These Midcentury Reissues Are Crafted to Be True Collector’s Items

Noz Nozawa, a San Francisco-based designer, has introduced a new line of chandeliers and sconces for Corbett Lighting, drawing inspiration directly from her personal jewelry collection. Her design philosophy posits that lighting serves as the jewelry of a home, a concept she has materialized by translating actual rings, bracelets, and necklaces into elegant lighting fixtures. Nozawa's approach involved "mega-sizing" cherished antique and vintage jewelry pieces, extracting their forms, silhouettes, and inherent purposes. This connection between jewelry and lighting extends beyond visual aesthetics to encompass the manufacturing processes. Nozawa observes that the creation of delicate-looking diamond rings and tennis bracelets involves robust and complex techniques, mirroring the metal forging and glass blowing processes found in the lighting industry. She highlights how the fabrication methods for chains and glass in lighting production have clear parallels, albeit on a micro-scale, in jewelry making. This realization allowed her to craft a lighting collection that not only visually references her beloved jewelry but is also inspired by the intricate methods of its creation. One direct example of her translation process is the Bezel sconce, which stemmed from a Victorian-era ring. Nozawa's initial sketch for the collection was a brass wall sconce with inset luna glass, directly inspired by an 1891 three-diamond ring she acquired at an antique show. The ring's bezel-set design, where stones are flush with the gold, gives the sconce its name. Available in three-stone and five-stone versions, the Bezel sconce can be hung horizontally to evoke vanity lights or vertically as a dazzling, organically shaped fixture. Another inspiration comes from an 18th-century-style bangle, which led to the Riviere chandelier featured in Nozawa's own living room. This chandelier, characterized by cabochon-studded elements, addresses her desire for a fixture that emits light outwards rather than downwards, eliminating the need for a glare-diffusing panel. The chandelier's "gems" are crafted from heavily veined ice onyx, whose striations are visible whether the lights are on or off, and are accentuated by a luxurious gold-leaf finish that interacts beautifully with natural and ambient light. The Riviere line also incorporates Nozawa's favored mariner chain motif, reminiscent of ship anchor chains, and includes a wall sconce designed to resemble a dangling earring. Nozawa’s practice of stacking necklaces, as seen on her Instagram, influenced the Daith chandelier. This fixture allows for numerous dramatic arrangements with varying heights, diverging from typical multi-pendant chandeliers that often feature globes of a single size. The Daith chandelier utilizes etched-glass globes that mimic the softened pyramid shape of a sugarloaf cut in gemstones, suspended by her signature mariner chains. The burnished brass finish, designed to replicate 18-karat gold with a pre-patina, provides a rich, orangey hue that feels like a living finish, evoking antique jewelry. The customizability of the Daith fixture is a key feature, allowing all six lights to be draped in either an organized or deliberately disorganized manner. In her own dining area, a chain extends from above the table to the bar area, showcasing the flexibility intended for the entire collection. Nozawa aimed for a versatile collection that appeals to a wide audience, offering a striking "kapow!" light fixture for minimalist interiors or a maximalist piece that gives the impression of layered necklaces suspended from the ceiling. #NozNozawa #CorbettLighting #JewelryInspiredLighting #HomeDecor #InteriorDesign #LightingDesign #AntiqueJewelryInfluence #Chandeliers #Sconces

Antiques hold significant historical and cultural value, often commanding extraordinary prices at auctions due to their rarity, craftsmanship, and connection to the past. These items are cherished by collectors and historians, with some fetching millions of dollars. The Pinner Qing Dynasty Vase, an 18th-century Chinese porcelain piece, stands out as the most expensive antique ever sold, reaching an astounding $80.2 million in 2010. Its intricate floral designs and vibrant colors, coupled with its historical significance from the Qing Dynasty, contribute to its immense value. Another highly valued Chinese artifact is the Ru Guanyao Brush Washer Bowl, a 900-year-old dish from the Northern Song Dynasty. This small bowl, measuring just over five inches, sold for $37.68 million at a Sotheby’s auction in 2017, largely due to its intense blue-green glaze and unique "ice-crackle" pattern. In the realm of furniture, the Badminton Cabinet, an 18th-century Florentine masterpiece, fetched $36 million. Its elaborate design, standing over 12 feet tall, and its use of semi-precious stones highlight its opulence and intricate craftsmanship. Textiles also command high prices, as exemplified by a Vase-technique Persian Rug from the William Andrews Clark estate, which sold for $33.76 million. Its exceptional condition and rarity were key factors in its record-breaking sale. Beyond decorative arts, scientific manuscripts like Leonardo da Vinci’s Codex Leicester, a collection of his writings and sketches covering astronomy, water movement, and fossils, were purchased by Bill Gates for $30.8 million, underscoring its intellectual and historical importance. Modern design pieces can also achieve high valuations, as seen with the Dragon’s Chair by Irish designer Eileen Gray, which sold for $27.8 million. Its distinctive dragon motif and its creator's reputation make it a prized item, reflecting the growing appreciation for unique 20th-century furniture. Horological marvels, such as the Patek Philippe Henry Graves Supercomplication Watch, also attract significant investment. This pocket watch, commissioned in 1925, features 24 complications and sold for $24 million, representing a peak in intricate mechanical engineering. Another Qing Dynasty Vase, an 18th-century Chinese porcelain piece known for its exquisite craftsmanship and vibrant colors, realized $19 million. The willingness of individuals to spend exorbitant amounts on antiques stems from several motivations, including historical significance, rarity, and aesthetic appeal. Antiques offer a tangible connection to the past, serving as symbols of status and exclusivity. They are often viewed as valuable investments, with the potential for appreciation. The artistry and craftsmanship inherent in many antiques also contribute to their desirability, as they are often considered works of art. Collectors are drawn to the unique stories and provenances associated with each piece, making the acquisition of antiques a deeply personal experience. The process of auctioning antiques involves several steps, beginning with the seller either directly auctioning items or consigning them to an auction house. Auction houses provide valuation, advertising, and manage the bidding process. Before an auction, items are typically available for preview, allowing potential bidders to inspect them. During the auction, registered bidders compete, and the item is sold if the final bid meets or exceeds the seller's reserve price. Online platforms facilitate broader participation but involve different logistical considerations. While determining the single most valuable antique collection is challenging, the British Royal Family's Royal Collection, managed by the Royal Collection Trust, is widely recognized as one of the largest and most significant art collections globally, comprising over a million objects spanning various cultures and historical periods. #Antiques #Collectibles #ArtMarket #HistoricalArtifacts #LuxuryGoods #AuctionRecords #ChineseArt #FurnitureDesign #Manuscripts

The article explores the growing demand for antique and vintage collectibles in 2025, highlighting how these items contribute to creating settled and storied rooms. It emphasizes a shift towards furniture and homeware with age and provenance, moving away from purely new aesthetics. The discussion delves into eight specific categories of collectibles currently experiencing a resurgence in popularity and value. First, Mid-century Modern design, spanning from the post-war years to the late 1960s, is identified as the most popular design era for vintage and antique resellers. Iconic designers like Charles and Ray Eames, Arne Jacobsen, and British brands such as G-Plan and Ercol are highly sought after. The enduring appeal of Mid-century pieces lies in their inherent utility, with functional designs like generous sideboards, articulated lighting, and modular sofas that suit modern living. Authenticity can be determined by looking for labels, maker’s marks, and materials with a warm, matte patina, rather than shiny or overly pristine finishes. Next, Murano glass is experiencing renewed enthusiasm for its vivid artistry and elaborate craftsmanship. Originating from the Venetian Lagoon islands, authentic Murano glass is handmade using traditional techniques passed down over 700 years. It is recognized by signatures, etched artist names, studio labels, or certificates of authenticity, and lacks mold seams due to its handblown nature. Studio pottery is also enjoying a significant resurgence as homeowners seek the warmth and individuality of handmade ceramics. Pieces by celebrated British potters such as Bernard Leach, Lucie Rie, and Hans Coper are increasingly integrated into modern homes. This category is seen as a worthwhile investment, with prices for mid-century and contemporary studio pottery on the rise. Genuine studio pottery often bears a signature or stamp and exhibits subtle irregularities like throwing rings or glazing variations, distinguishing it from mass-produced items. Wall sconces are gaining popularity as an alternative to harsh overhead lighting, offering a more refined glow. Antique wall sconces, often featuring brass arms, opaline shades, and smoked glass, are affordable and can be used in pairs or lines to enhance various spaces. Kitchenalia, including antique weighing scales, jelly moulds, and copper pots, are becoming prized collectibles. These items are used decoratively to introduce character and a sense of history, contrasting with the precision of modern kitchens. Platforms like Vinterior offer a wide selection of evocative antique kitchenware. Suzanis, hand-embroidered decorative textile panels from Central Asia, are increasingly sought after by collectors and designers. Traditionally part of a bride’s dowry, these textiles are recognized by their intricate embroidery, bold patterns, and symbolic motifs. They can be layered on floors or hung as wall art. Authentic suzanis are entirely hand-embroidered, showing irregularities in stitch size and tension, and lack machine stitching. 1970s statement seating, exemplified by Michel Ducaroy’s Togo Sofa, is back in demand, alongside other iconic pieces like the Soriana by Tobia Scarpa and the Camaleonda by Mario Bellini. These low-slung, lounge-forward sofas reflect a shift towards comfort and informality, and while expensive, are considered valuable investments for their comfort, longevity, and aesthetics. Finally, Art Deco accessories are experiencing a renewed appreciation, particularly with the centenary of the 1925 Paris exposition. Antique dealers note a surge in interest for Art Deco mirrors, such as sunburst designs and symmetrical triptychs, and barware, including jazzy bar carts, glass decanters, mirrored trays, and chrome ice buckets and cocktail shakers, which add theatrical flair without overwhelming a space. The article provides a comprehensive overview of these trending collectibles, offering insights into their appeal, provenance, and tips for identification. #AntiqueCollectibles #VintageHomeDecor #MidCenturyModern #MuranoGlass #StudioPottery #WallSconces #Kitchenalia #SuzaniTextiles #SeventiesSeating #ArtDecoAccessories #InteriorDesignTrends #HomeFurnishings

Evan Wood, the proprietor of Charlotte-based Chandelier & Light, specializes in transforming antique and unconventional items into distinctive lighting fixtures. His approach ensures originality by allowing clients to provide materials, fostering a unique collaborative design process. Wood's expertise lies in taking objects with historical or sentimental value, such as European keepsakes or flea market finds, and integrating them into new lighting designs. This method not only results in one-of-a-kind pieces but also allows for the preservation and repurposing of items that might otherwise be discarded. The more unusual the object, the more creative the challenge for Wood, leading to truly bespoke creations. A notable example of his innovative work involved an old fish trap, which he reconfigured into two distinct chandeliers. This exemplifies his ability to visualize new purposes for seemingly disparate objects. The success of Chandelier & Light is largely attributed to the quality and uniqueness of each finished product, leading to a business built primarily on word-of-mouth referrals. Initially, Wood engaged in traditional marketing efforts, distributing door flyers and mailing advertisements to interior decorators, electricians, and antique dealers. However, the distinctiveness of his craft quickly established a strong reputation within the community. Wood's creations can be found in various establishments and residences throughout Charlotte. Examples include a chandelier at Pizza Peel, sconces adorning the dressing rooms of Capitol boutique, and custom fixtures installed in NASCAR driver Jimmie Johnson’s motor coach. While Chandelier & Light primarily serves interior designers and antique dealers, approximately a quarter of its clientele consists of homeowners seeking unique lighting solutions for their personal spaces. Beyond crafting bespoke lamps, Wood also provides essential services such as wiring and lighting repairs, further solidifying his role as a comprehensive lighting specialist. Operating his business from a workshop within his home, Wood embraces the challenge inherent in his work. He expresses a keen interest in encountering new and unfamiliar items, viewing them as opportunities to apply his problem-solving skills and restore them to their original or an enhanced state. Wood established Chandelier & Light in 1993, shortly after earning a mechanical engineering degree from UNC-Charlotte. This technical background, combined with his artistic sensibility and an eye for design, proved to be a highly effective combination, particularly during a period of significant growth and expansion in Charlotte. The diverse nature of his projects ensures that Wood remains engaged and stimulated, even in challenging economic conditions. He finds constant excitement in the prospect of new assignments, recognizing that there is always something novel to create or restore. This continuous influx of varied work keeps his passion for the craft alive. The article suggests that Chandelier & Light offers more information on page 50 of the Home & Garden October 2009 issue, placing this piece within a broader context of home and garden features. #LightingDesign #AntiqueRestoration #CustomLighting #HomeDecor #RepurposedMaterials #CharlotteDesign #InteriorDesign #ArtisticCraftsmanship

Identifying antique and vintage glassware can be a fascinating endeavor, yet it often presents challenges due to the diverse production periods and styles throughout history. Glassware is generally classified as antique if it is over 100 years old, while items at least 40 years old are considered vintage. Regardless of its exact age, these pieces can be elegantly integrated into home decor. To begin the identification process, careful observation is crucial. Examining the piece's shape, surface texture, weight, and overall quality can offer initial clues. Key questions to consider include whether the glass is transparent, opalescent, or iridescent, and if any decorative elements provide hints about its origin or maker. Following observation, checking for signatures or marks is a vital step. These identifiers are typically found on the underside of the glass, though some may be located on the body. If a signature is faint, rubbing the glass with a charcoal pencil can help make it more legible. Leveraging online resources is another effective method. Many auction houses, such as Live Auctioneers, maintain publicly accessible records of past sales, allowing enthusiasts to compare their pieces with similar items that have been auctioned. Additionally, numerous online communities and websites dedicated to glass collectors provide extensive documentation. A notable example is loetz.com, which meticulously details the history and products of a specific art glass firm. Social media platforms, particularly Facebook, also host various groups focused on nearly every imaginable type of glass, offering a collaborative space for identification. For pieces suspected of being particularly valuable, professional consultation with an auction expert is recommended. These professionals can assess the item's worth and determine if it meets the criteria for auction. While glass production spans many eras, a significant portion of glassware found in second-hand shops or inherited collections dates from the late 19th and early 20th centuries. This period is often regarded as a pinnacle for the medium. However, it's important to note that 90 to 95 percent of such glassware is relatively common. The most valuable category is art glass, which comprises pieces created solely for aesthetic appreciation rather than practical use. Two prominent makers from this 'apex' period are Thomas Webb & Sons and Tiffany Studios. Thomas Webb & Sons, based in the U.K., specialized in cameo glass, employing layered glass that was acid-etched or carved to reveal Neoclassical designs. Their creations often depicted mythological scenes, drawing inspiration from ancient Roman glass unearthed at the time. In the U.S., Louis Comfort Tiffany's Tiffany Studios produced Favrile glass, known for its handmade quality and iridescent finish. Tiffany was influenced by the iridescent effects observed in ancient Roman and Egyptian glass, and his studio successfully replicated this appearance. Tiffany Studios is widely recognized as one of the most significant glass manufacturers in history, with its pieces often commanding high values. Most Tiffany pieces are signed, though contemporaries also produced similar styles, sometimes with hard-to-identify marks. Ultimately, regardless of its monetary value, any piece of glassware can serve as a beautiful and meaningful addition to a home. #antiqueGlassware #vintageGlass #glasswareIdentification #artGlass #ThomasWebbAndSons #TiffanyStudios #homeDecor #collectibleGlass #decorativeArts

The year 2025 is anticipated to bring forth new trends in the antiques collecting scene, as experts predict several specific categories will capture the interest of enthusiasts. Gustavian furniture, known for its elegant blend of French Neoclassical design with Swedish simplification, is expected to see a surge in popularity. This style, characterized by light colors, local woods like pine and birch, and versatile functionality, is praised for adding character and historical depth to interiors, making it a sound investment that often appreciates in value over time. Examples include Gustavian chests used as bedside tables and buffets for storage in dining and living areas. Another emerging trend is the incorporation of antique garden accents into home decor. This encompasses both bringing outdoor elements inside and treating outdoor spaces as extensions of indoor living areas. Large antique planters and urns are being utilized indoors for greenery, while smaller versions serve as decorative holders for fresh flowers. French Neoclassical and Art Deco planters are particularly sought after. Stone tables are also gaining traction for indoor use due to their durability and unique weathered appearance, which develops a rich patina from environmental exposure. For outdoor settings, pieces like French café tables, concrete or stone dining tables, swan planters, and stone animal sculptures are becoming popular for their ability to add individuality and charm to gardens and porches. Painted panels and screens are also identified as a trending antique category. These items are valued for their artistic quality and versatility, serving as decorative pieces, room dividers, or elements to conceal less appealing areas. Experts emphasize the enduring demand for vintage and antique home decor that imbues spaces with character and history. Elizabeth Pash, a designer and owner of an interiors and antiques business, highlights decorative screens, including painted ones, as underappreciated elements in interior design. Murano glass, particularly its “frilly” and ornate variations, is another material expected to captivate collectors. Produced in Italy for over 1,500 years, with a concentration on the island of Murano, these delicate glass pieces, such as mirrors, chandeliers, lamps, and glassware, offer a playful elegance. The ability to identify genuine Murano glass is key to acquiring these items, which provide a jewel-like touch to any home. Furthermore, equestrian motifs are continuing their trend, having been significantly influenced by popular culture. Horse-themed fabrics, sculptures, paintings, and various trinkets, like vintage brass letter openers, offer diverse ways to integrate this aesthetic into a home, whether for a subtle nod or a more pronounced display. Finally, opal and opaline are gaining attention from both seasoned collectors and new antique shoppers. These materials, found in items such as Art Deco desk lamps, glassware, pendant lights, wall sconces, bowls, and vases, offer a soft, lustrous alternative to more overtly sparkly or shiny metallic accents. Their subtle glow can enhance any setting with a sophisticated touch. These diverse antique categories reflect a broader appreciation for timeless pieces that offer unique charm, history, and investment value to modern homes. #AntiqueTrends #HomeDecor #GustavianFurniture #GardenAccents #MuranoGlass #EquestrianMotifs #OpalAndOpaline #InteriorDesign #Collecting

This article explores a curated selection of vintage design classics that have been reissued with modern technologies and sustainable updates, demonstrating how iconic pieces from the past can be reimagined for contemporary living. The focus is on a variety of furniture and lighting designs from leading brands and design masters, each offering a blend of historical significance and renewed functionality. One featured piece is the ‘Parigi’ armchair by Aldo Rossi, reissued by UniFor. Originally part of Rossi's vision for an ideal office at the end of the 1980s, this armchair exemplifies his architectural background combined with furniture functionality. Its distinctive slanted black aluminium frame supports a bright red, surprisingly soft polyurethane foam seat, reflecting Rossi's desire to translate personal, fantastic elements into rational, repeatable pieces. The reissue, a Wallpaper* Design Award 2022 winner, maintains the original aesthetic while adapting to modern sensibilities. Charlotte Perriand’s ‘Petit Bureau en Forme Libre’, reissued by Cassina, is another highlight. Designed in 1952 for Perriand's own Montparnasse studio, this freeform desk showcases her pioneering approach to design with its curved forms that allow flexible use. Crafted from solid Canaletto Walnut and available in black, the updated version includes an optional compartment for sockets and cables, seamlessly integrating modern practicalities without compromising its innovative form. This piece also received a Wallpaper* Design Award 2022. The ‘265 Chromatica’ lamp by Paolo Rizzatto for Flos, designed in 1973, is reissued in its original colour-coded concept. Rizzatto's first lighting design, the lamp was initially based on drawings using blue for the moving arm, yellow for the counterweight, and red for the lampshade. This new chromatic edition celebrates Rizzatto's belief that colour defines light and its function within architecture, earning it a Wallpaper* Design Award 2022. The article also revisits Clara Porset’s ‘Butaque’ chair, reissued by Luteca. Porset, a Cuban-born designer who worked in Mexico, is celebrated for her reinterpretation of the traditional Latin American 'Butaque' chair, merging Spanish colonial and pre-Colombian forms. Luteca collaborated with the National Autonomous University of Mexico to faithfully recreate Porset’s 1940s design. CB2 has reissued several pieces by American designer Paul McCobb, including the 1952 ‘Pavilion’ outdoor collection and the 1951 ‘Exposior’ lighting range. The ‘Pavilion’ collection features delicate iron frames and Sunbrella fabrics, while ‘Exposior’ lighting combines brass, wood, and travertine, making these designs accessible to a wider audience while preserving McCobb's legacy. Mario Bellini's ‘Camaleonda’ sofa, designed 50 years ago, is reissued by B&B Italia with a strong sustainable focus. While retaining its modular, contemporary aesthetic, the internal structure is now made from FSC-certified beech wood and recyclable materials, with feet from recycled wood, emphasizing ease of disassembly and environmental responsibility. Very Good & Proper and Isokon Plus have reissued two tables by Bauhaus designer Marcel Breuer, based on blueprints from 1937. One was previously produced at Bauhaus, while the other remained unproduced. The reissue utilizes energy-efficient and environmentally conscious processes, honoring the original experimental designs and their inherent modernist values. Another Mario Bellini design, the ‘Duc-Duc’ sofa from 1976, has been reissued by Cassina. This modular piece, reflecting the free design spirit of its era, maintains faithfulness to the original while incorporating updated measurements and materials for enhanced comfort, including a 100% recycled fibre made from ocean-recovered PET. Acerbis, under new creative direction, has relaunched Giotto Stoppino’s ‘Menhir’ tables. These totemic compositions of colourful marble modules, originally created with company founder Lodovico Acerbis, represent a blend of pioneering Italian design and a commitment to bringing iconic midcentury pieces back to life. Nanna Ditzel’s ‘Arkade’ chair, originally designed in 1983, has been revisited by Brdr Krüger. This piece showcases Ditzel’s blend of traditional craftsmanship, new materials, and elegant geometries, with customization options for fabrics like Kvadrat’s ‘Hallingdal’. Gianfranco Frattini’s ‘Kyoto’ table, inspired by Japanese and Northern Italian woodworking techniques from his 1974 trip to Japan, has been reissued by Poltrona Frau. This table features an interlocking structure with a grid surface of 1,681 squares, where wooden elements dovetail to create a self-supporting, reconfigurable composition, embodying functional design without superfluous decoration. Finally, Cassina and Ginori 1735 collaborated to reissue Le Corbusier’s ‘Prunier’ tableware. Created in 1961 for London’s Prunier restaurant and inspired by his earlier tapestry work, these plates feature stylised motifs hand-applied on enameled white porcelain, merging quality and form. Achille Castiglioni’s ‘Diabolo’ lamp, his last lighting design for Flos from 1998, also returns in three new shades, maintaining its minimal design while referencing traditional Chinese toys. #VintageDesign #DesignClassics #FurnitureDesign #LightingDesign #SustainableDesign #ModernistDesign #ReissuedDesign #InteriorDesign #HomeDecor

This article explores how three Westchester homeowners master the art of chic collecting, blending formidable treasures and flawless taste to create truly livable homes rather than museum-like spaces. Each homeowner or couple showcases a unique approach to integrating extensive and diverse art collections into their personal residences. Karen Schlansky's Chappaqua home, which also functions as a gallery for her business, Rose Court Asian Antiques, exemplifies how Asian art can be seamlessly integrated into various decors. Her 1987-built "country barn" style home, characterized by wide-planked pine floors and exposed-beam ceilings, eclectic furnishings, and diverse collections. Schlansky's collection includes Tang Dynasty pottery sculptures, a third-century pottery lokapala, and Ming Dynasty musicians, which she skillfully mixes with contemporary furniture and art from other cultures like African masks and Southwestern paper collages. Her journey into antique dealing began with a passion for Chinese history and culture during her travels, leading her to establish Rose Court Asian Antiques in 1997. Initially, her gallery was in the lower level of her home, but she later moved it to the first floor to better demonstrate how the pieces would look in a living space. While most of her pieces are for sale, a cherished Qing Dynasty lacquered leather box, representing her family's leather business, remains a permanent fixture, symbolizing her past, present, and future. Dr. Lewis Shapiro and Linda Swanson, after downsizing from a rustic Briarcliff Manor home to a two-bedroom condominium in Trump Tower at City Center, faced the challenge of displaying their extensive global art collection. Their collection, which began in 1985 after Swanson acquired African art from Sotheby's, includes 20th-century wooden masks from Western Africa, thousand-year-old Casas Grandes pottery from Mexico, and antique Chinese snuff bottles. They enlisted Scarsdale interior designer Linda Blair of Blair Interiors Group, Ltd., who, as a collector herself, understood their desire to integrate art into their living space rather than merely displaying it. Blair designed the apartment with a neutral color palette of cream, beige, and caramel to highlight the art and used traditional yet comfortable furniture. Custom cabinetry in the living room showcases a range of their prized pieces, such as a painted gold Ashanti staff finial, a Kuba cub, and a Dan chimpanzee mask. A concrete pillar was transformed into a display for intricately carved Yoruba twins, and an illuminated niche in the entry foyer highlights ancient Roman artifacts, flanked by 16th-century French church columns. The entrance also features framed illuminated miniatures from Les Très Riches Heures du Duc de Berry, holding both artistic and sentimental value for Swanson. Blair's goal was to unify and organize their diverse collection, creating a livable space that avoided feeling like a museum. Marc and Denyse Ginzberg, homeowners in Rye, have transitioned from collecting African art to focusing on Ethiopian crosses. Their sleek, modern home, designed by Charles Forberg in 1993, offers spectacular water views and features custom-made shelves, antique armoires, and chests to display their collections. Initially, their collection included world-class African art such as ceremonial combs, hairpins, hats, sword handles, spoons, clubs, and whistles. After collecting for over 35 years and amassing an impressive collection of authentic African masks and sculptures, the Ginzbergs decided to sell their figurative works due to rising prices. They then shifted their focus to non-figural, abstract objects of use, known as "forms," which were featured in Marc's book, African Forms. After auctioning off a significant portion of this collection at Sotheby's Paris, breaking records for non-figurative African art, the Ginzbergs have now turned their attention to intricately designed Ethiopian crosses from the 12th to 19th centuries, composed of bronze, iron, wood, and silver. This new passion reflects their continuous engagement with collecting and their ability to identify emerging areas of interest in the art world, often ahead of museums and other collectors. #ArtCollection #HomeDesign #InteriorDesign #AsianAntiques #AfricanArt #EthiopianCrosses #ArtCollecting #DecorativeArts #HomeDecor

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

This article details the journey of Christopher Caparro and Susanna Musotto in acquiring and thoughtfully renovating a 1964 midcentury residence designed by architect Doug Rucker in Laurel Canyon, Los Angeles. The couple's pursuit of a home in the picturesque Laurel Canyon began in 2015. After an initial inability to find a suitable property, they relocated to Hollywood but remained vigilant in their search. Caparro's patience was rewarded in spring 2016 when a colleague informed him that the Rucker-designed home, originally built for actor Jack Hogan, was quietly being prepared for sale by its then-owner, Muriel Kessler. Despite an initial asking price beyond their budget, Caparro seized the opportunity to visit the rectangular, flat-roofed, redwood-clad home, which cantilevered over a hillside. The 1,800-square-foot, three-bedroom, two-and-a-half-bathroom house, with its post-and-beam construction and large glass windows, presented significant potential, despite the need for modernization. Within days of their visit, Caparro and Musotto made an offer, which Kessler accepted without negotiation. Upon taking ownership, they embarked on a series of renovations designed to update the home while preserving its original architectural integrity. This included replacing wall-to-wall carpeting with tile on both levels and updating the kitchen with cost-effective Ikea components and new appliances, while retaining the original layout. Caparro also deepened the visual contrast of the home's interior by painting the upper-level beams a darker brown, complementing the existing knotty-pine ceilings. The carpeted stairs were replaced with floating mahogany treads, chosen to harmonize with the home's original 12-inch redwood shiplap, a material celebrated for its enduring quality and modern aesthetic. The article highlights Rucker's architectural philosophy, particularly his use of natural materials like redwood and his intentional design elements such as leading lines and floor-to-ceiling windows that create a 'treehouse' effect, blurring the lines between indoor and outdoor spaces. Rucker's clever use of illusion in features like pocket doorways, which appear to extend from floor to ceiling when closed, is also noted. Caparro's commitment to the home's legacy extended beyond renovation; he pursued and successfully obtained Historic-Cultural Monument status for the residence, a designation that safeguards its structural elements while allowing for interior aesthetic changes. This decision reflects his dedication to protecting and conserving the architectural heritage. Remarkably, Caparro also took it upon himself to connect the home's history by facilitating interactions between Rucker, Kessler, and Bernard Judge, another architect who had previously undertaken rehabilitation work on the property. He even communicated with Jack Hogan, the original owner, to gather insights into the home's inception. This endeavor provided a comprehensive understanding of the property's timeline, making the home profoundly more significant to Caparro and Musotto. Their deep connection to the house and its history solidifies their intention to reside there for the remainder of their lives, acting as devoted stewards of this midcentury architectural treasure. #MidcenturyModern #ArchitecturalPreservation #HomeRenovation #DougRucker #LaurelCanyon #LosAngelesArchitecture #HistoricCulturalMonument #PostAndBeam #RedwoodDesign

This article highlights ten classic midcentury modern furnishings that are considered timeless investments, capable of elevating any living space and enduring for generations. These iconic pieces, primarily from renowned brands such as Herman Miller and Knoll, are celebrated for their enduring style and versatility, seamlessly integrating into various interior design aesthetics. The selection emphasizes both the historical significance and the functional elegance of each item. First, the Herman Miller Noguchi Table, designed by sculptor Isamu Noguchi, is presented. Following his apprenticeship with Constantin Brancusi, Noguchi expanded his artistic endeavors into product design, creating this distinctive coffee table characterized by its sculptural form. Next, the Herman Miller Eames Lounge Chair and Ottoman are featured, representing Charles and Ray Eames's vision of design that enhances everyday life with greater pleasure. This iconic lounge chair is recognized for its comfort and sophisticated aesthetic. The Louis Poulsen PH 5 Mini Pendant, conceived by Poul Henningsen in 1958, is included for its innovative design that delivers glare-free illumination. Its multi-shade construction and diverse finish options allow for flexible placement within various rooms. The Artek Stool E60, originally designed by Alvar Aalto in 1933, showcases a simple yet robust form with four bent birch legs supporting a round birch slab seat, available in a range of colors. Marcel Breuer's Knoll Wassily Chair is celebrated for its timeless appeal, featuring a tubular steel frame that was inspired by Breuer's fascination with bicycle construction. The FLOS Arco Floor Lamp, created by brothers Achille and Pier Castiglioni in 1962, offers an ingenious lighting solution, providing overhead light without requiring ceiling suspension. Its design, inspired by a streetlight, includes a polished shade on a swiveling arm for precise control. The Knoll Saarinen Dining Table, designed by architect Eero Saarinen, exemplifies his talent for creating sculptural forms, from his architectural projects to his furniture. The Pedestal Table, designed in 1956, is highlighted for its magical quality. The Knoll Barcelona Chair, created by Ludwig Mies van der Rohe for the 1929 International Exhibition in Barcelona, is described as an iconic piece with royal origins. The Herman Miller Nelson Saucer Bubble Pendant, developed by George Nelson, addresses the need for stylish yet affordable lighting, inspired by a costly silk-covered Swedish lamp. Finally, the Carl Hansen & Søn Wishbone Chair, designed by Hans Wegner in 1944, draws inspiration from Ming Chairs and is crafted using natural materials and steam-bent methods, ensuring its longevity and timeless beauty. #MidcenturyModern #TimelessDesign #FurnitureClassics #InteriorDesign #HomeDecor #DesignInvestment #IconicFurniture #ProductDesign #ClassicPieces

The article explores the world of antiquing in Kansas City, highlighting the passion and methods employed by local antique dealers to source unique items for their stores. It delves into the experiences of owners from Weird Stuff Antiques, Urban Mining Antiques, and River Market Antiques, providing insights into their sourcing strategies, the types of items that sell well, and the overarching philosophy behind their work. Antique dealers employ diverse methods to discover items, including attending auctions, estate sales, garage sales, and leveraging online platforms like Craigslist and Facebook Marketplace. Terry Sanchez, owner of Weird Stuff Antiques, emphasizes the effectiveness of word-of-mouth and personal relationships in finding valuable pieces. He notes the shift from traditional newspaper ads to digital platforms for sourcing. Sanchez also observes that the rise in popularity of shows like 'American Pickers' has led to more individuals engaging in 'picking,' necessitating an extra layer of business acumen for seasoned dealers to distinguish themselves. Heather London, owner of Urban Mining Antiques, acknowledges the increased challenge in sourcing due to heightened interest in vintage items but finds the successful discovery of rare pieces highly rewarding. Her most significant find involved an estate sale of local artists, which offered a connection to Kansas City's history. The article also examines customer preferences and market trends within the antique retail sector. Jessica Caulkins, owner of River Market Antiques, notes the varied desires of customers, ranging from young collectors seeking retro toys to older individuals reminiscing about their childhood. She highlights the popularity of specific vintage items, such as Pyrex patterns and architectural salvage. Caulkins, with 17 years of experience managing numerous vendors, has observed persistent trends, with mid-century modern furniture being a particularly strong and long-lasting demand, especially among loft dwellers in Kansas City. She also points out how external influences, like bridal magazines featuring vintage glassware, can create short-term but intense demand for certain items. London suggests that geographical location within Kansas City influences consumer tastes in home decor. Sanchez, after five decades in the business, prefers to focus on timeless items like old signs, cars, and musical instruments, rather than chasing fleeting trends, believing that novelty and keeping things 'fun' sustain customer interest. Ultimately, the article underscores that the antique business is driven by a profound passion for vintage items and the thrill of discovery. Dealers like Sanchez find continuous learning and engagement with like-minded individuals to be highly satisfying. Caulkins expresses pride in her role in combating a 'throwaway' culture by promoting the reuse and refurbishment of quality items, considering antique dealers to be original recyclers. For both sellers and buyers, the core appeal of antiquing lies in the 'hunt' – the excitement of unearthing a unique, historically rich item that represents a 'Holy Grail' moment. #Antiquing #KansasCityAntiques #VintageDecor #AntiqueDealers #MidCenturyModern #HomeDecorTrends #ThrillOfTheHunt #RecyclingCulture #LocalHistory

This article highlights a curated selection of 21 antique and vintage pieces, ranging from furniture to decorative accessories, handpicked for their aesthetic appeal and functionality within a modern home. The collection features items from various periods and origins, offering insights into their design characteristics and potential uses in interior spaces. Among the featured furniture pieces is a vintage coffee-coloured travertine dining table, priced at £1,400, characterized by its solid structure, beautiful pattern, and angular lines that subtly evoke 1970s design. Another highlight is a pair of 19th-century French slipper chairs, costing £2,395, which are versatile for creating cozy nooks due to their blue ticking fabric and black legs on castors. An elegant early 19th-century French settee, priced at £2,495, is admired for its carved stretcher and legs, showcasing an attractive aged patina and a timeless shape. A decorative 18th-century Swedish Rococo cabinet, available for £6,200, is noted for its carved pediment, ample storage with doors and drawers, and a recent repaint in light grey with a blue interior. Complementing this are a pair of 20th-century Gustavian-style armchairs, retailed at £3,400, which have been reupholstered in pale linen and repainted in soft grey, suitable for bedrooms or living rooms. The selection also includes two c.1930 Swedish chests of drawers for £3,800, praised for their minimalistic design, canted corners, and tapered feet, making them ideal for compact bedside storage or flanking a fireplace. A classic pair of French Napoleon III tub chairs, priced at £1,495, offer decorative curved lines and neatly turned legs, perfect for bedrooms or occasional living room seating. For living spaces, an oval travertine coffee table with fluting detail on its base is available for £880, featuring a bullnose edge and varied stone patterns. A stylish early 20th-century mahogany writing table, costing £495, boasts a worn dark blue leather top, refined design with cabriole legs, brass casters, and original fittings, making it suitable as a vanity or compact desk. Additionally, a large Louis Philippe commode with walnut veneer, a marble top, reeded detailing, and four drawers with ornate brass handles is featured for £895, showing gentle wear consistent with its age. The article also presents a selection of vintage accessories. These include an Art Deco Ceiling Lantern from Lassco starting at £4,000, a Brass Scalloped Shell Dish from Kept London for £115, and an Elegant Mid Century French Iron Adjustable Floor Lamp from Norfolk Decorative Antiques for £895. Other notable accessories are a Vintage Spanish Ceramic Bowl from Rococo London Interiors at £95, a Pair of Woven & Bamboo Side Tables with Glass from Kept London for £175, and a Woven Metal Fluted Bread Basket from Narchie at £42. Rounding out the accessory list are Hollywood Regency Table Lamps from The Hoarde for £395, a Neo-Classical Brass Hall Lantern from Lassco for £1,800, a Glazed Ceramic Candelier with Lemon Motifs from 1st Dibs for £187.21, a Vintage French Double Wall Light from Rococo London Interiors for £295, and a Bordallo Pinheiro White Cabbage Cruet Set from CuriousFindsLDN for £10. Each item is presented with its price and source, aiming to simplify the process of finding unique antique pieces for interior decoration. #AntiqueFurniture #HomeDecor #VintageFinds #InteriorDesign #TravertineFurniture #FrenchAntiques #SwedishAntiques #DecorativeAccessories #HomeAccessories

This article provides ten key tips from David Pollack, an Old Master Specialist at Sotheby's New York, on effectively hanging artworks to enhance a living space. The primary advice emphasizes that personal preference dictates the 'correct' way to hang art, as individuals should arrange pieces in a manner that brings them joy. However, Pollack also offers professional insights to optimize the visual impact of artworks within a home. The article differentiates hanging strategies based on the artwork's scale and detail. Intricately detailed and minutely painted pictures, such as smaller works or sketches, are best placed where they can be viewed up close, like on a side wall, desk, or bookshelf. Conversely, large, painterly pieces require more expansive settings, such as above a sofa, mantelpiece, or on a larger wall, to allow their full visual impact to be appreciated. Regarding placement within a home, Pollack suggests hanging cherished artworks in high-traffic areas, including sitting rooms, dens, and bedrooms. These locations ensure both residents and guests have frequent opportunities to view and enjoy the pieces. The article also addresses distinctions in displaying contemporary art versus Old Masters. Contemporary works, often larger, are typically hung as individual statement pieces with ample surrounding space, while Old Masters were traditionally displayed 'Salon Style,' covering entire walls. While this traditional method can be visually rich, Pollack cautions that it is best suited for spaces with high ceilings and large walls, and he expresses a fondness for the intentionally asymmetrical 'gallery hang' of smaller works. Conservation is highlighted as a crucial aspect of responsible art display. The article advises particular care for pieces on wood panels, which are susceptible to warping due to humidity fluctuations, recommending consistent climate control. Proper framing is also presented as a means to create a protective microclimate for delicate works. The integration of different styles and periods is strongly encouraged, with Pollack advocating for blending old and new art as the most effective way to collect and decorate. He notes that such an approach allows for unique connections between seemingly unrelated works, creating interesting and personalized home environments. Regarding framing, Pollack, as an Old Master specialist, offers guidance on traditional frames. He suggests that certain 'old fashioned' frames, like simple, jet-black 17th-century Dutch frames, can appear surprisingly modern and complement various paintings. Traditional gilt frames can also work in contemporary homes, though elaborately carved 18th-century French frames are described as grand statement pieces requiring deliberate placement. The article also touches upon the role of interior designers, acknowledging their value for larger projects while asserting that personal taste should ultimately drive display decisions. Finally, the importance of conservation is reiterated, particularly concerning light exposure, which can damage works on paper or other non-oil-based mediums, though oil paintings are generally more resilient to direct sunlight. The overarching golden rule presented is that 'quality looks good next to quality,' implying that a well-chosen object can hold its own in any domestic setting. #ArtworkDisplay #HomeDecor #InteriorDesign #ArtCollection #OldMasters #ContemporaryArt #ArtConservation #FramingArt #SothebysTips

Renowned L.A. interior designer Kelly Wearstler, celebrated for her work on Proper Hotels and the homes of celebrity clients like Cameron Diaz and Gwen Stefani, sources many of her distinctive pieces from the biannual Round Top Antiques Fair in Texas. This massive fair, held in March and October, spans 22 miles near Austin and offers an extensive array of home items, from antique European furniture and candelabras to Americana and cowboy boots. Wearstler's connection to the Round Top Antiques Fair was fostered by Sheila Youngblood, the proprietor of Rancho Pillow. Youngblood, often regarded as the unofficial spirit leader of the fair, introduced Wearstler and other designers to this treasure trove of antiques. Rancho Pillow itself is a unique 20-acre compound in Round Top, offering accommodations that diverge from traditional hotel rooms. Instead, it features an 18th-century hand-hewn Hemlock barn, a two-bedroom casita, a poolside bungalow, and space for numerous oversize tents. It serves as a retreat for celebrities and artists seeking creative inspiration and relaxation, embodying a vibrant, bohemian atmosphere. Youngblood, who acquired the property years ago as a personal retreat, has meticulously restored and expanded Rancho Pillow, furnishing it with finds from Round Top and her global travels. During the Antiques Fair, Rancho Pillow becomes a hub of activity. Youngblood hosts "Feasts in the Field," an event where rows of tables are set up under the stars, and guest chefs cater meals, creating a communal dining experience for fair-goers. Additionally, Rancho Pillow temporarily houses "A Current Affair," a vintage clothing pop-up that brings together vintage retailers and dealers from across North America. For those looking to emulate Wearstler and Youngblood's antiquing strategy, key locations at the Round Top Antiques Fair include the Big Red Barn, Market Hill, The Compound, and the Marburger Farm Antiques Show, which might require two full days to explore thoroughly. After a day of extensive shopping, visitors can return to Rancho Pillow to cool off in the watering hole, a welcome respite from the Texas heat, and gather around a campfire during the "Feasts in the Field." This immersive experience offers furniture enthusiasts a memorable opportunity to discover unique items and engage with the vibrant atmosphere of the fair, blending serious antique hunting with a lively social and cultural environment. #KellyWearstler #InteriorDesign #AntiqueFair #RoundTopTexas #HomeDecor #RanchoPillow #VintageFurniture #DesignSource #TexasAntiques

Design trends, particularly in interiors, are cyclical, with styles continuously going in and out of fashion. What was once considered dated or uncool often experiences a revival, a phenomenon highlighted by design experts Kate Pearce of Kate Pearce Vintage and Krystal Reinhard of Old Soul Design Studio. They emphasize that pieces previously dismissed are now making a comeback, driven by a fresh approach to styling that blends old-world charm with modern aesthetics, prioritizing craftsmanship over fleeting trends. One significant item making a return is the skirted sofa and chair. These pieces have historical precedence, appearing in the early 19th century and during the Colonial Revival of the 1920s, and then again in the 1960s with velour fabrics. After a period dominated by furniture with exposed legs and sharp silhouettes, skirted designs are now perceived as soft, tailored, and sophisticated. To update their look, designers suggest pairing them with sculptural tables or streamlined lighting to avoid a "shabby chic" appearance. The choice of fabric is also crucial, with bold prints or vibrant color palettes recommended to modernize the furniture and balance its more traditional elements. Murano glass, which includes items like mirrors, chandeliers, and decorative dishes, is also experiencing a major resurgence. Once viewed as old-fashioned, it has become highly coveted in the secondhand market. This renewed popularity is attributed to a growing appreciation for quality and artisanship in an era of mass-produced decor. The intricate craftsmanship of Murano glassmakers appeals to consumers seeking unique and well-made items. Ceramic figurines, often relegated to the realm of kitsch, are another antique enjoying a comeback. Contemporary design embraces these figurines for the character and whimsy they can add to a space, moving away from generic decor towards more collectible, personality-filled pieces. To incorporate them effectively, designers recommend seeking out vintage figurines with distinctive glazes, handmade textures, and visible craftsmanship from charity shops or antique markets. Styling tips include grouping them in odd numbers or varying their scale for visual interest on shelves and mantels. Ornate gilt mirrors, reminiscent of the grandeur of Versailles, are also back in vogue after previously being dismissed as "gaudy." These mirrors are valued for introducing history and polish, particularly in rooms with minimalist or clean-lined aesthetics. When sourcing vintage gilt mirrors, the advice is to look for genuine or naturally aged gilding with warm tones and interesting crest details. They can be effectively placed above modern console tables or in smaller, unexpected spaces like a downstairs loo to create an effortless contrast. Finally, landscape art, once considered predictable or even dull, is experiencing a renewed appreciation. Historically, such pieces were abundant in charity shops and markets, often associated with a bygone era. However, the rise of "grandmacore" and "cottagecore" aesthetics has brought them back into the mainstream. This shift also reflects a move away from mass-produced wall art towards original paintings found in secondhand venues. Landscape art is now seen as offering a calming effect, evoking a simpler time and appealing to those looking for unique, artisanal decor. #AntiqueRevival #InteriorDesignTrends #HomeDecor #VintageFurniture #MuranoGlass #CeramicFigurines #GiltMirrors #LandscapeArt #SustainableDecor

A recent auction by Wright in Chicago showcased influential and rare 20th-century furniture designs, highlighting pieces that have significantly shaped the world of modern interiors. The sale featured approximately 320 items, ranging from benches and bureaus to desks and daybeds, attracting considerable attention from collectors and design enthusiasts. The total proceeds from the auction exceeded $1.4 million, underscoring the enduring value and appeal of these iconic designs. Among the standout pieces was the renowned Marshmallow Sofa, designed by Irving Harper in 1956. This piece, a symbol of post-war optimism, features rows of discs seemingly exploding off its metal frame, influenced by the atomic age and serving as a precursor to the pop art movement of the 1960s. One of only 186 original sofas produced by Herman Miller between 1956 and 1961, this particular sofa, wrapped in vintage Alexander Girard upholstery, fetched $10,000 at the auction. Production of the Marshmallow Sofa was discontinued in 1961 but resumed in the 1980s, solidifying its status as an absolute classic and icon of American midcentury design, as noted by Wright CEO Richard Wright. Another item of significant interest was a 1956 office chair designed by the architect Frank Lloyd Wright. This chair, characterized by its industrial and space-age aesthetic, was originally created for the Price Tower in Bartlesville, Oklahoma. Frank Lloyd Wright conceived both the building and its interior furnishings to achieve a harmonious design. Richard Wright, emphasizing the chair's significance, described it as one of Wright’s best designs from his later period, originating from his only realized skyscraper. The chair, with its sloping leather-clad arms, broad base, and variegated green-striped upholstery reflecting the architect’s affinity for nature, sold for $11,250 despite Wright's own admissions about the often-uncomfortable nature of his furniture designs. The auction also featured a pair of 1955 teak, cane, and upholstered benches by Swiss architect Pierre Jeanneret. These benches, originating from the M.L.A. Flats building in Chandigarh, India, which Jeanneret helped design in the 1950s, embody his minimalistic aesthetic with simple forms and V-shaped legs designed for durability. They sold for $31,200, more than double their initial auction estimate, reflecting the high demand for Jeanneret's work. Concluding the notable sales was a 1974 Conoid headboard and platform bed designed by George Nakashima. Crafted from Persian walnut, this Zen-looking bed showcased an overhang with a natural edge and sliding doors for concealed storage. Nakashima’s design philosophy emphasized the inherent qualities of wood, often highlighting imperfections like knots and cracks, which he stabilized with butterfly joints. This piece sold for $27,500, significantly exceeding its estimate, demonstrating the continued appreciation for Nakashima's unique approach to woodworking and furniture design. #WrightAuction #20thCenturyFurniture #MidcenturyDesign #IrvingHarper #MarshmallowSofa #FrankLloydWright #PierreJeanneret #GeorgeNakashima #DesignAuction

The article highlights the cultural significance and personal connection to the 'Starburst' dinnerware pattern, originally released in 1953 by Franciscan Ceramics. This pattern, characterized by blue, yellow, and olive green star-like shapes on a cream background, resonated with the public's fascination with the burgeoning Space Age, with its design evoking imagery of atoms and orbiting electrons. The article centers on Patricia Matos-Puente, a medical doctor and chair of the board of the Smithsonian Institution Traveling Exhibition Service, whose personal experiences underscore the pattern's enduring appeal. Matos-Puente developed a keen interest in space exploration during her childhood in the 1960s, a period marked by NASA's Gemini and Apollo missions. She fondly recalls watching these broadcasts with her father and cherishes memories of family gatherings, especially Thanksgiving dinners, where her mother frequently used the Starburst dinnerware. For Matos-Puente, these dishes were more than just tableware; they symbolized the exciting promise of the future and her family's shared experiences. The idea to donate her family's Starburst dishes to the National Air and Space Museum was sparked by a visit to the St. Louis Science Center in 2018, where she observed a display featuring similar dinnerware. Following her father's passing, Matos-Puente approached the museum, ultimately donating two place settings and the serving pieces from her extensive collection. She retained six place settings for personal use on special occasions, demonstrating the deep sentimental value these items hold for her. The Starburst pattern is now considered a valuable cultural artifact, representing a unique blend of mid-century design, popular culture, and the scientific optimism of the Space Age. Its inclusion in the National Air and Space Museum's collection signifies its recognition as a historical object that reflects societal trends and technological aspirations of the era. The article is part of the Summer 2025 issue of Air & Space Quarterly, the National Air and Space Museum's magazine, further cementing the historical and cultural importance of this seemingly ordinary household item. #SpaceAge #Tableware #Collectibles #MidCenturyDesign #FranciscanCeramics #StarburstPattern #NASA #CulturalArtifact #NationalAirAndSpaceMuseum