Jane Kim Creates a Rustic Ski Lodge-Like Urban Loft Using Recycled Materials

Interior stylist Nita Hauhia and her partner Valtteri Vartiainen embarked on an ambitious project to convert a former ski factory in Finland into a chic family loft. This endeavor followed immediately after an extensive renovation of their previous home, an old laundry in Porvoo. The couple, driven by Nita's childhood dream of living in an old factory, purchased the 1950s building in January 2016 and completed the extensive renovations by October 2016. The 307-square-meter factory had been previously converted for residential use in 2008, but this earlier renovation had stripped the building of its historical character, transforming it into a modern, white stone villa that Nita found unappealing. Furthermore, the property suffered from issues such as mould and ground frost due to a lack of consideration for Finland's extreme climate, necessitating a complete overhaul to restore its original factory aesthetic and ensure durability. With the assistance of Nita's grandfather, a construction foreman, and a close friend specializing in building and interior design, the couple commenced demolition and reconstruction. Modern plasterboard walls and limestone floors from the previous renovation were removed, and the original ceilings and pillars were sandblasted to expose their raw, industrial texture. Nita envisioned a functional layout with high ceilings, ample space for entertaining, and numerous windows to maximize natural light. Hard-wearing materials were selected, including treated concrete floors, which allowed their nine-year-old son, Helmer, to freely cycle and skateboard indoors, and Carrara-marble benchtops in the spacious kitchen. The kitchen features black doors and knobs installed on an IKEA framework, contributing to a timeless industrial aesthetic. The dining area continues this theme with concrete ceilings and floors, complemented by a large table built from 3.5-meter floorboards and vintage flea-market chairs. A unique element of the design is the dressing room upstairs, inspired by a shop and restaurant in Estonia. It boasts a handmade brick wall and an iron-framed window overlooking the living room, designed to showcase Nita's shoe and clothing collection. Personal touches are evident throughout the home, such as a 1950s Norton motorbike in the living room, a family heirloom reflecting their passion for racing, and a blue floral porcelain sink in the bathroom, inspired by a hotel Nita admired in Stockholm. Throughout the loft, designer furniture pieces are juxtaposed with vintage rugs, and collected books, magazines, and artworks add warmth and personality to the industrial backdrop. A birch plywood sauna, a quintessential Finnish feature, was also incorporated. Despite initial challenges, such as a non-functioning heating system on their first night, the couple successfully transformed the factory into a home that uniquely reflects their passions and lifestyle. Future plans include adding a metal-framed window between the hallway and garage to view their classic cars, an ambition they regret not completing during the initial renovation phase. #LoftConversion #IndustrialStyle #HomeRenovation #FinlandHome #InteriorDesign #SkiFactoryConversion #FamilyHome #HistoricBuilding

This article presents a virtual tour of 16 distinct ski cabins, each offering a unique design approach and integration with its natural surroundings. The selection highlights diverse architectural styles, from traditional chalets to modern, energy-efficient structures, across various snowy landscapes in North America and Europe. The first featured cabin, Nooq House in Whitefish, Montana, designed by Montana Creative architecture + design, showcases Scandinavian influences with its gabled sections, suspended fireplace, cathedral ceilings, and expansive windows that frame the Rocky Mountains. Owners Alex Strohl and Andrea Dabene offer it for rent while working on another project. Following this, the Alpine Noir chalet in Mount Hood, Oregon, conceived by Casework, Keystone Architecture Planning & Project Management, and Ethan Beck Homes, draws inspiration from Amsterdam canal houses with its tall, skinny silhouette and custom soft black facade. The interior features a reverse layout with the living space at the top, emphasizing a "gezellig" (cozy) atmosphere with a black brick fireplace, fur throws, and a bespoke floral sectional. In Andermatt, Switzerland, Nossenhaus, a 17th-century cottage, underwent a revival by Jonathan Tuckey Design and Ruedi Kreienbühl. The renovation removed newer additions, restoring its original character while incorporating modern elements like an energy-efficient wood-tiled roof and larch planking. The Gilbert House near Whistler and Blackcomb ski areas in British Columbia, by Evoke International Design, features a vertical layout on a steep site, clad in concrete and matte black cedar. Its bright interiors, with pale oak planks, direct focus to the forest views through floor-to-ceiling windows, complemented by a cantilevered upper floor with a terrace. La Cabin Ride & Sleep, an A-Frame in Lac-Beauport, Québec, designed by Marie-Catherine P. Émond of M4 Architecture, is a 256-square-foot structure built by Nick Dignard. It features abundant natural light, window openings on the roof, and custom-built furniture. Next, the Skigard Hytte near Lillehammer, Norway, by Mork Ulnes Architects, is an unconventional log cabin using "skigard" split-rail construction. It is raised on columns, has a sod and grass roof, an oculus skylight, and a pine interior. The Lookout House near Lake Tahoe, California, by Faulkner Architects, is a contemporary cabin on a steep slope. It boasts a fire-resistant steel plate roof, insulated concrete walls, radiant-heated basalt floors, and a red-tinted glass column, creating a modern aesthetic with an American Southwest influence. Another British Columbia entry is the Solo House, an off-grid Passive House designed by Perkins & Will, intended as a pilot for an eco-friendly alpine settlement. It incorporates a steel roof, solar panels, wool-insulated walls, and locally harvested Douglas fir interiors. The Whitepod Eco-Luxury Hotel in Monthey, Switzerland, by Montalba Architects, offers prefabricated larch-clad chalets alongside geodesic domes. These low-impact structures are energy self-sufficient, featuring polished concrete flooring and distinct day and night zones. The Little Black House in Fayston, Vermont, designed by Elizabeth Herrmann Architecture + Design, is a compact 1,120-square-foot cabin near Sugarbush. Its black-stained exterior contrasts with a stripped-down interior of white walls and pale wood floors, utilizing local ash wood and large windows. In Québec, the Poisson Blanc cabin by Naturehumaine Architects is a monochrome, compact structure embedded on a slope, with white walls and ceilings and maple veneer, raw concrete, and ceramic tile accents. The Ejford Cabin on Hallvardøy Island, Norway, by Snorre Stinessen Architecture, features triple-glazed glass walls, capitalizing on passive solar conditions and thick insulation. It comprises two volumes, one for living and one for sleeping and a sauna, offering views of the fjord and mountains. The Z House in Camporosso, Italy, by GEZA, is a holiday home on a steep hilltop, featuring two interconnected concrete and wood-screened gable volumes that step down the slope, blending with the alpine vernacular. The interior utilizes Serizzo white granite, dark gray-painted European oak, and Swiss pine. A remodeled 1960s Swiss chalet by Frundgallina in the Swiss Jura Mountains is a 100% energy-efficient cabin with vertically laid fir planks and a folded stainless steel roof, characterized by four distinct entrances and integrating the outdoors. Finally, the Lake Cottage in Ontario, Canada, by UUFIE Architects, is a reinterpreted tree house with a steeply pitched, charred cedar-clad structure and a black steel roof. It features whimsical interior elements like a wood-burning fireplace with a house-shaped surround, a maple log staircase, and partially mirrored glass walls for camouflage and expansive views. #SkiCabins #ModernArchitecture #SustainableDesign #MountainHomes #InteriorDesign #ArchitecturalInnovation #WinterRetreats #PrefabHomes #PassiveHouse

The Swoon Art House, located in North Boulder, Colorado, is a minimalist artist retreat designed by Denver-based tres birds workshop. This project transformed a previously undeveloped site into a functional and aesthetically pleasing space, emphasizing environmental stewardship. The design integrates sustainable practices and materials, aiming for 100 percent renewable resource utilization. The retreat is a key component of the Swoon/Boulder Museum Contemporary Art International Artists Residency program. Spanning 7,000 square feet, the Swoon Art House showcases a blend of modern design principles with ancient construction methods. The architectural layout consists of two elongated structures positioned at an angle to each other. These buildings are distinctive for their rounded metal roofs, which provide a contemporary contrast to the substantial 30-inch-thick rammed earth walls. The material for these walls was sourced directly from the site, minimizing transportation impact and integrating the structure with its natural surroundings. The design also incorporates four vertical geothermal wells, which are responsible for powering the building’s heating and cooling systems, thus reducing reliance on conventional energy sources. The first of the two main structures is dedicated to accommodating artists in residence. It features two lofted bedrooms, each with its own bathroom, and a fully equipped kitchen. This arrangement is designed to provide comfortable and self-sufficient living quarters for the resident artists. A glass-walled passageway connects this living area to the second building, which functions as a private art studio. The studio is characterized by energy-conserving windows that allow ample natural light to permeate the space, creating an ideal environment for creative work. Hidden storage solutions are integrated throughout the studio, maintaining a clean and minimalist aesthetic, which is a core design principle of the retreat. The underlying philosophical concept for the architecture, as articulated by tres birds workshop, is based on the symbol of the circle. This symbol, recognized across various cultures, signifies eternity and continuity, lacking a definitive beginning or end. This principle is reflected not only in the physical design and flow of the structures but also in the holistic energy systems employed. The project emphasizes sustainability, artistic function, and a harmonious relationship with the environment. The use of rammed earth and geothermal energy highlights a commitment to eco-friendly building practices, providing a model for sustainable architectural development. #MinimalistDesign #ArtistRetreat #RammedEarth #RenewableResources #GeothermalEnergy #SustainableArchitecture #ColoradoArchitecture #TresBirdsWorkshop #EcoFriendlyBuilding

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

Konga, founded by Paulius Zemaitis and Goda Zemaite, in collaboration with Danish architect Mette Fredskild, developed a concept for minimalist hotel spaces that immerse occupants in natural landscapes, offering varying views of the outside from within. This approach aims to subtly alter daily routines, making them feel different. The initial cabin design was highly successful, leading to over a thousand orders across Europe and the U.S. Konga emphasizes sustainability by utilizing slim cross-laminated timber (CLT) and wood offcuts in their construction. The company plans to expand its presence across North America and has introduced a new model, the Konga M. The most recent project involved building a new Konga M cabin for a couple, Mark and Saly, who operate a rental property in North Norfolk, U.K. This 195-square-foot cabin serves as a serene retreat, providing a unique experience of silence. It incorporates sustainable materials such as slim CLT for ceilings, walls, and furniture, all finished with Osmo wax. Konga’s distinctive shelving system, made from solid wood offcuts, functions as a divider between the bed and the rest of the cabin. Strategically placed windows create sight lines that connect the interior with the outdoors, making the structure partially see-through. Despite its small size, the cabin can comfortably accommodate two to three people, featuring a twin bed with a pull-out mattress, a kitchen with a refrigerator and stove, a small dining area with seating and built-in storage, additional cabinets, and a fully equipped bathroom. The wood floors are crafted from offcuts supplied by Boen, a Norwegian flooring manufacturer, and upcycled materials are also used for the bedroom-lounge separating bookcase, dining bench upholstery, and bathroom stonework. The base price for a fully furnished Konga M cabin is $53,000, and the Konga L costs $63,700, with these prices applicable only in Europe. Key features that differentiate Konga prefabs include their Scandinavian-inspired design and efficient layout, which create a sense of spaciousness. The cabins blend comfort with sustainability, featuring thoughtfully placed windows that seamlessly connect the interior with the surroundings. The exterior is clad in burned wood, a treatment that ensures durability for up to 100 years and provides a unique aesthetic. The company extensively uses offcuts and leftovers for various components, including flooring, fabrics, and furniture, enhancing the cabin’s sustainability. All furniture, floors, ceilings, walls, and doors are constructed from mass timber or three-layer spruce (slim CLT), avoiding chipboard. Surfaces are treated with Osmo oil or wax, foregoing lacquering. Ceilings and walls are offered in slim CLT, dark waxed, or oak veneer panels, with no painted plaster. For bathrooms, backsplashes, tabletops, and certain interior walls, Konga uses Contec, a Danish micro cement, which offers a durable, seamless, rustic finish, avoiding tiles or painted surfaces. Doors and windows are wooden with tempered glass, minimizing plastic usage. Konga cabins are currently available across Europe, with plans for U.S. delivery in the near future. The designs meet the requirements of the park model RV category, allowing them to be built in most U.S. states. A demo project in the U.S. is scheduled for spring 2024, and if successful, full-scale delivery to the U.S. and Canada will commence. The typical lead time from contract signing to a fully installed cabin is three months. Konga manages the unloading, placement on the client's foundation, terrace assembly, and minor finishing works. Clients are responsible for permitting, site preparation, and utility hookups, though Konga provides necessary plans and information. Customization options are limited to maintain design integrity and sustainability standards but include choices for interior panel finishes (dark waxed slim CLT or light oak veneer), expanded appliance suites, upgraded insulation, temperature control systems, and functional adjustments to furniture, such as bed storage options. The cabins reflect Konga’s philosophy that quality should be paramount, even in minimalist living, evident in features like the kitchen’s two-burner stove, refrigerator, and undermount sink. An L model is also available, offering an additional sleeping area. #PrefabCabins #SustainableDesign #TinyHomes #CrossLaminatedTimber #EcoFriendlyLiving #ScandinavianDesign #ModularConstruction #RecycledMaterials #OffGridLiving

This article features the insights of Alexandra Gove, co-owner of Hygge Life, on where to find unique home decor in Colorado's High Country. Gove and her husband, Koen van Renswoude, established Hygge Life five years ago, introducing a Scandinavian-inspired design aesthetic to the Vail Valley. Their boutique, known for handcrafted ceramics, shearling, candles, and classic Scandinavian design, has recently expanded to include more furnishings, lighting, and home decor, along with interior-styling services. The physical space of Hygge Life in Avon is designed to emulate a serene residential home, characterized by plaster walls, soft lighting, and constant candlelight, embodying Gove's vision of a retail store as an artist's personal curation. The article highlights three specific high-country home goods boutiques recommended by Gove, offering diverse styles and product selections. The first recommendation is Vintage Magnolia, located in Riverwalk at Edwards. Gove describes it as an "eye candy" experience, emphasizing its blend of a popular floral studio with a warm, bohemian home decor and gift assortment. She particularly appreciates the shop's unique and artistic offerings, which stand out from commonly repeated products seen on social media. The store features a wide array of pillows, blankets, planters, and various textures, alongside floral designs that exhibit a loose, organic style. A notable aspect is the visible worktable where florists assemble arrangements, contributing to the shop's transparent and engaging atmosphere. The second featured destination is Collective Design + Furnishings in Frisco, described as a hub for "mountain-modern" design. Gove notes a growing trend away from traditional mountain aesthetics, and Collective is presented as a resource for those seeking a fresher yet still inviting look. The showroom is characterized by its spaciousness and beautifully arranged furnishings and accessories for every room. Additionally, it offers a full-service design team to assist customers in bringing their design visions to life. The article implies that this store caters to a clientele looking for contemporary and sophisticated design solutions for their mountain homes. Finally, Gove recommends R|D Home in Steamboat Springs, an establishment affiliated with the local design firm Rumor Design + ReDesign. Her discovery of this shop during a stroll impressed her with its size and beauty, including a chic coffee bar and a communal table, encouraging visitors to linger and appreciate the space. The store offers an extensive collection of furniture, lighting, and decor, featuring many unique and playful items, from sculptural lounge chairs to decorative objects and special upholstery fabrics. Gove specifically mentions finding a roll of Kelly Wearstler wallpaper and an antique dresser there, underscoring the shop's eclectic mix of old and new pieces, which makes for an engaging shopping experience and allows customers to find distinctive items. #HomeDecor #ColoradoDesign #HyggeLife #RetailTherapy #InteriorDesign #MountainModern #ScandinavianDesign #HighCountry

The Metal Lark Tower, the first cabin to open at Nordlys Lodging, is situated on a 140-acre property in Frederic, Wisconsin, 90 miles northeast of Minneapolis. The project was conceived by Jeff and Bruce McPheeters, a father-and-son duo who initially envisioned building tiny houses for vacation rentals along the river near their family cabin. The idea evolved into Nordlys Lodging Co., a venture aimed at sharing the natural landscape with visitors through uniquely designed structures. The McPheeters spent nearly two years searching for the ideal location, eventually securing a rural plot boasting a diverse range of biomes, including hills, meadows, a pond, deciduous woods, and granite outcroppings. While initially drawn to Pacific Northwest architectural styles, they recognized the need for designs resilient to Wisconsin’s harsh winters. This led them to architect David Wagner of Sala Architects, a Minnesota resident with a background in Seattle and an understanding of adapting aesthetics to demanding climates. Wagner’s approach focused on creating multiple cabins, each with a distinct setting to ensure seclusion and solitude. The Metal Lark Tower, an 820-square-foot, two-story cabin, is strategically placed on a sloping hillside against a tree line. The design prioritizes energy efficiency and climate resilience. The nearby oak trees provide natural shade in summer and allow passive solar warming in winter once their leaves fall. The cabin also incorporates solar panels and triple-paned windows for insulation. The exterior features a "steel overcoat" of corrugated Cor-Ten steel, packed with insulation, to protect against cold northwest winds. This material is chosen for its durability and rustic appearance as it develops a patina. Inside, a narrow clerestory window allows daylight to stream in and extends the ceiling, creating a sense of openness. Expansive glass windows, trimmed with Douglas fir from Winnipeg-based Loewen, contribute to the structure's weather tightness while offering panoramic views of the meadow and lake. Douglas fir is used extensively throughout the interior for wall paneling, trim, and ceiling beams, establishing a sleek, uncomplicated aesthetic. The flooring consists of wide-plank engineered wood with a Nordic whitewashed oak finish, complemented by radiant heating. The cabin’s layout includes a comfortable king bed and a luxurious bathroom with immersive nature views. Hidden Murphy bunk beds in the upstairs living space provide additional sleeping capacity. Furnishings, largely sourced from Room & Board, align with a contemporary, Scandinavian-inspired design. The kitchen is equipped with concrete-inspired Caesarstone counters and chef-grade appliances. The McPheeters team emphasizes local sourcing for amenities, including coffee, muesli, and honey, to enhance the guest experience. The second cabin on the property, named Long House, is a linear two-bedroom, two-bath dwelling with rejuvenating lake views. Its design focuses on accessibility and maximizes the scenic surroundings with floor-to-ceiling corner windows. An outdoor boardwalk leads to a satellite screen shelter, versatile for yoga, dining, or reading. The name Nordlys, meaning Northern Lights in Danish and Norwegian, reflects the McPheeters' heritage and the property's northern location, embodying their vision of architecture augmenting nature. Ecological initiatives, such as restoring wildflower meadows and installing solar panels, further support this commitment. An electric car charging station is also available, promoting a net-zero vacation experience for guests. Visitors to Nordlys Lodging can engage in quiet activities such as hiking, bonfires, paddle boating, snowshoeing, and cross-country skiing, encouraging a deep connection with the natural environment. Architect David Wagner hopes guests leave with a renewed appreciation for the outdoors and a sense of being immersed in nature. #CabinDesign #RuralArchitecture #SustainableDesign #SalaArchitects #NordlysLodging #WisconsinTravel #ScandinavianStyle #NatureImmersion #VacationRental

Dr. Charles Anderson, with a background in fine arts, landscape architecture, and a PhD in ephemeral architecture, along with his wife Tiziana Launech, embarked on designing and building their own vacation home. Instead of purchasing an existing property, they acquired a derelict chicory kiln on Australia’s Phillip Island, a structure that was a remnant of the island's historical chicory farming industry. After initial preparations and design drafting, they enlisted their long-time friend Andrew Simpson, principal at Andrew Simpson Architects, to help transform the heritage-listed building into a sustainable and welcoming home on a budget of under $280 per square foot. The project's material selection was heavily influenced by the harsh coastal weather conditions, necessitating durable external finishes. Simpson incorporated raw materials such as recycled timber, shotcrete, stainless steel benchtops, galvanized steel sheet canopies, and steel and stainless steel stair balustrades. These choices not only ensured resilience against the elements but also celebrated the local industrial and rural heritage of the building. The vacation home, named 'House for Hermes,' draws inspiration from one of Anderson’s earlier artworks, 'A House for Hermes #1: The House of My Father,' a 1,076-square-foot installation exploring themes of dwelling and transition through etched plywood panels. These recycled plywood panels from the artwork were creatively reused to line the ceiling, positioned above the exposed trusses, preserving a connection to the building's industrial past and Anderson’s artistic journey. Central to the home's design is the concept of flexibility and transformation. This is manifested through mobile kitchen cabinetry, equipped with casters, allowing for various configurations, and a section of the stairs also mounted on casters for adaptable circulation. The architect explains that this flexibility aims to facilitate and celebrate movement and change, providing an 'open-endedness' for new ways of inhabitation. The renovation and new construction resulted in a 1,065-square-foot minimalist home, mirroring the size of Anderson’s previous art installation. The construction predominantly utilizes salvaged and recycled timber, both inside and out, significantly contributing to reduced construction costs and a lower carbon footprint. Timber is a prominent material throughout the project, chosen for its warm aesthetic, functionality, and sustainability. Hoop pine plywood forms the floors, walls, stairs, and cabinetry, complementing the pine and KD hardwood ceilings. The design explicitly avoided steel in the structural frame, opting for timber to further reduce the carbon footprint, improve thermal efficiency, and create an inviting interior. The home also integrates passive design strategies, capitalizing on natural ventilation and cross breezes for cooling, thereby eliminating the need for air conditioning during summer. The kiln’s inherent high thermal mass, combined with lightweight high-density foam insulation on the first floor, enhances its thermal performance. An operable skylight in the bedroom within the kiln acts as a thermal chimney for passive cooling. The design prioritizes the interior as an extension of the exterior landscape, achieved through interlocking volumes and horizontal planes, including the kitchen joinery units that seamlessly integrate with the exterior decking and surrounding environment. #SustainableDesign #ChicoryKilnConversion #VacationHome #RecycledMaterials #FlexibleLivingSpaces #CoastalArchitecture #PassiveDesign #AdaptiveReuse #AustralianArchitecture

This article showcases 12 modern ski chalets across various locations, each embodying unique design elements and offering luxurious winter retreats. The collection begins with an Aspen, Colorado, ski chalet redesigned by Ghislaine Viñas and S2 Architects, which transformed a three-level, nearly 6,000-square-foot structure. The chalet's low-pitched hipped roof was replaced with a contemporary gabled one, extending to create deep eaves over a cantilevered balcony. Inspired by Aspen's early Swedish settlers, traditional Alpine architecture, and vintage ski-bum culture, the southern facade features expansive glass, offering views of the snowy landscape. Another Aspen property, a three-level rustic-chic ski chalet, underwent modernization by Rowland+Broughton. This 1990s stone-and-glass dwelling, known for its sensitive integration with mountain surroundings, received architectural interventions such as enlarged, view-enhancing windows and sliding doors, alongside meticulous editing of existing glazing mullions. In Baie-Saint-Paul, Canada, Chalet Bertha, designed by Perron, is situated on a hillside in the Laurentian Mountains. This 7,500-square-foot snow chalet features clean lines, inviting textures, and abundant natural light. Its design, inspired by Germanic mythology's Alpine goddess, aims to evoke a "winter spirit indoors" warmed by human connection. The three-level structure offers panoramic views of the surrounding forest and the Saint Lawrence River. The article then moves to Norway, where Snorre Stinessen Architecture conceived a ski chalet-style lodge in the Lyngen Alps. Originally conceptualized as a cabin, it evolved into a luxurious hospitality destination for guests seeking world-class skiing and glacier trekking. The design emphasizes a connection with the landscape through simple, earthy materials and floor-to-ceiling windows providing panoramic views. A rustic cabin in Breckenridge, Colorado, renovated by Amy Pigliacampo, blends old and new. This 1976-built A-frame ski chalet, located at an elevation of 11,000 feet, underwent a significant transformation. Pigliacampo painted the original pine paneling white, opened up the space with a new window above the kitchen, and incorporated materials like cane, caramel leather, creamy wool, and various wood tones to achieve a "1970s Modern Alpine Chalet" aesthetic. Studio Shoo designed a hotel in Kogalym, Western Siberia, for Ibis Styles. This 7,600-square-foot property, conceived as a winter wonderland, draws inspiration from the region's subarctic climate. The Moxy Banff, formerly the Voyager Inn, is a Canadian ski lodge that received a $30 million overhaul by Workshop/APD and Metafor. Built in 1964, the motor lodge was revitalized to combine the Moxy brand's playful personality, Banff's outdoor spirit, and its mid-century architectural roots. In Park City, Utah, a property by CLB Architects and Iluminus co-founder David Ostrander offers striking views of the Wasatch Mountains. The design utilizes a material palette established by the building's exterior, including Croatian limestone, shou sugi ban cedar cladding, steel-framed windows, and a copper roof. A unique "pop-up perch" provides 360-degree views, reminiscent of forest-fire watchtowers. Loren Daye of Studio Love is Enough transformed a Hudson Valley country inn into the Alpine-inspired Little Cat Lodge, a 14-room ski hotel, tavern, and bar. The subtle makeover includes reclaimed mushroom box-clad walls, checkered daybeds, Isamu Noguchi lanterns, and custom maple furniture. In Truckee, California, a Martis Camp retreat designed by Bohlin Cywinski Jackson and the Wiseman Group is a 12,200-square-foot, three-level ski residence positioned to take advantage of Pacific Crest Trail views. The west-facing facade is almost entirely glass, complemented by overlapping cedar screens for privacy. The article also highlights two mid-century buildings by Herbert Bayer at the Aspen Institute in Colorado. The 1973 Boettcher Building was renovated by Rowland+Broughton, while the three International Style "ski chalets" for the Aspen Meadows Resort had their interiors reinvented by Michael Suomi, who incorporated legacy furniture pieces referencing Bauhaus origins. Finally, a single-story glass house by ACDF Architecture in Quebec’s Lanaudière region emphasizes its natural surroundings. Floor-to-ceiling glass windows maximize natural light and offer sweeping views. The interior features minimal furniture, muted tones, polished concrete flooring, and wooden plank ceilings with gaps to soften direct sunlight, creating spaces for both connection and privacy for a young family. #SkiChalets #WinterGetaway #ModernArchitecture #InteriorDesign #LuxuryHomes #AlpineDesign #RusticChic #SustainableDesign #GlassHouses

The article details a design project undertaken by Emma Beryl Kemper of Emma Beryl, a New York City design studio, to transform a two-bedroom Greenpoint duplex. The condo, originally created from a storefront in a vintage row house approximately a decade prior, was characterized by a cold, "cookie-cutter" aesthetic and lacked personalized touches for the young family residing there. The primary objective of the renovation was to infuse warmth and character into the space, making it feel more like a home, and to significantly enhance its functionality. One of the initial challenges involved the original kitchen, which featured only a single wall of cabinetry and an island. Beryl reconfigured this area, adding a wine bar with a glass cabinet to create a smoother transition between the functional kitchen space and the open living room, integrating it more effectively with the adjacent dining area. Beyond the kitchen, the project focused on maximizing storage throughout the duplex. This included reconfiguring the upstairs bathroom and adding a shower to the downstairs powder room, thereby converting it into a full bath. Custom built-ins were designed for an awkward downstairs room, which served the dual purpose of concealing plumbing pipes and creating a cozy nursery for the family. To achieve the desired warmth and character, the design incorporated vintage pieces, hand-painted tiles, and a selection of specific furnishings and materials. Manhattan-based Jan Renovations carried out all the new construction work, including custom millwork. In the open living room, a vintage rug from ABC Carpet, a grasscloth-covered media unit, and a new sofa from Restoration Hardware were combined with the clients' existing coffee table and chairs. The floor-to-ceiling storefront windows, which made the living room feel exposed, were addressed by adding a built-in window seat with integrated storage, creating a barrier and softening the space with curtains. A custom-built narrow bookcase in the corner was installed to hide wires. The dining area features a built-in banquette that conceals a steel rail for the downstairs staircase, also providing additional storage. Rejuvenation chairs accompany a wooden farmhouse-style table, complemented by a West Elm chandelier. A wooden desk from Restoration Hardware is positioned alongside the dining area. The kitchen was enlarged while maintaining its general location, featuring a contrast of white upper cabinets and open shelves with dark navy lower cabinetry. Carrara marble countertops and handmade tiles on the backsplash were significant upgrades. The master bedroom, being small, was designed to maximize openness, with custom floating nightstands and walls painted in a moody dark hue. Lutron shades were installed for privacy on the frosted storefront windows. The door to the upstairs bathroom was relocated to the front entry, necessitating a complete change in the room's footprint. The bathroom's color scheme aligns with the kitchen and master bedroom, incorporating patterned floor tiles from Tabarka Studio and custom-made wall tiles to match the blue in the flooring. A Restoration Hardware vanity and Cedar & Moss sconce completed the new bathroom. On the lower level, a custom-built angled closet provides linen and coat storage. The downstairs nursery features a bi-level window seat, a long wall of storage, and a floor-to-ceiling closet, all custom-built from lacquered wood to conceal mechanicals while allowing access. Distinctive wallpaper from Hygge & West and Dwell Studio baby furnishings enhance the space. A shower was added to the downstairs bathroom by utilizing space beneath the staircase, with a sink from Restoration Hardware and floor tile from Wayfair. The article also mentions the availability of before-and-after photos to illustrate the transformation. #InteriorDesign #Greenpoint #CondoRenovation #EmmaBeryl #CustomMillwork #BrooklynDesign #HomeTransformation

Sculptor Randy Polumbo has transformed the Orient Point Light, a 19th-century lighthouse situated in Plum Gut Harbor off Long Island, into an artist's residency known as Plum Gut Grotto. Polumbo acquired the historic structure through government websites five years prior, initially searching for old fuel tanks. His vision for the lighthouse is to provide a unique retreat for artists, a "micro philanthropy" where individuals can stay for several weeks to pursue creative endeavors, such as writing. Key to the lighthouse's operation is its complete reliance on off-grid power. Polumbo, an alumnus of Cooper Union and founder of the eco-construction company Plant, has equipped the structure with modern amenities including USB ports, electrical outlets, and appliances, all powered by a newly installed windmill and solar panels. This sustainable approach reflects his expertise in eco-friendly construction techniques, which he has also applied in projects for notable clients like Santiago Calatrava, Lee Mindel, and Maya Linn. The interior design of Plum Gut Grotto incorporates Polumbo's distinctive artistic style. It features a sparkling, galaxy-themed grotto with a large, built-in banquette described as a “topographical human habitat.” A striking illuminated, crystal-clad ball spins outside the structure, serving as a beacon. The bunk house, or grotto, is prominently featured, as is a newly built teak dining table capable of seating six guests. An atelier is furnished with a new teak writing desk designed for two occupants. The internal structure also includes a stair leading to the top of the lighthouse. Further artistic and functional elements include a porthole offering a view into the grotto's 20-foot-long banquette and a ceiling crafted from hand-hammered mirror-polished aircraft aluminum. A significant art piece, "The Oracle of Plum Gut," is a 4-foot-diameter spinning ball made from marine epoxy, crystals, silvered mirror, glass beads, and color-changing LEDs. The exterior features a deck, on which solar arrays are strategically installed to maximize energy capture. The project is supported by tax-deductible donations, highlighting its philanthropic aspect in fostering artistic creation in an environmentally conscious setting. Drone video footage of Plum Gut Grotto is also available, offering a comprehensive view of the converted lighthouse and its surroundings. #LighthouseConversion #ArtistResidency #GreenPowered #OffGridLiving #SustainableDesign #ArchitecturalRenovation #InteriorDesign #RandyPolumbo #EcoConstruction

Designer Laura Hodges transformed a 2,000-square-foot industrial loft in Baltimore's Fells Point neighborhood into a serene, light-filled home. The original space featured raw concrete floors and exposed HVAC piping under 18-foot ceilings, elements Hodges systematically replaced or reconfigured. Hodges, a New York School of Interior Design alumna who previously worked for Jamie Drake and Thomas Jayne, established her firm in Maryland in 2016 and later opened her home boutique, Domain by Laura Hodges Studio. The renovation began with a complete overhaul of the existing floor plan and infrastructure. The concrete floors were covered with wide-plank oak, and a clunky builder-grade stair was replaced with a minimalist white-painted metal version with oak treads and handrails. A glass-framed mezzanine was added above the stairwell, contributing to the refined aesthetic. Hodges emphasized the role of artwork in the design, with the walls serving as a neutral canvas. The open-plan living areas were painted in various finishes of Benjamin Moore’s Super White, and all custom design details were constructed on site. The living room, designed for media and entertaining, includes twin sofas, a Bernhardt armchair, and vintage chairs upholstered in chocolate brown Edelman Leather. A custom niche with grass cloth backing and integrated lighting houses a large bookcase, accessed by a custom white oak rolling ladder on a steel track. The kitchen underwent a complete renovation, replacing a turquoise-painted space. Hodges concealed an existing column within a paneled box and installed new floor-to-ceiling cabinetry, including specialized storage for a coffee bar and a movable spice rack. The kitchen now features Imperial Danby marble counters and backsplash, Fisher & Paykel appliances, and Visual Comfort pendants. BB LaMartina's artwork adorns the space. Hodges ingeniously created a secondary space by inserting a wall into the living room, forming a den that functions as a guest room for the homeowners' daughters. This space incorporates a sliding door and blackout curtains for privacy, alongside bronze transom windows that subtly reference the loft's industrial heritage. A wall-mounted desk, sleeper sofa, closet, and an additional bathroom were integrated into this versatile area. The dining area is distinguished by double-height windows equipped with motorized sheer curtains and blackout shades. Hodges custom-designed the dining table, featuring a starburst-patterned cerused white oak top and ebony legs, in collaboration with Goodwood Studios. Oly dining chairs complete the setting. Throughout the renovation, Hodges prioritized maximizing natural light and views of downtown Baltimore. The transformation successfully converted a formerly stark industrial environment into a peaceful and elegant residence, reflecting a blend of modern aesthetics with functional design and a nod to the building's history. The homeowners expressed satisfaction with the outcome, highlighting the ample light and scenic views achieved through the design. This project exemplifies Hodges's ability to create sophisticated, livable spaces from challenging industrial settings. #InteriorDesign #LoftConversion #IndustrialToResidential #BaltimoreRealEstate #LauraHodgesStudio #ModernDesign #HomeRenovation #OpenPlanLiving

The Nook, a 400-square-foot cabin in Swannanoa, North Carolina, represents a fusion of Japanese tranquility, Scandinavian simplicity, and Appalachian craftsmanship. Conceived by documentary photographer Mike Belleme, the cabin is an "experiment in storytelling" inspired by his five-year project, 'Wild Roots,' which explored a 30-acre earthskills homestead. Belleme's experience living in an isolated treehouse within this community, alongside his now-wife Kristen, ignited a desire to share an immersive connection with nature beyond photography. Accessibility to The Nook was prioritized, with a path constructed using primitive building skills learned at the Wild Roots community, though modern methods were employed for the cabin itself to meet building codes. Belleme, a self-proclaimed 'tree nerd,' sourced local wood such as white oak, red oak, black walnut, and black locust for the cabin's structure, reflecting the surrounding environment. Many elements were forged from these local materials, allowing the house's 'bones' to mirror the natural setting. Belleme highlights that each type of wood contributes a distinct mood and personality to the space. The tiny cabin is primarily an open space, with different levels, intimate nooks, and varied wood tones delineating functional areas. The breakfast nook, located near the kitchen and front door, features a lowered ceiling and black walnut wood, creating a cozy atmosphere. In contrast, the living area boasts a high roofline and large windows, using lighter cherry wood to evoke a bright and airy feel. This intentional design blends a Japanese-inspired aesthetic, characterized by its cozier and darker elements, with a Scandinavian style that emphasizes height and brightness, demonstrating how both minimalist approaches can harmoniously coexist. Designing The Nook for short-term vacation rentals afforded creative freedom, allowing for an open layout rather than extensive storage solutions. The cabin includes unique features such as a 'tea loft' above the kitchen, which, despite its impracticality, enhances the sanctuary-like ambiance. This feature holds personal significance for Belleme, whose parents lived in Japan and contributed to America's first miso companies. He describes the cabin's style as "Jappalachian," a blend of Japanese and Appalachian art traditions that share common themes of nature, minimalism, and serenity. The tea loft includes an ebonized oak tea table and ceramic tea cups by Japanese-Appalachian potter Akira Satake. Beyond Satake, The Nook showcases the work of 22 local artists and artisans, whose pieces Belleme acquired through trades. This integration of local art creates a rich, layered narrative within the cabin; for instance, a visitor can observe a hand-loomed, black walnut-dyed Cherokee mat while seeing a black walnut tree outside, all while enjoying a local black walnut liqueur from a black walnut shelf. The construction process was collaborative, with architect Rob Maddox and designer Karie Reinertson of Shelter Interior & Architectural Design Studio adapting plans dynamically based on available resources, such as an enormous arched window found serendipitously. Even after completion, the design process continues with landscaping efforts focused on restoring the property to resemble a native Appalachian forest, minimizing human impact. The Nook is available for rent on Airbnb, offering a unique retreat that connects guests with nature and local artistry. #TinyHomes #CabinDesign #JapaneseDesign #ScandinavianDesign #AppalachianCraftsmanship #SustainableDesign #LocalMaterials #ShortTermRental #ArchitecturalCollaboration

Architect and homeowner Cherie Goff, founder of CGModern, designed her personal residence outside Golden, Colorado, with a strong emphasis on space and energy efficiency. The 1,800-square-foot mountain-modern home is nearly net-zero, demonstrating a commitment to sustainable design principles and a deep connection to its natural surroundings. Goff, along with her husband, works from home, necessitating a design that maximizes functionality within a compact footprint. The house incorporates several key sustainable features, including solar panels, an all-electric system, and strategic shading. Given its mountain location, air conditioning is deemed unnecessary. The design prioritizes comfort and a strong connection to nature, with distinct experiences offered in different rooms despite the home's modest size. The layout is described as an "economy of space," featuring an open-plan kitchen, dining, and living area on the upper story, and a shared office on the lower level. A critical aspect of the design, influenced by the prevalence of wildfires in the Western United States, is the use of highly fire-resistant materials. These include a concrete base, corrugated metal cladding on the second story, and a composite deck. The surrounding trees were also cleared to mitigate fire risks. Goff consciously chose exposed concrete for its visual weight, similar to stone or wood, but as a more economical option. This material forms a heavy base that integrates with the landscape, with a deck wall extending into the grade to anchor the structure. Floor-to-ceiling windows on the second level break up the metal cladding, providing an expansive connection to the outdoors, even in smaller spaces. The first floor is designed to be cozier and more connected to the earth. For the interiors, Goff adopted a minimalist aesthetic with clean lines. Concrete floors are used throughout, complemented by black window frames and a plywood ceiling that adds warmth without the wear and tear associated with wood floors or exterior applications. In a departure from traditional design, the kitchen features a window backsplash instead of tile, enhancing natural light and maintaining the minimalist theme. Bathrooms incorporate playful splashes of color through high-quality, though pricey, chartreuse tile from Heath Ceramics downstairs and green tile from Fireclay Tile upstairs, serving as some of the few decorative elements in the home. A notable design element is the steel spiral staircase, which functions as both a space-saving mechanism and a sculptural artistic statement. Wider than standard models at six feet, it offers comfortable access between levels. Goff's favorite design element is the cantilevered living room. This feature allows the room to extend over the hillside, providing occupants with a profound sense of immersion in nature, described by Goff as feeling like being in a "bird's nest" looking out. The home's HERS (Home Energy Rating System) Index score of 29 indicates its near net-zero status, striving for the gold standard of zero energy consumption. The project involved Cherie Goff of CGModern for architecture and Cottonwood Custom Builders for construction. The house exemplifies a thoughtful approach to modern mountain living, balancing aesthetic appeal with practical considerations for sustainability, efficiency, and safety in its unique environment. #SustainableDesign #NetZeroHome #MountainModernArchitecture #FireResistantMaterials #SpaceEfficiency #MinimalistInteriorDesign #CherieGoff #GoldenColorado #ArchitecturalInnovation

The article showcases 27 inspiring DIY tiny homes constructed using recycled or reclaimed materials, emphasizing the movement's focus on reducing consumption and promoting sustainable living. Each example highlights unique approaches to utilizing unconventional materials and maximizing small spaces. Several tiny homes are built from repurposed vehicles. School buses are a popular choice due to their inherent mobility and generous interior space, allowing for distinct sleeping and living areas, as demonstrated by a conversion featuring magnetized knife storage. Another example is a refrigerated truck transformed into a solar-powered tiny home, emphasizing eco-friendliness. A 1967 Airstream trailer is showcased after being overhauled into a country cottage, complete with a kitchen and clothes washer, utilizing white mini subway tiles. Shipping containers are frequently converted into tiny homes due to their affordability and structural integrity, with one 20-foot container integrating indoor and outdoor spaces through the use of reclaimed wood. Various homes feature specific reclaimed building materials. Rocky Mountain Tiny Houses' "Boulder" model incorporates reclaimed corrugated tin and cedar boards for siding and old barn wood for interior sections, with starting prices around $35,000 for various trailer sizes. Macy Miller's "MiniMotives" project initially used shipping pallets for siding and reclaimed windows. Aaron Maret's "Pocket Shelter" highlights reclaimed pine flooring, barn wood siding, and salvaged entry doors. Another Rocky Mountain Tiny Houses model, the "Bitterroot," draws inspiration from barn designs, using reclaimed corrugated metal for siding and a barn-style roof to create additional loft space. An Airbnb tiny home in Portland utilizes salvaged construction materials, windows from an old horse farm, and a vintage kitchenette. Innovative and self-sufficient designs are also presented. The "Lifehaus" prototype, an ambitious project by architect Nizar Haddad, incorporates recycled tires, pallets, and old utility poles, aiming for complete self-sufficiency through water recycling, wind, and solar power. Rocky Mountain Tiny Houses' curved roof model features reclaimed corrugated metal and cedar, with the distinctive roof providing extra headroom and a guest loft. An "AA Tiny House" demonstrates the use of reclaimed, repurposed, and local materials, including beetle-kill pine, barn wood, and a salvaged kitchen sink. A 34-foot "Red Mountain" tiny home, the largest by Rocky Mountain Tiny Houses, includes a fold-down porch and two sleeping lofts, with cabinetry made from beetle-kill pine. In the UK, Andy Gill and Kate Fox's tiny home, available as a vacation rental, also heavily utilizes recycled and reclaimed materials. "House Alive," a pre-dating movement, builds natural cob homes using sand, straw, and clay, with costs as low as $5,000. Space-saving and aesthetic considerations are also key. A "Tall and Airy Guesthouse" by Nanostead features ample windows, a loft design, and extensive hidden storage. Todd and Pemly Fink downsized into a tiny home filled with reclaimed wood and salvaged items, tailored to their empty-nest lifestyle. A well-designed shipping container in Arizona can sleep four people with bunk beds and a folding futon and dining table. An Oregon tiny home uniquely incorporates windows from a Boeing airplane and features a skylight. Old caboose train cars are converted into 330-square-foot living spaces, offering a unique adventure. A Louisiana tiny house captures regional charm with cypress wood and antique New Orleans corbel brackets. B&B Micro Manufacturing's "The Arcadia" model features a reclaimed barn wood ceiling and skylights, resembling a high-end RV. A Nebraska school bus conversion showcases wood floors, a wood stove, and a wood table, demonstrating how recycled items can transform an old vehicle. Industrial-chic container homes from Australia's Container Building Group highlight space-saving tricks like fold-down beds. An Oklahoma DIY tiny home blends new and old by using wood from semi-truck trailers and galvanized steel from a 50-year-old barn, creating a cozy country feel. Another school bus conversion is designed for off-grid living, featuring bright white interiors, ample light, and raised beds. Finally, "The Little House" by Reclaimed Space in Texas uses board and batten from an 1830s whiskey refinery, reclaimed wood from Texas farmhouses for flooring, and beadboard from a Texas church for the ceiling. #DIYTinyHomes #RecycledMaterials #ReclaimedWood #SustainableLiving #TinyHouseMovement #EcoFriendlyDesign #UpcycledStructures #SmallSpaceLiving #AlternativeHousing