
Step Aside, Cottagecore. Quaint Maximalism Has Arrived
Audrey Gelman, founder of The Wing, has unveiled a new interior design aesthetic called "quaint maximalism" with the opening of her Brooklyn boutique, The Six Bells, and the highly anticipated The Six Bells Inn in New York's Hudson Valley. While initially linked to cottagecore, Gelman's evolving approach has solidified a distinct style that has garnered attention from publications like The New York Times and Architectural Digest. The inn, situated in Rosendale, is a testament to Gelman's dedication to detail, featuring hand-painted wardrobes and custom tin light fixtures, creating a homey, lived-in feel that evokes the charm of a well-loved antique collection.
The design philosophy behind The Six Bells Inn, developed in collaboration with New York interiors firm Greco Deco, is inspired by "Barrow’s Green," a fictional rural town conceived by Gelman. This narrative underpins the entire establishment, with each of the 11 rooms, such as "Scrubbett’s Ledge" and "Mildred’s Plum," offering guests a deeper dive into the town's folklore and a unique, story-rich experience. For instance, "Mildred’s Plum" provides not only a deluxe canopy bed but also a scandalous tale of a poisoned plum, blending comfort with intriguing narrative.
Gelman's design ethos emphasizes sourcing unique, antique pieces rather than showroom items, reflecting years of antiquing across the country. This method allows each furniture piece and decorative element to contribute to a larger, evolving story within the inn. The property is also highly shoppable, with many items like pillows, quilts, lamps, and dinnerware available for purchase, ensuring a dynamic and rotating inventory.
To recreate the quaint maximalist look, several key elements are highlighted. First, a rich, ripe color palette inspired by late summer or early fall farmstand produce, featuring deep berry tones like figs, plums, and eggplants, creates a cozy atmosphere. Second, "pastoral pattern drenching" involves using the same petite floral or country-themed patterns on ceilings, walls, windows, and canopies for an immersive experience, drawing inspiration from brands like Sister Parish and Schumacher. Third, stenciled motifs are abundant throughout the inn, covering walls, ceilings, and furniture, reminiscent of 1980s Country Living magazine archives. Local artist Wally Whitehurst's hand-painted interiors, including the fictional landscape of Barrow’s Green on the entrance ceiling, exemplify this technique.
Fourth, painted furniture is a prominent feature, contrasting with the recent trend of natural wood finishes and promoting a revival of colored furniture, as seen in the cannonball beds of Mildred's Plum. Fifth, carved box beds, evolving from medieval farmhand quarters, are reinterpreted with painted millwork and plush bedding, offering a modern yet cozy, cocoon-like sleeping arrangement with berry-colored curtains. Finally, Tyrolean touches, inspired by alpine lodge detailing, are evident in carved embellishments and distinctive Tyrolean chairs found in The Feathers tavern, characterized by their whimsical, curvy silhouettes and handcrafted origins, making them striking accent pieces.
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