair, Michigan. The home underwent a significant remodel and interior design update, moving away from its previous formal and traditional aesthetic. The homeowner, an art enthusiast, collaborated with interior designer Krista Nye Nicholas of Cloth & Kind to infuse the residence with color, style, and a soulful blend of modern and antique furnishings. The project focused purely on decorative updates, leveraging the beautiful bones of the house and its quality materials. The design process began with the foyer, where Krista's entryway concepts incorporated an existing antique console. She enhanced this space with a bespoke hand-painted lampshade by Ross Alexander Designs, original photography by Nancy Wolfe, and a Bram Mirror from vanCollier featuring a faux crocodile upholstered finish, creating an inviting and unpredictable first impression. The large combined living room and dining room serve as the heart of the home, designed to accommodate the owner's love for entertaining. The inspiration for the overall design stemmed from the owner's passion for travel and diverse art, spanning contemporary to traditional styles. The dining room reflects these influences, showcasing a readiness to embrace color. The client's enthusiasm for the creative vision allowed for a bold and personalized approach throughout the home. In the adjoining living room, the color narrative was established by a large original mixed media piece titled "The Trees of Secrets," sourced from Gregg Irby Gallery. Abstract sculptural forms placed in built-in niches added an unexpected artistic element to the traditional architecture. The living room features multiple seating areas, including a 1930s Czech Halabala lounge chair, a clean-lined Lawson Fenning daybed, and an antique Persian Bakshaish rug, which collectively create a transitional yet cohesive aesthetic. The kitchen, recently refurbished by previous owners, received characterful furnishings and displays to align with the new owner's taste. A striking oriental rug connects the kitchen to the home's eclectic, travel-inspired theme, while upholstered bar stools soften the graphic appearance of the kitchen island and black countertops. The family room offers additional inviting seating spaces with strong blue walls, complemented by a pair of rattan chairs reupholstered in Seema Krish's Chowpatty fabric. Muriel Brandolini Silk Matka fabric dresses the bay window, and a vintage Maharaja Kashmir Willow Tree hand-knotted oriental rug converses with contemporary Stahl + Band L Series nesting coffee tables, showcasing a thoughtful blend of old and new. The library embraces shades of green, with Sydney Harbour Paint Company’s Olive Grove on the walls and Bayleaf on the ceiling and trim, interacting with Rose Uniacke’s Textured Wool in Bayleaf on an occasional chair. An early-20th century Sarouk Farahan Persian rug introduces complementary tones of terracotta, gold, and indigo. A hand-sewn leather drum ceiling fixture from Lostine serves as a central art piece, contributing to the room's soothing effect. Two charming outdoor spaces, a screened front porch and a back patio, are utilized for entertaining during warmer months, facilitating an effortless flow between indoor and outdoor living. The powder room received a fuss-free facelift, incorporating elegant Kyoto floral print wallpaper from Studio Four NYC and a new wall light, while retaining existing good-condition fittings. Finally, the main bedroom adopts a calm and uplifting palette of blue and cream, offering a fresh and relaxing sanctuary. The entire project exemplifies a successful transformation of a traditional ranch home into a vibrant, art-filled, and personality-driven space through a thoughtful mix of color, art, and iconic furnishings. #InteriorDesign #HomeRenovation #MidCenturyModern #ColorfulInteriors #ArtisticHome #EclecticDecor #RanchHouse #MichiganHome #KristaNyeNicholas

The article details the extensive restoration and interior design process undertaken by Hadley Wiggins-Marin for her 1800s farmhouse on Long Island. Hadley, an interior designer and antiques shop owner, pursued the property for over a decade before finally acquiring it. The home, surrounded by vineyards, required a 10-month restoration to align its interiors with its picturesque exterior, reversing previous 20th-century updates that deviated from its original character. Her primary goal was to restore a 19th-century feel, ensuring the renovation appeared seamless rather than a modern imposition on an old structure. Throughout the renovation, Hadley collaborated with local craftsmen to meticulously restore original millwork and hardware. For elements that were lost, she sourced close matches from barn sales. The furnishing strategy was guided by the home's architecture, incorporating a mix of antiques and vintage pieces. The entry, for instance, features a mid-century credenza, a Louis Vuitton suitcase, and vintage artwork, reflecting her eclectic taste, particularly for "creepy lady portraits." The living room, designed to be functional and child-friendly, showcases items chosen for their utility and ability to withstand regular use, embodying the principle that things improve with age. One notable design element in the living room is a modern gallery wall that cleverly integrates a television, surrounded by vintage paintings, including a portrait by local artist Jessie B. Parker. A quiet corner in the living room features a primitive sewing table repurposed as a desk, paired with a mid-century modern wicker chair, illustrating her philosophy of mixing eras when items possess quality craftsmanship and design integrity. The kitchen underwent a significant transformation, with Hadley removing upper cabinets and drywall to expose the ceiling and enhance its farmhouse aesthetic. She incorporated open shelving, antique boxes for storage, brass hardware, and oiled butcher block countertops. Custom lighting was created by combining milk glass shades with new fixtures. The kitchen's unique focal point is a printing-press work table, discovered at an antiques fair, which serves as a one-of-a-kind island, with its shallow drawers now holding cooking utensils. The dining room features original built-in shelving, adorned with old atlases, a collection of millinery (including her grandmother’s golfing hat), and a sentimental scrapbook that chronicles family travels and guest sketches. A 19th-century Singer sewing machine, actively used by her husband, also occupies a prominent spot. The home office, a compact yet versatile space, serves as a library, study, and fireside lounge. Its beams double as storage for fabric remnants, and a "So. Hadley" sign, a Brimfield Antiques Market find, adds a personal touch. A mustard yellow wing chair in a reading nook offers an inviting space, complemented by a floor-to-ceiling display of collected artwork. Her daughter Grey Lily's bedroom is filled with family heirlooms, including a quilt and a painting by her great-grandmother, alongside custom bookshelves crafted by her husband. The primary bedroom features a black spindle bed, a recent acquisition from her antiques shop, reflecting her constantly evolving personal collection. The property also includes a dreamy outdoor pergola, providing an ideal setting for alfresco dining amidst vineyards. Hadley shares her insights on antiquing, emphasizing the importance of quality, negotiation, and her preference for landscape paintings. #FarmhouseRenovation #InteriorDesign #AntiqueDecor #HomeRestoration #VintageFinds #CountryLiving #KitchenDesign #EclecticStyle #LongIslandHome